Categories
A Wonderful World

Vignettes from a Borderless World

Enjoy some of the most memorable gems from our treasury … gems that were borne of pens that have written to make our world bloom and grow over time.

The first cover art by Sohana Manzoor published in Borderless Journal

Poetry

An excerpt from Rabindranath Tagore’sThe Child‘, a poem originally written in English by the poet. Click here to read.

Click on the names to read the poems

 Luis Cuauhtémoc Berriozábal,  Masha Hassan, Ryan Quinn Flangan LaVern Spencer McCarthy, Prithvijeet Sinha, Shamik Banerjee, George FreekG Javaid RasoolRakhi Dalal, Afsar Mohammad, Kiriti Sengupta, Adeline Lyons, Nilsa Mariano, Jared Carter,  Mitra SamalLizzie PackerJenny MiddletonAsad Latif, Stuart Mcfarlane, Kumar Bhatt, Saranyan BVRex Tan, Jonathan Chan, Kirpal Singh, Maithreyi Karnoor, Rhys Hughes, Jay Nicholls

Tumi Kon Kanoner Phul by Tagore and Anjali Loho Mor by Nazrul, love songs by the two greats, have been translated from Bengali by Professor Fakrul Alam. Click here to read.

Poetry of Jibananda Das translated by Fakrul Alam and Rakibul Hasan Khan from Bengali. Click here to read.

Mahnu, a poem by Atta Shad, translated from Balochi by Fazal Baloch. Click here to read. 

Manish Ghatak’s Aagun taader Praan (Fire is their Life) has been translated from Bengali by Indrayudh Sinha. Click here to read.

Amalkanti by Nirendranath Chakraborty has been translated from Bengali by Debali Mookerjea-Leonard. Click here to read.

Ye Shao-weng’s poetry ( 1100-1150) has been translated from Mandarin by Rex Tan. Click here to read.

Homecoming, a poem by Ihlwha Choi on his return from Santiniketan, has been translated from Korean by the poet himself. Click here to read.

Essays

 Travels & Holidays: Humour from Rabindranath: Translated from the original Bengali by Somdatta Mandal, these are Tagore’s essays and letters laced with humour. Click here to read.

Temples and Mosques: Kazi Nazrul Islam’s fiery essay translated by Sohana Manzoor. Click here to read.

The Comet’s Trail: Remembering Kazi Nazrul Islam: Radha Chakravarty pays tribute to the rebel poet of Bengal. Click here to read.

The Oral Traditions of Bengal: Story and Song: Aruna Chakravarti describes the syncretic culture of Bengal through its folk music and oral traditions. Click here to read.

Discovering Rabindranath and My Own Self: Professor Fakrul Alam muses on the impact of Tagore in his life. Click here to read.

One Life, One Love, 300 Children : Keith Lyons writes of Tendol Gyalzur, a COVID 19 victim, a refugee and an orphan who found new lives for many other orphans with love and an ability to connect. Click here to read.

When West Meets East & Greatness Blooms: Debraj Mookerjee reflects on how syncretism impacts greats like Tagore,Tolstoy, Emerson, Martin Luther King Jr, Gandhi and many more. Click here to read.

Amrita Sher-Gil: An Avant-Garde Blender of the East & West: Bhaskar Parichha shows how Amrita Sher-Gil’s art absorbed the best of the East and the West. Click here to read.

A Manmade Disaster or Climate Change?: Salma A Shafi writes of floods in Bangladesh from ground level. Click here to read.

Dilip Kumar: Kohinoor-e-Hind: In a tribute to Bollywood legend Dileep Kumar,  Ratnottama Sengupta, one of India’s most iconic arts journalists, recollects the days the great actor sprinted about on the sets of Bombay’s studios …spiced up with fragments from the autobiography of Sengupta’s father, Nabendu Ghosh. Click here to read. 

Dramatising an Evolving Consciousness: Theatre with Nithari’s Children: Sanjay Kumar gives us a glimpse of how theatre has been used to transcend trauma and create bridges. Click here to read.

Are Some of Us More Human than Others ?: Meenakshi Malhotra ponders at the exclusivity that reinforces divisions, margins and borders that continue to plague humankind, against the backdrop of the Women’s Month, March. Click here to read.

To Be or Not to Be or the Benefits of Borders: Wendy Jones Nakanishi argues in favour of walls with wit and facts. Click here to read. 

Reminiscences from a Gallery: MF Husain: Dolly Narang recounts how she started a gallery more than four decades ago and talks of her encounter with world renowned artist, MF Husain. Click here to read.

In The Hidden Kingdom of Bhutan: Mohul Bhowmick explores Bhutan with words and his camera. Click here to read.

From Srinagar to Ladakh: A Cyclist’s Diary: Farouk Gulsara travels from Malaysia for a cycling adventure in Kashmir. Click here to read.

Musings

Baraf Pora (Snowfall) by Rabindranath Tagore, gives a glimpse of his first experience of snowfall in Brighton and published in the Tagore family journal, Balak (Children), has been translated from Bengali by Somdatta Mandal. Click here to read.

Migrating to Myself from Kolkata to Singapore: Asad Latif explores selfhood in context of diverse geographies. Click here to read. 

Cherry Blossom ForecastSuzanne Kamata brings the Japanese ritual of cherry blossom viewing to our pages with her camera and words. Click here to read.

 Hair or There: Party on My HeadDevraj Singh Kalsi explores political leanings and hair art. Click here to read.

 Ghosts, Witches and My New Homeland: Tulip Chowdhury muses on ghosts and spooks in Bangladesh and US. Click here to read.

 Two Pizza Fantasies, Rhys Hughes recounts myths around the pizza in prose, fiction and poetry, Click here to read.

An Alien on the Altar!: Snigdha Agrawal writes of how a dog and lizard add zest to festivities with a dollop of humour. Click here to read.

Where it all Began: Sybil Pretious recounts her first adventure, an ascent on Mt Kilimanjaro at the age of sixty. Click here to read.

Conversations

Rabindranath Tagore: A Universal Bard.: This conversation between Aruna Chakravarti and Sunil Gangopadhyay that took place at a Tagore Conference organised by the Sahitya Akademi in Kochy in 2011. Click here to read.

Sriniketan: Tagore’s “Life Work”: In Conversation with Professor Uma Das Gupta, Tagore scholar, author of A History of Sriniketan, where can be glimpsed what Tagore considered his ‘life’s work’ as an NGO smoothening divides between villagers and the educated. Click here to read. (Review & Interview).

In conversation with the late Akbar Barakzai, a Balochi poet in exile who rejected an award from Pakistan Academy of Letters for his principles. Click here to read.

In A Voice from Kharkiv: A Refugee in her Own CountryLesya Bukan relates her journey out of Ukraine as a refugee and the need for the resistance. Click here to read.

Andrew Quilty, an award winning journalist for his features on Afghanistan, shares beyond his book,August in Kabul: America’s Last Days in Afghanistan and the Return of the Taliban, in a candid conversation. Click here to read. 

Jim Goodman, an American traveler, author, ethnologist and photographer who has spent the last half-century in Asia, converses with Keith Lyons. Click here to read.

In Bridge over Troubled Waters, the late Sanjay Kumar tells us about Pandies, an activist theatre group founded by him that educates, bridging gaps between the divides of university educated and the less fortunate who people slums or terror zones. Click here to read.

