Categories
Contents

Borderless, July 2026

Art by Sohana Manzoor

Editorial

Oh! For an Ark?… Click here to read.

Translations

Ghumiye Geche Shranto Hoea ( Spent, He’s Fallen Asleep) by Nazrul has translated the lyrics from Bengali by Professor Fakrul Alam. Click here to read.

Isa Kamari has translated his own Malay poems. Click here to read.

Short poems by Mohammad Hussain Anqa have been translated from Balochi by Fazal Baloch. Click here to read.

Blazing Summer Sun has been composed and translated from Korean by Ihlwha Choi. Click here to read.

Barashar Dine (On a Rainy Day) by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Luis Cuauhtémoc Berriozábal, Jyotish Chalil Gopinathan, Norman J. Olson, Shamim Akhtar, SR Inciardi, Deepa Srivastava, Ron Pickett, Tanisha Tanwar, Jane Downing, Snehaprava Das, John Swain, Snigdha Agrawal, Ryan Quinn Flanagan, Maithreyi Karnoor, Rhys Hughes

Musings/ Slices from Life

Downpour

Ian C Smith muses during a downpour. Click here to read.

A Peek into the Future?

Farouk Gulsara muses on uncertainties. Click here to read.

Is that a Rock or a Croc?

Meredith Stephens narrates their sailing adventures in the Western Australia with photographs by Alan Noble. Click here to read.

Bringing Hope to the War-Torn

Gowher Bhat introduces us to an aid worker who helps war victims in Ukraine and Syria. Click here to read.

What the Stars Kept Secret

Subramaniam Cheemalapati muses on the star studded sky through his anecdotal experiences. Click here to read.

Musings of a Copywriter

In The Sherwani and Me, Devraj Singh Kalsi muses on his wedding attire of yore. Click here to read.

Notes from Japan

In Remotely Controlled, Suzanne Kamata ponders on a modern mania. Click here to read.

Essays

Tagore’s Dance-Dramas in Translation

Somdatta Mandal explores six dance-dramas by Tagore translated from Bengali and Brajbuli by Indrani Haldar. Click here to read.

A Prince who Opted for Poetry over a Crown

Charudutta Panigrahi introduces us to to the eighteenth century literary giant, Upendra Bhanja, who gave up his crown for the love of words. Click here to read.

The Idea of Civilisation: Trust and Power?

Ravi Varmman K Kanniappan highlights the contemporariness of Sangam Literature with discussion about a narrative based on trust and power politics. Click here to read.

Stories

The Son who Came Home Last

Jonathon Ferrini narrates a story across generations and the sweep of continents. Click here to read.

The Ghost from the Past

Darshana Dutta shares a short fiction set in a fast-paced social media centric world. Click here to read.

Her Hyderabad

Mohul Bhowmick looks at the city from the perspective of a disillusioned woman. Click here to read.

Full Circle

Sayan Sarkar shares a heartwarming story set in Kolkata. Click here to read.

The Search for a Useless Thing

Naramsetti Umamaheswararao gives a fable set in Southern India. Click here to read.

Interviews

Keith Lyons in conversation with Helen Townsend, environmental entrepreneur and plant enthusiast. Click here to read.

Suzanne Kamata interviews Lily West, author of West goes East and a traveller who has visited every country on Earth. Click here to read.

Book Excerpts

An excerpt from Kanupriya Dhingra’s The Sunday Book Bazaar: Daryaganj and the Making of a Reading Public in Delhi. Click here to read.

An excerpt from Bhaskar Parichha’s Icons of Odisha – Lives that Shaped a State. Click here to read.

Book Reviews

Somdatta Mandal reviews Siddharth Kak’s A Fire over Mount Everest. Click here to read.

Satya Narayan Mishra reviews Bhaskar Parichha’s Icons of Odisha – Lives that Shaped a State. Click here to read.

Andreas Geisbert reviews Angel Ramon’s Requiem of a Lost Nation. Click here to read.

Bhaskar Parichha reviews Rajat Chaudhuri’s The Climate Crossroads: Literature’s Encounter with a Planet on Fire. Click here to read.

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Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to read the latest review of Wild Winds in The Hindu

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Editorial

Oh! For an Ark?

Art by Joseph Mallord William Turner (1775–1851). From Public Domain

Floods, heatwave, hurricanes and storms — wild weather rips parts of the earth. While experts attribute these to El Niño and climate change, one wonders if peace and lifestyle choices could have any impact to reverse the changes on our home planet. Do wars add to our deep distress? We lose people, homes, what we nurtured and loved, the beautiful cities and structures we built, even forests, fields and rivers. The nuclear holocausts, the killing fields of the World Wars, the mined fields of Cambodia and Vietnam which continue to maim farmers… all these should have taught us to avoid wars but now when the television throws up images of war-torn zones, one wonders if those are worse than climate disasters?

In climate disasters we lose lives, homes and cities too — but people can step in to help and rebuild after the disaster. In a war setting, rescue workers are at a risk as bombs mow down terrain and destroys the tenor of daily lives. The disasters born of climate change too can be irreversible — especially with rising water levels, depleting shorelines and warmer climes ripped by storms. Which is worse — wars or climate disasters? What do you think? Could we go back to a pollution free world and reverse the darker impacts of climate change?

