A riot of colours starts the day
with happiness, vibrancy and hope,
dispelling the winter of discontent
with whispers of new lores…
Devi (The Goddess) is a 1960 Satyajit Ray film, based on a story by a writer called Prabhat Kumar Mukhopadhyay, that showcases nineteenth century India, where the silence of a young girl who is deified, wreaks havoc in her home, village and life. In an interview, Satyajit Ray contended that the film was to make people rethink ‘messiahdom’. The exact words he used to state this was that the film was against ‘religious dogmatism’ as the film and story literally dealt with the deification of a young bride. Tagore had similarly questioned blind deification in a number of his poems and plays. These (as Ray spelt out in his interview) did not address religion per se but malpractices, among them, the tendency to worship an idol to a point where flaws are justified, accepted and emulated. Satyajit Ray and Tagore were both Brahmos — which can be seen as a reform movement. These two were not criticising religion but talking of rising above gawky hero worship to think logically and arrive at logical conclusions. When we talk of characters from the Ramayana, the Mahabharata, other mythologies or substitute the adulated with stars, writers, politicians and businessmen who run huge concerns, we tend to idolise them. But these were and are all characters with flaws, whether fictitious or real. We can well learn from their mistakes, rather than deify and worship them to justify bad behaviour by quoting instances from lives of past legends or prominent persons in the current world.
Akbar Barakzai, a poet exiled from Balochistan, talks in a similar vein in his interview. You can see it in his poetry too — some of which can be found translated by Fazal Baloch in our pages. Barakzai talks of transcending barriers we draw for ourselves in the real world, of writing with honesty and sincerity. He has shared vignettes of his life as he changed countries to continue his work. Baloch has also brought to us another excellent poet in translation, Munir Momin. A major poem by Nazrul (the ‘bidrohi kobi’), ‘Bidrohi or Rebel’ has wound its way to our pages translated by Professor Fakrul Alam. We are honoured and grateful that Prof Alam chose to share this excellent translation with us. We have more translations: Jibonananda’s ‘Motorcar’(1934) by Rakibul Hasan Khan, a Korean translation by Ihlwha Choi, another short story from Nepal and Tagore’s powerful poem, ‘Morichika or Mirage’, which is a wake-up call for the inert affluent who hold themselves aloof from common masses. We have also interviewed a major prose translator of Tagore, Professor Somdatta Mandal. With much to share on Santiniketan, Nabanita Deb Sen and many interesting anecdotes, Mandal talks of her extensive work with her translations spanning many more writers from the past.
We have a colourful ensemble this time almost as vibrant as the autumnal colours that have invaded nature in some parts of the Northern Hemisphere. Michael R Burch has given us beautiful poems on autumn, including the autumn of life. We have a poem in a similar vein by George Freek whose work continues influenced by Liu Yong (1719-1805), an influential minister and calligrapher in the Qing Dynasty. Ryan Quinn Flanagan touches on Leonardo Da Vinci’s Mona Lisa in his poetry. Rhys Hughes has given us humour in both his poetry and his column. Our other humorist, Devraj Singh Kalsi has given us darker, more caustic black humour in his narrative. We have lovely photographs from Penny Wilkes with her verses in Nature’s Musings. It is amazing the way she photographs birds in flight. Stories from Malaysia, Bangladesh, India and America add to the richness of our oeuvre. Sunil Sharma has given us an avant-garde telling of Odysseus’s voyage in the modern world, transcending the borders of time and ethnicity.
A well-known senior journalist, Ratnottama Sengupta, has also travelled through time to give us a recall of her experience at the 35th Cairo Film Festival one November, nine years ago. Her narrative about the time that the Shariat law was adopted by Egypt reminds me of the way things moved in Afghanistan few months ago and what is even more stunning is the way in which organisations dubbed extremists earlier are allowed to run countries now. Is it really not yet time to get rid of messiahs and look for one world?
Do pause by and find many more authors who dot our November edition. As usual, naming each one will keep you away from our delectable reads for longer. We thank all our readers for their continued patronage, and I would like to thank my fabulous team who are now even providing visuals to brighten our pages. A huge thanks to Sohana Manzoor and Sybil Pretious, who write as well as they paint. Thanks to all our wonderful contributors for making Borderless a reality.
Chapter 7: Better To Enclose A Cat Than to Scold It
Clothes shops kept irregular hours in Takayama. Three different days, at three different hours, we tried to visit a local vintage store, and each time we found it closed.
It was refreshing to see that a country that had appeared, at first, such a stickler for rules, actually had a whole community that seemed to do the opposite of what was expected.
‘It is ikigai,’ explained James, the bald Kiwi ALT whom we had called Jēmusu (the Japanese word for James) as a joke.
‘What is ikigai?’ I asked. ‘A fish?’
‘No,’ he said with a grin. ‘Ikigai means finding your purpose, your meaning in life, and combining it with your profession, your work. It is the balance of doing what you love while making a living and letting neither path control your life.’
I didn’t really understand ikigai until one spring day I actually found the vintage clothing shop open and went inside to explore as I’d longed to do for over a month. The owner, G-Kun, a snowboarder in his early thirties who wore his long black hair tied back in a ponytail, was busy checking orders on his computer.
Ryan was looking at skateboard tee shirts while I browsed some different-coloured beanies made from hemp that I loved and would probably never wear.
‘I’m so glad I finally got to come in,’ I said to G-Kun.
‘Why has your store been closed so often? Were you ill?’
‘Not at all,’ he replied with a friendly smile. ‘I have just been concentrating on something else.’
‘My music career.’
I stared at him.
‘I travelled in Europe some years back and became friendly with some European DJs,’ he continued. ‘I ended up co-producing some dance tracks with them.’
He had my rapt attention. To my very British mind, this was an entirely new concept. I had been told as a child to forget working with horses and get a job in a bank, because in England I was supposed to be a responsible adult with a steady good-paying job doing something I loathed rather than something I loved.
But in Takayama . . . Was what G-Kun telling me real? Could an avocation and a job actually be combined? And if they could, did I have my own ikigai, something that would bring deep satisfaction to my life?
Once I understood ikigai, I saw it all around me. In Takayama, many people had turned their passions into businesses from which they earned an actual living wage. Of course, that’s not to say all Japanese follow ikigai but it seemed widely practiced here. And then there was Keisuke, who worked in a brewery and wanted to start his own saké company someday.
Twenty-something Keisuke was not particularly well educated or rich, but he seemed more contented than anyone I’d met in a long time. In fact, he was so happy and so passionate about his job that I never saw him in anything other than his cream-coloured brewery overalls.
One night in Keisuke ’s apartment, he proudly poured me his employer’s clear rice wine into a tiny white and blue ceramic cup, beaming with something more than pride.
Ryan took the first sip and beamed back at him. ‘This is good stuff! You’ve got the saké magic, Keisuke-san. Like Harry Potter.’
‘So, so, so,’ Keisuke said and paused for a moment to think. ‘You know what, I am not Harry Potter. But I am . . . the Saké Potter.’
And from that day on, that’s exactly what we called him.
A few nights later, while out for dinner with some friends, we came across a stray cat that was to begin my search for ikigai.
‘Kawaisō, it’s such a shame,’ Sayuri said. ‘There’s so many noranekos [stray cats] in Takayama. It’s sad.’
I leaned down to pat the bedraggled kitten and he tapped me with his paw, as if begging for more. ‘Poor baby,’ I said. ‘He must hang around the restaurant in the hope of getting food scraps,’ I said.
‘The staff probably feed him,’ Ryan said as he joined us, the kitten instantly turning to him for attention.
‘What should I do?’ I asked.
‘Why do you have do anything?’ Mike said, joining us.
Takako, our friendly waitress was standing at the door and confirmed our suspicions about the kitten. ‘Hai.Nora-neko desu.’ (Yes. It is a stray.)
‘Come on, you can’t save them all,’ said Dominic as he marched off down the pavement.
Reluctantly, I followed him, along with the others. But, as we wandered tipsily back to our apartment, the kitten tried to follow us. He looked unwell. Snot was dribbling down his scrawny face. Everyone picked up their pace.
I forced myself not to turn around as we walked back home. If I had, I’d have scooped that kitten up and to hell with the consequences. Actually, that would have saved me time and trouble, because when we got back to the apartment, all I could think about was the abandoned kitten with the big affectionate personality struggling to survive outside all by himself.
Our friends stood in the kitchen noisily making plans about how to get to the next party, oblivious to the kitten’s plight. I was unable to even smile, let alone participate. ‘I’m sorry. I’m not going to make it to any more parties or bars tonight. I’ve got a headache, so I’m going to stay here,’ I said.
After the noisy crowd, including Ryan, had left, I tried going to bed, but I couldn’t sleep. I was unable to purge the image of the friendly little feline from my mind. Finally, fuelled by Chu-Hai and cheese sticks, I got dressed, crept outside, grabbed my bike, and cycled along the fluorescent-lit pathway armed with dry cat biscuits and a cat carrier.
Sure enough, with no other place to go, the kitten was still at Murasaki begging for food and attention. He didn’t struggle one bit as I lifted him into the cat carrier and set it in the front basket of my bicycle. Apparently, taking his chances with the kindly stranger and her weird contraption was better than spending another dangerous night on the street.
I knew that Ryan would not be impressed with my philanthropy, and less than thrilled about this new addition to our household, but I also knew that this little boy didn’t stand much chance of survival if we left him on the streets. I also felt I could relate to the kitten’s predicament of abandonment. After all, I’d faced similar emotions myself as a child. Displeased boyfriend versus dead kitten? It was no contest.
Still, when I carried the cat carrier into the apartment, the enormity of what I had done hit me. Just as a matter of practicality, we couldn’t take on another kitten. We already had three cats we would have to re-home before we returned to England in December. Plus, this little guy was clearly sick. His eyes looked rheumy and painful. His nose was dripping. He might infect Iko, Niko, and Gershwin. I’d have to keep them apart. Into the laundry room he went with food, water, a litter box, and bedding. Fortunately, he had no interest in hiding under the washing machine.
Ryan got back the next morning looking a bit worse for wear, possibly hungover, and definitely sleep-deprived. Perfect. This was the right time to tell him what I’d done, while he was in a weakened state.
‘Don’t get angry,’ I said. ‘But there’s someone you might want to meet in the laundry room.’
Ryan looked at me with bloodshot green eyes. ‘Oh no! You didn’t. Did you?’
‘I couldn’t leave him there. Anyway, you’ve been gone nearly all night,’ I said, trying to shift the focus onto his fictional misdeeds.
‘Have you introduced him to the other cats yet?’
‘No, I’m waiting until I’ve taken him to the vet.’
‘Good idea,’ Ryan said wearily. He gave me a kiss and crawled into bed, leaving me to keep the cats separate as best I could, which was difficult, because Gershwin was eager to meet our houseguest.
It was at this moment that I realised I had found the start of my own ikigai. I wanted to incorporate my love of animals into my life’s work, but in order to do that, in the future I would need to find a healthier way to do so. So, my other cats didn’t get hurt.
I went to the vets that morning, surprising Dr. Iguchi when a bedraggled tabby kitten strode confidently out of the carrier, rather than Gershwin. Surprise turned immediately to concern as the kitten sat on the exam table, smiled at both of us, then sneezed violently, sending lots of yellow discharge all over the vet’s pristine white smock.
The prognosis was not good. ‘He could have feline flu,’ Dr. Iguchi announced. ‘Very contagious. Very bad. It could be much worse. He might have FIV virus.’
My stomach clenched. The dreaded and deadly cat AIDS.
‘There is a vaccine for your other cats,’ he continued. ‘For now, you must quarantine this kitten until we get his test results back.’
‘I think Gershwin has had the vaccination already,’ I said hopefully, ‘but I’m not sure about Iko and Niko.’
‘So, so, so. Gershkun had the vaccinations before, not the sisters. But you must keep all the cats away from the kitten for now.’
There was no alternative. If I didn’t want a house full of sick cats, and I didn’t, this was the only way. I just had to pray that the others hadn’t already been infected. I told myself they were strong, genki [healthy] animals and I was blithely certain they could fight off any infection, not realising in my ignorance how contagious and potentially deadly feline flu really was.
I drove home and put the kitten back in the laundry room, praying that he didn’t have anything that could kill him, or the other cats.
It wasn’t long before Gershwin wanted to go in and carouse with the kitten. He knew something was wrong straight away. He was always good at reading situations. So, he sat by the door and started meowing to be let in. When I came to see what was bothering him, he stared at me with every ounce of his feline superiority and demanded to see his potential Best Friend Forever. He uttered a particularly piercing nyan [meow] in protest at my having exiled the kitten to the laundry room.
‘You mustn’t go near him for a while,’ I said.
Gershwin rubbed his soft furry body against my even furrier legs and looked me straight in the eyes as if to say ‘Think again.’
When I wouldn’t give in to his demands, he started playing angrily, jumping onto the bookshelf, hurling himself off the top, somersaulting in mid-air, and landing unceremoniously a few centimetres from my feet.
‘Right, that’s it,’ I said as I picked him up, carried him to the bedroom, and shut the door.
It was always the same with Gershwin. Despite being a Ninja Attack Kitten, he had a delicate soul. Whenever he was reprimanded, he would become so hurt by the scolding that he’d disappear for hours (and once, for days) at the shock of being chastised. Then, it could be days before he would actually forgive us. He could out-sit our most ardent lures to be returned to his good graces. If I tried to tempt him with his favourite treats, he would sniff them with disdain, turn his back, and walk off scornfully. I was always the first to give in and let him have his way.
This time, Gershwin didn’t know best. He was banned from the laundry room. Iko and Niko took one look at the closed laundry room door, sniffed the scent of an unfamiliar feline, and avoided that part of the apartment just as they tried to avoid Gershwin when he came over all Ninja Kitten.
That night, I lay awake in bed worrying about what the test results would be. What if, in bringing this stray kitten home, I had inadvertently infected the other cats with the FIV virus? I felt deeply guilty at potentially jeopardising their wellbeing, even their lives. In trying to do the right thing by the sick kitten, I may have done an incredibly wrong thing by Iko, Niko, and Gershwin. If anything happened to them, it would be entirely my fault.
For the next week, while we waited for the test results, the poor kitten, whom I named Takashi after a jovial Bagus bartender, suffered from inflamed and discharging eyes and a badly running nose. I had never seen a cat in this condition before. His tatty coat needed some love and his sore eyes needed constant care. The vet had told me to wash them twice daily with saltwater, which helped them tremendously. He had also given me a medicinal orange powder that I was supposed to mix into his food. Cats being cats, he could smell the concoction a mile off and he was having none of it. I ended up mixing the powder with butter and rubbing it around his face, so he was forced to lick it off.
I agonised all that week. Ryan was equally concerned for the poor little guy. ‘When are you going back to the vets?’ he asked me daily. ‘You’re sure the other cats won’t get it?’ I dared not answer.
Finally, the dreaded, long anticipated morning arrived. A week after I had confined Takashi to the laundry room, I plopped him back into a cat carrier and drove off to see the vet and get the test results.
By now, I had become a regular and familiar face at the animal hospital. I was the only pet-owning gaijin in the vicinity, as far as I was aware, which meant I was a bit of a novelty in the waiting room. People stared at me and some smiled, a few of the braver ones even made conversation, which helped distract me from the potentially dreadful news I might be getting today.
Finally, Takashi’s name was called and, cat carrier in hand, I was ushered into an exam room. I waited nervously as the vet found the kitten’s file.
‘No Katto Eizu,’ he said.
Oh, thank God. Takashi didn’t have the FIV virus!
Before I could celebrate, he continued. ‘But Takashi-kun is very sick,’ Dr. Iguchi said in a somber tone. ‘He has cat flu.’
The tone of his voice was my first clue that feline flu was a far more serious disease than I had believed.
‘Very contagious,’ he continued. ‘Other cats should be immunised against the virus immediately, and Takashi-kun should be isolated from them for another week, maybe more. Keep giving him the medicine and bathing his eyes.’
My enormous relief that Takashi didn’t have a death sentence, and my fears for Iko, Niko, and Gershwin, warred within me all the way home.
About the book: A girl struggling to fit in. A homeless kitten. An unexpected job offer in an unfamiliar country that changes everything. CJ had a long history of escaping places and people she wasn’t fond of. But for the sake of a silver tabby, she decided to stay in Japan for a while. This decision helped her open her heart and mind, revisit her way of thinking, and reconnect with her estranged family. Let this heartwarming memoir take you to the land of cats and cherry trees as you read about CJ’s adventures — from the craziness of Furukawa’s naked men festival, the experience of forest bathing and the significance of finding a life purpose or ikigai, to the temples of Takayama, and wonders of Cat Island — you’ll see what a homeless kitten found outside a temple in Japan taught her about an old culture and new beginnings.
About the author: CJ Fentiman is a British writer whose work has appeared in a wide range of the publications, from the Japan Times and Caravan World to Horses & People and Pets Bar. An expert on pet travel, she has featured in media in the UK and Australia including Readers Digest, SBS radio, Books on Asia, The Daily Telegraph, Herald Sun, the Courier Mail, and one of the biggest blog platforms on cats, Katzenworld. Her memoir, The Cat with Three Passports, received the award in animal narrative in the 2021 International Book Awards.