Sunday Book Bazaar – Borderless

In a world torn by conflict, why would one mention hope or compassion? In an age of dystopian scenarios, why would we dream of utopias?

Perhaps it’s wishful musings, but at some level what people need to survive is probably something to look forward to — a speck of light — a wishful idea called hope. Hope builds resilience. Utopias are built on hope, on love and compassion. Dystopias are built on desperation and despair. They take fear or horror to the extreme and play on people’s vulnerabilities. They might induce a cathartic effect and one might say— we are better off as we are in the present or we must act so that this never happens. Is that something we can really say in a world where wars are disrupting peace and lives of all humanity, where violence against civilians is becoming an accepted norm, where shortages could also be a reality for most of us? Utopias, on the other hand, build on the element of an ideal, a dream towards which we can move on the bleakest day of our existence. They could be used to stir hope and envision a reality devoid of violence. And perhaps, some of it would congeal into a real-world scenario with smaller doses of the bad and ugly. In a conflict-ridden world, which almost feels like a reenactment of George Orwell’s 1984 (only about four and a half decades after his predicted date) what would touch your heart, give you a sense of relief— hope for a better future or dwelling on doomsday predictions? What would you want for your progeny?

Just before the pandemic changed our lives, a book was published where while questing for their own utopia, a group of young people became part of a dystopian reality. They were known as the ULFA rebels[1] and their story was told in Bulletproof: A Journalist’s Notebook on Reporting Conflict by Teresa Rehman. The current relevance of this book cannot be undermined because not only does it humanise the insurgents perspective, but it also shows how a centrist set up can neglect the needs of particular fringe communities. In addition, Rehman’s heartrending stories of poachers and people who live unaccepted in the margins only strengthen the need for an unboxed world where tolerance and compassion would transcend these artificially created fences that divide and lead to violence. This issue features Rehman’s book and an online discussion with her which stretches beyond the confines of pages.

Suggesting the same need to make sense in a world torn by violence and conflict is Snigdha Agrawal’s poem, ‘Inflation of Memory’.

Yesterday…
Life seemed well-orchestrated…
 
Today…
In an astonishing volte-face,
Markets are down.
People are finding it hard
to make both ends meet…


Tomorrow…
Perhaps we’ll download hope in an update…
And we’ll stand in queues again,
this time for optimism…

In our poetry section, we have variety with writings from across the world with Luis Cuauhtémoc Berriozábal, A Jessie Michael, Brenton Booth, Momina Raza, Pete Peterson, Mitra Samal, Ron Pickett, Anjana Vipin Edakkunny, John Swain, Prithvijeet Sinha and Md Mujib Ullah. Ryan Quinn Flanagan brings art into play in his poem. Keith Lyons has surprised us – not with non-fiction — but with a flavourful poem on autumn in New Zealand, which is about now. And Rhys Hughes has amazing poems which through humour make us reimagine effusions on flowers and ghosts in socks!

We have more poetry in our translations, some sombre and some funny. A Bengali poem written as a tribute by Nazrul on the death of his older friend, Rabindranath Tagore, has been rendered into English by Professor Fakrul Alam. To add a lighter touch, we have translated a fun-filled poem by Tagore. Isa Kamari continues to translate his own Malay poems to bring in flavours of the culture. This time his poems seem to urge a need to transcend age-old stratifications. We also have a Balochi human-interest story by Younus Hussain brought to us in English by Fazal Baloch.

Hughes’ column too has fiction. His humorous and absurdist fables continue to urge re-evaluation of the world as well as genres. We also have a poignant narrative built around a Vietnamese migrant family by Mario Fenech. Sayan Sarkar shares a tale upending norms set in Kolkata while Naramsetti Umamaheswararao narrates a story about a young boy overcoming his fears. Abhik Ganguly gives us a strange fiction set in the future in a different galaxy, where Earth is seen as the original planet of human evolution.

C Christine Fair, who is an established translator, has surprised us — like Lyons — this time with a personal memoir which dwells on the deeply annihilating impact of norms that define gender roles. Upending the idea of an immutable ruler who can overpower us, is an essay by Ravi Varmman K Kanniappan with its roots in the ruins Rameses II — known as Ozymandias too — and Shelley’s poem of the same name.

