Categories
Poetry

Confessions by SR Inciardi

CONFESSIONS

The pages are dotted by camouflaged confessions
in black ink like blackened darkness,
past the reaches of quieted streetlamps
and the empty calls from birds in the moment,
yet oddly settling the mind, flipped through
with snippets of light caught in each instant—
past tense becoming present language
combining with softer music, air exhaled
with each turned page, and when each page settles,
it’s as if a leaf floating to rest, its jagged edges
smoothed to finish a dream or relive a past—
as if reading what’s written
could now speak to the rest of my life.
But once a certain word count is passed,
there’s so little it can do, reading about who I was then
and in a second, gone-on to now
often with empty hands: moments I’d take back,
the light I thought I saw yet remains unseen,
the whitened pages of nothing left,
the aches in the lost print, the fear
of what will be replayed or come next
isolated exhausted but curiously jumping ahead
in the light in another early morning.

From Public Domain

SR (Salvatore Richard) Inciardi was born in New York City and attended Brooklyn College and New York University. SR Inciardi’s poetry has appeared in in various online and print magazines including Green Ink Poetry, Harrow House Journal, Front Porch Review, Grey-Sparrow Journal, Borderless Journal, Written Tales among others. He was a contributor to Green Ink Poetry for their publication on Kennings: Equinox Collections: Autumn released on Amazon in October 2024. SR Inciardi currently has two books of poetry on Amazon that speak to loss and navigating grief. 

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Excerpt

Burnout Highway

Title: Burnout Highway

Author: Anmol Diddan

The Education System

Think about a time when you felt stuck or stifled with the options that your professional path presented. Do you remember your general thoughts and emotions at the time? What expectations did you have when you started on that path? Do you wish you could go back and change some choices you made along the way?

I’ve felt this “stuckness” many times through the various stages of my career as a generalist, evaluating different paths, most recently when I secured permanent residency in the US after a 14-month hiatus of being unable to work in America. I was faced with the choice of taking my career in a different direction or trying to rejoin the corporate path where I left off.

During such ponderings, I’ve usually been able to break my feelings down into an expectations versus reality equation. While I’m sure that isn’t the most insightful thing you’ve heard, think about why the mismatch between that expectation and reality might have occurred in your own life. It is because the expectations you had of your path in two, five, ten, or twenty years, and the reality of that path, in terms of your own perception of reward and fulfillment, don’t match. Thinking of your life as a predefined path, with milestones and comparisons, makes you constantly ponder over this existential expectation versus reality equation, steeped in arbitrary milestones. The challenge, especially in this modern world obsessed with exceptionalism, is that our paths offer the false promise of infinite possibility and underestimate the reality of finite choices.

The Pressure to be on a Path

Remember that favorite interview question we’ve all asked or been asked: Where do you see yourself in five years?

Now think about yourself, your industry, or the job you did five years ago. Has all of that changed beyond recognition? The job I did as recently as 2016 is now basically done by a button. Software developers, who commanded the highest-paying jobs till only a few years ago, are being rapidly challenged by AI or scrambling to become AI engineers, reduced to supervisory roles. Subscriptions as a primary business model, for example, was only adopted in the last five years or so. AI wasn’t a word in the public consciousness till 2023, and today, we’re told we should let it run our lives, from making us breakfast to writing our resumes and picking candidates for jobs!

So, if companies themselves do not know their paths, why is there that pressure on individuals? Based on my own experience, that interview question itself is ill-advised. Someone who is extremely sure of their path, despite knowing how rapidly their context may evolve, is already a bit stifled.

This stifling, myopic path, especially if you’re not fulfilled by it, again brings with it a sense of constant jadedness and exhaustion. It is that exhaustion, coupled with a perceived lack of agency over your path, that eventually manifests as full-blown burnout. Being flexible and adaptable, and rebuilding agency over your own skills are key to building long-term careers today, especially in a time when the AI, internet, and gig economy is truly enabling infinite possibilities at an individual level.

While human beings need structure in their lives, society starts laying out that structure for us from the moment we barely attain consciousness, not leaving too much room for exploration. Remember that question of what you wanted to be when you grew up? I’m guilty of asking this question myself to my nine-year-old niece. She insists she wants to be a vet, which is adorable. I think I wanted to be a cricketer back then. Those questions gave me and my niece structure to explore our personalities, but had I stuck to that path, given the context of my life (my state didn’t even have a team back then), I probably wouldn’t have made a career out of it!

As a 16-year-old, I could have never imagined living in four countries, traveling to over 60 countries marrying an American woman, and attaining financial independence, all before or around 30 years of age. And I am so glad I had the openness to explore divergent paths while still committing to a fairly traditional corporate path. Metaphorically speaking, I knew that I wanted to sail west in the Atlantic, but I was open to landing in Brazil, Mexico, the US, or Canada. That openness has enabled me to start afresh, after 11 years at Google, through this book, and through a coaching and workplace culture consultancy, WideWorldView.com, while continuing to positively engage with the corporate world.

While predefined paths are great to give our expeditions structure, we still need to adjust our sails as per the direction of the winds and currents. As a society, we are too eager to forcefit people into paths, generally very early in life. Thinking about your life and identity as one thing or one path stifles you from exploring all other potentially more fulfilling identities. Despite the rapid changes in societal structures and expectations, the corporate ladder is still largely not set up for individuals to be able to adjust their sails to changing winds, without making radical shifts in course. What if these paths that society puts us on and we often unquestionably follow weren’t meant for us at all?

What if we followed those paths because we constantly felt a stifling opportunity cost? What if those paths were designed to stifle innovation and exploration at a personal level? And what if the expectations our paths set for us were never based in reality? Who made us feel that these paths were the only ones we had? The answer is largely rooted in our modern education system, which is designed to prioritize “getting a job” over self-discovery.

ABOUT THE BOOK

You know the feeling: chronic workplace stress along with a nagging sense of ineffectiveness. That’s burnout. Burnout Highway demystifies this increasingly collective suffering by exploring the larger context that runs all our lives—the systems within which we make decisions, the milestones we were taught to desire, and the feelings of fulfillment we thought they would provide.

From pursuing grades and achievements to landing ‘dream jobs,’ the India Shining generation was promised a clear and straightforward path to success. However, this journey can feel exhausting, especially with India ranking among the countries with the longest working hours and the highest rates of burnout.

Anmol examines how societal conditioning, corporate ladder dynamics, and economic pressures influence our work and presents readers with a systematic framework for navigating the challenges of burnout while fostering the development of fulfilling and emotionally sustainable careers. This is an invitation to prioritize work that aligns with your values and addresses your emotional well-being, ultimately helping you break the cycle of burnout.

ABOUT THE AUTHOR

Anmol Diddan is an advocate for emotionally sustainable careers and the founder of World Wide View. Raised Sikh in the complex geopolitics of the Northeast, Anmol spent his early years in Shillong before moving to Mumbai at sixteen to study Economics; an experience that exposed him to both the promise and pressure of ambition in modern India. His thirst for learning through experiences led him to a global career in behavioural and cultural research, working with Google across India, Ireland, Singapore, and the United States. Now based in New York City, he draws on his dynamic background to explore how the intersection of economics, psychology, and culture affects all our lives, with a focus on wellbeing in the modern workplace. He works 1:1 to help professionals tackle burnout and career transitions, all across the world.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Poetry

Three Poems by SR Inciardi

SENTIMENT

The ocean breeze swipes the water
page after page turned in waves of succession,

one after another sweeping the air and stirring it
in the sounds of coming and going.

The waves move as the wind dictates:
some taller, some more shallow, still others less certain.

These are the waves of times, when Fall just begins
and the air knows nothing of Summer—

in days blessed by what came but were cursed
when they left, with just the newest day now with me,

where only what left is what I wanted—
where only waves of its time came and are now over.

Water comes then recedes motion upon motion,
each one pulled from the edge of the sea,

each one returned to where it once came.
I do not see its subtle direction-change

except its withdrawal, except to see them
extracted in distant sentiments of their own.

Can it be that this is what was always meant to be,
and did I miss more than I could have remembered?

Did I not notice them when they were there one after another
in chances I hadn’t realised were given?

But now I see I was wrong: each day the shore
doesn’t forget each wave’s sentiment,

each wave holds its own where there is no end to them,
where I’m offered a memory wrapped by the pain

of their leaving, but stays bound to every one
where I hold on to the gift each one carried.

DESIGNS


so much of what consumes me
is mired in redundancy mental gymnastics
wound ‘round and ‘round like an old watch spring
and even when encased as permanent
and making promises of permanence revolve
with the earth in an air of inconsistency—
both tensioning and reverting

maybe sorrow was designed this way maybe
it was honed from some common metal
where fissures stayed hidden but are the cause
of its denigration over and over
daylight comes deepens then fades
mired in a cycle where change speaks only to change
‘round and ‘round in steps that hold its own brightness


A STEP AT A TIME

I can’t walk far
once sunlight begins leaving,
once the sweet music
of unnamed birds
begins to end, after rain
fell again in the morning
and clouds regrouped
in early evening, the day without
a before or after, only itself
with two hands
giving all I come to breathe—
the two of us here
in waning sunlight
remembering: another day
only mine to take,
only the day to give—
whether I cherished it
or had choices when it ended,
a day in the light
that remains
with an intensity of its own.

SR (Salvatore Richard) Inciardi was born in New York City and attended Brooklyn College and New York University. SR Inciardi’s poetry has appeared in the USA and in Europe in various online and print magazines including Green Ink Poetry, Harrow House Journal, Grey-Sparrow Journal, Borderless Journal, Written Tales, among others. He was a contributor to Green Ink Poetry for their publication on Kennings: Equinox Collections: Autumn released on Amazon in October, 2024.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

If Only… by SR Inciardi

IF ONLY 

It’s those words in the smaller pairings that offer
imagined depth but inexact dimension with eyes
that cannot see newness in weakened light absent colour
words that can be read from the ashes
of what never was in a time escaping
into the dimming sunset: if only I could see my choices
replayed if only I could hold them
when the air was younger when they floated
on a gentle breeze and were touched by an earlier sunlight
when I knew what it was to be in the moment
and I was captured by words still to come. If only
they were here if only
the words I heard then continued to speak now.

SR (Salvatore Richard) Inciardi was born in New York City and attended Brooklyn College and New York University. SR Inciardi’s poetry has appeared in the USA and in Europe in various online and print magazines including Green Ink Poetry, Harrow House Journal, Grey-Sparrow Journal, Borderless Journal, Written Tales, among others. He was a contributor to Green Ink Poetry for their publication on Kennings: Equinox Collections: Autumn released on Amazon in October, 2024.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

Night Falling by SR Inciardi

SR Inciardi
NIGHT FALLING 

Now the changes have stopped and what it’s come to
has settled in a curtain masking as it spreads
so what was at one time discernible is painted
in thicker darkness. At this point I see it will not reverse
another day weathered another string of moments
shaded by insistence—soundless sketches of how real objects
appear bloodless stripped of their depth blended
with their variances.

It’s not the daylight I miss but the touch
of what once stood before me the comfort seeing it
knowing it was there in the light now both unreachable.
It’s the darkness that seems to hold the more natural light
among the new air that’s turned cold shifting
between two selves: one that knows
what the daylight once gave and the other that knows
when the light returns each day will be different.

SR (Salvatore Richard) Inciardi was born in New York City and attended Brooklyn College and New York University. His poetry has appeared in USA and Europe in various online and print magazines including Green Ink Poetry, Harrow House Journal, Grey-Sparrow Journal, Written Tales,among others. He was a contributor to Green Ink Poetry’s Kennings: Equinox Collections: Autumn (2024, Amazon)

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Memoir

Recycling New Jersey  

                       

By Karen Beatty       

When I was five years old, my father transported our impoverished family from the banks of the Licking River in Eastern Kentucky to Bound Brook, New Jersey, just off a tributary of the Raritan River. My mother had not wanted to leave her beloved Kentucky or depart from her numerous kin there, but she did want to stay married. And my father wanted to find work and get away from anything connected to hollows, moonshine, and that old-time religion. Mother also hoped that she, and especially her four children (with a fifth on the way), would be better off. As it turned out, we children mostly were, while she likely wasn’t.

My father chose Bound Brook, New Jersey, because he planned to work in the trucking business managed by his older brother. In Bound Brook, my father moved us into a place described as “Garden Apartments,” but there weren’t any gardens. It was post WWII housing, mainly for immigrants and working class people who could not afford to buy homes. Since I had been transported from a shack in Appalachia, the two-bedroom apartment in New Jersey, even for parents with five kids, seemed palatial: A bathtub and flush toilet!  Hardwood floors! A gas stove and oven! Sidewalks, and even a nearby building for doing laundry. Stupendous, indeed!

Bound Brook, New Jersey, was a town where most people worked in restaurants, retail, construction, trucking, and schools; plus, there were countless employees at a couple of highly polluting chemical plants located just above the west end of town. (Sometimes strange odors and actual particles released from American Cyanamid drifted into our schoolyards, homes and playing fields.)  I considered townspeople who were low-level bankers and teachers wealthy. Of course we all knew a few kids whose parents were doctors, high-level bankers, or businessmen. Those were the really rich people who did not live in project-style apartments or in low-income housing in the sections of town populated by immigrant Poles, Italians and Irish, with perhaps a random exotic Cuban or Indian family. It was rare to see a Black person or hear Spanish in Bound Brook in the 1950s.

In Kentucky, my mother was a vibrant woman who worked in the County Courthouse. Living in New Jersey, she devolved into a burdened housewife with no local kin and no capacity to access a new community or social life. When the sixth child was on the way, the apartment management informed my parents that they had to move out because they had too many kids. Our family was given two days to leave or pay an extra month’s rent, and regardless, we were being evicted. It happened that there was some new home construction on our west end, near a brook that occasionally overflowed its banks. I knew about the development because we local children frequented the site to steal plywood, tarpaper, and nails to construct lean-tos down the brook. We also nabbed construction cable, which the big kids affixed to tree limbs to make sturdy “Tarzan” swings for sailing from bank to bank across the brook. 

At age eleven, I surreptitiously joined a group tour of the model home in the completed new development, where the available space and the fancy furniture smote me. I raced back to our apartment to tell my mother about the model house, and she sent my father over to take a look. Fortuitously, he ran across a salesperson that informed him that as a veteran of WWII, he qualified for mortgage and down payment assistance. Child number six arrived shortly after we moved into one of the newly constructed homes in the development. Then, deep into the following year, my Mother delivered my youngest brother, child number seven. Our new house afforded a shared bedroom for me and my two younger sisters, and an elongated attic room for the four boys. 

Sadly, as the duration of her stay in New Jersey and the number of kids in our family increased, my Mother’s mental state diminished. She went from intimidation and apprehension about her life in Bound Brook to what could have been clinically diagnosed as agoraphobia and paranoia. In Kentucky she had been a proud and self-confident woman; in New Jersey she was increasingly unkempt, unhinged, and functionally disabled. I remember having to fake her signature on my report card and school permission slips because she was too distracted to sign or even look at paperwork; in fact, she opted out of most any activity not related to basic household management and cooking.

Without filtering her outbursts, my mother jabbered with religious fervor about her afflictions and her rage at our father who had brought her to New Jersey. She lamented that she would not live long enough to see us grow up. She sang sad and sometimes-scary gospel tunes like, “The Old Rugged Cross,” with lyrics about suffering and shame. She also warned us about rich “Republican snakes” that didn’t care about poor people, and dangerous immigrants with funny-sounding names who spoke strange languages (Polish, Italian). She denigrated both poor Black people and neighbouring Jewish people who didn’t love Jesus the way that she did. And she did love Jesus, and the church, even though she thought church people up North dressed too fancy, sang without spirit, and passed the collection plate with too many expectations. She loved us kids unconditionally, while often relying upon us for the basics of daily living. She was unhappy in her marriage and with living in New Jersey, but she was proud of her children, despite her disappointment when most of us went hippie and unchurched and, worse, two voted Republican. 

Sports events and churches consolidated the people in the town of Bound Brook. Officials and functionaries would save your soul if you let them, and, if you were male, tone your body. My brothers were better than good enough at sports, which won them friends, attracted mentors, and enabled them to acquire college scholarships.

I was an excellent gymnast, runner, fielder, and could handle baseballs, basketballs and footballs as well as many boys. And I could maneuver a cable swing and play ping-pong better than most boys. At an inter-school Sports Field Day, I won all six of the proffered blue ribbons. Nonetheless, I didn’t get scholarships, rewards, or accolades. Instead I was mocked as a tomboy for wearing sports attire, and teased as a “skinny-bones” because I didn’t eat or grow much. After leaving rural Kentucky where I was used to drinking raw milk, the New Jersey pasteurised milk did not taste right, and my mother was reduced to serving canned vegetables and mystery meat from a supermarket. I hated the ground meat, hot dogs, and strange overcooked vegetables she served up. So I mostly didn’t eat. At a time when women were expected to be voluptuous and alluring, I was lean and agile. I hated New Jersey.

In fact, I never embraced living in NJ the way I “owned” my early years in Eastern Kentucky and my adult years in New York City. My best friend Janice said whenever she told people she was born in New Jersey, they laughed. She even wrote a song about that. I wasn’t born in New Jersey, but had enough of it imposed upon me to understand the song. Although there were plenty of kids to play with and make “fun trouble” with in the apartments and in our new housing development, I was bullied by big (literally) girls in the neighbourhood, and spurned at school by stylish girls from the better-heeled households. To survive, I became fleet of foot and quick of tongue, able to either run away from dicey situations or talk my way out of them. I fully realised I had to get out of Bound Brook, New Jersey.

In the interest of fairness, I must report that in the late 1950’s and early 1960’s Bound Brook had excellent schools and recreation facilities. Unfortunately, I had not attended any school in Kentucky, so, upon entering elementary school for the first time, I was both shy and academically lost. I also suffered from undiagnosed dyslexia, so I didn’t learn to read until almost 6th grade and never learned to write script, to the chagrin of teachers charged with improving me. Self-conscious about my “hillbilly” accent, I also did not talk at school, a definite deterrent to making friends and getting teacher approval.

I finally caught up by playing and sparring with the kids on the west end, many of whom had worse family situations than me and had the kind of personal and academic issues that were not going to resolve with time. (Being a west end kid certainly informed me that the required “Dick and Jane” school readers did not represent most families.) By the end of fifth grade I could read slowly, print neatly, and participate orally in classes. Best of all, I learned about the local library where I took refuge and read about places and events beyond what I was exposed to at home or in school. I was determined to find a way out of New Jersey.

By high school I was considered one of the smart students who was also a discipline problem. I understood socio-economic differences and realised (without knowing the specified words) that I was from a home with domestic abuse and child neglect. We kids were essentially on our own because our mother had checked out mentally and our father was irritable, sullen and mostly absent. (His absence was a good thing, considering his PTSD rage disorder from WWII.) Never really fitting in either at school or in the neighborhood, I engaged in bravado and resentment to camouflage my fears and vulnerability.

While most of us west end kids were petty thieves and street combatants, my weapon of choice became wit. I assailed bad teachers with derision, mockery, and scorn, refusing to cave to silly authoritarian directives and relentlessly challenging their biased views or misinformation. In short, I was learning about and exposing racism (then called “prejudice”) and political manipulation (still called “patriotism”).

The good and honest teachers admired my audacity and laughed at my antics, but the bad teachers were threatened and became vindictive. I teamed up with Grace, a classmate from the neighbourhood. She came from a single parent household (rare for Bound Brook in the early 1960’s), and lived in one of those so-called garden apartments with her mother. Suffice it to say, Grace and I created a lot of “smart trouble” at school. Soon we were not allowed to be in the same classroom. Worse, despite my qualifying grades, I was barred from the National Honor Society and kicked out of senior English. I had to report to the guidance office where I befriended the guidance counselor, who arranged for me to graduate despite my not completing the English requirement. This all probably happened because English was my best subject, and I was beginning to nurture my lifetime commitment to human rights and civil rights. I held New Jersey in contempt.

I desperately wanted to get out of Bound Brook and away from my home life, but I had no information, experience, or resources to facilitate those yearnings. I had never even traveled to another town by bus or train.

Toward the end of my senior year, I got work at the local recreation center, where I met a woman who was attending Montclair State College. (At the time, Montclair was the best of the New Jersey State colleges.) My older brother was putting himself through Rutgers State University, where female applicants were relegated to their Douglas College campus, close enough to Bound Brook to have required me to live at home and commute. At the last minute, I mailed an application to Montclair State and got a late acceptance with a State Scholarship that covered the $150 annual tuition, without which I could not have attended. Best of all, I was required to find housing near the college, away from home.

I had managed to escape Bound Brook but not New Jersey. I only had enough savings to live off-campus and attend college for one year, so I was prepared to drop out when President Lyndon Johnson saved me by signing the Economic Opportunity Act. Based on family income, I was part of the first wave of acceptances. Yes, to socialism and good government! I was grateful and shocked to receive money for housing, books and general spending.

