Categories
Musings

The Stars that Watch Us…

Narrtive and photographs by Sai Abhinay Penna

It begins before the city wakes up. At 4:47 AM, and I’m already lacing my shoes in the dark corner of the room. From here, the kettles glow is the only warmth. The streets outside are in the colour of old photographs — amber and grey. When I push open the door, the hush silence greets me with the way truth always does, without ceremony, without apology.

The streets around the beach are empty except for stray dogs, and the occasional tea vendor preparing his first mix of tea for the day. The air carries a sense of salt, and the sky above the ocean looks like an extremely carefully unfinished painting.

I begin my run the way I always do, slowly.

To run at these hours every day has become more of a private ritual. The world has not yet started asking for anything. Messages have not arrived, notifications are empty, and no one expects you to be anyone yet.

It is on these runs that the strange things happen, not strange as in unusual, but strange as in true.

For a brief stretch of time, you are simply a human body moving through space in a physical form. On mornings like this, I often look up to the sky and sometimes, something stranger happens. The stars appear closer than usual. Not physically closer, but perpetually, like distant observers leaning slightly forward, curious about what a single human like me might be doing running along a shoreline of a small rotating planet.

I imagine them watching me, not judging but just observing. The way we observe ants building a colony on the edge of a pavement.

There are roughly eight billion humans alive on Earth today. Each of us, convinced secretly that our lives matter in ways the universe must somehow acknowledge. Yet our species is only one among roughly ten million species to exist on Earth. From the view of a galaxy, we can assume that our home is just a small planet orbiting an ordinary star inside the Milky Way, which could contain around a hundred billion planets. Our galaxy is only one among approximately two trillion galaxies scattered across the observable universe.

Sometimes while running, I try to hold all of this in my mind at once, and when I do something peculiar happens. My problems shrink so quickly that they almost disappear.

Deadlines lose their urgency, career anxieties dissolve into footprints on the wet sand. Even ambition, the most powerful and core engine of the growing human life, suddenly feels like a small flame flickering in an unimaginably large room. Through my own eyes, I am the protagonist of a vast and sophisticated story. When I run, it feels as though the city recreates itself around my movement. My life as I experience it from inside is the whole universe.

From the perspective of nature, the calculation is clear — we are insignificant. Each of our lifetimes is roughly eighty years, which is barely one-thousandth of the time humanity has existed. Humanity itself occupies only about one-twenty thousandth of Earth’s history. The universe did not design itself around our arrival. And despite all of this, we wake up each morning with the strongest conviction that we must do something extraordinary with our lives.

Perhaps, human significance works the same way, one life alone may barely record the size of a rich cosmic history. One person writes a poem, another discovers a mathematical principle, and another teaches a child how to ask better questions. And yet another simply shows the value of kindness in a moment when cruelty would have been easier.

Each act is small, yet individually they look like waves dissolving into the sand one after the other. Because, across generations these small acts compounded into something larger. Our very civilisation itself is nothing more than a tiny speck in the ocean of time.

From kings to democracies, cars, airplanes, bulb, technology, computer, mobile, and now, AI — none of these appeared suddenly. They emerged slowly, through billions of lives adding to their tiny additions to our human existence. When viewed from far away, our universe doesn’t seem indifferent to this process. It almost appears curious about it as we are.

Halfway through my runs the horizon on my right begins to glow, the sun starts to rise slowly. The thing about sunrise is that it doesn’t appear all at once. To me, I see the sun negotiating with the darkness. At first, the sun didn’t brighten all at once. It’s ages into light like a slow burning ember. Then, the ocean begins to reflect the light like a sheet of moving glass. The universe rarely moves in spectacle. It is built in the dark silence while the particles lean into one another, matter learning structures, atoms organising into life, life learning to think, and thoughts becoming curiosity.

And curiosity, quietly yet stubbornly, pushes the boundaries of what existence understands of itself.

By the time my run ends, the city begins to wake up. Motorbikes hum along the road. Fishermen return to the docks with their captures. Old men on the corner of the road sit on benches while turning the pages of their newspaper and sipping their morning coffee. It feels like the universe has resumed its rhythm. By the end of my run, I realise that no star has acknowledged, or no galaxy shift has taken place because of anything I did this morning. And yet oddly enough, this realisation felt comforting rather than depressing. Because if no single life is of cosmic importance, then the weight of greatness fades.

What remains is truly simpler: to remain your tiny self ; to write a thought that might travel further than our existence; to raise a child who will see the world more clearly than we do, and to ask questions that makes the universe slightly more aware of itself.

In the eyes of nature, we may be unimaginably small. But perhaps, evolution has always worked this way — not through grand singular gestures, but through the billions of tiny lives, each briefly conscious, adding to their quiet momentum to the long unfolding story of our universe. And somewhere far beyond today’s morning sky, the stars might still be watching us.

Not because any of us matters individually, but because all of us together just might.

Sai Abhinay Penna is a professional cricketeer, investment banker and writer based out of Chennai.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Editorial

Yesterday, Today & Tomorrow…

Art by Sohana Manzoor

In a world torn by conflict, why would one mention hope or compassion? In an age of dystopian scenarios, why would we dream of utopias?

Perhaps it’s wishful musings, but at some level what people need to survive is probably something to look forward to — a speck of light — a wishful idea called hope. Hope builds resilience. Utopias are built on hope, on love and compassion. Dystopias are built on desperation and despair. They take fear or horror to the extreme and play on people’s vulnerabilities. They might induce a cathartic effect and one might say— we are better off as we are in the present or we must act so that this never happens. Is that something we can really say in a world where wars are disrupting peace and lives of all humanity, where violence against civilians is becoming an accepted norm, where shortages could also be a reality for most of us? Utopias, on the other hand, build on the element of an ideal, a dream towards which we can move on the bleakest day of our existence. They could be used to stir hope and envision a reality devoid of violence. And perhaps, some of it would congeal into a real-world scenario with smaller doses of the bad and ugly.  In a conflict-ridden world, which almost feels like a reenactment of George Orwell’s 1984 (only about four and a half decades after his predicted date) what would touch your heart, give you a sense of relief— hope for a better future or dwelling on doomsday predictions? What would you want for your progeny?

Just before the pandemic changed our lives, a book was published where while questing for their own utopia, a group of young people became part of a dystopian reality. They were known as the ULFA rebels[1] and their story was told in Bulletproof: A Journalist’s Notebook on Reporting Conflict by Teresa Rehman. The current relevance of this book cannot be undermined because not only does it humanise the insurgents perspective, but it also shows how a centrist set up can neglect the needs of particular fringe communities. In addition, Rehman’s heartrending stories of poachers and people who live unaccepted in the margins only strengthen the need for an unboxed world where tolerance and compassion would transcend these artificially created fences that divide and lead to violence. This issue features Rehman’s book and an online discussion with her which stretches beyond the confines of pages.

Suggesting the same need to make sense in a world torn by violence and conflict is Snigdha Agrawal’s poem, ‘Inflation of Memory’.

Yesterday…
Life seemed well-orchestrated…

Today…
In an astonishing volte-face,
Markets are down.
People are finding it hard
to make both ends meet…


Tomorrow…
Perhaps we’ll download hope in an update…
And we’ll stand in queues again,
this time for optimism…

In our poetry section, we have variety with writings from across the world with Luis Cuauhtémoc Berriozábal, A Jessie Michael, Brenton Booth, Momina Raza, Pete Peterson, Mitra Samal, Ron Pickett, Anjana Vipin Edakkunny, John Swain, Prithvijeet Sinha and Md Mujib Ullah. Ryan Quinn Flanagan brings art into play in his poem.  Keith Lyons has surprised us – not with non-fiction — but with a flavourful poem on autumn in New Zealand, which is about now. And Rhys Hughes has amazing poems which through humour make us reimagine effusions on flowers and ghosts in socks!

We have more poetry in our translations, some sombre and some funny. A Bengali poem written as a tribute by Nazrul on the death of his older friend, Rabindranath Tagore, has been rendered into English by Professor Fakrul Alam. To add a lighter touch, we have translated a fun-filled poem by Tagore. Isa Kamari continues to translate his own Malay poems to bring in flavours of the culture. This time his poems seem to urge a need to transcend age-old stratifications. We also have a Balochi human-interest story by Younus Hussain brought to us in English by Fazal Baloch.

Hughes’ column too has fiction. His humorous and absurdist fables continue to urge re-evaluation of the world as well as genres. We also have a poignant narrative built around a Vietnamese migrant family by Mario Fenech. Sayan Sarkar shares a tale upending norms set in Kolkata while Naramsetti Umamaheswararao narrates a story about a young boy overcoming his fears. Abhik Ganguly gives us a strange fiction set in the future in a different galaxy, where Earth is seen as the original planet of human evolution.

C Christine Fair, who is an established translator, has surprised us — like Lyons — this time with a personal memoir which dwells on the deeply annihilating impact of norms that define gender roles. Upending the idea of an immutable ruler who can overpower us, is an essay by Ravi Varmman K Kanniappan with its roots in the ruins Rameses II — known as Ozymandias too — and Shelley’s poem of the same name.

We have had an overflow of writing about the unusual and redefining norms in our non-fiction section. Odbayar Dorj weaves an unusual narrative and shares photographs from a village of scarecrows in Japan that has a population of 27 humans and 370 scarecrows. She tells us: “In a place where people and scarecrows live side by side, I began to understand something simple but profound: sometimes, when human presence fades, we find our own ways to fill the silence with memories, imagination, and love.” Humanity never ceases to hope. Filling in silences are narratives by Arathi Devandran and Mubida Rohman on how they deal with the quietness left by departed loved ones.

We have more from Meredith Stephens with photographs by Alan Noble on their trip to Vietnam — as they travel to places that are less touristy while Gowher Bhat explores the Sunday Book Bazaar at Old Delhi. Farouk Gulsara travels back to Penang where he spent his childhood and reflects on changes. Are they always for the best?

Suzanne Kamata takes up changes with a soupçon of humour as she writes of how the AI finally conceded to her husband, “Your wife is not wrong…” while Jun A. Alindogan writes of how social media can create mayhem if misused to spread fake news. Devraj Singh Kalsi resorts to sardonic humour of a darker hue as he explores ways to make a living.

Gulsara has also explored Sam Dalrymple’s Shattered Lands: Five Partitions and the Making of Modern Asia which starts with the extent of the British Empire with its western-most point at Aden and stretching in the east to Burma. There was a period from 1839 to 1867, when it stretched from Aden to Singapore[2], which was a part of Malaya, leaving out Siam or Thailand which never succumbed to colonial rule. The book starts at a later date — 1928 — and talks of the piecing of the British Empire, with questionable stances taken by historically heroic figures, thus urging a critical relook at our own past — just over the last hundred years.

We run excerpts from Nirmala Thomas’s Snowed Under, translated from Malayalam by Radhika P Menon, a poignant story about battling cancer, and Nikhil Kulkarni’s My Summer of Cricket: Three Tests, One Fan and Decades of Stories.

Our reviews include Rakhi Dalal’s take on Maithreyi Karnoor’s rather unusual stories from Gooday Nagar. Bhaskar Parichha has wandered back to non-fiction with the late Kaukub Talat Quder Sajjad Ali Meerza’s Wajid Ali Shah: A Cultural and Literary Legacy, translated from Urdu by Talat Fatima, a history that makes us reassess views on the last of the Awadhi nawabs. Somdatta Mandal has also shares a discussion on Sushila Takbhaure’s My Shackled Life, translated from Hindi by Deeba Zafir and Preeti Dewan, a narrative that showcases the resilience of the author.

This issue could not have been put together without all our wonderful contributors. Heartfelt thanks for sharing your gems with us. Huge thanks to the Borderless team too who continue to support bringing in variety, colour and reinforcing our values. Much thanks to Sohana Manzoor for the fabulous cover art and to all those who share vibrant visuals with their writing. Many thanks to our readers too who make our efforts worthwhile. Do write in with your comments.

Look forward to greeting you all again next month!

Mitali Chakravarty,

borderlessjournal.com

[1] United Liberation Front of Asom

[2] Aden was brought under the British Raj in 1839 as part of Bombay Presidency. Singapore was part of the Bengal Presidency from 1830-1867.

CLICK HERE TO ACCESS THE CONTENTS FOR THE MAY 2026 ISSUE

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Categories
Editorial

Is Sky the Limit?

Sometimes, we have an idea, a thought and then it takes form and becomes a reality. That is how the Borderless Journal came to be six years ago while the pandemic raged. The pandemic got over and takeovers and wars started. We continued to exist because all of you continue to pitch in, ignoring the differences created by certain human constructs. We meet with the commonality of felt emotions and aesthetics to create a space for all those who believe in looking beyond margins. We try to erase margins or borders that lead to hatred, anger, violence and war. Learning from the natural world, we believe we can be like the colours of the rainbow that seem to grow out of each other or the grass that is allowed to grow freely beyond manmade borders. If nature gives us lessons through its processes, is it not to our advantage to conserve what nurtures us, and in the process, we save our home planet, the Earth? We could all be together in peace, enjoying nature and nurture, living in harmony in the Universe if only we could overlook differences and revel in similarities.

A young poet Nma Dhahir says it all in her poem that is a part of our journal this month —

This is how we stay human together:
by refusing the easy damage, by carrying each other
without calling it sacrifice,
by believing that what we protect in one another
eventually protects the world.

--'How We Stay’ by Nma Dhahir

In our poetry section, we have Ron Pickett suggesting peace and love with his poem on three doves on a roof and Snigdha Agrawal hinting at a future Earth. We have heartfelt poetry weaving in the colours of life with Jared Carter, Tim Tomlinson, Mohul Bhowmick, Laila Brahmbhatt, George Freek, Lana Hechtman Ayers, Pramod Rastogi, John Grey, Edward Reilly, Luis Cuauhtémoc Berriozábal, Snehaprava Das, SR Inciardi and Ryan Quinn Flanagan while Rhys Hughes weaves in humour.

Translations has more poetry with Professor Fakrul Alam bringing us Nazrul’s Bengali lyrics in English and Fazal Baloch familiarising us with beautiful Balochi poetry of the late Majeed Ajez, a young poet who left us too soon. Isa Kamari translates his own poems from Malay, capturing the colours of the community in Singapore to blend it with a larger whole. And of course, we have a Tagore poem rendered into English from Bengali. This time it’s a poem called ‘Jatra (Journey)’ which reflects not only on social gaps but also on politics through aeons.

Christine C Fair has translated a story from Punjabi by Lakhvinder Virk, a story that reflects resilience in women who face the dark end of social trends, a theme that reverberates in Flanagan’s poetry and Meenakshi Malhotra’s essay, which while reflecting on the need of different perspectives in histories – like water and nomads — peeks into the need to recall women’s history aswell. This is important not just because March hosts the International Women’s Day (IWD) but because one wonders if women in Afghanistan are better off now than the suffragettes who initiated the idea of such a day more than a century ago?

This time our non-fiction froths over with scrumptious writings from across continents. Tamara-Lee Brereton-Karabetsos muses on looking at numbers and beyond to enjoy the essence of nature. Farouk Gulsara ideates about living on in posterity through deeds and ideas. Gower Bhat shares how he learns story writing skills from watching movies. Meredith Stephens talks of her experience of a fire in the Australian summer. Bhaskar Parichha writes with passion about his region, Odisha. We have a heartfelt tribute to Mark Tully, who transcended borders, from Bhowmick. And an essay on Arundhati Roy’s memoir, Mother Mary Comes to Me, from Somdatta Mandal, which explores not just the book but also the covers which change with continents. Prithvijeet Sinha travels beyond Lucknow and Suzanne Kamata brings to us stories about her trip to Phnom Penh.

Keith Lyons draws from the current crises and writes about changing times, suggesting: “Changes aren’t endings, but thresholds.” Perhaps, if we see them as ‘thresholds of change’, the current events are emphasising the need to accept that human constructs can be redefined. I am sure a Neolithic or an Australopithecus would have been equally scared of evolving out of their system to one we would deem ‘superior’. Life in certain ways can only evolve towards the future, even if currently certain changes seem to be retrogressive. We can never correctly predict the future… but can only imagine it. And Devraj Singh Kalsi imagines it with a dollop of humour where tails become a trend among humans again!

Humour and absurdity are woven into a series of short fables by Hughes while Naramsetti Umamaheswarao weaves a fable around acceptance of differences. In fiction, we have stories of resilience from Jonathon B Ferrini and Terry Sanville. Bhat gives us a story set in Kashmir and Sohana Manzoor gives us one set in Dhaka, a narrative that reminds one of Jane Austen… and perhaps even an abbreviated version of the 2001 film, Monsoon Wedding.

In reviews we have, Mohammad Asim Siddiqui discussing Anisur Rahman’s The Essential Ghalib. Rituparna Khan has written on Malashri Lal’s poetry collection reflecting on women, Signing in the Air. And Bhaskar Parichha has reviewed Deepta Roy Chakraverti’s Daktarin Jamini Sen: The Life of British India’s First Woman Doctor, a book that reflects on the resilience that makes great women. Thus, weaving in flavours of the IWD, which applauds women who are resilient while urging humans for equal rights for one half of the world population.

Book excerpts host Kailash Satyarthi’s Karuna: The Power of Compassion and Aruna Chakravarti’s Creeping Shadows: 13 Ghost Stories. We are also running a feature on the latter collection with Chakravarti telling us why she switched from historical fiction to ghost stories. The interesting thing is many of her ghouls are embedded in histories where they suffered violences, which leads us to the bigger question, can human suffering dehumanise us? Should it?

While we ponder on larger realities, Borderless Journal looks forward to a future with more writings centred around humanity, climate change, our planet and all creatures great and small. This year has not only seen a rise in readership and contributors — and the numbers rose further after our unsolicited Duotrope listing in October 2025 — but has also attracted writers from more challenged parts of the world, like Ukraine, Iran, Tunisia and Kurdistan. We are delighted to home writing from all those who attempt to transcend borders and be a part of the larger race of humanity. I would like to quote Margaret Atwood to explain what I mean. “I hope that people will finally come to realize that there is only one ‘race’—the human race—and that we are all members of it.” And I would like to extend her view to find solidarity with all living beings. I hope that there will be a point in time when we will realise there’s not much difference between, a lizard, a fly, a human or a tree… All these lifeforms are necessary for our existence.

I would want to hugely thank all our team for stretching out and making this a special issue for our sixth anniversary and Manzoor for her fabulous artwork. Huge thanks to all our contributors and readers for being with us through our journey. Let’s change the world with peace, love and friendship!

Looking forward to the future.

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE MARCH 2026 ISSUE.

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Categories
Slices from Life

From the Land of a Thousand Temples

By Farouk Gulsara

“Which part of India did your people come from?” asked the Tamil tour guide during our last trip to Chennai. 

“I know my forefathers came from Tamil Nadu, but, sorry can’t tell you which part of Tamil Nadu or village they came from,” I told him in Tamil. “I am a third generation Malaysian Indian. We lost touch with all the relatives back home.”

“Your Tamil is very good for someone out of this country. Judging from way you speak, you could pass off for someone from Thanjavur!” he went on. 

“People from Malaysia have mostly left their original accent and have developed new ones with Malay and Chinese words in theirs, so you cannot pigeonhole them to any region in India anymore.” I replied.

In a philosophical tone, he paused, then said, “I am here in Chennai, and you are there in Malaysia, and the only thing that connects us is the Tamil language.” 

Of course, there is the DNA that unites us, but the bond that draws us to India is independent of the language spoken or written. 

Our little conversation reminded me of the 1980s music video ‘Down Under’  by the Australian rock band, Men at Work. In that scene, the singer goes around the world, and everyone recognises him with his characteristic Aussie mannerisms. “Do you come from a land Down Under?” is their first response. 

My grandparents and parents believed that, despite moving away from their homeland due to increasingly hostile living conditions, it was necessary to pass down their culture and language. Perhaps it was the only language they knew. They did not turn their backs on Tamil Nadu, nor let their offspring immerse themselves solely in the local culture. They had no anger towards their country. They did not turn their backs on her. They understood their motherland was going through difficult times and that tides would eventually change. Maybe they thought that one day their descendants would return and boast about how their princes of the soil had succeeded in a distant land, even while still holding onto their ancestral roots – the mother tongue. 

It looks like the sun has risen, and the country has awakened from her long slumber, continuing to pursue what she stopped in her glorious past. Even her children, who have spread across all corners of the Earth, have made her proud. 

For the rest of my trip, I conversed in Tamil, checked into a four-star hotel, and even conducted transactions at a bank counter. At first glance, I am sure they could tell I was not local, with liberal use of the word ‘lah[1]  in my sentences and the distinctive sing-song manner Malaysians use when speaking Tamil, it seems. The Malaysians are also described as extremely courteous, unlike the locals there.

[1] Lah is a phrase used by Malaysians and Singaporeans in local parlance

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Farouk Gulsara is a daytime healer and a writer by night. After developing his left side of his brain almost half his lifetime, this johnny-come-lately decided to stimulate the non-dominant part of his remaining half. An author of two non-fiction books, Inside the twisted mind of Rifle Range Boy and Real Lessons from Reel Life, he writes regularly in his blog, Rifle Range Boy.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Review

‘…Water is achromatic and otherwise called life…’

Book Review by Pradip Mondal

Title: Selected Poems

Author: Kiriti Sengupta

Publisher: Transcendent Zero Press (Texas)

Sir Philip Sidney, in his An Apology for Poetry, argues that the primary purpose of poetry is to “teach” and “delight”. Kiriti’s Sengupta’s Selected Poems serves both purposes though the poems do not preach at any point but leave the readers mulling over the ideas with the play of words. The book contains more than 125 poems, selected by Dustin Pickering, a writer and the founding editor of Transcedent Zero Press. The content covers an eclectic range of subjects—from personal musings to ecology, memory to myths and more — mostly republications from his earlier collections and some from journals.

An award-winning poet, publisher, editor, translator and critic, Sengupta believes himself twice-born as he states in his poem of the same name — ‘Twice Born’, written specially for this collection.  He has embraced the calling of a poet, forsaking the lucrative profession of a doctor. It’s not that he doesn’t vacillate: “The ink has dried on the paper; the pot can’t be refilled with scribbles. Do I now surrender my pen?” But poetry is his vocation; it would sound ludicrous if someone could ask a noted poet, “What if you weren’t a poet?”(“Intrinsic’)

There is a sense of flow in the poems despite his stylistic terseness. Water permeates his poetry. The poet believes: “…water is achromatic and otherwise called life.” As the poet is a deep observer of nature and its surroundings, he observes that water carries out its own duty: “Water has no call, no décor either; it floats the bone and/ the ash free.” In ‘Evening in Varanasi’, the poet assigns the water of the Ganges with exceptional qualities: “The water here is not/a fire extinguisher. /Flames rise through the water.” He connects the water to the Sun: “O Sun, I remember/I’ve bathed your feet/with the water of the Ganges”. ‘River of Tears and Mother’ airs the deep concern about the recalcitrance of those who ignore ecological issues: “Ganga has her stories to tell;/wish she had someone to listen to her.”

Ecological strains seep through Sengupta’s poems. In ‘The Pillars of Soil’, he draws a fine connection between human beings and trees through the image of the roots. The poet invokes a supreme spirit: “the world would need another maestro/who could sing for the seasoned flesh—/those who walked the earth—/whose roots ran deep into the ground”. In ‘Hibiscus’, he evocatively draws a curious connection between the colour of hibiscus flower and human blood: “…I’ll bloom/like a hibiscus:/the blush will endorse/my bloodline.” The epigraph of the poem, translated by Sengupta from a poem by the noted ‘rebellious’ Bengali poet, Sukanta Bhattacharya, re-enforces his stance.  

Concern for extreme air pollution in cities yields sardonic poetry: “Nature made the nasal frame fragile. /How do they breathe the vain air?” He also highlights pollution caused by plastics: “The earth has grown plastic. Water takes eons to seep”.

Some of Sengupta’s poems convey a sense of domesticity. “Clarity”deals with gastronomy as the poet succinctly invites the reader to succor ghee with all their five senses. In this piece, the poet reminisces about the aroma of ghee that his mother used to prepare. The poet here compares his mother’s organic ghee with his organic memory: “So organic is my memory—/the granular residue lifted us to heaven. /Ah! Pious Ghee, and incorrigible.”

In poems such as ‘Experience Personified’, the poet records his experience of the commonplace things: “Tiny droplets envelop my feet/and permeate the toes. /I don’t call it a feeling, I will name it/my experience”. It reminds a me of lines by Tagore: “But I haven’t beholden/what lies two steps away from my home/on a blade of paddy grain, a dazzling drop of dew”. Sengupta also doesn’t shy away from the recent happenings in India. In ‘The Untold Saga’, the poet recalls the abominable “Nirbhaya episode” and rues that, unlike Durga, Nirbhaya could not create an epic due to her untimely death.

The poet turns metaphysical – almost like John Donne[1]— when he asserts, “I now look beyond the flesh, bone and keratin, /I’ve been told/the finer body dwells undressed.” Though most of the poems are contemplative, the book offers some light-hearted ones too: “To my complete bewilderment, if the ghost appears, I’ve decided to offer it a chair first, and then I’ll plead, ‘Take a seat and relax! Let us share our stories.’” In ‘Gravity’, the poet offers a lighter note for the turbulence caused in the aircraft due to the inclement weather. He gives solace to his terrified son: “Relax, Bumps help us/ realize the earth.” In a haiku, punning on the word ‘wisdom’, the poet realises that it’s a test of a surgeon’s wisdom to pluck out a wisdom tooth (biologically called ‘the third molar’) of a patient.

Sengupta’s Selected Poems is a fabulous collection. These poems are like chosen seeds that contain intrinsic vigour to sprout through the age-old concrete floor, giving a message of hope in the face of all odds. Sengupta’s penetrating observations, coupled with his poetic prowess, can be vividly experienced by delving into the rich treasures hidden in between the covers.

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[1] John Donne (1572-1631), Metaphysical poet

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Pradip Mondal teaches at L. B. S. Govt. P. G. College Halduchaur, Nainital (India). He has been published in journals like Suburban Witchcraft (Serbia), Muse India (India), and Indi@logs (Spain).

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Storms that Rage

Storm in purple by Arina Tcherem. From Public Domain

If we take a look at our civilisation, there are multiple kinds of storms that threaten to annihilate our way of life and our own existence as we know it. The Earth and the human world face twin threats presented by climate change and wars. While on screen, we watch Gaza and Ukraine being sharded out of life by human-made conflicts over constructs made by our own ‘civilisations’, we also see many of the cities and humankind ravaged by floods, fires, rising sea levels and global warming. Along with that come divides created by economics and technology. Many of these themes reverberate in this month’s issue.

From South Australia, Meredith Stephens writes of marine life dying due to algal growth caused by rising water temperatures in the oceans — impact of global warming. She has even seen a dead dolphin and a variety of fishes swept up on the beach, victims of the toxins that make the ocean unfriendly for current marine life. One wonders how much we will be impacted by such changes! And then there is technology and the chatbot taking over normal human interactions as described by Farouk Gulsara. Is that good for us? If we perhaps stop letting technology take over lives as Gulsara and Jun A. Alindogan have contended, it might help us interact to find indigenous solutions, which could impact the larger framework of our planet. Alindogan has also pointed out the technological divide in Philippines, where some areas get intermittent or no electricity. And that is a truth worldwide — lack of basic resources and this technological divide.

On the affluent side of such divides are moving to a new planet, discussions on immortality — Amortals[1] by Harari’s definition, life and death by euthanasia. Ratnottama Sengupta brings to us a discussion on death by choice — a privilege of the wealthy who pay to die painlessly. The discussion on whether people can afford to live or die by choice lies on the side of the divide where basic needs are not an issue, where homes have not been destroyed by bombs and where starvation is a myth, where climate change is not wrecking villages with cloudbursts.  In Kashmir, we can find a world where many issues exist and violences are a way of life. In the midst of such darkness, a bit of kindness and more human interactions as described by Gower Bhat in ‘The Man from Pulwama’ goes some way in alleviating suffering. Perhaps, we can take a page of the life of such a man. In the middle of all the raging storms, Devraj Singh Kalsi brings in a bit of humour or rather irony with his strange piece on his penchant for syrups, a little island removed from conflicts which seem to rage through this edition though it does raise concerns that affect our well-being.

The focus of our essays pause on women writers too. Meenakshi Malhotra ponders on Manottama (1868), the first woman-authored novel in Bengali translated by Somdatta Mandal whereas Bhaskar Parichha writes on the first feminist Odia poet, Bidyut Prabha Devi.

Parichha has also reviewed a book by another contemporary Odia woman author, Snehaprava Das. The collection of short stories is called Keep it Secret. Madhuri Kankipati has discussed O Jungio’s The Kite of Farewells: Stories from Nagaland and Somdatta Mandal has written about Chhimi Tenduf-La’s A Hiding to Nothing, a novel by a global Tibetan living in Sri Lanka with the narrative between various countries. We have an interview with a global nomad too, Neeman Sobhan, who finds words help her override borders. In her musing on Ostia Antica, a historic seaside outside Rome, Sobhan mentions how the town was abandoned because of the onset of anopheles mosquitos. Will our cities also get impacted in similar ways because of the onset of global ravages induced by climate change? This musing can be found as a book excerpt from Abiding City: Ruminations from Rome, her book on her life as a global nomad. The other book excerpt is by a well-known writer who has also lived far from where he was born, MA Aldrich. His book, From Rasa to Lhasa: The Sacred Center of the Mandala is said to be “A sweeping, magnificent biography—which combines historical research, travel-writing and discussion of religion and everyday culture—Old Lhasa is the most comprehensive account of the fabled city ever written in English.”

With that, we come to our fiction section. This time we truly have stories from around the globe with Suzanne Kamata sending a story set in the Bon festival that’s being celebrated in Japan this week for her column. From there, we move to Taiwan with C. J. Anderson-Wu’s narrative reflecting disappearances during the White Terror (1947-1987), a frightening period for people stretched across almost four decades.  Gigi Gosnell writes of the horrific abuse faced by a young Filipino girl as the mother works as a domestic helper in Dubai. Paul Mirabile gives us a cross-cultural narrative about a British who opts to become a dervish. While Hema R touches on women’s issues from within India, Sahitya Akademi Award Winner, Naramsetti Umamaheshwararao, writes a story about children.

We have a powerful Punjabi story by Ajit Cour translated by C.Christine Fair. Our translations host two contemporary poets who have rendered their own poems to English: Angshuman Kar, from Bengali and Ihlwha Choi, from Korean. Snehaprava Das has brought to us poetry from Odia by Aparna Mohanty. Fazal Baloch has translated ‘The Scarecrow’, a powerful Balochi poem by Anwar Sahib Khan. While Tagore’s Shaishabshandha (Childhood’s Dusk) has been rendered to English, Nazrul’s song questing for hope across ages has been brought to us by Professor Fakrul Alam.

Professor Alam has surprised us with his own poem too this time. In August’s poetry selection, Ron Pickett again addresses issues around climate change as does Meetu Mishra about rising temperatures. We have variety and colour brought in by George Freek, Heath Brougher, Laila Brahmbhatt, Luis Cuauhtémoc Berriozábal, Snigdha Agrawal, William Miller, Ashok Suri, Scott Thomas Outlar, Dustin P Brown, and Ryan Quinn Flanagan. Rajorshi Patranabis weaves Wiccan lore of light and dark, death and life into his delicately poised poetry. Rhys Hughes has also dwelt on life and death in this issue. He has shared poems on Wales, where he grew up— beautiful gentle lines.

 In spring warm rain will crack
the seeds of life: tangled
roots will grow free again.

('Tinkinswood Burial Chamber' by Rhys Hughes)

With such hope growing out of a neolithic burial chamber, maybe there is hope for life to survive despite all the bleakness we see around us. Maybe, with a touch of magic and a sprinkle of realism – our sense of hope, faith and our ability to adapt to changes, we will survive for yet another millennia.

We wind up our content for the August issue with the eternal bait for our species — hope. Huge thanks to the fantastic team at Borderless and to all our wonderful writers. Truly grateful to Sohana Manzoor for her artwork and many thanks to all our wonderful readers for their time…

We wish you all a wonderful reading experience!

Gratefully,

Mitali Chakravarty.

borderlessjournal.com

[1] Homo Deus: A Brief History of Tomorrow (2015) by Yuval Noah Harari

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Click  here to access the contents for the August 2025 Issue

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Review

An Insider’s Perspective on Climate Science

Book Review by Bhaskar Parichha

Title: A Billion Butterflies: A Life in Climate and Chaos Theory 

Author: Jagadish Shukla 

Publisher: Pan Macmillan India

This is a fascinating autobiography – autobiography of an Indian who revolutionised monsoon forecasting. Raised in a rural area of India devoid of electricity, plumbing, or formal educational institutions, he participated in classes conducted within a cow shed. Shukla’s upbringing was marked by erratic weather patterns, including intense monsoons and severe droughts, which resulted in unpredictable agricultural yields. His resolve led him to the Indian Institute of Tropical Meteorology, despite having limited experience. Subsequently, he embarked on an unexpected journey to MIT and Princeton, reaching the pinnacle of climate science.

His contributions have made it possible to forecast weather further into the future than was previously deemed achievable, enabling us to nourish more individuals, preserve lives, and maintain hope in an increasingly warming world.

A Billion Butterflies by Shukla offers a remarkable insider’s perspective on climate science, alongside an extraordinary memoir of his life. Grasping the concept of dynamical seasonal prediction will transform our experience of thunderstorms and our interpretation of forecasts; the incredible narrative of the individual who uncovered this will alter our perception of the world.

The fundamental concept of this heartfelt narrative revolves around envisioning a world devoid of weather forecasting. How would we determine when to evacuate populations in anticipation of fires or floods, or decide what attire to don the following day? Until four decades ago, we were unable to predict weather conditions beyond a ten-day horizon.

Writes Shukla in the Prologue: “In the past one hundred fifty years, humans chopped down many of Earth’s carbon-sucking forests and began burning fossil fuels to heat their homes, power their factories, and propel their vehicles, releasing unprecedented amounts of CO2, into the atmosphere. Like the glass walls of a greenhouse, CO2, admits energy from the sun but prohibits energy from leaving the Earth. And so pretty quickly, our nicely balanced climate became imbalanced. In the century, as the amount of CO2, in the atmosphere has increased, Earth’s global mean surface temperature has ticked up from 14 to 15 degrees Celsius.

“This is called climate change. Climate change due to human activities is now firmly established by the observed facts and the laws of physics. The consequences of the phenomenon are becoming self-evident, but so are, I’d argue, the capabilities of the new generation of scientists to find a way forward.”

Shukla says in the book, on average, the Earth expels approximately 122,000 trillion watts of energy into space annually, which is roughly equivalent to the energy it receives from the sun. This equilibrium between outgoing and incoming energy is what establishes the average climate on our planet. For nearly ten millennia, the balance between incoming and outgoing energies was so well maintained that the global annual average temperature remained a comfortable 14 degrees Celsius, allowing life to persist and humanity to flourish.
On Venus, this equilibrium results in an annual average temperature of 464 degrees Celsius. This is not unexpected, considering Venus’s proximity to the sun. However, there is another significant factor, aside from the energy a planet receives from the sun that affects climate: the chemical composition of its atmosphere. On Venus, carbon dioxide constitutes 95 percent of the atmosphere. In contrast, Earth’s atmosphere contains approximately 0.04 percent carbon dioxide—or at least, it did.

The book is meticulously crafted and filled with complex details about climate events, representing a significant effort that the author labels as chaos theory. Its importance is evident in a world facing the pressing challenge of addressing the devastating impacts of climate change.

For anyone who cares about the health of our planet, this book is a must-read.

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Bhaskar Parichha is a journalist and author of Cyclones in Odisha: Landfall, Wreckage and ResilienceUnbiasedNo Strings Attached: Writings on Odisha and Biju Patnaik – A Political Biography. He lives in Bhubaneswar and writes bilingually. Besides writing for newspapers, he also reviews books on various media platforms.

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Categories
Slices from Life

From Cape Canaveral to Carnarvon

Narrative by Meredith Stephens & photographs by Alan Noble

The Prime Meridian Line.

Whenever we visit another city, Alex and I always head straight for a science or maritime museum. When we spent a day in London several years ago, Alex insisted that we visit the National Maritime Museum in Greenwich, and then the Royal Observatory. The highlight of the latter was John Harrison’s marine timekeepers, which made the calculation of longitude at sea possible, therefore making navigation safer. A fun part of visiting the Observatory was standing on either side of the Prime Meridian Line, which defines zero longitude and divides the eastern and western hemispheres of the earth. If you are facing north, the person on the left is in the western hemisphere, and the person to the right is in the eastern hemisphere. We had to queue behind other couples to stand either side of the line. The couple in front of us were taking an inordinate amount of time to have their photo taken here, from which global time is calculated.

“Time’s up!” quipped someone behind us.

“What’s time?” came a philosophical comment from someone else.

The quick banter between strangers is one of the many reasons why I love visiting London.

During our short stay we devoted hardly any time to visiting any other tourist sites. The changing of the guard at Buckingham Palace held little allure. After visiting the Royal Observatory, we strolled past the historic British clipper ship “Cutty Sark” and then caught a ferry back from Greenwich to Central London. We briefly hopped off to see the Houses of Parliament, but after having visited the Royal Observatory Alex’s curiosity was sated.

Fast forward to March 2025 and we found ourselves in a remote town in Western Australia called Carnarvon. The first attraction Alex wanted to visit was the Carnarvon Space and Technology Museum. Carnarvon has a little-known relationship to Cape Canaveral in Florida. Many people have heard of Cape Canaveral and its rocket launching site, but who has heard of the not dissimilar-sounding town of Carnarvon?

Unlike the grand public museums in Western Australia, this one is self-funded and run by volunteers. NASA established a tracking station at Carnarvon in 1964, which played a critical role for both the Gemini and Apollo programs. Carnarvon was strategically located as the most distantly located site on the earth diametrically opposite from Cape Canaveral, providing the ability to track spacecraft over the Indian Ocean that were out of range from Cape Canaveral. The most famous launch was Apollo 11 in July 1969, which achieved humanity’s dream of landing humans on the Moon and safely returning them to Earth.

This museum was different from public museums in that when we visited it was managed by a grey nomad couple from the east coast. (“grey nomad” is an Aussie term for retirees who embark on an extended period of travel around the country, usually in a caravan.) A resident cat curled himself into a ball proudly on the reception desk. It was the only museum we visited in Western Australia that required a fee to enter. The first experience we sought was to hop in the replica of the Apollo capsule to get a feel for the astronauts during the July 1969 launch. I was worried about a panic attack coming on in a confined space but the manager assured me that he would open the door to let me out at any time if I felt uncomfortable. We lay down with the lower half of our bodies propped up on a platform in what we hoped was an astronaut launching posture, while footage from the 1969 launch played out on the screen in front of us. Countdown on the screen was followed by lift-off. Not only did I not have a panic attack, it felt exhilarating to be transported to Cape Canaveral in 1969. Having watched this on black and white television when we were in primary school, it was all the more meaningful to watch it as adults. After touring the rest of the museum, we returned to the Apollo capsule to experience it a second time, like the space nerds we were.

We braced ourselves to face the oppressive heat as we headed outside to view the original satellite dish. Rather than languishing as ancient technology the dish has been leased to an overseas company who were upgrading it to track satellites orbiting Earth.

After viewing numerous 1960s space memorabilia, such as a replica of a Gemini capsule, which had preceded the Apollo series of capsules, and a life-sized replica of the lunar lander module, we bought some tourist T-shirts, chatted with the manager couple, and bade farewell to the resident cat. This was the most thrilling of the magnificent museums we visited in Western Australia. Thanks to Alex, we had a bias to visit maritime museums, including The WA Maritime Museum in Fremantle, The Museum of Geraldton, and The WA Shipwrecks Museum. They provided rich accounts of the many arrivals from distant lands to the west Australian shores since Dutchman Dirk Hartog’s nearby landing at Shark Bay in 1616. All visits were immensely educational and informative, but somehow the less glamorous Carnarvon Space and Technology Museum stood out. Unlike the public museums, it was somewhat ramshackle, but this was more than made up for in terms of authenticity and charm. Who would have thought that this outpost in regional Western Australia that even many Australians have not heard of, could have played such a pivotal role in the tracking of Apollo 11? This museum enjoys none of the fame of the Royal Observatory in Greenwich, but the role it played in history is just as moving.

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Meredith Stephens is an applied linguist from South Australia. Her recent work has appeared in Syncopation Literary Journal, Continue the Voice, Micking Owl Roost blog, The Font – A Literary Journal for Language Teachers, and Mind, Brain & Education Think Tank. In 2024, her story Safari was chosen as the Editor’s Choice for the June edition of All Your Stories.

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Categories
Poetry

Poetry by Allan Lake

Allan Lake
ON EARTH

Such a nice, perhaps one-of-a-kind, planet.
Spacious. Water, oxygen, fertile earth.
Let’s simply name it after what it is.
Look at that waterfall, taste it, take a cold
shower. You wouldn’t want to be anyone
or anywhere else. Build shelter, pick fruit,
grow food then share it with neighbours,
invent language so you can compete with
birds that make poems and songs to express
the wonder of it all and praise Mother Nature
and their luck for having survived arrival.
You have never seen anywhere else except
this generous plain but, surely, this must be
a paradise without one flaw.

Allan Lake, originally from Canada, has lived in Saskatoon, Cape Breton Island, Ibiza, Tasmania, and Melbourne, Australia. His latest chapbook of poems, My Photos of Sicily, was published by Ginninderra Press. Such journals as The Hong Kong Review, Tokyo Poetry Journal, New Philosopher and The Fabians Review have published his poems.  

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Categories
Contents

Borderless, May 2025

Art by Sohana Manzoor

Editorial

“Imagine all the people/ Living life in peace”… Click here to read.

Translations

The Day of Annihilation, an essay on climate change by Kazi Nazrul Islam, has been translated from Bengali by Radha Chakravarty. Click here to read.

Arise O Woman and Two Flowers on One Leafstalk, lyrics by Nazrul, have been translated from Bengali by Professor Fakrul Alam. Click here to read.

Five poems by Bipin Nayak have been translated from Odia by Snehaprava Das. Click here to read.

Identity by Munir Momin has been translated from Balochi by Fazal Baloch. Click here to read.

Among Strangers, a poem by Ihlwha Choi  has been translated from Korean by the poet himself. Click here to read.

Asha or Hope by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Ryan Quinn Flangan, Jim Bellamy, Snehprava Das, George Freek, Niranjan Aditya, Christine Belandres, Ajeeti S, Ron Pickett, Kajoli Krishnan, Stuart McFarlane, Snigdha Agrawal, Arthur Neong, Elizabeth Anne Pereira, Rhys Hughes

Poets, Poetry & Rhys Hughes

In Did He Ever?, Rhys Hughes gives fun-filled verses on Lafcadio Hearn, a bridge between the East and West from more than a hundred years ago. Click here to read.

Musings/ Slices from Life

Will Dire Wolves Stalk Streets?

Farouk Gulsara writes of genetic engineering. Click here to read.

The Boy at the Albany Bus Stop

Meredith Stephens dwells on the commonality of human emotions. Click here to read.

The Word I Could Never Say

Odbayar Dorj muses on her own life in Mongolia and Japan. Click here to read.

Social Media Repetition

Jun A. Alindogan discusses the relevance of social media. Click here to read.

Shanghai in Jakarta

Eshana Sarah Singh takes us to Chinese New Year celebrations in Djakarta. Click here to read.

Musings of a Copywriter

In My Writing Desk, Devraj Singh Kalsi writes of the source of his inspiration. Click here to read.

Notes from Japan

In Feeling Anxious in Happy Village, Suzanne Kamata relates a heartwarming story. Click here to read.

Essays

Reminiscences from a Gallery: The Other Ray

Dolly Narang muses on Satyajit Ray’s world beyond films and shares a note by the maestro and an essay on his art by the eminent artist, Paritosh Sen. Click here to read.

This Garden Calls Out to Me: A Flaneur in Lucknow’s Sikandar Bagh

Prithvijeet Sinha takes us back to a historical landmark, made for love but bloodied by war. Click here to read.

Stories

Going to Meet the Hoppers

Fiona Sinclair writes a layered story on human perspectives. Click here to read.

The Ritual of Change

Parnika Shirwaikar explores the acceptance of change. Click here to read.

The Last Metro

Spandan Upadhyay explores the spirit of the city of Kolkata. Click here to read.

Nico Finds His Dream

Paul Mirabile narrates how young Nico uncovers his own yearnings. Click here to read.

The Bequest

Naramsetti Umamaheswararao gives a story reflecting a child’s lessons from Nature. Click here to read.

Conversation

Ratnottama Sengupta introduces and converses with photographer, Vijay S Jodha. Click here to read.

Book Excerpts

An excerpt from Devabrata Das’s One More Story About Climbing a Hill: Stories from Assam, translated by multiple translators from Assamese. Click here to read.

An excerpt from Ryan Quinn Flangan’s Ghosting My Way into the Afterlife. Click here to read.

Book Reviews

Somdatta Mandal reviews Arundhathi Nath‘s translation, The Phantom’s Howl: Classic Tales of Ghosts and Hauntings from Bengal. Click here to read.

Andreas Giesbert reviews Rhys Hughes’ The Devil’s Halo. Click here to read.

Bhaskar Parichha reviews Aubrey Menen’s A Stranger in Three Worlds: The Memoirs of Aubrey Menen. Click here to read.

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