Categories
Contents

Borderless, October 2026

Art by Sohana Manzoor

Editorial

Stories, Spooks, AIs and More…Click here to read.

Translations

Nazrul’s ‘Aamar Shyamla Boron Bangla Mar Roop’ (The Dusky Beauty of My Mother Bengal) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Who can Blow Out the Sun?, a Balochi poem by Ghulam Hussain Shohaz, has been translated by Fazal Baloch. Click here to read.

Chapter 3 of Isa Kamari’s novel, The Throne, has been translated by the author from Malay. We will be running the whole novel as serial through the year. Click here to read.

Half-a-beat Behind, a poem, has been written by and translated from Korean by Ihlwha Choi. Click here to read.

Pothik (Traveller), a poem by Tagore, has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

John Swain, Ananya S Guha, George Freek, Laila Brahmbhatt, Joseph C. Ogbonna, Ajeeti S, Anne Whitehouse, Ahaduzzaman M. Ali, Jenny Middleton, Jahnavi Gogoi, John Britten, Goutam Roy, Stephen House, Luis Cuauhtémoc Berriozábal, Ryan Quinn Flanagan

Poets, Poetry & Rhys Hughes

In Curtains for You, Rhys Hughes takes on the persona of a lovelorn curtain. Click here to read.

Musings/Slices from Life

Headwinds to Port Hedland

Meredith Stephens shares more sailing adventures around Australia with photographs by Alan Noble. Click here to read.

Watch your Words!

Jun A. Alindogan reflects on linguistic forays among people. Click here to read.

The Changing Face of Deolali

Saeed Ibrahim takes a nostalgic relook at a small hill station. Click here to read.

Luck and Life

Kuldip Raj Chopra muses on luck and life from a long-term perspective. Click here to read.

Musings of a Copywriter

In Bedsheet Bedlam, Devraj Singh Kalsi takes us shopping for bedding with a sprinkling of humour. Click here to read.

Notes from Japan

In Art among the Fallen Leaves, Suzanne Kamata takes us on a fiesta of outdoor art in Japan. Click here to read.

Essays

Who can be the Modern Hero in the Age of AI?

Ravi Varmman K Kanniapan explores what values are needed while creating rules to survive with AI. Click here to read.

A Cyclist’s Diary: Ride through Kazakhstan and Kyrgyzstan

Farouk Gulsara cycles through the untamed landscape of Central Asia and shares his narrative and photographs from his trip. Click here to read.

Women Writers in Kazi Nazrul Islam’s ‘Dhumketu’

Niaz Zaman writes of Bengali women writers in Nazrul’s magazine in the last century. Click here on the link to read.

Stories

The Algorithms

Brindley Hallam Dennis explores a world run by algorithms. Click here to read.

Two Small Town Girls that Dressed Up for Wednesday

Jonathon Ferrini sprinkles a bit of magic to find hope. Click here to read.

Oasis

Sayan Sarkar shares a story set in Santiniketan. Click here to read.

The Oil-press Ox and the Ceremonial Bull

Naramsetti Umamaheswararao gives a fable set in Southern India. Click here to read.

Conversation

Keith Lyons converses with Dr Hannah Stevens, author of On the Bodies of Strangers and In their Absence. Click here to read.

Book Excerpts

An excerpt from The Raj in Ghostly Light, edited by B.C.Dutt. Click here to read.

An excerpt from Janaki Ballav Patnaik: An Unfinished Memoir, translated from Odia by Bhaskar Parichha. Click here to read.

Book Reviews

Somdatta Mandal reviews Geetanjali Shree’s Once Elephants Lived Here: Stories, translated from Hindi by Daisy Rockwell. Click here to read.

Rakhi Dalal reviews Teresa Rehman’s Her Hajj Story: Travel Diaries of Women Pilgrims from Assam. Click here to read.

Farah Imam reviews Raina/Rituparna Khan’s Her Story: Beyond Dimension. Click here to read.

Bhaskar Parichha reviews Reetika Khera’s Freebies or Rights: Rethinking India’s Social Policy. Click here to read.

.

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Duotrope listing:https://duotrope.com/magazine/borderless-39488

Follow us on FB; Instagram  @borderless_journal

Published from Singapore, ISSN: 2737-4688.

Categories
Editorial

Stories, Spooks, AIs and More…

Art by Salvador Dali (1904-1989). From Public Domain

Humans for a long time lived in a world that was centred around them. The planets, plants, animals existed to serve them. The resultant effect was not exactly what could be called ‘pleasant’. Climate change and extinctions are proof of that. One cannot of course be held responsible for the extinction of giant dinosaurs for they were long gone before us. Would we have existed in our current form if they had not become extinct?

Perhaps, part of evolution is extinction of the old and birth of the new. However, we are the only species to have used the planet to suit our own needs. We evolved technology. Technology birthed computers and eventually, artificial intelligence. Almost a century ago, Isaac Asimov spun out science fiction about robots terraforming worlds for men. In these novels, he had instituted the laws of robotics, so that they would not harm humans. His robots were humanoids with AI.

As humanity races towards a tech savvy existence with AI taking on roles which were essentially human tasks, perhaps, we have to ask ourselves some salient questions. Ravi Varmman K Kanniapan has voiced such valid concerns over the deployment of AI in his essay. He writes: “The question should not merely be whether artificial intelligence can make institutions faster, cheaper, or more productive. The deeper question is, for whom?”  While pondering over this issue, if we take a look at Farouk Gulsara’s experiences pedalling through Kyrgystan and Kazakhstan, one wonders if AI impacts the whole world or will it deepen divides between technocrats and people who live closer to nature! Sailing through the Australian seas, Meredith Stephens takes us on an adventure to Port Hedland. Her narrative is accompanied by beautiful photographs by Alan Noble.

While Suzanne Kamata introduces us to mores on the artistic ethos of Japan, Jun A Alindogan expresses concerns over linguistic forays. Saeed Ibrahim steps into nostalgia taking us to a tiny town called Deolali and Kuldip Raj Chopra muses philosophically gazing back and forth to reflect on life lessons. In a contrary vein, Devraj Singh Kalsi splashes comic frivolity as he describes his attempts at purchasing bedsheets!

Niaz Zaman has shared a learned essay on women writers in Nazrul’s magazine, Dhumketu (Comet), in the early twentieth century, while Professor Fakrul Alam has translated the lyrics of a song by the poet from Bengal. Fazal Baloch has brought to us a powerful Balochi poem by the late Ghulam Hussain Shohaz in English. Isa Kamari has shared the third chapter of his self-translated Malay novel, The Throne, weaving in life in the newly-minted Singapore of the mid-twentieth century. Ihlwha Choi has translated his own Korean poem on how he found poetry. Winding up the translations, is a poem by Tagore called Pothik (traveller). 

Poetry brings to us different aspects of existence. Goutam Roy reflects on children’s issues through an analogy with nature while Stephen House critiques how 585 trees would be cut in his area to give way to buildings. We have more variety in verses with John Swain, George Freek, Laila Brahmbhatt, Joseph C. Ogbonna, Ajeeti S, Anne Whitehouse, Ahaduzzaman M. Ali, Jenny Middleton, Jahnavi Gogoi, John Britten and Luis Cuauhtémoc Berriozábal. Ryan Quinn Flanagan paints a vision of merry, swaying boats parked at sea with words. Ananya S Guha gives us a glimpse of the rain and misty ambience of Shillong. Rhys Hughes as usual wafts absurdity and humour by taking on the persona of a (male) curtain in love in rather a funny poem.

AI or rather algorithms are woven into a quirky fiction by Brindley Hallam Dennis. Sayan Sarkar shares a story reflecting the need for compassion while Jonathon B Ferrini sprinkles a bit of magic between a father and daughter in a poignant tale. Naramsetti Umamaheswararao weaves a fable with traditions of rural Southern India.

We have an interesting excerpt from a ‘The Brown Hand’, a spooky story by Sir Arthur Conan Doyle from The Raj in Ghostly Light, edited by B.C.Dutt. One has to realise while reading such stories that what is seen as a controversial attitude in today’s world could well have been an accepted norm a century or two ago. We have another excerpt from a more modern non-fiction — Bhaskar Parichha’s recent translation from Odia of Janaki Ballav Patnaik: An Unfinished Memoir. Describing the art of tattooing is yet another excerpt from a story by Hannah Stevens, a writer shortlisted for the W&A Working Class Writers’ Prize, which follows her conversation with Keith Lyons.

Short stories have wound their way into our reviews section too. Somdatta Mandal has discussed Geetanjali Shree’s Once Elephants Lived Here: Stories, translated from Hindi by Daisy Rockwell. Mandal writes: “The book…presents a great challenge to the layman reader who cannot simply pick it up and start reading at leisure. One must read meticulously, ponder over the distortion of the usual short story genre, keep track of the convoluted or sometimes half-finished sentences and wonder where the narrator or the protagonist of the story is leading you – sometimes round and round and without reaching a denouement. All said and done, one must pick up this book to savour how post-modern storytelling can become an art in itself.” Rakhi Dalal has written about Teresa Rehman’s Her Hajj Story: Travel Diaries of Women Pilgrims from Assam while Farah Imam elaborates on Raina/Rituparna Khan’s Her Story: Beyond Dimension. Parichha has brought to us Reetika Khera’s Freebies or Rights: Rethinking India’s Social Policy. He writes: “Freebies or Rights presents a case for seeing social protection not as charity, but as part of the infrastructure of a democratic society. Its central message is both simple and consequential: dignity cannot be secured by economic growth alone. For millions of Indians, it also depends on whether the state can make basic rights real in everyday life.”

Though we reflect on diverse themes in this issue, the collective concern is for the welfare of our species, our planet and our very existence, occasionally drizzled with humour.  Do pause by our contents page to browse on our October issue.

We are hugely grateful to all the contributors, our team who step in to help create the content and put it before all our readers, especially Sohana Manzoor for her wonderful artwork. We remain thankful to all our readers without who our efforts would be in vain.

Have a wonderful October!

Happy reading.

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE OCTOBER 2026 ISSUE

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Categories
Stories

The Oil-Press Ox and the Ceremonial Bull

By Naramsetti Umamaheswararao

Near a small Indian village stood a peaceful pond, with a lush green pasture stretching beside it. Cattle from the village often gathered there to graze.

One morning, an ox that worked at a traditional oil press was enjoying fresh grass. Since no customers had arrived with oilseeds that day, its owner had untied it and allowed it to graze freely.

Just then, a man who travelled from village to village with his performing bull happened to pass by. Seeing the green pasture, he untied his beautifully decorated bull and let it graze too. After washing his face in the pond, the man sat down to eat his lunch. When he had finished, he stretched out under a shady tree and enjoyed the cool breeze.

As the ceremonial bull grazed, it noticed the oil-press ox nearby. It walked over and began a conversation. When it learned what kind of work the other ox did, it looked at it with contempt. It had always considered oil-press oxen inferior.

With a mocking smile, the ceremonial bull said, “So, you are an oil-press ox! I have heard about your kind. You spend your entire life blindfolded, walking round and round a heavy stone mill. You never get to see the world beyond that little circle. You remind me of a frog in a well, unaware of the vast world outside. My master often sings about Gandhari, a woman from the great Indian epic Mahabharata who chose to remain blindfolded. But you have no choice at all! Tell me, don’t you ever get tired of living such a dull and confined life? What kind of life is that?”

The oil-press ox felt hurt by the insulting remarks. But it decided that arguing with an arrogant creature would serve no purpose. It quietly continued grazing. Its owner could call it back at any moment if a customer arrived, so it wanted to make the most of its free time.

The ceremonial bull was irritated by the silence. It knew the oil-press ox could hear perfectly well. Perhaps, it thought, the other ox was too proud to respond.

Determined to show off its own importance, it continued boasting. “When I walk through a village, people welcome me with great reverence. They wash my feet with turmeric water, perform aarti[1], and touch the sacred flame to their eyes. They drape beautiful new clothes over my back and apply vermilion to my forehead. Mothers bring their children to touch my face and seek my blessings.

“During Sankranti, the harvest festival, people welcome me as a sacred symbol of Nandi, Lord Shiva’s divine bull. When I leave, they feel sad, as though a divine guest were departing. My master even lies on the ground and asks me to place my hooves on his chest as I perform my trained steps. Such is the respect I receive! Tell me, what honour do you ever receive?”

The oil-press ox continued chewing the grass without responding.

Its indifference made the ceremonial bull even more impatient.

“Do you know something?” he said scornfully. “When people want to describe someone who leads a dull, uneventful life, they compare that person to an oil-press ox. Your life has become a symbol of monotony! And your children will probably spend their lives just as you do, going round and round that same mill.

“Life is meant to be enjoyed. It’s meant for travel, celebration, and new experiences. Look at me! I travel from village to village, meet different people, and receive their love and admiration. That is what I call a grand life!”

The oil-press ox had patiently endured the insults, but when the ceremonial bull began speaking contemptuously about its children, it finally raised its head.

“Friend,” it said calmly, “you seem to mistake admiration for true worth. The respect you receive during festivals is a beautiful tradition, and there is nothing wrong with enjoying it. But that does not make my life inferior to yours.

“Yes, I work at an oil press. I walk in circles, and my work may seem monotonous to you. But the oil I help produce is useful to many families. My labour supports my owner and serves the community. There is dignity in honest work, even when it is difficult or repetitive.

“Think about it. Many humans spend their days working within four walls. Does that make their lives meaningless? Does the nature of their work determine their worth?

“I do not feel ashamed of my work. I earn my food through my labour, and that gives me a sense of self-respect. I have no reason to look down upon myself or anyone else.”

The oil-press ox paused for a moment and continued.

“You take pride in the honour people show you during festivals. But every kind of work has its own value. You too have a skill, and people appreciate it. There is no need to belittle another creature to feel proud of yourself.

“And in your eagerness to boast about your grand life, you seem to have forgotten why you came here. You have hardly eaten anything. Look! Your master is coming to take you away.”

The ceremonial bull turned and saw its master approaching.

“You will have to leave before you have had a proper meal,” the oil-press ox added gently. “Our elders say that we should pay attention to the task before us. While you were busy praising yourself and mocking me, you forgot to enjoy the very thing we both came here for.”

The ceremonial bull lowered its head. For the first time that morning, it had nothing to say.

Without another word, it followed its master away from the pasture.

The oil-press ox returned to grazing peacefully, content in the knowledge that honest labour needed no grand praise to have its own worth.

[1] A ritualistic worship with flowers, fruits, incense and lighted lamp

Naramsetti Umamaheswararao has written more than a thousand stories, songs, and novels for children over 42 years. he has published 32 books. His novel, Anandalokam, received the Central Sahitya Akademi Award for children’s literature. He has received numerous awards and honours, including the Andhra Pradesh Government’s Distinguished Telugu Language Award and the Pratibha Award from Potti Sreeramulu Telugu University. He established the Naramshetty Children’s Literature Foundation and has been actively promoting children’s literature as its president.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Contents

Borderless, September 2026

Art by Sohana Manzoor

Editorial

Because We Are… …Click here to read.

Translations

Nazrul’s lyrics of Mor Ghumogore Elo Monohor (In my sleep, came the one who won my heart) have been translated from Bengali by Professor Fakrul Alam. Click here to read.

Chapter 2 of Isa Kamari’s novel, The Throne, has been translated by the author from Malay. We will be running the whole novel as serial through the year. Click here to read.

A Tiny Piece of Homeland, an autobiographical narrative by Kallol Lahiri in Bengali, has been translated by V. Ramaswamy. Click here to read.

Walking Together, a poem, has been written and translated from Korean by Ihlwha Choi. Click here to read.

Swopno (Dream), a poem by Tagore, has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Mary Pomfret, Ananya S Guha, Jim Bellamy, Veerashetty Aurad, George Freek, T. Manjunath, Ron Pickett, Hassan Ismail Adekunle, SR Inciardi, Subramaniam Cheemalapati, John Zedolik, Shazia Khatoon, Richard D. Houff, Ryan Quinn Flanagan

Poets, Poetry & Rhys Hughes

In Emily’s Ghost, Rhys Hughes gives us an elusive story poem. Click here to read.

Musings/ Slices from Life

Switching Sails for Saddles

Meredith Stephens writes of a camel ride in Australia with photographs by Alan Noble. Click here to read.

We Come with Nothing…

Farouk Gulsara muses on the importance of getting rid of belongings collected over time. Click here to read.

Anchors

Shruti Keskar responds to changes in her life. Click here to read.

Musings of a Copywriter

In  Art, Artist & a Copywriter , Devraj Singh Kalsi visits an art museum. Click here to read.

Essays

Kazi Nazrul Islam: Bringing the Ghazal Home

Shantanu Ray Chaudhuri shows how cultures can intermingle to enrich and create a unique fusion as in Nazrul’s lyrics and style. Click here to read.

Harmonising a Symphony

Yatish Kumar S explores what One World means to him. Click here to read.

Rise, You Magnificent Mess

Charudutta Panigrahi writes with the hope of transcending the darknesses of our times. Click here to read.

Stories

Small Town Journal Entry: The Red Wagon and Red Robin

Jonathon Ferrini tells a poignant story about a child and an injured bird. Click here to read.

The Weight She Carries

Gowher Bhat brings a vignette of a young girl’s life in the hills of Kokernag. Click here to read.

A Family Wedding

Fiona Sinclair writes of family interactions during a wedding. Click here to read.

A Clever Verdict

Naramsetti Umamaheswara Rao gives a story set in Southern India. Click here to read.

Feature

A conversation with Kanupriya Dhingra with a brief introduction to her book, The Sunday Book Bazaar: Delhi’s Book Street and the Making of a Reading Public. Click here to read.

Book Excerpts

An excerpt from Teresa Rehman’s Her Hajj Story: Travel Diaries of Women Pilgrims from Assam. Click here to read.

An excerpt from Shubha Apte’s When the Road Becomes the Teacher. Click here to read.

Book Reviews

Somdatta Mandal reviews Omair Ahmad’s Homecoming. Click here to read.

Mudassar Javed Baryar reviews Saima Begum’s The First Jasmines. Click here to read.

Meenakshi Malhotra reviews Romila Thapar’s Just Being: A Memoir. Click here to read.

Bhaskar Parichha reviews Shanta Gokhale’s Of Ancestors and Friends: A Life with Books. Click here to read.

.

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Duotrope listing: https://duotrope.com/magazine/borderless-39488

Follow us on FB; Instagram  @borderless_journal

Published from Singapore, ISSN: 2737-4688.

Categories
Stories

A Clever Verdict

By Naramsetti Umamaheswararao

From Public Domain

Once upon a time, a wealthy merchant named Viswanatham lived in the town of Sreepuram. He owned several businesses, residential properties, and vast tracts of land.

Viswanatham had two sons. The elder, Suryam, was an upright and dutiful man. Wise beyond his years and like-minded with his father, he actively assisted in expanding and managing the family business. The younger son, Chandram, was quite the opposite—contentious, easily swayed by his wife’s manipulative counsel, and perpetually creating discord at home.

One day, Viswanatham passed away. Relatives, friends, and well-wishers poured in to pay their respects and share in the family’s grief. Suryam dutifully and meticulously performed all the solemn funeral rites and obsequies for his departed father.

No sooner had the fortnight of mourning ended and the final rituals concluded than Chandram insisted on dividing the family estate.

“Father hasn’t been gone even fifteen days,” Suryam reasoned gently with his younger brother. “Must we talk of partition so soon? Let us remain united. If you require money for your personal needs, I will gladly give you whatever you want.”

Chandram refused to yield. “This is our joint ancestral property,” he snapped back. “Why should I come begging to you for every expense and live at your mercy? I want my share separate—that is precisely why I am asking for partition.”

Seeing that all his persuasion fell on deaf ears, Suryam sighed softly. “Very well. Sit down with your wife, and we shall divide the assets between us.”

Yet Chandram remained dissatisfied. “No, let us convene the village elders and have them arbitrate the division.”

Suryam agreed and summoned the village elders. He laid out the complete inventory of properties and placed all the title deeds respectfully before them. After reviewing the estate, the elders recommended a fair, equal split: the farmland and core businesses were to be divided down the middle; one brother would take the rice mill while the other received the jaggery processing mill; and the rental houses and commercial shops would be distributed equally between them.

Chandram immediately interjected, “Since I am the younger brother, I should get the first right of choice.” Suryam readily agreed.

“I shall take the rice mill,” Chandram declared. Suryam concurred without protest.

When it came to the family cash and gold jewelry, the elders suggested an equal division. But Chandram demurred, “I do not want cash; I want all the gold.” He had been prompted by his wife, who foresaw that gold would appreciate significantly in value in the future.

The elders were taken aback. “How is that acceptable? We can divide things equally, but how can we deliver a verdict that inflicts a clear financial loss on your elder brother?”

When Chandram stubbornly refused to compromise, the elders adjourned the meeting, asking everyone to reflect overnight.

The following morning, the assembly resumed. But Chandram had abruptly changed his stance. “I have reconsidered. I want the jaggery mill instead of the rice mill. And I no longer want gold—give me the liquid cash instead!”

The elders reprimanded him, “You are backtracking on what you agreed to yesterday. That is unfair.”

“I am simple-minded and do not know how to choose properly!” Chandram blustered back argumentatively. As the debate turned increasingly chaotic and fruitless, the elders once again deferred the matter to the next day.

When they reassembled, Chandram presented yet another set of demands: “I know nothing of farming. Give me the fertile lands with guaranteed irrigation facilities and leave the dry rain-fed lands for my elder brother. Furthermore, assign all the local commercial enterprises in town to me, while Elder Brother can take the businesses situated in the neighbouring villages.”

No matter how patiently the elders explained the injustice of his demands, Chandram refused to listen. For a whole week, he concocted fresh excuses every single day to stall and dispute the division.

Fearing that endorsing a lopsided partition would burden their own consciences with sin, the exasperated village elders finally raised their hands in surrender. “We bow to your estate division and we bow to both of you! Please go to the court of law and let the judge settle your partition. This is beyond our capacity.”

Left with no alternative, the brothers approached the town judge—a magistrate renowned far and wide for his astute, brilliant, and incisive verdicts. The judge listened attentively to both brothers, took down their statements, and instructed them to return in a week’s time.

In the interim, the magistrate discreetly summoned the village elders who had attempted arbitration. He gathered a comprehensive account of the entire dispute and confirmed beyond doubt that Chandram was the sole troublemaker acting in bad faith.

When Suryam and Chandram appeared before him the following week, the judge asked, “Do either of you have anything further to state?”

Suryam replied humbly, “Your Honor, I will abide by whatever judgment you pronounce.”

Chandram, on the other hand, slyly remarked, “If the verdict does not suit me, I reserve the right to seek modifications.”

The judge, having fully gauged Chandram’s litigious nature, knew precisely how to give him a taste of his own medicine.

Pronouncing his verdict, the magistrate declared in an authoritative voice:

“It is evident from our inquiry that Suryam has acted with absolute honesty and good faith throughout this matter. Since every difficulty has been engineered by Chandram, and since no division made by others will ever satisfy him, Chandram himself shall divide the entire estate into two equal shares. Once he completes the division, Suryam shall have the first right to choose whichever share he prefers. This is my final judgment, and the division must take place right here, right now!”

Upon hearing this verdict, Chandram stood frozen—it was as if an unripe wood-apple had lodged firmly in his throat. He found himself trapped between a rock and a hard place. All along, he had criticized and disrupted divisions made by others. But now, the duty of division rested solely on his shoulders. If he unfairly stacked all the prime properties into one share for himself, Suryam would simply pick that share, leaving Chandram with the lesser portion. Thus, to protect his own self-interest, Chandram was forced to meticulously measure and balance both shares to the finest detail so that he would suffer no loss regardless of what Suryam chose.

Thus, through the judge’s masterstroke of wisdom, the long-pending property dispute was settled smoothly and flawlessly.

Everyone present lauded the brilliant magistrate for dealing Chandram the exact remedy he deserved.

Naramsetti Umamaheswararao has written more than a thousand stories, songs, and novels for children over 42 years. he has published 32 books. His novel, Anandalokam, received the Central Sahitya Akademi Award for children’s literature. He has received numerous awards and honours, including the Andhra Pradesh Government’s Distinguished Telugu Language Award and the Pratibha Award from Potti Sreeramulu Telugu University. He established the Naramshetty Children’s Literature Foundation and has been actively promoting children’s literature as its president.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Contents

Borderless, August 2026

Art by Sohana Manzoor

Editorial

Bells, Corners, Changes and Life… Click here to read.

Translations

Robihara 2 (Sunless 2) by Nazrul has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Chapter 1 of Isa Kamari’s novel, The Throne, has been translated by the author from Malay. We will be running the whole novel as serial through the year. Click here to read.

An excerpt from Aslam Dostain‘s novel, Sótkál, has been translated from Balochi by Fazal Baloch. Click here to read.

A Sudden Shower has been written and translated from Korean by Ihlwha Choi. Click here to read.

Jhor or Storm, a poem by Tagore, has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Luis Cuauhtémoc Berriozábal, Akil Contractor, George Freek, Pramod Rastogi, Khayelihle Benghu, John Grey, Mary Tina Shamli Pillay, John Britten, Bharti Mehra, David Francis, Laila Brahmbhatt, Ryan Quinn Flanagan

Poets, Poetry & Rhys Hughes

In Bell Poems, Rhys Hughes shares a series of poems inspired by Edgar Allan Poe’s ‘The Bell’. Click here to read.

Musings/Slices from Life

The Elusive Horizontal Falls

Meredith Stephens writes about her sailing adventures in Australia as Alan Noble shares his photographs. Click here to read.

Reading, Writing, and the Long, Dark Tunnel of Despair

Jeena R. Papaadi explores her own literary journey. Click here to read.

Another Waterworld?

Jun A. Alindogan writes of typhoons that are on the rise in Philippines. Click here to read.

Notes from Japan

In The Zine Scene, Suzanne Kamata participates at ‘The Zine Festival’ in Kobe. Click here to read.

Musings of a Copywriter

In Riverside Reflections, Devraj Singh Kalsi gives a dark satire which almost reads like fiction. Click here to read.

Essays

When Life gives us Lemons, make Lemonade!

Farouk Gulsara looks at the impact of climate events and climate change. Click here to read.

On Both Sides of the Border: The Techno-Political Erasure of Bureaucracy, Memory, and Refugee Lives

Rengin Uçkan takes a look at the plight of refugees. Click here to read.

Neither Automaton nor Oracle: A Satirical Inquiry into Morality, Conditioning, Football, and the End of Human Civilisation

Ravi Varmman K Kanniappan muses on the modern civilisation and its outlooks. Click here to read.

Stories

Shadow Play

Yi-jung Chen shares a unique love story set in Taiwan. Click here to read.

Fairway

Brindley Hallam Dennis shares a short narrative about a dog. Click here to read.

The Space Between Notifications

Jay Samanta shares a modern day relationship. Click here to read.

My Brother’s Room

Devraj Singh Kalsi gives a story of two brothers. Click here to read.

A Walk Through Nature

Naramsetti Umamaheswararao shares a fable set in a village in Andhra Pradesh. Click here to read.

Interview

Keith Lyons interviews author, Jayanthi Sankar, who also shares an excerpt from one of her stories. Click here to read.

Book Excerpts

An excerpt from Rhys Hughes’ The Biscuit Thief. Click here to read.

An excerpt from Ramananda Bharati’s The Forest of Snow, translated from Bengali by Somdatta Mandal. Click here to read.

Book Reviews

Aruna Chakravarti has reviewed Ramananda Bharati’s The Forest of Snow, translated from Bengali by Somdatta Mandal. Click here to read.

Somdatta Mandal has reviewed Arupa Patangia Kalit’s The Moonlight Saga, translated from Assamese by Ranjita Biswas. Click here to read.

Bhaskar Parichha has reviewed Rabindranath Tagore: The Myriad-Minded Man, co-authored by Krishna Dutta and Andrew Robinson. Click here to read.

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Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Published from Singapore, ISSN: 2737-4688.

Categories
Editorial

Bells, Corners, Changes and Life

Rain, Steam, and Speed – The Great Western Railway, 1844, Painting by Joseph Mallord William Turner

Perhaps, the only constant that makes a difference in this ever-transforming world is how we react to changes around us. How do we interact with not just humans but our whole planet with its climate, contours, its plethora of flora and fauna?  Will that impact our survival in the long run? And yet with our focus on legacies, traditions, beliefs, we tend to ignore the call to adapt to the new that might help us move towards an unpredictable future. We forget perhaps that these systems had all been made by our ancestors to ensure survival. Somewhere along the way, these have become like fences caging us into small subsets. The strange thing is we continue to allow that to happen and create enclosures which we fight to maintain. The future that we face now seems even more tumultuous with climate change, rising sea levels and global warming taking a front seat while influx of refugees from war and natural disasters have already started making themselves felt. Add to that the shortages of resources that we have taken for granted for centuries. How would we survive these?

Is it by redefining the constructs we have created or just meeting in corners and finding commonalities as suggested by Ryan Quinn Flanagan in his poem ‘Corners’?

Corners are a meeting place, 
they hold a room together

Our poetry section often reflects what we experience, feel or see around us. We have poems on how nature overrides human constructs by Khayelihle Benghu. In ‘Passport for the Rain‘, she writes:

If rain possessed a passport, it would read:
Citizen of every place that drinks.

We have variety from around the world with poems from Luis Cuauhtémoc Berriozábal, Akil Contractor, George Freek, Pramod Rastogi, John Grey, Mary Tina Shamli Pillay, John Britten, Bharti Mehra, David Francis and Laila Brahmbhatt. Rhys Hughes has given us poetry inspired by Edgar Allan Poe’s poem, The Bell. While Poe wrote one poem in 1848 ( published posthumously in 1849), Hughes has written nine sprinkled with his brand of humour, including on cowbells and bell peppers!

We also have poetry in our translations with Ihlwha Choi giving us a glimpse of Korean life. Professor Fakrul Alam has brought to us in English a Bengali poem by Nazrul written on the death of Tagore, a poem that was read out in Calcutta radio by the poet himself in 1941. Tagore’s poem, Storm, has been translated in keeping with the heavy downpours in Asia this season. Fazal Baloch has shared an excerpt in English, which reads like a short story, from Aslam Dostain’s Balochi novel, Sótkál, giving us a flavour of the hard life in their region, where self-reliance is a felt need for survival. We have mental heath issues woven into this section with Isa Kamari’s translation of his own Malay novel into English, The Throne. We will be running a chapter every month from this novel.

Book excerpts also has a translation this time with Ramananda Bharati’s Bengali travelogue, The Forest of Snow, brought to us in English by Somdatta Mandal. Aruna Chakravarti has reviewed this non-fiction for us. The other excerpt is from Hughes’ The Biscuit Thief, a book that reflects his distinct brand of absurd humour. Keith Lyons’ interview this time features an excerpt from interviewee Jayanthi Sankar’s short story set in Singapore. Mandal has written on yet another translation from Assamese by Ranjita Biswas of Arupa Patangia Kalita’s The Moonlight Saga. Bhaskar Parichha has discussed Rabindranath Tagore: The Myriad-Minded Man, co-authored by Krishna Dutta and Andrew Robinson. He claims that this book is “is indispensable reading for anyone interested in literature, intellectual history, cultural modernity, or the life of a man whose vision of humanity continues to speak powerfully to an increasingly interconnected world.”

This month’s non-fiction section has trotted around the globe. We have Ravi Varmman K Kanniappan’s essay discussing how to redefine norms. His take is a bit different from Flanagan’s. He tells us, using Huck Finn, Terminator and Sangam Literature, people need to ask not, “What is right?” but “How did I come to believe this is right?” Rengin Uçkan’s writes on the need for framing rules that are compassionate for refugees. And Farouk Gulsara with his inevitable gruff humour talks of climate change while stating things as it is: “Climate change not only shrinks our summer beachwear but also makes outdoor living impossible. Additionally, it’s proving to be more expensive to consume anything…”  Jun A. Alindogan narrates how typhoons have increased in number in Philippines and how it affects them while Jeena R. Papaadi reflects on her literary journey. Meredith Stephens shares her sailing adventures in Australia with stunning photographs by Alan Noble. And Suzanne Kamata has brought us a flavour of the unique Zine Fest in Kobe, where both groceries and books find a place!

Devraj Singh Kalsi hovers between fact and fiction. He has a musing which seems like a hash of dark fiction but based on his experiences. He has also shared a story that is purely fictional. Yi-jung Chen brings to us a quirky love story set in Taiwan across time and space while Brindley Hallam Dennis tells a tale about a dog who sits at a table and sips drinks with a straw! Jay Samanta gives a narrative about a modern relationship based on social media output. Naramsetti Umamaheswararao has shared a fable that talks of freeing nature. The issue is, can we really?

In Borderless Journal, we hope to create a space which will help reflect not just the times but also look forward to ideas that can move us towards surviving in a happier world, built on the basis of accepting differences, filled with love, kindness and compassion. While this may sound clichéd and repetitive, given the current climes, these values cannot be emphasised often enough and perhaps our content to an extent does reflect that, sometimes with a soupçon of humour. Do pause by our contents page for this August and tell us what you think.  

Winding up this issue, we would like to thank our all contributors for their wonderful writings and photographs. Huge thanks to the Borderless team without who this issue would not have been as vibrant. Special thanks to Sohana Manzoor for her fabulous artwork. Thank you all. All of you together make this journal come alive.

Enjoy the reads!

Cheers,

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE AUGUST 2026 ISSUE

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Categories
Stories

A Walk Through Nature

By Naramsetti Umamaheswararao

Gopi and Raju lived in neighbouring houses in the quiet village of Shivapuram. They studied in the ninth grade at a school in a nearby village and returned home together every evening.

Although they were close friends, they looked at the world differently. Gopi had a gentle heart. He could not bear to see even the smallest creature in pain. Raju, on the other hand, was lively and adventurous. He loved games, excitement and doing whatever caught his imagination.

To the east of the village stretched a beautiful orchard, lovingly cared for by villagers. Tall trees reached towards the sky. Fruit trees stood heavy with seasonal harvests, while flowering plants painted the pathways with colour. Birds filled the air with cheerful songs, butterflies drifted among blossoms, and squirrels darted playfully from branch to branch.

The orchard was more than a garden. It was a peaceful refuge where people came to rest after a day’s work.

Among its regular visitors was Vishwanatham, the village priest. Every evening he walked through the orchard, greeting villagers, admiring the trees, and quietly watching the birds and animals that made it their home.

One evening, after finishing his homework, Gopi went there to enjoy the cool breeze. As he entered the orchard, he spotted Raju silently creeping towards a squirrel climbing a tree.

“Raju!” Gopi called out. “Please don’t frighten it.”

Startled by the voice, the squirrel flashed up the trunk and disappeared into the leaves.

Raju turned with disappointment written all over his face.

“I wanted to catch it just for a little while,” he said. “I’ve always wanted to look closely at the stripes on its back. I even thought of keeping it in a cage.”

Gopi smiled gently.

“Some things are beautiful only when they are free,” he replied. “Come. Let’s see the flowers instead.”

They wandered deeper into the orchard.

Clusters of butterflies floated from flower to flower, drinking nectar in the golden evening light. Gopi watched them with quiet delight.

Raju slipped forward unnoticed and gently cupped a butterfly in his hands.

The tiny creature fluttered helplessly.

Seeing this, Gopi hurried over. “It trusts these flowers,” he said softly. “Please don’t make it afraid.” He carefully opened Raju’s hands. For a brief moment, the butterfly rested on Gopi’s fingers before lifting itself into the air and disappearing among the blossoms.

Raju sighed. “You spoil all my fun,” he grumbled. “First the squirrel… now the butterfly.”

“I only want them to remain happy,” Gopi answered.

Soon they reached a guava tree where a bright green parrot was pecking happily at a ripe fruit.

Raju’s eyes sparkled. “If I catch it,” he whispered to himself, “I can teach it to talk.”Without a word, he began climbing the tree.

Gopi immediately understood. He clapped his hands loudly. With a sudden flutter of emerald wings, the parrot rose into the evening sky.

When Raju reached the branch, it had vanished.

“You scared it away!”

“I did,” Gopi admitted calmly. “Because it belongs to the sky—not to a cage.”

Raju climbed down, still annoyed.

“You never let me enjoy anything.”

Gopi looked around at the orchard glowing in the soft light of sunset. “Look around,” he said. “We came here because nature refreshes us after a long day of studying. The flowers bloom without asking anything from us. The birds sing freely. The butterflies brighten the garden simply by being themselves. Isn’t that enough? Why should our happiness come at the expense of others?”

Before Raju could answer, a familiar voice interrupted them.

“You have spoken wisely, Gopi.”

It was Vishwanatham.

The old priest had quietly witnessed everything. He smiled at both boys before speaking. “Nature is a home we share with countless living beings. We are its visitors, not its owners. Every bird, every butterfly, every squirrel has a place and a purpose. Their freedom is as precious to them as yours is to you.

“When we watch them without disturbing them, our hearts become lighter. We discover that joy does not come from possessing life, but from respecting it.”

His words lingered in the still evening air.

Raju lowered his eyes.

“I understand now,” he said quietly. “I never thought about it that way. I promise I will never try to trap another bird or animal.”

Vishwanatham placed a gentle hand on his shoulder. “A kind heart,” he said, “is the finest companion anyone can have.”

The three of them stood silently for a moment.

A squirrel scampered across a branch.

A butterfly drifted lazily over a bed of flowers.

High above, the parrot circled once before disappearing beyond the trees.

The orchard seemed to breathe with quiet happiness.

And perhaps, for the first time, Raju understood that the greatest joy in nature is not in holding it… but in letting it remain free.

From Public Domian

Naramsetti Umamaheswararao has written more than a thousand stories, songs, and novels for children over 42 years. he has published 32 books. His novel, Anandalokam, received the Central Sahitya Akademi Award for children’s literature. He has received numerous awards and honours, including the Andhra Pradesh Government’s Distinguished Telugu Language Award and the Pratibha Award from Potti Sreeramulu Telugu University. He established the Naramshetty Children’s Literature Foundation and has been actively promoting children’s literature as its president.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

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Categories
Contents

Borderless, July 2026

Art by Sohana Manzoor

Editorial

Oh! For an Ark?… Click here to read.

Translations

Ghumiye Geche Shranto Hoea ( Spent, He’s Fallen Asleep) by Nazrul has translated the lyrics from Bengali by Professor Fakrul Alam. Click here to read.

Isa Kamari has translated his own Malay poems. Click here to read.

Short poems by Mohammad Hussain Anqa have been translated from Balochi by Fazal Baloch. Click here to read.

Blazing Summer Sun has been composed and translated from Korean by Ihlwha Choi. Click here to read.

Barashar Dine (On a Rainy Day) by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Luis Cuauhtémoc Berriozábal, Jyotish Chalil Gopinathan, Norman J. Olson, Shamim Akhtar, SR Inciardi, Deepa Srivastava, Ron Pickett, Tanisha Tanwar, Jane Downing, Snehaprava Das, John Swain, Snigdha Agrawal, Ryan Quinn Flanagan, Maithreyi Karnoor, Rhys Hughes

Musings/ Slices from Life

Downpour

Ian C Smith muses during a downpour. Click here to read.

A Peek into the Future?

Farouk Gulsara muses on uncertainties. Click here to read.

Is that a Rock or a Croc?

Meredith Stephens narrates their sailing adventures in the Western Australia with photographs by Alan Noble. Click here to read.

Bringing Hope to the War-Torn

Gowher Bhat introduces us to an aid worker who helps war victims in Ukraine and Syria. Click here to read.

What the Stars Kept Secret

Subramaniam Cheemalapati muses on the star studded sky through his anecdotal experiences. Click here to read.

Musings of a Copywriter

In The Sherwani and Me, Devraj Singh Kalsi muses on his wedding attire of yore. Click here to read.

Notes from Japan

In Remotely Controlled, Suzanne Kamata ponders on a modern mania. Click here to read.

Essays

Tagore’s Dance-Dramas in Translation

Somdatta Mandal explores six dance-dramas by Tagore translated from Bengali and Brajbuli by Indrani Haldar. Click here to read.

A Prince who Opted for Poetry over a Crown

Charudutta Panigrahi introduces us to to the eighteenth century literary giant, Upendra Bhanja, who gave up his crown for the love of words. Click here to read.

The Idea of Civilisation: Trust and Power?

Ravi Varmman K Kanniappan highlights the contemporariness of Sangam Literature with discussion about a narrative based on trust and power politics. Click here to read.

Stories

The Son who Came Home Last

Jonathon Ferrini narrates a story across generations and the sweep of continents. Click here to read.

The Ghost from the Past

Darshana Dutta shares a short fiction set in a fast-paced social media centric world. Click here to read.

Her Hyderabad

Mohul Bhowmick looks at the city from the perspective of a disillusioned woman. Click here to read.

Full Circle

Sayan Sarkar shares a heartwarming story set in Kolkata. Click here to read.

The Search for a Useless Thing

Naramsetti Umamaheswararao gives a fable set in Southern India. Click here to read.

Interviews

Keith Lyons in conversation with Helen Townsend, environmental entrepreneur and plant enthusiast. Click here to read.

Suzanne Kamata interviews Lily West, author of West goes East and a traveller who has visited every country on Earth. Click here to read.

Book Excerpts

An excerpt from Kanupriya Dhingra’s The Sunday Book Bazaar: Daryaganj and the Making of a Reading Public in Delhi. Click here to read.

An excerpt from Bhaskar Parichha’s Icons of Odisha – Lives that Shaped a State. Click here to read.

Book Reviews

Somdatta Mandal reviews Siddharth Kak’s A Fire over Mount Everest. Click here to read.

Satya Narayan Mishra reviews Bhaskar Parichha’s Icons of Odisha – Lives that Shaped a State. Click here to read.

Andreas Geisbert reviews Angel Ramon’s Requiem of a Lost Nation. Click here to read.

Bhaskar Parichha reviews Rajat Chaudhuri’s The Climate Crossroads: Literature’s Encounter with a Planet on Fire. Click here to read.

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Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to read the latest review of Wild Winds in The Hindu

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Published from Singapore, ISSN: 2737-4688.

Duotrope listing: https://duotrope.com/magazine/borderless-39488

Categories
Editorial

Oh! For an Ark?

Art by Joseph Mallord William Turner (1775–1851). From Public Domain

Floods, heatwave, hurricanes and storms — wild weather rips parts of the earth. While experts attribute these to El Niño and climate change, one wonders if peace and lifestyle choices could have any impact to reverse the changes on our home planet. Do wars add to our deep distress? We lose people, homes, what we nurtured and loved, the beautiful cities and structures we built, even forests, fields and rivers. The nuclear holocausts, the killing fields of the World Wars, the mined fields of Cambodia and Vietnam which continue to maim farmers… all these should have taught us to avoid wars but now when the television throws up images of war-torn zones, one wonders if those are worse than climate disasters?

