Categories
Halloween Greetings

Ghosts, Spooks & Spirits of the Night Arise…

Halloween returns, bringing back memories of trick or treating with children collecting candies, celebrating — celebrating perhaps to get over the fear of darkness, the unknown or perhaps, even the experience of global disasters ? The Bengali equivalent of Halloween — Bhoot Chaturdashi — was celebrated a day before Diwali. And as people do up ‘haunted homes and dress as witches, zombies and ghosts, I wonder, why do we celebrate such dark festivals and also enjoy them?

Perhaps, the answer is given in an essay by Candice Louisa Daquin that we have a gene that helps us enjoy such occasions… And then there is always the necessary adjunct of ghost stories and spooky rhymes that makes us feel ooky as our hearts beat and nervous snots of laughter explode from chests beating in anticipation…Wafting on borderless clouds that float mysteriously on Halloween nights, we invite you to visit a few spooks, ghosts, goblins, witches and spirits…

Poetry

It’s Halloween by Michael R Burch… Click here to read.

Horrific Humour by Rhys Hughes… Click here to read.

Prose

My Christmas Eve “Alone” : Erwin Coombs has a ghostly encounter at night. Is it real? Click here to read. 

Flowers on the Doorstep :Shivani Shrivastav writes of an encounter with a mysterious creature in Almora. Click here to read. 

A Curse: San Lin Tun gives us a macabre adventure with malicious spirits lurking in a jungle in Myanmar. Click here to read.

Pothos: Rakhi Pande gives us a macabre story set in Singapore that borders on the supernatural? Click here to read.

I Grew into a Flute: A Balochi Folktale involving the supernatural retold by Fazal Baloch. Click here to read.

Categories
Contents

Borderless, August 2022

Art by Sohana Manzoor

Editorial

The Stars were Shining There for You & Me, for Liberty… Click here to read.

Conversation

The Making of Historical Fiction: A Conversation with Aruna Chakravarti unfolds the creation of her latest novel, The Mendicant Prince, based on the prince of Bhawal controversy in the first part of the last century. Click here to read.

Translations

Tagore’s humorous skit, The Treatment of an Ailment, has been translated by Somdatta Mandal. Click here to read.

Arise, Arise O Patriot! and Helmsman Attention! by Kazi Nazrul Islam have been translated from Bengali by Professor Fakrul Alam. Click here to read.

Pus Ki Raat or A Frigid Winter Night by Munshi Premchand has been translated from Hindi by C Christine Fair. Click here to read.

Tagore’s Song of Hope or ‘Hobe Joye‘ has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read

Rhys Hughes, Ratnottama Sengupta, Mike Smith, Rituparna Mukherjee, Tony Brewer, Ahmed Rayees, Ron Pickett, Ramesh Dohan, Sister Lou Ella Hickman, Sambhu Nath Banerjee, Candice Louisa Daquin, Oindri Sengupta, Gigi Baldovino Gosnell, Ryan Quinn Flanagan, Tanvi Jeph, George Freek, Michael R Burch

Poets, Poetry & Rhys Hughes

In Mini-Sagas: A Dozen Examples, Rhys Hughes talks of a new genre with dollops of humour. Click here to read.

Musings/Slices from Life

Istanbul

G Venkatesh has a stopover in the airport to make a discovery. Click here to read.

The Loyal Dog in Loyalty Island

Meredith Stephens makes friends with a dog in the township of Wé on the Lifou island, an ‘overseas territory’ of France. Click here to read.

The ‘New Kid on the Block’ Celebrates…

Dr Kirpal Singh ruminates over what led to the making of an island state, Singapore. Click here to read.

Remnants of Time Once Spent Together

Sayali Korgaonkar ruminates over loss and grieving. Click here to read.

Moonland

Rupali Gupta Mukherjee journeys through the moonlike landscape housing a monastery with her camera and a narrative. Click here to read.

King Lear & Kathakali?

PG Thomas revisits a performance that mesmerised him in a pre-covid world. Click here to read.

Musings of a Copywriter

In A Bone in My Platter, Devraj Singh Kalsi shares a taste of running a restaurant. Click here to read.

Notes from Japan

Suzanne Kamata writes a light slice from life in The Boy & The Cats: A Love Story. Click here to read.

Stories

Does this Make Me a Psychic?

Erwin Coombs tells a suspenseful, funny, poignant and sad story, based on his real life experiences. Click here to read.

Hard Choices

Santosh Kalwar gives a glimpse of hope for an abandoned girl-child in Nepal. Click here to read.

No Rain on the Parade

Tan Kaiyi goes on a hunt for the National Day Killer. Click here to read.

Until We Meet Again

Shivani Shrivastav transports us to Manali for a misty union. Click here to read.

The Hatchet Man

Paul Mirabile tells a story of murder and horror. Click here to read.

I am Not the End

Aysha Baqir takes on the persona of a computer to unleash a poignant and chilling story. Click here to read.

Essays

How Many Ways To Love a Book

Sindhu Shivprasad describes passion for books. Click here to read.

Hiking in the Himalayas with Nabinji

Ravi Shankar explores more of Himalayas in Nepal. Click here to read.

Freedom is another word for… Zohra Sehgal

Ratnottama Sengupta gives a glimpse of the life of Zohra Sehgal, based on the book Zohra: A Biography in Four Acts by Ritu Menon, and her own personal interactions with the aging Zohra Sehgal. Click here to read.

The Observant Immigrant

In Can We Create a Better World by Just Wishing for it, Candice Louisa Daquin dwells on the question to locate answers. Click here to read.

Book Excerpts

An excerpt from The Dreams of a Mappila Girl: A Memoir by B. M. Zuhara translated by Fehmida Zakeer. Click here to read.

An excerpt from Michael R Burch’s poetry book, O, Terrible Angel. Click here to read.

Book Reviews

Meenakshi Malhotra reviews Tagore’s Four Chapters translated and introduced by Radha Chakravarty. Click here to read.

Gracy Samjatsabam visits Mamang Dai’s Escaping the Land. Click here to read.

Aditi Yadav reviews Pallavi Aiyar’s Orienting : An Indian in Japan. Click here to read.

Rakhi Dalal visits Neelum Saran Gour’s Requiem in Raga Janki. Click here to read.

Bhaskar Parichha reviews Rakesh Batabyal’s Building a Free India. Click here to read.

Categories
Editorial

The Stars were Shining There for You & Me, for Liberty…

Painting by Sohana Manzoor

“It just so happens that their[1] universes were different from ours: because why would their imaginations be constrained by a nation-state that would not exist for another thousand years?”

Anirudh Kansetti, the print.in

These lines from a recent article on conquests carried out by the Indian subcontinent in ancient times brings to focus that earlier countries or nation-states as we know of them today did not exist till the industrial revolution set the concept in motion. In the month many countries in Asia celebrate their independent existence or rather the drawing of borders based on colonial mapmakers’ whims, we should perhaps relook at the way the world stands divided.

Is this what we want as humans? Where are we headed? While conquerors write the history, we tend to gloss over what is left unsaid. The millions who died crossing borders, in race riots and of hunger, starvation and disease in refugee camps is overlooked, or worse, used to justify the divisions that still hurt the residents of the sub-continent and try to destroy any sense of oneness among the human species. We tend not to forget the atrocities of the colonials but we overlook the violence of the mobs that incensed with hatred instilled by politics annihilated and murdered. Their story is reduced to “us” and “them”. In our mood of jubilation, the recent bombings in the Middle East and the Ukraine-Russia war have already been delegated to the newsreels. But these are all people who are killed and displaced without any justification for the need to do so. One of the things that George Orwell had depicted in 1984 was an acceptance of a constant state of war. Are we stepping into that frame of mind with our cold acceptance of the situation worldwide?

In the last century, many united against the atrocities of the empire builders. They wanted to rise above the divides. At least greats like Nazrul vociferously objected to the basis of divides that were used to draw the borders. Translations brought to us by Professor Fakrul Alam showcase such poetry as does much of Tagore’s own writing and actions. Tagore organised a protest march against the colonial proposal of Partition of Bengal in 1905 by taking a procession in which he encouraged Hindu and Muslim women to tie rakhis[2] on men from the other community and make them their brothers. Tagore put the welfare of humanity above nationalism as can be seen in his writings and speeches. Reflecting on humanity, we have Munshi Premchand’s powerful story, Pus Ki Raat or A Frigid Winter’s Night, translated from Hindi by C Christine Fair, dwelling on the sad state of peasantry under the Raj. In a bid to rouse people like the protagonist of Premchand’s story, Tagore wrote inspirational songs, one of which, Hobe Joye (Victory will be Ours) has been translated on our pages. We also continue sharing Rabindranath’s humour with a skit translated by Somdatta Mandal from Bengali.

Humour is also stirred into Borderless by Rhys Hughes with a series of mini sagas in his column and a trip around the world in eighty couplets. These couplets actually are more in number — I tried counting them — and are guaranteed to make you laugh. We have travel stories in plenty too. Ravi Shankar again treks to the Himalayas and brings us wonderful photographs of his journey and G Venkatesh stops over at Istanbul airport to find a friend from across the border. Meredith Stephens travels to a French colony called Lifou Island — sounds unbelievable as in the month we celebrate the independence of so many countries across Asia, there is still a country in the Pacific that owes allegiance to a democratic European power! But other than writing about the beaches, Stephens talks of a temporary pet dog while Suzanne Kamata gives us cat talk in her notes from Japan in a lighter vein — a very pleasant glimpse of life. Devraj Singh Kalsi brings a grin when he talks of his stint at trying to run a restaurant.

Interesting non-fictions from a book lover, Sindhu Shivprasad, and from PG Thomas who talks of King Lear performed a la classical Indian dance mode, Kathakali, by an international caste add to narratives that focus on bringing the pleasanter side of life to our readers. Such stories are a welcome relief in dark times when people find themselves caught between price hikes due to the pandemic and wars. An essay by Candice Louisa Daquin looks for a way out of the stresses of these times. Erwin Coombs gives us a funny, poignant and tragic classroom encounter which reminds me of the 1967 Sidney Poiter movie, To Sir, with Love. We have darker tones brought into our journal also with Aysha Baqir’s story on child exploitation, a sad but hopeful narrative from Nepal by Santosh Kalwar about the rejection of a girl-child by her mother and a horrific murder brought to us by Paul Mirabile.

Our poetry section this time flows over with poems from Michael R Burch, Ryan Quinn Flanagan, George Freek, Mike Smith, Gigi Baldvino Gosnell and even Ratnottama Sengupta, who has also given us a powerful essay on an acclaimed dancer called Zohra Sehgal whose life was changed by the Partition of the Indian subcontinent in 1947, basing her essay on Ritu Menon’s Zohra: A Biography in Four Acts and her own personal encounters with the irrepressible artiste. Michael Burch has also shared an excerpt of his book dedicated to his wife, O, Terrible Angel.

An excerpt from B. M. Zuhara’s The Dreams of a Mappila Girl: A Memoir, translated from Malayalam by Fehmida Zakeer, brings us close to a community we know very less about in the Southern part of India. Meenakshi Malhotra has reviewed Tagore’s Four Chapters translated from Bengali and introduced by Radha Chakravarty, a book that is a powerful voice against violence in the name of nationalism touching on the independence of women, a theme that is reiterated in another book that has been visited by Rakhi Dalal. While exploring Neelum Saran Gour’s Requiem in Raga Janki, Dalal contends that the book familiarises us with a singer “who carved her own destiny and lived life on her own terms, in times when women were generally subjugated and confined to roles given by society”. Gracy Samjetsabam has visited Mamang Dai’s Escaping the Land, a novel that tries to weave issues faced in the Northeast of India and integrate it with the mainstream by stirring human emotions.  Bhaskar Parichha has reviewed Rakesh Batabyal’s Building a Free India, a collection of powerful speeches from the past.

Within the confines of the Raj, there was a long court case where a prince who had been declared dead resurfaced as a Naga sadhu[3], a claimant to the throne, this time not to abuse his power as of past but to be a sympathiser of the people in their tryst to fight the Raj. Aruna Chakravarti has woven a historical fiction around this controversy centring around the prince of Bhawal. In an exclusive interview, she tells us the story behind the making of The Mendicant Prince — her novel that was published just last month. Her responses could well teach us how to write a historical novel.

We have much more than the fare that has been mentioned here. Pause by on our contents page to take a look. My heartfelt thanks to the whole team at Borderless for helping with this issue, which we managed to get out in a shorter time than usual and Sohana Manzoor for her wonderful artwork. I am grateful to all our contributors as well as our readers. We could not have made it this far without all of you.

In the spirit of uniting under a borderless sky, let us look forward to cooler climes and happier times.

Cheers!

Mitali Chakravarty

borderlessjournal.com


[1] Guptas (4-6 century CE), Cholas (300 BCE -1279 CE) and other ancient rulers in the Indian sub-continent

[2] A festival held in August where sisters of all ages tie a talisman or amulet called the rakhi around the wrists of their brothers, who promise to protect them.

[3] Mendicant

Categories
Stories

Does this Make Me a Psychic?

By Erwin Coombs

Shark’s Teeth. Courtesy: Creative Commons

The credibility of a writer is important. Of course, anyone’s credibility is important because without it, you are keeping time with someone who is a phantom of a personality if they can’t be believed for one reason or another. One must trust that the person telling a story is not sitting in a Starbucks for hours at a time nursing a small coffee and babbling away about things that never happened or didn’t happen that way. Just to put your mind at rest, I’m not currently in a coffee shop, I never linger over coffee and everything I say happened, more or less as I describe.

Here’s where my credibility might be called into question: I am psychic. There, I said it, it’s on the page, a frank admission that makes most people start to wonder where the nearest exit is, or perhaps you are now looking for the nearest recycling bin for this peice. I remember saying this to a fellow at a party once and his expression froze. Not being the most socially adept creature, he was looking for a way to get away from me before I put a hex or curse or whatever it is psychic people do.

He grabbed his cell phone and said, “Sorry, I better take this.”

And as he backed away his phone began to ring. So, either he was pretending to have a call, or he was the psychic — one who knew it was coming. But he found an almost smooth way out of a conversation with someone who might just be an oddball. You do not have to fake a call and presumably you’re reading this with open eyes and an open mind, so let me tell you a bit about this nether, dark world that both fascinates us and repels us like standing naked before a mirror once you’re well into middle age. Here is a story that might not be spooky in the other world sense, but it certainly gave me pause.

It was an overcast fall day in an old room in an old school. How’s that for a spooky, atmospheric set up?  I was teaching another class of basic level grade 10 boys. These poor devils have been committed opponents to English classes likely since their first day in kindergarten. Again, it’s not that they’re dumb, at all. But they sure didn’t like English class.

I came up with a brainchild of an idea to get them to work. I could always keep them quiet and seated, which is a feat in itself. But to get them to work I thought I would go right back to a depression era technique and told them I would give the best student of the day a prize. Now these poor working-class sods were not used to prizes. Mostly at home they got slaps across the head for transgression both real and imagined on the part of parent(s) whose only embrace of parenthood involved forgetting to bring a condom. Their faces lit up at the prospect of a prize. An award! They had spent their school years running into punishments, but a prize!

I felt a little bad when they immediately grabbed their pencils (this time not as a weapon), opened their books (this time not for a pillow), and began to read and write. There is no more stirring or heartbreaking sight for a teacher who cares than watching students try so hard to do something well for which they have no confidence. I sat at my desk and began to wonder.

The first thing I wondered was what could I give for a prize. I assumed they would scoff and make some kind of a sucking noise with their teeth. In 1991, this was a favourite of rappers to display dismissiveness. I had encountered it many times as a teacher. My defense was to ask, in a sincere voice, if they wanted some floss.

“Floss? For what, man?

“Sorry, I thought you had something stuck in your teeth from lunch. I do have some floss in my desk. It’s been there for a while, but it might just do the trick of dislodging that bit of food you feel the need to suck out.”

With a lot of teachers this might well have resulted in a small-scale riot. But my kids knew I liked them, and I tease and, as I said, they might not be bookish smart, but they knew sarcasm when they heard it and they usually just laughed.

But back to the problem of offering a prize that I didn’t even have. I cast a quick look around the room for possibilities. There were some posters on the wall of an educational bent that I could use. There was a lovely one of a parachutist drifting down to earth with the caption below saying: “The mind is like a parachute. It only operates when open.”

I could imagine telling some poor slob that they could take that home for a hard day’s work. I imagine I would eventually make it out of the class, but not in one piece. The pounding I would take would put me on long term disability. Not a terrible idea but the journey to get there would be hard.

I thought about the money in my pocket, full five dollars and some change. But wouldn’t that be a bribe or some form of prostitution? And the next class all behavior and production would come with a price tag. And when the principal got word that I was paying my students, it would mean a different route to long term disability.

I rummaged through my desk drawer when I saw it. My salvation! It was a glass jar of shark’s teeth. Now why in God’s name would a teacher have such a thing on his desk. Simple. It cost me nothing and was a gift. My wife’s uncle was this eccentric but genuinely nice man who collected things. It didn’t matter what, he would collect them. He had scoured the countryside looking for Indigenous arrowheads and tools and guess what? He found them by the hundreds. His collection was so impressive that the Royal Ontario Museum gladly took them when he offered them up out of the goodness of his heart. So, one day we were in his cavernous basement, strewn with rocks and fossils and bits of metal and God knows what else. It was a summer day, and his hay fever had the better of him. He let out a sneeze that no doubt shattered an arrowhead or two.

