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Contents

Borderless, June 2026

Art by Sohana Manzoor

Editorial

Changes, Ruskin, Snakes and Frogs… Click here to read.

Translations

Nazrul’s lyrics of Mor Ghumogore Elo Monohor (In my Sleep, Came the Enchanting One) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Four of his own Malay poems have been translated by Isa Kamari. Click here to read.

The Heartless, a Balochi story by  Abdul Qayum Sarbazi, has been translated by Fazal Baloch. Click here to read.

Dragonfly 2 has been composed and translated from Korean by Ihlwha Choi. Click here to read.

Tagore’s poem, Amra Choli Somukhpane (We Look Forward and March), has been translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies Corner

Songs of Freedom: Pink Dreams is an autobiographical narrative by Priyanka, written and compiled by Deeksha Vats. These stories highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and Pandies. Click here to read.

Poetry

Click on the names to read the poems

Erik Kennedy, Shantanu Ray Chaudhuri, Anne Whitehouse, Snehaprava Das, George Freek, Pramod Rastogi, SR Inciardi, Aardhra Chandran, John Grey, Heera Unnithan, Jim Bellamy, Ryan Quinn Flanagan, Rhys Hughes

Poets, Poetry & Rhys Hughes

In A Few More Rhysop Fables, Rhys Hughes shares more absurdist fables. Click here to read.

Musings/Slices from Life

The Stars that Watch Us…

Sai Abhinay Penna muses during his morning jog. Click here to read.

Vignettes from the Past

Gowher Bhat mulls over his conversation with a debut author who published his first book at ninety-three. Click here to read.

Salvaging the Furling Line in the Joseph Bonaparte Gulf

Meredith Stephens takes us on a sailing adventure with photographs by Alan Noble. Click here to read.

Looking for that Goodness…

Farouk Gulsara explores why ‘evil’ exists with the help of experiments in science. Click here to read.

The Gift of Grace

Jun A. Alindogan talks of blessings and narrow escapes, including from the Typhoon Ondoy. Click here to read.

Musings of a Copywriter

In On Consulting a Physician, Devraj Singh Kalsi writes of doctors and patients with a touch of humour. Click here to read.

Notes from Japan

In It’s in the Bag, Suzanne Kamata explores Japanese etiquettes. Click here to read.

Essays

Homecoming

Larry S Su, who migrated from a mud cave in Shaanxi province to America, shares his story of the changes he sees during three visits to his home and muses on the gaps he has observed between these two places. Click here to read.

One Soul, Two Seas

Charudutta Panigrahi explores similarities across two geographically separated regions. Click here to read.

A Cyclist’s Diary: Criss-crossing Titiwangsa

Farouk Gulsara explores local colours as he cycles in the highlands of Malaysia. Click here to read.

Stories

The Sea of Loneliness

Keiran Martin journeys to the depths of the ocean. Click here to read.

The Silent Valley

Jeena R Papaadi builds a mystery around an experience. Click here to read.

The Art of Letting Go

Plamen Vasilev shares a human interes story set in Europe. Click here to read.

The City that Refused to be Found

Rabiya Rehman sets her fiction in Lahore. Click here to read.

The Village that Chose Trees

Naramsetti Umamaheswararao imagines a utopian, environment friendly village. Click here to read.

Interview

Keith Lyons converses with Erik Kennedy, a migrant poet who lives in New Zealand. Click here to read.

Book Excerpts

Excerpts from Ruskin Bond’s Scenes from the Magic Mountain: Five Seasons in the Mussoorie Hills and Beyond. Click here to read.

Excerpt from Anmol Diddan’s Burnout Highway. Click here to read.

Book Reviews

Somdatta Mandal has reviewed Ruskin Bond’s Scenes from the Magic Mountain: Five Seasons in the Mussoorie Hills and Beyond. Click here to read.

Rakhi Dalal has reviewed Shyam Manohar’s The Cold War of Sadanand Borse, translated from Marathi by Jerry Pinto. Click here to read.

Meenakshi Malhotra has reviewed Giti Chandra’s debut poetry collection, Setting Traps for Light. Click here to read.

Bhaskar Parichha reviews Stephen Alter’s The Fragrance of Rain: A Brief History of the Monsoon. Click here to read.

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Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Published from Singapore, ISSN: 2737-4688.

Duotrope listing: https://duotrope.com/magazine/borderless-39488

Categories
Review

Ordinary Wars of Ordinary People

Book Review by Rakhi Dalal

Title: The Cold War of Sadanand Borse

Author: Shyam Manohar

Translated from Marathi by Jerry Pinto

Publisher: Speaking Tiger Books

The Cold War of Sadanand Borse, translated from Marathi by Jerry Pinto, was originally published as Sheetyuddha Sadanand in the 1980s. Written by Shyam Manohar, the work is considered writer’s noteworthy contribution to modern Marathi literature. A deceptively slim novel, it packs much in its exploration of ordinary lives of ordinary people. Comic yet unsettling, the novel, set within the world of Maharashtrian middle-class, deals with the ‘cold war’ of everyday existence, their struggles, ambitions and anxieties. 

Most of Shyam Manohar’s writing deals with the theme of ordinary existence. He is an author two collections of short stories, eight plays, nine novels, and a collection of speeches and critical articles. He has received numerous national and state awards for his works, including the Sahitya Akademi Award in 2010.

The novel begins with a scooter colliding with a funeral procession of a child on a sweltering afternoon. The chance incident results in an absurdly comic encounter. It triggers a chain of events which not only bewilders but keeps the reader on tenterhooks with its acute observations on the tensions which ripple through the aspirations of middle-class. Sadanand collides with Govind and Shrirang, who are the friends of the bereaved father and part of the young son’s funeral procession. As they try to extract an apology from Sadanand, the subsequent events turn his world upside down.

Although the book centres around Sadanand Borse, whose recent one lakh lottery win has made him both suspicious and nervous, the author explores the anxieties of middle-class respectability through the reactions of his pregnant wife Urmila and his immediate neighbours in the aftermath of the incident. With Govind and Shrirang constantly at their door, an atmosphere of latent conflict (as suggested by the title) sets in, and Sadanand’s wife, his neighbours and acquaintances all become participants in a discreet struggle for recognition and influence. The subtle shifts in behaviour reflected in small acts of envy, admiration, cooperation, resentment and suspicion, which emerge when social hierarchies are disrupted, are captured effectively in the seemingly simple prose. The visual imagery of the prose takes the reader into a world echoing Sai Paranjype’s comedy movie ‘Katha’ (Story, 1982). The book revolves arounda similar satire on middle-class aspirations.

Neighbours watch each other closely, interpreting every gesture and decision as confirmation of success, failure, arrogance, or insecurity. Their discussions often seem harmless, yet underlying their narratives is the continuous evaluation of social norms, niceties and hierarchies. Through these characters, the author illustrates how middle-class communities function under companionable scrutiny. The characters aren’t reduced to moral categories. There are no villains in the usual sense. Even the most petty and self serving characters are portrayed perceptively.

The spare yet evocative prose also takes the reader into routine spaces like streets, hospitals, and neighbourhood gatherings where broader questions of morality are enacted. Satire also hinges around the ethics of institutions like hospitals and police stations, where greed or power takes precedence over morality.

The Cold War of Sadanand Borse is a work of remarkable intelligence and restraint. Shyam Manohar brilliantly captures the quiet conflicts that shape ordinary lives. The Cold War thus becomes a condition of social existence itself—a state of constant, low-intensity conflict hidden under outward courtesy.

Jerry Pinto’s brilliant translation of this Marathi work by Shyam Manohar succeeds in capturing the quiet comic energy and perhaps even the tone and precision of the original work. This novel is a must read for its sheer energy, fun and its precise portrayal of the middle-class.

Rakhi Dalal is an educator by profession. When not working, she can usually be found reading books or writing about reading them. She writes at https://rakhidalal.blogspot.com/ .

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles