Categories
Essay

The Idea of Civilisation: Trust and Power?

By Ravi Varmman K Kanniappan

Statue of Vel Pari Giving His Chariot to the Jasmine Creeper at Kodunkundreeswarar Temple, Tamil Nadu. Photo provided by Ravi Varmman K. Kaniappan

There are kings remembered for the size of their empires, and there are kings remembered because people loved them long after the drums of war went silent. Vel Pari belonged to the second kind. He was not the ruler of some vast empire stretching across oceans, nor did he command endless armies that darkened the horizon. He ruled Parambu Nadu, a mountain kingdom wrapped in forests, waterfalls, fertile valleys, bamboo groves, and wild jasmine creepers that climbed the stones after the rain. Yet in the hearts of the Tamil people, Pari stood taller than the crowned emperors of the age.

The poem on Vel Pari by poet Kabilar in the Purananuru, the Sangam period literature (300BCE to 300CE) is another gem that resonates with modern day geopolitics.  

The old bards sang of him not merely as a ruler, but as a man whose generosity moved beyond human beings and reached even the smallest living things. The story that survives centuries like a flame protected from the wind is the tale of the mullai (jasmine) creeper. One day Pari saw a delicate jasmine vine struggling along the ground with nothing to climb upon. Any other king would have passed by it without a thought. Pari stopped his royal chariot, stepped down, and offered the golden vehicle to the plant so it could rise upward toward the light. To many, it will sound absurd. To the Tamil poets, it revealed the soul of the man. A ruler who could bend before a helpless vine would never allow his people to suffer under cruelty.

Parambu Nadu itself reflected its King. The land was rich not because of conquest, but because nature and people lived together without violence against one another. The hills yielded jackfruit, bamboo rice, roots, honey, sweet water springs, and fertile soil. Hunters, farmers, poets, wandering musicians, and tribal clans lived under Pari’s protection with dignity. Travelers knew that no bard would ever leave Pari’s court empty handed. If a singer arrived with tired feet and a hungry stomach, the king fed him. If a poet carried sorrow in his heart, Pari listened. If someone came seeking shelter, the mountain welcomed them.

Among all who stood beside him, none was closer than the great poet Kabilar. Their friendship became one of the immortal bonds of Sangam history. Kabilar did not praise Pari out of duty like a court flatterer. He loved him deeply, like a brother born in another body. Through the verses of the Purananuru, Kabilar preserved not just the image of a King, but the spirit of an entire world that was slowly being swallowed by imperial ambition. When Kabilar spoke of Pari, his words carried both admiration and grief, as though he already sensed that such goodness could not survive in an age ruled by pride and conquest.

And pride was precisely what brought doom to Parambu Nadu.

The Chera, Chola, and Pandya kings, who were often referred as the mighty Moovendar (the Three Crowned Kings) of Tamilakam, looked upon Pari with growing bitterness. Individually, none could conquer him. His mountain fortress was naturally defended by cliffs, forests, and loyal warriors who knew every hidden path. But the real reason they feared him was not military strength. It was love. Pari was loved more deeply by poets, common folk, wandering clans, and artists than the emperors themselves. His fame spread across Tamilakam until even the crowned kings found themselves standing in the shadow of a tribal chieftain.

So, the three ancient rivals united for the first time, not for honour, not for justice, but to bring down one man.

Their armies surrounded Parambu Nadu for years. War drums echoed through the hills. Spears glittered beneath the sun. Yet the mountain kingdom did not fall. The land sustained its people. Springs still flowed. Bamboo rice still grew. The forests still fed the hungry. Inside the siege, Pari’s people endured. Outside the siege, the Moovendar grew increasingly humiliated that even their combined might could not break a small mountain kingdom.

The siege slowly became psychological warfare. The three King’s hoped exhaustion would crush Pari’s spirit. They wanted him to watch his people live under constant fear, to see freedom slowly strangled by endless encirclement. Yet Pari refused to surrender.

Then came the cruelty that stained their legacy forever.

Kabilar had once mocked the besieging kings openly. He told them they would never conquer Parambu Nadu with elephants, swords, or armies. But he also revealed something dangerous, he said, if poets, singers, and dancers approached Pari with songs of praise, the king would give away anything, even his kingdom itself. For Pari believed hospitality toward artists was sacred.

The Moovendar listened carefully.

Waiting until Kabilar was away from court, they sent assassins disguised as wandering bards and performers into Parambu Nadu. Dressed in the robes of artists, carrying the appearance of harmless travellers, they entered under the ancient Tamil code of hospitality. Pari welcomed them without suspicion. No guards searched them. No weapons were expected among poets.

Inside the safety of his chambers, the false bards dropped their disguises, drew hidden weapons, and murdered the king by treachery.

That was the deepest wound of all. Vel Pari was not slain gloriously on the battlefield with drums roaring around him. He was killed while extending kindness. His generosity became the blade used against him. In Tamil memory, this was not simply political conquest. It was the violation of Aram (virtue, morality and righteousness) itself, the sacred moral order.

But the cruelty did not end with his death.

The Moovendar dismantled Parambu Nadu piece by piece so it could never rise again as an independent tribal land. They divided the mountain among themselves like scavengers fighting over the remains of a lion. Worse still, they sought to erase Pari’s lineage entirely. His daughters, Angavai and Sangavai, were left orphaned and politically untouchable. The great empires made it known that any ruler who sheltered or married Pari’s daughters would invite the wrath of the three crowned kings. The princesses, who once walked among mountain flowers, were reduced to wandering in uncertainty, carrying the burden of their father’s name.

And beside them walked Kabilar, heartbroken beyond repair.

The poet who once sang proudly in royal halls now wandered from kingdom to kingdom seeking protection and marriage alliances for the daughters of his fallen friend. Again and again, rulers hesitated out of fear of the Moovendar. Kabilar watched the world betray Pari even after death. The man who had immortalised Tamil valour found himself crushed beneath grief and helplessness.

Though he eventually succeeded in securing the future of Angavai and Sangavai, something inside him had already died. Unable to bear the destruction of the world he loved, Kabilar finally chose Vadakiruthal, the ancient Tamil act of fasting unto death while facing north. It was not merely suicide. It was a final protest against a world where righteousness had been murdered by envy.

And yet, despite everything the Moovendar attempted, they failed in the one thing they truly desired.

They could conquer Pari’s land, but they could not erase him.

The fall of Vel Pari and the dismantling of Parambu Nadu resonate with several modern historical events where a smaller, culturally distinct, or morally symbolic community was systematically crushed by larger powers, not merely for territory, but because its existence challenged imperial authority, political legitimacy, or ideological control.

A significant parallel in later period is the destruction of indigenous tribal sovereignties during the expansion of colonial empires in the Americas and Australia. The systematic breaking of Native Nations such as the Lakota Nation or the displacement of Aboriginal communities was often accompanied by attempts to erase memory, culture, language, and lineage. Leaders who symbolised resistance were targeted not only militarily but psychologically. Like Pari’s daughters being politically isolated, indigenous heirs and communities were often cut off from land, legitimacy, and continuity.