In Lessons Old and New from a Stray Japanese CatKeith Lyons talks with the author of The Cat with Three PassportsCJ Fentiman who likes the anonymity loaned by resettling in new places & enjoys creating a space for herself away from her birthplace. Click here to read.

Fiction

 Aparichita by Tagore: This short story has been translated as The Stranger by Aruna Chakravarti. Click here to read.

Hena by Nazrul has been translated from Bengali by Sohana Manzoor. Click here to read. 

Playlets by Rabindranath Tagore : Two skits that reveal the lighter side of the poet. They have been translated from Bengali by Somdatta Mandal. Click here to read.

Pus Ki Raat or A Frigid Winter Night by Munshi Premchand has been translated from Hindi by C Christine Fair. Click here to read. 

Abhagi’s Heavena poignant story by Saratchandra Chattopadhyay translated by Aruna Chakravarti. Click here to read.

An Eternal Void, a Balochi story by Munir Ahmed Badini translated by Fazal Baloch. Click here to read.

The Witch, a short story by renowned Bengali writer Tarasankar Bandopadhyay (1898 to 1971), translated by Aruna Chakravarti. Click here to read.

I Grew into a Flute: Balochi Folktale involving magic retold by Fazal Baloch. Click here to read.

Give Me A Rag, Please:A short story by Nabendu Ghosh, translated by Ratnottama Sengupta, set in the 1943 Bengal Famine, which reflects on man’s basic needs. Click here to read

Rakhamaninov’s Sonata: A short story by Sherzod Artikov, translated from Uzbeki by Nigora Mukhammad. Click here to read.

The Magic Staff , a poignant short story about a Rohingya child by Shaheen Akhtar, translated from Bengali by Arifa Ghani Rahman. Click here to read.

Khaira, the Blind, a story by Nadir Ali, has been translated from Punjabi by Amna Ali. Click here to read. 

The Browless Dolls by S.Ramakrishnan, has been translated from Tamil by B Chandramouli. Click here to read.

Orang Minyak or The Ghost: A Jessie Michael explores blind belief in a Malay village. Click here to read.

Flash Fiction: Peregrine: Brindley Hallam Dennis tells us the story of a cat and a human. Click here to read.

No Man’s Land: Sohana Manzoor gives us surrealistic story reflecting on after-life. Click here to read.

The Protests Outside: Steve Ogah talks of trauma faced by riot victims in Nigeria. Click here to read.

Flash Fiction: Turret: Niles M Reddick relates a haunting tale of ghosts and more. Click here to read.

Henrik’s Journey: Farah Ghuznavi follows a conglomerate of people on board a flight to address issues ranging from Rohingyas to race bias. Click here to read.

Does this Make Me a Psychic?; Erwin Coombs tells a suspenseful, funny, poignant and sad story, based on his real life experiences. Click here to read. 

Phôs and Ombra: Paul Mirabile weaves a dark tale about two people lost in a void. Click here to read.

A Queen is Crowned: Farhanaz Rabbani traces the awakening of self worth. Click here to read.

The Chopsy Moggy: Rhys Hughes gives us a feline adventure. Click here to read.

Happy Birthday Borderless… Click here to read.
Art by Sybil Pretious
Categories
Humour & Horror

Spooky, Chooky, Gooky

Art by Sohana Manzoor

It’s again that time of the year when we have fun spooking each other with stories of ghosts and haunting. While festivals of light1 and darkness vie with each other for a spot on the same date, observances to pay our respects to our forefathers follow at their heels, some before and some after.

In this selection, we bring to you narratives that could be dark, strange or funny or all of these … a selection of poetry, fiction and non-fiction from around the world. Enjoy the reads!

Poetry

Of Singing Mice, Biscuit Tins & Gym Bikes… by Rhys Hughes. Click here to read.

Human by Manzur Bismil has been translated from Balochi by Fazal Baloch. Click here to read.

In Another Galaxy by Masud Khan has been translated from Bengali by Professor Fakrul Alam. Click here to read.

The Waiting by Stuart MacFarlane. Click here to read.

Walking Gretchums by Saptarshi Bhattacharya. Click here to read.

Bonfire by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Exaltation in D. Minor (I’ll Be Around) by Ryan Quinn Flangan. Click here to read.

It’s Halloween! by Michael Burch. Click here to read.

Prose

From Diana to ‘Dayaan’ : Rajorshi Patronobis talks of Wiccan lore. Click here to read.

The Ghosts of Hogshead: Paul Mirabile wanders into the realm of the supernatural dating back to the Potato Famine of Ireland in the 1800s. Click here to read.

My Christmas Eve “Alone”: Erwin Coomb has a strange encounter at night. Is it real? Click here to read. 

Orang Minyak or The Ghost: A Jessie Michael explores ‘ghosts’ in a Malay village. Click here to read.

The Browless DollsS.Ramakrishnan‘s spooky story, has been translated from Tamil by B Chandramouli. Click hereto read.

 Witches and Crafts: A Spook’s TaleDevraj Singh Kalsi finds a ghostly witch in his library. Click here to read.

In The Chopsy Moggy: Rhys Hughes gives us a strange feline adventure. Click here to read. 

Ghosts, Witches and My New Homeland: Tulip Chowdhury muses on ghosts and spooks in Bangladesh and US. Click here to read.

Nagmati: Prafulla Roy’s long story based on strange folk beliefs has been translated from Bengali as Snake Maiden by Aruna Chakravarti. Click here to read.

From Public Domain

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  1. Deepavali or festival of lights is on October 31st this year along with Kali Puja and Halloween. October 30th is Bhooth Chaturdashi, or Indian Festival of Ghosts while All Saints’ Day and all Souls’ Day are observed at the start of November. Early October hosted Pitri Paksha, observances for apeasing forefathers in India. ↩︎

Categories
World Poetry Day

What is Home?

Celebrating poetry around the world, our focus this year is on refugees, immigrants or poetry by migrants… In a way, we are all migrants on this Earth and yet immigration for both climate and war has created dissatisfaction in the hearts of many. Can mankind unify under the single blue dome which covers all our home?


“The Journey” by Alwy Fadhel, an asylum seeker to Australia. The piece is included in the Exile collection of the Refugee Art Project. Art from Public Domain.

We start by welcoming migrants from Jupiter but how do we react to human migrants within Earth… ?

All the Way from Jupiter

By Rhys Hughes

All the way
from Jupiter came the refugees,
their heads
made of hydrogen,
and helium, their knees.
No one cried:
depravity!
for we were pleased
to help them
relocate to Earth: we offered
them homes
inside plastic domes
uncrowded but
full of swirling clouds
blown by the music of
fierce trombones
to mimic the crushing gravity.

All the way
from one of our homegrown
war zones
came refugees on their knees
and we said:
no, no, no, and no again!
Go back home right now,
be killed,
assaulted,
it’s all your own fault
for being born here on Earth.
The newcomers
from Jupiter are tubular
like cucumbers,
but men, women and children
like yourselves
aren’t welcome.

And what do refugees from war-torn zones on Earth have to add?These are poems by those who had to escape to safety or move homes for the sake of conflict.

I am Ukraine brought to us by Lesya Bakun, while she was on the run from her home to a place of refuge outside her homeland. Click here to read.

Immigrant’s dream brought to us by Ahmad Al-Khatat, who migrated from Iraq to the West to find sustenance. Click here to read.