Moving onto the 7th floor of a new dormitory with a stunning view of the New York City skyline, I rejoiced. Furthermore, because of Montclair State’s proximity to New York City, I was able to partake of a broad liberal education in the arts and sciences. I could actually envision departing New Jersey, so I vowed never to use Bound Brook as my mailing address again. (As it turned out, my instincts were correct: the two of our seven siblings who remained in Bound Brook eventually voted unabashedly for Donald J. Trump.)

Still, my transition out of New Jersey was a long and winding road. I returned to the State (though not to live in Bound Brook) a couple of times for temporary work or educational opportunities, and I never abandoned my New Jersey family or friends. My escape route led me to explore living in Berkeley, California; Bangkok, Thailand; Hiroshima, Japan; Honolulu, Hawaii, and, finally, to settle permanently in Greenwich Village in New York City. My daughter was raised as a proudly triumphant New Yorker.

It was, therefore, not exactly serendipitous that in my early 70s I returned to the place of my former captivity: the state of New Jersey. My choosing a late-life summer residence in the Garden State just kind of happened. My sister and I had been looking in Cape Cod, Massachusetts for places to rent or buy near the ocean, bay or sound. At the time, I was living alone in New York City and Karla lived in Massachusetts. I wanted a get-away place; she was seeking a year-round home. After a couple of thwarted attempts and some financial reality testing, we conceded we could not afford Cape Cod.

Back in New York, we investigated numerous beach towns, with similar financial results. Then, in the New York Times, I read that Asbury Park, on the north coast of the New Jersey shore, was undergoing massively successful development. With more trepidation than excitement, Karla and I hopped on New Jersey Transit to check out the Asbury Park options. We were in the habit of referring to our old home State as “New F*cking Jersey” and reassured each other that “Down the Shore” is not the same thing as NFJ! 

From my youth and during the early days of my marriage, New Jersey towns along the ocean were not unfamiliar to me. In the 1980’s, my husband and I had joined resources with our New York City friends to rent summerhouses in towns close to the ocean. We were emulating our previous summer rentals in the Hamptons, except none of it was like the Hamptons or Amagansett. It was New Jersey.

The Garden State has the shore, not snooty beach towns. You go “down the shore,” not to the beach. The Jersey shore is much cheaper than the Hamptons, but also has far less cache. Thankfully, most of the Jersey Shore is also not like the TV series of that name, at least in the experience of my friends, who were college professors, psychotherapists, artists, or in media-related professions.

In the late 1980’s the shore rentals in New Jersey were affordable, the commute was a dream, and the ocean was fabulous, even if the food and entertainment were not top notch. Of course this was the early days of Bruce Springsteen, so we knew about the Stone Pony, but the town and boardwalk areas of Asbury Park were a wreck. We also knew that next to Asbury Park was an odd little town called Ocean Grove, which was developed and managed by the Methodist Church Camp Meeting Association. The church people did not allow driving on Sunday or the sale of liquor at any time. Entry to the beach was blocked until noon on Sunday mornings. (You were supposed to be in church at that time.) At best, we New Yorkers, many Jewish and all borderline atheists, thought this Ocean Grove place was endearingly bizarre.

We stuck to upscale towns like Spring Lake for our summer rentals. By 1992, when I was 47 years old, we ended our group rentals in New Jersey and eventually most of the friends and their marriages dissipated.

It was not until 2016, when I was 71-years-old, that my sister Karla and I sadly discovered, on a sweltering summer day, that the newly renovated Asbury Park was also not affordable. Dismayed, we crossed an inviting footbridge in Asbury that led to the Ocean Grove side of the Wesley Lake estuary. Meandering around the quiet, spiritually immersed town, we noted the striking contrast to bustling Asbury Park.

Needing a cool down, we spotted an air-conditioned realtor’s office and inquired, without enthusiasm, about properties near the ocean. The prices were considerably cheaper than Asbury and the town was charming, but could we contend with the controlling Methodists? (Certainly our Mother would have approved!) The realtor patiently showed us a couple of listings on the market, but none were very appealing.

As an afterthought, probably because she was kind, it was a slow day, and we were likeable, the agent mentioned that next door to her home was a large Victorian house that had been converted to condos a couple of decades ago. The gaudy blue structure was facing the ocean and included a small 2-bedroom apartment, which had been languishing vacant and unsold for about ten years. We asked to see it, and despite the heat, the realtor agreed to climb over thirty steps in the giant house to show us an unpolished, but fully furnished, top floor unit. A series of convoluted real estate and legal processes that dragged out for a year (plus simple naive luck) enabled us to purchase this condo in the turret (meaning attic) of a magnificent old house, with ocean views throughout. Yes, it was located in Ocean Grove, NEW JERSEY!

Nowadays, I very much enjoy spending my summers down the shore, gazing at the sea from our New Jersey condo and happily catching waves in the buoyant salty water. (Fortunately, my sister lives there year-round to help maintain it.) It is indeed ironic that lacking finances, but having good fortune, delivered me “down the shore” for the summers of my elderhood. Have I come to terms with NFJ?  Recently, I had lunch with a nephew visiting me in New York City. When he nonchalantly asked if I ever considered living year-round down the Jersey shore, I let out a resounding, “NOOO!” 

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Karen Beatty’s work appears in over 30 publications, including Chicken Soup for the Soul, Books Ireland, Non Binary Review, and Mud Season Review. Her novel, Dodging Prayers and Bullets, was published in 2023.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Interview Review

A Backpacker’s Diary by Jessica Mudditt

A brief overview of Once Around the Sun : From Cambodia to Tibet (Hembury Books) by Jessica Mudditt and a conversation with the author

Jessica Mudditt’s Once Around the Sun: From Cambodia to Tibet is not just a backpacker’s diary but also her need to relate to humanity, to find friendships and even love, as she does with Kris, a photographer named after Krishna, the Hindu god, because his parents while visiting India fell in love with the divinity!

The Burmese translation of Our Home in Myanmar was published recently.

Hurtling through Cambodia, Vietnam, China, Tibet, young Mudditt concludes her narrative just at the brink of exploring Nepal, India and Pakistan in her next book… leaving the reader looking forward to her next adventure. For this memoir is an adventure that explores humanity at different levels. Before this, Mudditt had authored Our Home in Myanmar – Four years in Yangon, a narrative that led up to the Myanmar attack on Rohingyas and takeover by the military junta. Once Around the Sun: From Cambodia to Tibet is the first part of a prequel to her earlier book, Our Home in Myanmar, both published by her own publishing firm, Hembury Books.

What makes her narrative unique is her candid descriptions of life on a daily basis — that could include drunken revelry or bouts of diarrhoea — while weaving in bits of history and her very humane responses. Her trip to Angkor Wat yields observations which brings into perspective the disparities that exist in our world:

“I was gazing out at an empire that was once the most powerful and sophisticated in the world. In 1400, when London had a middling population of 50,000, the kingdom of Angkor had more than a million inhabitants and a territory that stretched from Vietnam to Brunei. It had flourished for six hundred years, from the ninth to the fifteenth centuries.

“But somehow Cambodia had become one of the world’s poorest countries, and surely the most traumatised too, following a recent war and genocide. I knew that when we came back down to the ground, there would be a collection of ragtag street kids and downtrodden beggars desperately hoping for our spare change. It was difficult to reconcile the grandeur of Cambodia’s past with its heart-breaking present in the twenty-first century. How did a country’s fortunes change so dramatically? Could the situation ever be turned around?”

How indeed?

Then, she writes of Vientaine in Vietnam:

“I was struck by the fact that sex work seemed to be the consequence for countless young women living in poverty. It made me angry, but mostly sad.”

In these countries broken into fragments by intrusions from superpowers in the last century, judged by the standards of the “developed countries” and declared “underdeveloped”, an iron rice bowl becomes more important to survive than adventure, discovering other parts of the world or backpacking to self-discovery. Travel really is the privilege of that part of the world which draws sustenance from those who cannot afford to travel.

Jessica showcases mindsets from that part of the Western world and from the mini-expat world in Hong Kong, which continue alienated from the local cultures that they profess to have set out to explore or help develop. One of the things that never ceases to surprise is that while the ‘developed’ continue to judge the ‘third world’, these countries destroyed by imposed boundaries, foreign values, continue to justify themselves to those who oppress them and also judge themselves by the standards of the oppressors.

Some of these ‘developing’ countries continue to pander to needs of tourism and tourists for the wealth they bring in, as Jessica shows in her narrative. She brings out the sharp differences between the locals from Asia and the budgeted backpackers, who look for cheap alternatives to experience more of the cultures they don’t understand by indulging in explorations that can involve intoxicants and sex, their confidence backed by the assurance that they can return to an abled world.

Backpackers from affluent countries always have their families to fall back on — opulent, abled and reliable. Mudditt with her candid narrative explores that aspect too as she talks of her mother’s response to her being sick and budgeting herself. Her mother urges her to cut short her trip. But she continues, despite the ‘adversities’, with an open mind. That she has a home where she can return if she is in any kind of trouble begs a question — what kind of ‘civilisation’ do we as humans have that she from an abled background has a safe retreat where there are those for whom the reality of their existence is pegged to what she is urged to leave behind for her own well-being? And why — as part of the same species — do we accept this divide that creates ravines and borders too deep to fathom?

Mudditt with her narrative does create a bridge between those who have plenty and those who still look for and need an iron rice bowl. She mingles with people from all walks and writes about her experiences. Hers is a narrative about all of us –- common humanity. Her style is free flowing and easy to read — quite journalistic for she spent ten years working as one in London, Bangladesh and Myanmar, before returning to her home in Australia in 2016. Her articles have been published by Forbes, BBC, GQ and Marie Claire, among others. This conversation takes us to the stories around and beyond her book.

What led you to embark on your backpacking adventure? Was it just wanderlust or were you running away from something?

It was primarily from wanderlust, but I also didn’t know what I was going to do with the rest of my life. After six years at university, I was still yet to have any particular calling. However, I was also glad I didn’t know. It meant that I was free to go and explore the world, because I wasn’t putting my career on hold. I had no career.

I also had a broken heart when I set off for Cambodia – but the trip was planned before that relationship had even begun. But again, part of me was glad that my boyfriend had called it quits, because my plan was to be away for a very long time (and it ended being a decade away).

What made you think of putting down your adventures in writing? As you say, this is a prequel to your first book.

It was the pandemic that made me realise that backpacking was really special. There was a period in 2020 when it looked like travel may never be so unrestricted again, so it motivated me to document my year of complete freedom. It was also before social media was even a thing. When I was lost, I was really lost, and I had to use my problem-solving skills.

Prior to the pandemic, I sort of thought that backpacking itself was too fun to write about. I hadn’t actually lived in any of the countries I visited – I was just passing through. But that is also a valid experience, and one that many people can fondly relate to. There were also some really confronting and difficult moments.

You have written of people you met. How have they responded to your candid portrayals? Or did you change their names and descriptions to convey the essence but kept your characters incognito?

While I was writing the book, I got back in touch with the people I travelled with – I can thank Facebook for still being in touch with most people mentioned. They helped me to remember past anecdotes and I got some of the back story of their own trips. I have only used first names to protect their privacy, although there are some photos in the book too. Thankfully the world is so big that the odds are small that anyone would recognise, say, an Irish guy from Adam in Vietnam in 2006! Clem from Shanghai has just sent me a photo of her with my book, and Romi from Vietnam actually came to my book launch, which was awesome.

What was your favourite episode in this book — as a backpacker and as a writer? Tell us about it.

I think it was crossing into China and meeting ‘the man.’ I felt so alive with every step I took into China after crossing over on foot from Vietnam. To be chaperoned in the way I was – without being able to communicate a single word – was unusual. His kindness left me speechless, so the anecdote has a nice story arc.

In your travels through China, you faced a language handicap and yet found people kind and helpful. Can you tell us a bit about it?

I foolishly underestimated the language barrier. It was profound. In Southeast Asia, there was always at least a sprinkling of English, and I sort of just assumed that I’d be fine. I entered China from Vietnam, so my first port of call was Nanning, where there is not even really an expat population. I couldn’t do the most basic things, from finding the toilet or an internet cafe or something to eat! I used sign language and memorised the Chinese character for ‘female’ to make sure I went into the right toilet! In a restaurant, I just pointed at whatever someone else was eating in the hope that they would bring me a bowl of whatever it was. There were times when I was seriously lost and lonely, but I ended up staying in China for two months and saw the comedic side. I was bumbling around like Mr Bean (who is hugely popular in China).

I met a lot of people who were really kind to me, and I was just so grateful to them. I didn’t have Wi-Fi on my phone back then, so getting lost in a massive city in China was a bit scary. I met a student called Mei-Xing who ‘adopted’ me for a few days in Guilin. We had a really nice time together and it was so great to hang out with a local.

What is/are the biggest takeaway/s you had from your backpacking in this part of the world? Tell us about it.

I think it’s something quite simple: the world can be a very beautiful place, and a very polluted place. Tourism can do a great deal of damage when there are too many people clambering over one area. There is also an incredible level of disparity in a material sense on our planet. Some humans are travelling into space on rockets. Others are pulling rickshaws, as though they are draught horses. It is profoundly inequitable.

Having travelled to large tracts of Asia, what would you think would be the biggest challenge to creating a more equitable world, a more accepting world? Do you think an exposure to culture and history could resolve some of the issues?

I think that democracy is key. It slows us down and forces us to act in the interest of the majority, not the top-level cronies. That is definitely also something I witnessed in Myanmar. When a few people hold all the power, the population is deprived of things that ought to be a human right.

I think that travel definitely alters your perspective and broadens your mind, and it is something I’d recommend to anyone. Realising that the way that things are done in your home country is not the only way of doing things is a valuable thing to learn.

Mostly, you met people off the street. In which country did you find the warmest reception? Why and how?