He blew his nose into a handkerchief that would likely never be used again for any human purpose. He looked down at the contents and said,

“Oh, I thought my nose was bleeding, but it’s snot (instead of it’s not, you see).”

That was exactly the kind of joke this guy made and one of the reasons I found him so much fun to be with. The odd thing was he had survived a German work camp as a teenager during World War II, one in which his brother had died. Yet here he was, in his seventies, bent and old and so full of life and always finding a reason to laugh. How could I not like him?  And now was he related to some of Tina’s family? They were people who could find a dark cloud in the second coming of Christ.

“You know he really should have called first. This is really not convenient.”

Anyway, this jolly old fellow saw me admiring his countless bottles of shark’s teeth lined up on a shelf.

“Geez, just take one. I got plenty.”

“That’s awfully good of you, Bill. But all the work you took yanking them out of their mouths. It just doesn’t seem right.”

He would never laugh at my jokes, but I know he liked them.

“Here, you keep ‘em. Mostly they were lost in bar fights anyway.”

So, thank you very much, Bill. Now I could give my winner a reason to not add my teeth to the collection.

The class came to an end, and I knew I had my top student. I would have liked to have given them all something because they had all tried, and I was very proud of them. But if you give a prize to everybody then it takes away from the very idea of a prize which is a celebration of accomplishment in a field of others. It reminded me of the increasingly bizarre notion that had come up in education in the last few years, namely that everyone is special and stands apart and should be recognised as such. I am all for increasing students’ sense of self-worth but here’s the trick: if everyone is special, then nobody is special. If every child is recognised and labelled as having poor behaviour or attitude because of their genetics or how they were raised or because they weren’t tucked in at night in order to maximise their potential, then they all have an out.

Unfortunately, it gives every kid a playing card that they can pull in any situation. I remember breaking up a fight and as I guided the hulk along to the office, he looked at me wide eyed and said, “It’s not my fault…I have anger issues.”

This was a kid that was not exactly a future student of psychology. A future as a study model of aberrant psychology possibly. But he had been told by teachers and counsellors and no doubt his parents that his ‘acting out’, to put it mildly, was the result of this syndrome. It is to laugh for.

Though I wanted to reward them all, I knew that I had to choose just one. Bobby Mack (yes, it did sound vaguely like a cosmetic line) was the one. I don’t think anyone ever made fun of his name to his face. He was very tall and naturally very strong. His strength wasn’t achieved from holding big books in the library. His love of academics was an empty love. He was, however, a very good future plumber. That’s why he was at school. He was a likeable fellow with a good sense of humour, I knew this because he laughed at my jokes. 16 years old in grade 10, turning his life around to pursue his love of plumbing. It would also help him support the two children he had with two different girls similarly young. Ah, well, he had a goal and I felt he could do it.

With a few minutes to go before the end of class I stood before their expectant faces and said my piece.

“Well, after careful consideration, and after having fed data into the computer, it has been calculated who is student of the day and thereby the winner of a prize that will change their lives.”

I love a big build up, but the faces in front of me told this young teacher that they didn’t use computers, only had calculators for projectiles and didn’t think lives could change. I cut to the chase and told Bobby to come on up and get his prize. He lumbered to the front of the room with a shy smile as the class applauded.  I’m sure the guy never won a prize in an English classroom in his life. When I say applauded, I mean a few did, several whined that they should have won. One fellow called out,

“Oh, sir, that’s not fair. You’re a racist.”

I looked down at this white face, back to Bobby’s white face and wondered where he got that complaint from.

“No, it’s not racist. For one thing I didn’t even know you were Chinese.”

“I’m not Chi…!”

He cut himself off realising that there was both a joke as well as a jab in there for him. Bobby stood in front of me and I slowly, for even more dramatic effect, took out my little bottle of shark’s teeth, took one out and put it in his outstretched hand. The smile didn’t run from his face, it sprinted. He looked hard at the tooth and held it as though he were holding a turd.

“What the hell is this?”

As he was genuinely angry and outraged, I let the swear word go. It floated up into the air not to be addressed by the tough teacher I usually was. It fled the room along with his smile and his joy at having won. He was angry. He was big. I was scared.

“That, my friend, is a shark’s tooth from Florida!” I said, pumping up the item like a door-to-door salesman.”

“I thought I was getting chocolate, or money or something not weird.”

“I want you to know why that is such a prize, far more valuable and lasting than chocolate.”

He still looked angry, but I sensed he would listen. I figured I better talk fast and good or start running. At the Faculty of Education, they taught us that running away from threatening students can chip away at one’s credibility in the classroom. I addressed the whole class as well.

“A hundred years ago there was a shark swimming in the warm waters of the Atlantic Ocean. It didn’t know about death; it didn’t know about anything. It simply existed. That’s all it wanted, to eat and swim and make little sharks, not because he thought those were good things to do. He just did what came naturally to him…stay alive and make more life. But he died, in some way we will never know. And now Bobby here is holding one of his teeth in his hand.

This is a reminder to all of us that life is beautiful, but it doesn’t last. That shark had a last day on this earth and so will we. We don’t know how or when. But one thing we do know is that we should treasure every day we have, and remember, always remember, this is the only life we have and today is the only day we get, so make the most of it. Value it. That shark, though he didn’t know it, has taught us that lesson.”

Bobby now had the tooth between his fingers and smiled.

“Yeah, that’s kind of cool sir…thanks.”

He tucked the tooth into his pocket and took his seat. The bell went a minute later, and I was pleased to see several kinds around Bobby as he showed off the prize that had meant less than nothing to him moments before. I was proud of myself for having taught a lesson, a life lesson that would hopefully stick with those kids for their whole lives.

I know it stuck with Bobby for the rest of his life. For his life ended that night. He was at a party, a drunken argument and another kid came back with a gun and shot Bobby in the head. I like to think he had the tooth in his pocket and that maybe his last day on earth, he might have valued the little things a bit more, his child’s smile, his mother’s farewell hug. I even fool myself into thinking he looked up at the sky for once, not to check the weather, but just to be happy.

.

Erwin Coombs is a retired teacher of philosophy, history and literature who has rejected all forms of retirement. He is an avid writer, reader, and observer of life. When not observing and reading and living, he is writing. Erwin has lived in Egypt, Jamaica, England and travelled a great deal but, in his mind, not enough. His writing is a celebration of people and opportunity, both of which life gives in abundance. These stories are from his, as yet unpublished book, Dusty the Cat: Her Part in My Downfall.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Editorial

Whispers of Stones

When the mountains and grass
had life, stones whispered
how the world came to be…

'Stonehenge', Daily Star

And as the world came to be, there was war — war that seems to rage in some part of the world or other. The British Museum has an exhibit which states the first battle was staged 13,000 years ago… in what is now Sudan, long before the advent of written history. This was even before the advent of people who built the ancient Stonehenge which was constructed around 3000-2000 BCE. And battles still continue to rage. The Jebel Sahaba casualties in Sudan 13000 years ago were less than 100. But the current conflicts claim in terms of tens of thousands which prolonged could stretch to millions. The last world war (1939-1945) which lasted for six years had a total of  75-80 million persons who perished. Ukraine-Russia conflict has within five months had a casualty count of more than 14000. And yet weapons and nuclear arms continue to proliferate decimating humanity, nature and towns, destroying homes, erasing ruthlessly and creating more refugees. The only need for such battles seem to be to satiate the hunger of the warlords secure in their impenetrable fortresses while tens of thousands are annihilated and natural or nurtured landscapes lie emaciated, mutilated and polluted.

What would be a good way of ending such wars?

Tagore sought the development of better instincts in humankind as an antidote. He wrote in the last century: “Any teaching concerning man must have human nature for its chief element. How far it will harmonise with human nature is a matter of time.”

With wars getting deadlier and more horrific, we can only try to awaken, as Tagore suggests, the better nature in man to move towards a peaceful world. What would be a more effective way of doing it than writing with the hope of a kinder and accepting future?

For that let us start with translations of the maestro Tagore himself. We have a song about the season — monsoon, ‘Monomor Megher Songi (My Friends, the Clouds)’, translated by Professor Fakrul Alam, a painting by Sohana Manzoor interpreting the lyrics and a transcreation of Nababarsha or New Rains’ was shrunken into a popular Rabindra Sangeet and reduced to twenty lines in English by Tagore himself. The connect with nature is an important aspect that enables humans to transcend petty concerns leading to dissensions of different kinds as evidenced in the maestro’s humorous feline skit, translated by Somdatta Mandal. A translation of Dalip Kaur Tiwana’s ‘The Bus Conductor’ from Punjabi by C. Christine Fair adds zest to this section. Fazal Baloch has translated a folktale from Balochistan involving the supernatural and Ihlwha Choi has taken on the cry for peace on behalf of Ukraine while translating his own poem in Korean. The Nithari column has a story by Jishan in Hindustani, translated to English by Grace M Sukanya, showcasing the struggle of a youngster during the pandemic – rather a sad narrative, which though fictitious has its roots in reality. 