In some cases, the wounds lingered and the progeny of those who escaped earlier conflicts give voice to past injuries as well as some immigrants who wandered to find a better life share their experiences.

In 1947, Masha Hassan writes of her grandmother’s plight during the Partition of the Indian Subcontinent. Click here to read.

Bringing along their homeland by Abdul Jamil Urfi talks of immigrants from Lahore in Delhi in the 1960s. Click here to read.

Stories Left Unspoken: Auschwitz & Partition Survivors by Cinna give us stories of people who moved for wars and politics. Click here to read.

A Hunger for Stories by Quazi Johirul Islam, translated from Bengali by Professor Fakrul Alam, gives a migrant’s saga. Click here to read.

Reminiscence by Mitra Samal reflects on an immigrant’s longing for her home. Click here to read.

Finding the Self in Rooted Routes by Isha Sharma explores at an individual level the impact of immigration. Click here to red.

Birth of an Ally reflects Tamoha Siddiqui’s wonder with new flavours she experiences away from her original homeland. Click here to read.

Two Languages by Luis Cuauhtémoc Berriozabal explores linguistic diversity in immigrants. Click here to read.

These could be listed as turns of history that made people relocate.

Red Shirt Hung from a Pine Tree by Ryan Quinn Flanagan takes two issues into account — violence against humanity and colonial displacement of indigenous people — is that migration? Click here to read.

Products of War by Mini Babu talks of the displacement of humanity for war. Click here to read.

This Island of Mine by Rhys Hughes reflects on climate disaster. Click here to read.

Some empathise with those who had to move and write of the trauma faced by refugees.

Migrant Poems by Malachi Edwin Vethamani reflect on migrants and how accepted they feel. Click here to read.

Birds in Flight by A Jessie Michael empathises with the plight of refugees. Click here to read.

The Ceramicist by Jee Leong Koh records the story of a migrant. Click here to read.

And some wonder about the spiritual quest for a homeland… Is it a universal need to be associated with a homeland or can we find a home anywhere on Earth? If we stretch the definition of homeland to all the planet, do we remain refugees or migrants?

Anywhere Particular by Wendy Jean MacLean reflects on the universality of homes — perhaps to an extent on nomadism. Click here to read.

Where is Home? by Shivani Shrivastav meditates on the concept of home. Click here to read.

Sparrows, a poem translated from Korean by the poet — Ihlwha Choi — questions the borders drawn by human laws. Click here to read.

 Journey of Hope  by Tagore has been translated from Bengali by Mitali Chakravarty. It explores the spiritual quest for a home. Click here to read the poem in English and listen to Tagore’s voice recite his poem in Bengali. 

Some look forward to a future — perhaps in another galaxy — post apocalypse.

In Another Galaxy by Masud Khan translated from Bengali by Fakrul Alam wonders at the future of mankind. Click here to read.

And yet others believe in the future of humankind.

We are all Human by Akabar Barakzai, translated from Balochi by Fazal Baloch, is a paean to humanity. Click here to read.

We are all Human 

By Akbar Barakzai...

Russia, China and India,
Arabs and the New World*,
Africa and Europe,
The land of the Baloch and Kurds --
Indeed, the whole world is ours.
We are all human.
We are all human...

Click here to read the full poem.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Contents

Borderless August 2023

Art by Sohana Manzoor

Editorial

Other Echoes in the Garden… Click here to read.

Interviews

Ujjal Dosanjh, former Minister from Canada and former Premier of British Columbia, discusses his autobiography, Journey After Midnight – A Punjabi Life: From India to Canada, and the need for a world with less borders. Click here to read.

Professor Fakrul Alam discusses his new book of Tagore translations, Gitabitan: Selected Song-Lyrics of Rabindranath Tagore. Click here to read.

Translations

Tagore’s Musalmanir Galpa (A Muslim Woman’s Story) has been translated from Bengali by Aruna Chakravarti. Click here to read.

Masud Khan’s poem, In Another Galaxy, has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Wakeful Stays the Door, a poem by Munir Momin, has been translated from Balochi by Fazal Baloch. Click here to read.

Dangerous Coexistence, written in Korean and translated by Ilhwah Choi. Click here to read.

Proshno or Questions by Tagore has been translated by Mitali Chakravarty. Click here to read.

Pandies Corner

Songs of Freedom: An Ordinary Tale is a narrative by Nandani based on her own experiences, translated from Hindustani by Janees. These narrations highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and Pandies. Click here to read.

Poetry

Click on the names to read the poems

Jared Carter, Rhys Hughes, Malachi Edwin Vethamani, Luis Cuauhtémoc Berriozábal, Saranyan BV, Ryan Quinn Flanagan, A Jessie Michael, Jahnavi Gogoi, George Freek, Koushiki Dasgupta Chaudhuri, David Francis, Akil Contractor, Michael Burch

Poets, Poetry & Rhys Hughes

In An Experiment with Automatic Poetic Translation, Rhys Hughes auto translates an English poem sequentially through 28 languages and then back to English with hilarious results. Click here to read.

Musings/ Slices from Life

Mister, They’re Coming Anyway

Timothy Jay Smith writes on the refugee crisis in Lesbos Island, Greece with photographs by Michael Honegger. Click here to read.

Migrating to Myself from Kolkata to Singapore

Asad Latif explores selfhood in context of diverse geographies. Click here to read.

Islands that Belong to the Seas

Paul Mirabile muses on how humans are like migrants on islands borrowed from the seas. Click here to read.

Of Dreams, Eagles and Lost Children

Aysha Baqir muses on the narrow, closed borders that condemn children. Click here to read.

Mushroom Clouds and Movies: Response from a Hibakusha’s Daughter

Kathleen Burkinshaw discusses Oppenhiemer the movie. Click here to read.

Sleepless in the High Desert, Slumber in the Sierra

Meredith Stephens covers Nevada to Columbia in a car with her camera. Click here to read.

My Hostel Days

Ravi Shankar reminisces on bygone days. Click here to read.

Musings of a Copywriter

In The Amateur Professional, Devraj Singh Kalsi writes of a amateur who thought of himself as a professional. Click here to read.

Notes from Japan

In How I Wound Up in Japan, Suzanne gives her story as an immigrant. Click here to read.

Essays

A Different Persuasion: On Jane Austen’s Novels & their Adaptations

Deepa Onkar delves into the world of Jane Austen books and films. Click here to read.

A Foray into Andamans

Mohul Bhowmik explores Andaman with a camera and narrative. Click here to read.

Bhaskar’s Corner

In Chittaranjan Das: A Centenary Tribute, Bhaskar Parichha discusses the life of one of the most legendary Odia writers. Click here to read.

Stories

Belacan

Farouk Gulsara shares a story based on the life of a migrant in 1950s. Click here to read.

The Japanese Maple

Shivani Shrivastav weaves a story of friendship and loneliness among migrants. Click here to read.

The Coin

Khayma Balakrishnan explores human and supernatural interactions in a school setting in Malaysia. Click here to read.

The Vagrant

Reeti Jamil narrates a strange tale set in a village and told by a farmer. Click here to read.

Book Excerpts

An excerpt from Ujjal Dosanjh’s Journey After Midnight: A Punjabi Life from Canada to India. Click here to read.

An excerpt from Roses in the Fire of Spring: Better Roses for a Warming World and Other Garden Adventures, by M.S. Viraraghavan and Girija Viraraghavan. Click here to read.

Book Reviews

Somdatta Mandal reviews Amitav Ghosh’s Smoke and Ashes: A Writer’s Journey Through Opium’s Hidden Histories. Click here to read.

Basudhara Roy reviews Greening the Earth: A Global Anthology of Poetry, edited by K. Satchidanandan & Nishi Chawla. Click here to read.

Bhaskar Parichha reviews Arunava Sinha’s The Greatest Indian Stories Ever Told: Fifty Masterpieces from the Nineteenth Century to the Present. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

Birds in Flight

By A Jessie Michael

BIRDS IN FLIGHT   

Birds in flight
Wings spread wide and tight
Lift off
In perfect formation
Inbuilt navigation
Flying to food and shelter
Unperturbed by storming weather

Men in flight
Crammed in rickety open boats
Set off
Flotsam of a nation
Escaping damnation
No leader, no navigator
No telling their fate in water

They look up to the sky
See birds in flight
Gliding high
In perfect formation
Inbuilt navigation
Out in front a leader
Heading to food and shelter

HAVE WE?  HAVE WE?

Have we learnt another language
to challenge our little brains?
Have we walked in others’ shoes 
and learnt of their pain?
Have we shared with them a cup of joy
and freely drunk of theirs too?
Have we sat at their table and
broken bread with them?
Have we stood beside the others 
and thought them just the same?
Have we risen above ancient anger,
forgiven our fellow men,
thought them worthy of our compassion
and stretched out our hands?
Have we emptied the bitter cup
that diminishes all men?

Our colours are but geography,
our religions but pathways 
to the same universal One.
So who is to say who is better?
It is always our own buried fear,
that we pray at the alter,
then curse the man on the street
just because he looks different 
and is from another land;
just because we will not say
he is really homo deus.

                                                                            

A. Jessie Michael is a retired Associate Professor of English from Malaysia. She has written short stories for online journals, local magazines and newspapers. She has published an anthology of short stories Snapshots, with two other writers and most recently her own anthology The Madman and Other Stories (2016).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Contents

Borderless, March 2023

Art by Sohana Manzoor

Editorial

Imagine… Click here to read.

Translations

A translation from Nabendu Ghosh’s autobiography, Eka Naukar Jatri (Journey of a Lonesome Boat), translated by Dipankar Ghosh, from Bengali post scripted by Ratnottama Sengupta. Click here to read.

Uehara by Kamaleswar Barua has been translated from Assamese and introduced by Bikash K. Bhattacharya. Click here to read.

Kurigram by Masud Khan has been translated by Professor Fakrul Alam from Bangla. Click here to read.

Bonfire by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Tagore’s Borondala (Basket of Offerings) has been translated by Mitali Chakravarty from Bengali. Click here to read.

Poetry

Click on the names to read the poems

Michael R Burch, Kirpal Singh, Luis Cuauhtémoc Berriozábal, Amit Parmessur, Carl Scharwath, Isha Sharma, Gale Acuff, Anannya Dasgupta, Vaishnavi Saritha, Ryan Quinn Flanagan, Pragya Bajpai, George Freek, Sanket Mhatre, Ron Pickett, Asad Latif, Rhys Hughes

Poets, Poetry and Rhys Hughes

In Indian Pale Ale, Rhys Hughes experiments with words and brews. Click here to read.

Conversation

Being fascinated with the human condition and being vulnerable on the page are the two key elements in the writing of fiction, author and poet Heidi North tells Keith Lyons in a candid conversation. Click here to read.

Musings/Slices from Life

Mother Teresa & MF Hussian: Touching Lives

Prithvijeet Sinha muses on how Mother Teresa’s painting by MF Hussain impacted his life. Click here to read.

The Night Shift to Nouméa

Meredith Stephens writes of her sailing adventures to Nouméa. Click here to read.

Musings of a Copywriter

In Simian Surprises, Devraj Singh Kalsi describes monkey antics. Click here to read.

Notes from Japan

In Multicultural Curry, Suzanne Kamata reflects on mingling of various cultures in her home in Japan and the acceptance it finds in young hearts. Click here to read.

Essays

Which way, wanderer? Lyric or screenplay…

Ratnottama Sengupta explores the poetry in lyrics of Bollywood songs, discussing the Sahityotsav (Literary Festival) hosted by the Sahitya Akademi. Click here to read.

One Happy Island

Ravi Shankar takes us to Aruba, a Dutch colony, with photographs and text. Click here to read.

Cadences in A Portrait of the Artist as a Young Man

Paul Mirabile explores the stylistic nuances in this classic by James Joyce. Click here to read.

Stories

Heafed

Brindley Hallam Dennis plays with mindsets. Click here to read.

Busun

A Jessie Michael narrates a moving saga of displacement and reservations. Click here to read.

A Wooden Smile

Shubhangi gives us poignant story about a young girl forced to step into the adult world. Click here to read.

The Infallible Business

Sangeetha G tells a story set in a post-pandemic scenario. Click here to read.

Book Excerpts

An excerpt from Robin S. Ngangom’s My Invented Land: New and Selected Poems. Click here to read.

An excerpt from Vikas Prakash Joshi’s My Name is Cinnamon. Click here to read.

Book Reviews

Aruna Chakravarti reviews Bornali Datta’s In A Better Place: A Doctor’s Journey. Click here to read.

Somdatta Mandal reviews Baba Padmanji’s Yamuna’s Journey, translated from Marathi by Deepra Dandekar. Click here to read.

Basudhara Roy reviews Robin Ngangom’s My Invented Land: New and Selected Poems. Click here to read.

Bhaskar Parichha reviews S.Irfan Habib’s Maulana Azad – A Life. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Editorial

Imagine…

Art by Pragya Bajpai

Imagine a world without wars, without divisions, where art forms flow into each other and we live by the African concept of Ubuntu — I am because you are’ — sounds idyllic. But this is the month of March, of poetry, of getting in touch with the Dionysian elements in ourselves. And as we have said earlier in the introduction of Monalisa No Longer Smiles: An Anthology of Writings from across the World, what could be a better spot to let loose this insanity of utopian dreams than Borderless Journal!

Having completed three years of our Earthly existence on the 14th of March, we celebrate this month with poetry and writing that crosses boundaries — about films, literature and more. This month in the Festival of Letters or Sahityaotsav 2023, organised by the Sahitya Akademi, films were discussed in conjunction with literature. Ratnottama Sengupta, who attended and participated in a number of these sessions, has given us an essay to show how deep run the lyrics of Bollywood films, where her father, Nabendu Ghosh, scripted legends. It is Ghosh’s birth month too and we carry a translation from his Bengali autobiography which reflects how businessmen drew borders on what sells… After reading the excerpt from Nabendu’s narrative translated by Dipankar Ghosh and post-scripted by Sengupta, one wonders if such lines should ever have been drawn?

Questioning borders of a different kind, we have another piece of a real-life narrative on a Japanese Soldier, Uehara. Written by an Assamese writer called Kamaleswar Barua, it has been translated and introduced by Bikash K. Bhattacharya. The story focusses on a soldier’s narrative at his death bed in an alien land. We are left wondering how his need for love and a home is any different from that of any one of ours? Who are the enemies — the soldiers who die away from their homes? What are wars about? Can people live in peace? They seemed to do so in Kurigram, a land that has faded as suggests the poem by Masud Khan, brought to us in translation from Bangla by Professor Fakrul Alam, though in reality, the area exists. Perhaps, it has changed… as does wood exposed to a bonfire, which has been the subject of a self-translated Korean poem by Ihlwha Choi. Tagore’s poem, Borondala translated as ‘Basket of Offerings’, has the last say: “Just as the stars glimmer / With light in the dark night, / A spark awakens within/ My body. / This luminosity illuminates / All my work.” And perhaps, it is this luminosity that will also help us find our ideal world and move towards it, at least with words.

This is the poetry month, and we celebrate poetry in different ways. We have an interview with poet Heidi North by Keith Lyons.  She has shared a poem that as Bijan Najdi said makes one “feel a burning sensation in …[the]… fingertips without touching the fire”. It flows with some home truths put forward with poignancy. We have poetry by Michael R Burch, Kirpal Singh, Luis Cuauhtémoc Berriozábal, Amit Parmessur, Ryan Quinn Flanagan, George Freek, Sanket Mhatre, Asad Latif and Rhys Hughes. While Burch celebrates spring in his poetry, Parmessur explores history and Hughes evokes laughter as usual which spills into his column on Indian Pale Ale. Devraj Singh Kalsi has written of simian surprises he has had — and, sadly for him, our reaction is to laugh at his woes. Meredith Stephens takes us on a sailing adventure to Nouméa and Ravi Shankar explores Aruba with photographs and words. Suzanne Kamata shows how Japanese curry can actually be a multicultural binder. Prithvijeet Sinha links the legends of artist MF Hussain and Mother Teresa while Paul Mirabile explores the stylistic marvels of James Joyce in his A Portrait of the Artist as a Young Man, a very literary piece.

We have a book review by Aruna Chakravarti of Bornali Datta’s In A Better Place: A Doctor’s Journey, a book that is set amidst immigrants and takes up certain social issues. Baba Padmanji’s Yamuna’s Journey, translated from Marathi by Deepra Dandekar, one of the oldest Indian novels has been discussed by Somdatta Mandal.  Bhaskar Parichha has told us about S.Irfan Habib’s Maulana Azad – A Life. Basudhara Roy has brought out the simplicity and elegance of Robin Ngangom’s My Invented Land: New and Selected Poems. He writes in the title poem that his home “has no boundaries. / At cockcrow one day it found itself/ inside a country to its west,/ (on rainy days it dreams looking east/ when its seditionists fight to liberate it from truth.)”. We also carry an excerpt from his book. Stories by Jessie Michael, Brindley Hallam Dennis, Sangeetha G and Shubhangi bring flavours of diversity in this issue.

Our journey has been a short one — three years is a short span. But, with goodwill from all our readers and contributors, we are starting to crawl towards adulthood. I thank you all as caregivers of Borderless Journal as I do my fabulous team and the artists who leave me astounded at their ability to paint and write — Sohana Manzoor, Gita Vishwanath and Pragya Bajpai.

Thank you all.

Looking forward to the next year, I invite you to savour Borderless Journal, March 2023, where more than the treasures mentioned here lie concealed.

Mitali Chakravarty

borderlessjournal.com

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Stories

Busun

By A Jessie Michael

Temiar people. Courtesy: Creative Commons

I am Busun, born in one world and living in two.

Excitement crawls like insects in my veins and explodes. My friends and I are distracted and hyperactive, packing meagre clothes into haversacks and scheming haphazardly about what we will do during the holidays.

The smells of the forest hit my senses as soon as our convoy of three 4WD SUVs leaves the highway and veers into a small tarred road which quickly morphs into a muddy track. These are odours we grew up with and missed so much – of earth, trees, vegetation, water, dankness, raw animal smells. My lungs expel the city smog and I breathe easier. The canopy rising from either side of the track and meeting over it cocoons us in its green coolness.

Once a year we change worlds and this other world draws us magnetically away from where we spend ten months a year — in a Christian hostel on the outskirts of the city, from where we are ferried to a government school to learn English, Malay, Geography, History, science and Maths. The towns near our Orang Asli community have no residential facilities, so when our elders heard the pastor offering to house and school the children for free, they thought it was a good opportunity for us to learn of the outside world. We get school every weekday, three meals daily, a structured life of learning and a regular input of Bible study. For two months a year we return to our Orang Asli community in the jungle. We call ourselves Temiar, foreigners call us aborigines, the government calls us Orang Asli and rude people call us sakai[1].

The ride becomes bumpy and suddenly it is bright and the green is gone. The heat hits us hard and the air is smoggy brown. Tree stumps stick out on a vast field of red on either side. Last year there was thick jungle here. Now the trees are gone. Our drivers try avoiding the deep wet ruts left by weighty lorries and trucks. Four times our vehicles sink in turn into the muddy tracks. We spend an hour each time maneuvering the vehicles out of the churning mud. There are streams to cross in the upper reaches where the tracks will virtually disappear. Then hopefully it will be jungle again.

Seven hours after setting out, we roll into an opening in deep jungle with a cluster of bamboo shacks. We ecstatically leap out whooping and racing like puppies let loose. Our parents and elders stand around grinning; they are not a demonstrative tribe. A look of gratitude and a laden table is plenty enough.

Our volunteer drivers and chaperons are ushered to the rickety bamboo table piled with food especially prepared for them and for us — yam and rice rolled in leaves and roasted in bamboo, a variety of boiled herbs and greens, roasted wild boar meat and venison — a rare feast for an auspicious day. Everyone digs in with fingers. We eat greedily, having missed this basic diet for months. The food reorients me. The empty vehicles leave soon after in order to exit the jungle before dark.

As we mingle with friends, I notice my father observing me closely. I am surprised to see that I have grown a head taller than him. He approaches me that evening before the night ceremonies begin.

“Busun,” he calls. “How is school?”

He spoke in our Temiar dialect and I quickly swing back into this mode of abrupt, brief speech.

“I don’t understand school….”

“Meaning….?

“The things we learn…. we can’t use.”

“What do you learn?”

“About past events in places we don’t know…. about cities and countries we never see…. they even tell us about the jungle….but they don’t know the jungle….I know the jungle. They can’t climb trees….no trees to climb, can’t kill animals or use a blowpipe….”

“The house?”

“Nice, clean. There is electricity but we can’t use much. It is expensive. A lot of food but not our food……I don’t like it much.”

“You don’t like the city? …. not happy?”

“No. They change us…”

“How?”

“We cannot speak Temiar in school…. must speak English and Malay. The other children laugh at us…. they call us ‘sakai” …. They don’t know us. In school they talk of Islam…. At hostel …. they teach about Jesus Christ….no meaning. How are the fruit orchards?”

“The rains have been unseasonal,” my father complains. “The fruit blossoms have been blown down in the storms. The fruit season will be poor this year.”

Juicy pulasan, langsat, medicinal petai and jering and wild long thorned durians are our specialty. Our people foray out in season to sell these to locals for a pittance, who in turn make a hefty profit in market towns further away.

My father speaks to me differently than before. Perhaps he sees I have grown up and that I see things as my elders do. How will the children survive in the jungle? The other children and I have lost muscle and gained more flab. Bigger, fatter is a disadvantage in the jungle which needs agile skills. We have to relearn our forest skills every time we return from school.  We forget much or rather our bodies forget.

At sundown the traditional cleansing ceremony begins. We shed our city clothes and don our minimal traditional woven bark garbs and headgear of bamboo leaves and feathers. Wooden and bamboo musical instruments are taken off the walls. The Halaa or medium arrives to lead the community in removing any malevolent spirit and influences that may have followed us children from the city to upset the balance of our lives with the jungle spirits. Accompanied by crude drum, zephyrs, flutes, rattles and poles keeping beat against each other. The community in chorus echoes the chants of the Halaa as he sings and dances himself into a trance as he performs to our polyphonically sung music — melodies that live under our skin, and that we subconsciously draw out. The cleansing over, the musicians, especially the young ones continue long into the night reproducing magical sounds of birdsong, crickets chirping and animal calls, water flowing, wind whistling.

I fall asleep under the stars feeling strange – sans walls, windows, doors and pillows. The symphony of the sounds of the night sing loud in my ears – insects whirring, frogs in a croaking chorus, animal howls and grunts — so different from the roar of vehicles on the city highway. I strain to identify separately these almost foreign sounds. Still, I awake refreshed, the unfamiliarity gone. I am one with the elements again, dew on my face, dappled light overhead casting shadows that dance on my skin.

I make my way to the river ten minutes away. My unpracticed bare feet stumbling over huge tree roots, vines, thicket and bamboo and slipping on slopes and ledges where once I romped like a deer. The younger children are already there, cutting through the water like little otters. They have not swum for ten months. However, my anticipated pleasure is short lived. The once pristine waters of the river now runs red — bleeding.

I return from the river a little while later to find all the village men gathered at the open area, with machetes and poles.

“We are going to Doso’s village,” my father announces to me.

I ask one of the other young men, “What’s happening?”

“Loggers. Trying to go through Doso’s village. They are cutting the jungle upriver. Already begun. And the loose earth is already clogging the river. The water is dirty. Doso’s village is short of food. The animals are moving out or dying. The loggers want the village to move. There is nowhere to go anymore. We help them and some people from outside are helping us to stop the loggers. From upriver the loggers will move down to our village. We too have nowhere to go…”

I listen in silence. Inside confusion stirs. As we walk to Doso’s village, I recall the vast red field with tree stumps on the way home yesterday. I had not even thought of the dangers it posed. Where will animals and birds go if there is no jungle? Where would I go? Whenever I am home I become one with the jungle. There are no timetables, deadlines, learning of unpragmatic knowledge, no competitions, exams or pride from dubious achievements. Here we all flow with the pulse of nature, living off its bosom and never yearning for more.

Emerging from the trees with the men and some women, we come upon a broad track denuded of trees. The blazing sun and the breeze raise a haze of red dust. Our people have constructed a crude barricade of logs to stop the trailers and tractors from driving further in.

We have hardly ever had confrontations. Violence is alien to us; passive resistance is our way. Even the assumed weapons we carry is to rebuild the stockade which has been bulldozed several times by the loggers. Yet here we are walking straight into a conflict. I hear a rare anger in my father’s voice. He speaks more than I have ever heard him speak before.

 “We have been here forever with the spirits of our ancestors….Now the government says we do not own the land because we have no ownership papers. How can we have ownership papers when we always move our village when someone dies or we need more space? If they take the jungle, we die. It is beyond our understanding… it is beyond their understanding. No one owns anything. We only live, one with the earth, sky, water, animals and plants. We get food, medicine and life here. It is enough.”

Suddenly I remember that yesterday after lunch I had climbed to the mountain top and seen large swathes of red, like blood, and small patches of green. I had not thought about it then but now realise that the skin of the earth was peeled off, showing flesh. The spirits of the trees and stones were homeless.

Today we all squat in the shade of the jungle fringe till we see a convoy of vehicle arriving — visitors from the authorities. That usually means officers from the department of Orang Asli and the Forest Department. Following the vehicles are young men on motorcycles. I recognise them as teenagers who have been lured out of the jungle into settlements prepared especially for them.

A few individuals standing away from the officials approach us and begin to speak in Malay. Those Orang Asli who can understand Malay translate for the others. I too join to translate what is said as I speak fluent Malay and Temiar.

“We support you; some of us are lawyers and we all fight for people’s rights. We will fight for you in court to stop the logging and allow you to stay here.”

Men with cameras move around taking photographs of the stockade and of the other Orang Asli who stand back passively.

The group of officials gather in front of the stockade and one man bellows out through a megaphone in Malay. His voice goes far and wide into the trees. After every few sentences one of the motorcycle riding boys in jeans and smart batik shirts translates the sentences into Temiar.

In essence I gather that we the Orang Asli are in the wrong place. The government has allocated certain areas in the forest reserves where we are allowed to live. The area where we live now is allocated for logging. The loggers have licenses. If we refuse to move, we can be arrested.

The friends of the Orang Asli shout through their own megaphone, “This is a forest reserve. NO logging allowed, NO chasing out Orang Asli.”

The other speaker ignores the protest and continues that these allocated areas are on the edge of the forest near the towns; we will have access to electricity, water, work and education for the children. There are hospitals nearby and mosques; even homes will be built for us. “Look at your friends,” he gestures to the bike boys. “They wear nice clothes and ride motorbikes.”

It is obvious that these people not only want the jungle but also want to change us to be like them — not to be as we really are. The changes have been subtle over time. In previous years, our nakedness had been a problem; our bare breasted women and loinclothed men have been yelled at, called sakai and hounded back into the jungle when they ventured out to sell rattan, seasonal fruits and wild honey or trade them for rice or tools. Now we wear donated clothes and frocks to appease the outsiders. It is the same as going to the far away school where for ten months I become someone else. What will I be after I completely change? A motorbike lay-about boy doing odd jobs for a meal? The motorbikes and their appearance for the day is part of the theater of change.

I hear the man’s voice rise. “Now let us know if you accept this offer.”

My people mutely shake their heads while our supporters shout, “NO! These people were not consulted. We go to court.”

“We are consulting them now. Move away from the barrier,” orders the official.

We do not move away. We close ranks and hope we look pretty menacing with our poles and machetes.

The official gives three more warnings and then there is chaos. Some plainclothes men rush forward. We hear the word police, and most of my people melt into the trees. However, a young man Anjam and I are handcuffed as we are speaking to our supporters. We do not resist and are dragged into a truck while our supporters argue loudly with the police. When this happens, the villagers reappear in alarm. Some outsiders are already breaking the stockade but the lawyers and our supporters pack as many of the Temiar villagers into their own vehicles and follow the truck right to the police station an hour away.

My head is in a whirl. What did we do wrong? A policeman herds Anjam and me into the police station while the others are barred entry. However, a lawyer among them insists on entering with us. We are questioned by a police officer and I answer him in Malay, giving him my name, age and school. I also answer on behalf of Anjam who only speaks Temiar. The officer seems taken aback and his aggressive tone diminishes. He orders that we be put in the only empty cell for the night until the District Police officer shows up the following day.

