Categories
Contents

Borderless April, 2022

Art by Sohana Manzoor

Editorial

For the People, Of the People, By the People Click here to read.

Ukrainian Refrains

In A Voice from Kharkiv: A Refugee in her Own Country, Lesya Bukan relates her journey out of Ukraine as a refugee and the need for the resistance. Click here to read.

Refugee in my Own Country/ I am Ukraine Poetry by Lesya Bukan of Ukraine. Click here to read.

Translations

Ananto Prem (Endless Love) by Tagore, translated from Bengali by Professor Fakrul Alam. Click here to read.

Playlets by Rabindranath Tagore reveal the lighter side of the poet. They have been translated from Bengali by Somdatta Mandal. Click here to read.

The Faithful Wife, a folktale translated from Balochi by Fazal Baloch. Click here to read.

Leafless Trees, poetry and translation from Korean by Ihlwha Choi. Click here to read.

Ebar Phirao More (Take me Back) by Tagore, translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies’ Corner

These narratives are written by youngsters from the Nithari village who transcended childhood trauma and deprivation. Will to be Human is based on a real life story by Sachin Sharma, translated from Hindustani by Diksha Lamba. Click here to read.

Interviews

In When a Hobo in a Fedora Hat Breathes Tolkien…, Strider Marcus Jones, a poet and the editor of Lothlorien Journal, talks of poetry, pacifism and his utopia or Lothlorien. Click here to read.

In Why We Need Stories, Keith Lyons converses with Ivy Ngeow, author and editor of a recent anthology of Asian writing. Click here to read.

Poetry

Click on the names to read

Michael R Burch, Mini Babu, Luis Cuauhtémoc Berriozabal, Anjali V Raj, George Freek, Ashok Suri, Ron Pickett, Sutputra Radheye, Dr Kisholoy Roy, David Francis, J.D. Koikoibo, Sybil Pretious, Apphia Ruth D’souza, Rhys Hughes

Nature’s Musings

In Studies in Blue and White, Penny Wilkes gives us a feast of bird and ocean photography along with poetry. Click here to read and savour the photographs.

Poets, Poetry & Rhys Hughes

In My Favourite Poem, Rhys Hughes discloses a secret. Click here to read.

Musings/Slices from Life

Getting My Nemesis

Erwin Coombs laces his cat’s story with humour. Click here to read.

A Writer’s Pickle

Adnan Zaidi has analysed his poetic abilities with tongue-in-cheek comments. Click here to write.

Great Work…Keep Going!

G. Venkatesh looks at the ability to find silver linings in dark clouds through the medium of his experiences as a cricketeer and more. Click here to write.

Cycling for my Life

What can be more scary and life-threatening than the risk of getting Covid-19? Keith Lyons finds how his daily joy has menacing dangers. Click here to read.

Musings of the Copywriter

In When Books have Wings, Devraj Singh Kalsi talks of books that disappear from one book shelf to reappear in someone’s else’s shelf. Click here to read.

Notes from Japan

In Owls in Ginza, Suzanne Kamata takes us to visit an Owl Cafe. Click here to read.

Mission Earth

In No Adults Allowed!, Kenny Peavy gives a light hearted rendition in praise boredom and interaction with nature. Click here to read.

Stories

Chameleon Boy

Kieran Martin gives a short fiction woven with shades of nature. Click here to read.

The Circle

Sutputra Radheye narrates a poignant story about love and loss. Click here to read.

Before the Sun Goes Down

Amjad Ali Malik gives us a strange tale of flatmates. Click here to read.

The Agent

Paul Mirabile takes us to Nisa, Portugal, with his narrative. Click here to read.

The Rebel Sardar

Devraj Singh Kalsi has written of how one man’s protest impacts a whole community. Click here to read.

Essays

Beg Your Pardon

Ratnottama Sengupta explores beggary in fact, films and fiction. Click here to read.

A Tasmanian Adventure: Bushwhacking in East Pillinger

A photo-essay set in Tasmania by Meredith Stephens. Click here to read.

The Call of the Himalayas

P Ravi Shankar takes us on a trek to the Himalayas in Nepal and a viewing of Annapurna peak with a narrative dipped in history and photographs of his lived experience. Click here to read.

The Observant Immigrant

In A Bouquet of Retorts, Candice Louisa Daquin discusses the impact of changes in linguistic expressions. Click here to read.

Book Excerpts

An excerpt from a fast-paced novel set in Mumbai, Half-Blood by Pronoti Datta. Click here to read.

An excerpt from a Malaysian anthology, The Year of the Rat and Other Poems edited by Malachi Edwin Vethamani. Click here to read.

Book Reviews

Rakhi Dalal reviews Ramy Al-Asheq’s Ever Since I Did Not Die, translated by Isis Nusair, edited by Levi Thompson. Click here to read.

Gracy Samjetsabam reviews Iskendar Pala’s Tulip of Istanbul, translated from Turkish by Ruth Whitehouse. Click here to read.

Candice Louisa Daquin reviews Marjorie Maddox’s poetry collection, Begin with a Question. Click here to read.

Bhaskar Parichha reviews Kiran Manral’s Rising: 30 Women Who Changed India. Click here to read.

Tagore Anniversary Special

Click here to read.

Categories
Nature's Musings

Studies in Blue and White

Narrative and Photography by Penny Wilkes

Often I have chased a black phoebe or osprey for a photo or pursued a line for a poem. When I continue along the path, the poem will show itself, or the bird will lead me to another discovery. 

Today the sea's the energy 
races to build its heights.
THE COLOUR BLUE


What if
midmorning sky
sneaks into café tableware
tricked by the colour blue.
Clouds dance on plates
grazing the toast and jelly
until breezes vacuum
the crumbs
sending clouds back
to where
they are supposed
to belong. 
MASQUERADE IN WHITE

A goblet of milk mantled in twilight.
In an instant a leg shifts to bent elbow post.
The other stretches without a riffle of water
as the egret bows to its reflection.
Immersed in the river’s scent of leather,
the white’s neck eases into a question mark,
or surges like a sprinter at the tape.
Alert to movements of cricket, frog or fin.
Once eyes capture a whisker of fish,
egret searches within a sunlight filament.
Beak arrows, dips beneath the river glitter,
tosses a nibble to the air and catches it.
Twirling from a cottonwood, a leaf engages
the river rustler who turns to statue.
A shift and wings rise in silk banners over rock pates
while feathers ruffle reflections into sequins.
The egret alights on a branch, shivers in spiral,
stretches to preen and fluff each plume.
On legs of silk, it wings toward 
a turret of branches to design the sky.