Our poetry section touches upon the timelessness of dissensions and darkness with Michael R Burch’s poem on Stonehenge and Supatra Sen’s poem on Ukraine. This has been allayed by love poetry by Maid Corbic from Bosnia. George Freek’s poem ruffles with its reflective lines. And in the midst of it all, is poetry by Ryan Quinn Flanagan reflecting on the seven stages of man. Will the process of aging or human nature ever change? I wonder if Rhys Hughes can find an answer for that in humorous verses as he has shared in this issue. In his column, Hughes has written about an imagined anthology of short stories.

Our short story section has echoes of humour around felines by Manzoor, somewhat in tune with the mind frame seen in Tagore’s skit on this issue. Humour rings tinged with an apparition in Erwin Coombs’s narrative – should one call it dark humour or is it just his style? Paul Mirabile goes for gothic darkness in his meanderings around Italy.

Strangely, we seem to have a focus on short stories this time. Keith Lyons has interviewed Steve Carr, a journalist, a publisher and writer of 500 short stories who is questing to create a ‘perfect short story’. Reading out excerpts from her short story at a literary festival in Simla, Bollywood celebrity, Deepti Naval, was in conversation with eminent film journalist, Ratnottama Sengupta. She spoke of her literary aspirations while unveiling her autobiography in verse, A Country Called Childhood. This conversation has been shared by Sengupta with Borderless. It is interesting to see how Naval’s reactions to social malaise contrasts with that of the film director, cinematographer and actor, Goutam Ghose, who was present during the unveiling of her book. He had responded to communal violence by making a film on Lalan Fakir extolling virtues of love and kindness, called Moner Manush (2010) and then made a book on the film called, The Quest (2013) which has beautiful translations of Lalan Fakir’s lyrics by Sankar Sen.  

Our non-fiction sections seem to be hosting multiple travel stories across UK by Mike Smith, along the Australian coastline by Meredith Stephens, on the Himalayas with Ravi Shankar and an unusual visit by Hema Ravi to a farm in US where animals that had been used in Disney films in the past are homed. Our environmental columnist, Kenny Peavy, actually wrote about his cycling trip from Thailand to Indonesia on a bamboo cycle made by a Singaporean! And from Japan, Suzanne Kamata explored a museum in the neighbouring town of Mure. The museum on a hill hosts the art of American Japanese Artists, Isamu Noguchi.

We do have non-fiction that moves away from travel: noir humour by Devraj Singh Kalsi and an essay by Candice Louisa Daquin on a very interesting subject – ‘Is it Okay to be Ordinary?’ Is it?  Dan Meloche has written a literary essay on Canadian novelist Andre Alexis’s award-winning novel, Fifteen Dogs: An Apologue (2015). While Meloche spoke of how the novel departed from Orwell’s Animal Farm, his narrative brought to my mind a novel closer to our times set in England by Jasper Fforde called Constant Rabbit (2020) – this a science fiction while Alexis’s was an apologue or an animal fable. Fforde did use the rabbits rather well to highlight the current times.

We have book excerpts of two recent books that I would call really outstanding. One of them is Aruna Chakravarti’s The Mendicant Prince, which is being released this week, and is based on the evergreen contentious case of the prince of Bhawal that has even been explored even in cinema. The other, Dadamoni: The Life and Times of Ashok Kumar by Nabendu Ghosh, has been published posthumously and is not a translation from Bengali but written in English originally by this trilingual writer.  

Called ‘Dadamoni’ affectionately, iconic actor Ashok Kumar is regarded as “the one personality who symbolises Indian cinema’s journey from Bombay Talkies to Bollywood”.  This book has been reviewed by Indrashish Banerjee, who calls it ‘a reflection on the Hindi film industry’ as well as a biography. Rakhi Dalal has reviewed Booker winner Geetanjali Shree’s Mai, Silently Mother, a Sahitya Akademi winning translation of her Hindi novel by Nita Kumar, reiterating the dialogue that had been kindled on motherhood last month by Rinki Roy Bhattacharya and Maithili Rao’s The Oldest Love Story (2022). Bhaskar Parichha has reviewed Prosanta Chakrabarty’s Explaining Life Through Evolution plotting how life evolved on earth. Parichha tells us: “Meaningful, wide-ranging and argumentative, this is a must-read book. It will propel us to imagine and reimagine life around us.” Another book that sounds like a must-read has been reviewed by Meenakshi Malhotra, Tagore’s Gleanings of the Road, translated by Mandal. She tells us: “ ‘Gleanings’ represents the quintessential Tagore…Ably introduced and translated by Somdatta Mandal, a renowned Tagore scholar, the translation captures the iridescent and luminous quality of Tagore’s prose and its chiaroscuro effects.”

There is more to tempt. Please stop by on our contents page and take a look.

We would like to hugely thank all our contributors and readers for being with us and helping us grow. I would like to thank my team, who despite hurdles they face, always lend a helping hand and wonderful words from their pens or computers to get Borderless on its feet. I apologise for the delay and thank you all for your patience. Special thanks to Sohana Manzoor for her fabulous artwork.

I wish you all a wonderful July and peace in a war-torn world. We are all affected by the ongoing conflicts. Let us hope for peaceful and just resolutions.

Thanks.

Mitali Chakravarty

borderlessjournal.com

Categories
Stories

My Christmas Eve “Alone”

 By Erwin Coombs

Courtesy: Creative Commons

Years before I became a teacher, I found myself in the sad position of having a four-year BA and being in the middle of a recession. The recession was the economy. On a personal level, I had a pretty good depression going. Not being able to get into a Faculty of Education and not being able to find a decent job, this newly married fellow was forced to take the only job he could find as a security guard.

Now I don’t mean to disparage security guards. They have a nasty job with a nastier pay. But you’ve seen these people. They are usually on the cusp of what we might term the unemployable. When I say cusp, I mean they are leading the parade of that group. And it’s not their fault. Many are new immigrants whose education credentials have not been recognised. Or they are retired men who cannot stand to watch their lives fritter away at home so come to malls and office lobbies to wear a uniform and do the same. And then there are young people, as I was, who are caught in hard times and have no other choice.

After a couple of humiliating jobs waiting tables in chain restaurants where I would remarkably come home with less money than what I would take to my shift, I jumped at the offering of a job as a security guard. The next time you’re in a chain restaurant, I want you to look kindly on those employees too. They are usually bright and assigned the all-important tasks of making sure the salad bar is inviting. And while you’re in there take a closer look at the salad bar. It is old and crusty and sprayed with oil to make it look shiny. But we had to make it look less toxic. Any idea how few employees eat that salad? Lots and lots.

Okay, when I say jumped at the job, that might be an overstatement. One doesn’t jump at that sort of employment. One stumbles, slithers or falls into it. But here I was offered a job at $5.75 an hour!! It was an olive branch. That very phrase has a biblical origin, apparently. But there was nothing biblical or God giving in a job like that for those wages. Don’t get me wrong. I was raised in a white trash upbringing where one didn’t expect anything necessarily good. Instead, one only hoped very hard that nothing too bad would happen that day that might lead to a poor night’s sleep — such as the arrest of a family member, an eviction from your apartment, or the like. As a survivor of this sort of upbringing, the prospect of a job didn’t seem that bad. What, after all, was I going to do with a specialization in English Lit. and a major in history? Apparently, I was going to guard office buildings in the wee small hours of the morning.

But while that might seem a sad conclusion to years of study, there were some perks. Imagine, for example, the sheer utility of having to wear a tie that clips on! Think of the minutes, and in the totality of a year, the hours saved not having to struggle with said tie. Pop it on and you’re ready to do whatever it is that fellows with clip on ties do. Oh yeah, that would be security work. The assumption being giving workers like me, those ties in the event of an altercation, you wouldn’t be choked with that tie.

When you are making $5.75 an hour, and you are brandishing what has appeared to be a useless university degree over your head, what’s going to happen if an altercation does occur? Let me tell you, you are going to, to put it politely, not intervene. There was no chance of my tie ever being touched by anyone except my sad, trembling hands before a sad, trembling shift at wherever they put me.

And for my second shift of what was to be my “permanent placement” I was assigned to a tall office tower in downtown Toronto. It was a plumb job, high end lawyers, businesses that made obscene amounts of money doing God knows what God knows where. And they had entrusted me to keep it safe throughout the long dark winter nights. Was I honoured? No, I wasn’t honoured. I only felt deflated. And to make matters worse, my first shift was on Christmas Eve, the graveyard shift, from nine p.m. to nine a.m. Christmas morning. Envisage if you will a bleaker prospect. Here I am, a young man, head full of ideas (granted, not his own) and lines of poetry and hope for the futures of his world and the world in general, newly married and, yes, making minimum wage, working on Christmas Eve. Gradually the poetry and the hope faded.

But to be fair it wasn’t entirely without a bright side. My wife had gone to visit her family outside of Toronto for Christmas. Had I not had a shift to cover, I would have gone with her. Her family were a small-scale variation of a war zone. Nobody got along and there was never a peaceful moment, instead there was only a lull between battles. There were tears and accusations and more tension than one might find in a tightly strung tennis racket. When I told her that I was expected to perform my duties as a poor imitation of a cop for this special night, and that she would have to go enjoy the majesty of her family without me, I was not as sad as one might think. In fact, I had a novel to read, a thermos of tea and the prospect of 12 hours of not watching a family engage in a bench clearing brawl over two days.

But fate had other plans for me. Other plans of a Christmas Carol variety.

I showed up early to get the very precise instructions of how to get through the night. My boss, a veteran of many years, who commanded all the respect one might command when sporting a polyester jacket uniform, was very specific.

“There’s no one in this building tonight. Except you. There is a fellow on the second level parking garage, but he never leaves his cubicle. And, uh, between me and you, that should make you feel safer.”

“Safer. Why?’

I started having visions of a madman on some kind of a parole programme given parking duty having committed the most heinous offences.

“Well,” my boss continued…” he’s one of them.”

He let that comment hang in the air for me to absorb and be shocked at. Of course, I knew what he meant. This was 1987, and the world was still in the throes of homophobia and misogyny and racism and all the other features of Neanderthal thinking that was, thankfully, about to be knocked on the head by people with fully developed brains. But I wanted to have a bit of fun with this monkey boss.

“You mean, he cheers for the Montreal Canadians?” I tried to sound both outraged and frightened that such a man would be my workmate through this long night.

Bob, the Neanderthal boss, was a little shocked that I hadn’t picked up on his primitive subtlety.

“NO… he’s a fag!”

I pretended that it would take me a while for that to sink in and put on a shocked face.

“You mean, he….?”

“That’s what I mean.” He said, almost in triumph of having gotten his point across. “But don’t worry, as I said, he never leaves his cubicle, thank God.”

Within ten minutes, Mr. Meathead had left the building and I was alone. Except, of course, for the serial homosexual rapist that I had been warned about. I went right down to see him two floors below to introduce myself. And there he was, sitting in a tiny cubicle with classical music playing and reading what looked to be a fairly serious book.

“Hi, I’m Erwin, tonight’s security guard. It’s my first shift so if there are any problems please don’t call, I’ll likely be napping on an office couch somewhere.”

He laughed and we joked about Bob the Ape man and how if were both in this job one year from now we would have a mutual murder/suicide pact. I left him alone and went upstairs to begin my action-packed shift of watching. And watching. And, if there was time later, watching.

Now as this was my first shift, I thought I should probably do some of what was expected of me. We were told to go on perimeter patrols. These were walks around the out and inside of the building looking for narcotics dealers and nuclear terrorists and generally the sort of high-end criminals who intrude into empty offices in the night. And we were to record in our little make belief police notebooks where we had patrolled and at what time and what we had discovered. After a couple of weeks, it dawned on me that the patrols were not necessary. But I was dedicated enough to still record the patrols in my book. Had I been a little more honest I would have recorded the following:

10:15 p.m. went to office lounge and took delicious 15-minute nap

11:00 p.m. found cookies in staff lounge… ate same

12:30 a.m. finished latest novel…surprise ending quite good

2:00 a.m. considered the merits of suicide as I peered over 15th floor balcony onto atrium…. otherwise, no unusual activity

4:00 a.m. wondered why my cat sleeps so damn much

But as I said, this was my first shift, so I dutifully walked about and scribbled down my report. All had been very quiet until I got to the first level of parking. There were literally no cars in either lot, everyone with lives being at home while I celebrated Christmas Eve in their empty building. But it was not as empty as I thought it was. There, across the lot, I spotted what was obviously a homeless old man who had broken in no doubt to escape the frigid outside. My several hours of rigorous training had taught me what to do in this situation, so I called out the lines I had learned that might save my life one day.

“Hey! You!! You shouldn’t be here!!” I yelled in my deepest, most authoritative voice. The old man, who was shuffling more than walking turned his head to look at me and gave the most peaceful smile. And then he hid behind a concrete column in the middle of the lot.

I have read enough detective novels to know what my next step should be. I must go to the other side of the column to find him. That’s the kind of skill set one acquires from reading. I did, but the shuffling old fellow was a bit faster than I imagined, for he had run around the column to avoid me. I followed. He ran, I followed. Before long I was running around the column chasing no one, and the image of the dog chasing its’ own tail came to my mind. There was no way he could have escaped my most professional pursuit, but he had. I stood there, out of breath and dumbfounded. There was an intruder in the building, and I had let him, somehow, get away. And now I had to report it.

I jogged down to the serial rapist one floor below. He was surprised to see me, perhaps because I was not the same calm looking fellow who couldn’t give a flying damn about this job. I looked worried. Mostly because I was.

“Listen, Mark, not to alarm you, but you should know, there’s an intruder in the building.”

“An intruder?” he looked concerned enough to put down his book.

“Yes, I think it’s a homeless fellow. I’ve got to call it in to headquarters and then notify the police.”

This all sounded very by the book and what ought to be done. Naturally, I was making it all up. I had no idea what procedure was, and I had never read “the book”. And as far as headquarters went, I knew it was staffed by the same South African lunatic who had trained me, if he was even awake. And as for the police, I supposed that made sense as this guy was, strictly speaking, a break in sort of fellow. I was hoping for some guidance from Mark who looked, sadly, like this wouldn’t be his last year at this cubicle. He must have had a lot of great books he wanted to read.

His attitude became casual.

“So, what did this guy look like?”

“Well, he was old, with a gray beard…”

Here is where he cut me off.

“Long gray coat, shuffled when he walked, pleasant smile, fairly short…?”

“Christ, you saw him too! Did he come up to you?’

“No, he never does. He just walks and smiles and disappears.”

Now at the idea that Mark allowed this guy to walk about at his leisure my security guard instincts (never very sharp) kicked in.

“Did you report it??” I asked accusingly.

“Oh, Erwin, you can’t report a ghost. Well, you can, but why bother?”

I looked at him in a predictably stunned way.

“A ghost?”

“Oh yeah…I see him every so often and he just comes and goes and just goes. He has disappeared before my eyes more often than first dates I’ve had. But unlike my first dates, he always comes back with a smile. Don’t worry, he’s harmless.”

Now here’s something else to imagine. You are alone in a big building, you’ve seen a ghost, you have the prospect of many more hours alone and you are told you’ve seen a ghost and that you might see him again but not to worry as he’s harmless. I don’t doubt that ghosts exist and never have. I also believe that they are harmless.

Does this mean that I want to be with one overnight in a building alone? Nope.

I can also tell you that security guards do several things most people aren’t aware of. They pilfer little things, like pens, staplers, cookies (as I hinted at earlier) and they sleep. Sitting alone for a long time and trying to stay awake, it’s tough. Sure, you can play a radio, you can read, you can make plans for an escape from this life that you couldn’t have had nightmares about when you were younger. But ultimately sleep stampedes towards you and you nestle your red eyes into your polyester shirt sleeve laid out on the desk and sleep. But not when you expect the old ghost of Parking Level Two to come by for a Christmas visit. That was the only night I stayed awake for a whole shift. And it was purely from fear, not dedication to my profession. The paltry pay was compensated for with this experience, so I have no regrets about having taken this job. Who knows what adventures lie in the most seemingly bland corridors we travel through!

Erwin Coombs is a retired teacher of philosophy, history and literature who has rejected all forms of retirement. He is an avid writer, reader, and observer of life. When not observing and reading and living, he is writing. Erwin has lived in Egypt, Jamaica, England and travelled a great deal but, in his mind, not enough. His writing is a celebration of people and opportunity, both of which life gives in abundance. These stories are from his, as yet unpublished book, Dusty the Cat: Her Part in My Downfall.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Editorial

For the People, Of the People, By the People

Painting by Gita Viswanath
"I wish you survival, 
Health
And the closed sky above you."

— Refugee in my own Country/I am Ukraine, Lesya Bakun

Despite this being the season of multiple new years around Asia, we cannot close our eyes to the skies that connect all the world like a blue dome. Though celebrations and humour continue to lighten the darkness of war, while Ukraine is being wrecked, can we turn our faces towards only festivities?