The betrayal aspect of Pari’s death also resembles events such as the assassination of Patrice Lumumba during the Congo Crisis. Lumumba was enormously loved by ordinary people and represented an independent political future that threatened larger geopolitical powers. His removal was not simply about governance, but it was about preventing a charismatic symbol from inspiring broader resistance. Like Pari, Lumumba became more powerful in memory after his death in 1961, than the many who orchestrated his downfall.

There are also echoes in the defeat of Toussaint Louverture during the Haitian Revolution. Though Haiti ultimately won independence, Louverture himself was deceived, captured through manipulation rather than open battlefield victory, and removed because imperial powers feared the symbolic power of a free Black republic, where he later died in a freezing French prison cell in 1803. The anxiety of larger empires toward a smaller but morally resonant state mirrors the fear the Moovendar held toward Pari’s reputation.

From a South Asian perspective, one could even compare Pari’s downfall to the gradual dismantling of many tribal and princely states under the British Raj. The British frequently used diplomacy, betrayal, economic strangulation, alliances, and internal manipulation rather than direct warfare alone. Leaders who inspired emotional loyalty among local populations were often isolated politically before being removed. The destruction was not only territorial; it was cultural and psychological.

A darker modern comparison is the breakup and destruction of indigenous Tamil leadership structures during the final phase of the Sri Lankan Civil War. Regardless of political perspective, many Tamils interpret the end of the war not merely as a military defeat, but as the crushing of a collective identity, memory, and homeland aspiration through overwhelming force. The emotional memory of siege, encirclement, civilian suffering, and postwar dismantling creates parallels in how communities narrate trauma and loss.

What makes Vel Pari’s story unique, however, is that Sangam literature frames the tragedy less as a military defeat and more as a moral failure of civilisation itself. The central horror was not that a king died in war, as kings always die in war, but that hospitality, poetry, generosity, and sacred trust were weaponised against him. In modern language, Pari’s story is about how empires sometimes fear moral legitimacy more than military strength, and how systems of power often seek not merely to conquer resistant communities, but to humiliate and erase the memory of alternatives to their rule.

The crowned kings survive in inscriptions and dynasties, but Vel Pari survives in the human heart. He lives whenever generosity triumphs over greed, whenever a ruler protects dignity over power, whenever poetry remembers the forgotten, and whenever someone tells the story of the king who gave his chariot to a jasmine creeper because he believed even a fragile plant deserved support.

The story of Vel Pari, like those of Toussaint Louverture, Patrice Lumumba, and many others, illustrates a phenomenon that extends beyond military defeat or political repression. Modern political psychology describes it as a form of cultural-psychological annihilation, the attempt to destroy not only a people’s leaders but also their identity, memory, dignity, and capacity for collective continuity. The objective is not merely to win power, but to ensure that the defeated can no longer serve as a symbol of resistance, legitimacy, or alternative political imagination.

Several behavioural concepts help explain this process, for example, identity decapitation involves removing charismatic leaders and cultural figures who embody a community’s aspirations. Demoralisation strategies seek to break collective morale through prolonged pressure, isolation, and humiliation, fostering a sense of helplessness. Moral injury emerges when betrayal, injustice, or violations of deeply held ethical norms shatter a community’s faith in the moral order. Together, these mechanisms inflict damage not only on institutions and lives but also on the psychological foundations that sustain a people.

At its deepest level, this process becomes memoricide, the erasure of historical memory itself. The goal is to sever the connection between past, present, and future so that a people lose the symbols, stories, and leaders around which collective identity is formed. Whether in Parambu Nadu after Pari’s death, Haiti after Louverture, or Congo after Lumumba, the struggle is often not only over territory or power, but over who has the right to be remembered and to endure in history.

The modern lesson from the tragedy of Vel Pari is that a just society cannot be built merely on economic strength, military power, or political dominance. A truly just civilisation is measured by how it protects dignity, moral trust, cultural memory, and the weak, especially when doing so offers no immediate advantage. The downfall of Parambu Nadu shows what happens when power becomes insecure, it stops seeking justice and begins seeking humiliation, erasure, and control.

One of the greatest warnings hidden inside Pari’s story is that societies collapse morally long before they collapse politically. The Moovendar won the land, but in the literary memory of Tamil civilisation, they lost moral legitimacy because they abandoned Aram, righteous conduct. They weaponised hospitality, manipulated trust, isolated orphaned daughters, and sought to erase a people’s identity out of wounded pride. In modern terms, this teaches us that institutions without ethics eventually become engines of domination rather than guardians of civilisation.

A just society today therefore requires more than laws. It requires moral restraint in the use of power. It requires protecting minorities, preserving indigenous identities, respecting cultural memory, and ensuring that disagreement or independence is not treated as disloyalty. It also means refusing to destroy people psychologically in the pursuit of victory, whether in politics, religion, race, class, or nationalism.

This is precisely why the wisdom of the Thirukkural remains timeless. Thiruvalluvar warns that the strength of a ruler is not cruelty, but justice rooted in compassion.

“Wealth and power must stand with righteousness and fairness;
without them, greatness is empty despite outward success.” — Kural 221

The story of Vel Pari, read alongside the wisdom of the Thirukkural, reveals a timeless political and moral truth where societies endure not because they are feared, but because they are trusted. Power can command obedience and military strength can secure victory, but neither can create the legitimacy that sustains a civilisation across generations. Trust, built through justice, integrity, and respect for human dignity, is the foundation of a strong social order.

This lesson remains deeply relevant today. A just society is not measured solely by its wealth, military capability, or political influence. It is measured by its willingness to make power accountable, protect cultural identity, tolerate dissent, and uphold the dignity of all people. When criticism is suppressed, hospitality is exploited, or communities are stripped of their history and identity, the bonds of trust begin to weaken. History repeatedly demonstrates that fear may achieve compliance, but it rarely produces enduring loyalty.

Vel Pari’s legacy offers an alternative vision of leadership. He is remembered not for imperial conquest or political dominance, but for the values he embodied. His generosity was not a strategy for influence, his compassion was not a sign of weakness, and his humanity did not diminish his authority. Instead, these qualities became the source of his legitimacy. In a world where power is often equated with control, Pari represented the possibility that strength and virtue could coexist.

More than two thousand years after his death, Pari remains alive in collective memory because he symbolised an ethical ideal that transcends his time. His story reminds us that the true measure of leadership is not the ability to conquer, but the ability to inspire trust, preserve dignity, and act with moral purpose.

Ultimately, civilisations are remembered not for the power they wielded, but for the values they chose to uphold. In that sense, Vel Pari is not merely a figure of history, but he remains a compelling model for the kind of society and leadership the modern world continues to seek.

Glossary:

Malai – Hill

Purananuru – Purananuru originated during South India’s Sangam era (circa 300 BCE–300 CE). This 400-poem anthology is significant for documenting ancient Tamil warfare, heroic codes, governance, and secular societal values.

Sangam – The Sangam period originated from ancient Tamil academies (Sangams) in South India (300 BCE–300 CE). It is significant for producing remarkable secular literature detailing early Tamil culture, trade, and governance

Kabilar – Was a prolific Sangam-era poet originating from Thiruvatavur, Tamil Nadu (circa 1st–2nd century CE). He is significant for mastering love poetry (Kuruntokai) and immortalizing the generous King Vel Pari.

Tamilakam – Originated as the ancient homeland of Tamil speakers, covering modern Tamil Nadu, Kerala, and parts of neighboring states. It is significant for pioneering early maritime trade and distinct Sangam culture.

Moovendar – Three Crowned Kings originated during the ancient Sangam era in Tamilakam. They comprised the Chera, Chola, and Pandya dynasties. Their significance lies in establishing powerful, centralized governance, controlling lucrative maritime trade with Rome and Egypt, and heavily patronizing Tamil literature, arts, and the legendary Sangam academies.

Thirukural – Originated in ancient Tamilakam, authored by the sage Thiruvalluvar (circa 5th century CE or earlier). It is globally significant as a universal guide to secular ethics, virtue, and governance.

Inspired by:

Venkatesan, S. (2018). Veera Yuga Nayagan Velpari (Vols. 1–2). Vikatan Publishers.

Saravanan, G., & Selvaraju, R. (2022). Generosity and kindness of Vaelpaari in Sangam literature. International Research Journal of Tamil, 4(1).

 Ambikadevi, D. (2022). Sangam period: Literary and historical significance for southern India. International Journal of Research and Analytical Reviews.

P Marudanayagam, (2021), Purananuru, Text, Transliteration and Translation in English Verse and Prose, Central Institute of Classical Tamil, Chennai. (Poem 105 – 120)

J Narayana, (2019), Thirukkural, Transliteration and Translation, Sura Books Pvt Ltd,
(Use a specific translation if applied: e.g., Drew & Lazarus, or modern editions.)

Arivazhagan, V. (2023). Thirukkural’s life ethics. Shanlax International Journal of Tamil Research, 7(3), 29–33.

Webster, S. (2024). Revisiting memoricide: The everyday killing of memory. Memory Studies, 17(6), 1408–1428.

Voskanyan, H. (2025). Memoricide as post-conflict violence: The erasure of Armenian cultural heritage. European Master’s Programme in Human Rights and Democratisation.

Ravi Varmman explores leadership, culture, and self-inquiry through a philosophical lens, weaving management insight with human experience to illuminate resilience, ethical living, and reflective growth in an ever shifting world today.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Musings

Downpour

By Ian C Smith

Persistent rain soaks my senses, the lively past’s good fortune knocking on memory’s door, or is that just the beating of my heart?  Does being surrounded all night by an alluvial tattoo promote this hearkening back?  Beckoned as if by a distant porch light when lost in a storm, I embraced rites from times swept by in the long steady dying since Gloucestershire when, open-eyed, I took it all in.  An exhilarating melancholy floods me recalling standing inside a Norman chapel in the Cotswolds’ slanting light.  I breathed ancient mortar’s microbial odour, imagining a careful congregation in the Middle Ages, rough-sculpted, their murmuring voices long gone into the cold earth, willowherb and meadowsweet dormant.  That winter of my naïve yearning, fields of frost under a murderous owl’s moon, I shucked the duvet to fill pages rearranging words.  Trying to make sense of life’s stampede instead of slouching off early to work as I had in Australia since I was thirteen, was life changing?

If possible before final darkness, I still want to picture our quaint haven with the snugly warm smoky pub where I bumped my head in the low doorway, and we won a Christmas raffle.  I yearn for embedded images of that ilk to which I cling.  Yet to discover Edward Thomas’s poem about Adlestrop station written after his friendship with Robert Frost began — I didn’t know that — bereft of trains and poems, it slept nearby.  The poem was published days after his death in action.  With an adventurous partner, wind and rain rattling our sanctuary, ruffling rooks perched high above the tennis courts, horses sheltering in Larkin’s ‘cold shade’, my blood quickened.  Our first bus trip for shopping, the route wending through golden villages of stone between hedgerows hemming narrow roads, was studded with stops.  Women wearing hats, carrying baskets, and elderly couples sticking together, filled the bus with their soft, cidery accent.  Spotting travellers’ colourful caravans before reaching Moreton-in-Marsh, we messaged with our eyes to attract each other’s discreet attention.

Part-time servants, our Upstairs, Downstairs situation inverted, we hauled backpacks up flights of stairs.  In our bower we scrubbed greasy gunk from the stove and bathed in several inches of costly hot water in an antiquated iron bathtub.  I blue-tacked maps of our travels to damp walls under the roof where, on hushed evenings, dark so early, we read by lamplight.  Borrowing a gas heater on castors, I decorated it with an Olympic pattern of coffee mug rings, starting my blind attempts at a writing apprenticeship.  Each lunchtime, my bedmate, younger than me, living her antipodean dream, glowing after exercising hunters across frosted terrain listening to Ted Hughes’ ‘quake of hooves’, listened to me read what I, laughing at my own jokes, had written.  She astonished her workmates once, choosing not to hang around after work to see a future king of England ride one of their horses, coming home to my self-congratulatory words instead.  At other times she crossed her fingers for Reynard whenever we heard the hunting horn.

Born in England, an early boyhood memory was the story of my missing aunt.  My father’s last sighting of his runaway sister was from the bus he was driving.  For years I pictured this as a cinematic scene in monochrome with a grainy film-noir quality.  A brave woman pushing a pram flees along a street, wet, like the beginning of this piece.  Dim lighting casts shadows as she glances over her shoulder (a close-up).  She has no-one to defend her, to help.  Saddled with this unfinished business of finding her, Births, Marriages, and Deaths became my gripping reading.  We bought a cheap, used car with a good heater.  London’s records led to Liverpool, a city recently battered by riots.  By simply driving there from the Cotswolds we transitioned from poor to posh.  Absorbed, I accrued and sorted all this marvellous new material.  Gold.

Neither of us adequately masked our scorn of protocol’s scripture, smirking at our employers’ gross snobbery undercut by their practical helplessness.  Exacerbating this was my partner’s rising popularity among the local casual workforce, and our now interesting missing person sleuthing.  Irked by supercilious nonsense early, ad-libbing po-faced about the difficulty of finding decent racing saddles for kangaroos, my ludicrous irony had been taken as authentic.  I believed my Aussie bullshit humour leading the snobs from attempted humiliation to pathos was forever unforgiven.  Perhaps it was my multiple errant triggering of their burglar alarms.  That magical Christmas Eve, my birthday, befriended villagers invited us for carol-singing by flickering lantern lights from mansion to mansion for charity.  The ethereal beginning of We Three Kings was a goosebumps highlight, my missing aunt never far from my thoughts.  We also attended a pantomime at Chipping Norton, Jack and the Beanstalk, where I wondered what the Hooray Henrys might have made of this bewitchment.