The next noon we hear an outburst of voices in the compound of the station. I gather from fragments of speech that the District Police Officer has arrived. The activists and the lawyer are protesting to him to release us at least on bail. He agrees and I soon see why. As we exit the station, we see half the village squatting all over the police compound together with our supporters, keeping vigil till our release. I am grateful they have stayed to give us strength. If he does not release us, my people will not budge. Even the ones rehomed into the new settlements behave similarly. When any of them is hospitalised, the whole village follows and sits around the wards or grounds, attempting to feed the patient jungle herbs. The police send all of us  prisoners and families back as far as the stockade in a jeep. The stockade has been rammed to the ground.

Two days later Anjam is very ill. Several Halaas perform all-day and all-night trance rituals searching for Anjam’s missing soul but on the third day Anjam is dead. The elders blame it on exposure to outside malevolence but I remember how when we are in the cell Anjam needs to pee. A policeman takes  him out but the boy comes back a while later bent double and speechless. In the morning he seems alright but fades into unconsciousness at home. When they bathe his body for burial, the blue bruises and swelling on his middle back are obvious.

The day of the funeral the sky weeps in torrents, drowning out the chants of the Halaa and the keening of the villagers. The grave is already dug on the other side of the river and as we mourners cross via the huge log that bridges the banks, the roiling river, tumbling and rolling wildly, threatens to drown us. We have no way of turning back when the omnipresent Thunder Spirit explodes in anger and releases the mountain to swallow us, making us one with the cosmos, with the earth and keeping us home.

What’s left is upended trees, boulders and mud — a movement of the mountain in apocalyptic proportions spreading at least a kilometer in radius. Giant roots reach for the sky and treetops lay buried — a new unmapped terrain of an unmappable people.


[1] Sakai: slang, offensive, ethnic slur, used for an Orang Asli or native people.

A. Jessie Michael is a retired Associate Professor of English from Malaysia. She has written short stories for online journals, local magazines and newspapers. She has published an anthology of short stories Snapshots, with two other writers and most recently her own anthology The Madman and Other Stories (2016).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Contents

Borderless February 2022

Winter in Africa. Painting by Sybil Pretious.

Editorial

What’s Love Got to Do with it’ … Click here to read.

Interviews

Sriniketan: Tagore’s “Life Work”: In Conversation with Professor Uma Das Gupta, Tagore scholar, author of A History of Sriniketan, where can be glimpsed what Tagore considered his ‘life’s work’ as an NGO smoothening divides between villagers and the educated. Click here to read.

Akbar: The Man who was King: In conversation with eminent journalist and author, Shazi Zaman, author of Akbar, A Novel of History. Click here to read.

Translations

One Day in the Fog, written by Jibananda Das and translated from Bengali by Professor Fakrul Alam. Click here to read.

Mahnu, a poem by Atta Shad, translated from Balochi by Fazal Baloch. Click here to read.

A Superpower in the Pandemic, written and translated from Korean by Ihlwha Choi. Click here to read.

Eyes of the Python, a short story by S.Ramakrishnan, translated from Tamil by Dr.B.Chandramouli. Click here to read.

Raatri Eshe Jethay Meshe by Tagore has been translated from Bengali as Where the Night comes to Mingle by Mitali Chakravarty. Click here to read.

Pandies’ Corner

These stories are written by youngsters from the Nithari village who transcended childhood trauma and deprivation. The column starts with a story, Stranger than Fiction from Sharad Kumar in Hindustani, translated to English by Grace M Sukanya. Click here to read.

Poetry

Click on the names to read

Rhys Hughes, A Jessie Michael, Jay Nicholls, Moonmoon Chowdhury, Mike Smith, David Francis, Ananya Sarkar, Matthew James Friday, Ashok Suri, John Grey, Saptarshi Bhattacharya, Candice Louisa Daquin, Emalisa Rose, Ryan Quinn Flanagan

Nature’s Musings

Penny Wilkes explores dewdrops and sunrise in A Dewdrop World. Click here to read.

Poets, Poetry & Rhys Hughes

Rhys Hughes explores the paranormal with his usual wit in Three Ghosts in a Boat. Promise not to laugh or smile as you shiver… Click here to read.

Musings/ Slices from Life

Requiem for the Melody Queen

Ratnottama Sengupta sings her own paean in which a chorus of voices across the world join her to pay a tribute to a legend called Lata Mangeshkar. Click here to read.

Forsaking Distant Hemispheres for the Immediate Locale

Meredith Stephens introduces us to the varied fauna found in South Australia with vivid photographs clicked by her. Click here to read.

Breaking the fast

P Ravi Shankar takes us through a breakfast feast around the world. Click here to read.

Musings of a Copywriter

In Life without a Pet, Devraj Singh Kalsi gives a humorous take on why he does not keep a pet. Click here to read.

Notes from Japan

In Bridging Cultures through Music, author Suzanne Kamata introduces us to Masaki Nakagawa, a YouTuber who loves Lativia and has made it big, playing for the President of Lativia at the Japanese coronation. Click here to read.

Essays

Farewell Keri Hulme

A tribute by Keith Lyons to the first New Zealand Booker Prize winner, Keri Hulme, recalling his non-literary encounters with the sequestered author. Click here to read.

Satyajit Ray’s Cinematic Universe: Can Isolation Lead to a New World?

Rebanta Gupta explores two films of Satyajit Ray, Kanchenjunga & Charulata to see what a sense of isolation can do for humans? Click here to read.

‘What remains is darkness and facing me – Banalata Sen!’

Rakibul Hasan Khan explores death and darkness in Fakrul Alam’s translation of Jibanananda Das’s poetry. Click here to read.

Dhaka Book Fair: A Mansion and a Movement

Ratnottama Sengupta writes of a time a palace called Bardhaman House became the centre of a unique tryst against cultural hegemony. The Language Movement of 1952 that started in Dhaka led to the birth of Bangladesh in 1971. In 1999, UNESCO recognised February 21 as the Mother Language Day. Click here to read.

The Observant Immigrant

 In To Be or Not to Be, Candice Louisa Daquin takes a close look at death and suicide. Click here to read.

Stories

Navigational Error

Luke P.G. Draper explores the impact of pollution with a short compelling narrative. Click here to read.

The Art of Sleeping

Atreyo Chowdhury spins an absurd tale or could it be true? Click here to read.

Dear Dr Chilli…

Maliha Iqbal writes of life as a young girl in a competitive world. Click here to read.

The Literary Fictionist

In MissingSunil Sharma gives us a long literary yarn. Click here to read.

Book Excerpts

Two Banalata Sen poems excerpted from Jibanananda Das: Selected Poems with an Introduction, Chronology and Glossary, translated from Bengali by Fakrul Alam. Click here to read.

An excerpt from Mahasweta Devi, Our Santiniketan. Translated from the Bengali by Radha Chakravarty. Click here to read.

Book Reviews

Indrashish Banerjee reviews The Best of Travel Writing of Dom Moraes: Under Something of a Cloud. Click here to read.

Gracy Samjetsabam reviews Masala and Murder by Patrick Lyons. Click here to read.

Rakhi Dalal reviews Kavery Nambisan’s A Luxury called Health. Click here to read.

Bhaskar Parichha reviews Growing up Jewish in India: Synagogues, Customs, and Communities from the Bene Israel to the Art of Siona Benjamin, edited by Ori Z. Soltes. Click here to read.

Special Issues

Cry, Our Beloved… Click here to read (For Peace)

Born to be Wild …Click here to read (World Wild Life Day)

Categories
Editorial

‘What’s Love Got to Do with It’

Art by Sohana Manzoor
‘Why does education in love not feature in today’s curriculum?’
— Mahasweta Devi, Our Santiniketan (Translated by Radha Chakravarty, 2022, Seagull Books)

As the world celebrates Valentine’s Day, one pauses to think how far commercialisation has seeped in over time that the very concept of a tender emotion was questioned by Tina Turner in a song called, “What’s love got to do with it” nearly four decades ago. 

This was written even before Mahasweta Devi (1926-2016) published a nostalgic memoir of 1930’s Santiniketan in Bengali in 2001. She raised her pen to ask the very pertinent question that is quoted above. Why is education in love not a part of our curriculum anymore? She was reminiscing about her days in Santiniketan where children were brought up with rigorous academics while discipline was coloured with love and affection. They nurtured a love for nature in students too. This has become a rarity for many and perhaps needs to be revived as the Earth struggles to continue habitable for humankind. In the process of educating students to love and give, Santiniketan threw up many greats like the writer herself. We are delighted to host an excerpt from the start of Our Santiniketan translated beautifully by Radha Chakravarty.

Santiniketan was only the very visible part of a huge project taken on by Tagore (1861-1941). The other part now united with Santiniketan under the banner of Visva Bharati University is Sriniketan, a group of villages where Tagore experimented with raising consciousness and standards of villagers to integrate them into a larger world. He brought in new techniques in agriculture and crafts into the villages under this programme involving many prominent scientists, artists and humanists. And the project has blossomed. Did you know Tagore thought of himself as an NGO and his ‘life work’ he felt was developing villages (Sriniketan) and educating young minds to build a world where borders of knowledge, poverty and ignorance could be smoothened?

He wrote: “I alone cannot take responsibility for the whole of India. But even if two or three villages can be freed from the shackles of helplessness and ignorance, an ideal for the whole of India would be established.

“Fulfill this ideal in a few villages only, and I will say that these few villages are my India. And only if that is done, will India be truly ours.”

All this can be found in a book called A History of Sriniketan (Niyogi Books), written by Uma Das Gupta, a major authority on Tagore who moved from Oxford to Santiniketan and made Tagore’s work in these two institutions her own life’s work. We have featured her and her book in our interview/review section.

Raised out of such ashes of poverty that Tagore sought to dispel, are youngsters from the village of Nithari, where ceaseless efforts by volunteers of organisations like Saksham and pandies’ has given a new lease for life to those who have been exposed to violations, violence, divides, poverty and deprivation. One of them, Sharad Kumar, now studying to be an engineer, kicks off our new section called Pandies’ Corner with his story in Hindustani translated by a volunteer, Grace M Sukanya. His story learns from history and shows rather than tells.

A similar approach to view the present through lenses focussed on the past at a much grander scale has been taken by Shazi Zaman, an author and journalist, who has stepped into the Anglophone world with the transcreation of his own novel from Hindi to English, Akbar, A Novel of History (Speaking Tiger Books). He has brought to the fore how in days when sectarian violence based on religions killed, Akbar (1542-1605) tried to create a new path that would lead to peace so that he could rule over an empire united by administration and not broken by contentious religious animosities which often led to wars. In his interview, he tells us of the relevance of the Great Mughal in a period of history that was torn by divides, divisions so deep that they continue to smoulder to this day and date. That history repeats itself is evident though our living standards seem to improve over time. Bhaskar Parichha’s review of Growing up Jewish in India: Synagogues, Customs, and Communities from the Bene Israel to the Art of Siona Benjamin, edited by Ori Z. Soltes, also reinforces these divides and amalgamations in the modern context. The other books that have been reviewed include The Best of Travel Writing of Dom Moraes: Under Something of a Cloud by Indrashish Banerjee, and Gracy Samjetsabam has introduced us to an intriguing murder mystery in Masala and Murder by Patrick Lyons.

Translations have thrown up interesting colours this time with a Tamil story by a Sahitya Akademi winning writer, S Ramakrishnan, translated on our pages by B Chandramouli, one from Korean by Ihlwha Choi and of course a transcreation of Tagore’s songs where he sings of the meeting of horizons. A beautiful poem by eminent Balochi poet Atta Shad (1939-1997) has been translated by Fazal Baloch. We are again privileged to host an original translation of Jibananda Das(1899-1954) by Professor Fakrul Alam. We also managed to get permission to share some of Professor Alam’s fabulous translations of Jibananada Das from UPL (United Press Limited) and are starting it out by excerpting two of his poems on Banalata Sen, which were till now restricted to readership who only had access to the hardcopy. Rakibul Hasan Khan has given us an essay on these translations. An interesting essay on Satyajit Ray (1921-1992) by Rebanata Gupta and personalised tribute to the first Booker Prize winner from New Zealand, Keri Hulme (1947-2021), by Keith Lyons, who had many non-literary encounters with the sequestered author, add to the richness of our oeuvre.

Ratnottama Sengupta has also paid a moving tribute to the music legend, Lata Mangeshkar, who died at the age of 92 on 6th February, 2022. The choral symphony of multiple voices that hums through the paean recreating the larger than life presence of Lata reinforces that her lilting voice will stay embedded in many hearts and lives forever. Her perfect honing of musical skills delivered with the right emotions make her an epitome of human excellence. She gave the best of herself to the world.

Brooding on death and suicide is Candice Louisa Daquin essay. This is a topic under discussion as Switzerland might start a resort for abetting suicides. It is rather frightening that while people value life and as technology and humans work in consonance to preserve it, the rich can think of squandering away this unique process that has till now not been replicated. The other strange long literary yarn that is dark in colours is woven by Sunil Sharma as he explores the futility and self-pity experienced by retirees in their existentialist quest to find a meaning to live. It has bits of poetry too. Penny Wilkes has also introduced verses into her photographic tour of dewdrops. Candice’s vibrant poetry this time has joined that of Ryan Quinn Flanagan, Mike Smith, A Jessie Michael, Ananya Sarkar, Jay Nicholls, Saptarshi Bhattacharya, Rhys Hughes and many more I leave you to unfold. Rhys Hughes has also given us a spooky piece which says ghosts might be genies — check it out. Do you agree or is he just being bizarre and funny?

Wrapped in more dry humour is Devraj Singh Kalsi narrative on why he does not want pets. Meredith Stephens, on the contrary loves pets and sails the seas of West Australia with her camera, words, seals and dolphins. Luke PG Draper also speaks for animals — for the intrusion of pollutants that harm creatures like whales in his short story. Hop all over the world with Ravi Shankar breaking nightly fasts with food from different cultures. More colour is brought in by Suzanne Kamata who starts a new column, Notes from Japan — introducing us to Japanese sensation, Masaki Nakagawa, who has sung his way to hearts with Lativian songs that he loves, so much so that he got to perform at the Japanese coronation and has pictures with the Latvian President.

The time has come to let you discover the mysterious pieces that have not been mentioned here in the February edition — and there are many.  

Before I wind up till the next month, I would like to thank our fabulous team who make this journal possible. Keith Lyons has now become part of that team and has graciously joined our editorial board. Sohana Manzoor and Sybil Pretious deserve a special kudos for their fabulous artwork. Our grateful, heartfelt thanks to all our wonderful contributors and readers who keep the journal alive.

Wish you all a lovely month.

Best wishes,

Mitali Chakravarty

Borderless Journal