Tag: Keiran Martin

Borderless, June 2026

Editorial

Changes, Ruskin, Snakes and Frogs… Click here to read.

Translations

Nazrul’s lyrics of Mor Ghumogore Elo Monohor (In my Sleep, Came the Enchanting One) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Four of his own Malay poems have been translated by Isa Kamari. Click here to read.

The Heartless, a Balochi story by Abdul Qayum Sarbazi, has been translated by Fazal Baloch. Click here to read.

Dragonfly 2 has been composed and translated from Korean by Ihlwha Choi. Click here to read.

Tagore’s poem, Amra Choli Somukhpane (We Look Forward and March), has been translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies Corner

Songs of Freedom: Pink Dreams is an autobiographical narrative by Priyanka, written and compiled by Deeksha Vats. These stories highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and Pandies. Click here to read.

Poetry

Click on the names to read the poems

Erik Kennedy, Shantanu Ray Chaudhuri, Anne Whitehouse, Snehaprava Das, George Freek, Pramod Rastogi, SR Inciardi, Aardhra Chandran, John Grey, Heera Unnithan, Jim Bellamy, Ryan Quinn Flanagan, Rhys Hughes

Poets, Poetry & Rhys Hughes

In A Few More Rhysop Fables, Rhys Hughes shares more absurdist fables. Click here to read.

Musings/Slices from Life

The Stars that Watch Us…

Sai Abhinay Penna muses during his morning jog. Click here to read.

Vignettes from the Past

Gowher Bhat mulls over his conversation with a debut author who published his first book at ninety-three. Click here to read.

Salvaging the Furling Line in the Joseph Bonaparte Gulf

Meredith Stephens takes us on a sailing adventure with photographs by Alan Noble. Click here to read.

Looking for that Goodness…

Farouk Gulsara explores why ‘evil’ exists with the help of experiments in science. Click here to read.

The Gift of Grace

Jun A. Alindogan talks of blessings and narrow escapes, including from the Typhoon Ondoy. Click here to read.

Musings of a Copywriter

In Consulting a Physician, Devraj Singh Kalsi writes of doctors and patients with a touch of humour. Click here to read.

Notes from Japan

In It’s in the Bag, Suzanne Kamata explores Japanese etiquettes. Click here to read.

Essays

Homecoming

Larry S Su, who migrated from a mud cave in Shaanxi province to America, shares his story of the changes he sees during three visits to his home and muses on the gaps he has observed between these two places. Click here to read.

One Soul, Two Seas

Charudutta Panigrahi explores similarities across two geographically separated regions. Click here to read.

A Cyclist’s Diary: Criss-crossing Titiwangsa

Farouk Gulsara explores local colours as he cycles in the highlands of Malaysia. Click here to read.

Stories

The Sea of Loneliness

Keiran Martin journeys to the depths of the ocean. Click here to read.

The Silent Valley

Jeena R Papaadi builds a mystery around an experience. Click here to read.

The Art of Letting Go

Plamen Vasilev shares a human interes story set in Europe. Click here to read.

The City that Refused to be Found

Rabiya Rehman sets her fiction in Lahore. Click here to read.

The Village that Chose Trees

Naramsetti Umamaheswararao imagines a utopian, environment friendly village. Click here to read.

Interview

Keith Lyons converses with Erik Kennedy, a migrant poet who lives in New Zealand. Click here to read.

Book Excerpts

Excerpts from Ruskin Bond’s Scenes from the Magic Mountain: Five Seasons in the Mussoorie Hills and Beyond. Click here to read.

Excerpt from Anmol Diddan’s Burnout Highway. Click here to read.

Book Reviews

Somdatta Mandal has reviewed Ruskin Bond’s Scenes from the Magic Mountain: Five Seasons in the Mussoorie Hills and Beyond. Click here to read.

Rakhi Dalal has reviewed Shyam Manohar’s The Cold War of Sadanand Borse, translated from Marathi by Jerry Pinto. Click here to read.

Meenakshi Malhotra has reviewed Giti Chandra’s debut poetry collection, Setting Traps for Light. Click here to read.

Bhaskar Parichha reviews Stephen Alter’s The Fragrance of Rain: A Brief History of the Monsoon. Click here to read.

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Tags Aardhra Chandran, Abdul Qayum Sarbazi, Alan Noble, Amra Choli Somukhpane, Anmol Diddan, Anne Whitehouse, Balochi, Bengali, Bhaskar Parichha, Burnout Highway, Deeksha Vats, Devraj Singh Kalsi, Erik Kennedy, Europe, Fakrul Alam, Farouk Gullsara, Farouk Gulsara, Fazal Baloch, George Freek, Giti Chandra, Gowher Bhat, Heera Unnithan, Ihlwha Choi, Isa Kamari, Japan, Japanese, Jeena R Papaadi, Jerry Pinto, Jim Bellamy, John Grey, Jun A. Alindogan, Keiran Martin, Keith Lyons, Korean, Malay, Malaysia, Marathi, Meenakshi Malhotra, Meredith Stephens, Mitali Chakravarty, Mor Ghumogore Elo Monohor, Naramsetti Umamaheswararao, Nazrul, New Zealand, Pandies, Plamen Vasilev, Rabiya Rehman, Rakhi Dalal, Rhys Hughes, Ruskin Bond, Ryan Quinn Flanagan, Sai Abhinay Penna, Scenes from the Magic Mountain: Five Seasons in the Mussoorie Hills and Beyond, Setting Traps for Lights, Shaktishalini, Shantanu Ray Chaudhuri, Shyam Manohar, Snehaprava Das, Sohana Manzoor, Somdatta Mandal, SR Inciardi, Stephen Alter, Suzanne Kamata, Tagore, The Cold War of Sadanand Borse, The Fragrance of Rain: A Brief History of the Monsoon, Titiwangsa, Typhoon Ondoy

Editorial

Changes, Ruskin, Snakes and Frogs…

Post author By borderlesssg1
Post date June 15, 2026
No Comments on Changes, Ruskin, Snakes and Frogs…

Summer, Dune in Zeeland by Piet Mondrain (1872 – 1944)

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.

‘Burnt Norton’, Four Quartets (1941) by TS Eliot

If we look back in time, we have a better life than that of our ancestors. Though conflicts rage and climate change is a reality that we all dread, it can safely be said, we have progressed beyond the imagination of those who lived a hundred years ago. The fact that some books from the past still reverberate with echoes of what the present holds says much for the outliers or authors who could think out of the box. Despite this complex intermingling of ideas and times, perhaps the world will change more now than before. We do not know anything for sure though experts are always predicting a future that for most of us remains unknown. What we can present is our own estimate of what can be and a definite assertion of what is. Truth as such is a matter of perception. That complicates it further. However, one of the changes that is definitely here to stay is climate change and our changing environment. Given that this is the month that homes World Environment Day, we have a smattering of writings that revolve around nature and also the human spirit that defies age.

We have featured a writer who revels in nature and is an ageless voice that bridges multiple cultures, Ruskin Bond. As he turned ninety-two last month, he published multiple new books. We have an excerpt from one of them, Scenes from the Magic Mountain: Five Seasons in the Mussoorie Hills and Beyond, a brilliant collection of snapshots of his interactions with nature over time — be it frogs, snakes or just trees. Some of the vignettes are humorous and some, as all classics are, thought provoking. Bond puts into words how he chose to work in Landour (a small town in Himalayas) and continued to write from there for sixty years. He talks of the spell the mountains cast on him, “I like to think that I have become a part of this Magic Mountain; that by living here for so long, I can claim a relationship with the trees, wild flowers, even the rocks that are an integral part of this landscape.” The other book excerpt is a contrast to Bond’s, a non-fiction called Burnout Highway by Anmol Diddan. It explores the collective suffering of stress at work where achievements distance humans from nature and a fulfilling life and urges readers to be open to changes.

Somdatta Mandal discusses Bond’s Scenes from the Magic Mountain: Five Seasons in the Mussoorie Hills and Beyond and concludes: “It [the book] is a collector’s delight and also one to be gifted and recommended for anyone who loves to read about Ruskin Bond’s deep and lifelong love for the Himalayas. Bond’s poetic prose can hardly be imitated…”

In keeping with the theme of environment, Bhaskar Parichha has reviewed Stephen Alter’s The Fragrance of Rain: A Brief History of the Monsoon. He tells us: “The Fragrance of Rain is much more than a history of weather. It is a meditation on nature, culture, memory, and belonging… Like the season it celebrates, the book is refreshing, nourishing, and lingering in its impact…” While Rakhi Dalal expresses her delight with Shyam Manohar’s The Cold War of Sadanand Borse, a novella translated from Marathi by Jerry Pinto, Meenakshi Malhotra revels in Giti Chandra’s debut book of poems, Setting Traps for Light.

The June poetry section also homes a poem on monsoon by Aardhra Chandran. Anne Whitehouse takes us to Egypt with her vivid words. Shantanu Ray Chaudhuri has shared a series of poems in memory of his late father. We have more from Snehaprava Das, George Freek, Pramod Rastogi, SR Inciardi, John Grey, Heera Unnithan and Jim Bellamy. Ryan Quinn Flanagan’s lines do bring a smile to the lips while Rhys Hughes writes of census of centaurs! Erik Kennedy, a migrant poet from New Zealand, shares his poetry and also his views in a candid interview with Keith Lyons.

In translations, Professor Fakrul Alam has captured the flavours of Nazrul’s Bengali lyrics, which also echo of the rainy season or monsoons. Isa Kamari brings to us more of his Malay poems in English and Ihlwha Choi shares a rendering of his Korean poem, ‘Dragonfly 2’, into English. One of Tagore’s poems from Balaka (Flight of the Cranes, 1916) has found its way into this issue after being translated. We also have a touching Balochi story around social gaps from the late Abdul Qayum Sarbazi, brought to us in English by Fazal Baloch.

Hughes has continued sharing his short fables, which are absurd but also, comical! A sensitive story about the natural world mingled with Maori concepts by Keiran Martin seems so much in sync with the oceans while Jeena R Papaadi has woven a strange narrative located in a land that only one man could visit. Plamen Vasilev shares a human-interest story set in Europe and Rabiya Rehman takes us to Lahore in quest of a missing destination! Naramsetti Umamaheswararao’s narrative takes us back to a village that opted for trees, thus enriching the environmental lore in this issue.

We have a real life heart rending story from a young girl in our Pandies Corner, written and related by Deeksha Vats, based on the story told by a victim of familial violations and violence.

Our non-fiction section homes Larry Su’s essay on how his life took him from a rural mud cave in Shaanxi province to the glamour of Chicago. Reflecting on the changes he has experienced on his rare visits to his original homeland, Su muses on the cultural and socio-economic gaps he has observed between the two places. Charudutta Panigrahi – as if in direct opposition — shares similarities between two diverse geographies.

Suzanne Kamata explores a custom which may not be that eco-friendly in her column from Japan. Jun A. Alindogan brings home the impact of climate disasters while dwelling on blessings with his narrative about a narrow escape from the Typhoon Ondoy (2009). While Meredith Stephen writes of sailing to Timor Sea with photographs by Alan Noble, Farouk Gulsara takes us on a cycling adventure around the mountains of Titiwangsa. In another musing, he also explores the idea of good and evil in a sardonic tone while Sai Abhinay Penna dwells on the grandeur and vastness of the universe over his morning jog. Gowher Bhat writes of a man for whom age seems to be just a number as he publishes his debut book at 93! One wonders at the frequency of such occurrences — we have writings about two authors above ninety in the June issue. In contrast, Devraj Singh Kalsi brings in mortal fears while writing of visiting doctors with a soupçon of humour – some of it directed at himself.

Perhaps, laughter is really the best medicine to keep well! Ruskin Bond makes us laugh and writes of nature in a way that touches hearts and makes us forget the contrasting glitzy world, where we suffer stress and burnout. Our environment makes a difference, doesn’t it?

With that we wrap up our June issue. Huge thanks to our fabulous team, especially Sohana Manzoor for her wonderful artwork. To all our contributors, heartfelt thanks — we are because you are. And gratitude to our readers who make it worth our while to write and publish here.

We will next meet you during the monsoon months of South Asia though, near the equator, it rains almost every day and, in the Southern Hemisphere, it will be peak winter!

Happy reading!

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE JUNE 2026 ISSUE

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Tags Aardhra Chandran, Abdul Qayum Sarbazi, Alan Noble, Anmol Diddan, Anne Whitehouse, Balaka, Balochi, Bengali, Bhaskar Parichha, Burnout Highway, Burnt Norton, Charudutta Panigrahi, Chicago, Deeksha Vats, Devraj Singh Kalsi, Egypt, English, Erik Kennedy, Europe, Fakrul Alam, Farouk Gulsara, Fazal Baloch, Four Quartets, George Freek, Giti Chandra, Gowher Bhat, Heera Unnithan, Ihlwha Choi, Isa Kamari, Japan, Jeena R Papaadi, Jerry Pinto, Jim Bellamy, John Grey, Jun A. Alindogan, Keiran Martin, Keith Lyons, Korean, Lahore, Landour, Larry Su, Malay, Maori, Marathi, Meenakshi Malhotra, Meredith Stephens, Monsoon, Naramsetti Umamaheswararao, Nazrul, New Zealand Alps, Pandies Corner, Plamen Vasilev, Pramod Rastogi, Rabiya Rehman, Rakhi Dalal, Rhys Hughes, Ryan Quinn Falangan, Sai Abhinay Penna, Scenes from the Magic Mountain: Five Seasons in the Mussoorie Hills and Beyond, Setting Traps for Lights, Shaanxi Province, Shantanu Ray Chaudhuri, Shyam Manohar, Snehaprava Das, Sohana Manzoor, Somdatta Mandal, SR Inciardi, Stephen Alter, Suzanne Kamata, The Cold War of Sadanand Border, The Fragrance of Rain: A Brief History of the Monsoon, Timor Sea, Titiwangsa, TS Eliot, Typhoon Ondoy

Editorial

For the People, Of the People, By the People

Post author By borderlesssg1
Post date April 14, 2022
2 Comments on For the People, Of the People, By the People

"I wish you survival, 
Health
And the closed sky above you."

— Refugee in my own Country/I am Ukraine, Lesya Bakun

Despite this being the season of multiple new years around Asia, we cannot close our eyes to the skies that connect all the world like a blue dome. Though celebrations and humour continue to lighten the darkness of war, while Ukraine is being wrecked, can we turn our faces towards only festivities?

I had an interesting anecdote about how before the onset of the Gregorian calendar, new years in the world were celebrated around March and in some places in September. The Earth would turn fecund and green with spring, a beautiful season sprinkled with love and nostalgia as Michael R Burch tells us in his poetry. However, despite all the opulence of nature, it is hard to watch a country being bombed and families splintered to man a war that supposedly guards a human construct called ideology and blocs. Ukranian refugee, Lesya Bakun, in an interview says: “It is not a clash of ideologies. It is a fight for our country and nation to exist.” Listening to Lesya’s stories makes one amazed at the bravery of the Ukrainians battling what seems to be cultural hegemony. It reminds of the war in Bangladesh in 1971. Though incredibly courageous in voicing her experiences, Lesya is traumatised and has a psychosomatic cough as she sends her voice and text messages from her mobile through Telegram. There were times when she was just weeping or angry for the questions asked, and justifiably so, as her home in Kharkiv, where she lived was under attack, and the town of Mariupol, where she was born, has been wrecked by the war.

The refrain of the pain of a refugee continues to reverberate in a book reviewed by Rakhi Dalal, Ramy Al-Asheq’s Ever Since I Did Not Die, written originally in Arabic and translated by Isis Nusair. The Syrian-Palestinian poet refused to clarify whether his writing was prose or poetry — perhaps these borders and boxes drawn by humankind are breaking down in reality. Perhaps, this new year, the time is ripe to look forward to a new world that transcends these borders. This is also the first time we have had the privilege of carrying reviews of translations from Arabic and also from Turkish. Gracy Samjetsabam has reviewed a translation of a Turkish novel by Iskendar Pala called The Tulip of Istanbul, translated by Ruth Whitehouse. Bhaskar Parichha has reviewed a book by Kiran Manral, Rising: 30 Women Who Changed India while Candice Louisa Daquin has drawn our focus on a poetry collection by Marjorie Maddox, Begin with a Question, where the perceived divisions do not matter while the poet questions the larger issue of faith in quest of answers.

Is it the same kind of quest that has led Strider Marcus Jones to create the Lothlorien Journal, named reminiscently after Tolkien’s elvish ‘Lothlorien’ in Lord of the Rings? Find out Jones’s views and flow with his fluid poetry in the featured interview. Keith Lyons has been in conversation with Ivy Ngeow, an upcoming writer and the editor of a recent anthology of Asian writing where she has retained different styles of English across the world in a single book. While this could be beneficial to writers, would readers be comfortable reading stories with different styles or dialects of English without a glossary?

Our book excerpts are from more Asian books. The Year of the Rat and Other Poems edited by Malachi Edwin Vethamani has an interesting title poem which has been shared in the excerpt. The other excerpt is from a fast-paced novel, Half-Blood, by Pronoti Datta. We also have a fast-paced story by a writer from France called Paul Mirabile set in Portugal; two that verge on the bizarre from Keiran Martin and Amjad Ali Malik; a poignant story from Sutputra Radheye and another that shows the positive side of voicing a protest against wrongs by Devraj Singh Kalsi. Kalsi has also given us a tongue in cheek musing called When Books have Wings.

On the lighter vein are travel essays by Ravi Shankar and Meredith Stephens. They take us to the Himalayas in Nepal and to Tasmania! Suzanne Kamata has taken us to an owl cafe in Japan! At the end of her column, one feels sad for the owls as opposed to Erwin Coombs’ narrative that evokes laughter with his much-loved pet cat’s antics.

Humour is evoked by G. Venkatesh who with an ability to find silver linings in dark clouds talks of cricket and lessons learnt from missing his school bus. Adnan Zaidi has also analysed his poetic abilities with tongue-in-cheek comments. Kenny Peavy gives a lighthearted rendition in praise of boredom and interactions with nature. It is good to have laughter to combat the darkness of the current times, to give us energy to transcend our grief. Keith Lyons hovers on the track between humour and non-humour with his cycling adventures. Rhys Hughes seems to talk of both his favourite poem and the war in a lighter shades, in no way insensitive but his observations make us wonder at the sanity of war. We have much of war poetry by a number of writers, poetry on varied issues by Luis Cuauhtémoc Berriozabal, George Freek, Sybil Pretious, Kisholoy Roy, J.D. Koikoibo and many more.

Candice Louisa Daquin has taken on the onus of bringing to our notice how language can impact us in the long run while Ratnottama Sengupta has explored beggary in films, fiction and fact. The Nithari column runs a real-life story of a young boy narrated by his brother, Sachin Sharma. It has been translated from Hindustani by Diksha Lamba. The trauma faced in 2006 is strangely not discussed in the story though it hovers in the backdrop between the lines. We also have a translation of a Balochi folk story by Fazal Baloch and a Korean poem by Ihlwha Choi. Translations from Tagore by Fakrul Alam and Somdatta Mandal have honoured our pages again. Mandal has sent us fun-filled skits by Tagore. But are they just fun or is there something more? We also have a translation of a long poem that explores a different aspect of Tagore, his empathy for the downtrodden which led him to create Sriniketan and regard it as his ‘life work’.

We have a bumper issue this time again — especially for the Asian new years; Thai, Nepalese, Bangladeshi, multiple Indian and more…

We would like to thank Sohana Manzoor for our cover painting and Gita Viswanath for her artwork. I would like to thank our wonderful team who with their contributions make this journal a reality. All the contributors deserve a huge thanks as do our loyal readers.

I wish you all a wonderful start to a non-Gregorian new year and hope that peace prevails over parts torn by wars and dissensions.

Thank you all!

Mitali Chakravarty

borderlessjournal.com

Tags Adnan Zaidi, Amjad Ali Malik, Arabic, Asian New Year, Balochi, Begin with a Question, Bengali Korean, Bhaskar Parichha, Borderless Journal, Candice Louisa Daquin, Devraj Singh Kalsi, Diksha Lamba, Erwin Coombs, Ever Since I Did Not Die, Fakrul Alam, Fazal Baloch, G Venkatesh, George Freek, Gita Viswanath, Half Blood, Himalayas, Hindustani, Isis Nusair, Iskendar Pala, Ivy Ngeow, Japan, JD Koikoibo, Keiran Martin, Keith Lyons, Kenny Peavy, Kharkiv, Kiran Manral, Lesya Bakun, Lithuania, Lord of the Rings, Lothlorien, Lothlorien Journal, Luis Cuauhtémoc Berriozábal, Malachi Edwin Vethamani, Mariupol, Marjorie Kawksworth, Meredith Stephens, Michael R Burch, Nepal, Nithari, Palestenian, Paul Mirabile, Pronoti Datta, Rakhi Dalal, Ramy Al-Asheq, Ratnottama, Ravi Shankar, Rhys Hughes, Rising: 30 Women Who Changed India, Sachin Sharma, Sohana Manzoor, Somdatta Mandal, Sriniketan, Strider Marcus Jones, Sutputra Radheye, Suzanne Kamata, Sybil Pretious, Syrian, Tagore, Tasmania, Telegram, The Year of the Rat and Other Poems, Tulip of Istanbul, Turkish, Ukranian refugee

Contents

Borderless, March 2022

Editorial

Where Have All the Sunflowers Gone?… Click here to read.

Ukranian Refrains

In ‘When will we ever learn? Oh, will we ever learn?’, Ratnottama Sengupta, comments on the current situation in Ukraine while dwelling on her memorable meeting with folk legend Pete Seeger, a pacifist, who wrote ‘Where have all the Flowers gone’, based on a folk song from Ukraine. Click here to read.

In Can Peace come Dropping by…,Candice Louisa Daquin explores war and peace pausing over the attack on Ukraine. Click here to read.

Three Poems from Ukraine by Leslya Bakun. Click here to read.

Translations

Manush: Nazrul’s Lines for Humankind: Translated from Bengali by Professor Fakrul Alam. Click here to read.

Jibananda Das’s Where have all these Birds Gone & On the Pathways for Long…translated from Bengali by Professor Fakrul Alam. Click here to read.

Munir Momin’s You & I translated from Balochi by Fazal Baloch. Click here to read.

Down the stairs by Nabendu Ghosh, a gripping story exploring the greyer areas of ethical dilemmas, has been translated by Sarmishta Mukhopadhyay with editorial input from Ratnottama Sengupta. Click here to read.

Autumn is Long, a poem written in Korean and translated to English by Ihlwha Choi. Click here to read.

Tagore’s Anondodhara Bohichche Bhubone (The Universe reverberates with celestial ecstasy)…translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies’ Corner

These narratives are written by youngsters from the Nithari village who transcended childhood trauma and deprivation. A letter to God by Tanveer Hussain uses the epistolary technique to asks questions that would be relevant for all humankind. It has been translated from Hindustani by Vritika Thareja. Click here to read.

Poetry

Click on the names to read

Kirpal Singh, Rhys Hughes, Sutputra Radheye, Jay Nicholls, Uma Gowrishankar, Mike Smith, Anasuya Bhar, Luis Cuauhtémoc Berriozábal, Supatra Sen, George Freek, Pramod Rastogi, Ryan Quinn Flanagan, Ananta Kumar Singh, Michael R Burch, Shaza Khan

Nature’s Musings

In Storms & Seas, Penny Wilkes explores birds and the ocean during rough weather. Click here to read.

Poets, Poetry or Rhys Hughes

In Tall or Short Tales, Rhys Hughes explores the absurd. Click here to read.

Musings/Slices from Life

Eva Zu Beck & Marco Polo

San Lin Tun writes of how, in Yangon, he spends the lockdown watching a travel blog by Eva Zu Beck. Click here to read.

Messages through Space and Time

Meredith Stephens explores how the art of letter writing creates links across borders of time and place. Click here to read.

It’s Amazing the Things We can Do

Erwin Coombs takes us through his life in Egypt and has a relook at Nazi occupied Europe with a dollop of humour to come to an amazing conclusion. Click here to read.

An Existential Dilemma

G Venkatesh uses the laws of thermodynamics to try to interpret the laws that define life. Click here to read.

Musings of a Copywriter

Devraj Singh Kalsi ponders on his Visit to a Book Fair. Click here to read.

Notes from Japan

In Imagining a Possible Future: Filmmaker Felicity Tillack, Suzanne Kamata introduces us to an Australian film maker who is making films in Japan now and some are in Japanese. Click here to read.

Mission Earth

Kenny Peavy starts his column with Mama Calling, a cry to go back to living with nature. Click here to read.

Interviews

From the Himalayas to the Banks of Thames: In Conversation with Sangita Swechcha, a writer shuttles between England and Nepal and writes of her homeland. Click here to read.

At Home Across Continents : In Conversation with Neeman Sobhan, a Bangladeshi-born writer who writes of her experiences as an expat in Pakistan, Bangladesh, Italy and America. Click here to read.

Stories

The Man Who got Eaten

Kieran Martin tells a tall tale or is it short? Click here to read.

Death Will Come

Munaj Gul Muhammed captures the wafting sadness of grieving in this short poetic narrative. Click here to read.

SofieMol

Sharika Nair paints a vignette of the past merging with the present in her narrative. Click here to read.

Faith & Fortune

Devraj Singh Kalsi shows how the twists of faith are aligned to wealth and fame. Click here to read.

Henrik’s Journey

Farah Ghuznavi follows a conglomerate of people on board a flight to address issues ranging from Rohingyas to race bias. Click here to read.

Essays

The Kaleidoscopic World of Satyajit Ray

Anasuya Bhar takes us into the literary world of Satyajit Ray, the world famous film director. Click here to read.

Are Some of Us More Human than Others ?

Meenakshi Malhotra ponders at the exclusivity that reinforces divisions, margins and borders that continue to plague humankind, against the backdrop of the Women’s Month, March. Click here to read.

The Observant Immigrant

In The Paradox of Modern Communication, Candice Louisa Daquin takes us through the absurdities that haunt modern verbal communication. Click here to read.

Book Excerpts

An excerpt from Friends in Wild Places: Birds, Beasts and Other Companions by Ruskin Bond. Click here to read.

An excerpt of a short story by Yang Ming from Asian Anthology, edited by Ivy Ngeow. Click here to read an excerpt.

Book Reviews

Meenakshi Malhotra reviews Mahasweta Devi, Our Santiniketan translated by Radha Chakravarty. Click here to read.

Indrashish Banerjee reviews The Tombstone in My Garden: Stories From Nagaland by Temsula Ao. Click here to read.

Keith Lyons reviews Asian Anthology: New Writing Vol. 1: Stories by Writers from Around the World, edited by Ivy Ngeow. Click here to read.

Bhaskar Parichha reviews Why They Killed Gandhi; Unmasking the Ideology and the Conspiracy by Ashok Kumar Pandey. Click here to read.

Special Issues

Imagine… Click here to read our World Poetry Day Special.

Tags Ananta Kumar Singh, Anasuya Bhar, Ashok Kumar Pandey, Asian Anthology, Bhaskar Parichha, Candice Louisa Daquin, Devraj Singh Kalsi, Earth, Erwin Coombs, Fakrul Alam, Farah Ghuznavi, Friends in Wild Places: Birds Beasts and other Companions, Indrashish Banerjee, Ivy Ngeow, Jay Nicholls, Jibanananda Das, Keiran Martin, Keith Lyons, Kenny Peavy, Luis Cuauhtémoc Berriozábal, Mahasweta Devi, Meenakshi Malhotra, Meredith Stephens, Michael R Burch, Mike Smith, Mitali Chakravarty, Neeman Sobhan, Nithari, Our Santiniketan, Penny Wilkes, Pete Seeger, Pramod Rastogi, Radha Chakravarty, Ratnottama Sengupta, Ruskin Bond, Ryan Quinn Flanagan, San Lin Tun, Sangita Swechcha, Sohana Manzoor, Supatra Sen, Sutputra Radheye, Tanveer Hussain, Temsula Ao, The Tombstone in my Garden: Stories from Nagaland, Ukraine, Uma Gowrishankar, Vritika Taneja, Why They Killed Gandhi; Unmasking the Ideology and the Conspiracy

Stories

The Man Who got Eaten.

By Kieran Martin

When I tell people this story they wonder why I can pet a dog at all, much less act as if I like one.

The truth is, dogs are just animals and their needs are beyond their own understanding. Some of them just get greedy.

For about four years, between the ages of eight and twelve, I lived next to a kid whose dad was eaten alive. The weird thing was this: it started before we moved in to the street, and didn’t end till long after we moved out.

If you’ve seen a one-armed man playing ball games with children, you may think you know what R’s front yard looked like on a weeknight. But you’d be wrong. Mr K never seemed to miss his chewed off hands and feet until he tried to use them. When he reached to catch a ball, and saw it sail slowly past the stumps of his arms, surprise was painted on his face.

It didn’t happen all at once — that was the worst part. In fact, the dog spent the best part of four years chewing on the man. I was about to say ‘that poor man’ but stopped myself: we never talked about him that way. No one could stand the way he joked about it. He’d blame it on the weather, the wind had a bite, or the sun took a drink. Sometimes it was people he worked with — back biters and leeches. He smiled and joked about how he’d been offered to every parasite in god’s creation.

He never mentioned the dog.

I remember one summer evening when R and I sat at the train station, waiting to meet his dad from the train. Our mothers had decided to take dinner to the park and our job was to meet Mr K and lead him to the park. After the first two trains arrived and left without him, my Mum appeared at the station and told us both to give up and come play cricket before the light was all gone. R stayed till after dark: we picked him up on our way back home.

Ahead of us, in the half-light, we saw the dog, looking huge,

Mr K draped over him like a sack, hands and feet dragging along the path. Without saying a word, we all slowed our steps, giving the dog time to drag him on to the porch. By the time we arrived at the front door the dog was gone. “I got locked out,” he said, smiling weakly. “I’ve been waiting, but I don’t mind. Its a lovely night. Maybe I’ll poach a couple of eggs.” Mrs K was the only one to look at him.

She banged the gate and lead their kids inside.

Mr K wouldn’t shake your hand, like others kid’s dads. The only way to tell if fingers were missing was to concentrate very carefully as he patted you on the head. There was no easy way to count the size of the dog’s meal because Mr K would grow the limbs back. He ate huge meals and grew fat but seemed light like a sponge cake.

I stayed over with R some nights and often heard him wandering the house alone, turning on the TV or fiddling with the computer. The house was as rickety as their cheap lawn furniture and used to shake from one end to the other when the washing machine came to its spin cycle. Yet, Mr K could walk from one end to another without making a sound.

I heard cancer got him in the end. After all that he was eaten from the inside out. We’re all meals, he’d say, shrugging with a hopeful smile, as if he were waiting for someone to agree.

No one ever did. At least, no one that I could see. Back then.

Kieran Martin wrote a couple of short pieces 14 years ago when living in a very small town. He also writes lyrics, essays and code. His sons taught him how to narrate; one of the many gifts they came to him with.

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Tags Cancer, Keiran Martin, The Man Who got Eaten