In Pakistan. The hospitality and friendliness was unparalleled. I think it was in part due to not having many tourists there. Nothing felt transactional. I met some fascinating people in Pakistan who would have a profound impact on my own life. I am still in touch with several people I met there.

At a point you wondered if the poverty you saw could be reversed back to affluence in the context of the Angkor kingdom. Do you have any suggestions on actually restoring the lost glory?

I believe that it is beginning to be restored. Pundits have called this the “Asian Century.” I am convinced that the United States and the UK are in decline, and this process will only speed up. India, to me, holds the most promise as the next superpower, because it is a democracy (albeit flawed – like all of them), English- speaking, enormous, beautiful, fascinating and its soft power is unmatched. China is facing headwinds. I blame that on making people sad by removing their agency.

How long were you backpacking in this part of the world? Was it longer than you had intended? What made you extend your stay and why?

My trip was exactly 365 days long. I planned it that way from the beginning. I wanted to travel for no less than a year (more than a year and I might stay feeling guilty for being so indulgent!). That is also why the book is called Once Around the Sun – my time backpacking was the equivalent of one rotation of the Earth. I set off on 1 June 2006 – the first day of winter in Australia – and I arrived on 1 June 2007 in London, on the first day of the British summer. I love the sunshine.

After having travelled around the large tracts of Asia and in more parts of the world, could you call the whole world your home or is it still Australia? Is your sense of wellbeing defined by political boundaries or by something else?

Home for me is Sydney. I absolutely love it. I get to feel as though I am still travelling, because my home city is Melbourne. I go down a new road every other day and I love that feeling. The harbour is beautiful, and the sun is shining most days. It’s very multicultural too.

My kids are three and five, so I haven’t travelled overseas for years. My plan is to travel with them as much as possible when they are a bit older. I hope they love it as much as me. I cannot wait to return to Asia one day. I am also desperate to visit New York City.

What are your future plans for both your books and your publishing venture?

The second part of Once Around the Sun will come out in 2025. It’s called Kathmandu to the Khyber Pass, and it covers the seven months I spent Nepal, India and Pakistan.

My goal is to complete my fourth memoir by 2027. It will be called My Home in Bangladesh (it will be the prequel to Our Home in Myanmar!).

My fifth book will be about how to write a book. I am a book coach and in a few years I will have identified the most common challenges people face when writing a book, and finding their voice.

In the next twelve months, there will be at least 12 books coming out with Hembury Books, which is my hybrid publishing company. I love being a book coach and publisher and I hope to help as many people as possible to become authors.

Please visit the website and set up a discovery call with me if you plan on writing a nonfiction book, or have gotten stuck midway: https://hemburybooks.com.au/.

(The online interview has been conducted through emails and the review written by Mitali Chakravarty.)

Click here to read an excerpt from Once Around the Sun

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Musings

Trojan Island

By Nitya Amalean

It was the year 2020. When most of the world was lacking connection and normalcy, I had the privilege of being in Sri Lanka, an island that I had referred to as ‘home’ but hadn’t truly been my home since I left at the age of eighteen. Being here gave me connection with a sugary coat of ‘normalcy’. I had my affectionate family, who made lockdowns entertaining with the purchase of a ping pong table, the nightly binge of true crime documentaries and the occasional games night, including a terrible decision to play ‘Cards Against Humanity’. I had a relationship with my boyfriend in all the physical sense of the word after two years of long-distance phone calls. I had my friends who were all a 15-minute drive away. I had a flexible job where I could interact with smart and passionate coworkers, something I ignorantly thought I wouldn’t find in Sri Lanka. Add to that, countless long weekends and public holidays, mostly spent in the beach towns down south, a region brimming with excellent food options, tasty cocktail bars and magnificent sea swims – truly this was an island that brought comfort, safety and security.

But I wanted more.

This romanticised version of the pandemic years spent in Sri Lanka, while all true, evoked such strong feelings of being lost, purposeless, and devoid of self-worth. This most comfortable of comfort zones made me feel completely out of sorts and yearning for something different. Long, sleepless nights of overthinking, questioning and wondering, “What on earth am I doing here?” Did I spend four years in an exceedingly difficult academic environment and four years working in the most ambitious, individualistic, enlightening city to land up here? Did my parents really spend thousands of dollars on American college tuition for me to end up back home feeling like a failure?

The initial move back home in May 2020 was going to be temporary. I was placed on furlough from my job in London and I believed it was best to wait it out back home. I thought that once the pandemic was all well and done, which would obviously be in a few months, I’d return to London, like nothing had changed.

As I fell in deeper with the aesthetically pleasing confines of beautiful beaches in Trincomalee, the delicious home-cooked meals, the hugs from my parents, the kisses from my boyfriend, the cuddles with my little nieces and nephews, and the long weekend trips with friends, it would be an outright lie to say I wasn’t relieved when the furlough continued and ultimately, ended with the expiration of my work visa. That seemed to seal the decision. I had no way back to the United Kingdom. Sri Lanka was to be my home now.

Looking back at that time, it was like being given this Trojan horse of a cozy, tender, warm embrace, disguising claws that pierced slowly, leaking poison and disillusionment. The surrounding Indian Ocean was as confining as it was endless, as isolating as it was welcoming, as suffocating as it was refreshing.

*

Scrolling through social media, I compared myself to others. And no, it wasn’t the mindless glazing-of-the-eyes watching Tik Tok or Reels but the reading-every-post-with-anxiety on LinkedIn. I compared myself to my friends in New York City, progressively moving up the ladder with impressive promotions and new six figure salaries. I compared myself to my best friends, living their lives independently, powering through their work passionately. I compared myself to peers in my graduating class who seemed to be smashing it in whatever life path they were on. And I felt thoroughly sorry for myself.

While pleased to be working with smart individuals at my WFH startup job in Sri Lanka, the lack of growth and opportunity for professional development made me itch. There were too many moments in the middle of workdays, where I laid sprawled across my bed, staring up at the fan and berating myself down a black hole. I switched between two toxic mindsets, one telling myself that I was no longer worthy of doing exciting, cutting-edge, fulfilling work and the other questioning why I couldn’t be content with all the positives that I had around me? Why did I always want more? Why did I always have this “grass will be greener” frame of mind? Why couldn’t I just ‘be’? This second mindset would set in when I heard my mum’s call to come for her home-cooked lunch of rice and curry. Wasn’t I begging for all these luxuries when I was living abroad?

While work was a huge factor contributing to my discontent, lifestyle was a secondary, significant reason. Disclaimer, disclaimer, disclaimer that everyone has different priorities and are in different stages of life and I spent a lot of time (over)thinking about my priorities. I wanted new experiences. I wanted to be pushed outside my comfort zone to do things that terrified my introverted self. I wanted to work remotely from a Greek island. I wanted to pick up Spanish again and stay in Barcelona for the summer. I wanted to take a creative writing course in Paris. I wanted to hop on a flight and visit my best friend in Munich, where she was living on a farm. I wanted the luxury of having a multiple-year multiple-entry Schengen visa which would be stamped every few months. I wanted a different passport. I wanted to go for an innumerable amount of plays, whether they were in small, 30-seater spaces with no set design or in beautiful, historic theatres where the lead actor is naked almost the entire run time (for artistic purposes apparently). I wanted to watch Jodie Comer in Prima Facie. I wanted to laugh hysterically at a live interview with the legendary Phoebe Waller-Bridge. I wanted to listen to the beautiful minds of Konkona Sen Sharma, Nandita Das and Aparna Sen discussing the perils of censorship in their films in India; watch a match at Wimbledon; find a way to go to the Berlinnale Film Festival. Enjoy the Edinburgh Fringe Festival.