For a joke when she who still dogs my dreams visits, I squeeze into my naval pea-jacket worn everywhere those years ago.  Finger-fiddling a never used spare button in its silken pocket solicits past voices.  I could display other memorabilia from then though she sternly advises just sticking to writing in the past tense.  My lightweight phone speedily locates those places we slowly discovered, their wonderful names – Bourton-on-the-Water – biro-circled in a bottom drawer heavy with old maps I sometimes sniff to transport me.  From there we journeyed all the way across another ocean, and prairies, the sky storybook-sized, hitchhiking to Alaska, sometimes at the edge of danger.  And there was more, much more, but it is to that soft privileged borough, despite the more dramatic, risk-laden zones of our sojourns, that my mind constantly returns.

My phone can also conjure up the television programme episode we researched, resulting in a moving family reunion watched from the Green Room.  It can’t locate the snappy words my partner exchanged with the famous ex-pop star presenter who complained about people fuddled with age after the show when she entered our descending lift in the studio.  I want to grasp the smells, sights, and sounds of where this all began that lure me like a secret love.  Time-travelling, from our attic window, transposed unscathed by age’s scourge – that raw cold would fell me now – breath fogging like the future we cannot see, I would gaze lingeringly once more on what shall be lost, therefore precious.

.

 Ian C Smith’s work has been published in BBC Radio 4 Sounds, Cable Street, Griffith Review, North of Oxford, Rundelania, The Spadina Literary Review, Stand, & Westerly. His seventh book is wonder sadness madness joy, Ginninderra (Port Adelaide). He writes in the Gippsland Lakes area of Victoria, and on Flinders Island.       

 PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles             

Categories
Slices from Life

Salvaging the Furling Line in the Joseph Bonaparte Gulf

Narrative by Meredith Stephens & photographs by Alan Noble

I donned my fluffy hooded jacket on a wintery June morning in Adelaide, desperately trying to insulate myself against the cold. Today, Alex and I were due to fly four hours north to Darwin in order to complete the first leg of sailing his new boat back to Adelaide along the northern and western coasts of Australia. Darwin was in the same country, so I couldn’t conceive of it being much warmer than Adelaide. It was just over 2600 kilometres away.

What I was most looking forward to was dropping into the airport lounge before the flight. Later, there would be all sorts of deprivations and challenges, but in the lounge, I could put these thoughts out of my mind. For thirty minutes or so, I could savour being pampered. I could drink as much chai latte as I wanted and help myself to thinly sliced watermelon and cantaloupe. When I was in the lounge the prospect of being the only vessel on rough and unpredictable seas was unimaginable. But eventually, I was summoned from my indulgences when our flight to Darwin was called. Alex and I made our way to our economy seats, and relaxed in-flight for the next four hours. When we exited the airport in Darwin, the heat was tropical and the sunshine seared. Instead of using my fluffy jacket for warmth I held it over my head for sun protection. Was I really still in the same country?

I had declined the offer of sailing previous blue water passages. When Alex crossed the Great Australian Bight, over the Southern Ocean, I had insisted he be accompanied by a qualified sailor. How could I rescue him if something untoward happened? He had been accompanied by a much younger sailor, Sven, whose ancestry could be traced back to the Vikings. One day when they were twenty nautical miles offshore in the Blight, Alex had noticed that one of the lines had become tangled in the propeller. He tied one end of a rope around his middle and handed the other end to Sven, instructing him to hold it. Then he dived under the boat to untangle the rope from the propeller.

Sven was flabbergasted to have been asked to do this, but relieved when Alex emerged having untied the line. Hearing this anecdote, I felt vindicated in having insisted that Alex sail with a qualified sailor instead of me. Surely, I would never be put in the same position as Sven. But this time in the north of Australia it was just the two of us.

Alex is a qualified sailor, but I am not. I had thought I could manage because the seas would be calmer in the dry season of northern Australia than the Southern Ocean.

We made our way from the airport to the marina and spent the next morning provisioning the boat for the next three weeks. We didn’t make time for swimming because we were afraid of encountering crocodiles, Box jellyfish and Irukandji jellyfish. The following morning, we departed. The first step was exiting the marina through the lock. We booked our passage through the lock at 11 am and cautiously motored past the other boats to get there. The passage through the lock was narrow, so Alex reduced the width of the boat by folding the starboard hull. “Stand on the port bow so you can make sure we don’t scrape against the side of the lock,” he urged me.

I carefully walked along the narrow hull, so I could hold the lockside rope in order to create distance between the boat and the lock. I worried about losing balance. What if I fell into the gap between the lock and the boat and got crushed? I gave it my full concentration and maintained my balance. The attendant opened the barriers of the locks one by one, and the water in the lock levelled with the ocean. We called out our thanks to the attendant, as he heartily wished us a good day. I carefully turned around and retraced my steps back to the middle of the boat.

The sail to the Berkeley River across the Joseph Bonaparte Gulf took us three days. There would be no marinas and no shops along this long coastline until Port Hedland, over 2,000 km away, so every stop would be at anchor. The first two days of sailing and anchoring were uneventful.

Banks of the Berkley River

The third day, aiming for the Berkeley River, was to be a very long day. Alex rose at three am and departed. The waters were rough, although not as rough as the Southern Ocean. In my case, seasickness takes the form of extreme drowsiness and minor nausea. I spent most of the day sleeping and relieved the nausea with dry ginger. Every now and then I would try to walk around the boat, steadying myself as I grasped furniture.

Then, as the sun was low in the sky I heard Alex gasp. “Oh no! The furling line has gone overboard! I can’t furl the reacher without it.”

Then he looked under the netting of the trampoline to the water below. “There it is! It’s twisted around the port propeller.”

“Excellent!” I replied. At least we hadn’t lost it.

“Not excellent,” he countered. “I have to dive in and get it.”

“No! Don’t put me through this. You know I can’t rescue you.”

“It’ll be fine.”

He had already tied one end of the rope around his waist. The other end was tied to a pole. Then it was twisted several times around a winch for extra safety.

“You just have to pay out the rope from the winch. You don’t have to hold it,” he explained.

After all my protestations, I was being placed in the same position as Sven. Only I wasn’t of Viking stock, and I was quite a bit older. I could feel my heart pounding. I couldn’t meet Alex’s eyes. This was the predicament I most wanted to avoid, being responsible for the physical safety of my irrepressible husband. But he wasn’t entering into discussion. Dismissing my objections, he slid into the water. I wasn’t even sure when to pull in the line, or when to pay it out. I was too scared to look over the edge of the boat. What if I fell into the water? But within a couple of minutes, I heard Alex’s triumphant voice.

“Success!”  he shouted, clutching the line. Then he quickly pulled himself onto the boat.

“At least you weren’t eaten by a crocodile.”

‘We are too far away from the coast for that,” he explained.

“What about the Irukandji jellyfish?”

“That’s more of a possibility, but I was only in for a couple of minutes.”

Finally, Alex accepted the beach towel I proffered him. He was too exhilarated by the success of his mission to be sensitive to the cold you would normally feel after emerging from the ocean. The sun was setting.

“I would have been unable to do this in the dark,” he added cheerily.

