Borderless July, 2021


Reach for the Stars… Click here to read.


In conversation with an American poet, Jared Carter, who has received multiple encomiums like the Walt Whitman Award, the Poets’ Prize, a Guggenheim fellowship and much more. He tells us of his life and how he writes a poem. Click here to read.

In conversation with eminent academic and translator, Radha Chakravarty. Click here to read.


Two songs by Tagore written originally in Brajabuli, a literary language developed essentially for poetry, has been translated by Radha Chakravarty. Click here to read.

Balochi poetry of Akbar Barakzai translated by Fazal Baloch. Click here to read.

Korean Poetry written and translated to English by Ihlwha Choi. Click here to read.

Poetry in Bosnian from Bosnia & Herzegovina, written and translated by Maid Corbic. Click here to read.

Translation of ‘Dushomoy’ by Tagore, from Bengali to English by Mitali Chakravarty on behalf of Borderless Journal. Click here to read and listen to Tagore’s voice recite his poem in Bengali.


Click on the names to read

Suzanne Kamata, Lorraine Caputo, Rhys Hughes, Kinjal Sethia, Emalisa Rose, Shahriyer Hossain Shetu, John Herlihy, Reena R, Mitra Samal, Ryan Quinn Flanagan, Shubham Raj, George Freek, Marc Nair, Michael R Burch, Jay Nicholls, Jared Carter

Poets, Poetry & Rhys Hughes

In The Scottish Homer: William McGonagall, Rhys Hughes assays into the times of this bard known as the best of worst poets! Click here to read.

Nature’s Musings

Penny Wilkes takes us Down the Path of Nostalgia with a mix of old and new photography and prose and poetry on how a decade after the end of the Second World War, she started her love affair with photography and nature. Click here to read

Musings/Slices from Life

Summer Studio

Jared Carter writes of a childhood in mid-twentieth century America. Click here to read.

Three Men at the Lalbagh Fort

Marjuque-ul-Haque explores Mughal Lalbagh fort left unfinished in Dhaka, a fort where armies were said to disappear during the Sepoy Mutiny of 1857. Click here to read.

A Stroll through Kolkata’s Iconic Maidan

Nishi Pulugurtha journeys with her camera on the famed grounds near Fort William, a major historic site in Kolkata. Click here to read.

Musings of a Copywriter

In Managing Bookshelves, Devraj Singh Kalsi cogitates with wry humour while arranging his book shelves. Click here to read.

Adventures of the Backpacking Granny

Sybil Pretious concludes her adventures this round with a fabulous trip to Generous Indonesia, a country with kind people, islands and ancient volcanoes. Click here to read.


Peace: Is it Even Possible?

Candice Lousia Daquin explores war and peace through history. Is peace possible? Click here to read.

Corona & the Police

Subhankar Dutta reflects on the role the police has taken in a pandemic torn world. Click here to read.

A Prison of Our Own Making

Keith Lyons gives us a brief essay on how we can find freedom. Click here to read.

Bhaskar’s Corner

In Richard Hughes: The Reporter Who Inspired Ian Fleming, Bhaskar Parichha showcases a journalist who wrote globally, spicing it up with humour. Click here to read.


Flash Fiction: Horizon

Tan Kaiyi evokes the spirit of the Singapore National Day amidst the darkness of spread by a deadly virulence. Click here to read.

Flash Fiction: Ice Storm

Niles Reddick tells a weatherman’s story with a twist of humour. Click here to read.

Mr Roy’s Obsession

Swagato Chakraborty spins a weird tale about an obsession. Click here to read.

Magnum Opus

Ahsan Rajib Ananda shows what rivalries in creative arts can do. Click here to read.


A poignant real life story by Jeanie Kortum on adopting a child. Click here to read

The Literary Fictionist

In Scarecrow, Sunil Sharma explores urban paranoia. Click here to read.

Book Excerpt

The Parrot’s Tale, excerpted from Rabindranth Tagore. The Land of Cards: Stories, Poems and Plays for Children, translated by Radha Chakravarty, with a foreword from Mahasweta Devi. Click here to read.

Book Reviews

A Sense of Time by Anuradha Kumar reviewed by Rakhi Dalal. Click here to read.

Murder in Daisy Apartments by Shabnam Minwalla reviewed by Gracy Samjetsabam. Click here to read.

The Third Eye of Governance–Rise of Populism, Decline in Social Research by Dr N Bhaskara Rao reviewed by Bhaskar Parichha. Click here to read.

A Special Tribute

Dilip Kumar: Kohinoor-e-Hind

In a tribute to Bollywood legend Dileep Kumar,  Ratnottama Sengupta, one of India’s most iconic arts journalists, recollects the days the great actor sprinted about on the sets of Bombay’s studios …spiced up with fragments from the autobiography of Sengupta’s father, Nabendu Ghosh. Click here to read.

National Day Special Stories


By Tan Kaiyi

The whole nation was watching, Guna was sure. He wished that he was home too, holding Eshwari and Rajeev in his arms. But he had a job to do. After this, there were more bodies to be burned. He pushed the thought out of his head. He had to allow himself a moment of respite, or the corpses’ embers would sear his mind permanently. There was no way to go home for the moment. The bodies were waiting, like unmoving lovers who refused to give up their ashen affections for him.

“How long do you think it’ll take before it disappears into the sea?” Chan asked.

Guna shrugged, observing the receding giant figure. “I don’t care as long as it doesn’t come back.” The shadow was slowly shrinking out from view, soon to be flattened within the eyelid of the horizon. Even though it was far away, Guna could still see the gigantic pores of the thing’s skin. Some of them were opening and closing, gnashing like hungry mouths waiting for their next meal. He shuddered, nearly dropping the can of cold coffee he had in his hand. Guna had seen the greenish plumes ejecting out of those holes, engulfing people and entire districts. Some people collapsed instantly, most died within minutes. The worst were those who survived, crying out for an end to their suffering. There were still many more to be attended to. That was Chan’s job, and it was not one that Guna envied. He never wanted to catch sight of those pores again.

“Why do you think it left?” Chan asked.

“Maybe, we asked it to leave nicely,” Guna replied.

“You believe what they said, that we managed to communicate with it?”

“I have no idea.”

The whole country had seen the creature withstand desperate barrages from light firearms, tank cannons and missiles from fighter jets. The armed forces were throwing everything they had to stop its advance but their violence fell on invincible hardened skin. The only thing that kept the creature at bay was its own resting patterns. It would interrupt its streak of poisonous fumes and physical destruction by coming to a complete standstill. Like a misplaced iceberg in an oppressive humid climate, it would stand unmoving for weeks and months. The longest stretch of peace and silence the nation had was six months. The thing slept the sleep of the invulnerable. Nothing would penetrate it, nothing would wake it. 

“Daddy, what’s it doing?” Guna remembered Rajeev asking. He didn’t have an answer for his son, so he went for the easiest, “It’s sleeping.”

“Is it going to stay that way forever?”

“I don’t know,” Guna said. He gave his son a lot of ‘I don’t know’s’ during these two years. Why is the creature so big? What are the green clouds coming out of its back? Will it be stopped? Why did his best friend at school Daniel stop showing up to class one day after falling sick? Guna was worried that his son might think he was an idiot for knowing so little about the world.

The people lived in an uneasy tension when the creature froze. Even when the government allowed businesses to resume, there was hardly any cheer. People met loved ones not knowing when they will see them again. On the third day of one of the re-openings, Guna remembered sitting at a kopitiam, watching the channel dedicated to broadcasting the creature live all around the clock. He was observing the patrons around him as he nursed his third and last bottle of beer. Their gazes were chained to the TV screen, their mouths double-locked in silence. No one could get drunk.

Seeing it move again was a terrible sensation. The familiar sense of dread swept through everyone and terror became dangerously monotonous. When Guna read the reports of those he cremated, he came across an entry of a woman who apparently just sat on a park bench as she saw the green fumes coming at her.

She could have run, as the fatal smog took a few minutes to reach her. She just sat there, staring.

The sky turned dark as dusk. The heavens let out a whistle and a pop and bursts of white and red stars appeared above. “It’s starting again,” Guna said.

“What do you think it means?” Chan asked. Guna had memorised the sequence. Red, red, white, red white, white. Over the past month, this specific sequence of fireworks was fired into the air on the Floating Platform in the Singapore River. The fireworks stopped the creature in its tracks and it looked at the flashes as if it were hypnotized. Someone seemed to have figured out that we were able to connect with the creature with colours and sounds. At this moment, no one knew what the sequence meant but there will be plenty of time for that. Guna imagined the conspiracy theories that would be drawn around this mystery. Fake news was another battle for another day.

The blasts and sparkles faded. The national anthem played softly through the public announcement system like an afterthought, as if the entire country suddenly remembered that it was the 9th of August today. The song continued playing when the creature disappeared, and it went on for some time until it was cut off abruptly like an underground party being raided by the police. Chan took this as a call back to work. He stood up and told Guna that he’d see him soon. Guna didn’t hear him. Instead, he stared ahead into the rising night, beseeching it to seal the departing creature forever and always.


Tan Kaiyi is on a literary odyssey to unearth the wonders and weirdness within the mundane. His poems have appeared in the Quarterly Literary Review Singapore (QLRS). His play, On Love, was selected for performance at Short & Sweet Festival Singapore. He has also been published in Best Asian Speculative Fiction (2018), an anthology of science fiction, fantasy and horror stories from the region.