I wanted to do so many things.

Could I find these things while living in Sri Lanka? I convinced myself that I couldn’t.

*

Recently, at my one-year work anniversary in my current job, my manager thoughtfully said, “Thank you for always striving for excellence.” While very kind words, they made me understand something I perhaps always knew about myself, without ever being explicitly told. Always striving for excellence even as a type-A young person, pushing for excellent grades, in order to go to an excellent college in the United States, and ultimately, secure an excellent job. (I’m exhausted just typing out this sentence.) And after being extremely fortunate to work with intelligent and supportive people and have challenging, exciting projects, my own benchmark for excellence kept rising.

I wanted to really enjoy my work but also be challenged by it. I wanted to learn from diverse, brilliant colleagues. I wanted to learn new technical skills. I wanted to have workshops with Product teams on developing new AI functionalities and how best to position them in the marketplace. I wanted to brainstorm with the Content team on how to best partner with a certain Tamil British-Indian actress and not feel like the token voice of diversity. I wanted the promotion and the salary bump and the senior title and the recognition and the reputation. And if not now, then it was in the five-year plan. I can say that this is what New York City does to you, but that would be a lie. It’s me. Hi. I’m the problem, it’s me.

All this ambition drove me straight into a brick wall, dissolving my confidence in my own capabilities. I blamed Sri Lanka. I blamed a whole country for making me feel like this.

Soon, the island was facing its worst economic crisis since independence and to watch the destruction of possibility, willpower and any minute form of political stability in real time was heartbreaking. I won’t even attempt to put into words the plight of Sri Lankans who lost almost everything, unable to access the most basic essentials of fuel, electricity, cooking oil, milk powder and medicines. By early 2022, ‘home’, an island that had nurtured me, that gave me the most special roots, that offered me safety and security, was broken. In my siloed social bubble of international school kids, foreign-educated graduates and Colombo’s upper-middle class families, I desperately wanted to get out. And so did thousands of others who did not want to waste their potential in a nation that was falling apart at the seams.

After years of only regarding Sri Lanka with fondness, I found that bitterness, resentment, and animosity towards my island nation magnified to a point where I couldn’t even hold a conversation with friends who could leave but were choosing to stay. Give me a work permit, give me a Western passport, give me a student visa, give me anything that will allow me to leave this place.

A family meeting was called when my black mood permeated through the home, along with wine, cheese, and a whiteboard to discuss my future plans — the pleasures of coming from a business family — efficient but with alcohol. My family, the ever-loving, supportive, encouraging guiding lights in my life, told me point-black, “You need to leave.” In an atypical South Asian, fashion, they said, “Do what makes you happy. Get a job or do your Masters. Travel everywhere.” My sweet parents, knowing that they would once again be empty nesters with my brother and me elsewhere, knowing that they fully enjoyed having the house full again, also recognised that their kids would be their happiest selves outside of Sri Lanka. 

To have diametrically opposing emotions about the right path forward is confusing to say the very least. If I chose to remain in Sri Lanka, it would have been because three people lived there. My parents were not getting any younger and more substantially, we treasured each other. My partner and I were finally living in the same city after years of distance and savouring every moment of togetherness. And to have all three people only having words of encouragement further deepened the guilt.

But I wanted to be selfish. I didn’t want to stay because I’m a patriotic citizen contributing to the brain drain. I didn’t want to stay because I’m a good daughter or girlfriend. I wanted to leverage my resources, my experiences and most importantly, my LinkedIn, to do the impossible. A broken island meant I had to put together the pieces. For myself.   

To leave or not to leave? And to which part of the world? To return back to the country where I have the privilege of residency but do I want to live in the land of mass shootings and a work-till-you-die mentality? Or to pursue an entry into the U.K. through a student visa by doing an unwanted MBA? Or to strive for the most idealistic, unrealistic scenario — a job in London?

But in that snug, tightly wrapped, a-little-too-hot Anokhi[1] blanket of a comfort zone, the decision was always clear. Maybe one day, I’ll make my peace with my ‘home’. Maybe one day, my blood won’t boil with frustration when I’m on Sri Lankan soil for more than a fortnight. Maybe one day, I will feel the affection again. Maybe one day.

Fast forward two years to the present day, sitting in my cozy flat in London, having just spent a few electrifying weeks in Greece, riding on a high from a successful partnership with a certain tech juggernaut, and preparing for next week’s launch of a new AI product, I appreciate my new ‘home’. It might not be the island I once thought I would spend the rest of my life in, and it’s a little colder and gloomier than the tropics. But the possibilities are endless once again, my dreams are daring once again, and life is feeling full once again

[1] Anokhi Quilt

Nitya Amalean is an emerging writer and storyteller. She was born and nurtured in Sri Lanka, college-educated in the United States and currently, lives in London where she works for an audio media company.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Review

A Case for the Body: Kuhu Joshi’s My Body Didn’t Come Before Me

Book Review by Basudhara Roy

Title: My Body Didn’t Come Before Me
Author: Kuhu Joshi
Publisher: Speaking Tiger Books

The body is a text, writing and written on. As much of this text is ‘given’ as it is ‘fashioned’, its meaning continually negotiated at the intersections of self, society, and culture. Thoroughly personal, the body cannot, at the same time, escape from being spectacularly public because in its corporeality, it constantly responds to the material and metaphysical dimensions of the world around it. A body is being, becoming, possession, as also performance. It is, at the same time, uncertainty, liability, incarceration, and an alibi against everything that we might wish it to be.

In Kuhu Joshi’s slim collection of thirty-five poems titled My Body Didn’t Come Before Me (Speaking Tiger, 2023), the problematic of the body is placed at the centre of poetic inquiry. The crisp and categorical title catches the readers’ attention first and in many ways, the cover offers a brilliant paratext to the ideas in this book as it evocatively underlines a conversation between girlhood, body, nature, and form.

We are never merely inhabitants of our bodies but also bear responsibility for our embodiment. The question of identity is, to a great extent, framed by questions of embodiment, and the conformity of the body to established cultural codes. Such conformity, however, is a sheer travesty of nature. Kuhu Joshi’s poems chart the development and growth of selfhood through severe scoliosis or spinal deformity and the experience of alienation that gathers around it led by societal conventions of normalcy.

Central to these poems is a conflict between embodiment and selfhood, and the numerous ways in which socio-cultural codes of accomplishment, lifestyle, and beauty dictate the need for possessing the ‘perfect’ body. Often, ideas of romance and scripts of love and longing also reiterate the same narrative, rendering desire and its fulfilment both difficult and transgressive. This book is an ardent statement of such experiences of otherness and an activist desire to dismiss them into the idea of individuality or selfhood.

