Ratnottama Sengupta, formerly Arts Editor of The Times of India, teaches mass communication and film appreciation, curates film festivals and art exhibitions, and translates and write books. She has been a member of CBFC (Certified Board of Film Certification), served on the National Film Awards jury and has herself won a National Award.
Conversations
‘He made History stand still on his Pages’
A conversation about an eminent screenwriter and author, Nabendu Ghosh. His daughter, senior journalist Ratnottama Sengupta, unfolds stories about her father. Click here to read.
Eminent film journalist, Ratnottama Sengupta, converses with legendary actress, Deepti Naval, on her literary aspirations at the Simla Literary festival, Unmesh, in June 2022. Click here to read.
Poetry
Poetry by Ratnottama Sengupta… Click here to read.
Prose
Ratnottama Sengupta discusses the unique Bhooter Naach or the Ghost Dance, in Satyajit Ray’s Goopy Gyne Bagha Byne. Click here to read.
Ratnottama Sengupta continues with her own family saga looking back to the last century. Click here to read.
A Solitary Pursuit: The Art of Suhas Roy
Ratnottama Sengupta journeys with the signature art of Suhas Roy as it transformed in theme, style, and medium. Click here to read.
Ratnottama Sengupta relives the past. Click here to read.
Freedom is another word for… Zohra Sehgal
Ratnottama Sengupta gives a glimpse of the life of Zohra Sehgal, based on the book Zohra: A Biography in Four Acts by Ritu Menon, and her own personal interactions with the aging Zohra Sehgal. Click hereto read.
In Memoriam: Star of the Stage Shines on Screen
Ratnottama Sengupta pays a tribute to famed actress, Swatilekha Sengupta (May 1950- June 2021). Click here to read.
A Special Tribute
In Jean Claude Carriere: A Writer for all Directors, Ratnottama Sengupta pays homage to Jean Claude Carriere (1931-2021), the legendary screenwriter of Peter Brook’s Mahabharata. Click here to read.
‘When will we ever learn? Oh, will we ever learn?’
Ratnottama Sengupta, comments on the current situation in Ukraine while dwelling on her memorable meeting with folk legend Pete Seeger, a pacifist, who wrote ‘Where have all the Flowers gone’, based on a folk song from Ukraine. Click here to read.
Ratnottama Sengupta explores beggary in fact, films and fiction. Click here to read.
Dhaka Book Fair: A Mansion and a Movement
Ratnottama Sengupta writes of a time a palace called Bardhaman House became the centre of a unique tryst against cultural hegemony. The Language Movement of 1952 that started in Dhaka led to the birth of Bangladesh in 1971. In 1999, UNESCO recognised February 21 as the Mother Language Day. Click here to read.
Ratnottama Sengupta sings her own paean in which a chorus of voices across the world join her to pay a tribute to a legend called Lata Mangeshkar. Click here to read.
Ratnottama Sengupta muses on an NGO who has won a Magsaysay Award for his work with cloth distribution in India contextualising it against the issues raised in Give Me a Rag, Please by Nabendu Ghosh. Click here to read.
Ratnottama Sengupta muses as she translates a Tagore’s song. Click here to read.
Ratnottama Sengupta recaptures a time when as a teenager she witnessed a war that was fought to retain a language and culture. Click here to read.
In a tribute to Bollywood legend Dileep Kumar, Ratnottama Sengupta recollects the days the great actor sprinted about on the sets of Bombay’s studios …spiced up with fragments from the autobiography of Sengupta’s father, Nabendu Ghosh. Click here to read.
Ratnottama Sengupta recalls her experiences of the Egyptian unrest while covering the 35th Cairo International Film Festival in 2012. Click here to read.
Ratnottama Sengupta recaps about the silk route. Click here to read and find out more.
Ratnottama Sengupta gives us the role ‘kanthas’ (hand-embroidered mats, made of old rags) played in India’s freedom struggle. Click here to read.
Ratnottama Sengupta goes back to her childhood Mumbai to the mid-twentieth century. Click here to read.
The Worshipper of Mother Earth: A Nostalgic journey
Ratnottama Sengupta journeys to show how past and present are interlinked in art and pays tribute to a polyglot, Maniklal Chatterjee. Click here to read.
Ratnottama Sengupta muses on the wisdom of the wild in a storm. Click here to read.
Ratnottama Sengupta discusses how translations impact the world of literature. Click here to read.
Translations
Down the stairs by Nabendu Ghosh, a gripping story exploring the greyer areas of ethical dilemmas, has been translated by Sarmishta Mukhopadhyay with editorial input from Ratnottama Sengupta. Click here to read.
Give Me A Rag, Please:A short story by Nabendu Ghosh, translated by Ratnottama Sengupta, set in the 1943 Bengal Famine, which reflects on man’s basic needs. Click here to read.
Ratnottama Sengupta translates Bengali poet Michael Madhusudan Dutt’s Bijoya Doushami. Click here to read.
Colour the World: Rangiye Diye Jao, a song by Tagore, transcreated by Ratnottama Sengupta. Click here to read.
Satyajit Ray, Bibhuti Bhushan & Nabendu Ghosh and a Famous Triology: To mark the birth centenary of Satyajit Ray, Ratnottama Sengupta translates from Nabendu Ghosh’s autobiography experience of Pather Panchali ( Song of the Road) — between covers and on screen. Click here to read.
Yet, Forget Me Not…: Short story by actress film-maker Aparajita Ghosh translated from Bengali by Ratnottama Sengupta. Click here to read.
Across Time: Ratnottama Sengupta transcreates three poems from Bengali. Click here to read.
An August Account of ‘Quit India’ Movement: Ratnottama Sengupta translates from Bengali the excerpts recorded by Sandhya Sinha (1928-2016), who witnessed an upsurge in the wake of the Quit India Movement, part of India’s struggle against colonial rule. Click here to read.
The Magic Spell of Scheherazade’s Nights: Translated by Ratnottama Sengupta, these are reflections by Sandhya Sinha (1928-2016) on the magic of storytelling in Arabian Nights. Click here to read.
The Awaited Mother’s Day: Translated by Ratnottama Sengupta, a short story by Sandhya Sinha (1928-2016). Click here to read.
Borderless 