In climate disasters we lose lives, homes and cities too — but people can step in to help and rebuild after the disaster. In a war setting, rescue workers are at a risk as bombs mow down terrain and destroys the tenor of daily lives. The disasters born of climate change too can be irreversible — especially with rising water levels, depleting shorelines and warmer climes ripped by storms. Which is worse — wars or climate disasters? What do you think? Could we go back to a pollution free world and reverse the darker impacts of climate change?

 Just as history accepted wars and moved on, perhaps the time has come when climate change has to be accepted as a part of the new reality, and we have to find new ways of life. Exploring such stories is a book by Rajat Chaudhuri, The Climate Crossroads: Literature’s Encounter with a Planet on Fire. It has been reviewed by Bhaskar Parichha who tells us: “It reminds us that the climate crisis is not solely a scientific or political problem but also a crisis of imagination. Rajat Chaudhuri demonstrates with remarkable insight that stories are among humanity’s most powerful tools for understanding uncertainty, confronting ecological loss, and envisioning more just futures.” Somdatta Mandal, on the other hand, has brought in more on environment with her discussion of Siddharth Kak’s A Fire over Mount Everest. Andreas Geisbert adds colour to this section with his exploration of Angel Ramon’s Requiem of a Lost Nation. Satya Narayan Misra has reflected on Bhaskar Parichha’s Icons of Odisha – Lives that Shaped a State, a non-fiction whose excerpt tells us much about the journey of the author to bring to us community builders in various streams of life. We also have a bit from Kanupriya Dhingra’s non-fiction about a book bazaar that flourishes despite bookshops finding it hard to survive, The Sunday Book Bazaar: Daryaganj and the Making of a Reading Public in Delhi.

Our interviews this month touch upon environmental issues with Keith Lyons conversing with Helen Townsend, environmental entrepreneur and plant enthusiast who is high on sustainability and earth friendly solutions while Suzanne Kamata has interviewed Lily West who has travelled to all the countries in the world and has put it all down in her memoir, West goes East. Like Kamata, she teaches in Japan now. Kamata has also given us a humorous piece on remote controls. Humour is a sentiment that has also been wrought into our nonfiction with a flourish by Devraj Singh Kalsi too. He writes of his wedding sherwani almost with a passion like the Dickensian Ms Havisham[1] exhibited for her crumbling wedding gown, except it has a different tone — that of wry tongue-in-cheek irony. Farouk Gulsara has a similar twinge of sarcasm as he muses on uncertainties in the future. Ian C Smith brings in a bit of the weather as he muses on a rainy day while Subramaniam Cheemalapati muses on the star-studded sky, dwelling on his anecdotal childhood experiences. Gowher Bhat introduces us to an aid worker who helps war victims. Meredith Stephens continues on her sailing adventures in Western Australia with photographs by her husband, Alan Noble. The photograph of the pink jellyfish is awesome. Do check it out!

Mandal has also explored six dance-dramas by Tagore translated from Bengali and Brajbuli by Indrani Haldar while Charudutta Panigrahi introduces us to an eighteenth-century literary giant, Upendra Bhanja, who gave up his crown not only to write but to found styles that are used to this date. Ravi Varmman K Kanniappan dwells on the contemporariness of ancient Sangam Literature with discussions on a narrative based on trust and power politics.

Fiction brings to us varied colours with a story from Jonathon B. Ferrini that almost has the lilt of a Hemingway novel. Naramsetti Umamaheswararao gives us a fable about a mischievous monkey with a ‘moral’ et all. Darshana Dutta shares a short fiction set in a fast-paced social media centric world while Sayan Sarkar gives a heartwarming story set in Kolkata. Mohul Bhowmick explores Hyderabad from the perspective of a woman.

Translations have brought in a shower of poetry with Tagore’s poem on a rainy-day hinting at shared confidences. Professor Fakrul Alam has translated Bengali lyrics Nazrul wrote for his friend and mentor, Rabindranath Tagore. Ihlwha Choi has brought to us a whiff of the Korean summer with his verses and Fazal Baloch has brought to us soulful poems from Balochi by Mohammad Hussain Anqa. Isa Kamari’s translations carry a flavour of Malay life in Singapore, and this set of verses bring to a close his book, The Lost Mantras. We are very privileged to have his entire book translated solely in our pages. Isa Kamari is an eminent literary voice of the Malay Singaporean community.

We have variety in poetry by Luis Cuauhtémoc Berriozábal, Maithreyi Karnoor, Jyotish Chalil Gopinathan, Norman J. Olson, Shamim Akhtar, SR Inciardi, Deepa Srivastava, Ron Pickett, Tanisha Tanwar, Jane Downing, Snehaprava Das, Snigdha Agrawal, and John Swain. Quite a few poems are to do with nature and environment. And humour — our best bet at surviving dark times — is chiselled into this section by Ryan Quinn Flanagan who dwells on the idea of a fountain of youth! And the inimitable Rhys Hughes brings us a genii of a Moka Pot! Is it funny? You tell me! He has gone back to his coffee mania – remember he had written The Coffee Rubaiyat and had a whole book called The Sunset Suite where they told tales over mugs of coffee – a bit in the tradition of Arabian Nights!  

We have news about our hardcopy poetry anthology. We have had six media coverages in less than three months. Professor Malashri Lal deems: “For those of us who still believe in principles of care and compassion, humanism and amity, Wild Winds is a lifeline to keep afloat…It is especially commendable for wrapping global concerns in the fine tissue of hope.” And Mandal tells us: “Reading through these one hundred poems is indeed a pleasurable experience even for readers with a more prosaic temperament.” We are delighted that the book has had a warm welcome. Huge thanks to our publishers for giving us a hardcopy platform.

Thanks to all our contributors, readers and the fabulous team that make borderlessjournal.com come alive each month with a vibrant soul. Huge thanks to Sohana Manzoor for her fabulous artwork. Do pause by our contents page for the July 2026 issue.

We wish you all happy reading!

Mitali Chakravarty

borderlessjournal.com

[1] Great Expectations (1861) by Charles Dickens

CLICK HERE TO ACCESS THE CONTENTS FOR THE JULY 2026 ISSUE

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READ THE LATEST UPDATES ON THE BORDERLESS ANTHOLOGIES BY CLICKING ON THIS LINK

Click here to read the latest review of Wild Winds in The Hindu