Joshi’s poems delineate subtle contradictions between the body-as-construct and the body-as-experience with insight, freshness, and candour. There is little sentimentality in these pages, almost no lamentations of victimhood, and hardly any regret for life as it has been or is. But in their abrupt matter-of-factness and remarkable economy of expression, these poems manage to communicate a startling range of emotions – pain, fear, shame, depression, self-loathing, forbearance, and self-confidence.

The collection, interestingly, begins with ‘I tell myself I am beautiful’, a poem that on the page curves itself like a scoliotic spine: “…And I tell myself/ I am beautiful/ so I do not feel the need/ to be normal. I tell myself/ I am beautiful/ so I do not feel the need/ to be something I am not.” The poem offers a convergence of several themes that will underlie the book – embodiment, normalcy, beauty, de/form/ity, narrativisation, and selfhood.

Despite the grand diversity of bodies that inhabit this world and the  numerous modes of embodiment, stereotypes of normalcy rule our everyday lives to such an extent that even the slightest deviation from the norm sparks reactions that inject within us feelings of otherness. Such narratives of otherness can only be combated through self-fashioned narratives of beauty, experience, identification and identity.

The body at the centre of these poems is a body consistently othered by medical discourse. But it is also, and with equal tenacity, a female body that through its girlhood, adolescence, pubescence and growth, must bear the implications of this otherness in more ways than one with the result that everyday narratives of friendship, safety, love, and desire are complicated in their enunciation. In ‘The girl with a rod’, one of the most tender poems in the collection, the subtle yet dramatic inter-gender confrontation between two adolescents raises several questions on normalcy, vulnerability, and comfort in social spaces – here, the seemingly innocuous space of a school bus.

And yet, the speaker in these poems acknowledges that when it comes to another scoliotic body, her own gaze is marked by the same curiosity that borders on the invasion of privacy and the transgression of personal space. In ‘A girl. Scoliotic’, she begins with the confession “I don’t remember her name./ I remember her Instagram handle. sco.lio/-something. I remember clicking on her/ to compare her/ curves to mine. ” In this virtual encounter, the social media profile representing the individual becomes the object of the speaker’s scrutiny and realisation that ‘my curve/ was never that curvy’, she offers a mirror-reaction to socio-cultural perceptions of her own identity.

The cold professionalism of medical procedures and the seeming detachment or unconcern of medical practitioners that work together to objectify the dis-eased body, establish themselves strongly in these poems – “I think a lot about the cold, wet plaster./ And the hands of the doctor/ moulding it around my waist.” (‘In this one you win’) In ‘The day of the fitting’, the doctor at the Spinal Injuries Hospital who ‘does not look at me. He says namaste to Mom’ is, paradoxically, also the one whose hands ‘messing’ with plaster across her torso intimately gather “the skeleton of my body. In his hands/ the silence of my spine, white and hollow. ”

In the two poems ‘What your doctor will not tell you:’ and ‘What your doctor will tell you:’, Joshi compresses with remarkable skill and deftness the two sides of the experience of embodiment – the private and the public, the subjective and the objective, the circular and the linear, and most importantly, the marginal and the mainstream. The doctor’s “Kuch nahin hota hai” and “Lacheeli” (with regard to the spine), find their alternative truths in the speaker’s “Hard-back chairs will hurt no matter what. ” and “Do not listen to ‘Sexy Back’”.

A hint of the Father as Patriarch lurks decisively in this collection in the speaker’s equivocal relationship to male figures of reverence and in her repeated seeking for comfort among women. There is the father who, because he is absent in ‘Nani’s house[1]’, the children are “free to dream”. In ‘The protector of life’, Joshi writes:

…The protector of life
is a man, and I
am not surprised. Neither are you.
I assure you. God
was a man too. This is what we
were given, you and I, Eves weeded out
of the garden of life. 

In ‘Enter a garden in new delhi’, she contrasts the injunctions placed on the female body with the careless freedom of male bodies that manage to remain beyond cultural surveillance– “all around you there are/men/spread/men spread out/spread all around/legsflopping backssprawling/handscratching bodiesrelaxing” In ‘Five stages’, the speaker asks “Is it odd to extend responsibility/ for my body?” and the unarticulated answer is ‘no’ since our bodies are continually being transformed and redefined both physically and psychologically by our personal and social encounters.

With its articulate language, assertive voice, and sharp images, Kuhu Joshi’s My Body Didn’t Come Before Me makes a potent debut, emphasising subjective embodiment as a form of resistance, and offering an alternate cultural site to reimagine normativity.

*Note: Kuhu Joshi has recovered from scoliosis or spinal deformity and is currently based in New York City where she is a professor of creative writing and English composition. She has been the recipient of the Jane Cooper Poetry Fellowship and was awarded an honourable mention for the Academy of American Poets’ University Prize in 2021. She is the co-author of the chapbook Private Maps (Human/Kind Press, 2020) and founder of the poetry workshop ‘The Terrible Joy of Poetry’.

[1] Maternal grandmother’s house

Basudhara Roy teaches English at Karim City College affiliated to Kolhan University, Chaibasa. Author of three collections of poems, her latest work has been featured in EPW, The Pine Cone Review, Live Wire, Lucy Writers Platform, Setu and The Aleph Review among others. 

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Poetry

Four Poems by David Francis

Erato. Courtesy: Creative Commons

PLEASANT NOSTALGIA 

Pleasant nostalgia comes around
until I am by its threads bound;
the only problem:  I do not choose;
it calls when it wants, like the Muse.


AFTER HER VOICE

“I’m too excited to write”
(Write whatever you want)
“But I’m too excited tonight”
(Don’t think…write anyway)

“And I will put it down in my book”
(Yes, put it in your diary)
“Someday I’ll have a look”
(Keep it for posterity)

“My heart is beating fast”
(Big deal…still alive…so?)
“I’ve just got off the line”
(She said no, she says yes…she’ll say no)

“I feel like Christmas Eve”
(Well, that’s a year away)
“I feel like a million bucks”
(Every dog has his day)


LETTER TO A FRIEND 

Dear ______,
   What you need is a pet—to brighten this (your) apartment up—
say a parrot or a myna—or a cat—preferably an alley cat—to slink
across this (your) immaculate dun carpet, to hop—no, to leap up
onto the sill you don’t have—no, to give your curtains that lived-in
look—the people across that morgue of a courtyard (glorified alleyway)
have a cat that parts their transparent curtains with its ears—if I
am not mistaken—I would not advise a gerbil unless you want that
ambiance of feed store—I would not advise a turtle, especially if you
are depressed—


FOOLISH AMBITION 

Those glittering jewels
that last for centuries
are not our deeds—
but the stars

David Francis has produced seven music albums, “Always/Far”: a chapbook of lyrics and drawings, and Poems from Argentina (Kelsay Books).  He has written and directed the films, Village Folksinger (2013) and Memory Journey (2018).  He lives in New York City.

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