Tag: England

The Algorithms

A Flash Fiction by Brindley Hallam Dennis

Bulldozers arrived on the Friday shortly before first light.

Dogs heard them coming, felt vibrations. There had been whining in the early hours, and pawing at the shutters, pulling at chains. There had been barking. There had been shouting for quiet, and banging on the pens, regretted with hindsight. It made no difference, of course.

When they rolled over the false horizon, the unsilenced humming of the motors and the squeal of caterpillar tracks woke those still sleeping. The roar of falling trees along the hedge-line as they smashed through to the allotments was heard by everyone.

There was nothing they could do, but watch, gather up their belongings, and run for their lives.

I spoke to survivors weeks later. They’d moved further up the valley. Where else could they go? They’d begun to carve new allotments out of the unpromising slopes: narrow terraces, following the contours. They were eking out what food they had managed to carry away.

The bulldozers had flattened the whole area by mid-day. By dusk the new buildings had been marked out. Drones were bringing in materials and construction equipment all through the night. By morning you could see the outlines of buildings.

The irony, they told me, was that they were new food stores. The algorithms have no sense of what food is for, only the target of increasing harvest. When the stores are full more must be built, vermin detected nearby, always destroyed.

Brindley Hallam Dennis lives on the edge of England where he writes occasional plays, poetry, and essays. His writing has been published and performed. He blogs at www.Bhdandme.wordpress.com

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Excerpt

An Unfinished Memoir

Title: Janaki Ballav Patnaik: An Unfinished Memoir

Author: JB Patnaik

Translated into English from Odia by Bhaskar Parichha

Publisher : BK Classics

Chapter 17 A Journalist across Continents

My association with Prajatantra[1] also opened doors to experiences beyond the country. In 1959, the British Information Services invited four journalists from eastern India to visit England. From Odisha, I went as the editor of The Eastern Times. Along with me were representatives from The Statesman, Amrita Bazar Patrika, and Searchlight of Patna.

Our visit to England proved deeply enriching. We toured institutions such as University of Oxford and University of Cambridge, and also visited the British Parliament. At Bristol, we paid our respects at the tomb of Raja Ram Mohan Roy. We were taken to an atomic energy plant, a steel factory, and even a coal mine in Wales. On London’s Fleet Street, where most of the major newspapers were published, I had the chance to observe the workings of the Daily Telegraph office—its news gathering systems, teleprinter composition, and massive printing machines. We also engaged in discussions with British journalists about our experiences and about Indo-British relations.

We had arrived in England in June. One day, the temperature rose to ninety degrees Fahrenheit. By Indian standards, it was nothing remarkable, but in a country accustomed to cold weather, it was almost unbearable. News came of workers in several factories halting work due to the heat. We visited places like Buckingham Palace and the bridges over the Thames, taking in as much as we could of London’s historic landscape.

From London, I felt a strong desire to visit Germany. It was not uncommon for distinguished Indian journalists visiting London to be invited onward, so I approached the German Embassy and expressed my interest. To my pleasant surprise, they promptly invited me for a fifteen-day visit and granted me a visa.

I reached Frankfurt around ten in the morning. There, I was warmly received by Dr. Reikel, secretary of the Indo-German Association. With a smile, he informed me that the annual session of the German Indologists’ Association was being held that very day in Essen, and asked if I would like to attend. I readily agreed.

At the conference, nearly four hundred scholars of Indology had gathered—an impressive assembly devoted to the study of India’s past. After the session, during lunch, I was greeted by a former German Consul General who had once served in Calcutta. He asked me which city in India I came from. In an affected English accent, I replied, “Bhubaneshwar.” He smiled gently and said, “You must have just returned from England. The correct pronunciation is ‘Bhubaneswar.’”

I felt a moment of embarrassment. But he went on to say something that stayed with me. He told me that it was in Bhubaneswar, while visiting the Rajarani Temple, that he had first met his future wife. Then, with quiet warmth, he added that the German people held India in great affection. “You have seen it yourself,” he said, gesturing toward the gathering. “Hundreds of scholars here are devoted to studying ancient India. Wherever you go, you will find a spirit of friendship.”

And indeed, that is what I felt—a sense of India’s presence, respected and cherished, far beyond its own shores.

From there, we took our leave and travelled to Bonn, then the capital of West Germany. Bonn, I found, was much smaller than Berlin. In those days, Berlin stood divided—one part belonging to West Germany and the other to East Germany, which claimed it as its capital. Surrounded entirely by East German territory, West Berlin remained cut off, an island of a different world.

Dr. Reikel next took me to a refugee camp in West Germany. There, day after day, people fleeing from East Germany sought shelter. Pointing them out to me, he explained that East Germany was a communist state, almost a satellite of the Soviet Union. Life there, he said, had become so difficult that many risked everything to escape into Berlin and beyond.

We then visited West Berlin. I was struck by its prosperity. It was hard to imagine that this thriving city had once been reduced to rubble by bombing during the war. The transformation was astonishing—order, wealth, and vitality had returned. Except for one ruined church, left deliberately unrestored as a reminder of the World War II, there was little visible trace of destruction.

Curious to see the other side, we boarded a tourist bus to East Berlin. The bus carried visitors from many countries. As we entered, the conductor announced that we could now compare capitalist Berlin with communist Berlin. The contrast was stark. East Berlin appeared plain, almost austere, lacking the vibrancy of its western counterpart. Many buildings stood incomplete, as if time itself had slowed. One could immediately understand why people were fleeing from East to West.

From Berlin, we flew to Hamburg, the principal port of West Germany and a city rich in history and beauty. Its City Hall, harbour, and music halls left a lasting impression on me. Later, I also visited Wildbad.

At a hotel there, I noticed the Indian national flag fluttering. For a moment, I wondered if some distinguished visitor from India had arrived. Dr. Reikel smiled and told me that there was no one else—it had been hoisted in honour of me, their guest. Not long before, he added, another Indian guest had stayed there—Narayan Dutt Tiwari, who too had been invited by the Friendship Society.

While I was still in Bonn, an incident occurred that touched me deeply. A professor of philosophy had come to my hotel and left behind a card for me. On it, he had written a simple yet profound message: that he had come to pay his respects to my country—the land of Mahatma Gandhi and of the Upanishads.

It was a quiet gesture, but one that reminded me how India lived in the imagination of distant lands—not merely as a nation, but as a civilisation.

Everywhere I went in Germany, I felt a genuine warmth—an unmistakable atmosphere of friendliness. Even in an ordinary park, if one happened to meet a passerby, he would acknowledge you with a gentle nod of greeting. It was a small gesture, yet it spoke volumes about the people.

From Hamburg, I travelled to Munich by train. From there, I was to take a flight onward to Paris. The margin between the train’s arrival and the flight’s departure was barely half an hour. I asked Dr. Reikel, half in doubt, what would happen if the train were delayed. He replied with quiet confidence that it would not be late even by a second. And indeed, it arrived precisely on time.

I took leave of him there. For fifteen days, he had been my constant companion, guiding me through the principal cities of West Germany with a warmth that felt almost familial. He was a widower, deeply patriotic, critical of Adolf Hitler, yet appreciative of the discipline and courage of the German army of that era. The German people, I observed, were extraordinarily industrious. Whether worker or employer, all seemed united by a culture of hard work. Strikes were rare, almost unheard of.

At the time of my visit, Konrad Adenauer was the Chancellor of Germany. There was a popular saying that captured the spirit of the nation’s recovery—that the Chancellor had asked every worker to add just one extra hour of labour to their day, and that this collective effort had helped rebuild Germany. Whether apocryphal or not, the sentiment reflected the ethics of the people.

From Germany, I travelled to Paris—a city steeped in history, as ancient in its own way as London. Paris had witnessed the rise and fall of monarchies, the turbulence of revolutions, and the flowering of culture. In terms of civilisation, it was often regarded as the cultural capital of Europe; in matters of diplomacy, some even called it the capital of the world. And when one spoke of fashion, Paris stood unrivalled.

Above all, Paris carried the legacy of the French Revolution—an event that became a beacon for oppressed people everywhere. From that revolution emerged the enduring ideals of liberty, equality, and fraternity—principles that have guided countless movements across generations. The revolution of eighteenth-century France remains one of the most profound and unforgettable turning points in human history.

I stayed in Paris for three days, in a modest yet elegant little hotel. By then, I was no longer an official guest of any government, as I had been in England or Germany. I was simply a traveller, left to discover the city on my own. And for that, the first necessity was a map. With it in hand, I resolved to begin from the city’s most prominent landmarks.

The most striking modern monument of Paris was, of course, the Eiffel Tower, followed by the imposing Arc de Triomphe. Guided by my map, I made my way from the hotel to the Arc de Triomphe, that grand arch built to commemorate the victories of Napoleon Bonaparte. Not far from there stood the Élysée Palace, the residence of the French President.

Paris, as I observed, bore the imprint of careful planning. During the time of Napoleon III, the city had been redesigned with remarkable foresight. From central points like the Arc de Triomphe, avenues radiated outward in all directions. Standing atop the monument, one could see twelve grand avenues stretching out with striking symmetry—a vision of urban elegance.

Near the lane where I stayed stood a well-known theatre, the Folies Bergère, famous for its ballet performances. The area around the Arc, however, was a ceaseless whirl of motion. With twelve avenues converging, traffic flowed endlessly from all directions, leaving hardly a moment for a pedestrian to cross.

Perplexed, I approached a policeman and asked—in English—how one might reach the monument without traffic lights. He offered no reply. Whether he chose not to understand or simply did not wish to respond, I could not tell. The French, I soon realised, take immense pride in their language; even if they understand English, they are often reluctant to use it.

Finding no answer, I half-humorously tried speaking in my own mother tongue, Odia. The policeman looked at me, puzzled, and remained silent. That, too, was an answer of sorts.

Over those three days, I explored the notable sights of Paris on foot. Along the way, I was joined by two fellow Indians—students from London studying accountancy. Together, we wandered through the city until one day we encountered a gentleman from Malaysia. At first glance, he might easily have been mistaken for an Indian; such was the resemblance. He turned out to be a senior official in his country’s archaeology department. From the next day onward, he became our companion.

One afternoon, as we strolled along the banks of the Seine River, he pointed out that the famed Louvre Museum was nearby. There, he said, we could see the celebrated painting of Leonardo da Vinci—the Mona Lisa.

We entered the gallery and stood before it. The painting’s fame, I realised, lay not merely in its artistry but in that enigmatic smile—so subtle, so elusive. Wherever one stood, it seemed as though her gaze followed. It is often said that no other portrait in the world carries such a delicate curve of expression.

At that moment, a line from the Odia poet, Jadumani Mahapatra, came to my mind, describing a smile of pure, almost celestial beauty—untouched by earthly colour or artifice. It felt as though that poetic vision had, in some distant way, come alive before my eyes in that quiet hall of the Louvre.

As I stood before the world-renowned Louvre Museum, gazing at Mona Lisa by Leonardo da Vinci, I found myself drawn not merely to the painting, but to the mystery of her smile—subtle, elusive, and impossibly pure.

It was then that a line from the witty Odia poet Jadumani Mohapatra surfaced gently in my mind:

“Chandi nishi dhaba dhabale mishichi adhavala jyoti kuranga
Kshira sagara udara adarichi naba mudira jyoti sanga
Bishuddha hase ramara
Nilimaara nahi sanchara
Emanta kirti jara shuddha kara ehi kala bichara.”

(A tint of blue, a trace of blemish, haunts all that exists—
the moon carries its stain; upon Shiva’s stainless form lingers the azure of his throat; and in the Ocean of Milk, Vishnu shines in a cloud-hued grace.
Yet, in the smile of a beauteous maiden, no shadow ever falls—
it remains the purest radiance of all.
Only those whose hearts mirror such unsullied purity
are truly worthy to partake of this poem.)

The essence of these lines struck me with renewed clarity in that moment. The poet reflects on how, in this world, even the most luminous and sacred entities bear a trace of imperfection—
the moon carries its blemish.

In that quiet gallery in Paris, an Odia poet’s verse and a Renaissance masterpiece met—across centuries—and spoke the same silent truth.

Paris seemed to carry its beauty with a quiet, unmistakable pride. The graceful flow of the Seine River, the wide and elegant boulevards, the triumphal monuments raised in memory of Napoleon Bonaparte, and the countless churches—along with the place where Napoleon himself lies buried—all stood as living testimony to the city’s grandeur.

One day, we found ourselves standing by the roadside, not far from the magnificent Notre-Dame Cathedral. As we lingered there, a few American women tourists approached us. They seemed a little lost and asked, in English, where Notre-Dame was. We simply raised our hands and pointed—it was right there, almost within sight.

They thanked us warmly, but then, with a hint of amusement and mild irritation, remarked that the French were rather peculiar. “We ask them in English,” they said, “but no one answers.” English, they insisted, was the most important language in the world—surely the French must know it. Yet, perhaps out of pride, they pretended otherwise, choosing silence over response. Still, in hotels, we noticed, the staff spoke English quite comfortably—practicality, it seemed, softened pride.

Three days later, my journey carried me to Zurich in Switzerland. The country’s two principal cities, Zurich and Geneva, each held their own significance. Geneva, in particular, stood as an international hub, housing several offices of the United Nations and serving as the headquarters of the International Labour Organization. Every year, representatives—labour ministers and worker delegates—from across the world gathered there for its annual conference.

Zurich, however, captivated in a different way. Adorned with serene lakes and set against a tranquil landscape, it was a city of quiet beauty. Its streets were lined with shops displaying exquisite timepieces—especially wristwatches—for which Switzerland is renowned. The country’s reputation also extended to its health resorts, places of rest and recovery nestled in pristine surroundings. Remarkably, during both the World Wars, Switzerland had declared itself neutral, and the storms of war had left it largely untouched.

I stayed in Zurich for just a day before setting out again—this time toward Rome.

Rome, the capital of Italy, seemed to breathe history at every step. Its past stretched deep into antiquity. There was a time when the Roman Empire stood as one of the greatest powers the world had known, extending from Britain across the Mediterranean to the edges of West Asia.

Rome is counted among the most ancient cities on earth. It is said to have been founded in 753 BCE, and with its origins comes a legend—one both strange and enduring. Two twin brothers, Romulus and Remus, were, according to lore, nurtured by a she-wolf who fed them with her own milk. In time, a quarrel arose between the brothers, and Romulus killed Remus. The city he founded thereafter came to bear his name—Rome.

The history of Rome unfolded in many forms: it began as a monarchy, transformed into a republic, later came under the rule of the Popes, returned again to monarchy, and eventually became a republic once more. Its story, like the city itself, is layered, dramatic, and endlessly fascinating.

From the first century, Christianity found its way into Rome. Saint Peter, one of the foremost disciples of Jesus Christ, is regarded as among the earliest preachers of the faith, and tradition holds that he too was martyred. After him, through the passage of centuries, a succession of Popes carried forward the leadership of the Roman Catholic Church.

Within Rome itself lies a distinct and remarkable entity—the Vatican City. It is the residence of the Pope and the spiritual centre of Roman Catholicism. Though enclosed within Rome, it stands as an independent state, and like Switzerland, it maintained neutrality during both World Wars. During my visit to Rome, I made it a point to see this sacred enclave.

The most imposing structure there was St. Peter’s Basilica—a vast and awe-inspiring church that seemed to embody centuries of faith and devotion. Equally captivating was the Sistine Chapel, whose ceiling is adorned with masterpieces by the great artist Michelangelo. Standing beneath those paintings, I felt a quiet sense of wonder, as though art and divinity had merged into one.

In the history of the world, two names stand out as champions of freedom and republican ideals—Giuseppe Mazzini and Giuseppe Garibaldi. They were inspirations not only for Italy but also for many Indian freedom fighters. Though the republic they envisioned did not endure for long, their efforts eventually led to the end of papal rule and the unification of Italy under a monarchy, which lasted until 1922. Thereafter came the era of Benito Mussolini and fascist rule; and after the Second World War, Italy finally emerged as a republic—a system that continues to this day.

Rome is also famed for its fountains—countless works of art in flowing water, built over nearly two thousand years. Wherever one walks in the city, one encounters these graceful structures. The city is equally rich in historical monuments: the ancient Colosseum, the timeless Pantheon, the broad Spanish Steps, and the many sculptures and paintings associated with masters like Leonardo da Vinci and Michelangelo. The Vatican Museums, too, draw countless visitors from across the world.

Rome has long been called the “Eternal City”—a name that feels less like a title and more like a quiet acknowledgment of time itself. Through cycles of rise and fall, glory and ruin, the city has endured, carrying its past within its present. In that sense, I could not help but think of Varanasi—or Kashi in India—another ancient soul that has survived the ages with an unbroken continuity.

In its earliest days, Rome was ruled by a succession of seven kings, one after another. Then came the birth of the Republic, and governance passed into the hands of a Senate—an institution whose echo we still hear in modern democracies. The very word “Senate” travelled across time and continents, finding place in systems like that of the United States Congress, composed of the Senate and the House of Representatives, as well as in the parliamentary traditions of United Kingdom and India, with their respective upper and lower houses.

In Rome, however, the Senate was once the singular centre of authority, and from its ranks emerged powerful dictators—figures entrusted with absolute authority in times of crisis. Among them, Julius Caesar stands preeminent. His life and death were immortalized by William Shakespeare in the play Julius Caesar, and later revisited by George Bernard Shaw in Caesar and Cleopatra.

The Roman Republic itself took shape around 510 BCE. Interestingly, around the time of Gautama Buddha, India too had republican states—Vaishali being one of the most notable, governed by the Licchavis.

Then, in 27 BCE, power took another decisive turn. Augustus—also known as Octavian—rose to authority through the Senate and declared Rome an empire. Under him, the vast dominion of Rome expanded and, in time, came to be divided into the Eastern and Western Roman Empires. The eastern capital, Constantinople (modern-day Istanbul), would go on to become one of the great cities of history in its own right.

During the reign of Augustus, the Roman Empire reached extraordinary heights, stretching across much of Western Europe. He was not merely a ruler but a patron of culture—supporting art, sculpture, and music. His court was adorned by great minds, among them the poet Virgil, whose Latin works continue to be celebrated.

Latin itself, like Sanskrit in India, is an ancient and foundational language. From it have flowed many modern tongues—English, French, Spanish, Portuguese, and others—each carrying faint echoes of that old Roman voice.

Before arriving in Rome, I had heard a caution—one must be careful, or one might easily be deceived. I had my own small lesson in this.

One afternoon, I stepped into a restaurant and ordered a thick vegetable soup. It was hearty and satisfying. Like in Paris, many restaurants in Rome spill out onto the streets, with tables and chairs arranged outside. I sat there, quietly enjoying my meal, when an Indian lady approached. She was from Bombay—a Parsi—and, noticing me, paused as if recognizing a familiar presence in a foreign land.

Watching me eat, she remarked gently, “You may be overcharged.”

And indeed, I was. The restaurant billed me five pounds for the soup—an amount far beyond its worth in those days, when even one or one-and-a-half pounds would have been reasonable. It was a small deception, yet it stayed with me.

Later that evening, in another restaurant, I encountered something entirely different. The owner, upon learning that I was from India, asked with a certain warmth, “You come from the land of Mahatma Gandhi?”

He spoke of Gandhi with deep reverence. “When my father died, I did not cry,” he said, “but when Gandhi died, I wept.”

I was struck by the contrast—here, in a distant Roman eatery, stood a man whose life had never touched India, yet whose heart had been moved by Gandhi. It reminded me how far the influence of a great soul can travel—beyond borders, beyond language, into the quiet corners of human feeling. When Gandhi passed, it seemed, the world itself had paused in grief.

Rome, in its own way, continues to remain connected to the wider world. It serves as the headquarters of the Food and Agriculture Organization, just as Geneva houses the International Labour Organization, and Paris hosts institutions like UNICEF. In these cities, history and modern purpose seem to meet—quietly shaping the world, even today.

I stayed in Rome for three days, and each day I walked nearly twenty to twenty-five kilometres, exploring these places on foot. I did not use any vehicle, for I have always believed that a city reveals itself best to those who walk through it.

A curious incident from those days often returns to my mind. When I was a Member of Parliament, Jagjivan Ram was serving as the Union Minister for Food and Agriculture. He had travelled to Rome to attend an international conference related to his department.

After his return, the matter came up in Parliament. From the benches of the Utkal Congress, Surendra Mohanty, the Lok Sabha member from Kendrapara, raised a calling-attention motion and began criticising the visit. Jagjivan Babu, with a touch of wit, replied, “I am not quite sure whether the honourable member is speaking about Rome or rum.”

The remark drew laughter, for Surendra Babu—celebrated writer though he was—was also widely known for his fondness for drink. During the Kendrapara elections, a popular slogan had even circulated: “Surendra, Surendra in Kendrapara—one a socialist, one for hire.”

In the 1971 Lok Sabha elections, the contest in Kendrapara had been particularly close. Surendra Nath Dwivedy of the Praja Socialist Party and Surendra Mohanty of the Utkal Congress stood against each other. In the end, Mohanty won—by the narrowest of margins, a single vote. Such was the drama of democracy.

From Rome, my journey next took me to Cairo, then the capital of the United Arab Republic (Egypt). At that time, the country was led by Gamal Abdel Nasser—a towering figure in the Arab world, regarded by many as a liberator and a voice of dignity for his people.

Nasser was also a close friend of Jawaharlal Nehru. Along with Josip Broz Tito, the three of them stood at the forefront of the Non-Aligned Movement, guiding newly independent nations through the uncertain currents of the Cold War.

What struck me most about Nasser was not merely his stature, but his simplicity. Despite being President, he lived in a modest two-storeyed house, leading the life of an ordinary, disciplined, and devout man.

I had long been drawn to Cairo—not only because of Nasser and his revolution, but also because of the ancient pyramids. As fate would have it, the day before my visit, the anniversary of the Egyptian Revolution was being celebrated—a reminder of the country’s transition from monarchy to republic.

I stayed in Cairo for two days, determined to see the pyramids. When I asked the hotel manager how best to get there, he arranged a guide for me, advising that we settle the charges beforehand. A camel was hired, and I set out—riding across the sands—toward one of the world’s most enduring wonders.

Soon, I stood before the Giza Pyramid Complex—those immense triangular structures rising out of the desert like frozen time itself. Among them, the Great Pyramid of Giza remains the most renowned, a monument not just of architecture but of human ambition.

Egypt’s history stretches back into a past so distant that it almost feels mythical—thousands upon thousands of years before Christ. The Pharaohs, anticipating death, built these pyramids as their tombs. Within them, their bodies were preserved with remarkable care—wrapped in layers of cloth and treated with substances that allowed them to endure across millennia.

Many such tombs have since been excavated, revealing mummified remains still intact, silent witnesses to a vanished age. Yet, alongside history, there lingers legend: it is said that those who disturb these resting places invite misfortune—even untimely death. And, strangely enough, there have been occasions when such stories seemed to find unsettling echoes in reality.

Standing there, before those ancient stones, I felt both awe and unease—as if I had stepped, briefly, into the deep and watchful memory of civilization itself.

Returning from the pyramids of Giza, I stood by the window of my hotel and let my eyes rest upon the quiet, flowing beauty of the Nile. It struck me then how often the English, in their time, had altered the names of cities and rivers across the world. The Nile, for instance, they had called “Nile”, while its truer name, as my guide gently corrected me, was simply Neel—the blue river.

When I mentioned the “Nile,” my guide smiled and asked why I used that word at all. “That is an English distortion,” he said. “Its real name is Neel.” And indeed, as I looked at its waters, they seemed clear and faintly blue—much like the Ganga appears in Varanasi during the autumn months. Even the Ganga, he reminded me, had been turned into “Ganges” by the English.

The thought stayed with me. Names like Munger becoming “Monghyr,” Cuttack remaining “Cuttack,” Bhubaneswar once pronounced differently, Calcutta instead of Kolkata, Bombay instead of Mumbai—these were all echoes of a time when language itself had been reshaped by foreign tongues. Some places, like Kolkata and Mumbai, had since reclaimed their original identity, though others still lingered in their altered forms.

My guide frequently used a word—sabr—urging patience, asking me to wait. It was an Arabic word, one that had found its way into Urdu as well. There is a saying built around it: “Sabr ka phal meetha hota hai”—the fruit of patience is always sweet. In that distant land, the familiarity of such words felt strangely comforting.

My stay in Egypt lasted only two days, but within that short time, I visited another remarkable place—the old museum of Cairo. There, the grandeur of ancient Egyptian civilization unfolded before my eyes. Golden statues of the Pharaohs, intricate ornaments, and objects of daily use—all fashioned in gold—spoke of a culture both opulent and enduring.

Among the other notable places were the grand mosque of Muhammad Ali, with its vast domes and imposing structure, and Al-Azhar University, one of the greatest centres of Islamic learning in the world. It was here, I was told, that Maulana Abul Kalam Azad had once studied.

At one point, my guide led me through a narrow lane, famous for Egyptian attar—perfumed oils known for their rich fragrance. “One must buy some attar when visiting Cairo,” he insisted. I obliged, though it seemed to me that, like many guides, he was not entirely free from a touch of commerce.

Two days later, I left Cairo and returned to India via Mumbai, carrying with me memories of an ancient land where history seemed to breathe through every stone and street.

The following year, another journey beckoned. An invitation arrived from the Ford Foundation, under the auspices of the United States government—a two-month visit to America.

About the Book:

From the Translator’s Note

An Unfinished Memoir (Asamapta Atmalipi) by Janaki Ballav Patnaik is more than the recollections of a public figure. It is also a record of the political, social and cultural changes that shaped Odisha and, in many ways, modern India. The memoir takes us through different stages of his life—from childhood and education to journalism, public life and politics. Along the way, we meet the people who influenced him and encounter events that left their mark on the Odisha of his time. The book is valuable not only for its account of public events but also for its glimpses of everyday life. Patnaik writes about teachers, friends, colleagues, political associates and ordinary people, often beginning with a small personal memory and moving towards a larger reflection. This movement between the personal and the public gives the memoir much of its character.

My primary aim in translating the memoir from Odia into English has been to remain faithful to the original while preserving the author’s voice. A translation should convey

more than the literal meaning of words. It should also carry the tone, mood and character of the original. I have therefore tried to retain the simple and reflective quality of Patnaik’s writing, particularly in passages dealing with people, places and memories from his younger years.

Translating a work rooted in Odisha’s language and culture presents its own challenges. Many Odia expressions, idioms and references do not have exact equivalents in English. This is especially true of words associated with local customs, festivals, social practices and everyday life. Where a literal translation seemed inadequate, I have tried to convey the sense and spirit of the original. Certain words, names and cultural references have been retained because translating them would have diminished their flavour or meaning.

I have also tried to preserve the historical character of the memoir. Some political terms, institutional references and descriptions belong to an earlier period of Indian public life. Rather than unnecessarily modernising the language, I have sought to make these passages clear while retaining their original context.

The title Asamapta Atmalipi itself is significant. It suggests a record of the self that remains unfinished. The memoir was left incomplete, and that incompleteness is part of its character. It does not present a neatly concluded life story. Instead, it offers fragments of a long journey—memories, encounters, experiences and reflections that together provide a picture of both the man and his times.

For readers familiar with Janaki Ballav Patnaik, the memoir may bring back memories of an important period in Odisha’s public life. For younger readers, it offers an opportunity to see that period through the eyes of someone who lived through and participated in many of its developments. For readers outside Odisha, it provides an introduction to a political and cultural world that deserves wider attention. No translation can reproduce every shade of another language. There will always be expressions, associations and rhythms that resist being carried across. My effort has simply been to build a bridge between the Odia original and the English reader, without coming between the author and his readers. I hope this translation will allow a wider readership to discover Janaki Ballav Patnaik not only as a political leader, but also as a journalist, observer, traveller and chronicler of his times—and to encounter, through his unfinished memoir, a part of Odisha’s own journey.

About the Author

Janaki Ballav Patnaik (1927-2015) lived in many worlds at once—politics, literature, journalism, and public life. For more than five decades, he remained close to some of the defining events and personalities of post-Independence Odisha, while pursuing a parallel life of books, ideas, and language. ‘An Unfinished Memoir’ is an attempt to look back on that journey. From his childhood and student years to his early political awakening and long career in public life, the memoir brings together people, places and encounters that shaped him.

Unlike a conventional autobiography, this is a personal narrative—insightful, candid and observant of the world around him. It offers glimpses of the making of a public figure while revealing the writer, scholar and observer behind the politician. It is at once a record of a remarkable life and a window into an important period in the history of Odisha and India.

Part memoir, part history and part reflection, the memoir is a cherished account of a life lived in public.

About the Translator

Bhaskar Parichha is a journalist and author based in Bhubaneswar, with a professional career spanning over three decades. He writes in both English and Odia on politics, society, people, and culture. His work reflects sustained engagement with Odisha’s heritage and its contemporary transformations. An incisive observer of public life, he has authored nine books. Through his journalism and writing, he continues to chronicle the evolving story of Odisha and its place within a rapidly changing India.

[1] Democracy

Tags Adolf Hitler, Amrita Bazar Patrika, Élysée Palace, Berlin, Bhaskar Parichha, Bhubaneswar, BK Classics, Bonn, British, Buckingham Palace, Cairo, Cambridge, Daily Telegraph, East Germany, Egypt, Eiffel Tower, England, France, French Revolution, Geneva, George Bernard Shaw, Germany, Hamburg, India, Indian, Jadumani Mahapatra, Janaki Ballav Patnaik: An Unfinished Memoir, JB Patnaik, Julius Caesar, Konrad Adenauer, Leonardo da Vinci, London, Louvre, Mahatma Gandhi, Malaysia, Michelangelo, Mona Lisa, Munich, Napoleon III, Nile, Notre-Dame, Odia, Paris, Patna, Raja Ram Mohan Roy, Rome, Searchlight, Seine River, Shakespeare, The Statesman, UNICEF, United States, University of Oxford, Upanishads, Vatican, Wales, West Germany, World Wars, Zurich

Stories

Fairway

By Brindley Hallam Dennis

A near neighbour of mine has a dog that has learned to sit up at table and drink soup through a straw!

He also has a large garden. The two are not disconnected. His neighbour has an even larger garden, and in it he has constructed, well, at least mown, a golfing fairway. It’s a personal, one-hole golf course, down to a proper green with a proper hole and a proper flag stuck into it. The garden is on a slope, and my neighbour’s neighbour tees off from the top, with the little circle of mown grass and the flag at the bottom. The fairway angles across his patch, its line coming close, maybe as close as five metres, to the corner of my neighbour’s garden, which is an oblong carved out of what was once a single property.

A slice might fly off into the far corner of my neighbour’s neighbour’s garden, but it might equally fly over, or into the bottom corner of my neighbour’s patch. They’ve lived happily as neighbours for several decades now. The odd golf ball has appeared among the shrubs in my neighbour’s garden. My neighbour places them on the flat top of the waist-high boundary wall near the top of the slope. Nothing needs to be said, though if it is, my neighbour’s neighbour will often point to his father-in-law as having been ‘having a go’. Usually, the balls disappear off the wall as unobtrusively as they have appeared among the shrubbery.

Once or twice one has ricocheted off the tall pine that was once a pot-grown Christmas tree. Once or twice, while weeding or simply taking the air, my neighbour has heard whizzing above, sometimes only just above, his head.

The dog, a joyful Labrador, was used to playing in the garden with my neighbour’s son, who would throw him a tennis ball that he would invariably leap to catch.

The neighbour’s neighbour made no bones about picking up the vet’s bill, but it was my neighbour’s son who taught the toothless dog to drink his liquid meals through the straw. I cannot say whose idea it was that he should sit at table to do so.

Brindley Hallam Dennis lives on the edge of England where he writes occasional plays, poetry, and essays. His writing has been published and performed. He blogs at www.Bhdandme.wordpress.com

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Tags Brindley Hallam Dennis, England

Stories

The Son who Came Home Last

Post author By borderlesssg1
Post date July 14, 2026
No Comments on The Son who Came Home Last

By Jonathan B. Ferrini

“Speedy Gas” was a small, two-pump, single-bay gas station tucked into a forgotten corner of San Francisco. It was not the kind of station visited by those chasing the lowest price per gallon or making a hurried dash into a minimart, but to its old customers and to those who still valued personal service, Speedy Gas was a relic of a slower, more intimate relationship between driver, car, and service station operator, resembling a visit to a trusted family doctor.

Rita kept the Speedy Gas rituals: windshield wiped clean, hood lifted, fluids checked, tires tapped and filled. Rita approached quickly with the tools of her trade; window spray, clean rag, tire pressure gauge, and welcoming smile.

Below in the grease pit, Daniel lay beneath an aging sedan, his hands blackened with oil as he tightened the final bolts. The scent of motor oil, grease and cement walls of the pit surrounded him like family and was his sanctuary.

Rita stepped carefully toward the edge of the pit and looked down at him.

“Mister M, you’ve been working on that old car all day without a lunch break, and it’s nearing six o’clock.

“Can’t it wait until tomorrow?”

“This car is more than transportation to its owner.

“Joan Hobson’s long life is wrapped up inside it this old car and driving it to Christmas to be with family will make her feel at home just like this pit and garage makes me feel at home. When I’m done, I want you to run the car over to Maxi Waxi’s and pay for ‘The Deluxe’ service wash.”

“I look at the invoices and know you’re undercharging your customers. You’re a generous man, Mister M.”

“Rita, I’m four times your age. I own this place free and clear and live comfortably inside my shoddy apartment behind the garage. My ‘generosity’ is paying it forward for my long life. I’ve survived. What matters is we’re serving the people who depend on us.”

“The grease pit is too dangerous for a man your age.”

“I may be one hundred and two years old, but I can still lubricate a chassis.”

“It hurts me to see you down there and living behind the garage in a cramped apartment alone. Spend Christmas with my family.”

“I celebrate eight days and nights with candles which is enough celebration for me but thank you. I’m a lonely old man who finds solace working here. My son worked alongside me after school, weekends, and summers at this garage. Ben was a natural born mechanic just like you.”

“I know you miss them dearly, Mister M.”

“I never had a chance to say goodbye to Ben. His jet was taking off from Naval Air Station Alameda to join the carrier USS Constellation at sea. I was busy replacing a radiator hose for an old customer, so I sent Helen off and told her I’d join her after the repair. She called me from the air station and said I missed Ben taking off to join the squadron. Helen said Ben appeared disappointed by not seeing me saying, ‘Tell pop’s I love him.’ She mentioned a look in his eyes as if he knew…

“I lost my only child, Ben, when his F-4 Phantom jet was shot down over Vietnam. He’s still listed as ‘MIA’, but we know Ben didn’t survive and buried him posthumously at the San Francisco National Cemetery. When Helen died peacefully at home twenty years ago, I sold our home including all its happy and painful memories to live and work here where I can keep my mind on work and cherish memories of working together with my son. I’ll be here opening and closing for our customers every day including holidays until the day I die and join Helen and Ben.”

The grease gun slipped in his hand and Daniel fell holding his chest.

“Are you okay, Mister M?”

“I’m having a heart attack!”

The last thing Daniel remembered was a mask placed over his face and Rita holding his hand.

Lieutenant Daniel Mercer was flying straight and level through a gray morning over the Atlantic. Suddenly, the cockpit filled with the bitter smell of burning oil and hot metal. The instrument panel flickered, the engine sputtered and fell silent. He knew his P-51 Mustang was hit by a lucky shot from a fallen Messerschmitt.

“Blue Jay Two, you hit?”

“Still flying but no engine and falling fast.”

The engine temperature needle swung hard into the red. Smoke curled backward across the wing. Daniel tightened his grip on the yoke. Below him, the ocean was choppy and cold.

A bullet had passed through his upper flank, grazing the ribs and tearing muscles. He adjusted the trim and remembered home, San Francisco. He thought of the cable cars on California Street, the ringing bell and the slow climb toward Nob Hill. His father’s garage was on California Street, and he would inherit it and forever live his life in the “City by the Bay”.

War had changed his career plans, and the aircraft was descending quickly. He could see England now, and the white cliffs of Dover emerged slowly rising out of the sea with welcoming smiles.

“I’ve got Dover in sight, Blue Jay Lead!”

“Take it straight into any field you see and may God be with you, Blue Jay Two!”

He opened his eyes. The air smelled of starched sheets, chlorine, antiseptic, and pain. A woman stood beside him. She wore a white neatly pressed nurse uniform, her posture was erect, and her expression composed. Her hair was pinned neatly beneath her cap. One hand rested lightly against his wrist, fingers counting the rhythm of his pulse.

“Where am I?”

“You’re in a British Army hospital.

“I’m Lieutenant Nurse Stephanie Hall.”

“Let me out of here!”

“You’re wounded and require proper medical care.”

“Where are my clothes?”

“Sir, if we must strap you to the bed to ensure you receive proper care, we shall do so.”

“I can see you are going to be a difficult patient. Most of you Yanks are.”

“I need to get back to my unit.”

“Where is your unit, Lieutenant?”

“My squadron is the ‘United States Army Eight Airforce’ based in East Anglia, England.”

“A ‘Mighty Eight’, lad. We’re grateful for your service to Britain. How old are you?”

“My birthdate is on my dog tag.”

“I see a very brave, defiant, man-boy of no more than nineteen, correct?”

“I guess the truth no longer matters because the war is over for me. I lied about my age when I enlisted. I serviced the Packard Custom Eight Clipper at my pop’s garage owned by a Brigadier General who pulled strings for me. They rushed me through flight school in time to see action before the war ends. I’ll be twenty years old on Christmas Eve.”

“Your mother was very fortunate to receive a gift of a beautiful baby boy the night before Christmas. I expect you to write home and tell her and your ‘pop’s’ you’re receiving the best of care and will be home soon.”

He studied her face and saw beauty, confidence, and something else, buried deeper. He did not yet know what it was.

The hospital ward was filled with wounded men. At night, the air filled with murmured prayers, delirious whispers, and sometimes screaming. Nurse Lieutenant Stephanie Hall adjusted bandages, administered morphine, and checked pulses. Her presence was precise, efficient, and compassionate.

She rarely spoke more than necessary but he watched the way she leaned closely when listening, the faint crease that appeared between her brows when she concentrated, and how beautifully her figure filled out the uniform. He found himself waiting for her. He learned she worked the late shift ending at midnight.

He woke to find her sitting on the edge of his bed.

“I’m off duty. Care to chat?”

“Only if you move in closer; the crash made me hard of hearing.”

“Nonsense, but brilliant try. What’s it like where you’re from?”

“San Francisco is a slice of heaven. The fog rolls in low, like it owns the city. You hear the cable cars before you see them.”

“Cable cars?”

“The San Francisco cable car system hurdles up the hills. You hear the bell and their steel grip biting into the tracks. It’s a good sound. It means people are going somewhere. Going to work. Going home where I want to be. My father has a garage on California Street with one bay and two pumps out front. Before the war, I spent my days in a grease pit underneath a car or truck with oil dripping down upon me and grease under my fingernails that never quite washed out.”

“That sounds dreadful but delightfully masculine. You have long slender beautiful fingers resembling those of a pianist which contradict your profession.”

“Slide in closer and I’ll let you read my palms, too.”

“Just a few inches, Lieutenant but I warn you my scream will awaken this ward.”

“You’re bluffing, you’re a compassionate nurse and wouldn’t risk waking these poor wounded bastards.”

“I remind you that you’re also ‘wounded’ and an irreverent ‘bastard’.”

“Find me sexy?”

“Possibly, Lieutenant and you’re sex appeal may likely increase after talking more about the garage.”

“I enjoy repairing cars. A customer say’s he can’t get to work or his wife’s expecting soon and he needs it ready. You find what’s wrong, set it right, and witness the beautiful sound of the engine turning over again. I helped him and it made me feel like I mattered.”

“Your work is like that of a surgeon, Lieutenant.”

“Yeah, call me a car doctor! Ah, I made you chuckle…Your hands are soft and beautiful and don’t look accustomed to hard labour.”

“Before the war, I was an appendage to a man of position. That sort of vital national service.”

“I don’t understand a damn word you’re saying. Spell it out.”

“After graduation from boarding school, I was placed into an arranged marriage with a man I didn’t know. He was the first man I came to know. I didn’t love him and there was no romance. His family sorely desired a male heir to carry on his family line. We tried and failed repeatedly to have a baby. I was blamed for being infertile despite his private admission of impotence. I remained a dutiful wife standing beside her husband instead of close to him in the same bed. Now, I find myself helping broken men stand again. Helping them return to their lives. Just like the cars you made whole and sent them on their way.”

“Where’s home?”

She chose not to answer, knowing nothing she could say would translate across the caste and privilege gulf between them. Her world was a life he had never imagined, just as she could never truly appreciate the grease-stained certainty of his.

“Home is wherever I am needed.”

They remained there in the dim light, studying each other with the quiet curiosity of two travelers who had met at the crossing point of two lives. He saw refinement that both fascinated and intimidated him. She saw competence that steadied her, a man whose worth was measured not in title but in usefulness. She saw a man she ached for and dreamed about.

Night after night, they spoke. Their formality softened. He called her Steph and she called him Daniel. They recognised the war they shared brought them closer and freed them from needing to understand dissimilar worlds.

A distant chime signaled midnight awakening Daniel. Steph was no longer wearing her cap, and her long flowing blond locks fell softly around her face. She saw his eyes open and he smiled.

“I have a surprise for you, Daniel. But you must keep it a secret. I’m breaking hospital regulations.”

She handed him a paper bag. He opened it and found a bottle of Coca-Cola, a Hershey bar, and a pack of American cigarettes with a matchbook.

“What made you do this at your peril?”

“I wanted you to feel some small semblance of home.”

“You’re a wonderful woman, Steph. I wish I had met you under such different circumstances. Steph, what can I do for you?”

“Daniel, just be my friend and listen to me. I have no one else to speak to about these matters.”

“What do you have to tell me, Steph?”

“My husband Bernard was a pilot. I spent two years waiting for him to come home until notice arrived; he was shot down and killed.”

“I’m sorry for you, Steph.”

“I’m lonely, Daniel. I find meaning and purpose working here but I think I would like to find the passion and yearning absent in my marriage with you, Daniel. I also wish we met under different circumstances.”

The deceased were removed in the very early hours of the morning so as not to alarm the dying. Their beds were filled by morning. A priest came by each bed at dawn, whispered a prayer, and waved his hands in the form of the cross. He never spoke but Daniel muttered, “I guess one prayer is as good as another.”

Stephanie arrived just after midnight on a clear cold night. The moon’s light cast a faint but warm glow across the ward. She drew the privacy drape around his bed. She stood beside him, her hands trembling faintly, and they devoured each other with their eyes.

“Do I smell ‘Chanel No. 5’ perfume?”

“I chose a scent you might recognise from San Francisco and used so little only you would notice.”

“Why the perfume?”

“Because after midnight, near to you, I’d rather be a woman than a nurse, darling.”

She climbed onto the bed beside him; her movements deliberate, urgent, tender, raw, vulnerable, and filled decades of neglect, culminating in a glorious culmination of emotions. He held her close but neither spoke. The world beyond the drape ceased to exist.

Rain traced soft lines down the tall English windows. He lay awake, staring at the ceiling, his shoulder wrapped in stiff white bandages. Daniel noticed fewer beds were being filled, which meant the war was ending.

The curtain providing intimacy at midnight opened without haste. It was Nurse Captain Melinda Richardson. She carried herself like an officer accustomed to command. Her uniform was immaculate, her posture erect, and expression firm but not unkind. She pulled a chair close to him to speak quietly.

“I have come to speak with you about Nurse Lieutenant Stephanie Hall.”

“Yes, Captain.”

“It has come to my attention that the two of you have spoken intimately on more than one occasion. She has attended to you personally, even when such attention could have been delegated. I do not interfere lightly in the private lives of my nurses, but I am responsible for their well-being, particularly in matters where misunderstandings may arise. You are an American and come from a nation where distinctions of class are less formal and permanent. That is not the case in England. Nurse Lieutenant Stephanie Hall was married to the son of Lord Hall. She returned to his family estate a widow before she had truly become a wife. She is the daughter of a distinguished family, and her father holds influence at the highest levels of government. She could have spent the war in comfort and safety. Instead, she chose to serve Britain by becoming a nurse and entering the army. She will one day return to the family estate. Her father is ill and mother deceased. She is the last of her line.”

“In other words, she’s out of my league.”

“You’re blunt but on point.”

“I’m from San Francisco, Captain. My father owns a garage. I suppose that’s all there is to say.”

“You became an officer and crossed an ocean to defend a country not your own. That speaks highly of you. But there are worlds, Lieutenant, that do not easily join. Not because of character but because of obligation and history. Bluntly, Stephanie Hall’s Anglicanism and your Jewish faith present barriers to a union between you both. The fact that you have won her heart is not a trivial thing.”

“Steph never brought up religion although the letter ‘H’ for Hebrew was stamped on my ‘dog tag’.”

“I ask you to understand what it all means and what it may never be permitted to become.”

He looked past her, toward the dark window where the rain pelted reminding him of the bullets fired to kill him and this time, hitting his heart.

“I understand, Captain. Requesting your leave to process all of this.”

“I wish you the best of everything and a long life, Lieutenant.”

Captain Richardson left him, but he knew that survival, however miraculous, did not free a man from the boundaries of the world dividing people. War should have taught him that lesson, but for a moment in time, a beautiful woman from a stately manor and mechanic-turned-pilot fell in love.

The day came when he could stand, walk, and be discharged. They did not speak of it until the morning it arrived. He stood beside his bed, wearing his uniform again. Steph stood before him.

“You’re returning to your unit and then home?”

“Yes, to the life I had lived before the war.”

“I will miss you, Daniel.”

He attempted to pull her tight to him, but she resisted.

“You cared for me and I took you into my heart, Steph. I want to say more but there are no words which will suffice except a kiss which you’ll permit me, please.”

She entered his embrace and released the pent-up desire raging through her until Captain Richardson approached with his discharge papers. Nurse Lieutenant Stephanie Hall watched Daniel leave forever but knowing he left behind a permanent memento.

Their son was born in the spring and she named him Bernard. Steph raised him alone. She never wrote to Daniel and never spoke his name, but she was reminded of him in every feature of their beautiful son.

Daniel returned to San Francisco, resumed his life working inside his father’s garage and married. The war became memory. Years and decades passed. His garage on California Street was built with his hands and discipline learned in the cockpit, and watching the dedicated nurses complete their rounds with compassion which he shared with each of his customers.

Daniel awoke and found himself alone inside an ICU not resembling the hospital ward he recalled from the war. The war defining his youth was more than eighty years behind him and losing his son and wife faded into memory.

Rita was cautioned by the cardiologist,

“Say your goodbyes before it’s too late. His birthday is tomorrow. We didn’t think a birthday celebration was appropriate for a dying man. Nobody in this ICU can recall a birth and death on the same day particularly Christmas Eve.”

“Mister Mercer never shared his birthday with me even though I’m the closest thing to family.”

Rita held Daniel’s frail hand in one hand and a faded sealed envelope with foreign postage stamps in the other hand. Daniel’s eyes were hollow, but he recognised the aged envelope.

“I searched your office for somebody to contact and came across this envelope from England addressed to you many decades ago and never opened.

“Would you like me to open it?”

Daniel remembered his decision not to revisit the past by opening the envelope because he put the past behind him, but the memories and mourning were about to end, and he motioned for Rita to open the envelope.

Rita removed a photograph of a handsome young Royal Air Force aviator. She turned over the photo revealing a handwritten note suggesting a woman’s soft touch with a fountain pen which she read softly:

Dearest Daniel,  
Please meet our son, Bernard Mercer Hall.
Bernard was told his father was an aviator killed in the war.
 The night our son was conceived inside the darkness of the ward remains a blessed, romantic memory and a warm togetherness two young people shared inside the cold of war.
After graduation from Cambridge, he darted off to the RAF to become an aviator like his father.
I’m mailing this photograph and note in the final days of my life. I knew you as a sensitive young lad and you may be reticent to open it fearing to relieve the past which I fully understand.
Life was kind permitting our union during times of mutual need but also cruel in keeping the three of us apart.
I hope our beautiful son will bring you happiness and remove any grief life may have dealt you.
Goodbye, my love.

Daniel’s American son followed him into the sky and lost to it but here was another son; a son born of survival and two lovers from different worlds. Although Bernard walked beneath ancient, privileged towers, he, too, flew inside the same sky that had both spared and punished three pilots; a husband, and a father and son. Daniel was gifted with a second son, and his grief was replaced with pride in two heroic sons born from two magnificent mothers.

Rita held Daniel’s hand which gripped tightly and suddenly let go. A sound from the heart monitor resembling the bells of the cable cars Daniel warmly spoke about signalling his long journey ended. Daniel’s cable car reached the top of California Street and waited for him to climb aboard with a nonstop flight to a grand reunion of loved ones; a beautiful extended family all with eyes towards the sky.

Jonathan Ferrini has published nearly one hundred short fiction stories and poems. He is the host and writer of the weekly “The Razor’s Ink Podcast” where he discusses movies, television, and music.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Tags American, Britain, British, California, Dover, East Anglia, England, English, Jonathon Ferrini, Royal Air Force, San Francisco, United States

Conversation

Overland to India with an American Hippie Named Ed: An Interview with Lily West

Post author By borderlesssg1
Post date July 14, 2026
No Comments on Overland to India with an American Hippie Named Ed: An Interview with Lily West

By Suzanne Kamata

In Lily West’s travel memoir West goes East she recounts venturing from her native England overland toward India in the early 1970s with an impulsive American named Ed, a pro-Palestine fellow hippie whom she meets en route, on a shoestring budget. With the brazenness that comes with youth, they become entwined with all sorts of shady characters, finding themselves the guest of a charming conman in Amman, and being mistakenly deposited in a brothel in Cairo. Among other adventures, they rescue a polar bear from heat stroke in a zoo in Khartoum, are arrested twice in Egypt (and not for climbing to the top of a pyramid, which they do), and find themselves spectators at a public hanging in Iraq.

Many of the places they visited, such as the West Bank, Sudan and Afghanistan, are even less accessible now. West, by the way, is one of the few people who have traveled to every country on earth recognised by the UN. Although she made these travels as a man, she now lives in Japan as a woman. This award-winning book is a wild ride into the treacherous terrain of a bygone era. Lily generously agreed to answer a few questions.

Suzanne Kamata: First of all, congratulations on launching this book into the world! It has had a very positive reception, including an award for NomadMania Best Travel Book 2024. In the introduction you write that you hadn’t intended to write a book about traveling with your friend Ed, and that the idea came to you decades later. Can you tell us about the writing process? Also, how did you manage to recreate the scenes so vividly?

Lily West: I had often been urged to write a book, but never found the time or energy to do so. Then a friend introduced me to a publishing agent from English Agency Japan, who on hearing some of my travel stories, begged me to write a sample chapter which I eventually did. Then he demanded another and another until somehow after a year the book was finished. I guess the scenes in “West goes East” had remained vivid in my memory, because I had had some fifty years to remember them.

SK: Could you tell us a bit about the road to publication?

LW: The road to actual publication was a long one. My agent took six years only to come up with two concrete offers from publishers. Lots of offers that turned out to be pie in the sky though! I rejected both, the one because they wanted to edit the book down to half its size, the other because they wanted the chapter about Israel and all mention of Palestine removed. No! So, the manuscript continued to sit in my computer. Then Harry Mitsidis, the founder of the NomadMania extreme travel group, and arguably the world’s most travelled man, came over to Japan to verify that I really had been to the 193 UN member countries and thus was qualified to join the group. He was amazed that I was so easy to verify. Luckily, I had sent a postcard to my parents from every country I had been to. And my parents had kept them all! So, we became friends; I mentioned to him that I had written a book, and he asked me to send him a couple of chapters. He was so impressed that he said he would write a foreword and get the book published on Amazon. (This was technically beyond my ability!)

But he made it a condition that I include an epilogue about Lily’s much harder and longer journey, the journey to be accepted as the woman I knew I was. To be honest, I wasn’t very keen on this, because nowhere in the travel book do I mention or hint that I am a “transgender” woman. In fact, in 1972, the year the events in the book happened, it was still my Big Secret, something which could never be divulged to anyone, so I can understand its absence. However, as requested, I wrote the epilogue, which I have heard has caused some readers to cry. Naturally, Harry also wanted Lily West to be credited on the cover as the author, which was fair, because Lily had written the book!

SK: What was the first foreign country you ever visited? What activated your wanderlust?

LW: Well, I was brought up in England, but my mother was German, so we went there most summers. But I think you mean the first country visited by myself. I’ll give you two. I HATED the cruelty of school so much that at 17, I ran away and hitchhiked to Madrid which improved my Spanish enormously. Then that summer the local Education Committee paid for me to spend three months in the Soviet Union studying Russian.
My German grandfather collected stamps, interesting enough, but what fascinated me were the names of the countries. Not just looking at the exotic names, I knew I wanted to go and actually see them! So, after I graduated, I said goodbye to England and set off on my second overland trip to India, as described in West goes East, but this time with no intention of returning.

SK: Early on in the book it becomes clear that Ed has the potential to get into trouble. You write that you were unlikely traveling companions, with very different personalities, and yet you stuck together. Was there any point in your travels that you at least considered going your own way?

LW: Yes, in Baghdad over the Donkey Boy incident! I was so angry with him! But we had gone through so much together that it would have been difficult to split up. Of course, I knew we would part in Delhi, and I would be going off on my own, which eventually landed me in Japan. (After I had been there just under a year, Ed arrived with his wife and son.)

SK: What does it mean to you to be a UN master (one who has visited all 193 countries recognised by the United Nations)?

LW: The end of one lifelong journey! This April, I took part in the largest gathering of UN Masters ever. 64 of us in Azerbaijan! Some had taken considerably less time than the 49 years I had taken, but Harry Mitsidis explained that many more people had been in space or climbed Everest than had visited every country in the world, so we had achieved something very special. Now I do appreciate meeting people from every country and know I can chat about their homeland. 2016 was a significant year for me, as that was when I finally visited No.193, Equatorial Guinea. I was very happy that I had managed this, but to put things into context, something more meaningful for me happened two months later when I was invited to join a 500-strong group of foreign women in Japan. Actually, that was more important for me!

SK: You’ve visited every country in the world recognised by the United Nations, but some have changed greatly since you first visited them. Are there any such countries that you would like to return to? And why/why not?

LW: There are some countries I don’t want to return to, because war has changed them almost irreparably. It would be too sad to see Syria, Iraq, Palestine, or Afghanistan. Or for that matter my two visits to Israel sufficed for me to see what this country was like. Whereas others such as Vietnam, Cambodia, Uzbekistan or Peru have become too touristed and I would rather remember them as they were. I visited Africa 30 times, but on my final visit in 2017, I survived a bad car accident in the Comoro Islands, in which my head broke the windscreen. Surely the Gods were telling me that’s enough!

SK: What is Ed up to now? Has he read the book? If so, what was his response?

LW: Sorry to say that Ed passed away suddenly in 2022. Yes, he had read the book at the insistence of my agent. I knew he would not be happy, even though his full name and where he came from are never mentioned. He wanted all reference and memories of his hippie past erased. For instance, he destroyed all the photos he had taken as well as his diaries. He never told his wife about my book; in fact, she only learned of it from me after his death. She bought the book, read it and then paid me the biggest compliment anyone ever has regarding West goes East: “Thank you so much, Lily. You brought Ed back to life!”

SK: You mention in your epilogue that female Japanese students responded to you differently as a woman; “less daunting,” you wrote. Have you noticed any difference in how you are treated when traveling as a woman versus traveling as a man?

LW: Yes and no. Generally, I find people, especially women, are kinder and more friendly to Lily. Of course, it’s always easier to talk to someone of your own gender. Also, I’m more outgoing and confident in myself as a fellow woman in the company of other women.

But like any other woman, I find myself much more on my guard, while not being paranoid about men, just more watchful in their presence. Luckily, Japan is safer for women than let’s say the UK or the US, but as a woman, I can’t take that personal safety for granted as I would if I were a man.

SK: I realise that this is a book about your travels with Ed, but you drop tantalizing hints about other episodes in your travels. For example, in the epilogue, you write that you and your Japanese partner were taken hostage on a trip to the Central African Republic. What???? Could you share a bit about that?

LW: Very long story from 1996. Fifteen of us were on an overland truck going from East Africa to West Africa. We had budgeted 10 days to go through Congo, but the “roads” were that awful, little but bog holes and mud, that it took us 56 days. During which time three passengers died: snakebite, malaria and cut to pieces by our own tyre chains. However, we felt lucky it had not been more!

Within two weeks, there were no more shops and as cook, I had to go into the villages and exchange stuff for food. Luckily, I found they wanted empty bottles in which to store the poison they used for hunting. I was the cook, but I wouldn’t use meat because I am a vegetarian. One evening, the two Australians who did most of the digging came back from a village with some meat, which they barbecued. A couple of days later, we ran into the first Westerner we had seen, a Belgian in the lumber business. He invited us to eat with him. One of the Australians started to tell him about the meat they had had. The Belgian asked where the village was, then he raised his and asked “Did it have fur?” No. “Did it have a hoof?” No. “I think you ate a baby!” One Australian just vomited, but the other said: “Tasted OK!”

And so, in such a dilapidated state, we finally reached the ferry over the Congo River to Bangui in the Central African Republic. By this time, we were down to 9 or 10 functioning members, for this didn’t really include a French Canadian, our only native French speaker. But he had lost his mind, and would never speak to anyone again during the rest of the trip. So that left me as the only actual French speaker. Anyway, we were at last on the ferry, chattering away about which hotel in Bangui we were going to stay in and really excited about having a shower as opposed to bathing in rivers with crocodiles and snakes.

We parked our truck on some waste ground by the river and I went exploring. The town of Bangui seemed eerily quiet as I found my way to the Novotel. Entering the hotel, I knew all was far from well when I saw a cloud of flies buzzing around the dead man at the check-in desk. Back at the truck, I told the others about the hotel and that we had better leave Bangui first thing in the morning. Everyone agreed, but at about 4 o’clock in the morning, soldiers arrived and started to knock down our tents and force us on to our truck. Those who argued or were too slow were jabbed with their rifles.

So off we went with two armed soldiers on the truck to guard us, but where were they taking us? Back to Congo or somewhere to shoot us?

We hastily formed an escape plan. At a given signal, the two hefty Australian diggers knocked the soldiers to the floor and stood on their guns, while the driver drove like mad overtaking the accompanying jeeps. I had found where the US Embassy was and it was there we headed. All other embassies were closed. We had one American in our group, so we figured that was our best chance. At five o’clock in the morning, our English driver smashed into the gates of the US Embassy at full speed. But the gates were so sturdily made that they did not give way!

In the shock, the soldiers recovered their guns and were screaming “Tirez-le!”, (Shoot him!). The driver got out of his cab window, flung himself into the embassy grounds and hid behind a wall. The soldiers opened fire and lights came on the embassy. They forced the co-driver to turn round and we were taken to a large building where we were all herded into an underground cell at gunpoint. To make matters worse, we could hear the screams of someone being tortured.

At noon, our driver arrived accompanied by personnel from the US Embassy and the Central African Republic Army as well as government officials. Slowly I pieced things together.

The soldiers who had captured us had taken part in a failed coup d’etat and now needed us as human shields to get past the checkpoints and out of Bangui. A deal was struck. They would take us 700km to the Cameroon border where they would set us free. Everyone shook hands and we set off. It took several days to drive, for we had to stop along the way many times as the soldiers constantly tried to intimidate us. Once they lined us up firing-squad style, but shot over our heads. Their idea of a joke, I guess.

However, after 500km, we reached the town of Bouar, which was rebel-held territory, so they felt safe and saw no reason to release us. They kept us in the camp, under guard with no indication as to what might be our fate. After ten days or so, I determined to try to find a way to get out of this camp. Most of the others seemed to sunk into despondency or were just too sick to move.

There were 30 soldiers holding us and I tried reaching out to those who seemed a bit more friendly. I persuaded two of them that we were running out of food, so they took me into the market. The next day, I asked them to take me in again, this time with Takako, my partner. Then while they were drinking beer in a bar, she and I ran for it to another bar which I had spotted the day before.

Were there any foreigners in Bouar, I asked. Yes, there were two and someone offered to take us to their house. The two foreigners turned out to be French Jehovah’s Witness missionaries! By this time, I would have joined! And as I hoped, they had a radio. It was hidden under the floorboards and they let me use it to contact the US Embassy. “You still there”, was the surprised response. “We’ll get you out in the morning,” they promised.

Very early in the morning, a helicopter landed and after more bargaining, the rebels finally let us drive to the Cameroon border. We crossed the border and those of us who could still walk were in the very first bar on the Cameroon side celebrating. Suddenly, in walked the rebel soldiers still with their guns! Oh, no, surely not, I almost exclaimed! Then, the two I had befriended came up to me and asked me to translate. “Don’t worry! We’re so glad we didn’t have to shoot you and would like to buy a beer for you all.” I answered: “We’re also very glad you didn’t shoot us!” To general laughter, everyone raised their beer bottles: “Salut!”

Three days later we arrived in Yaounde, the capital of Cameroon. With our driver, I went to the British Embassy to report the three deaths, all Commonwealth citizens. The Ambassador listened as we told our story.

Then he stood up and shook our hands: “Jolly good show, chaps! Let me get you a drink!” The brandy was welcome.

Takako and I were able to contact our families for the first time and reassure them that we were not dead as they feared. We flew to Europe from Cameroon and then on to Japan, arriving three months late. Astonishingly, I was able to keep my job. While I know I went to Africa for adventure, sometimes you can get more adventure than you bargained for!

SK: Wow! What a harrowing experience! Thanks for sharing that! Are there any other travel memoirs or travel writers that you admire and would recommend?

LW: The Roads To Sata by Alan Booth, In Patagonia by Bruce Chatwin, An African in Greenland by Tete-Michel Kpomassie.

SK: What’s next? Will there be another book?

LW: I could write another book, yes, but I doubt that I am able to write another book that would be as good as this one. I feel that this is my masterpiece. Every time I look through it, I think, wow, I wrote this! Many travel books nowadays have the author writing about doing many different trips over the years, one chapter per country. I certainly could do one of those too, but I, and others, think that a major strength of West goes East is that it is a story of one continuous journey rather than many short ones. It describes eight months of travelling overland from Syria to India via Afghanistan in 1972, in a world that no sadly longer exists and the people we met along the way, both locals from those countries and other Westerners.

SK: Thank you so much! I, for one, am glad you got this book out into the world.

Lily West and her Japanese students. Photo provided by Suzanne Kamata.

Suzanne Kamata was born and raised in Grand Haven, Michigan. She now lives in Japan with her husband and two children. Her short stories, essays, articles and book reviews have appeared in over 100 publications. Her work has been nominated for the Pushcart Prize five times, and received a Special Mention in 2006. She is also a two-time winner of the All Nippon Airways/Wingspan Fiction Contest, winner of the Paris Book Festival, and winner of a SCBWI Magazine Merit Award.

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Musings

Downpour

By Ian C Smith

Persistent rain soaks my senses, the lively past’s good fortune knocking on memory’s door, or is that just the beating of my heart? Does being surrounded all night by an alluvial tattoo promote this hearkening back? Beckoned as if by a distant porch light when lost in a storm, I embraced rites from times swept by in the long steady dying since Gloucestershire when, open-eyed, I took it all in. An exhilarating melancholy floods me recalling standing inside a Norman chapel in the Cotswolds’ slanting light. I breathed ancient mortar’s microbial odour, imagining a careful congregation in the Middle Ages, rough-sculpted, their murmuring voices long gone into the cold earth, willowherb and meadowsweet dormant. That winter of my naïve yearning, fields of frost under a murderous owl’s moon, I shucked the duvet to fill pages rearranging words. Trying to make sense of life’s stampede instead of slouching off early to work as I had in Australia since I was thirteen, was life changing?

If possible before final darkness, I still want to picture our quaint haven with the snugly warm smoky pub where I bumped my head in the low doorway, and we won a Christmas raffle. I yearn for embedded images of that ilk to which I cling. Yet to discover Edward Thomas’s poem about Adlestrop station written after his friendship with Robert Frost began — I didn’t know that — bereft of trains and poems, it slept nearby. The poem was published days after his death in action. With an adventurous partner, wind and rain rattling our sanctuary, ruffling rooks perched high above the tennis courts, horses sheltering in Larkin’s ‘cold shade’, my blood quickened. Our first bus trip for shopping, the route wending through golden villages of stone between hedgerows hemming narrow roads, was studded with stops. Women wearing hats, carrying baskets, and elderly couples sticking together, filled the bus with their soft, cidery accent. Spotting travellers’ colourful caravans before reaching Moreton-in-Marsh, we messaged with our eyes to attract each other’s discreet attention.

Part-time servants, our Upstairs, Downstairs situation inverted, we hauled backpacks up flights of stairs. In our bower we scrubbed greasy gunk from the stove and bathed in several inches of costly hot water in an antiquated iron bathtub. I blue-tacked maps of our travels to damp walls under the roof where, on hushed evenings, dark so early, we read by lamplight. Borrowing a gas heater on castors, I decorated it with an Olympic pattern of coffee mug rings, starting my blind attempts at a writing apprenticeship. Each lunchtime, my bedmate, younger than me, living her antipodean dream, glowing after exercising hunters across frosted terrain listening to Ted Hughes’ ‘quake of hooves’, listened to me read what I, laughing at my own jokes, had written. She astonished her workmates once, choosing not to hang around after work to see a future king of England ride one of their horses, coming home to my self-congratulatory words instead. At other times she crossed her fingers for Reynard whenever we heard the hunting horn.

Born in England, an early boyhood memory was the story of my missing aunt. My father’s last sighting of his runaway sister was from the bus he was driving. For years I pictured this as a cinematic scene in monochrome with a grainy film-noir quality. A brave woman pushing a pram flees along a street, wet, like the beginning of this piece. Dim lighting casts shadows as she glances over her shoulder (a close-up). She has no-one to defend her, to help. Saddled with this unfinished business of finding her, Births, Marriages, and Deaths became my gripping reading. We bought a cheap, used car with a good heater. London’s records led to Liverpool, a city recently battered by riots. By simply driving there from the Cotswolds we transitioned from poor to posh. Absorbed, I accrued and sorted all this marvellous new material. Gold.

Neither of us adequately masked our scorn of protocol’s scripture, smirking at our employers’ gross snobbery undercut by their practical helplessness. Exacerbating this was my partner’s rising popularity among the local casual workforce, and our now interesting missing person sleuthing. Irked by supercilious nonsense early, ad-libbing po-faced about the difficulty of finding decent racing saddles for kangaroos, my ludicrous irony had been taken as authentic. I believed my Aussie bullshit humour leading the snobs from attempted humiliation to pathos was forever unforgiven. Perhaps it was my multiple errant triggering of their burglar alarms. That magical Christmas Eve, my birthday, befriended villagers invited us for carol-singing by flickering lantern lights from mansion to mansion for charity. The ethereal beginning of We Three Kings was a goosebumps highlight, my missing aunt never far from my thoughts. We also attended a pantomime at Chipping Norton, Jack and the Beanstalk, where I wondered what the Hooray Henrys might have made of this bewitchment.

For a joke when she who still dogs my dreams visits, I squeeze into my naval pea-jacket worn everywhere those years ago. Finger-fiddling a never used spare button in its silken pocket solicits past voices. I could display other memorabilia from then though she sternly advises just sticking to writing in the past tense. My lightweight phone speedily locates those places we slowly discovered, their wonderful names – Bourton-on-the-Water – biro-circled in a bottom drawer heavy with old maps I sometimes sniff to transport me. From there we journeyed all the way across another ocean, and prairies, the sky storybook-sized, hitchhiking to Alaska, sometimes at the edge of danger. And there was more, much more, but it is to that soft privileged borough, despite the more dramatic, risk-laden zones of our sojourns, that my mind constantly returns.

My phone can also conjure up the television programme episode we researched, resulting in a moving family reunion watched from the Green Room. It can’t locate the snappy words my partner exchanged with the famous ex-pop star presenter who complained about people fuddled with age after the show when she entered our descending lift in the studio. I want to grasp the smells, sights, and sounds of where this all began that lure me like a secret love. Time-travelling, from our attic window, transposed unscathed by age’s scourge – that raw cold would fell me now – breath fogging like the future we cannot see, I would gaze lingeringly once more on what shall be lost, therefore precious.

Ian C Smith’s work has been published in BBC Radio 4 Sounds, Cable Street, Griffith Review, North of Oxford, Rundelania, The Spadina Literary Review, Stand, & Westerly. His seventh book is wonder sadness madness joy, Ginninderra (Port Adelaide). He writes in the Gippsland Lakes area of Victoria, and on Flinders Island.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

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Poetry

Poetry by Annette Gagliardi

Post author By borderlesssg1
Post date January 14, 2026
1 Comment on Poetry by Annette Gagliardi

Mute Poets
  
Seniors sit in mute repose
our minds gone to sleep -
no poems today.


Shining Insects

living secret lives,
sung in ancient tongues
of empty places, 
silent and mysterious.


Does Life Imitate Art?

 Or is it merely 
a wish to fulfil

one wants to be the subject 
of a Rockwell or Renior

would we be the hung hero or the
oft – slung political satire?


Sometimes 

your actions  — create 
more disturbance 
for others than
they do for you 


ice caps melting

water rising,
seaside cities 

submerged,
Atlantians say, 

welcome  
to the neighbourhood!


An Artist

Double vision 
helped Van Gogh 

create
heat waves

Poet Laureate for the League of MN Poets, Annette Gagliardi is published in numerous journals in Canada, Sweden, England and the USA. Gagliardi’s chapbook: Caffeinated, won the Literary Titan Gold Book Award for 2024 and an International Impact Award, 2025. She has just won the John C. Rezmerski manuscript award, for her book, Benevolence.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Tags Annette Gagliardi, Atlantians, Canada, England, Renoir, Rockwell, Sweden, USA., Van Gogh

Editorial

‘I wondered should I go or should I stay…’

Post author By borderlesssg1
Post date December 15, 2025
No Comments on ‘I wondered should I go or should I stay…’

I flow and fly
with the wind further
still; through time
and newborn worlds…

--‘Limits’ by Luis Cuauhtémoc Berriozábal

In winters, birds migrate. They face no barriers. The sun also shines across fences without any hindrance. Long ago, the late Nirendranath Chakraborty (1924-2018) wrote about a boy, Amalkanti, who wanted to be sunshine. The real world held him back and he became a worker in a dark printing press. Dreams sometimes can come to nought for humanity has enough walls to keep out those who they feel do not ‘belong’ to their way of life or thought. Some even war, kill and violate to secure an exclusive existence. Despite the perpetuation of these fences, people are now forced to emigrate not only to find shelter from the violences of wars but also to find a refuge from climate disasters. These people — the refuge seekers— are referred to as refugees [1]. And yet, there are a few who find it in themselves to waft to new worlds, create with their ideas and redefine norms… for no reason except that they feel a sense of belonging to a culture to which they were not born. These people are often referred to as migrants.

At the close of this year, Keith Lyons brings us one such persona who has found a firm footing in New Zealand. Setting new trends and inspiring others is a writer called Harry Ricketts [2]. He has even shared a poem from his latest collection, Bonfires on the Ice. Ricketts’ poem moves from the personal to the universal as does the poetry of another migrant, Luis Cuauhtémoc Berriozábal, aspiring to a new, more accepting world. While Tulip Chowdhury — who also moved across oceans — prays for peace in a war torn, weather-worn world:

I plant new seeds of dreams
for a peaceful world of tomorrow.

--‘Hopes and Dreams’ by Tulip Chowdhury

We have more poems this month that while showcasing the vibrancy of thoughts bind with the commonality of felt emotions on a variety of issues from Laila Brahmbhatt, John Grey, Saba Zahoor, Diane Webster, Gautham Pradeep, Daniel Gene Barlekamp, Annwesa Abhipsa Pani, Cal Freeman, Smitha Vishwanath, John Swain, Nziku Ann and Anne Whitehouse. Ramzi Albert Rihani makes us sit up by inverting norms while Ryan Quinn Flangan with his distinctive style raises larger questions on the need for attitudinal changes while talking of car parks. Rhys Hughes sprinkles ‘Hughesque’ humour into poetry with traffic jams as he does with his funny spooky narrative around Christmas.

Fiction in this issue reverberates across the world with Marc Rosenberg bringing us a poignant telling centred around childhood, innocence and abuse. Sayan Sarkar gives a witty, captivating, climate-friendly narrative centred around trees. Naramsetti Umamaheswararao weaves a fable set in Southern India.

A story by Nasir Rahim Sohrabi from the dusty landscapes of Balochistan has found its way into our translations too with Fazal Baloch rendering it into English from Balochi. Isa Kamari translates his own Malay poems which echo themes of his powerful novels, A Song of the Wind (2007) and Tweet(2017), both centred around the making of Singapore. Snehaprava Das introduces Odia poems by Satrughna Pandab in English. While Professor Fakrul Alam renders one of Nazrul’s best-loved songs from Bengali to English, Tagore’s translated poem Jatri (Passenger) welcomes prospectives onboard a boat —almost an anti-thesis of his earlier poem ‘Sonar Tori’ (The Golden Boat) where the ferry woman rows off robbing her client.

In reviews, we also have a poetry collection, This Could Be a Love Poem for You by Ranu Uniyal discussed by Gazala Khan. Bhaskar Parichha introduces a book that dwells on aging and mental health issues, Indira Das’s Last Song before Home, translated from Bengali by Bina Biswas. Rakhi Dalal has reviewed Anuradha Kumar’s Love and Crime in the Time of Plague:A Bombay Mystery, a historical mystery novel set in the Bombay of yore, a sequel to her earlier The Kidnapping of Mark Twain. Andreas Giesbert has woven in supernatural lore into this section by introducing Ariel Slick’s The Devil Take the Blues: A Southern Gothic Novel. In our excerpts too, we have ghostly lore with an extract from Ghosted: Delhi’s Haunted Monuments by Eric Chopra. The other excerpt is from Marzia Pasini’s Leonie’s Leap, a YA novel showcasing resilience.

We have plenty of non-fiction this time starting with a tribute to Jane Austen (1775-1817) by Meenakshi Malhotra. Austen turns 250 this year and continues relevant with remakes in not only films but also reimagined with books around her novels — especially Pride and Prejudice (which has even a zombie version). Bhaskar Parichha pays a tribute to writer Bibhuti Patnaik. Ravi Varmman K Kanniappan explores ancient Sangam Literature from Tamil Nadu and Ratnottama Sengupta revisits an art exhibition that draws bridges across time… an exploration she herself curated.

Suzanne Kamata takes us on a train journey through historical Japan and Meredith Stephens finds joy in visiting friends and living in a two-hundred-year-old house from the Edo period[3]. Mohul Bhowmick introduces a syncretic and cosmopolitan Bombay (now Mumbai). Gower Bhat gives his opinion on examination systems in Kashmir, which echoes issues faced across the world while Jun A. Alindogan raises concerns over Filipino norms.

Farouk Gulsara — with his dry humour — critiques the growing dependence on artificial intelligence (or the lack of it). Devraj Singh Kalsi again shares a spooky adventure in a funny vein.

We have a spray of colours from across almost all the continents in our pages this time. A bumper issue again — for which all of the contributors have our heartfelt thanks. Huge thanks to our fabulous team who pitch in to make a vibrant issue for all of us. A special thanks to Sohana Manzoor for the fabulous artwork. And as our readers continue to grow in numbers by leap and bounds, I would want to thank you all for visiting our content! Introduce your friends too if you like what you find and do remember to pause by this issue’s contents page.

Wish all of you happy reading through the holiday season!

Best wishes,

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE DECEMBER 2025 ISSUE.

[1] UNHCR Refugees

[2] Harry Ricketts born and educated in England moved to New Zealand.

[3] Edo period in Japan (1603-1868)

READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Tags A Song of the Wind, Aamalkanti, Andreas Giesbert, Ann Whitehouse, Annwesa Abhipsa Pani, Anuradha Kumar, Ariel Slick, Balochi, Balochistan, Bhaskar Pariccha, Bhaskar Parichcha, Bibhuti Patnaik, Bina Biswas, Bombay, Bonfires on the Ice, borderlessjournal.com, Brickfields, Cal Freeman, Christmas, Daniel Gene Barlekamp, Devraj Singh Kalsi, Diane Webster, Edo period, England, English, Ericc Chopra, Fakrul Alam, Farouk Gulsara, Fazal Baloch, Filipino, Gautham Pradeep, Gazala Khan, Ghosted: Delhi’s Haunted Monuments, Gower Bhat, Harry Ricketts, Indira Das, Jane Austen, Japan, Jatri, John Grey, John Swain, Jun A. Alindogan, Kashmir, Keith Lyons, Laila Brahmbhatt, Last Song Before Home, Leonie's Leap, Love and Crime in the Time of Plague: A Bombay Mystery, Luis Cuauhtémoc Berriozábal, Malachi Edwin Vethamani, Malaysia, Marzia Pasini, Meredith Stephens, Migrants, Mitali Chakravarty, Mohul Bhowmick, Mumbai, Nasir Rahim Sohrabi, Nazrul, New Zealand, Nirendranath Chakraborty, Nziku Ann, Odia, Pride and Prejudice, Rakhi Dalal, Ramzi Albert Rihani, Ranu Uniyal, Ratnottama Sengupta, Ravi Varmman K Kanniappan, Refugees, Rhys Hughes, Ryan Quinn Falangan, Saba Zahoor, Sangam Literature, Satrughna Pandab, Singapore, Smitha Vishwanath, Snehaprava Das, Sohana Manzoor, Sonar Tori, Suzanne Kamata, Tagore, The Devil Take the Blues: A Southern Gothic Novel, The Kidnapping of Mark Twain, This Could be a Love Poem for You, Tulip Chowdhury, Tweet, UNHCR

Interview

Harry Ricketts: Mentor, Poet, Essayist…

Post author By borderlesssg1
Post date December 15, 2025
No Comments on Harry Ricketts: Mentor, Poet, Essayist…

Keith Lyons in conversation with Harry Ricketts, a writer and mentor who found himself across continents and oceans

Harry Ricketts has authored thirty books and mentored many writers, including Keith Lyons. Photo Courtesy: Robert Cross

Harry Ricketts is a New Zealand poet, essayist, and literary biographer whose work has gained recognition for its wit, lyricism, and insight into memory, identity, and everyday life. He has published widely across poetry, biography, and literary criticism, and his writing blends formal elegance with accessibility. After studying at Oxford University, he taught in the UK and Hong Kong before moving to New Zealand in the early 1980s. A respected teacher and mentor, Ricketts has shaped both the literary culture of New Zealand and the broader English-language literary world through his poetry, essays, and guidance to emerging writers. His works include a major biography of the British India-born journalist, novelist, poet, and short-story writer Rudyard Kipling, The Unforgiving Minute, Strange Meetings: The Poets of the Great War, and his most recent books, the memoir First Things, and the poetry collection Bonfires on the Ice. His How to Live Elsewhere (2004) is one of twelve titles in the Montana Estates essay series published by Four Winds Press. The press was established by Lloyd Jones to encourage and develop the essay genre in New Zealand. In his essay, Ricketts reflects on his move from England to New Zealand. In this interview, he brings to us not only on his writerly life but also his journey as a mentor for other writers.

KL: Tell us about your early life?

HR: My father was a British army officer, and we moved every two years till I was ten: England, Malaysia, two different parts of England, Hong Kong, England. My first words were probably Malay. From eight to eighteen, I went to boarding schools in England; apart from the cricket and one or two teachers, this was not a positive experience.

KL: How do you think moving around affected you, and your sense of self and being in the world? Does that transience shape your perspective and writing now?

HR: I think constantly moving around gave me a very equivocal sense of belonging anywhere and also a strong sense of needing to adapt (up to a point) to wherever I found myself. I was an only child, and friendship became and remains incredibly important to me. Perhaps this hard-wired sense of temporariness has contributed to my trying to produce as many different kinds of books as possible, but eventually you discover what you can and can’t do: I can’t write novels.

KL: How has your sense of ‘home’ evolved in your work over the years?

HR: As above, but I’ve lived in New Zealand for more than forty years, so that must count for something. My second wife, Belinda, was a Kiwi; for thirty years, she was a lovely person to share the world with. I’d say I like to live slightly at an angle to whatever community I’m in.

KL: How did books and poems come into your life, and what do you think have been influences on your later work?

HR: My mother was a great reader and read me Beatrix Potter, A.A. Milne etc as a child. When I was seven, I had measles and had to stay in bed for a fortnight. I read Arthur Ransome’s Peter Duck and then I couldn’t stop. Books were a protection and a passion at boarding school. As for poetry, at school we had to learn poems by heart which I enjoyed and later recited them in class which was nerve-wracking. When I was fifteen – like many others – I fell in love with Keats, then a few years later it was Sylvia Plath, Ted Hughes, T.S. Eliot, Gerard Manley Hopkins, C.P. Cavafy ….. I was also listening to a lot of music, particularly singer songwriters like Bob Dylan, Leonard Cohen, Richard Thompson, Joni Mitchell.

Everything you read and listen to is an influence. My mind is a lumber-room of things I’ve read and listened to, things other people have said, things that have happened to me and to others, places I’ve been, love and friendship – and all that crops up in my poems in one way or another. Plath and Hughes were a wrong trail. It took me a while to work that out. Well into my twenties, I couldn’t stand Philip Larkin, but not now. I like witty, melancholy poets.

KL: Your first book, People Like Us: Sketches of Hong Kong was published when you were 27. How did that come about.? What satisfaction did you get from seeing your name in print?

HR: People Like Us is a mixture of short stories and song lyrics. Hong Kong, as I experienced it in the 1970s, (still very much a British colony) was a heterogeneous mishmash of styles, and I tried to mimic that mishmash in the pieces I wrote. I was pleased when it got published but it wasn’t much good.

KL: Can you describe your writing space?

HR: I have a small study, but since Belinda died two years ago, I’ve shifted to the kitchen table. She wouldn’t have approved, but the kitchen is light and airy and the stove-top coffee-maker close by.

KL: What is your writing process from start to finish?

HR: I do a lot of drafts. First thoughts can almost always be improved. A friend likes to say, ‘It’s not the writing; it’s the rewriting’, and I agree. But some poems have come quite quickly. When I’m writing prose, I often play music, but not when I’m working on a poem.

KL: What usually sparks a new poem for you: an image, a phrase, or a rhythm?

HR: It can be anything really. I’m usually doing something else entirely – writing an email or some piece of prose or just walking around – and something will interrupt me. It’s often a phrase which for some reason acts like a magnet, attracting another phrase or an images or an idea. It might be something I’m reading; this has happened with English poets like Edward Thomas, Philip Larkin, James Fenton, Hugo Williams and Wendy Cope and New Zealand poets like Bill Manhire, Fleur Adcock and Nick Ascroft. Occasionally, I’ve written a commissioned poem: for a friend’s wedding, say.

KL: How do you balance experimentation with accessibility in your work?

HR: I don’t think like that, but I do try not to repeat myself if I can help it. However, several poems of mine have had successors; so I wrote a poem in the mid-1980s about my six-year-old daughter Jessie called ‘Your Secret Life’, imagining her as a teenager and me waiting up late for her to return home, and my latest collection contains a ‘Your Secret Life 5’, written when she was forty. I’ve found myself writing a few poem-sequences recently, including one about an imaginary New Zealand woman poet. That was quite new for me.

KL: How do your roles as poet, biographer, and critic feed into each other?

HR: Constructively, I hope. I think you can always get prose out of yourself if you sit there long enough (fiction writers might disagree), but not poems. Some initial reverberation/interruption has to happen, some ‘spark’, as you put it. It’s all writing, of course, and writing is a habit. You have to keep doing it, otherwise that part of you switches itself off or attends to other things.

KL: Looking back across more than thirty books, what evolution do you see in your writing life, and what themes do you keep on coming back to?

HR: I think lots of writers (except the very vain ones) suffer from versions of ‘imposter syndrome’ and have problems with their personal myth — that they are a writer. I’ve got a bit more confident that I am a writer and in particular that I can write poems. Getting published helps a lot with the personal myth: something you’ve done is now out in the world. Once you publish a book, though, you lose any control you had over it. People may love it, hate or, worst of all, ignore it. But that’s just the deal.

I prefer the term preoccupations to themes. I’m preoccupied with people, places, trying to make sense of the past, happiness, the role of luck, life’s oddities, incongruities and ambiguities….

KL: You often talk about ‘gaps’, doubt, and ambiguity as central to your work. How do these function in your poetry today?

HR: To measure gaps, to be in doubt, to see the ambiguity in things: that just seems to me to be human. Poems can be acts of discovery or at least partial clarification. They can also simply preserve something: an experience, a moment, a realisation, some sense of those we love.

KL: You describe teaching as a kind of midwifery: helping writers bring out what is already within them. How did you arrive at that approach?

HR: Decades of teaching suggest to me that encouragement is more likely to help someone tell the stories they have it in them to tell rather than giving them a hard time. Writing can be a bit like giving birth and, for some, having support and encouragement is more helpful than trying to do it all on your own. Of course, in the end you do have to do most of it on your own.

KL: What advice did you find yourself giving students most often, and does it still hold true for you?

HR: I have taught poetry courses, but over the last twenty-five years I’ve mostly taught creative non-fiction. I often quote Lytton Strachey’s comment that ‘Discretion is not the better part of biography’ and then add: ‘Nor the better part of autobiography.’ I also suggest that mixed feelings are more interesting to write out of and about than clearcut ones. If you’re writing about someone else, pure admiration tends to produce hagiography, pure dislike a vindictive portrait – all warts, rather than warts and all. Serious doesn’t mean earnest; you can be serious and funny at the same time.

KL: What is the best advice you’ve received as a writer?

HR: The best advice it would have been helpful to be given (but no one did) would have been: ‘Don’t eat your heart out trying to be a kind of writer you aren’t (say, a novelist). Try to find out what kind of writer you are and pursue that as hard as you can.’ Chaucer knew: ‘The lyf so short, the craft so long to lerne.’

KL: Which authors do you most often recommend to students or emerging poets?

HR: I mostly suggest they should read as widely as they can and that they should read as a writer.

KL: What writers are you returning to most these days?

HR: I often go back to Montaigne’s essays and Orwell’s and Virginia Woolf’s. Poets I often reread include: Derek Mahon, Hugo Williams, Thomas Gray, Wendy Cope, Fleur Adcock, Edward Thomas, Andrew Marvell, Seamus Heaney, Lauris Edmond, Anne French, Robert Browning, Thomas Hardy, Philip Larkin …

KL: What responsibilities do reviewers have to writers, and what responsibilities do they have to readers?

HR: Reviewers have an obligation to be fair-minded towards their subject and to write something as worth reading (ie well-written and enjoyable) as any other piece of prose.

KL: How can reviewers give criticism that is honest yet constructive?

HR: They should try to understand what the writer was aiming at (rather than the thing they think the writer should have been aiming at) and judge the work accordingly. This is easier said than done. Writers rarely remember the positives reviewers say, and rarely forget the negatives. Reviewing is hard, if you’re trying to do a good job. In a small country like New Zealand, there’s only one-and-a-half degrees of separation, which makes puffing and pulling your punches a tempting prospect.

KL: What kind of legacy do you hope to leave through your poetry and teaching?

HR: Whatever legacy you might leave (and few writers or teachers in the scale of things leave any) is not up to you. But of course writers hope people will positively remember something they’ve written and that their work will continue to be read after their death. When I think of the teachers who have matter to me, I think of them with immense gratitude and I hope some of my pupils might feel something of that, too.

KL: Is there a question about your work that you wish people asked more often?

HR: Interesting question, but I don’t really have an answer. Perhaps ‘Why, given that you also write plenty of poems in free verse, do you still think that there are possibilities in fixed poetic forms like the sonnet, villanelle and triolet?’ I could talk about that for a long time.

KL: If your life was a movie, what would the audience be screaming out to you now?

HR: Keep going! Well, I’d like to think they might.

KL: What’s next for you? What are you working on now?

HR: I’m threequarters of the way through a second volume of memoirs and about to write about a particularly difficult part of my life. I want to finish that and then a third volume, if I can. And write more poems.

*This interview has been conducted through emails.

Click here to read Harry Rickett’s poem.

Keith Lyons (keithlyons.net) is an award-winning writer and creative writing mentor originally from New Zealand who has spent a quarter of his existence living and working in Asia including southwest China, Myanmar and Bali. His Venn diagram of happiness features the aroma of freshly-roasted coffee, the negative ions of the natural world including moving water, and connecting with others in meaningful ways. A Contributing Editor on Borderless journal’sEditorial Board, his work has appeared in Borderless since its early days, and his writing featured in the anthology Monalisa No Longer Smiles.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Review

A Hiding to Nothing

Book Review by Somdatta Mandal

Title: A Hiding to Nothing

Author: Chhimi Tenduf-La

Publisher: Hachette India

Let me be honest enough. When I received this book for review penned by a Sri Lankan author, I expected it to be a debut novel written by a person who is one of the many new voices that keep on emerging in sub-continental English fiction every other day. But the unusual name of the author made me enquire a little further to find out that he was half Tibetan and half English, educated at Eton and Durham in England, and has been managing an international school in Sri Lanka for thirty years. All these issues account for and contribute to the background of the novel’s setting. More surprise was in store when I found that Chhimi Tenduf-La has been writing fiction for the past ten years and his first novel, The Amazing Racist, was published way back in 2015. Since then, he has penned two more books and now his fourth book, A Hiding to Nothing, is what he himself defines as his “first domestic thriller.”

Such background information therefore definitely helps the reader to understand the nature of this present novel, which is set in Colombo’s manicured gardens owned by rich, elite and sometimes dicey people, and simultaneously moves to the activities set in England in Durham’s cobblestone streets.

The central issue of the story revolves around the miscarriage of Neja Pinto after she marries Ramesh in England and her subsequent inability to conceive which results in taking recourse to surrogacy. Believing in the stigma of South Asian sensibilities when a woman is looked down upon if she cannot give birth to her own off-spring, they want to keep the entire matter as secretive as possible so that they can come back from England to Sri Lanka and claim the child, Devin, as their own biologically born offspring till a point when the child is kidnapped by unknown people. From this point begins a lot of questions like who would dare take Devin – and why? As the incidents of the story march forward at electronic speed, creating the right atmosphere of a well-devised whodunit, the novel is crowded with innumerable characters, some unique, others quite stereotypical, but none out of suspicion. Is it the swimming coach Neja gets too close to? Could it be the ghosts of their past – the ruthless creditors Ramesh deceived in a Ponzi scheme, now back for blood? Or is it the enigmatic Dr Haksar who helped them have a child? And what of the mysterious woman from the British High Commission, whose probing questions hint at knowledge she shouldn’t possess? As the whispers grow louder, one name resurfaces with terrifying weight: Satya Basu, who actually bears the child in lieu of money. Is she back to settle an old score?

As mentioned earlier, at the centre of the story are the protagonists Neja and Ramesh Pinto, who are now husband and wife, but are also portrayed in their pre-marital days in England. Then there is Ramesh’s mother Loku Madam who is a stern and powerful woman with complete control over her son, which results in a sort of mother fixation. Loku Madam is planning a fourth marriage with a rich tea garden owner.

There is a swimming pool trainer called Johnny Dias with whom Neja has a fling resulting in several complications in the plot; the child Devin who disappears after he is kidnapped and from where many more eventful activities take place in the story; then there is Mercy Mbangwa who works at the British High Commission but also takes too much of an interest in the affairs of Neja and Ramesh Pinto. The Pintos take on names as Nita and Ravi Ponniah when they live in Durham because they want to remain incognito and take possession of a surrogate child in the making by another character called Satya Basu ( I am surprised because though ending with an ‘a’, in Bengali Satya is usually a male name and not a female one), Dr. Haksar and several other characters, all of whom are illegal immigrants in England. There are bartenders, hustlers and many other minor characters that crowd the scene too.

Chhimi Tenduf-La unravels a suspenseful tale where the truth is elusive – and the cost of uncovering it may be too high to bear. He brings in all possible locations and situations with very intense visual details which makes us feel it to be the right ambience for a Netflix movie. The novel is architecturally very carefully set through fifty-six chapters (some as short as one and a half pages) to others slightly longer, and the chapters are very carefully juxtaposed by alternating between Sri Lanka, 2024 and London/England 2015, 2016, 2017 and 2018. In fact, the last chapter brings us to the present Sri Lanka in 2025 where finally all the mysteries are unravelled and the author hints at a positive and optimistic note where all the sound and fury is resolved to a quiet ending.

The racy speed at which the author takes the readers through this 310 page-turner mystery at times makes one confused and it seems that since he is attempting a new sub-genre of what he calls a first attempt at a ‘domestic thriller’, he has attempted to put in as many things as possible. Some of that could probably have been avoided. But his innovative style and deft handling of the English language needs special mention, and this reviewer strongly recommends everyone to read and appreciate the novel.

Somdatta Mandal, critic and translator, is a former Professor of English at Visva Bharati, Santiniketan.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Tags A Hiding to Nothing, British High Commission, Chhimi Tenduf-La, Colombo, Durham, England, English, Eton, Hatchette India, London, Santiniketan, Somdatta Mandal, Sri Lanka, Tibetan, Visva Bharati