Tag: Saranyan BV

“Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse -- and Thou
Beside me singing in the Wilderness --
And Wilderness is Paradise enow.”

― Omar Khayyám (1048-1131); translation from Persian by Edward Fitzgerald (Rubaiyat, 1859)

I wonder why Khayyam wrote these lines — was it to redefine paradise or just to woo his beloved? I like to imagine it was a bit of both. The need not to look for a paradise after death but to create one on Earth might well make an impact on humankind. Maybe, they would stop warring over an invisible force that they call God or by some other given name, some ‘ism’. Other than tens of thousands dying in natural disasters like the recent earthquake at the border of Turkiye and Syria, many have been killed by wars that continue to perpetrate divides created by human constructs. This month houses the second anniversary of the military junta rule in Myanmar and the first anniversary of the Ukrainian-Russian war that continues to decimate people, towns, natural reserves, humanity, economics relentlessly, polluting the environment with weapons of mass destruction, be it bombs or missiles. The more weapons we use, the more we destroy the environment of our own home planet. 

Sometimes, the world cries for a change. It asks to be upended.

We rethink, reinvent to move forward as a species or a single race. We relook at concepts like life and death and the way we run our lives. Redefining paradise or finding paradise on Earth, redefining ‘isms’ we have been living with for the past few hundred years — ‘isms’ that are being used to hurt others of our own species, to create exclusivity and divisions where none should exist — might well be a requisite for the continuance of our race.

Voices of change-pleaders rang out in the last century with visionaries like Tagore, Gandhi, Nazrul, Satyajit Ray urging for a more accepting and less war-bound world. This month, Ratnottama Sengupta has written on Ray’s legendary 1969 film, Goopy Gyne, Bagha Byne: “The message he sent out loud and with laughter: ‘When people have palatable food to fill their belly and music to fill their soul, the world will bid goodbye to wars.’” Shantanu Ray Chaudhuri has given an essay on one of the greatest pacifists, Gandhi, and his attitudes to films as well as his depiction in movies. What was amazing is Gandhi condemned films and never saw their worth as a mass media influencer! The other interesting thing is his repeated depiction as an ethereal spirit in recent movies which ask for changes in modern day perceptions and reforms. In fact, both these essays deal with ghosts who come back from the past to urge for changes towards a better future.

Delving deeper into the supernatural is our interviewee, Abhirup Dhar, an upcoming writer whose ghost stories are being adapted by Bollywood. While he does investigative stories linked to supernatural lore, our other interviewee, Andrew Quilty, a renowned journalist who has won encomiums for his coverage on Afghanistan where he spent eight years, shows in his book, August in Kabul: America’s Last Days in Afghanistan and the Return of the Taliban, what clinging to past lores can do to a people, especially women. Where does one strike the balance? We also have an excerpt from his book to give a flavour of his exclusive journalistic coverage on the plight of Afghans as an eyewitness who flew back to the country not only to report but to be with his friends — Afghans and foreigners — as others fled out of Kabul on August 14 th 2021. While culturally, Afghans should have been closer to Khayyam, does their repressive outlook really embrace the past, especially with the Taliban dating back to about only three decades?

The books in our review section have a focus on the past and history too. Meenakshi Malhotra’s review of Priyadarshini Thakur Khayal’s Padmini of Malwa: The Autobiography of Rani Rupmati, again focusses on how the author resurrects a medieval queen through visitations in a dream (could it be her spirit that visited him?). Somdatta Mandal writes of a book of history too — but this time the past and the people are resurrected through objects in Sudeshna Guha’s A history of India through 75 Objects. Bhaskar Parichha has also reviewed a history book by culinary writer-turned-historian Colleen Taylor Sen, Ashoka and The Maurya Dynasty: The History and Legacy of Ancient India’s Greatest Empire.

This intermingling of life and death and the past is brought to life in our fiction section by Sreelekha Chatterjee and Anjana Krishnan. Aditi Yadav creates a link between the past and our need to travel in her musing, which is reminiscent of Anthony Sattin’s description of asabiyya, a concept of brotherhood that thrived in medieval times. In consonance with wanderlust expressed in Yadav’s essay, we have a number of stories that explore travel highlighting various issues. Meredith Stephens travels to explore the need to have nature undisturbed by external interferences in pockets like Kangaroo Island in a semi-humorous undertone. While Ravi Shankar travels to the land’s end of India to voice candid concerns on conditions within Kerala, a place that both Keith Lyons and Rhys Hughes had written on with love and a sense of fun. It is interesting to see the contrasting perspectives on Southern India.

Hughes of course brings in dollops of humour with his travel to Adam’s Peak in Sri Lanka as does Devraj Singh Kalsi who writes about camel rides in Chandigarh, a place I known for its gardens, town planning and verdure. Suzanne Kamata colours Japan with humour as she writes of how candies can save the day there! Sengupta continues to travel to the past delving into the history of the last century.

Poetry that evokes laughter is rare but none the less the forte of Hughes as pensive but beautiful heartfelt poetry is that of Asad Latif. This February, the edition features poetry by Ryan Quinn Flanagan that borders on wry humour and on poignancy by George Freek. More poems by Pragya Bajpai, Sanjukta Dasgupta, Chad Norman, John Grey, Amit Parmessur, Sister Lou Ella Hickman, Saranyan BV and many more bring in varied emotions collected and honed to convey varieties that flavour our world.

Professor Fakrul Alam has also translated poetry where a contemporary Bengali writer, Masud Khan, cogitates on history while Ihlwha Choi has translated his own poem from Korean. A translation of Tagore’s poem on the ocean tries to capture the vastness and the eternal restlessness that can be interpreted as whispers carried through eons of history. Fazal Baloch has also shared a poem by one of the most revered modern Balochi voices, that of Atta Shad. Our pièce de resistance is a translation of Premchand’s Balak or the Child by Anurag Sharma.

This vibrant edition would not have been possible without all the wonderful translators, writers, photographers and artists who trust us with their work. My heartfelt thanks to all of you, especially, Srijani Dutta for her beautiful painting, ‘Hope in Winter’, and Sohana for her amazing artwork. My heartfelt thanks to the team at Borderless Journal, to our loyal readers some of whom have evolved into fabulous contributors. Thank you.

Do write in telling us what you think of the journal. We look forward to feedback from all of you as we head for the completion of our third year this March.

Best wishes,

Mitali Chakravarty

borderlessjournal.com

Click here to access the Borderless anthology, Monalisa No Longer Smiles