There were five hours of sailing left to get to the Berkeley River. Night sailing is anathema to me, but there was nowhere to anchor at such depths. Alex used his chart plotter and radar to guide him into the bay. The moon was yet to rise. As we glanced upwards, we saw the Milky Way with a clarity we had never seen before. The level of the tides varied by about six metres every day, so he had to ensure the tide was right not just for when we anchored but also the next morning. Eventually the instruments told us we were in 3.9 metres and Alex decided to anchor, just after midnight. We celebrated with a gin and tonic and Toblerone. The waters were choppy, so that night it was not unlike lying in a sleeper car of an overnight train.

The next morning, we rose to the sight of waves crashing over a nearby beach.

“If I had known we were this close to the beach I wouldn’t have anchored here!” exclaimed Alex.

We had survived the first two hundred nautical miles of our voyage. Now only eleven hundred more lay between us and our destination on the west coast, Port Hedland.

Sunrise over the Timor Sea. Port Hedland is located on the Timor Sea.

.

Meredith Stephens is an applied linguist from South Australia. Her recent work has appeared in Syncopation Literary Journal, Continue the Voice, Micking Owl Roost blog, The Font – A Literary Journal for Language Teachers, and Mind, Brain & Education Think Tank. In 2024, her story Safari was chosen as the Editor’s Choice for the June edition of All Your Stories.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Poetry

Postscript by Brenton Booth   

Brenton Booth
POSTSCRIPT 

David Lynch had always been my favourite living
filmmaker since I watched The Straight Story on
new-release Blockbuster DVD back when I was
nineteen. At that time, I was still acting and dreamed
of a role in one of David's strange, beautiful films. It
took me several years to understand Lost Highway
was simply a story told from two different perspectives:
reality, and the twisted reality of the murdering protagonist.
Or, that Mulholland Drive was both the idyllic fantasy,
and inevitable stark reality, of a talent starved actress
desperate to make it in Hollywood. Blue Velvet, a bleak
exploration of the dark violent extremes man is capable
of resorting, to when stricken by uncontrollable love.
Twin Peaks, a contagious evil, perpetually travelling
throughout cultures, people, and time. Navigating a
lengthy wake of heartache, and loss. As the decades passed,
I no longer desired to be in David Lynch movies, just simply
wished to meet him. Maybe share a few drinks and talk
about those wonderfully distinct pictures, that to this day, I
continue viewing. Mr. Lynch, the night before you died, I
was sipping on Tennessee whiskey marvelling at you and
Harry Dean Stanton in that brilliant scene from John Carroll
Lynch's Lucky, where you say a final affectionate farewell
to your recently escaped much beloved ageing tortoise
President Roosevelt, following an endless shift at my blue-
collar job working the entire miserable shift in the unrelenting,
saturating rain. You brought the first, and only smile to my
face that exhausting day. A marvellous gift I owe to you
completely. Cheers, you spectacular madman. Your atoms have
now passed the stars. What glorious pictures they must see.

Brenton Booth is a writer residing in Sydney, Australia. His writing has been published by New York Quarterly, Midwest Quarterly, and North Dakota Quarterly.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Excerpt

My Summer of Cricket

Title: My Summer of Cricket: Three Tests, One Fan and Decades of Stories

Author: Nikhil Kulkarni

Chapter 4

NEW YEAR’S TEST/PINK TEST, SYDNEY

Days 0 and 1

I’ve never been good at packing, or planning my time well when it comes to packing for trips. For someone who prides himself on colour-coded Google calendar entries and spreadsheet grocery lists, there’s something about stuffing a suitcase that makes me irrationally confident until it’s far too late. Which is how I found myself, on 2 January, standing in my living room with three open bags, a half-zipped duffel and no idea where my power bank was. My flight to India was on 8 January, which was just one day after the Sydney Test wrapped up, and it was starting in less than twenty-four hours. I had somehow left everything till now.

I don’t know if it was the festive lull after New Year’s, or the post-Melbourne daze still swirling in my head, but the realisation hit like a short ball I never saw coming. This wasn’t just a regular trip back home. This time, I was planning to stay for a while. A good month, in fact. Back to my hometown in Karnataka to see family, to catch up with people I’d kept meaning to visit. Which meant not just packing clothes, but packing with purpose – gifts, clothes, souvenirs I spent wayyy too much money on at the MCG, all the good stuff. I panicked a little. Then I panicked a lot. And then, in true form, I threw whatever I could find into the bags, convinced I’d sort it out somehow. Little did I know then that I’d have plenty of time to repack everything.

But, even as I was frantically shoving things into suitcases, my mind kept drifting to the match. This one felt different. Not because of the venue, though. The Sydney Cricket Ground (SCG) wasn’t some unfamiliar pilgrimage. I’d been there more times than I could count. In fact, it’s kind of a family tradition at this point to take the kids to watch WBBL (Women’s Big Bash League) matches and at least one day of the Pink Test every year. So, I knew this ground. I knew where the good coffee was, where the shade started creeping by the second session, and which section’s crowd always went too hard too early. But somehow, this didn’t feel routine. It felt big.

Part of it was the stakes. After four gripping Tests, Australia was on the cusp of winning the series, leading at 2–1. If India won, the series tied and the Border–Gavaskar Trophy stayed with them, as it had for the last eight years. But if Australia won, or even managed to draw? They’d take the cup back. That possibility had everyone on edge. And despite the chaos around me, I couldn’t help but feel the buzz of it too.

And then, of course, there was the familiar question I never quite knew how to answer: who was I even supporting? Born in India, citizen of Australia. Proud of my Indian heritage and equally proud of the Australian values. I’d cheered for Kohli’s centuries and Cummins’s yorkers with equal joy. So I did what I always do – I leaned into the game. I wasn’t there to take sides. I just wanted to see how it all played out.

The next day, I woke up early. Though I always wake up around the same time, this morning felt less like discipline and more like pre-match electricity. It was the kind of early where you don’t even need an alarm because your brain has already sprinted ahead, mentally packing sunscreen, triple-checking ticket PDFs, and wondering whether the security staff will let you bring in homemade sandwiches (they do).

Luckily, one part of the plan had been sorted well in advance: parking. Now, this is where I must pause and offer a public service announcement to all future Sydney cricket enthusiasts, especially the ones who think it’s a good idea to just find a spot on the day of the match or brave the 40-kilometre public transport haul from the outer suburbs.

Don’t do that. Book your parking at the QVB with Wilson Parking.

Book it early. Like, four days early. You’ll lock in a spot right in the middle of the city for what is basically loose change compared to sameday rates. Plus, you’re walking distance from an actual toilet and decent coffee. Then, hop on the light rail and enjoy the glorious fifteen-minute tram ride to Moore Park with no transfers, no platform guessing and no train-station drama. It’s the Test match equivalent of finding a hundred-dollar note in your old jeans. Thank me later.

By the time I’d parked, trammed and emerged into the growing pink tide outside the SCG, I felt oddly calm. Everything had worked. My bag was light, my timing was perfect and I still had sunscreen in my hand. I pumped my chest and walked like a man with a plan. And this plan was a little more than just watching the match, I was attending a breakfast hosted by the Primary Club of Australia.

Now, I hadn’t heard of the Primary Club of Australia until I got the invite, and discovering them felt like one of those serendipitous gifts this summer kept offering. Their mission is beautifully simple: every time a professional cricketer gets out for a duck, members donate to support athletes with disabilities. That’s it. It’s the kind of idea that slips under the radar, but once you hear it, you can’t stop thinking about how right it feels. Humble, purposeful, and very cricket.

The breakfast itself was held on the morning of Day 1 of the Sydney Test, and it’s a bit of a tradition at the SCG. Irfan Malik, who we met earlier, had been hearing about my cricket travels and kindly offered me an invite. AIBC was one of the partners for the event. It was a wonderful New Year’s gift and I was very excited to attend the breakfast event.

Inside, it was a mix of nostalgia and networking. There were white tablecloths, polite applause and a menu that could have been lifted straight from a five-star hotel buffet. But the heart of the morning was a panel discussion titled State of the Game, featuring Mark Taylor, Ed Cowan and Cricinfo editor Andrew McGlashan. It wasn’t just small talk or highlight reels, they offered frank insights on where the game stood, what was working, and what needed fixing. Taylor brought his statesman-like calm, Cowan was thoughtful and reflective, and McGlashan added the sharp edge of someone who watches the sport with both love and scrutiny. While there was a certain heft and seriousness to the conversation, it was also very refreshing and natural. You could see that everyone on the panel and in the room in general was engaged and excited about the game ahead.

 Somewhere between the eggs Benedict and the raffle for Pat Cummins’s signed bat, I found myself genuinely moved by what the Primary Club was doing. It was a reminder that cricket isn’t only about bat and ball. It’s about connection and causes that quietly build momentum in the background while the spotlight stays on the field. I signed up as a member right at the event thanks to the QR codes conveniently placed at every table. Who would’ve thought QR codes, a mechanism invented in Japan for labelling auto parts, would become such a ubiquitous part of our lives!

It turned out my neighbour at the table was Mohit Kumar, a local councillor I’d seen at other events. We had a brief chat about two things we had in common: cricket and Blacktown (our local council), and then I made my way to the book sales counter. There they were: signed copies of Pat Cummins’s autobiography. The book had been on my reading list for a while and these were of course signed copies! I asked how many they’d let one person buy because I didn’t want to be that guy sweeping the whole pile. They had a small limit per guest, which made sense. I picked up the maximum allowed. Some for me, some for a few people back in India who’d know exactly why this mattered. Because if there’s one thing I’ve learned, it’s that cricket books make excellent surprise gifts, especially when they’re signed. And even more so when you can hand one over with a casual, ‘Oh, it’s nothing. Just something I picked up at breakfast with Mark Taylor.

ABOUT THE BOOK:

From a village in North Karnataka in India to the bright lights of Sydney, Nikhil has lived and breathed the inevitable highs and lows that come with being a cricket fan.

From listening to early morning radio commentaries to witnessing Sachin Tendulkar’s final match, Nikhil insists that every hour he was engrossed in watching, listening to and thinking about cricket was time well spent. This dedication culminated in the summer of 2024-25, when he undertook a personal pilgrimage to Brisbane, Melbourne and Sydney, attending every single match day of the ‘2024–25 India vs. Australia Border- Gavaskar Trophy’ test series. The book traces Kulkarni’s devotion to the sport over the last three decades where he meets fascinating people, explores new cities and forges new, unforgettable memories. To read My Summer of Cricket is to understand that cricket is more than a game – it’s a connection between the peoples of different countries, a vehicle for supporting meaningful causes, and a way to bridge generations.

ABOUT THE AUTHOR

Nikhil Kulkarni is a Sydney-based tech leader, recognised community voice, and lifelong cricket tragic who has followed the game across India and Australia for more than three decades. An avid quizzer with a love for puns, he and his wife are raising two daughters in a home that celebrates both Indian heritage and Australian values.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Slices from Life

Serendipity in Vietnam

Narrative by Meredith Stephens: Photographs by Alan Noble

Boat which took the author and her husband to Mekong Delta

We alighted from the ferry and disembarked at a small island in the Mekong Delta. Our Vietnamese guide had promised us that we could witness how local people lived. After walking along a trail, we were ushered into a small boat with a local lady at the rear who would row us down the river. We stepped into the back of the boat and another couple stepped into the front.

“Would you mind taking a photo of us?” asked a woman with a bright smile and an energetic voice. I could hear she was English. Then the four of us started bantering and I detected that her partner was English too.

Next, we hopped off the boat and were treated to the chance to hold a cobra, sample local delicacies, and listen to the villagers’ musical performance. The next day we were taken to a restaurant where you could make your own seafood pancakes. Just before lunch, we were given the opportunity to cycle along a nearby path. Those of our group who wished to cycle selected a bicycle. I chose one and headed to the path. Then I looked ahead of me and realised that the English woman’s bike was the wrong size for her.

Cycling tour of the village

“Would you like to swap bicycles? Mine is too large and yours seems to be too small.”

She nodded. We swapped bicycles and seemed to find the perfect match. Our tour guide gave the signal and off we went. After a few kilometres, he signaled to stop so the group would stay together. I found myself at the front of the group and turned around to see the English woman immediately behind.

“I commuted to work by bike for twenty years,” I explained, surprised to be the one who had to stop so the others could catch up.

“I was in Japan. Japan is much friendlier to cyclists. The traffic is slower, and the roads narrower. It’s easier than driving, at least for short distances.”

She nodded. “They cycle a lot in Amsterdam. Also in Cambridge, where I lived for three years.”

I didn’t want to ask too many personal questions of this woman I had only just met, but I was curious. I wondered if she had studied at Cambridge University. Instead of being nosy, I added a few comments about Cambridge.

“We visited there recently. We stayed on the outskirts, and walked in. We had to walk through a park where there were cows grazing with bells around their necks. I much prefer Cambridge to Oxford.”

“Yes, it’s smaller. But Oxford is pretty good too!” she added.

By then the other cyclists had caught up. We continued along the path and then returned for lunch. We resumed the tour and were dropped off back in Ho Chi Minh City.

“Where can we store our luggage?” Alex asked her.

“Here at the tourist agency. We’ll leave ours there while we pop into the markets to get Ian a new backpack. His is broken.”

“Thanks for the tip. By the way, do you have an email address so we can exchange photos?”

“Sure. Where are you heading next?” she asked.

“Hoi An,” she replied.

“Oh! We are going there too. We are doing a cooking class. Would you like to join us?” offered Alex.

“Sure! Send us the link.”

We parted ways.

“See you in Hoi An,” I said, hoping that we could meet again.

The English woman was so easy to talk to, so quick to respond, and pick up on any nuance. I’d already decided that she must be a therapist. I had been trained since early adulthood not to ask people what they did for a living. It wasn’t fair to allow your knowledge of their career success to determine your assessment of them. But I admit to being curious. If she had studied at Cambridge, what career had followed?

Alex and I caught a sleeper train to Hoi An. There we found generously proportioned historic buildings. However, there were too many tourists in Hoi An, people like us. We walked around the town and felt overwhelmed. We could barely move down the street without bumping into other tourists.

The next day Alex texted the English woman. He must have been just as eager to meet the couple again as I was.

“Sorry, your cooking class was full. We booked another one. How about drinks this evening?” she replied.

Alex accepted. That evening we made our way to the bar she had suggested. They stood up and hugged us.

“I’m Jill* by the way. And this is Ian*.”

“I’m Alex, and this is Merri.”

We ordered a gin and tonic. They were drinking beer.

“Since we were meeting you today, we thought we’d better order a gin and tonic,” I explained. This drink brought back memories of England.

After we had sipped our drinks, Alex broached the question that was on my mind.

“So, what do you do when you’re not touring in Vietnam?” he asked.

“I write historical fiction. Ian has retired. When the children were younger, he supported me, but now it’s my turn to support him.”

I was beside myself with excitement. If you asked me which profession intrigued me most, I would have said a writer. I have little inclination to meet actors, politicians, astronauts, rocket scientists, or billionaires, but I certainly would like to meet writers (not to mention musicians). For the next couple of hours, Jill shared her experience of writing, and Alex and I shared our experiences of sailing. I was so excited that I lost my appetite and only nibbled a few snacks at the end of the evening. They told us that they lived in a nearly three-hundred-year-old house in Somerset*, one of my favourite places in the UK.

“Just a warning. We will visit,” Alex added.

“Certainly!” replied Jill.

“And please come sailing with us when our boat is ready!” I urged.

We parted company, and I floated all the way back to the hotel. I looked up her many books online and resolved to read her latest one as soon as I could.

A day later, Alex and I caught another sleeper to Hanoi. It was so pleasant rolling along the tracks that I was lulled to sleep as soon as I lay down. I informed Alex that when we returned to Adelaide, I needed a sleep machine that mimicked the motion of rolling along the tracks and provided the accompanying background noise.

When we exited the station a throng of taxi drivers approached us to offer us rides. We had been advised that it is more secure and economical to use the local ride called Grab[1]. I shielded Alex from one driver that persisted in following him around too closely. I positioned myself between Alex and the driver with my back to the driver. Then we looked over and saw a couple laden with suitcases and eyes glued to their phones. The husband made eye contact with me and gave an exaggerated Gallic shrug and I immediately knew they were French. They looked desperate, and I knew I had to put my rusty French to practice. Years of study at the Alliance Francaise did not equip me to use my French in context. French speakers tended to switch to English as soon as I made my opening gambit in French. This was either because my English accent was too strong, or the French speakers wanted to practice their English. However, this time, the urgency of the situation prompted me to use my French.

“Have you tried to use Grab? It’s less expensive,” I informed them.

“We couldn’t install it. We’re trying to contact the hotel. They were meant to pick us up.”

Her husband was persevering on the phone.

“We’re meant to be going home tomorrow,” the wife informed me. “But our flight has been cancelled.”

“Because of the…,” I offered, unable to quickly find the words for ‘Middle East conflict’.

“Because of the…,” she confirmed. She knew what I meant.

“We were here for our anniversaire,” she explained.

I knew that ‘birthday’ is ‘anniversaire’ in French, but as I was scrambling to communicate, I temporarily assumed that it meant its false friend, anniversary.

“How many years?” I asked.

“69 and 64,” she explained.

Whoops! She must have meant birthday. I pointed to Alex. “He’s ten weeks older than me,” I added.

She laughed and then switched to English.

‘Where are you from?” she asked.

She must have known we were anglophones, but not which anglophone country we came from.

“Australia,” I replied.

She was very surprised to hear this. I continued to scramble to make meaningful conversation, sacrificing precision for getting the words out quickly.

“We come from a town that no-one has heard of,” I added in exaggeration, reverting to French. “Our city Adelaide often gets left out when visiting performers and VIPs come to Australia.”

She laughed again. Then Alex saw on his phone that our Grab ride had arrived. We picked up our bags and exited the station.

Alex decided to join in in French.

Bonne chance,” he said, hoping they would soon find their transport.

Bon voyage,” she replied.

Bon voyage,” I echoed.

I felt sorry and guilty as we boarded our Grab outside the station.

The third serendipitous encounter was on our boat tour in Lan Ha Bay. After spending the night on a small cruise ship, we boarded a dinghy to take us to the rowing boats which were to take us to the caves.

Our tour consisted of two Indian couples, two Danish girls, three Russian couples, and a young Australian family of four from the east coast. Each rowing boat seated eight. As Alex and I were lining up to board we were directed to the boat with the three glamorous young Russian couples. I was a bit concerned about how we would converse in the boat. Sitting in silence would be awkward. The only Russian I knew were those words from the media in the ‘80s, perestroika and glasnost. They wouldn’t get us far because these Russians would be too young to remember the times when these words were used. Alex and I averted our gaze, and the tour guide gave up trying to persuade us to board the boat. We turned around and saw the young Australian family lining up behind us. We smiled at them.

“Aussies!” I exclaimed. We had been deprived of conversation with our compatriots for quite a few days.

The six of us hopped in the rowing boat and were taken inside the stunning Lan Ha Bay. I am not sure that our conversation with our compatriots amounted to much, but it was animated and fun, and I hardly had the time to take in the wonderful bay.

Lan Ha Bay

Seeing the sights in other countries is both a privilege and an enormous treat. What is just as exciting is meeting locals, and the random, sometimes fleeting, and yet meaningful encounters with fellow tourists. We may meet Jill and Ian again. We will never meet the French couple again and don’t even know their names. We just hope they made it to their hotel and then safely back to France. We probably won’t meet the young Australian family again either. The east coast is just too far away. Nonetheless, we have been enriched by the knowledge shared by our kind, enthusiastic and energetic Vietnamese tour guides, and the unexpected encounters with fellow tourists trying to navigate this unique culture together.

* Some names have been changed.

[1] A Singaporean company that caters all over Southeast Asia

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Meredith Stephens is an applied linguist from South Australia. Her recent work has appeared in Syncopation Literary Journal, Continue the Voice, Micking Owl Roost blog, The Font – A Literary Journal for Language Teachers, and Mind, Brain & Education Think Tank. In 2024, her story Safari was chosen as the Editor’s Choice for the June edition of All Your Stories.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Poetry

Carlos by Tony Dawson

Tony Dawson
                 CARLOS

My friend Carlos is an artist of some renown.
He is well-known locally for his sculptures
and life drawings. A star of the Faculty
of Fine Art, his work is sought after
in Seville where he exhibits frequently.
He is also a character with an impish grin
that reflects his saucy sense of humour.
Janet and I consider him a lovable rogue.
He is obviously enamoured of my wife,
although he presents no threat at all
because he’s queer and is just teasing me.
Every time we run across each other,
he promises to leave me a piece of his art
with one of his shopkeeper friends
as a token of his esteem. I’m still waiting…

Tony Dawson, an 89-year-old English writer, lives in Seville and has published widely in the USA, UK, Canada and Australia since he took up writing during the pandemic.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Poetry

Poetry by Edward Reilly

Edward Reilly
LITTLE FISH: 1958

Little fish are transparent in their felicity, darts
Rippling over gullies and flat stones, shadows
On the sand, flashes of lightning as they hide themselves,
My big feet stirring grit and making such a din
They cannot hear the gulls’ songs.

And thou art dancing in the shallows, all heart,
All joyousness as the afternoon sun follows,
Looping over the cliffs at Port Stanvac to dwell
Like Neptune in the depths of Gulf St. Vincent,
Hymning to the marine throng.

We had swum out to the reef, and were startled
By the passage of a shark, no, a dolphin, ogling
To know if we were some kind of fish as well:
O Nereid! Would that the moment return again,
Neither knowing of right nor wrong.

Edward Reilly is a retired teacher and lecturer. His poetry has been published in Australia and overseas, as well as a travelogue, First Snow (2004).

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Editorial

What Do We Yearn for?

Most people like you and me connect with the commonality of felt emotions and needs. We feel hungry, happy, sad, loved or unloved and express a larger plethora of feelings through art, theatre, music, painting, photography and words… With these, we tend to connect. And yet, larger structures created over time to offer security and governance to the masses—of which you and I are a part — have grown divisive, and, by the looks of it, the fences nurtured over time seem insurmountable. To retain these structures that were meant to keep us safe, wars are being fought and many are getting killed, losing homes and going hungry. We showcase such stories, poems and non-fiction to create an awareness among those who are lucky enough to remain untouched. But is there a way out, so that all of us can live peacefully, without war, without hunger and with love and a vision towards surviving climate change which (like it or not) is upon us?

Creating an awareness of hunger and destruction wreaked by war is a heartrending story set in Gaza by JK Miller. While Snigdha Agrawal’s narrative gives a sense of hope, recounting a small kindness by a common person, Sayan Sarkar shares a more personal saga of friendship and disillusionment — where people have choice. But does war leave us a choice as it annihilates friendships, cities, homes and families? Naramsetti Umamaheswararao’s story reiterates the belief in the family – peace being an accepted unit. Vela Noble’s fantastical fiction and art comes like a respite– though there is a darker side to it — with a touch of fun. Perhaps, a bit of fantasy and humour opens the mind to deal with the more sombre notes of existence.

The translation section hosts a story by Hamiruddin Middya, who grew up as a farmer’s son in Bengal. Steeped in local colours, it has been rendered into English by V Ramaswamy. Nazrul’s song revelling in the colours of spring has been translated from Bengali by Professor Fakrul Alam. Atta Shad’s pensive Balochi lines have been brought to us in English by Fazal Baloch. Isa Kamari continues to bring the flavours of an older, more laid-back Singapore with translations of his own Malay poems. A couple of Persian verses have been rendered into English by the poet, Akram Yazdani, herself. Questing for harmony, Tagore’s translated poem while reflecting on a child’s life, urges us to have the courage to be like a child — open, innocent and willing to imagine a world laced with trust and hope. If we were all to do that, do you think we’d still have wars, violence and walls built on hate and intolerance?

While in a Tagorean universe, children are viewed as trusting and open, does that continue a reality in the current world that believes in keeping peace with weapons? Contemporary voices think otherwise. Manahil Tahir brings us a touching poem in a doll’s voice, a doll belonging to a child victimised by violence. While violence pollutes childhood, pollution in Delhi has been addressed by Goutam Roy in verse. Poignant lines from Luis Cuauhtémoc Berriozábal make one question the idea of home and borders while Snehaprava Das has interpreted the word ‘borderless’ in her own way. We have more colours of humanity from Allan Lake, Chris Ringrose, Alpana, Lynn White, C.Mikal Oness, Shamim Akhtar, Jim Bellamy,John Swain, Mohul Bhowmick and SR Inciardi. Ryan Quinn Flanagan has given fun lines about a snow fight while Rhys Hughes has shared a humorous poem about a clumsy giant.

Bringing in humour in prose is Devraj Singh Kalsi’s musing about horoscopes! While, with a soupçon of irony Farouk Gulsara talks of his ‘holiday’, Meredith Stephen takes us to a yacht race in Australia and Mohul Bhowmick to Pondicherry. Gower Bhat writes of his passion for words while discussing his favourite books. Ratnottama Sengupta introduces us to contemporary artists from her part of the world.

Mario Fenech takes a look at the idea of time. Amir Zadnemat writes of how memory is impacted by both science and humanities while Andriy Nivchuk brings to us snippets from Herodotus’s and Pericles’s lives that still read relevant. Ravi Varmman K Kanniappan gives the journey of chickpeas across space and time, asserting: “The chickpea does not care about your ideology, your portfolio, or your meticulously curated identity. It will grow, fix nitrogen, feed someone, and move on without a press release.” It has survived over aeons in a borderless state!

In book excerpts, we have a book that transcends borders as it’s a translation from Assamese by Ranjita Biswas of Arupa Kalita Patangia’s Moonlight Saga. Any translation is an attempt to integrate the margins into the mainstream of literature, and this is no less. The other excerpt is from Natalie Turner’s The Red Silk Dress. Keith Lyons has interviewed Turner about her novel which crosses multiple cultures too while on a personal quest.

In reviews, Somdatta Mandal discusses a book that explores the colours of a river across three sets of borders, Sanjoy Hazarika’s River Traveller: Journeys on the TSANGO-BRAHMAPUTRA from Tibet to the Bay of Bengal. Rakhi Dalal writes about a narrative centring around migrants, Sujit Saraf’s Every Room Has a View — A Novel. Anindita Basak reviews Taslima Nasrin’s poetry, Burning Roses in my Garden, translated from Bengali by Jesse Waters. Bhaskar Parichha reviews Kailash Satyarthi’s Karuna: The Power of Compassion. In it, Satyarthi suggest the creation of CQ — Compassion Quotient— like IQ and EQ, claiming it will improve our quality of life. What a wonderful thought!

Could we be yearning compassion?

Holding on to that idea, we invite you to savour the contents of our February issue.

Huge thanks to all our contributors and readers for making this issue possible. Heartfelt thanks to our wonderful team, especially Sohana Manzoor for her fabulous artwork.

Enjoy the reads!

Let’s look forward to the spring… May it bring new ideas to help us all move towards more amicable times.

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE FEBRUARY 2026 ISSUE.

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Poetry

Where Poems Come From

By Chris Ringrose

sometimes they arrive like a fox with a mouthful of feathers
because somewhere, something has died or been eaten alive
or they startle you like the clapping of pigeon wings – a spasm of applause in a silent wood –
an idea stirring up there in the wet branches, one you’d half forgotten
others push their way out of dreams, in the way tiny quills would poke through a feather bed
or goose down pillow, to remind you of all you are resting on
but the best of them drift down like a blessing, rocking like an airborne cradle
to land between the gold of the nib and the cream of the paper
with a message from the bird who’s already flown

Chris Ringrose is a writer of poetry and fiction who lives in Melbourne, Australia. His latest poetry collection is Palmistry (ICoE Press, Melbourne, 2016). Creative Lives, a collection of interviews with South Asian writers, was published by Ibidem Press, Stuttgart, in 2021. His poetry website is http://www.cringrose.com

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