 Just as history accepted wars and moved on, perhaps the time has come when climate change has to be accepted as a part of the new reality, and we have to find new ways of life. Exploring such stories is a book by Rajat Chaudhuri, The Climate Crossroads: Literature’s Encounter with a Planet on Fire. It has been reviewed by Bhaskar Parichha who tells us: “It reminds us that the climate crisis is not solely a scientific or political problem but also a crisis of imagination. Rajat Chaudhuri demonstrates with remarkable insight that stories are among humanity’s most powerful tools for understanding uncertainty, confronting ecological loss, and envisioning more just futures.” Somdatta Mandal, on the other hand, has brought in more on environment with her discussion of Siddharth Kak’s A Fire over Mount Everest. Andreas Geisbert adds colour to this section with his exploration of Angel Ramon’s Requiem of a Lost Nation. Satya Narayan Misra has reflected on Bhaskar Parichha’s Icons of Odisha – Lives that Shaped a State, a non-fiction whose excerpt tells us much about the journey of the author to bring to us community builders in various streams of life. We also have a bit from Kanupriya Dhingra’s non-fiction about a book bazaar that flourishes despite bookshops finding it hard to survive, The Sunday Book Bazaar: Daryaganj and the Making of a Reading Public in Delhi.

Our interviews this month touch upon environmental issues with Keith Lyons conversing with Helen Townsend, environmental entrepreneur and plant enthusiast who is high on sustainability and earth friendly solutions while Suzanne Kamata has interviewed Lily West who has travelled to all the countries in the world and has put it all down in her memoir, West goes East. Like Kamata, she teaches in Japan now. Kamata has also given us a humorous piece on remote controls. Humour is a sentiment that has also been wrought into our nonfiction with a flourish by Devraj Singh Kalsi too. He writes of his wedding sherwani almost with a passion like the Dickensian Ms Havisham[1] exhibited for her crumbling wedding gown, except it has a different tone — that of wry tongue-in-cheek irony. Farouk Gulsara has a similar twinge of sarcasm as he muses on uncertainties in the future. Ian C Smith brings in a bit of the weather as he muses on a rainy day while Subramaniam Cheemalapati muses on the star-studded sky, dwelling on his anecdotal childhood experiences. Gowher Bhat introduces us to an aid worker who helps war victims. Meredith Stephens continues on her sailing adventures in Western Australia with photographs by her husband, Alan Noble. The photograph of the pink jellyfish is awesome. Do check it out!

Mandal has also explored six dance-dramas by Tagore translated from Bengali and Brajbuli by Indrani Haldar while Charudutta Panigrahi introduces us to an eighteenth-century literary giant, Upendra Bhanja, who gave up his crown not only to write but to found styles that are used to this date. Ravi Varmman K Kanniappan dwells on the contemporariness of ancient Sangam Literature with discussions on a narrative based on trust and power politics.

Fiction brings to us varied colours with a story from Jonathon B. Ferrini that almost has the lilt of a Hemingway novel. Naramsetti Umamaheswararao gives us a fable about a mischievous monkey with a ‘moral’ et all. Darshana Dutta shares a short fiction set in a fast-paced social media centric world while Sayan Sarkar gives a heartwarming story set in Kolkata. Mohul Bhowmick explores Hyderabad from the perspective of a woman.

Translations have brought in a shower of poetry with Tagore’s poem on a rainy-day hinting at shared confidences. Professor Fakrul Alam has translated Bengali lyrics Nazrul wrote for his friend and mentor, Rabindranath Tagore. Ihlwha Choi has brought to us a whiff of the Korean summer with his verses and Fazal Baloch has brought to us soulful poems from Balochi by Mohammad Hussain Anqa. Isa Kamari’s translations carry a flavour of Malay life in Singapore, and this set of verses bring to a close his book, The Lost Mantras. We are very privileged to have his entire book translated solely in our pages. Isa Kamari is an eminent literary voice of the Malay Singaporean community.

We have variety in poetry by Luis Cuauhtémoc Berriozábal, Maithreyi Karnoor, Jyotish Chalil Gopinathan, Norman J. Olson, Shamim Akhtar, SR Inciardi, Deepa Srivastava, Ron Pickett, Tanisha Tanwar, Jane Downing, Snehaprava Das, Snigdha Agrawal, and John Swain. Quite a few poems are to do with nature and environment. And humour — our best bet at surviving dark times — is chiselled into this section by Ryan Quinn Flanagan who dwells on the idea of a fountain of youth! And the inimitable Rhys Hughes brings us a genii of a Moka Pot! Is it funny? You tell me! He has gone back to his coffee mania – remember he had written The Coffee Rubaiyat and had a whole book called The Sunset Suite where they told tales over mugs of coffee – a bit in the tradition of Arabian Nights!  

We have news about our hardcopy poetry anthology. We have had six media coverages in less than three months. Professor Malashri Lal deems: “For those of us who still believe in principles of care and compassion, humanism and amity, Wild Winds is a lifeline to keep afloat…It is especially commendable for wrapping global concerns in the fine tissue of hope.” And Mandal tells us: “Reading through these one hundred poems is indeed a pleasurable experience even for readers with a more prosaic temperament.” We are delighted that the book has had a warm welcome. Huge thanks to our publishers for giving us a hardcopy platform.

Thanks to all our contributors, readers and the fabulous team that make borderlessjournal.com come alive each month with a vibrant soul. Huge thanks to Sohana Manzoor for her fabulous artwork. Do pause by our contents page for the July 2026 issue.

We wish you all happy reading!

Mitali Chakravarty

borderlessjournal.com

[1] Great Expectations (1861) by Charles Dickens

CLICK HERE TO ACCESS THE CONTENTS FOR THE JULY 2026 ISSUE

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Categories
Poetry

Why Can’t I Remember My Dreams

By SR Inciardi

From Public Domain
    WHY CAN'T I REMEMBER MY DREAMS

Why do they evaporate when they were just there,
those moments before I woke
when I can sense I was just with you,
when time held no relevance,
but now I can’t remember a thing?

Why can’t I remember the sounds we just shared
and why do I sense they’re still waiting
as if behind some thin door
when in the morning darkness, I can still hear
the sound of steady rain
and its slowed dripping when stopping?

I lie here listening, but wonder: is this forgetfulness
a kind of hardened armour—a line blocked from crossing,
a mental habit keeping me from further harm?

And in these empty moments, am I to accept
that real-life is all I’ll know—that dreams will forever end
in nothing? Or is the lost recall not a protective shield,
but safe-place built-in: a dream not really a dream,
just a limit to what goes on living?

SR (Salvatore Richard) Inciardi was born in New York City and attended Brooklyn College and New York University. SR Inciardi’s poetry has appeared in in various online and print magazines including Green Ink Poetry, Harrow House Journal, Front Porch Review, Grey-Sparrow Journal, Borderless Journal, Written Tales among others. He was a contributor to Green Ink Poetry for their publication on Kennings: Equinox Collections: Autumn released on Amazon in October 2024. SR Inciardi currently has two books of poetry on Amazon that speak to loss and navigating grief. 

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Contents

Borderless, June 2026

Art by Sohana Manzoor

Editorial

Changes, Ruskin, Snakes and Frogs… Click here to read.

Translations

Nazrul’s lyrics of Mor Ghumogore Elo Monohor (In my Sleep, Came the Enchanting One) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Four of his own Malay poems have been translated by Isa Kamari. Click here to read.

The Heartless, a Balochi story by  Abdul Qayum Sarbazi, has been translated by Fazal Baloch. Click here to read.

Dragonfly 2 has been composed and translated from Korean by Ihlwha Choi. Click here to read.

Tagore’s poem, Amra Choli Somukhpane (We Look Forward and March), has been translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies Corner

Songs of Freedom: Pink Dreams is an autobiographical narrative by Priyanka, written and compiled by Deeksha Vats. These stories highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and Pandies. Click here to read.

Poetry

Click on the names to read the poems

Erik Kennedy, Shantanu Ray Chaudhuri, Anne Whitehouse, Snehaprava Das, George Freek, Pramod Rastogi, SR Inciardi, Aardhra Chandran, John Grey, Heera Unnithan, Jim Bellamy, Ryan Quinn Flanagan, Rhys Hughes

Poets, Poetry & Rhys Hughes

In A Few More Rhysop Fables, Rhys Hughes shares more absurdist fables. Click here to read.

Musings/Slices from Life

The Stars that Watch Us…

Sai Abhinay Penna muses during his morning jog. Click here to read.

Vignettes from the Past

Gowher Bhat mulls over his conversation with a debut author who published his first book at ninety-three. Click here to read.

Salvaging the Furling Line in the Joseph Bonaparte Gulf

Meredith Stephens takes us on a sailing adventure with photographs by Alan Noble. Click here to read.

Looking for that Goodness…

Farouk Gulsara explores why ‘evil’ exists with the help of experiments in science. Click here to read.

The Gift of Grace

Jun A. Alindogan talks of blessings and narrow escapes, including from the Typhoon Ondoy. Click here to read.

Musings of a Copywriter

In On Consulting a Physician, Devraj Singh Kalsi writes of doctors and patients with a touch of humour. Click here to read.

Notes from Japan

In It’s in the Bag, Suzanne Kamata explores Japanese etiquettes. Click here to read.

Essays

Homecoming

Larry S Su, who migrated from a mud cave in Shaanxi province to America, shares his story of the changes he sees during three visits to his home and muses on the gaps he has observed between these two places. Click here to read.

One Soul, Two Seas

Charudutta Panigrahi explores similarities across two geographically separated regions. Click here to read.

A Cyclist’s Diary: Criss-crossing Titiwangsa

Farouk Gulsara explores local colours as he cycles in the highlands of Malaysia. Click here to read.

Stories

The Sea of Loneliness

Keiran Martin journeys to the depths of the ocean. Click here to read.

The Silent Valley

Jeena R Papaadi builds a mystery around an experience. Click here to read.

The Art of Letting Go

Plamen Vasilev shares a human interes story set in Europe. Click here to read.

The City that Refused to be Found

Rabiya Rehman sets her fiction in Lahore. Click here to read.

The Village that Chose Trees

Naramsetti Umamaheswararao imagines a utopian, environment friendly village. Click here to read.

Interview

Keith Lyons converses with Erik Kennedy, a migrant poet who lives in New Zealand. Click here to read.

Book Excerpts

Excerpts from Ruskin Bond’s Scenes from the Magic Mountain: Five Seasons in the Mussoorie Hills and Beyond. Click here to read.

Excerpt from Anmol Diddan’s Burnout Highway. Click here to read.

Book Reviews

Somdatta Mandal has reviewed Ruskin Bond’s Scenes from the Magic Mountain: Five Seasons in the Mussoorie Hills and Beyond. Click here to read.

Rakhi Dalal has reviewed Shyam Manohar’s The Cold War of Sadanand Borse, translated from Marathi by Jerry Pinto. Click here to read.

Meenakshi Malhotra has reviewed Giti Chandra’s debut poetry collection, Setting Traps for Light. Click here to read.

Bhaskar Parichha reviews Stephen Alter’s The Fragrance of Rain: A Brief History of the Monsoon. Click here to read.

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Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Editorial

Changes, Ruskin, Snakes and Frogs…

Summer, Dune in Zeeland by Piet Mondrain (1872 – 1944)
Time present and time past
Are both perhaps present in time future,
And time future contained in time past.

‘Burnt Norton’, Four Quartets (1941) by TS Eliot

If we look back in time, we have a better life than that of our ancestors. Though conflicts rage and climate change is a reality that we all dread, it can safely be said, we have progressed beyond the imagination of those who lived a hundred years ago. The fact that some books from the past still reverberate with echoes of what the present holds says much for the outliers or authors who could think out of the box. Despite this complex intermingling of ideas and times, perhaps the world will change more now than before. We do not know anything for sure though experts are always predicting a future that for most of us remains unknown. What we can present is our own estimate of what can be and a definite assertion of what is. Truth as such is a matter of perception. That complicates it further. However, one of the changes that is definitely here to stay is climate change and our changing environment. Given that this is the month that homes World Environment Day, we have a smattering of writings that revolve around nature and also the human spirit that defies age.

We have featured a writer who revels in nature and is an ageless voice that bridges multiple cultures, Ruskin Bond. As he turned ninety-two last month, he published multiple new books. We have an excerpt from one of them, Scenes from the Magic Mountain: Five Seasons in the Mussoorie Hills and Beyond, a brilliant collection of snapshots of his interactions with nature over time — be it frogs, snakes or just trees. Some of the vignettes are humorous and some, as all classics are, thought provoking. Bond puts into words how he chose to work in Landour (a small town in Himalayas) and continued to write from there for sixty years. He talks of the spell the mountains cast on him, “I like to think that I have become a part of this Magic Mountain; that by living here for so long, I can claim a relationship with the trees, wild flowers, even the rocks that are an integral part of this landscape.”  The other book excerpt is a contrast to Bond’s, a non-fiction called Burnout Highway by Anmol Diddan. It explores the collective suffering of stress at work where achievements distance humans from nature and a fulfilling life and urges readers to be open to changes.

Somdatta Mandal discusses Bond’s Scenes from the Magic Mountain: Five Seasons in the Mussoorie Hills and Beyond and concludes: “It [the book] is a collector’s delight and also one to be gifted and recommended for anyone who loves to read about Ruskin Bond’s deep and lifelong love for the Himalayas. Bond’s poetic prose can hardly be imitated…”

In keeping with the theme of environment, Bhaskar Parichha has reviewed Stephen Alter’s The Fragrance of Rain: A Brief History of the Monsoon. He tells us: “The Fragrance of Rain is much more than a history of weather. It is a meditation on nature, culture, memory, and belonging… Like the season it celebrates, the book is refreshing, nourishing, and lingering in its impact…” While Rakhi Dalal expresses her delight with Shyam Manohar’s The Cold War of Sadanand Borse, a novella translated from Marathi by Jerry Pinto, Meenakshi Malhotra revels in Giti Chandra’s debut book of poems, Setting Traps for Light.

The June poetry section also homes a poem on monsoon by Aardhra Chandran. Anne Whitehouse takes us to Egypt with her vivid words. Shantanu Ray Chaudhuri has shared a series of poems in memory of his late father. We have more from Snehaprava Das, George Freek, Pramod Rastogi, SR Inciardi, John Grey, Heera Unnithan and Jim Bellamy. Ryan Quinn Flanagan’s lines do bring a smile to the lips while Rhys Hughes writes of census of centaurs! Erik Kennedy, a migrant poet from New Zealand, shares his poetry and also his views in a candid interview with Keith Lyons.

In translations, Professor Fakrul Alam has captured the flavours of Nazrul’s Bengali lyrics, which also echo of the rainy season or monsoons. Isa Kamari brings to us more of his Malay poems in English and Ihlwha Choi shares a rendering of his Korean poem, ‘Dragonfly 2’, into English. One of Tagore’s poems from Balaka (Flight of the Cranes, 1916) has found its way into this issue after being translated. We also have a touching Balochi story around social gaps from the late Abdul Qayum Sarbazi, brought to us in English by Fazal Baloch.

Hughes has continued sharing his short fables, which are absurd but also, comical! A sensitive story about the natural world mingled with Maori concepts by Keiran Martin seems so much in sync with the oceans while Jeena R Papaadi has woven a strange narrative located in a land that only one man could visit. Plamen Vasilev shares a human-interest story set in Europe and Rabiya Rehman takes us to Lahore in quest of a missing destination! Naramsetti Umamaheswararao’s narrative takes us back to a village that opted for trees, thus enriching the environmental lore in this issue.

We have a real life heart rending story from a young girl in our Pandies Corner, written and related by Deeksha Vats, based on the story told by a victim of familial violations and violence.

Our non-fiction section homes Larry Su’s essay on how his life took him from a rural mud cave in Shaanxi province to the glamour of Chicago. Reflecting on the changes he has experienced on his rare visits to his original homeland, Su muses on the cultural and socio-economic gaps he has observed between the two places. Charudutta Panigrahi – as if in direct opposition — shares similarities between two diverse geographies.

Suzanne Kamata explores a custom which may not be that eco-friendly in her column from Japan. Jun A. Alindogan brings home the impact of climate disasters while dwelling on blessings with his narrative about a narrow escape from the Typhoon Ondoy (2009). While Meredith Stephen writes of sailing to Timor Sea with photographs by Alan Noble, Farouk Gulsara takes us on a cycling adventure around the mountains of Titiwangsa. In another musing, he also explores the idea of good and evil in a sardonic tone while Sai Abhinay Penna dwells on the grandeur and vastness of the universe over his morning jog. Gowher Bhat writes of a man for whom age seems to be just a number as he publishes his debut book at 93! One wonders at the frequency of such occurrences — we have writings about two authors above ninety in the June issue. In contrast, Devraj Singh Kalsi brings in mortal fears while writing of visiting doctors with a soupçon of humour – some of it directed at himself. 

Perhaps, laughter is really the best medicine to keep well! Ruskin Bond makes us laugh and writes of nature in a way that touches hearts and makes us forget the contrasting glitzy world, where we suffer stress and burnout. Our environment makes a difference, doesn’t it?

With that we wrap up our June issue. Huge thanks to our fabulous team, especially Sohana Manzoor for her wonderful artwork. To all our contributors, heartfelt thanks — we are because you are. And gratitude to our readers who make it worth our while to write and publish here.

We will next meet you during the monsoon months of South Asia though, near the equator, it rains almost every day and, in the Southern Hemisphere, it will be peak winter!

Happy reading!

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE JUNE 2026 ISSUE

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READ THE LATEST UPDATES ON THE BORDERLESS ANTHOLOGIES BY CLICKING ON THIS LINK

Categories
Poetry

Confessions by SR Inciardi

CONFESSIONS

The pages are dotted by camouflaged confessions
in black ink like blackened darkness,
past the reaches of quieted streetlamps
and the empty calls from birds in the moment,
yet oddly settling the mind, flipped through
with snippets of light caught in each instant—
past tense becoming present language
combining with softer music, air exhaled
with each turned page, and when each page settles,
it’s as if a leaf floating to rest, its jagged edges
smoothed to finish a dream or relive a past—
as if reading what’s written
could now speak to the rest of my life.
But once a certain word count is passed,
there’s so little it can do, reading about who I was then
and in a second, gone-on to now
often with empty hands: moments I’d take back,
the light I thought I saw yet remains unseen,
the whitened pages of nothing left,
the aches in the lost print, the fear
of what will be replayed or come next
isolated exhausted but curiously jumping ahead
in the light in another early morning.

From Public Domain

SR (Salvatore Richard) Inciardi was born in New York City and attended Brooklyn College and New York University. SR Inciardi’s poetry has appeared in in various online and print magazines including Green Ink Poetry, Harrow House Journal, Front Porch Review, Grey-Sparrow Journal, Borderless Journal, Written Tales among others. He was a contributor to Green Ink Poetry for their publication on Kennings: Equinox Collections: Autumn released on Amazon in October 2024. SR Inciardi currently has two books of poetry on Amazon that speak to loss and navigating grief. 

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Contents

Borderless, March 2026

Art by Sohana Manzoor

Editorial

Is Sky the Limit?… Click here to read.

Feature

A brief introduction to Aruna Chakravarti’s Creeping Shadows: 13 Ghost Stories and an interview with the author. Click here to read.

Translations

Nazrul’s lyrics of Mor Priya Hobe Eso Rani (My Sweetheart, Be My Queen) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Eight quatrains by the late Majeed Ajez have been translated from Balochi by Fazal Baloch. Click here to read.

Four of his own Malay poems have been translated by Isa Kamari. Click here to read.

Open Marriage, a story by Lakhvinder Virk, has been translated from Punjabi by C Christine Fair. Click here to read.

Jatra ( Journey), a poem by Rabindranath Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Jared Carter, Tim Tomlinson, Mohul Bhowmick, Nma Dhahir, Laila Brahmbhatt, George Freek, Lana Hechtman Ayers, Pramod Rastogi, John Grey, Snigdha Agrawal, Edward Reilly, Ron Pickett, Luis Cuauhtémoc Berriozábal, Snehaprava Das, SR Inciardi, Ryan Quinn Flanagan, Rhys Hughes

Poets, Poetry & Rhys Hughes

In Rhysop’s Fables, Rhys Hughes shares short absurdist narratives. Click here to read.

Musings/Slices from Life

Imprints from the Past

Farouk Gulsara muses on imprints left in time. Click here to read.

When Meassurement Fails

Tamara-Lee Brereton-Karabetsos muses on numbers. Click here to read.

How I Learned to Write from Films

Gower Bhat writes about the impact of the screen on his writerly journey. Click here to read.

Launching into the New Year

Meredith Stephens writes of a fire on the night of the New Year, a hot summer day in the Southern Hemisphere. Click here to read.

Visiting an Outpost of Lucknow: Moosa Bagh

Prithvijeet Sinha takes us to visit an eighteenth century garden and monument. Click here to read.

Musings of a Copywriter

In Missing the Tail, Devraj Singh Kalsi dreams with a dollop of humour on the benefits of humans having the extension. Click here to read.

Notes from Japan

In My Cambodian Taxi Driver, Suzanne Kamata writes of her experiences in Phnom Penh. Click here to read.

Essays

March Musings: Rethinking Histories

Meenakshi Malhotra writes of the diverse ways histories can be viewed, reflecting on the perspective from the point of view of water, climate, migrations or women. Click here to read.

Some Changes are Bigger than Others

Keith Lyons assess our times. Click here to read.

Somdatta Mandal on ‘Mother Mary Comes to Me’

Somdatta Mandal steps beyond the review to look into the marketing of Arundhati Roy’s memoir. Click here to read.

Mark Tully: A Citizen of the World

Mohul Bhowmick pays a tribute to a journalist who transcended borders. Click here to write.  

Bhaskar’s Corner

In Odisha after 1947, Bhaskar Parichha brings us up to date with developments in this region. Click here to read.

Stories

The Wedding

Sohana Manzoor explores the razzmatazz of a Bangladeshi wedding to find what really matters. Click here to read.

Two Black Dresses

Jonathon B Ferrini gives a narrative that has a beam of light in a universe filled with losses. Click here to read.

Flying Away

Terry Sanville writes of death, growing up and healing from loss. Click here to read.

Whispers of Frost

Gower Bhat tells us a story set in Kashmir. Click here to read.

Ameya’s Victory

Naramsetti Umamaheswararao tells us a story that could happen in any school. Click here to read.

Book Excerpts

An excerpt from Aruna Chakravarti’s Creeping Shadows: 13 Ghost Stories. Click here to read.

An excerpt from Kailash Satyarthi’s Karuna: The Power of Compassion. Click here to read.

Book Reviews

Mohammad Asim Siddiqui has reviewed Anisur Rahman’s The Essential Ghalib. Click here to read.

Rituparna Khan has reviewed Malashri Lal’s Signing in the Air. Click here to read.

Bhaskar Parichha has reviewed Deepta Roy Chakraverti’s Daktarin Jamini Sen: The Life of British India’s First Woman Doctor. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Is Sky the Limit?

Sometimes, we have an idea, a thought and then it takes form and becomes a reality. That is how the Borderless Journal came to be six years ago while the pandemic raged. The pandemic got over and takeovers and wars started. We continued to exist because all of you continue to pitch in, ignoring the differences created by certain human constructs. We meet with the commonality of felt emotions and aesthetics to create a space for all those who believe in looking beyond margins. We try to erase margins or borders that lead to hatred, anger, violence and war. Learning from the natural world, we believe we can be like the colours of the rainbow that seem to grow out of each other or the grass that is allowed to grow freely beyond manmade borders. If nature gives us lessons through its processes, is it not to our advantage to conserve what nurtures us, and in the process, we save our home planet, the Earth? We could all be together in peace, enjoying nature and nurture, living in harmony in the Universe if only we could overlook differences and revel in similarities.

A young poet Nma Dhahir says it all in her poem that is a part of our journal this month —

This is how we stay human together:
by refusing the easy damage, by carrying each other
without calling it sacrifice,
by believing that what we protect in one another
eventually protects the world.

--'How We Stay’ by Nma Dhahir

In our poetry section, we have Ron Pickett suggesting peace and love with his poem on three doves on a roof and Snigdha Agrawal hinting at a future Earth. We have heartfelt poetry weaving in the colours of life with Jared Carter, Tim Tomlinson, Mohul Bhowmick, Laila Brahmbhatt, George Freek, Lana Hechtman Ayers, Pramod Rastogi, John Grey, Edward Reilly, Luis Cuauhtémoc Berriozábal, Snehaprava Das, SR Inciardi and Ryan Quinn Flanagan while Rhys Hughes weaves in humour.

Translations has more poetry with Professor Fakrul Alam bringing us Nazrul’s Bengali lyrics in English and Fazal Baloch familiarising us with beautiful Balochi poetry of the late Majeed Ajez, a young poet who left us too soon. Isa Kamari translates his own poems from Malay, capturing the colours of the community in Singapore to blend it with a larger whole. And of course, we have a Tagore poem rendered into English from Bengali. This time it’s a poem called ‘Jatra (Journey)’ which reflects not only on social gaps but also on politics through aeons.

Christine C Fair has translated a story from Punjabi by Lakhvinder Virk, a story that reflects resilience in women who face the dark end of social trends, a theme that reverberates in Flanagan’s poetry and Meenakshi Malhotra’s essay, which while reflecting on the need of different perspectives in histories – like water and nomads — peeks into the need to recall women’s history aswell. This is important not just because March hosts the International Women’s Day (IWD) but because one wonders if women in Afghanistan are better off now than the suffragettes who initiated the idea of such a day more than a century ago?

This time our non-fiction froths over with scrumptious writings from across continents. Tamara-Lee Brereton-Karabetsos muses on looking at numbers and beyond to enjoy the essence of nature. Farouk Gulsara ideates about living on in posterity through deeds and ideas. Gower Bhat shares how he learns story writing skills from watching movies. Meredith Stephens talks of her experience of a fire in the Australian summer. Bhaskar Parichha writes with passion about his region, Odisha. We have a heartfelt tribute to Mark Tully, who transcended borders, from Bhowmick. And an essay on Arundhati Roy’s memoir, Mother Mary Comes to Me, from Somdatta Mandal, which explores not just the book but also the covers which change with continents. Prithvijeet Sinha travels beyond Lucknow and Suzanne Kamata brings to us stories about her trip to Phnom Penh.

Keith Lyons draws from the current crises and writes about changing times, suggesting: “Changes aren’t endings, but thresholds.” Perhaps, if we see them as ‘thresholds of change’, the current events are emphasising the need to accept that human constructs can be redefined. I am sure a Neolithic or an Australopithecus would have been equally scared of evolving out of their system to one we would deem ‘superior’. Life in certain ways can only evolve towards the future, even if currently certain changes seem to be retrogressive. We can never correctly predict the future… but can only imagine it. And Devraj Singh Kalsi imagines it with a dollop of humour where tails become a trend among humans again!

Humour and absurdity are woven into a series of short fables by Hughes while Naramsetti Umamaheswarao weaves a fable around acceptance of differences. In fiction, we have stories of resilience from Jonathon B Ferrini and Terry Sanville. Bhat gives us a story set in Kashmir and Sohana Manzoor gives us one set in Dhaka, a narrative that reminds one of Jane Austen… and perhaps even an abbreviated version of the 2001 film, Monsoon Wedding.

In reviews we have, Mohammad Asim Siddiqui discussing Anisur Rahman’s The Essential Ghalib. Rituparna Khan has written on Malashri Lal’s poetry collection reflecting on women, Signing in the Air. And Bhaskar Parichha has reviewed Deepta Roy Chakraverti’s Daktarin Jamini Sen: The Life of British India’s First Woman Doctor, a book that reflects on the resilience that makes great women. Thus, weaving in flavours of the IWD, which applauds women who are resilient while urging humans for equal rights for one half of the world population.

Book excerpts host Kailash Satyarthi’s Karuna: The Power of Compassion and Aruna Chakravarti’s Creeping Shadows: 13 Ghost Stories. We are also running a feature on the latter collection with Chakravarti telling us why she switched from historical fiction to ghost stories. The interesting thing is many of her ghouls are embedded in histories where they suffered violences, which leads us to the bigger question, can human suffering dehumanise us? Should it?

While we ponder on larger realities, Borderless Journal looks forward to a future with more writings centred around humanity, climate change, our planet and all creatures great and small. This year has not only seen a rise in readership and contributors — and the numbers rose further after our unsolicited Duotrope listing in October 2025 — but has also attracted writers from more challenged parts of the world, like Ukraine, Iran, Tunisia and Kurdistan. We are delighted to home writing from all those who attempt to transcend borders and be a part of the larger race of humanity. I would like to quote Margaret Atwood to explain what I mean. “I hope that people will finally come to realize that there is only one ‘race’—the human race—and that we are all members of it.” And I would like to extend her view to find solidarity with all living beings. I hope that there will be a point in time when we will realise there’s not much difference between, a lizard, a fly, a human or a tree… All these lifeforms are necessary for our existence.

I would want to hugely thank all our team for stretching out and making this a special issue for our sixth anniversary and Manzoor for her fabulous artwork. Huge thanks to all our contributors and readers for being with us through our journey. Let’s change the world with peace, love and friendship!

Looking forward to the future.

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE MARCH 2026 ISSUE.

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Categories
Poetry

Three Poems by SR Inciardi

SENTIMENT

The ocean breeze swipes the water
page after page turned in waves of succession,

one after another sweeping the air and stirring it
in the sounds of coming and going.

The waves move as the wind dictates:
some taller, some more shallow, still others less certain.

These are the waves of times, when Fall just begins
and the air knows nothing of Summer—

in days blessed by what came but were cursed
when they left, with just the newest day now with me,

where only what left is what I wanted—
where only waves of its time came and are now over.

Water comes then recedes motion upon motion,
each one pulled from the edge of the sea,

each one returned to where it once came.
I do not see its subtle direction-change

except its withdrawal, except to see them
extracted in distant sentiments of their own.

Can it be that this is what was always meant to be,
and did I miss more than I could have remembered?

Did I not notice them when they were there one after another
in chances I hadn’t realised were given?

But now I see I was wrong: each day the shore
doesn’t forget each wave’s sentiment,

each wave holds its own where there is no end to them,
where I’m offered a memory wrapped by the pain

of their leaving, but stays bound to every one
where I hold on to the gift each one carried.