.

Penny Wilkes,  served as a science editor, travel and nature writer and columnist. An award-winning writer and poet, she has published a collection of short stories, Seven Smooth Stones. Her published poetry collections include: Whispers from the Land, In Spite of War, and Flying Lessons. Her Blog on The Write Life features life skills, creativity, and writing:  http://penjaminswriteway.blogspot.com/ . Her photoblog is @: http://feathersandfigments.blogspot.com/

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Contents

Borderless, March 2022

Painting by Sohana Manzoor

Editorial

Where Have All the Sunflowers Gone?… Click here to read.

Ukranian Refrains

In When will we ever learn? Oh, will we ever learn?, Ratnottama Sengupta, comments on the current situation in Ukraine while dwelling on her memorable meeting with folk legend Pete Seeger, a pacifist, who wrote ‘Where have all the Flowers gone’, based on a folk song from Ukraine. Click here to read.

In Can Peace come Dropping by,Candice Louisa Daquin explores war and peace pausing over the attack on Ukraine. Click here to read.

Three Poems from Ukraine by Leslya Bakun. Click here to read.

Translations

Manush: Nazrul’s Lines for Humankind: Translated from Bengali by Professor Fakrul Alam. Click here to read.

Jibananda Das’s Where have all these Birds Gone & On the Pathways for Longtranslated from Bengali by Professor Fakrul Alam. Click here to read.

Munir Momin’s You & I translated from Balochi by Fazal Baloch. Click here to read.

Down the stairs by Nabendu Ghosh, a gripping story exploring the greyer areas of ethical dilemmas, has been translated by Sarmishta Mukhopadhyay with editorial input from Ratnottama Sengupta. Click here to read.

Autumn is Long, a poem written in Korean and translated to English by Ihlwha Choi. Click here to read.

Tagore’s Anondodhara Bohichche Bhubone (The Universe reverberates with celestial ecstasy)…translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies’ Corner

These narratives are written by youngsters from the Nithari village who transcended childhood trauma and deprivation. A letter to God by Tanveer Hussain  uses the epistolary technique to asks questions that would be relevant for all humankind. It has been translated from Hindustani by Vritika Thareja. Click here to read.

Poetry

Click on the names to read

Kirpal Singh, Rhys Hughes, Sutputra Radheye, Jay Nicholls, Uma Gowrishankar, Mike Smith, Anasuya Bhar, Luis Cuauhtémoc Berriozábal, Supatra Sen, George Freek, Pramod Rastogi, Ryan Quinn Flanagan, Ananta Kumar Singh, Michael R Burch, Shaza Khan

Nature’s Musings

In Storms & Seas, Penny Wilkes explores birds and the ocean during rough weather. Click here to read.

Poets, Poetry or Rhys Hughes

In Tall or Short Tales, Rhys Hughes explores the absurd. Click here to read.

Musings/Slices from Life

Eva Zu Beck & Marco Polo

San Lin Tun writes of how, in Yangon, he spends the lockdown watching a travel blog by Eva Zu Beck. Click here to read.

Messages through Space and Time

Meredith Stephens explores how the art of letter writing creates links across borders of time and place. Click here to read.

It’s Amazing the Things We can Do

Erwin Coombs takes us through his life in Egypt and has a relook at Nazi occupied Europe with a dollop of humour to come to an amazing conclusion. Click here to read.

An Existential Dilemma

G Venkatesh uses the laws of thermodynamics to try to interpret the laws that define life. Click here to read.

Musings of a Copywriter

Devraj Singh Kalsi ponders on his Visit to a Book Fair. Click here to read.

Notes from Japan

In Imagining a Possible Future: Filmmaker Felicity Tillack, Suzanne Kamata introduces us to an Australian film maker who is making films in Japan now and some are in Japanese. Click here to read.

Mission Earth

Kenny Peavy starts his column with Mama Calling, a cry to go back to living with nature. Click here to read.

Interviews

From the Himalayas to the Banks of Thames: In Conversation with Sangita Swechcha, a writer shuttles between England and Nepal and writes of her homeland. Click here to read.

At Home Across Continents : In Conversation with Neeman Sobhan, a Bangladeshi-born writer who writes of her experiences as an expat in Pakistan, Bangladesh, Italy and America. Click here to read.

Stories

The Man Who got Eaten

 Kieran Martin tells a tall tale or is it short? Click here to read.

Death Will Come

Munaj Gul Muhammed captures the wafting sadness of grieving in this short poetic narrative. Click here to read.

SofieMol

Sharika Nair paints a vignette of the past merging with the present in her narrative. Click here to read.

Faith & Fortune

Devraj Singh Kalsi shows how the twists of faith are aligned to wealth and fame. Click here to read.

Henrik’s Journey

Farah Ghuznavi follows a conglomerate of people on board a flight to address issues ranging from Rohingyas to race bias. Click here to read.

Essays

The Kaleidoscopic World of Satyajit Ray

Anasuya Bhar takes us into the literary world of Satyajit Ray, the world famous film director. Click here to read.

Are Some of Us More Human than Others ?

Meenakshi Malhotra ponders at the exclusivity that reinforces divisions, margins and borders that continue to plague humankind, against the backdrop of the Women’s Month, March. Click here to read.

The Observant Immigrant

In The Paradox of Modern Communication, Candice Louisa Daquin takes us through the absurdities that haunt modern verbal communication. Click here to read.

Book Excerpts

An excerpt from Friends in Wild Places: Birds, Beasts and Other Companions by Ruskin Bond. Click here to read.

An excerpt of a short story by Yang Ming from Asian Anthology, edited by Ivy Ngeow. Click here to read an excerpt.

Book Reviews

Meenakshi Malhotra reviews Mahasweta Devi, Our Santiniketan translated by Radha Chakravarty. Click here to read.

Indrashish Banerjee reviews The Tombstone in My Garden: Stories From Nagaland by Temsula  Ao. Click here to read.

Keith Lyons reviews Asian Anthology: New Writing Vol. 1: Stories by Writers from Around the World, edited by Ivy Ngeow. Click here to read.

Bhaskar Parichha reviews Why They Killed Gandhi; Unmasking the Ideology and the Conspiracy by Ashok Kumar Pandey. Click here to read.

Special Issues

Imagine… Click here to read our World Poetry Day Special.

Categories
Editorial

Where Have All the Sunflowers Gone?

Only when the cries of the wretched of the earth will stop renting the skies,
Only when the oppressor’s bloody sword will cease smearing battlefields,
			A rebel, weary of war,
			Only then I won’t stir.
…
I’m the ever-rebellious hero--
	Soaring over the world, all alone, head forever held high!

--  Rebel or 'Bidrohi' (1922) by Nazrul, translated by Fakrul Alam
Borderless: Digital Art by Ayaan Ghoshal
These fragments I have shored against my ruins
…
Datta. Dayadhvam. Damyata.         
 Shantih shantih shantih

-- Wasteland (1922) by TS Eliot

These lines reiterate values we would do well to live by in a war-torn, dissension-worn world where the need for a rebel to recreate a humane society that lives with values such as peace, generosity, acceptance, tolerance, compassion and restraint — is a felt need. The two great poems made history by remaining as popular a hundred years after they were written — ‘The Rebel’ by Nazrul and TS Eliot’s ‘Wasteland’. Nazrul defined a rebel as an iconoclast who breaks norms to find peace, justice and love for all, to move towards the creation of an ideal world. TS Eliot quoted from the Upanishads and ended with redemption coming with giving (giver perhaps denoted generosity), compassion and restraint. Despite the wisdom of these great poets and seers, war still continues a reality. The values remain neglected not just in as we see in conflicts, like the one in Ukraine that destroys lives, property and nature with intolerance towards differences, but also in our personal lives. Tagore also reiterated the same need for stepping out of personal, social, economic and political insularity. We carry a translation of a song that echoed this need while inviting participation in his ecstasy. He wrote:

Why do you sit in isolation,
Dwelling on self-centred issues? 

Tagore had not only written of the negative impact of isolation from the world but he led by example, building institutions that could lead the world towards pacifism with acceptance of diversity and inclusiveness. Sriniketan and Santiniketan were created to move towards these ideals. Many of the people he influenced or who studied in Santiniketan made history, like Prime Minister Indira Gandhi, Satyajit Ray; many added to the sense of inclusiveness, like Mahasweta Devi, who other than her enormous work to integrate different cultures, also wrote a memoir about Santiniketan in Bengali. Radha Chakravarty, nominated for the Crossword Translation Award (2004) for In the Name of the Mother by Mahasweta Devi, has translated this memoir, a narrative which brings us close to Tagore’s ideals of the whole world being a family. How wonderful it would be if the world were open to such ideals and would behave like a global family and not go to war!  Mahasweta Devi, Our Santiniketan, which has been reviewed by Meenakshi Malhotra, reiterates Tagore’s vision of a planet living in harmony with the flora and fauna.

Bhaskar Parichha has reviewed another non-fiction by Ashok Kumar Pandey, Why They Killed Gandhi; Unmasking the Ideology and the Conspiracy. Parichha writes: “The finest point about this book is its storytelling…” The book review brings to mind in the midst of a war and violence that Gandhi had tried to erase this mindless destruction of lives, nature and cities with Ahimsa or non-violence. Will we ever rise up to it? Perhaps… We see strains of recognising the negative impact of insular outlook in writings like that of Temsula Ao, a Sahitya Akademi Award winner, according to Indrashish Banerjee who has reviewed her new book, The Tombstone in My Garden: Stories from Nagaland. Keith Lyons has reviewed Asian Anthology: New Writing Vol. 1: Stories by Writers from Around the World, edited by Ivy Ngeow, an exotic medley of Asian stories, one of which has been excerpted as well.

We are privileged to carry another excerpt from Ruskin Bond’s Friends in Wild Places: Birds, Beasts and Other Companions, a hilarious story about a pet tiger adopted by the legendary writer’s grandfather. What is amazing about Ruskin Bond’s writing is the love and compassions for all creatures great and small that colours the tongue-in-cheek humour he rolls out to his readers. If only we could think like Bond, there would be no wars. His writing, I feel, transcends political borders or ‘isms’, and laces with love and compassion tales of menageries of monkeys, snakes, mongoose, humans of different denominations. This excerpt is a treat we are giving Borderless Journal as the journal completes two years of its existence. We are truly grateful to Speaking Tiger for sharing this excerpt with us. But our celebrations this time are sombre as the war rages with incoherence accompanied by heart-breaking ravages.

The refrain from Ukraine has been taken up by Ratnottama Sengupta as she takes us through the past and present experiences of the devastated country, bringing in the views of the legendary folk singer and pacifist, Pete Seeger (1919-2014), who she had interviewed over a span of four days. The writer of ‘Where have all the Flowers Gone?’, a song based on an Ukrainian folk song, Seeger said, “The point is not to ask for yourself alone — one has to ask for everybody: Either we all are going to make it over the rainbow or nobody is going to make it.” Candice Louisa Daquin has also pondered on the justification of war, contextualising it with the current one along with her essay on the paradox of modern linguistic communication.

We have an exhaustive essay on the legendary Satyajit Ray’s creations by Anasuya Bhar. Malhotra has pondered at exclusivity reinforcing divisions, margins and borders to plague humankind, against the backdrop of the Women’s Month, March. Highlighting women in writing, we have interviewed two female writers, one from Nepal and another from Bangladesh. Sangita Swechcha lives in UK but her writing, till now largely in Nepali, often pines for her home embedded in the Himalayas whereas, an expat, Neeman Sobhan, shuttles between Bangladesh and Italy with the affluence and assurance of a privileged background.

Finding a way to override lack of privileges, deprivation and violence, are the youngsters of Nithari on the outskirts of Delhi where less than two decades ago other than poverty, savage criminality devastated the local populace. These youngsters transcended the suffering over time with help from volunteering NGOs to create narratives that amaze with their inventiveness and confidence. Tanveer Hussain from Nithari, self-motivated and self-made from a young age, asks questions that would be relevant for all humankind in a letter to God. It has been translated from Hindustani by Vritika Thareja of pandies’. This edition’s translations include Professor Fakrul Alam’s mellifluous rendition of Jibanananda Das’s poetry from Bengali to English, Ihlwha Choi’s Korean poetry and a Balochi poem by Munir Momin rendered in English by Fazal Baloch. Baloch had earlier translated poems by Akbar Barakzai, a great poet who departed on 7th March, depriving the world of yet another powerful writer who imbibed hope of a better future in his poetry. We are privileged to have hosted the translations of some of his poems and his last interview.

Another well-known poetic voice from Singapore, Kirpal Singh, has given us poignant poetry that can be applied to the situation that is leading to the wreck of Ukraine. Anasuya Bhar has  poetry, one of which despite being in the ilk of Nazrul’s great poem, ‘Rebel or Bidrohi’, questions gently mainly social constructs that obstruct the flow of harmony. Ryan Quinn Flanagan has pondered on the acceptance of a changed world. We have humour from Rhys Hughes in poetry and wonderful poems by Michael R Burch on spring. Jay Nicholls shares the last of her dozen Pirate poems as Blacktarn sails the lemon seas to fight pollution. Luis Cuauhtémoc Berriozábal, George Freek, Sutputra Radheye, Mike Smith, Shaza Khan and many more have contributed a wealth of beautiful lines. Penny Wilkes has captured storms and seas with photographs and text and Rhys has surprised us with some strange, bizarre tales in his column.

We have musings from around the world. San Lin Tun, Meredith Stephens, Erwin Coombs, G Venkatesh have all brought in flavours of multiple cultures. Devraj Singh Kalsi has spoken of a book fair he visited in a semi-sardonic tone. He has also given us a short story as has Farah Ghuznavi – a truly borderless story which takes place in an aeroplane, in the sky where all borders collapse. We have more stories from Balochistan, US and India.

Suzanne Kamata continues writing on Japan as she  introduces us to an Australian film maker who is making films in Japan and in Japanese, called Felicity Tillack. Cultures are perhaps truly crossing borders as we can see Kenny Peavy, an environmentalist who moved from US to Indonesia start a new column with us called ‘Mission Earth’. We hope, like Tagore or Rousseau, he will help to revive our felt need to live with nature, acknowledge the nurture that we get from the planet to live in harmony with it and on it.

At the end of twenty-four months of existence – that sounds better than a mere two years— we are happy to host a melange of writers from across the borders and be the meeting grounds of writers and readers from across continents. I am truly thankful to all of you for helping concretise an ideal. Huge thanks to all the writers, artists, photographers and the readers for the contribution of their time, effort and love. And thanks to our fabulous team who continue to support the journal unwaveringly. I would also like to thank Sohana for the lovely visuals she generously shares with us. A special thanks also to young Ayaan Ghoshal for his digital art where hands reach out to support a truly borderless world.

As usual, all the content has not been covered here, I invite you all to enjoy our March edition of Borderless Journal.

At the start of the third year of our existence, let us march onwards towards renewed hope – maybe the Ukraine experience will take us closer to a war-free world with an awakening of a felt need for peace and compassion in a planet without borders.

In quest of a peaceful, humane world, I invite you all to continue being part of this journey.  

Mitali Chakravarty

Borderless Journal

Categories
Nature's Musings

Storms & Seas

  Penny Wilkes captures the colours of a stormy sea, sky and birds responses to the weather with her camera and words

Pelicans and seagulls find protection on the edges of cliffs as winds broil. Cormorants rise into the branches of pine trees and preen. A winter sea and sky toy with the colour wheel and capture a view that often defies a camera’s eye.

Paint a storm

Before the storm, the sea flaunts its personalities. During their flights of defiance against the wind, seagulls ripple on the currents like kites. They evade the force as long as possible, wielding magic in the thrust of wings. Pigeons circle in formations, catching the drafts. Subtle changes alert the birds’ radar to seek shelter before intensity could whip them from the sky.

Surreal sea and menacing clouds

The sky provides an opening. Where does it lead?

The sky plays with the sea

As the storm passes, the sky returns to calm the sea and reflect the blue. 

A seagull meeting

Seagulls ready their feathers for flight.

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Penny Wilkes,  served as a science editor, travel and nature writer and columnist. An award-winning writer and poet, she has published a collection of short stories, Seven Smooth Stones. Her published poetry collections include: Whispers from the Land, In Spite of War, and Flying Lessons. Her Blog on The Write Life features life skills, creativity, and writing:  http://penjaminswriteway.blogspot.com/ . Her photoblog is @: http://feathersandfigments.blogspot.com/

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Contents

Borderless February 2022

Winter in Africa. Painting by Sybil Pretious.

Editorial

What’s Love Got to Do with it’ … Click here to read.

Interviews

Sriniketan: Tagore’s “Life Work”: In Conversation with Professor Uma Das Gupta, Tagore scholar, author of A History of Sriniketan, where can be glimpsed what Tagore considered his ‘life’s work’ as an NGO smoothening divides between villagers and the educated. Click here to read.

Akbar: The Man who was King: In conversation with eminent journalist and author, Shazi Zaman, author of Akbar, A Novel of History. Click here to read.

Translations

One Day in the Fog, written by Jibananda Das and translated from Bengali by Professor Fakrul Alam. Click here to read.

Mahnu, a poem by Atta Shad, translated from Balochi by Fazal Baloch. Click here to read.

A Superpower in the Pandemic, written and translated from Korean by Ihlwha Choi. Click here to read.

Eyes of the Python, a short story by S.Ramakrishnan, translated from Tamil by Dr.B.Chandramouli. Click here to read.

Raatri Eshe Jethay Meshe by Tagore has been translated from Bengali as Where the Night comes to Mingle by Mitali Chakravarty. Click here to read.

Pandies’ Corner

These stories are written by youngsters from the Nithari village who transcended childhood trauma and deprivation. The column starts with a story, Stranger than Fiction from Sharad Kumar in Hindustani, translated to English by Grace M Sukanya. Click here to read.

Poetry

Click on the names to read

Rhys Hughes, A Jessie Michael, Jay Nicholls, Moonmoon Chowdhury, Mike Smith, David Francis, Ananya Sarkar, Matthew James Friday, Ashok Suri, John Grey, Saptarshi Bhattacharya, Candice Louisa Daquin, Emalisa Rose, Ryan Quinn Flanagan

Nature’s Musings

Penny Wilkes explores dewdrops and sunrise in A Dewdrop World. Click here to read.

Poets, Poetry & Rhys Hughes

Rhys Hughes explores the paranormal with his usual wit in Three Ghosts in a Boat. Promise not to laugh or smile as you shiver… Click here to read.

Musings/ Slices from Life

Requiem for the Melody Queen

Ratnottama Sengupta sings her own paean in which a chorus of voices across the world join her to pay a tribute to a legend called Lata Mangeshkar. Click here to read.

Forsaking Distant Hemispheres for the Immediate Locale

Meredith Stephens introduces us to the varied fauna found in South Australia with vivid photographs clicked by her. Click here to read.

Breaking the fast

P Ravi Shankar takes us through a breakfast feast around the world. Click here to read.

Musings of a Copywriter

In Life without a Pet, Devraj Singh Kalsi gives a humorous take on why he does not keep a pet. Click here to read.

Notes from Japan

In Bridging Cultures through Music, author Suzanne Kamata introduces us to Masaki Nakagawa, a YouTuber who loves Lativia and has made it big, playing for the President of Lativia at the Japanese coronation. Click here to read.

Essays

Farewell Keri Hulme

A tribute by Keith Lyons to the first New Zealand Booker Prize winner, Keri Hulme, recalling his non-literary encounters with the sequestered author. Click here to read.

Satyajit Ray’s Cinematic Universe: Can Isolation Lead to a New World?

Rebanta Gupta explores two films of Satyajit Ray, Kanchenjunga & Charulata to see what a sense of isolation can do for humans? Click here to read.

‘What remains is darkness and facing me – Banalata Sen!’

Rakibul Hasan Khan explores death and darkness in Fakrul Alam’s translation of Jibanananda Das’s poetry. Click here to read.

Dhaka Book Fair: A Mansion and a Movement

Ratnottama Sengupta writes of a time a palace called Bardhaman House became the centre of a unique tryst against cultural hegemony. The Language Movement of 1952 that started in Dhaka led to the birth of Bangladesh in 1971. In 1999, UNESCO recognised February 21 as the Mother Language Day. Click here to read.

The Observant Immigrant

 In To Be or Not to Be, Candice Louisa Daquin takes a close look at death and suicide. Click here to read.

Stories

Navigational Error

Luke P.G. Draper explores the impact of pollution with a short compelling narrative. Click here to read.

The Art of Sleeping

Atreyo Chowdhury spins an absurd tale or could it be true? Click here to read.

Dear Dr Chilli…

Maliha Iqbal writes of life as a young girl in a competitive world. Click here to read.

The Literary Fictionist

In MissingSunil Sharma gives us a long literary yarn. Click here to read.

Book Excerpts

Two Banalata Sen poems excerpted from Jibanananda Das: Selected Poems with an Introduction, Chronology and Glossary, translated from Bengali by Fakrul Alam. Click here to read.

An excerpt from Mahasweta Devi, Our Santiniketan. Translated from the Bengali by Radha Chakravarty. Click here to read.

Book Reviews

Indrashish Banerjee reviews The Best of Travel Writing of Dom Moraes: Under Something of a Cloud. Click here to read.

Gracy Samjetsabam reviews Masala and Murder by Patrick Lyons. Click here to read.

Rakhi Dalal reviews Kavery Nambisan’s A Luxury called Health. Click here to read.

Bhaskar Parichha reviews Growing up Jewish in India: Synagogues, Customs, and Communities from the Bene Israel to the Art of Siona Benjamin, edited by Ori Z. Soltes. Click here to read.

Special Issues

Cry, Our Beloved… Click here to read (For Peace)

Born to be Wild …Click here to read (World Wild Life Day)

Categories
Editorial

‘What’s Love Got to Do with It’

Art by Sohana Manzoor
‘Why does education in love not feature in today’s curriculum?’
— Mahasweta Devi, Our Santiniketan (Translated by Radha Chakravarty, 2022, Seagull Books)

As the world celebrates Valentine’s Day, one pauses to think how far commercialisation has seeped in over time that the very concept of a tender emotion was questioned by Tina Turner in a song called, “What’s love got to do with it” nearly four decades ago. 

This was written even before Mahasweta Devi (1926-2016) published a nostalgic memoir of 1930’s Santiniketan in Bengali in 2001. She raised her pen to ask the very pertinent question that is quoted above. Why is education in love not a part of our curriculum anymore? She was reminiscing about her days in Santiniketan where children were brought up with rigorous academics while discipline was coloured with love and affection. They nurtured a love for nature in students too. This has become a rarity for many and perhaps needs to be revived as the Earth struggles to continue habitable for humankind. In the process of educating students to love and give, Santiniketan threw up many greats like the writer herself. We are delighted to host an excerpt from the start of Our Santiniketan translated beautifully by Radha Chakravarty.

Santiniketan was only the very visible part of a huge project taken on by Tagore (1861-1941). The other part now united with Santiniketan under the banner of Visva Bharati University is Sriniketan, a group of villages where Tagore experimented with raising consciousness and standards of villagers to integrate them into a larger world. He brought in new techniques in agriculture and crafts into the villages under this programme involving many prominent scientists, artists and humanists. And the project has blossomed. Did you know Tagore thought of himself as an NGO and his ‘life work’ he felt was developing villages (Sriniketan) and educating young minds to build a world where borders of knowledge, poverty and ignorance could be smoothened?

He wrote: “I alone cannot take responsibility for the whole of India. But even if two or three villages can be freed from the shackles of helplessness and ignorance, an ideal for the whole of India would be established.

“Fulfill this ideal in a few villages only, and I will say that these few villages are my India. And only if that is done, will India be truly ours.”

All this can be found in a book called A History of Sriniketan (Niyogi Books), written by Uma Das Gupta, a major authority on Tagore who moved from Oxford to Santiniketan and made Tagore’s work in these two institutions her own life’s work. We have featured her and her book in our interview/review section.

Raised out of such ashes of poverty that Tagore sought to dispel, are youngsters from the village of Nithari, where ceaseless efforts by volunteers of organisations like Saksham and pandies’ has given a new lease for life to those who have been exposed to violations, violence, divides, poverty and deprivation. One of them, Sharad Kumar, now studying to be an engineer, kicks off our new section called Pandies’ Corner with his story in Hindustani translated by a volunteer, Grace M Sukanya. His story learns from history and shows rather than tells.

A similar approach to view the present through lenses focussed on the past at a much grander scale has been taken by Shazi Zaman, an author and journalist, who has stepped into the Anglophone world with the transcreation of his own novel from Hindi to English, Akbar, A Novel of History (Speaking Tiger Books). He has brought to the fore how in days when sectarian violence based on religions killed, Akbar (1542-1605) tried to create a new path that would lead to peace so that he could rule over an empire united by administration and not broken by contentious religious animosities which often led to wars. In his interview, he tells us of the relevance of the Great Mughal in a period of history that was torn by divides, divisions so deep that they continue to smoulder to this day and date. That history repeats itself is evident though our living standards seem to improve over time. Bhaskar Parichha’s review of Growing up Jewish in India: Synagogues, Customs, and Communities from the Bene Israel to the Art of Siona Benjamin, edited by Ori Z. Soltes, also reinforces these divides and amalgamations in the modern context. The other books that have been reviewed include The Best of Travel Writing of Dom Moraes: Under Something of a Cloud by Indrashish Banerjee, and Gracy Samjetsabam has introduced us to an intriguing murder mystery in Masala and Murder by Patrick Lyons.

Translations have thrown up interesting colours this time with a Tamil story by a Sahitya Akademi winning writer, S Ramakrishnan, translated on our pages by B Chandramouli, one from Korean by Ihlwha Choi and of course a transcreation of Tagore’s songs where he sings of the meeting of horizons. A beautiful poem by eminent Balochi poet Atta Shad (1939-1997) has been translated by Fazal Baloch. We are again privileged to host an original translation of Jibananda Das(1899-1954) by Professor Fakrul Alam. We also managed to get permission to share some of Professor Alam’s fabulous translations of Jibananada Das from UPL (United Press Limited) and are starting it out by excerpting two of his poems on Banalata Sen, which were till now restricted to readership who only had access to the hardcopy. Rakibul Hasan Khan has given us an essay on these translations. An interesting essay on Satyajit Ray (1921-1992) by Rebanata Gupta and personalised tribute to the first Booker Prize winner from New Zealand, Keri Hulme (1947-2021), by Keith Lyons, who had many non-literary encounters with the sequestered author, add to the richness of our oeuvre.

Ratnottama Sengupta has also paid a moving tribute to the music legend, Lata Mangeshkar, who died at the age of 92 on 6th February, 2022. The choral symphony of multiple voices that hums through the paean recreating the larger than life presence of Lata reinforces that her lilting voice will stay embedded in many hearts and lives forever. Her perfect honing of musical skills delivered with the right emotions make her an epitome of human excellence. She gave the best of herself to the world.

Brooding on death and suicide is Candice Louisa Daquin essay. This is a topic under discussion as Switzerland might start a resort for abetting suicides. It is rather frightening that while people value life and as technology and humans work in consonance to preserve it, the rich can think of squandering away this unique process that has till now not been replicated. The other strange long literary yarn that is dark in colours is woven by Sunil Sharma as he explores the futility and self-pity experienced by retirees in their existentialist quest to find a meaning to live. It has bits of poetry too. Penny Wilkes has also introduced verses into her photographic tour of dewdrops. Candice’s vibrant poetry this time has joined that of Ryan Quinn Flanagan, Mike Smith, A Jessie Michael, Ananya Sarkar, Jay Nicholls, Saptarshi Bhattacharya, Rhys Hughes and many more I leave you to unfold. Rhys Hughes has also given us a spooky piece which says ghosts might be genies — check it out. Do you agree or is he just being bizarre and funny?

Wrapped in more dry humour is Devraj Singh Kalsi narrative on why he does not want pets. Meredith Stephens, on the contrary loves pets and sails the seas of West Australia with her camera, words, seals and dolphins. Luke PG Draper also speaks for animals — for the intrusion of pollutants that harm creatures like whales in his short story. Hop all over the world with Ravi Shankar breaking nightly fasts with food from different cultures. More colour is brought in by Suzanne Kamata who starts a new column, Notes from Japan — introducing us to Japanese sensation, Masaki Nakagawa, who has sung his way to hearts with Lativian songs that he loves, so much so that he got to perform at the Japanese coronation and has pictures with the Latvian President.

The time has come to let you discover the mysterious pieces that have not been mentioned here in the February edition — and there are many.  

Before I wind up till the next month, I would like to thank our fabulous team who make this journal possible. Keith Lyons has now become part of that team and has graciously joined our editorial board. Sohana Manzoor and Sybil Pretious deserve a special kudos for their fabulous artwork. Our grateful, heartfelt thanks to all our wonderful contributors and readers who keep the journal alive.

Wish you all a lovely month.

Best wishes,

Mitali Chakravarty

Borderless Journal

Categories
Nature's Musings

A Dewdrop World

Text and photographs by Penny Wilkes

This dewdrop world

Is but a dewdrop world

. . . and yet? 

The petals fan and flair with the nurture of dew.

Shadows pose behind and beyond; shapes and curtains flow.

Harmony of upside down and turn around in traces and hearts unfurl.

What self-conversation stumbles among the shapes that reveal a secret core?

To peer, without haste and permit the eyes and nose to investigate. The hands and body bend to each shrine of nature. 

What musicality trails the leaves.  A taste of tart and surprise entreats

. . . and yet?

Awake in the wild of impermanence, the temple draws an adventurer.

What do I know of secrets I don’t understand?

Like dew, a phantom or the flare of sunset gone.  With hope revisited.

and  yet . . . to awaken and arrive again at dawn.

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.

Penny Wilkes,  served as a science editor, travel and nature writer and columnist. An award-winning writer and poet, she has published a collection of short stories, Seven Smooth Stones. Her published poetry collections include: Whispers from the Land, In Spite of War, and Flying Lessons. Her Blog on The Write Life features life skills, creativity, and writing:  http://penjaminswriteway.blogspot.com/ . Her photoblog is @: http://feathersandfigments.blogspot.com/

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Contents

Borderless January, 2022

Painting by Sohana Manzoor

Editorial

Elephants & Laughter… Click here to read.

Interviews

Keith Lyons introduces us to Kenny Peavy, an author, adventurer, educator and wilderness first-aider who has travelled far and wide and wishes everyone could connect with the natural world right outside their door. Click here to read.

In Rhys Hughes Unbounded, Hughes, an author and adventurer, tells us about his inclination for comedies. Click here to read

Translations

Professor Fakrul Alam translates If Life were Eternal by Jibananada Das from Bengali. Click here to read.

Ratnottama Sengupta translates Bengali poet Michael Madhusudan Dutt’s Bijoya Doushami. Click here to read.

Korean poet Ihlwha Choi translates his own poem, Sometimes Losing is Winning, from Korean. Click here to read.

Give Me A Rag, Please:A short story by Nabendu Ghosh, translated by Ratnottama Sengupta, set in the 1943 Bengal Famine, which reflects on man’s basic needs. Click here to read.

On This Auspicious Day is a translation of a Tagore’s song, Aaji Shubhodine Pitaar Bhabone, from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read

Rhys Hughes, Ryan Quinn Flanagan, Anasuya Bhar, Jay Nicholls, Anuradha Vijayakrishnan, Vernon Daim, Mathangi Sunderrajan, William Miller, Syam Sudhakar, Mike Smith, Pramod Rastogi, Ivan Peledov, Subzar Ahmed, Michael R Burch

Nature’s Musings

In Best Friends, Penny Wilkes takes us for a photographic treat. Click here to read.

Poets, Poetry & Rhys Hughes

In Making Something of Nothing…, Rhys Hughes explores sources of inspirations with a dollop of humour. Click here to read.

Musings/Slices from Life

Wooing Children to School

Munaj Gul writes of how volunteers are engaged in wooing children from poverty stricken backgrounds to school in Turbat, Balochistan. Click here to read.

Historical Accuracy

Ravibala Shenoy ponders over various interpretations of the past in media and through social media. Click here to read.

The Ocean & Me

Meredith Stephens writes of her sailing adventures in South Australia. Click here to read.

Crotons

Kavya RK finds her fascination for plants flourish in the pandemic. Click here to read.

The Great Freeze

P Ravi Shankar trots through winters in different parts of the globe. Click here to read.

Two Birds

Ratnottama Sengupta muses as she translates a Tagore’s song. Click here to read.

Musings of a Copywriter

In The New Year’s Boon, Devraj Singh gives a glimpse into the projection of a new normal created by God. Click here to read.

Essays

Dramatising an Evolving Consciousness: Theatre with Nithari’s Children

Sanjay Kumar gives us a glimpse of how theatre has been used to transcend trauma and create bridges. Click here to read.

Potable Water Crisis & the Sunderbans

Camellia Biswas, a visitor to Sunderbans during the cyclone Alia, turns environmentalist and writes about the potable water issue faced by locals. Click here to read.

The Malodorous Mountain: A Contemporary Folklore

Sayantan Sur looks into environmental hazards due to shoddy garbage disposal. Click here to read.

Where Sands Drift Back in Time…

Shernaz Wadia explores Western Australia. Click here to read.

The Observant Immigrant

In The Changing Faces of the Family, Candice Louisa Daquin explores the trends in what is seen as a family now. Click here to read.

Bhaskar’s Corner

In Fakir Mohan: A Tribute, Bhaskar Parichha introduces us to Fakir Mohan Senapati, the writer he considers the greatest in Odia literature. Click here to read.

Stories

Folklore from Balochistan: The Pearl

Balochi folktales woven into a story and reinvented by Fazal Baloch highlighting the wisdom of a woman. Click here to read.

The American Wonder

Steve Ogah takes us to a village in Nigeria. Click here to read.

The Boy

Neilay Khasnabish shares a story on migrant labours with a twist. Click here to read.

Stranger than Fiction

Sushant Thapa writes of real life in Nepal, which at times is stranger than fiction. Click here to read.

The Solace

Candice Louisa Daquin takes us on a poignant story of longing. Click here to read.

The Doll

Sohana Manzoor tells a story around the awakening of a young woman. Click here to read.

Among Our PeopleDevraj Singh Kalsi gives a fictitious account of a common man’s quest for security in a country that is one of the world’s largest democracy. Click here to read.

Book Excerpts

An excerpt from Shazi Zaman’s Akbar: A Novel of History detailing his interactions with Surdas and Braj. Click here to read.

Excerpts from A Glimpse Into My Country, An Anthology of International Short Stories edited by Andrée Roby & Dr Sangita Swechcha. Click here to read.

Book Reviews

Meenakshi Malhotra reviews Somdatta Mandal’s translation of A Bengali Lady in England by Krishnabhabini Das (1885). Click here to read.

Gracy Samjetsabam reviews Anuradha Kumar’s The Hottest Summer in Years. Click here to read.

Rakhi Dalal reviews Selma Carvalho’s Sisterhood of Swans. Click here to read.

Bhaskar Parichha reviews Amit Ranjan’s John Lang; Wanderer of Hindoostan; Slanderer in Hindoostanee; Lawyer for the Ranee. Click here to read.

Categories
Editorial

Elephants & Laughter

Run, Painting by Sybil Pretious

Ideally, I would love to start the New Year with laughter and happiness! Then perhaps, the whole year would be dotted with humour …

Laughter clubs often practice laughing for health benefits. I know the pandemic makes both guffawing outdoors or in a group hard but think of the funniest possible thing and, perhaps, you will start laughing. For me what works other than children’s and monkeys’ antics, are my trips to the dentist, especially the trip where I wondered on the fringe benefits of ‘laughing gas’ (as given in the PG Wodehouse novel of the same name), only to be informed that it was used exclusively for young children. For me, an adult, there was only — you have guessed it — the jab that numbs your lip function to lubber. I discovered if I could make light of a dentist drilling by learning from Harry Potter (the spell to get rid of the terrifying boggart, who took the shape of the thing you feared most, was to imagine the funniest thing, focus on the humour in it, and shout ‘Riddikulus’ with a wand pointed at the creature in the form of your worst nightmare), then I could pretty much get rid of most fears.

The other thing I have been wondering for sometime is can one write an editorial that is humorous when the content is serious? I would have wanted to ask that question to many, including Ruskin Bond, who continues as one of my idols. I would love to touch hearts with the humour and the sensitivity that flavours his writing. It is tough to convey a complex thought with the simplicity and elegance of a writer who can be read and understood easily. I think we have a few of them around and I interviewed one. You all probably know him well— Rhys Hughes. I have given the reasons for the interview in lieu of Mr Bond, who continues a distant star beyond the horizon of online interviews. We discussed humour and its role in literature, leaving out completely in the cold, the fictional Mr Bond who answers to the names of James and 007 and has made entertaining films, which can be seen as serious or non-serious.

Hughes has of course, given some writerly advice not just in the interview but in ‘Making Something of Nothing’ – pretty much the advice that God had probably been given when he asked an unspecified friend on how to create the universe and multiple realities. Hughes has also added to our galaxy of poets where Michael Burch, Ryan Quinn Flanagan, Anasuya Bhar, Vernon Daim, William Miller, Pramod Rastogi, Mike Smith, Jay Nicholls and many more continue to sparkle. Taking up the theme of God’s creations, Devraj Singh Kalsi has added to more humour with a dream of divine intervention to make the ‘New Normal’ in 2022 – a plan for this year. Will it ever be real?

Another major issue in this world currently is climate change. In keeping with the need for acceptance of this reality, Keith Lyons introduced us to a nature lover, author and adventurer Kenny Peavy, who loved the fictional adventurer called Indiana Jones and has been working towards living in harmony with nature. He moved to Indonesia from America and is trying to raise awareness. You can find much, though not elephants, in the interview that encompasses the story of a man who cycled across a continent on a bike made of bamboo. However, you can find some writing on a king who acquired the skill to ride and tame elephants in our book excerpt from Shazi Zaman’s Akbar: A Novel of History. The excerpt does not showcase his elephant taming skills as did the Bollywood blockbuster Jodha Akbar but is focussed on bringing out the syncretism in the Mughal monarch’s outlook which made him seek out exponents of other religions. Sangita Swechcha’s and Andrée Roby’s anthology, A Glimpse Into My Country, with excerpts of short stories from Nepal and Zimbabwe, like Kenny Peavy, cycle across multiple borders as does our fiction. We feature stories from within and without the continent with Fazal Baloch recombining a couple of folklores from Balochistan to a single tale. Fiction from young writers highlight compassion and a varied perspective. Steve Ogah has a story from Nigeria which almost rings with overtones of Alex Haley’s Roots. Sohana Manzoor has given us a poignant narrative with an inspiring twist at the end, an absolute antithesis of the humorous one she rolled out for us last month. Candice Louisa Daquin has also given us an exceptional short fiction along with her column where she discusses the changing face of families in the current context.

While Daquin’s focus is mainly towards the West, we have an essay from Sanjay Kumar on families that live in the greyer zones of big cities, children from an outcropping called Nithari in Delhi, where they or theirs suffered neglect, abuse, carnage and cannibalism in their formative years.  Introducing the impacted children, Kumar explains how they transcended the wounds that lacerated their lives. This piece is a precursor to a column called ‘Children of Nithari’. Starting February, the abuse victims will give us a story a month which will be translated by young volunteers from pandies’, an activist theatre group founded by Kumar, and published in Borderless. Another article from Balochistan reflects on the lack of literacy and efforts to bring children into the folds of schooling. Pakistan ranked 99th out of 132 countries on the literacy survey in 2021. We are privileged to be the voice of the unheard.

Two essays that ring of concerns raised in the Kenny Peavy interview are to do with climate crisis in the Sunderbans and waste disposal in Delhi. Both of these are written by researchers who are working on these issues.

We have travel pieces from Australia – one is a sailing adventure by Meredith Stephens and the other is about a trip to the Sand Dunes of Western Australia by Shernaz Wadia. Ravi Shankar has also taken us through winters from the Everest to New York with his globe-trotting non-fiction. Penny Wilkes takes us on a flight of creativity with beautiful photography.

We have a stellar layout of translations. Professor Fakrul Alam translated another poem by Jibananada Das and Borderless is honoured to publish it to the world for the first time. We have a translation from Korea and another of a Brahmo hymn, Aji Shubho Dine, by Tagore, which is sung often during festivals. The icing in our Tagore section in this issue is Ratnottama Sengupta’s translation of the Kobiguru’s ‘Two Birds’ (Khanchar Pakhi Chhilo) along with a musing which reflects on the perspectives of the two contemporaries, Tagore and Saratchandra. She has also translated a well-known Bengali poet, Michael Madhusudan Dutt. Dutt wrote just before the advent of Tagore and had an interesting past which has been vividly depicted by Sunil Gangopadhyay in Those Days (Sei Somoy in Bengali), a novel that has been translated by Aruna Chakravarti. Bhaskar Parichha has given us a tribute on the occasion of the birth anniversary of Fakir Mohan Senapati, who, he claims, has the same standing in Odia literature as Tagore in Bengali or Premchand in Hindi.

Parichha has also reviewed Amit Ranjan’s John Lang; Wanderer of Hindoostan; Slanderer in Hindoostanee; Lawyer for the Ranee. It looks like an interesting read where an immigrant Australian came supported Rani of Jhansi in India. Rakhi Dalal has reviewed Selma Carvalho’s Sisterhood of Swans, again a story of migrants and their lives. The theme seems to echo among the books that have been reviewed this time, including Gracy Samjetsabam’s take on Anuradha Kumar’s The Hottest Summer in Years, a story about a German immigrant to India in the twentieth century. Meenakshi Malhotra’s review of Somdatta Mandal’s translation of A Bengali Lady in England by Krishnabhabini Das (1885) highlights the views of a traveller rather than an immigrant as the lady did return home after a ten-year sojourn in Britain. As Meenakshi contends, “The process of travel offers opportunities for emancipation where exposure to other cultures offers her a way of viewing and of gaining a perspective on her own experiences and that of her sisters in India. Krishnabhabini constantly refers to her Indian sisters and bemoans their sorry state and ignorance when she sees how active British women were in their families and societies…”

I was supposed to try my hand at a humorous editorial, but I realise that is tough when the ground is small. For humour, we need rolling acres where we can etch out each detail till it cannot be milked further for laughter. But I promise you I will keep trying to please the readers till one evolves to write like Ruskin Bond.

I would like to thank my fabulous team who even if not actively contributing to content are always at hand to advise and help. I would especially want to thank both Sohana Manzoor and Sybil for their fantastic artwork, which is as wonderful as their writings. I would like to give heartfelt thanks to all the contributors who have made this journal possible and each reader who comes back to our journal for more every month. Some of the pieces remain unmentioned adding to the mystery of the content, just like, Christmas gifts which need to be unwrapped and continue a reality even in January in some parts of the world – the Russians celebrate on January 7th and the Spaniards extend their festivities to January 6th.

Do take a look at this month’s edition for not just the stories mentioned here but for more.

I wish you all a wonderful New Year filled with laughter.

Mitali Chakravarty

Borderless Journal