I had an interesting anecdote about how before the onset of the Gregorian calendar, new years in the world were celebrated around March and in some places in September. The Earth would turn fecund and green with spring, a beautiful season sprinkled with love and nostalgia as Michael R Burch tells us in his poetry. However, despite all the opulence of nature, it is hard to watch a country being bombed and families splintered to man a war that supposedly guards a human construct called ideology and blocs. Ukranian refugee, Lesya Bakun, in an interview says: “It is not a clash of ideologies. It is a fight for our country and nation to exist.” Listening to Lesya’s stories makes one amazed at the bravery of the Ukrainians battling what seems to be cultural hegemony. It reminds of the war in Bangladesh in 1971. Though incredibly courageous in voicing her experiences, Lesya is traumatised and has a psychosomatic cough as she sends her voice and text messages from her mobile through Telegram. There were times when she was just weeping or angry for the questions asked, and justifiably so, as her home in Kharkiv, where she lived was under attack, and the town of Mariupol, where she was born, has been wrecked by the war.

The refrain of the pain of a refugee continues to reverberate in a book reviewed by Rakhi Dalal, Ramy Al-Asheq’s Ever Since I Did Not Die, written originally in Arabic and translated by Isis Nusair. The Syrian-Palestinian poet refused to clarify whether his writing was prose or poetry — perhaps these borders and boxes drawn by humankind are breaking down in reality. Perhaps, this new year, the time is ripe to look forward to a new world that transcends these borders. This is also the first time we have had the privilege of carrying reviews of translations from Arabic and also from Turkish. Gracy Samjetsabam has reviewed a translation of a Turkish novel by Iskendar Pala called The Tulip of Istanbul, translated by Ruth Whitehouse. Bhaskar Parichha has reviewed a book by Kiran Manral, Rising: 30 Women Who Changed India while Candice Louisa Daquin has drawn our focus on a poetry collection by Marjorie Maddox, Begin with a Question, where the perceived divisions do not matter while the poet questions the larger issue of faith in quest of answers.

Is it the same kind of quest that has led Strider Marcus Jones to create the Lothlorien Journal, named reminiscently after Tolkien’s elvish ‘Lothlorien’ in Lord of the Rings? Find out Jones’s views and flow with his fluid poetry in the featured interview. Keith Lyons has been in conversation with Ivy Ngeow, an upcoming writer and the editor of a recent anthology of Asian writing where she has retained different styles of English across the world in a single book. While this could be beneficial to writers, would readers be comfortable reading stories with different styles or dialects of English without a glossary?

Our book excerpts are from more Asian books.  The Year of the Rat and Other Poems edited by Malachi Edwin Vethamani has an interesting title poem which has been shared in the excerpt. The other excerpt is from a fast-paced novel, Half-Blood, by Pronoti Datta. We also have a fast-paced story by a writer from France called Paul Mirabile set in Portugal; two that verge on the bizarre from Keiran Martin and Amjad Ali Malik; a poignant story from Sutputra Radheye and another that shows the positive side of voicing a protest against wrongs by Devraj Singh Kalsi. Kalsi has also given us a tongue in cheek musing called When Books have Wings.

On the lighter vein are travel essays by Ravi Shankar and Meredith Stephens. They take us to the Himalayas in Nepal and to Tasmania! Suzanne Kamata has taken us to an owl cafe in Japan! At the end of her column, one feels sad for the owls as opposed to Erwin Coombs’ narrative that evokes laughter with his much-loved pet cat’s antics.

Humour is evoked by G. Venkatesh who with an ability to find silver linings in dark clouds talks of cricket and lessons learnt from missing his school bus. Adnan Zaidi has also analysed his poetic abilities with tongue-in-cheek comments. Kenny Peavy gives a lighthearted rendition in praise of boredom and interactions with nature. It is good to have laughter to combat the darkness of the current times, to give us energy to transcend our grief. Keith Lyons hovers on the track between humour and non-humour with his cycling adventures. Rhys Hughes seems to talk of both his favourite poem and the war in a lighter shades, in no way insensitive but his observations make us wonder at the sanity of war. We have much of war poetry by a number of writers, poetry on varied issues by Luis Cuauhtémoc Berriozabal, George Freek, Sybil Pretious, Kisholoy Roy, J.D. Koikoibo and many more.

Candice Louisa Daquin has taken on the onus of bringing to our notice how language can impact us in the long run while Ratnottama Sengupta has explored beggary in films, fiction and fact. The Nithari column runs a real-life story of a young boy narrated by his brother, Sachin Sharma. It has been translated from Hindustani by Diksha Lamba. The trauma faced in 2006 is strangely not discussed in the story though it hovers in the backdrop between the lines. We also have a translation of a Balochi folk story by Fazal Baloch and a Korean poem by Ihlwha Choi. Translations from Tagore by Fakrul Alam and Somdatta Mandal have honoured our pages again. Mandal has sent us fun-filled skits by Tagore. But are they just fun or is there something more? We also have a translation of a long poem that explores a different aspect of Tagore, his empathy for the downtrodden which led him to create Sriniketan and regard it as his ‘life work’.

We have a bumper issue this time again — especially for the Asian new years; Thai, Nepalese, Bangladeshi, multiple Indian and more…

We would like to thank Sohana Manzoor for our cover painting and Gita Viswanath for her artwork. I would like to thank our wonderful team who with their contributions make this journal a reality. All the contributors deserve a huge thanks as do our loyal readers.

I wish you all a wonderful start to a non-Gregorian new year and hope that peace prevails over parts torn by wars and dissensions.

Thank you all!

Mitali Chakravarty

borderlessjournal.com

Categories
Slices from Life

Getting My Nemesis

By Erwin Coombs

You might be wondering how on earth Dusty, the cat, played such a huge role in my downfall. I suppose I should use the defence that the title of this piece is nothing more than literary license because for one thing, I have never had a downfall. Oh, I’ve had many falls and stumbles, but no major catastrophic tragedy that cast me into the pits of despair. I suppose rather than the pits of despair, I have just visited the suburbs of despair. And having lived in the suburbs, I don’t mind equating these two. That is one of the many wonderful things about life, that we can fall, but invariably we rise again, as it is said in a part of the Bible I can never remember, though I fall I shall rise. Confucius said it as well: that our greatest glory is not in never falling, but in rising every time we fall. The title of this book is misleading, to an extent. I never fell, absolutely, and Dusty had nothing to do with my stumbles. In fact, she was a factor in helping me to get up again and again. A cat? Yes, one might be amazed at the soothing companionship that pets offer generally. I don’t mean all pets. I can’t imagine a turtle, for example, offering solace at the end of a rotten day at work or after your partner has just told you that you are now a lone wolf and good luck with your future. But let me get back to when I finally decided to get a cat.

I was on my own and had rented a bachelor apartment. I was determined to have a pet, particularly a cat, as cats had been a big part of my life since I found the stray Dickens twenty years ago. It was the first of the month, moving day, and as I had not a lot to move for reasons to long to go into, I thought I wouldn’t go a day without company, so I asked my daughters to come with me to the Humane Society to pick one out. My eldest daughter was a little hesitant as she and her boyfriend had adopted a dog few months earlier and had to return it, for reasons once again too long to go into. As a result, she felt that she was blacklisted and that her picture was up on screens and walls and would somehow be subject to abuse at the hands of the workers there. I tried to explain that these people were very well intentioned and likely not wanting to seek revenge for the return of an animal. I mean, I asked her, what could they possibly do? Shame her in front of the other caged animals? Sick a wild pack of rabid pooches on her? But she was nervous enough that she left the choosing of my cat to me and Josie.

My other daughter and I went cruising through the rooms looking at the imprisoned beasts. Any visit to one of these places can be sad. They really do look like prisoners as they pace their small spaces and when you pass by a cage, they seem to do their best to be alluring, realizing on some level, that this stranger might just be their ticket out of Sing-Sing. They rub up against the bars and look at you with these pleading eyes that seem to say, “Please like me, take me home.” It’s every meathead’s dream of what a single’s bar should be like but isn’t for meatheads. My daughter finally found one that she connected with and told me to come over and have a look. It was an American Shorthair, grey and with lovely kind, green eyes. The assistant opened the cage for me and let me put my hand in to have a pet. It was a lovely meeting until the blood was drawn. Mine, I mean, not hers. She lashed out not too fiercely at my hand and I pulled back too late. Josie looked up at me and said,

“Dad, you moved too quickly!”

My argument was that the quick move was the result of having been assaulted and not the cause, but she was intent that this was the one for me and so, naturally, I agreed, as I held my hand up to prevent my life’s blood from escaping.

“There not used to being touched, poor things.” said the worker.

I looked at my gash and wondered if there would be any pity for me, or only another condemnation at having been doing jazz hands in a cat’s cage, but there was none. Nevertheless, I agreed to take this one home and started the paperwork. The woman across the desk took my particulars and my cheque and told me, quite casually.

“And we won’t charge you for the cream.”

“Cream?” I asked, “What cream?”

For a moment I thought that they were going to offer an antibacterial tube for my hand given that one of their inmates had attempted murder on me. But not even close.

“The cream for her backside” came the “as if you didn’t know” response.

“Why would I need cream for her backside?” I asked bracing myself for an answer I knew wouldn’t be pleasant. I mean, any conversation around creams and cat’s backsides is not going to work out well, and this one didn’t.

“As you probably noticed, the kitty is a little bit bigger than she should be.”

A little bit? This was one fat cat. Cats as a rule are about as sedentary a creature as you’ll find so being a little bit chunky is par for the course, but this one was two pars for the course. I didn’t mind as I thought I’ll get her slimmed down with a gym membership and controlled diet.

“And the cream on her anus will help her lose weight?” I asked hopefully.

“Oh no, it’s just that she is so big she can’t really reach her anus to clean it, so she has a wee bit of an infection. The cream will help clear it up. Twice a day, but I suggest you wear a glove as you do it.”

If there was one thing I didn’t need a suggestion about as to when to wear a glove it was that. I didn’t relish the idea with a glove anyway. We took her back to my sparsely furnished new apartment and put her down on the floor while I set up the all-important pooh box and, more important to her, the food and water bowl. She was still a nameless cat, so I asked the girls as I was busying myself rushing about, as much as one can in a bachelor apartment, setting up for my new roommate,

“Well girls, what should we name her?”

“Dusty.” Came the immediate response from Josie. And it made sense as she was a gray furred kitty with lovely white bits as well.

“Because she’s gray?” I called out from the bathroom as I scooped kitty litter into the target box.

“No.” said Josie. “Because she’s eating a fluff of dust.”

And that is my cat, Dusty. As if being so obese that you can’t clean your own backside wasn’t evidence enough, she has an eating compulsion that will not stop, even at dust. But we forged strong bonds and became good friends. As a matter of fact, there is a gay theatre in Toronto called Buddies in Bad Times Theatre Company, and they are quite good. So, from day one I would refer to Dusty and I as just that, buddies in bad times. Of course, the times weren’t bad exactly, but they were certainly getting better.

Erwin Coombs is a retired teacher of philosophy, history and literature who has rejected all forms of retirement. He is an avid writer, reader, and observer of life. When not observing and reading and living, he is writing. Erwin has lived in Egypt, Jamaica, England and travelled a great deal but, in his mind, not enough. His writing is a celebration of people and opportunity, both of which life gives in abundance. These stories are from his, as yet unpublished book, Dusty the Cat: Her Part in My Downfall.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Contents

Borderless, March 2022

Painting by Sohana Manzoor

Editorial

Where Have All the Sunflowers Gone?… Click here to read.

Ukranian Refrains

In When will we ever learn? Oh, will we ever learn?, Ratnottama Sengupta, comments on the current situation in Ukraine while dwelling on her memorable meeting with folk legend Pete Seeger, a pacifist, who wrote ‘Where have all the Flowers gone’, based on a folk song from Ukraine. Click here to read.

In Can Peace come Dropping by,Candice Louisa Daquin explores war and peace pausing over the attack on Ukraine. Click here to read.

Three Poems from Ukraine by Leslya Bakun. Click here to read.

Translations

Manush: Nazrul’s Lines for Humankind: Translated from Bengali by Professor Fakrul Alam. Click here to read.

Jibananda Das’s Where have all these Birds Gone & On the Pathways for Longtranslated from Bengali by Professor Fakrul Alam. Click here to read.

Munir Momin’s You & I translated from Balochi by Fazal Baloch. Click here to read.

Down the stairs by Nabendu Ghosh, a gripping story exploring the greyer areas of ethical dilemmas, has been translated by Sarmishta Mukhopadhyay with editorial input from Ratnottama Sengupta. Click here to read.

Autumn is Long, a poem written in Korean and translated to English by Ihlwha Choi. Click here to read.

Tagore’s Anondodhara Bohichche Bhubone (The Universe reverberates with celestial ecstasy)…translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies’ Corner

These narratives are written by youngsters from the Nithari village who transcended childhood trauma and deprivation. A letter to God by Tanveer Hussain  uses the epistolary technique to asks questions that would be relevant for all humankind. It has been translated from Hindustani by Vritika Thareja. Click here to read.

Poetry

Click on the names to read

Kirpal Singh, Rhys Hughes, Sutputra Radheye, Jay Nicholls, Uma Gowrishankar, Mike Smith, Anasuya Bhar, Luis Cuauhtémoc Berriozábal, Supatra Sen, George Freek, Pramod Rastogi, Ryan Quinn Flanagan, Ananta Kumar Singh, Michael R Burch, Shaza Khan

Nature’s Musings

In Storms & Seas, Penny Wilkes explores birds and the ocean during rough weather. Click here to read.

Poets, Poetry or Rhys Hughes

In Tall or Short Tales, Rhys Hughes explores the absurd. Click here to read.

Musings/Slices from Life

Eva Zu Beck & Marco Polo

San Lin Tun writes of how, in Yangon, he spends the lockdown watching a travel blog by Eva Zu Beck. Click here to read.

Messages through Space and Time

Meredith Stephens explores how the art of letter writing creates links across borders of time and place. Click here to read.

It’s Amazing the Things We can Do

Erwin Coombs takes us through his life in Egypt and has a relook at Nazi occupied Europe with a dollop of humour to come to an amazing conclusion. Click here to read.

An Existential Dilemma

G Venkatesh uses the laws of thermodynamics to try to interpret the laws that define life. Click here to read.

Musings of a Copywriter

Devraj Singh Kalsi ponders on his Visit to a Book Fair. Click here to read.

Notes from Japan

In Imagining a Possible Future: Filmmaker Felicity Tillack, Suzanne Kamata introduces us to an Australian film maker who is making films in Japan now and some are in Japanese. Click here to read.

Mission Earth

Kenny Peavy starts his column with Mama Calling, a cry to go back to living with nature. Click here to read.

Interviews

From the Himalayas to the Banks of Thames: In Conversation with Sangita Swechcha, a writer shuttles between England and Nepal and writes of her homeland. Click here to read.

At Home Across Continents : In Conversation with Neeman Sobhan, a Bangladeshi-born writer who writes of her experiences as an expat in Pakistan, Bangladesh, Italy and America. Click here to read.

Stories

The Man Who got Eaten

 Kieran Martin tells a tall tale or is it short? Click here to read.

Death Will Come

Munaj Gul Muhammed captures the wafting sadness of grieving in this short poetic narrative. Click here to read.

SofieMol

Sharika Nair paints a vignette of the past merging with the present in her narrative. Click here to read.

Faith & Fortune

Devraj Singh Kalsi shows how the twists of faith are aligned to wealth and fame. Click here to read.

Henrik’s Journey

Farah Ghuznavi follows a conglomerate of people on board a flight to address issues ranging from Rohingyas to race bias. Click here to read.

Essays

The Kaleidoscopic World of Satyajit Ray

Anasuya Bhar takes us into the literary world of Satyajit Ray, the world famous film director. Click here to read.

Are Some of Us More Human than Others ?

Meenakshi Malhotra ponders at the exclusivity that reinforces divisions, margins and borders that continue to plague humankind, against the backdrop of the Women’s Month, March. Click here to read.

The Observant Immigrant

In The Paradox of Modern Communication, Candice Louisa Daquin takes us through the absurdities that haunt modern verbal communication. Click here to read.

Book Excerpts

An excerpt from Friends in Wild Places: Birds, Beasts and Other Companions by Ruskin Bond. Click here to read.

An excerpt of a short story by Yang Ming from Asian Anthology, edited by Ivy Ngeow. Click here to read an excerpt.

Book Reviews

Meenakshi Malhotra reviews Mahasweta Devi, Our Santiniketan translated by Radha Chakravarty. Click here to read.

Indrashish Banerjee reviews The Tombstone in My Garden: Stories From Nagaland by Temsula  Ao. Click here to read.

Keith Lyons reviews Asian Anthology: New Writing Vol. 1: Stories by Writers from Around the World, edited by Ivy Ngeow. Click here to read.

Bhaskar Parichha reviews Why They Killed Gandhi; Unmasking the Ideology and the Conspiracy by Ashok Kumar Pandey. Click here to read.

Special Issues

Imagine… Click here to read our World Poetry Day Special.

Categories
Editorial

Where Have All the Sunflowers Gone?

Only when the cries of the wretched of the earth will stop renting the skies,
Only when the oppressor’s bloody sword will cease smearing battlefields,
			A rebel, weary of war,
			Only then I won’t stir.
…
I’m the ever-rebellious hero--
	Soaring over the world, all alone, head forever held high!

--  Rebel or 'Bidrohi' (1922) by Nazrul, translated by Fakrul Alam
Borderless: Digital Art by Ayaan Ghoshal
These fragments I have shored against my ruins
…
Datta. Dayadhvam. Damyata.         
 Shantih shantih shantih

-- Wasteland (1922) by TS Eliot

These lines reiterate values we would do well to live by in a war-torn, dissension-worn world where the need for a rebel to recreate a humane society that lives with values such as peace, generosity, acceptance, tolerance, compassion and restraint — is a felt need. The two great poems made history by remaining as popular a hundred years after they were written — ‘The Rebel’ by Nazrul and TS Eliot’s ‘Wasteland’. Nazrul defined a rebel as an iconoclast who breaks norms to find peace, justice and love for all, to move towards the creation of an ideal world. TS Eliot quoted from the Upanishads and ended with redemption coming with giving (giver perhaps denoted generosity), compassion and restraint. Despite the wisdom of these great poets and seers, war still continues a reality. The values remain neglected not just in as we see in conflicts, like the one in Ukraine that destroys lives, property and nature with intolerance towards differences, but also in our personal lives. Tagore also reiterated the same need for stepping out of personal, social, economic and political insularity. We carry a translation of a song that echoed this need while inviting participation in his ecstasy. He wrote:

Why do you sit in isolation,
Dwelling on self-centred issues? 

Tagore had not only written of the negative impact of isolation from the world but he led by example, building institutions that could lead the world towards pacifism with acceptance of diversity and inclusiveness. Sriniketan and Santiniketan were created to move towards these ideals. Many of the people he influenced or who studied in Santiniketan made history, like Prime Minister Indira Gandhi, Satyajit Ray; many added to the sense of inclusiveness, like Mahasweta Devi, who other than her enormous work to integrate different cultures, also wrote a memoir about Santiniketan in Bengali. Radha Chakravarty, nominated for the Crossword Translation Award (2004) for In the Name of the Mother by Mahasweta Devi, has translated this memoir, a narrative which brings us close to Tagore’s ideals of the whole world being a family. How wonderful it would be if the world were open to such ideals and would behave like a global family and not go to war!  Mahasweta Devi, Our Santiniketan, which has been reviewed by Meenakshi Malhotra, reiterates Tagore’s vision of a planet living in harmony with the flora and fauna.

Bhaskar Parichha has reviewed another non-fiction by Ashok Kumar Pandey, Why They Killed Gandhi; Unmasking the Ideology and the Conspiracy. Parichha writes: “The finest point about this book is its storytelling…” The book review brings to mind in the midst of a war and violence that Gandhi had tried to erase this mindless destruction of lives, nature and cities with Ahimsa or non-violence. Will we ever rise up to it? Perhaps… We see strains of recognising the negative impact of insular outlook in writings like that of Temsula Ao, a Sahitya Akademi Award winner, according to Indrashish Banerjee who has reviewed her new book, The Tombstone in My Garden: Stories from Nagaland. Keith Lyons has reviewed Asian Anthology: New Writing Vol. 1: Stories by Writers from Around the World, edited by Ivy Ngeow, an exotic medley of Asian stories, one of which has been excerpted as well.

We are privileged to carry another excerpt from Ruskin Bond’s Friends in Wild Places: Birds, Beasts and Other Companions, a hilarious story about a pet tiger adopted by the legendary writer’s grandfather. What is amazing about Ruskin Bond’s writing is the love and compassions for all creatures great and small that colours the tongue-in-cheek humour he rolls out to his readers. If only we could think like Bond, there would be no wars. His writing, I feel, transcends political borders or ‘isms’, and laces with love and compassion tales of menageries of monkeys, snakes, mongoose, humans of different denominations. This excerpt is a treat we are giving Borderless Journal as the journal completes two years of its existence. We are truly grateful to Speaking Tiger for sharing this excerpt with us. But our celebrations this time are sombre as the war rages with incoherence accompanied by heart-breaking ravages.

The refrain from Ukraine has been taken up by Ratnottama Sengupta as she takes us through the past and present experiences of the devastated country, bringing in the views of the legendary folk singer and pacifist, Pete Seeger (1919-2014), who she had interviewed over a span of four days. The writer of ‘Where have all the Flowers Gone?’, a song based on an Ukrainian folk song, Seeger said, “The point is not to ask for yourself alone — one has to ask for everybody: Either we all are going to make it over the rainbow or nobody is going to make it.” Candice Louisa Daquin has also pondered on the justification of war, contextualising it with the current one along with her essay on the paradox of modern linguistic communication.

We have an exhaustive essay on the legendary Satyajit Ray’s creations by Anasuya Bhar. Malhotra has pondered at exclusivity reinforcing divisions, margins and borders to plague humankind, against the backdrop of the Women’s Month, March. Highlighting women in writing, we have interviewed two female writers, one from Nepal and another from Bangladesh. Sangita Swechcha lives in UK but her writing, till now largely in Nepali, often pines for her home embedded in the Himalayas whereas, an expat, Neeman Sobhan, shuttles between Bangladesh and Italy with the affluence and assurance of a privileged background.

Finding a way to override lack of privileges, deprivation and violence, are the youngsters of Nithari on the outskirts of Delhi where less than two decades ago other than poverty, savage criminality devastated the local populace. These youngsters transcended the suffering over time with help from volunteering NGOs to create narratives that amaze with their inventiveness and confidence. Tanveer Hussain from Nithari, self-motivated and self-made from a young age, asks questions that would be relevant for all humankind in a letter to God. It has been translated from Hindustani by Vritika Thareja of pandies’. This edition’s translations include Professor Fakrul Alam’s mellifluous rendition of Jibanananda Das’s poetry from Bengali to English, Ihlwha Choi’s Korean poetry and a Balochi poem by Munir Momin rendered in English by Fazal Baloch. Baloch had earlier translated poems by Akbar Barakzai, a great poet who departed on 7th March, depriving the world of yet another powerful writer who imbibed hope of a better future in his poetry. We are privileged to have hosted the translations of some of his poems and his last interview.

Another well-known poetic voice from Singapore, Kirpal Singh, has given us poignant poetry that can be applied to the situation that is leading to the wreck of Ukraine. Anasuya Bhar has  poetry, one of which despite being in the ilk of Nazrul’s great poem, ‘Rebel or Bidrohi’, questions gently mainly social constructs that obstruct the flow of harmony. Ryan Quinn Flanagan has pondered on the acceptance of a changed world. We have humour from Rhys Hughes in poetry and wonderful poems by Michael R Burch on spring. Jay Nicholls shares the last of her dozen Pirate poems as Blacktarn sails the lemon seas to fight pollution. Luis Cuauhtémoc Berriozábal, George Freek, Sutputra Radheye, Mike Smith, Shaza Khan and many more have contributed a wealth of beautiful lines. Penny Wilkes has captured storms and seas with photographs and text and Rhys has surprised us with some strange, bizarre tales in his column.

We have musings from around the world. San Lin Tun, Meredith Stephens, Erwin Coombs, G Venkatesh have all brought in flavours of multiple cultures. Devraj Singh Kalsi has spoken of a book fair he visited in a semi-sardonic tone. He has also given us a short story as has Farah Ghuznavi – a truly borderless story which takes place in an aeroplane, in the sky where all borders collapse. We have more stories from Balochistan, US and India.

Suzanne Kamata continues writing on Japan as she  introduces us to an Australian film maker who is making films in Japan and in Japanese, called Felicity Tillack. Cultures are perhaps truly crossing borders as we can see Kenny Peavy, an environmentalist who moved from US to Indonesia start a new column with us called ‘Mission Earth’. We hope, like Tagore or Rousseau, he will help to revive our felt need to live with nature, acknowledge the nurture that we get from the planet to live in harmony with it and on it.

At the end of twenty-four months of existence – that sounds better than a mere two years— we are happy to host a melange of writers from across the borders and be the meeting grounds of writers and readers from across continents. I am truly thankful to all of you for helping concretise an ideal. Huge thanks to all the writers, artists, photographers and the readers for the contribution of their time, effort and love. And thanks to our fabulous team who continue to support the journal unwaveringly. I would also like to thank Sohana for the lovely visuals she generously shares with us. A special thanks also to young Ayaan Ghoshal for his digital art where hands reach out to support a truly borderless world.

As usual, all the content has not been covered here, I invite you all to enjoy our March edition of Borderless Journal.

At the start of the third year of our existence, let us march onwards towards renewed hope – maybe the Ukraine experience will take us closer to a war-free world with an awakening of a felt need for peace and compassion in a planet without borders.

In quest of a peaceful, humane world, I invite you all to continue being part of this journey.  

Mitali Chakravarty

Borderless Journal