DESIGNS


so much of what consumes me
is mired in redundancy mental gymnastics
wound ‘round and ‘round like an old watch spring
and even when encased as permanent
and making promises of permanence revolve
with the earth in an air of inconsistency—
both tensioning and reverting

maybe sorrow was designed this way maybe
it was honed from some common metal
where fissures stayed hidden but are the cause
of its denigration over and over
daylight comes deepens then fades
mired in a cycle where change speaks only to change
‘round and ‘round in steps that hold its own brightness


A STEP AT A TIME

I can’t walk far
once sunlight begins leaving,
once the sweet music
of unnamed birds
begins to end, after rain
fell again in the morning
and clouds regrouped
in early evening, the day without
a before or after, only itself
with two hands
giving all I come to breathe—
the two of us here
in waning sunlight
remembering: another day
only mine to take,
only the day to give—
whether I cherished it
or had choices when it ended,
a day in the light
that remains
with an intensity of its own.

SR (Salvatore Richard) Inciardi was born in New York City and attended Brooklyn College and New York University. SR Inciardi’s poetry has appeared in the USA and in Europe in various online and print magazines including Green Ink Poetry, Harrow House Journal, Grey-Sparrow Journal, Borderless Journal, Written Tales, among others. He was a contributor to Green Ink Poetry for their publication on Kennings: Equinox Collections: Autumn released on Amazon in October, 2024.

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Categories
Contents

Borderless, February 2026

Art by Sohana Manzoor

Editorial

What Do We Yearn for?… Click here to read.

Translations

Nazrul’s Ashlo Jokhon Phuler Phalgun (When Flowers Bloom Spring) has been translated from Bengali to English by Professor Fakrul Alam. Click here to read.

An Elegy for the Merchant of Hope by Atta Shad has been translated from Balochi by Fazal Baloch. Click here to read.

Four of his own Malay poems have been translated by Isa Kamari. Click here to read.

Two of her own Persian poems have been written and translated by Akram Yazdani. Click here to read.

The Beaten Rooster, a short story by Hamiruddin Middya, has been translated from Bengali by V Ramaswamy. Click here to read.

Tagore’s Shishur Jibon (The Child’s Life) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Allan Lake, Goutam Roy, Chris Ringrose, Alpana, Lynn White, C.Mikal Oness, Shamim Akhtar, Luis Cuauhtémoc Berriozábal, Snehaprava Das, Jim Bellamy, Manahil Tahir, John Swain, Mohul Bhowmick, Ryan Quinn Flanagan, SR Inciardi

Poets, Poetry & Rhys Hughes

In The Clumsy Giant, Rhys Hughes shares a funny poem about a gaint who keeps stubbing his toes! Click here to read.

Musings/Slice from Life

From the Land of a Thousand Temples

Farouk Gulsara shares attitudes towards linguistic heritage. Click here to read.

A Tangle of Clothes Hangers

Mario Fenech explores the idea of time. Click here to read.

Dreaming in Pondicherry

Mohul Bhowmick muses in Pondicherry. Click here to read.

Champagne Sailing

Meredith Stephens narrated a yatch race between Sydney and Hobart with photographs by Alan Noble. Click here to read.

In the Company of Words

Gower Bhat shares a heartfelt account of a bibliophile. Click here to read.

Musings of a Copywriter

In Horoscope or Horrorscope, Devraj Singh Kalsi reflects on predictions made at his birth. Click here to read.

Essays

The Chickpea That Logged More Mileage Than You

Ravi Varmman K Kanniappan gives an interesting account of the chickpeas journey through time and space, woven with a bit of irony. Click here to read.

Memories: Where Culture Meets Biology

Amir Zadnemat writes of how memory is impacted by both science and humanities. Click here to read.

The Restoration of Silence

Andriy Nivchuk brings to us repetitious realities that occur through histories. Click here to read.

Aeons of Art

In If Variety is the Spice of Life…, Ratnottama Sengupta introduces upcoming contemporary artists. Click here to read.

Stories

The Onion

JK Miller brings to us the story of a child in Khan Yunis. Click here to read.

Santa in the Autorickshaw

Snigdha Agrawal takes us to meet a syncretic spirit with a heartwarming but light touch. Click here to read.

Disillusioned

Sayan Sarkar shares a story of friendship and disillusionment. Click here to read.

Decluttering

Vela Noble shares a spooky fantasy. Click here to read.

The Value of Money

Naramsetti Umamaheswararao writes a story that reiterates family values. Click here to read.

Book Excerpts

An excerpt from Arupa Kalita Patangia’s Moonlight Saga, translated from Assamese by Ranjita Biswas. Click here to read.

An excerpt from Natalie Turner’s The Red Silk Dress. Click here to read.

Interview

Keith Lyons in conversation with Natalie Turner, author of The Red Silk Dress. Clickhere to read.

Book Reviews

Somdatta Mandal reviews Sanjoy Hazarika’s River Traveller: Journeys on the TSANGO-BRAHMAPUTRA from Tibet to the Bay of Bengal. Click here to read.

Rakhi Dalal reviews Sujit Saraf’s Every Room Has a View — A Novel. Click here to read.

Anindita Basak reviews Taslima Nasrin’s Burning Roses in my Garden, translated from Bengali by Jesse Waters. Click here to read.

Bhaskar Parichha reviews Kailash Satyarthi’s Karuna: The Power of Compassion. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International