We have had an overflow of writing about the unusual and redefining norms in our non-fiction section. Odbayar Dorj weaves an unusual narrative and shares photographs from a village of scarecrows in Japan that has a population of 27 humans and 370 scarecrows. She tells us: “In a place where people and scarecrows live side by side, I began to understand something simple but profound: sometimes, when human presence fades, we find our own ways to fill the silence with memories, imagination, and love.” Humanity never ceases to hope. Filling in silences are narratives by Arathi Devandran and Mubida Rohman on how they deal with the quietness left by departed loved ones.

We have more from Meredith Stephens with photographs by Alan Noble on their trip to Vietnam — as they travel to places that are less touristy while Gower Bhat explores the Sunday Book Bazaar at Old Delhi. Farouk Gulsara travels back to Penang where he spent his childhood and reflects on changes. Are they always for the best?

Suzanne Kamata takes up changes with a soupçon of humour as she writes of how the AI finally conceded to her husband, “Your wife is not wrong…” while Jun A. Alindogan writes of how social media can create mayhem if misused to spread fake news. Devraj Singh Kalsi resorts to sardonic humour of a darker hue as he explores ways to make a living.

Gulsara has also explored Sam Dalrymple’s Shattered Lands: Five Partitions and the Making of Modern Asia which starts with the extent of the British Empire with its western-most point at Aden and stretching in the east to Burma. There was a period from 1839 to 1867, when it stretched from Aden to Singapore[2], which was a part of Malaya, leaving out Siam or Thailand which never succumbed to colonial rule. The book starts at a later date — 1928 — and talks of the piecing of the British Empire, with questionable stances taken by historically heroic figures, thus urging a critical relook at our own past — just over the last hundred years.

We run excerpts from Nirmala Thomas’s Snowed Under, translated from Malayalam by Radhika P Menon, a poignant story about battling cancer, and Nikhil Kulkarni’s My Summer of Cricket: Three Tests, One Fan and Decades of Stories.

Our reviews include Rakhi Dalal’s take on Maithreyi Karnoor’s rather unusual stories from Gooday Nagar. Bhaskar Parichha has wandered back to non-fiction with the late Kaukub Talat Quder Sajjad Ali Meerza’s Wajid Ali Shah: A Cultural and Literary Legacy, translated from Urdu by Talat Fatima, a history that makes us reassess views on the last of the Awadhi nawabs. Somdatta Mandal has also shares a discussion on Sushila Takbhaure’s My Shackled Life, translated from Hindi by Deeba Zafir and Preeti Dewan, a narrative that showcases the resilience of the author.

This issue could not have been put together without all our wonderful contributors. Heartfelt thanks for sharing your gems with us. Huge thanks to the Borderless team too who continue to support bringing in variety, colour and reinforcing our values. Much thanks to Sohana Manzoor for the fabulous cover art and to all those who share vibrant visuals with their writing. Many thanks to our readers too who make our efforts worthwhile. Do write in with your comments.

Look forward to greeting you all again next month!

Mitali Chakravarty,

borderlessjournal.com

[1] United Liberation Front of Asom

[2] Aden was brought under the British Raj in 1839 as part of Bombay Presidency. Singapore was part of the Bengal Presidency from 1830-1867.

CLICK HERE TO ACCESS THE CONTENTS FOR THE MAY 2026 ISSUE

READ THE LATEST UPDATES ON THE BORDERLESS ANTHOLOGIES BY CLICKING ON THIS LINK

Where Stories Find You…

By Gowher Bhat

There are places in this world that do not seek attention. They exist quietly and hold something essential. In such spaces, differences soften. What remains is a simple sense of connection.

The Sunday Book Bazaar of Daryaganj, now at Mahila Haat near Delhi Gate, is one such place. Every Sunday this space fills slowly. The city moves in its usual rhythm, yet here time seems to settle into something gentler. People begin to arrive from many walks of life. Students come with curiosity. Collectors arrive with patience shaped over years. Families walk through the narrow lanes with children who pause at almost every stack. Some come with purpose. Others arrive without any clear intention. Yet all seem drawn by something they cannot fully explain.

A bookseller looks up and smiles at a passerby. “What are you looking for, sir?” he asks.

The question lingers for a moment. The answer does not come easily. Perhaps that is how most people arrive here. Not searching for something specific, but open to possibilities.

Within this space, differences begin to evaporate. People stand side by side, turning pages, asking questions, sharing small discoveries. Conversations form and dissolve with ease. What remains is a shared interest in stories and knowledge. In that quiet exchange something simple takes shape. People come closer without effort.

For more than six decades this bazaar has existed as a home for books and readers. What began in 1964 has grown into a living space that continues to gather voices across time. Books lie in uneven stacks that rise and fall like small landscapes. Some are worn with age, their pages softened by many hands. Others remain untouched, waiting for their first reader.

A reader pauses at a stack and picks up a worn paperback. The cover is slightly faded. The pages carry the faint scent of time. A nearby voice observes gently, “Old edition. Hard to find now.”

There is quiet assurance in such words. Years spent among books leave their own kind of memory. Titles are not just remembered. They become familiar, almost like people one has known for a long time.

Books move through this space with a quiet freedom. A thought written years ago finds meaning in the present. A story that began in a distant place settles into a new life. Each exchange is simple, yet it carries something lasting. In these movements books connect people without effort.

There is comfort in that continuity.

The booksellers who sustain this space form its quiet centre. Many have spent years, even decades, among these pages. Their knowledge is shaped through experience and repetition. They know where a book might be found. They sense what a reader may need. Often, they understand before a question is fully spoken.At another stall a name is mentioned in passing. The response comes without hesitation. “If it is not here today, it will be found.”

There is no urgency in the voice. Only certainty. It is a certainty built not on systems, but on familiarity and care. Their interactions remain simple and unforced. A suggestion is offered. A brief conversation begins. A moment of connection follows. During these exchanges, the act of selling becomes something more. It becomes a quiet way of keeping stories alive.

In their own way, they create bridges between people who might otherwise have continued remain strangers.

As one moves through the bazaar, small moments begin to gather meaning. A child sits on the ground, absorbed in a book that seems to hold engross. A student moves from one stack to another, choosing carefully, balancing interest with affordability. An older reader pauses with a book in hand, holding it for a little longer, as if revisiting something once known.

Nearby a young voice carries a quiet excitement. “This one was only fifty[1].”

The reply comes with an easy smile. “That is a good find.”

The exchange is brief, yet it holds a sense of completeness. At such moments, the value of something is not measured by price alone, but by the joy of discovery.

These are not merely transactions. They are connections between people and ideas. Each book that changes hands leaves behind something unseen, yet quietly lasting.

Around the books other objects carry fragments of time. Old coins rest in small boxes. Stamps lie arranged with care. Postcards show places that may no longer look the same. Each object holds a story that extends beyond itself.

A gentle question arises. Do people still come for these?

The answer is simple. “They do. Some have been coming for years.”

Memory does not disappear easily. It finds ways to remain present, often in the simplest forms.

In a world that moves quickly such spaces feel rare. Here there is no rush to finish. One can pause without purpose. One can browse without intention. One can sit with a book and allow time to move at its own pace.

There is also a quiet sense of trust that shapes this place. A book may be handed over without hesitation. A familiar face is recognised without effort. A price may soften in a moment of understanding.

“Take it,” a voice says gently. “You can pay next time.”

Such gestures do not draw attention to themselves. Yet they remain long after the moment has passed.

The bazaar continues despite its challenges. Facilities are limited. Weather often interrupts the day. At times the space must adjust and adapt. Yet it endures — not through ease, but through persistence and care.

Perhaps that is what gives it its meaning.

Because this space is not only about books. It’s about access. It’s about memory. It’s about people sharing something simple and real. It allows stories to continue moving. It allows connections to form without effort.

It offers a quiet reminder. When people come together with openness something meaningful begins to take shape.

As the day moves towards its close the space begins to thin out. The stacks remain. The voices grow softer. Yet something lingers in the air, something that cannot be easily named.

A small gesture remains. A bookmark is handed over, light and unassuming.

“For your reading,” comes the gentle voice.

On it a single line rests.

Some stories find you.

The words feel simple, yet they stay.

As one leaves the bazaar there is a quiet awareness that follows. Not every visit is planned. Not every discovery is expected. Some moments arrive without effort and remain without intention.

Sometimes stories find us.

They arrive at the turning of a page. In a passing conversation. In something remembered long after the day has ended. They remind us of what we share, even when we do not speak of it.

In a fast-paced world, such spaces offer something steady. They remind us that connection still exists in simple forms, that stories continue to travel without barriers, that meaning does not always need to be sought. Sometimes it appears quietly, in places we might overlook.

[1]Fifty rupees or USD 0.53

Gowher Bhat is a columnist, freelance journalist, beta reader, book reviewer, avid reader, and educator from Kashmir, and a published author of both fiction and nonfiction. He serves as a senior columnist for several local newspapers across the Kashmir Valley.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles