Categories
Travel

Planes, Trains & Automobiles

I should like to rise and go
Where the golden apples grow;—
Where below another sky
Parrot islands anchored lie...

-- Travel, RL Stevenson (1850-1894)

December is often a time when we look forward to a vacation and travel. Through the pandemic ravaged years, moving out of the house itself had become a challenge. Now as the world opens up slowly (hopefully the Omicron variant of the virus will be more benign), travel stretches its limbs to awaken to a new day with new trends and rules. Borderless invites you to savour of writing that takes you around the world with backpackers, travellers, hikers, sailors and pirates — fantastical, imaginary or real planned ones in a post-pandemic world. Enjoy!

Poetry

In the Honduran Dusk

Lorraine Caputo takes us on a visit to a small Garífuna village on Honduras’ Caribbean coast. Click here to read.

The Voyages of Caracatus Gibbon

Rhys Hughes time travels back to the first century voyaging vicariously with his imagination and a Welsh king who resisted Roman invasion. Click here to read.

Pirate Blacktarn gets Lost

Have you ever got lost while traveling like Pirate Blacktarn? Who can help the pirate find his way… Narrated by Jay Nicholls, click here to read.

Classics

Travel & Holidays: Humour from Rabindranath

Do you enjoy babysitting nieces, nephews on trips and have you ever traveled with ‘hundreds of pieces of luggage, a few coolies, five women and only one man’? Tagore did. Somdatta Mandal translates hilarious writings from young Tagore on travel. Click here to read.

The Witch

Travel through Bengal with Shorodhoni, a woman dubbed a ‘Daini’ or witch, in her quest to find a home in Aruna Chakravarti’s translation of Tarasankar Bandhopadhyay’s poignant story. Click here to read.

Gliding down the Silk Road

“Stories that tell us about human lives and human emotions highlight one simple thing: Humans are the same everywhere.” That is what Ratnottama Sengupta concludes as she vicariously travels through the famed route from the past. Click here to read.

Around the World

Antarctica

Click here to read Keith Lyon’s travels in Antarctica and savour the photographs he clicked.

Adventures of a Backpacking Granny

Sybil Pretious takes you on her adventures that start at sixty years of age with photographs and narration.

St Petersburg, Russia

Click here to read.

Mount Kiliminjaro

Click here to read.

Lake Baikal in Siberia

Click here to read.

Baoying, Rural China

Click here to read.

Volcanic Lake Toba. Photo Courtesy: Sybil Pretious

Philippines, Volcanoes & More

Click here to read.

Indonesia

Click here to read

Myanmar

Click here to read John Herlihy’s exhilaration with Myanmar in a pre-pandemic world in four-parts.

Australia

Click here to read Meredith Stephens’ sailing experiences between Adelaide and Kangaroo island.

Pandemic Diaries

Click here to read how Sunil Sharma moved continents, pausing in Maldives to find a new home in Canada.

Categories
Contents

Borderless, November, 2021

Autumn: Painting in Acrylic by Sybil Pretious

Editorial

Colours of the Sky…Click here to read.

Interviews

In Conversation with Akbar Barakzai, a Balochi poet in exile who rejected an award from Pakistan Academy of Letters for his principles. Click here to read.

In Conversation with Somdatta Mandal, a translator, scholar and writer who has much to say on the state of Santiniketan, Tagore, women’s writing on travel and more. Click here to read.

Translations

Rebel or ‘Bidrohi’

Nazrul’s signature poem,Bidrohi, translated by Professor Fakrul Alam. Click here to read.

Motorcar

Jibonananda Das‘s poetry translated from Bengali by Rakibul Hasan Khan. Click here to read.

The Beloved City

Poetry of Munir Momin, translated from Balochi by Fazal Baloch. Click here to read.

Rebranding

A poem in Korean, written & translated by Ihlwha Choi. Click here to read.

Perhaps the Last Kiss

A short story by Bhupeen giving a vignette of life in Nepal, translated from Nepali by Ishwor Kandel. Click here to read.

Morichika or Mirage by Tagore

Tagore’s poetry translated by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read

Rhys Hughes, Sutputra Radheye, Luis Cuauhtémoc Berriozábal, Sheshu Babu, Michael Lee Johnson, Prithvijeet Sinha, George Freek, Sujash Purna,  Ashok Manikoth, Jay Nicholls, Pramod Rastogi, Ryan Quinn Flanagan, Vijayalakshmi Harish, Mike Smith, Neetu Ralhan, Michael R Burch

Poets, Poetry & Rhys Hughes

A story poem about The Clock Tower of Sir Ticktock Bongg. Click here to read.

Nature’s Musings

Penny Wilkes takes us for a stroll into the avian lives with photographs and poetry in Of Moonshine & Birds. Click here to read.

Stories

Waking Up

Christina Yin takes us on a strange journey in Sarawak, Malaysia. Click here to read.

Rains

A pensive journey mingling rain and childhood memories by Garima Mishra. Click here to read.

Khatme Yunus

Jackie Kabir brings us a strange story from Bangladesh. Click here to read.

First International Conference on Conflict Continuation

Steve Davidson explores an imaginary conference. Click here to read.

The Literary Fictionist

In Fragments of a Strange Journey, Sunil Sharma sets out with Odysseus on a tour of the modern day world. Click here to read.

Musings/Slices from Life

Yesterday Once More?

Ratnottama Sengupta recalls her experiences of the Egyptian unrest while covering the 35th Cairo International Film Festival in 2012. Click here to read.

Embroidering Hunger

An account of life of dochgirs (embroiderers) in Balochistan by Tilyan Aslam. Click here to read.

To Daddy — with Love

Gita Viswanath takes us into her father’s world of art and wonder. Click here to read.

Simon Says

Ishita Shukla, a young girl, explores patriarchal mindset. Click here to read.

Welcoming in the dark half of the year

Candice Louisa Daquin takes a relook at the evolution of Halloween historically. Click here to read.

Musings of the Copywriter

In Crematoriums for the Rich, Devraj Singh Kalsi regales his readers with a dark twist of the macabre. Click here to read.

Essays

Renewal

Jayat Joshi, a student of development studies, takes a dig at unplanned urban development. Click here to read.

Once Upon A Time in Burma: Leaving on a Jet Plane

John Herlihy’s last episode in his travels through Burma. Click here to read.

A Legacy of Prejudice, Persecution and Plight

Suvrat Arora muses on the impact of a classic that has been coloured with biases. Click here to read.

The Observant Migrant

In Is Sensitivity a Strength or a Weakness?, Candice Louisa Daquin explores our value systems. Click here to read.

Book Excerpts

Arundhathi Subramaniam’s Women Who Wear Only Themselves. Click here to read.

CJ Fentiman’s award winning book, The Cat with Three Passports. Click here to read.

Book Reviews

Himadri Lahiri reviews Somdatta Mandal’s ‘Kobi’ and ‘Rani’: Memoirs and Correspondences of Nirmalkumari Mahalanobis and Rabindranath Tagore. Click here to read.

Suzanne Kamata reviews Iain Maloney’s Life is Elsewhere/ Burn Your Flags. Click here to read.

Bhaskar Parichha reviews Anita Agnihotri’s Mahanadi –The Tale of a River, translated from Bengali by Nivedita Sen. Click here to read.

Meenakshi Malhotra reviews Turmeric Nation: A Passage Through India’s Tastes, authored by Shylashri Shankar. Click here to read.

Categories
Editorial

Colours of the Sky

A riot of colours starts the day
with happiness, vibrancy and hope,
dispelling the winter of discontent
with whispers of new lores…
Courtesy: Sohana Manzoor

Devi (The Goddess) is a 1960 Satyajit Ray film, based on a story by a writer called Prabhat Kumar Mukhopadhyay, that showcases nineteenth century India, where the silence of a young girl who is deified, wreaks havoc in her home, village and life. In an interview, Satyajit Ray contended that the film was to make people rethink ‘messiahdom’. The exact words he used to state this was that the film was against ‘religious dogmatism’ as the film and story literally dealt with the deification of a young bride. Tagore had similarly questioned blind deification in a number of his poems and plays. These (as Ray spelt out in his interview) did not address religion per se but malpractices, among them, the tendency to worship an idol to a point where flaws are justified, accepted and emulated. Satyajit Ray and Tagore were both Brahmos — which can be seen as a reform movement. These two were not criticising religion but talking of rising above gawky hero worship to think logically and arrive at logical conclusions. When we talk of characters from the Ramayana, the Mahabharata, other mythologies or substitute the adulated with stars, writers, politicians and businessmen who run huge concerns, we tend to idolise them. But these were and are all characters with flaws, whether fictitious or real. We can well learn from their mistakes, rather than deify and worship them to justify bad behaviour by quoting instances from lives of past legends or prominent persons in the current world.

Akbar Barakzai, a poet exiled from Balochistan, talks in a similar vein in his interview. You can see it in his poetry too — some of which can be found translated by Fazal Baloch in our pages. Barakzai talks of transcending barriers we draw for ourselves in the real world, of writing with honesty and sincerity. He has shared vignettes of his life as he changed countries to continue his work. Baloch has also brought to us another excellent poet in translation, Munir Momin. A major poem by Nazrul (the ‘bidrohi kobi’), ‘Bidrohi or Rebel’ has wound its way to our pages translated by Professor Fakrul Alam. We are honoured and grateful that Prof Alam chose to share this excellent translation with us. We have more translations: Jibonananda’s ‘Motorcar’(1934) by Rakibul Hasan Khan, a Korean translation by Ihlwha Choi, another short story from Nepal and Tagore’s powerful poem,Morichika or Mirage’, which is a wake-up call for the inert affluent who hold themselves aloof from common masses. We have also interviewed a major prose translator of Tagore, Professor Somdatta Mandal. With much to share on Santiniketan, Nabanita Deb Sen and many interesting anecdotes, Mandal talks of her extensive work with her translations spanning many more writers from the past.

We have a colourful ensemble this time almost as vibrant as the autumnal colours that have invaded nature in some parts of the Northern Hemisphere. Michael R Burch has given us beautiful poems on autumn, including the autumn of life. We have a poem in a similar vein by George Freek whose work continues influenced by Liu Yong (1719-1805), an influential minister and calligrapher in the Qing Dynasty. Ryan Quinn Flanagan touches on Leonardo Da Vinci’s Mona Lisa in his poetry. Rhys Hughes has given us humour in both his poetry and his column. Our other humorist, Devraj Singh Kalsi has given us darker, more caustic black humour in his narrative. We have lovely photographs from Penny Wilkes with her verses in Nature’s Musings. It is amazing the way she photographs birds in flight. Stories from Malaysia, Bangladesh, India and America add to the richness of our oeuvre. Sunil Sharma has given us an avant-garde telling of Odysseus’s voyage in the modern world, transcending the borders of time and ethnicity.

A well-known senior journalist, Ratnottama Sengupta, has also travelled through time to give us a recall of her experience at the 35th Cairo Film Festival one November, nine years ago. Her narrative about the time that the Shariat law was adopted by Egypt reminds me of the way things moved in Afghanistan few months ago and what is even more stunning is the way in which organisations dubbed extremists earlier are allowed to run countries now. Is it really not yet time to get rid of messiahs and look for one world?

We conclude our travels in Burma with John Herlihy and his friend, Peter, this month. And start a column with Candice Louisa Daquin, The Observant Immigrant. Her essays always draw much discussion. An experienced psychotherapist, she has looked into our value systems. We have books excerpts from Arundhathi Subramaniam’s Women Who Wear Only Themselves and CJ Fentiman’s award winning book, The Cat with Three Passports. Himadri Lahiri has done an in-depth review of Somdatta Mandal’s ‘Kobi’ and ‘Rani’: Memoirs and Correspondences of Nirmalkumari Mahalanobis and Rabindranath Tagore. It is amazing how much we can learn about a person from their letters. Suzanne Kamata has shared her review of Iain Maloney’s Life is Elsewhere/ Burn Your Flags. Reviewed by Meenakshi Malhotra, Shylashri Shankar’s Turmeric Nation: A Passage Through India’s Tastes, sounds like an erudite read that spans thousands of years of history. Anita Agnihotri’s Mahanadi –The Tale of a River, translated from Bengali by Nivedita Sen, has been reviewed by Bhaskar Parichha. The narrative sounds like a powerful voice weaving together the lores around the river.

Do pause by and find many more authors who dot our November edition. As usual, naming each one will keep you away from our delectable reads for longer. We thank all our readers for their continued patronage, and I would like to thank my fabulous team who are now even providing visuals to brighten our pages. A huge thanks to Sohana Manzoor and Sybil Pretious, who write as well as they paint. Thanks to all our wonderful contributors for making Borderless a reality.

Wish you all sunshine and laughter!

Best,

Mitali Chakravarty

Borderless Journal

Categories
Contents

Borderless, October 2021

An Ode to Autumn: Painting by Sohana Manzoor.

Editorial

Making a Grecian Urn… Click here to read.

Interviews

Unveiling Afghanistan: In Conversation with Nazes Afroz, former editor of BBC and translator of a book on Afghanistan which reflects on the present day crisis. Click here to read.

The Traveller in Time: An interview with Sybil Pretious who has lived through history in six countries and travelled to forty — she has participated in the first democratic elections in an apartheid-worn South Africa and is from a time when Rhodesia was the name for Zimbabwe. Click here to read.

Translations

Travels & Holidays: Humour from Rabindranath

Translated from the original Bengali by Somdatta Mandal, these are Tagore’s essays and letters laced with humour. Click here to read.

The Quest for Home

Nazrul’s Kon Kule Aaj Bhirlo Tori translated from Bengali by Professor Fakrul Alam. Click here to read.

Mysteries of the Universe

Akbar Barakzai’s poetry in Balochi, translated by Fazal Baloch. Click here to read.

Gandhi & Robot

A poem reflecting the state of Gandhi’s ideology written in Manipuri by Thangjam Ibopishak and translated from the Manipuri by Robin S Ngangom. Click here to read.

Sorrows Left Alone

A poem in Korean, written & translated by Ihlwha Choi. Click here to read.

The Song of Advent by Tagore

Written by Tagore in 1908, Amaar Nayano Bhulano Ele describes early autumn when the festival of Durga Puja is celebrated. It has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read

Michael R Burch, A Jessie Michael, John Grey, Rupali Gupta Mukherjee, Mike Smith, Saranyan BV, Tony Brewer, Baisali Chatterjee Dutt, Jay Nicholls, Beni S Yanthan, Luis Cuauhtémoc Berriozábal, Pramod Rastogi, Jason Ryberg, Michael Lee Johnson, Oormila Vijayakrishnan Prahlad, Rhys Hughes

Animal Limericks by Michael R Burch. Click here to read.

Nature’s Musings

In The Lords of Lights, with photographs and a story, Penny Wilkes makes an interesting new legend. Click here to read.

Poets, Poetry & Rhys Hughes

In Pessoa and Cavafy: What’s in a Name?, Rhys Hughes comically plays with the identity of these two poets. Click here to read.

Musings/ Slices From Life

At the Doctor’s

In this lighthearted narration, Farouk Gulsara uses humour to comment on darker themes. Click here to read.

Taking an unexpected turn

Nitya Pandey talks of a virtual friendship that bloomed across borders of countries during the pandemic. Click here to read.

Travel in the Time of Pandemics: Select Diary Entries of an Urban Nomad

Sunil Sharma gives us a slice from his travels with vibrant photographs, changing continents and homes during the pandemic. Click here to read.

Musings of a Copywriter

In Surviving to Tell a Pony-taleDevraj Singh Kalsi journeys up a hill on a pony and gives a sedately hilarious account. Click here to read.

Essays

A Season of Magical Mellow Wistfulness

Meenakshi Malhotra through folk songs that are associated with Durga Puja explores the theme of homecoming. Click here to read.

What Gandhi Teaches Me

Candice Louisa Daquin applies Gandhiism to her own lived experiences. Click here to read.

How Women’s Education Flourished in Aligarh Muslim University

Sameer Arshad Khatlani dwells on the tradition of education among Muslim women from early twentieth century, naming notables like Ismat Chughtai and Rashid Jahan. Click here to read.

Once Upon a Time in Burma: Of Friendships & Farewells

John Herlihy takes us through more of Myanmar with his companion, Peter, in the third part of his travelogue through this land of mystic pagodas. Click here to read.

When Needles Became Canons…

Ratnottama Sengupta, who has edited an encyclopaedia on culture and is a renowned arts journalist, gives us the role ‘kanthas’ (hand-embroidered mats, made of old rags) played in India’s freedom struggle. Click here to read.

Stories

Lunch with Baba Rinpoche in Kathmandu

Steve Davidson takes us for a fictitious interview with a Tibetan guru in Nepal. Click here to read.

The Tree of Life

An unusual flash fiction by Parnil Yodha about a Tibetan monk. Click here to read.

Odysseus & Me: A Quest for Home

A short fiction from Bangladesh by Marzia Rahman on immigrants. Click here to read.

Dawn in Calicut

Krishna Sruthi Srivalsan writes of a past that created the present. Click here to read.

I am a Coward with Priorities

Tejaswinee Roychowdhury tells a story from a soldier’s perspective. Click here to read.

The Literary Fictionist

In Bapu, Denied, Sunil Sharma explores the fate of Gandhiism in a world where his values have been forgotten. Click here to read.

Book Excerpts

An excerpt of In a Land Far From Home: A Bengali in Afghanistan by Syed Mujtaba Ali, translated by Nazes Afroz. Click here to read.

An excerpt from letters written by Tagore from Kobi & Rani, translated by Somdatta Mandal. Click here to read.

Book Reviews

Aruna Chakravarti reviews Golden Bangladesh at 50: Contemporary Stories & Poems edited by Shazia Omar. Click here to read.

Somdatta Mandal reviews Wooden Cow by T. Janakiraman, translated from Tamil by Lakshmi Kannan. Click here to read.

Gracy Samjetsabam reviews Suzanne Kamata’s The Baseball Widow. Click here to read.

Bhaskar Parichha reviews Mohona Kanjilal’s A Taste of Time: A Food History of Calcutta. Click here to read.


Categories
Travel

Once Upon a Time in Burma: Of Friendships & Farewells

John Herlihy takes us through more of Myanmar with his companion, Peter, in the third part of his travelogue through this land of mystic pagodas

Bagan. Courtesy: Creative Commons

Our new guide, Lyme, took up the slack where Swan had left off. The boat drifted away from the shore out into the open waters as Peter and I settled in for a two-hour ride downriver, heading south to the next city on our itinerary called Bagan. The guide Lyme struggled to talk to us over the loud noise of the boat’s engine; but eventually gave up when he realised that he was actually losing his voice. There would be time enough to get to know each other over the next few days of travel. So, I settled in to enjoy the afternoon’s leisurely ride downriver, with the countryside of Burma spread out on either side of the river with its exotic landscape of trees and stupas and golden tipped pagodas that specked the countryside as far as the eye could see. One could never hope for a more peaceful setting.

The next morning, having slept contentedly in the Sincere Smile Hotel, a comfortable, unpretentious three-star hotel that was perfectly adequate to our needs, Lyme met us punctually in the hotel lobby after we finished our sumptuous buffet breakfast. “Pagoda hopping for today,” Lyme joked, a handsome young man who spoke fluent English with an air of an impish, street-taking cavalier. Where and how he was able to pick up such fluency, like a New York street urchin, I would never know. “But not to worry, you will be taken through the grounds of a temple at the end of day in a horse-drawn cart. That should loosen up your bones,” he said to me affectionately at me as he took my arm.

Shwegizon Pagoda. Courtesy: John Herlihy

First stop along the way was the Shwezigon Pagoda, a prototype of Burmese stupas, that consisted of a gold-leafed circular stupa surrounded by smaller temples and shrines, gleaming the sheer essence of gold in the sunlight. Built amazingly enough at the end of the 11th century, this pagoda has especial religious significance because it is said to enshrine a bone and tooth of Gautama Buddha.

From there, Lyme took us to the Manuha Temple, also built in the late 11th century by the captive Mon King Manuha and one of the oldest temples outside of Bagan. The king had colossal Buddha images built at Myinpagan while he was held in captivity. Stricken with remorse, according to the Glass Palace Chronicle, he built a colossal Buddha with legs crossed, and also a dying Buddha, saying: “Whithersoever I migrate in samsara, may I never be conquered by another.” As I visited these pagodas and temples and heard the stories about these kings from our dutiful guide Lyme, I couldn’t help but marvel at the rich and enduring events that took place in the past and the legacy that these people of ancient times left behind for us twenty-first century travelers. Nearly a millennium into their future, we still wander about to gaze upon the wonders they created.

The short, horse drawn cart ride that we were promised turned out to be an ordeal as we were taken through a pot-marked and rutted pathway through the landscape of these gleaming golden temples. Peter mounted the cart up front with the driver, but the guide Lyme and I were tucked into the narrow confines of the open carriage on the back seat. As the horse, trotted along, I was tossed and turned in every direction, holding on for dear life so as not to slip down out of the back of the carriage. It made for a charming picture, but was a most uncomfortable experience, bone-rattling indeed. We also saw the Myingaba Gu Byaukgyi temple, known for its spectacular mural paintings on the walls and ceilings, a true marvel to behold considering the ancient time when they were created. Another spectacular day ended on a cliff at the end of the carriage ride overlooking the grand Ayeyarwaddy, Myanmar’s largest river that now in the dry season as half the size of itself with elaborate sandbars, but still a magnificent sight as its waters cut through the exotic landscape speckled with gleaming pagodas in the twilight.

The next morning, expectant of another day of adventure, I told Lyme, our faithful guide and newly found brother, that we needed to change money. Peter and I exchanged turns changing money to share, changing $50 first one of us that we would spend for a few days, and then another $50 from the other. An odd situation did arise when it came to the bills. Peter was very proud of his dollars (in Germany where he lives, he usually deals in euros), but when it came to changing the money into Burmese kyat, they wouldn’t accept his bills. “Why not?” Peter shouted in outrage as he clutched his precious dollars.

Peter must have been a formidable sight to these diminutive and demur peoples as he towered over them with his close-cropped hair and colossal bulk. We came to learn that the Burmese wanted (and would exchange) only crisp new bills and held firm on this point as they smiled at us sweetly. Having lived abroad for many years and travelled extensively to such places, I quickly understood that they would not budge on this point and that we would have to scramble to find suitable bills among our stashes. Fortunately, I was able to find a few suitable bills that managed to service our needs for the rest of the trip down to Yangon, the former capital known until recently as Rangoon.

The stately and knowledgeable Swan was now a distant memory as the impish and talkative Lyme saw to our every need. We had grown accustomed to his presence with us as we travelled along, like a newfound brother we didn’t know existed. There is no doubt that travelling brings people closer together than would otherwise be experienced. On that particular morning, Peter and I were sitting in the back seat of the car, while Lyme sat up front as we waited for the driver to take care of some business. Like all people these days, he fiddled a while with his phone, searching, surfing, and more searching, for what I know not. Then he put the phone down. Lyme began chit chatting about himself, telling us a little about his experiences as a guide. Upon questioning, it wasn’t long before he opened up and confessed that he had a travel company that he was managing with a partner. They had gotten involved in some kind of student exchange program, he told us dreamily; they had contracts with some high schools in European countries and Lyme’s company facilitated their entry into Burma where he served as their guide. “It was a thriving business,” he told us, “Until my partner cheated on me and ran away with $10,000. I couldn’t pay the bills and couldn’t cover the costs of the hotels and other things.” How many times have I heard that story from friends of mine and others who were cheated somehow by their ‘friends’.

I sat there in the back seat feeling moody; but continued to listen to Lyme as he told us about his family. He came from a big family, and he was the last in line of many children. All of his siblings were married with children of their own. He was the only single son left to take care of his father when he suddenly came down with a serious illness. “My father was my responsibility, that’s our tradition here in Myanmar, as the only son still left at home.” He went on to explain that his father was getting weaker and weaker. Lyme was out on a tour with some high school kids away from home and while he was gone one of those nights, his father had passed away.

As he told us the story, he began to quietly sob. Peter and I sat there stunned as we sat listening to Lyme’s sad tale. He blamed himself apparently for his father death and said that if he had been with him, and had taken better care of him, he would still be alive. “I can never forgive myself,” he told us from the front seat of the car. He continued to sob now, his story ended, and I made a few sympathetic remarks hoping to console him. “You don’t have to forgive yourself, Lyme,” I told him. “I am sure your father looks down upon you now as the faithful son that you always were.”

About a minute of silence passed that morning in the car as we waited for the driver to return. Lyme shook himself like a bird refreshing his feathers as the driver approached the car. “Let’s go,” he said, as if wishing to snap out of it. “We have a full day ahead of us.” Indeed, I thought to myself. We never know the sorrows that other people carry around with them, nor do we know the courage that they bring to bear in meeting life’s moments with the dignity they deserve. I was moved in the way Lyme shared his story with us and his willingness to show the extent of his emotions as well, as an extension, a gift in fact, of a special trust among strangers.

As it happened, I had my own mountain to climb later that day. We headed further south on our way to Mt Popa, an extinct volcano located in Central Myanmar southeast of Bagan. Down through history, it was known as a pilgrimage site with numerous Nat temples and relic sites atop the mountain. Southwest of Mount Popa lies Taung Kalat or pedestal hill that rises 660 meters into the sky. A monastery lies atop of the mountain pedestal that can be reach only by climbing the nearly 800 steps. “Are you up to the task,” Lyme asked, and Peter answered the question for me, “Of course he is, John is like the Duracell battery,” he quipped. I recalled the over 200 steps I had to climb with Peter to reach the Heidelberg Castle several summers earlier, so the thought of nearly 800 steps or nearly 4 times the climb seemed daunting indeed.

Monastery on top of the Mountain. Courtesy: John herlihy

The passageway lead through the base of the cliff where an elaborate marketplace sold their wares to the locals and the tourists alike. Many of the tourists were locals from other parts of Myanmar. The crowds on pilgrimage were vast and the steps making their sinuous way up the mountainside were narrow and deep; but fortunately, there were railings to cling to along the side of the passageway that aided in my ascent. We were an unlikely threesome, Peter, the guide and myself taking up the rear. The ever-present monkeys along the mountainside tried to intrude into our midst looking for food. We had been warned not to let down our guard with these rude, insinuating creatures who like to steal things and make their great escape. Smart phones were their specialty. “Is that red powder or paint smeared upon their asses,” Peter asked naively. “No, Peter,” I chided him. “That is completely natural.” “It can’t be,” he insisted. “Oh, but it is,” I confirmed. Upon reaching the top, where the monastery lay amid the rocky crags, we were treated to yet another fabulous view of the surrounding countryside awash in the clarity of the harsh winter light, clear to the horizon.

*

After making our way back down to Earth from the heights of the hilltop monastery with its clear view to Bagan, we now had a 7 to 8 hours drive through the countryside heading further south to a city called Kalaw, in the Shan State of Myanmar. When we finally arrived at the hotel after the long trek on the windy roads, we were tucked safely into our hotel, called the Royal Inle Hotel, by our faithful guide Lyme. Goodbyes are never easy, particularly when you know you will never see that person again, and we had come to know and value the kind-hearted Lyme. He will always hold a special place in my heart in the way he extended his friendship and trust by giving the true sentiments of his heart away in the telling of his tale of sorrow and woe. Lyme embraced me warmly, like a son to a grandfather, and then he was gone, another gentle breeze to be lost in the wind.

Courtesy: John Herlihy

Click here to read Part one of Once Upon a Time in Burma

Click here to read Part two of Once Upon a Time in Burma

Click here to read Part four of Once Upon a Time in Burma

John Herlihy, travel writer and poet, has published two collections of travel essays, Journeys with Soul and his more recent Distant Islands and Sealight, available at online booksellers and Amazon.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Myanmar Special

Rohingyas, Rifts and Peace

One of the countries often in news nowadays is Myanmar or Burma. George Orwell’s novel, Burmese Days (1934), showcased a society afflicted by racism, exclusivity, nepotism and ignorance. Was his depiction accurate? What has changed from then to now? While the international community looks on, waiting for the country to solve its internal crises, citizens are victimised not only by the pandemic but also by a military coup. Some of them have been stateless for some time now, thrown out altogether for being ‘a threat to Buddhism’. Jessica Mudditt, an author and journalist, who spent four years in Myanmar saw fit to voice her experiences within a country with 135 ethnicities. Her memoir, Our Home in Myanmar – Four Years in Yangon ( 2021), showcases a country where anyone can be displaced at any point like the Rohingyas. With 90% of the population following Buddhism, how is the religion, born of the compassionate quest of a prince to alleviate human suffering, being interpreted? Recently, in an interview, Muddit said, “Most people outside Myanmar assume that Buddhism is a religion of peace, so they don’t understand why so much violence has taken place, or that Buddhism can turn militant and be infected with extreme nationalism.”

This special showcases Myanmar from various perspectives: from that of an expat journalist, from a travellers’, a local writer’s and it even has a translation of a Tagore poem that reflects on the compassion of a Buddhist sage revered in Myanmar, called Shin Upagutta or Upagupta. Why should Shin Upagutta’s devotees resort to violence? Seeking answers, we present this selection from our treasury.

Content

The Tryst, a story poem about Upagupta’s mercy by Rabindranath Tagore translated from Bengali. Click here to read.

In Conversation with Jessica Mudditt: Keith Lyons discusses with  Jessica Mudditt her memoir, Our Home in Myanmar, and its current relevance. Click here to read.

Book Review of Our Home in Myanmar by Keith Lyons. Click here to read.

An excerpt from Our Home in Myanmar, describing the trials faced by expat residents and media. Click here to read.

A slice of life in Myanmar from San Lin Tun, reflecting local colours. Click here to read.

In Once Upon a Time in Burma: Land of a Thousand Pagodas, John Herlihy explores the magnificent sites of Mandalay in company of a Slovenian friend in the first episode of his quartet on his Myanmar, set in the pre-covid world. Click here to read.

In Once Upon a Time in Burma: Of Babies and Buddhas, John Herlihy takes us through more of Myanmar with his companion, Peter, in the second part of his travelogue. Click here to read.

Categories
Contents

Borderless, September 2021

Editorial

The Caged Birds Sing…Click here to read.

Interviews

Professor Anvita Abbi, a Padma Shri, discusses her experience among the indigenous Andamanese and her new book on them, Voices from the Lost Horizon. Click here to read.

Keith Lyons talks to Jessica Mudditt about her memoir, Our Home in Myanmar, and the current events. Click here to read.

Translations

Be and It All Came into Being

Balochi poetry by Akbar Barakzai, translated by Fazal Baloch. Click here to read.

Adivasi Poetry

A poem by Jitendra Vasava translated from the Dehwali Bhili via Gujarati by Gopika Jadeja. Click here to read.

A Poem for The Ol Chiki

 Poetry by Sokhen Tudu, translated from the Santhali by Hansda Sowvendra Shekhar. Click here to read.

About Time

Korean poetry on time written and translated by Ilwha Choi. Click here to read.

Of Days and Seasons

A parable by the eminent Dutch writer, Louis Couperus (1863-1923), translated by Chaitali Sengupta. Click here to read.

Road to Nowhere

An unusual story about a man who heads for suicide, translated from Odiya by the author, Satya Misra. Click here to read.

Abhisar by Tagore

A story poem about a Buddhist monk by Rabindranath Tagore in Bengali has been translated by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Arundhathi Subramaniam, Michael R Burch, Sekhar Banerjee, Jeff Shakes, Ashok Suri, Tim Heerdink, Srinivas S, Rhys Hughes, A Jessie Michael, George Freek, Saranayan BV, Gigi Baldovino Gosnell, Pramod Rastogi, Tohm Bakelas, Nikita Desai, Jay Nicholls, Smitha Vishwanathan, Jared Carter

Nature’s Musings

In Sun, Seas and Flowers, Penny Wilkes takes us for a tour of brilliant photographs of autumnal landscapes with verses. Click here to read.

Poets, Poetry & Rhys Hughes

In Memory Gongs, Rhys Hughes creates a profound myth tinged with a tongue in cheek outlook … Click here to read.

Essays

Crime and the Colonial Capital: Detective Reid in Calcutta

Abhishek Sarkar explores the colonial setting up of the Calcutta detective department in 1887. Click here to read.

The Myth of Happiness

Candice Louisa Daquin ponders over the impositions on people to declare themselves happy. Click here to read.

Once Upon a Time in Burma: Of Babies and Buddhas

John Herlihy takes us through more of Myanmar with his companion, Peter, in the second part of his travelogue. Click here to read.

Bhaskar’s Corner

Bhaskar Parichha explores links between Politics & the Media. Click here to read.

Musings/Slices from Life

Cyclists

Mike Smith muses about a black and white photograph from his childhood. Click here to read.

Leo Messi’s Magic Realism

Sports fan Saurabh Nagpal explores the magic realism in famous footballer Messi’s play with a soupçon of humour. Click here to read.

Infinite Possibilities & Mysterious Riddles

Keith Lyons gives a lively account of traveling across borders despite the pandemic. Click here to read.

Word Play

Geetha Ravichnadran explores additions to our vocabulary in a tongue-in-cheek article. Click here to read.

Musings of a Copywriter

In When I Almost Became a Professor, Devraj Singh Kalsi gives humour tinged reasons on why he detached himself from being an academician. Click here to read.

Stories

Flash Fiction: Turret

Niles M Reddick relates a haunting tale of ghosts and more. Click here to read.

Silver Lining

Dipayn Chakrabarti travels through moods of the day and night. Click here to read.

Captain Andi is in love

Dr. P Ravi Shankar explores a future beyond climate change in Malaysia. Click here to read.

The Cockatoo

Revathi Ganeshsundaram captures the stardust in ripening years. Click here to read.

The Missing Tile

Saeed Ibrahim’s story reflects on the ties between an old teacher and a student. Click here to read.

The Literary Fictionist

In Return of the Ghost, Sunil Sharma explores the borders between life, ideas and death. Click here to read.

Book Excerpt

An excerpt from Kobi’ and ‘Rani’: Memoirs and Correspondences of Nirmalkumari Mahalanobis and Rabindranath Tagore, translated by Somdatta Mandal, showcasing Tagore’s introduction and letters. Click here to read.

Book Reviews

Rakhi Dalal reviews Anvita Abbi’s Voices from the Lost Horizon. Click here to read.

Basudhara Roy reviews Bina Sarkar Ellias’ Song of a Rebel and Other Selected Poems. Click here to read.

Bhaskar Parichha reviews Wendy Doniger’s Winged Stallion and Wicked Mares. Click here to read.

Categories
Travel

Once Upon a Time in Burma: Of Babies and Buddhas

John Herlihy takes us through more of Myanmar with his companion, Peter, in the second part of his travelogue through this land of mystic Buddhas

My friend Peter had slept poorly, the reason being that he had spent much of the night visiting the inner sanctum of the toilet. Alas, the revenge of the spices from last night’s adventure was finally exacting its heavy toll. While I remained free of any stomach trouble, poor Peter had fallen victim to the age-old trials and tribulations of those with no experience with the culinary delights of Asia. We had gone to “the best restaurant in town” according to our Google advisory and indeed, it had turned out to meet our expectations when compared to the mosquito-infested nightmare that Peter had experienced the night before; the swarms of mosquitoes hadn’t condescended to touch, much less bite me. For the cost of about $6 or 9,000 kyat (a tidy sum if you live on the local economy), we were wined and dined with an array of fabulous foods.

The restaurant actually employed a system that I quite liked, namely, that the diner ordered a main course, and an array of side dishes was brought to table, including soups, breads and spicy sauces. I ordered lamb casserole in a creamy, curried dahl (lentils) stew baked in a pewter pot that was utterly delicious and Peter followed my lead in figuring out the best selection from local menus letting me order for both of us. The waiter brought on a dazzling array of sides dishes and a delectable soup that we both wolfed down in various gulps, being hungry after the long day’s trek and the far distance of the hotel breakfast. We tasted everything from curried chickpeas to braised eggplant seasoned with garlic, tomatoes and pine nuts. We need more, I thought to myself as Peter and I fought for the meager remains, but there was no need. The waiter quickly refurbished the little bowls with ample tidbits to last a lifetime, much less the evening meal. Peter, of course, had ordered an extra bowl of rice, two bowls in fact, in addition to the one he had. I had warned Peter about the little sauces served up in small dishes that were intended to be added drop by precious drop to the food to enhance the flavor with a hint of hot chilli. But Peter, in his traditional style, put heaping teaspoons into his food as if he would never taste these things again and needed to remember their flavour. I noted he begrudgingly scooped up the last remaining kernels, the fieriest part of the hot pepper, on his plate at the end of the meal. Indeed, now he was recalling their exotic flavours in unexpected ways.

The next day on our busy tour, we were scheduled to visit the Mahagandayon Monastery, but first we made a quick stop at the local market to find a remedy for the gentle giant’s diarrhea and dehydration problem. “Sticky rice,” Swun immediately said when I mentioned the problem to him. These local remedies can be quite effective; I knew from my own past experience on other trips. I had recommended doses of fresh lemon juice that had worked for me; but Peter wasn’t having it. When Swun suggested the sticky rice by saying, “I know just the place where we can get it,” I thought, yes, the perfect solution. Peter trudged along behind at a reduced pace through the hectic market until we found Swan’s contact standing before a large vat of sticky rice, nearly empty at that hour of the morning. The woman dolloped out several heaping spoonfuls of the steaming mass of rice in a plastic bag sealed with an elastic band. Not exactly pharmaceutical splendour, but it promised to do the job. Swun’s smile concurred as I laughed myself content. We returned to the car and insisted that Peter swallow the heaping brew which he gulped down quickly making grimacing faces that would scare the hand-carved gargoyles we saw earlier in some of the temples.

Our first stop was the Mahagandayon Monastery where more than a thousand monks live and study. A large group of tourists had gathered under the morning sun to see hundreds of monks return from their morning trek through the village with their begging bowls seeking food for the main meal of the day. Security police and a few senior monks, curiously chubby looking, created order of the disarray of Chinese tourists of every size, shape and colour behind police barriers, clear of the roadway where the returning monks would be walking. A hush and then a rumble of whispers announced that the monks were approaching down the street from the distance of the nearby village, walking briskly in a single file, holding their begging bowls, now filled or filling up fast with the charity offered to them. People from the sidelines approached with fruits, packages of biscuits, and the like, and even money, a thousand khat here and there which actually represents less than a dollar, but in local terms meant something; and given the size of the crowd could add up to a reasonable hoard. I took note of the soft, youthful faces of the young monks, their heads shaved clear and wearing the traditional orange wrap-around robes that we have become familiar with in Thailand. Some of the monks were very young indeed, children, eyeing the onlookers impishly and seemingly ready for flight. My friend Peter had a clear advantage as his giant stature afforded him the luxury of towering over everyone in sight to have an unimpeded view of the procession of the monks into the monastic enclosure. The monks soon disappeared into the surrounding buildings where they would have their one and only late morning meal of the day.

U Bein teak Bridge. Photo Courtesy: John Herlihy

A short, pleasant drive down lush tree-lined streets soon brought Swan, Peter and I to our next destination, the more than 100-year-old U Bein teak bridge, built in 1850, the oldest and longest teak-wood bridge in the world. The 1.2 km bridge spans the Taungthamam Lake near the ancient royal capital not far from Mandalay to an island nearby that could service the local villagers who wanted to get to the mainland across the broad lake to sell their crops. It features 1,086 pillars that stretch out of the water. Though the bridge largely remains intact, there are fears that an increasing number of pillars are becoming dangerously decayed. Damage to these supports have been caused by flooding as well as a fish breeding program introduced into the lake which has caused the water to become stagnant.

Of course, the old kilometer long bridge represented a challenge to Peter who was anxious to “make tracks” across the waters in his traditional swaggering style, leaving nothing behind in the wake of his hurried footsteps but a gentle wind. I also valiantly followed in his footsteps; but soon lost him as he made his way ahead into the thickening crowd. The local Burmese, many of them villagers and many of them in groups of families who were tourists, were making their way across the bridge as they have done for hundreds of years. I was prepared to put up a brave front and make my way across without complaint under the cool winter sun, but as I tripped my way forward across the creaking wooden planks, I became increasingly more uncomfortable. A kind of phobia took hold, as one might experience in confined spaces or riding shaky elevators. The truth was the bridge looked none too stable. The wooden planks were aged, chipped and broken throughout; gaping holes yawned where planks had broken through.

I took note of the fact that the bridge itself was fairly narrow, wide enough for three or four people, but there were no guard rails, just a gaping chasm on either side and a sizeable drop several hundred meters down to the murky waters below. I made my way forward nearly to the halfway point, where I saw Peter up ahead towering over the crowds of people, waiting for me under a make-shift wooden structure with the traditional pointed roof that marked the halfway point. Other elderly people had the same idea as I had; time to rest and take stock. “You go on ahead and make it to the other side,” I told Peter. “You can tell me about it when you come back. I’ll wait for you here.” And my valiant companion was off without further coaxing.

I tucked myself into a shady corner of the narrow bridge, which at that point was extended a little to accommodate the wooden structure marked there as a resting point in the river crossing. It was time to rest, to be alone for a few minutes, to gather myself into my own space and reconstruct the blessings of solitude as the crowds of people made their determined way back and forth across the age-old bridge. It was a cool mid-morning with a gentle breeze under the warming light of the winter sun. At my feet sat a local Burmese woman, with her jet-black hair collected into a wooden hair clip and adorned with a cluster of wildflowers. Her pudgy face held an eternal smile that matched the smile she held in her eyes. At her feet were the goods she was selling to the tourists and other local travelers crossing the bridge, as women have probably done for the last several centuries since the bridge was built. She had a good business for all that, seasoned sticky rice, spicy noodles, and a variety of fruits, all sold for pennies and packed into a little plastic sack and tied with an elastic band for safe keeping. I wished I could understand her chatter; but contended myself with the bird sounds that the Burmese language sounded to me as I listened.

A little boy, probably about one-and-a-half years old, sat at her sandaled feet. He sucked contentedly on a tangerine rind and half dozed with heavy eyelids as if he sat on the fringes of heaven and not on the fold of the wrap-around longyi (the Malays call it sarong famed for its batik cloth) of his young mother. I watched the child as he sat in dreamy splendour without a care in the world as if woken up by the breeze, or perhaps the chatter of the passers-by sounding like river stones. He now looked around as if interested in everything. It wasn’t long before his infant gaze fell upon me, an old man on a journey, lost in his own trance. Children are like cats; one doesn’t like to intrude on their space without alarming them; but leave them to their own devices and they will make their own way. I sat there contentedly; it was enough to rest my weary bones and take in the colour of the local life. I do love children, especially infants, and can sit and watch them for hours, their antics, their inventiveness, their curiosity, their sweet, angelic innocence remind me of another time and another place. I also wonder from where they have come and where they might be going.

When suddenly, the infant’s random glances fell upon me as I sat on the bridge resting. I pretended not to notice, not wishing to interrupt the rhythm or the intensity of his gaze. Indeed, children can come to us uninvited, as if they have known or are wanting to know. They do not bring with them all the excess baggage that we carry around as adults, who seldom look into the eyes of another, and if or when we do, we feel uncomfortable. The child looked at me with intense interest, as if he were remembering something and was still lost in thought. I smiled at him, and he immediately smiled back. I scowled backed him and he immediately scowled back. We seemed to be on the same wavelength. Some inner harmony had struck its chord. The years dissolved and the miles between disappeared as he threw the tangerine rind aside and began to crawl on all fours. His mother was distracted by a sale and was stuffing mango cubes and their sweet juice into a plastic container, selling the pulp for pennies to the taste.

The determined little fellow made his way over as I sat on a low stool. When he reached my legs, he extended his arms as if reaching for the open sky. No doubt, I looked to him like a grand patriarch with my thick mustache and bone-white beard. He soon found his way onto my lap, where he again sat content as if lost in reverie to the surrounding lake and countryside just as I was lost in sweet reverie, so unfamiliar to me, so familiar to him. “Found a friend, did you,” my companion Peter asked with a broad smile. “Children sometimes like me,” I mumbled embarrassed. The mood was broken, the happy child returned to his mother with a longing, backward glance and this is my backward glance to him in the only way a writer knows how, in the love and beauty of words written down on the page in sweet remembrance that will never die.     

We met our guide Swan after breakfast the next morning. Oh yes, a word (or two) should be written about our delightful buffet breakfasts that both Peter and I had come to look forward to. We had established a routine of a solid breakfast, followed by a full day of activity and touring the countryside, but no lunch or snacks of any kind, until evening time, when we took pains to find a nice place for dinner. By now, Peter was well over his stomach trouble, the sticky rice acting effectively as a sealant that put him to rights. We knew he was feeling much better at breakfast the next day. We would rise early, to get the jump on the waves of Chinese tourists that seemed to appear, especially in the breakfast room to lay waste the buffet table like hungry locusts.

I usually went to the egg station as soon as possible to get my order in. “Two eggs,” I whispered timidly, “Over easy,” I said, showing with an upside-down wave of the hand what I wanted, and then sliced down dramatically, “and cut the yoke.” The last thing I wanted were runny, undercooked eggs. The eggs were made in buttered splendor – they actually tasted like real eggs – and not the tasteless fare that we usually get in most modern metropolises. I skipped over with my plate of eggs to another table to pick up my freshly made toasted brown bread awash in melted cheese and butter.

“That should take care of me for the day,” I thought happily, when suddenly I heard a booming voice from the egg station. “Six eggs, please,” Peter cried, holding up a handful of fingers, plus one, to make sure the cook knew how many he meant. He returned to our table with a stack of untoasted bread to wash down the eggs in great gulps. Not to be outdone, I tiptoed back to the cooking station and asked for a crepe. I had seen the cook making a feather-light and thin pancake served up with Burmese honey and fresh cream that was cooked to perfection; but Peter had the final word with his stack of six pancakes dripping in honey and assorted jellies.

Photo Courtesy: John Herlihy

After breakfast, we met up with our beloved guide Swan again in the hotel lobby. “Not another pagoda,” I cried out in mock dismay, but Swan was now attuned to my humour and took up the slack by affirming that indeed we would be visiting another remarkable pagoda surrounded by 845 small stupas as though in deferent tribute to the richly decorated central pagoda. Work began on the pagoda in 1939 at the start of the Second World War and was finally completed in the March of 1952. There are many buddha statues row upon row in niches along the walls, all coloured gold, a truly sublime sight filled with religious nostalgia. The entrance is protected, not by the traditional mythical lions, but by the statues of the magnificent white elephants that are sacred and auspicious in Buddhist symbolism. Thereafter, we took a short walk through the nearby banyan tree grove Boddhitataung, where a thousand Buddha images lie at rest among the sprouting banyan trees. Ah, walking through the aged banyan trees is like walking through an ancient grove associated with the mythic gods of Greece. One half expects a centaur or unicorn to come trolling through the corridors of trees in this mystical setting. The banyan trees is considered sacred in places like India and Burma and is well known for the mercy of its abundant shade. In fact, in India, the leaf of the banyan is said to be the resting place of the Lord Krishna.

But even the shade of the banyan tree faded into darkness, and it was time for us to move on, even if we did feel most welcome in the the banyan tree’s embrace. We were scheduled to go down to the river and bid goodbye to our guide Swan, as we would be making our way by riverboat down to a town further south called Bagan. We were to meet the new guide on the boat who would escort us there. It was a little sad to bid goodbye to Swan. He was such a charming little fellow, a student who would complete his university studies soon. He worked on the side as a guide and had done this for the last few years. It doesn’t take long under these circumstances to get to know and like the guide, so it was with a heavy heart that both Peter and I bid him farewell.

However, Swan was to help me through one last challenge. After bidding me goodbye, he helped me down the side of the dusty hill to a steep embankment at the edge of which lay the river boat that would take us south to Bagan. When I saw the wooden plank that I had to walk across to get onto the boat, I stopped dead in my tracks. I can’t do this, I immediately said to myself. At my age, I now know what I can and cannot do, and crossing that narrow, wooden plank sagging perilously in the middle and crossing a no-man’s-land muddy cliffs and water about 50 meters seemed an impossible task.

Swan took me by the hand and coaxed me on, not wishing perhaps to have his charge stranded along the way without any option of moving forward. Peter, of course, was already up ahead on the plank himself with his usual bravado, but he also almost slipped and was standing on one leg before balancing himself once again, preventing himself from falling unceremoniously down in the muddy waters below. I took a deep breath and mounted the plank. Mercifully, two people stood nearby, a woman on the riverbank’s edge and her husband perhaps on the boat itself holding a lengthy bamboo pole that I was able to hold onto as a kind of makeshift handrail as I perilously crossed the narrow wooden plank like an infant learning how to walk in his new toddler shoes. Once on the boat and tucked into the lounge chair, I breathed a sigh of relief that I hadn’t made a fool of myself.

Traveling on Irrawaddy River from Mandalay. Courtesy: Creative Commons

Click here to read Part one of Once Upon a Time in Burma

Click here to read Part three of Once Upon a Time in Burma

Click here to read Part four of Once Upon a Time in Burma

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John Herlihy, travel writer and poet, has published two collections of travel essays, Journeys with Soul and his more recent Distant Islands and Sealight, available at online booksellers and Amazon.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Editorial

Triumph of the Human Spirit

On August 8th 2021, the chief of the International Olympic Committee, Thomas Bach, pointed out during the closing ceremony that these games were “unprecedented” and brought messages of “hope, solidarity and peace” into a world torn with the desolation generated by the pandemic. It was a victory of the human spirit again, a precursor of what is to come. That the Japanese could get over their pandemic wrought hurdles, just as they did post the nuclear disasters wrought by the Second World War and by the 2011 earthquake-tsunami at Fukushimaya, to host something as spectacular and inspiring as these international games reflects, as the commentators contended, a spirit of ‘harmony and humility’. The last song performed by many youngsters seemed to dwell on stars in the sky — not only were the athletes and organisers the stars but this also reminded of unexplored frontiers that beckon mankind, the space.What a wonderful thing it was to see people give their best and unite under the banner of sports to bring messages of survival and glimpses of a future we can all share as human beings! Our way of doing things might have to evolve but we will always move forward as a species to thrive and expand beyond the known frontiers.

One such explorer of yet unknown frontiers who mingles the historic with the contemporary, Goutam Ghose, an award-winning filmmaker and writer, has honoured our pages with an extensive interview showing us how art and harmony can weave lores that can help mankind survive. This is reinforced by the other interview with Singaporean academic, Dr Kirpal Singh, whose poetry reflects his convictions of a better world. With our intelligence, we can redefine processes that hold us back and grind our spirits to dust — be it the conventional ‘isms’ or norms that restrict our movement forward – just as Tagore says in the poem, we have translated this time, ‘Deliverance’.

…On this auspicious dawn,
Let us hold our heads high in the infinite sky 
Amidst the light of bounteousness and the heady breeze of freedom.

As the Kobiguru mentioned earlier in the poem, the factors that oppress could be societal, political, or economic. Could they perhaps even be the fetters put on us by the prescribed preconceived definition of manmade concepts like ‘freedom’ itself? Freedom can be interpreted differently by multiple voices.

This month, on our pages, ‘freedom’ has found multiple interpretations in myriad of ways — each voice visualising a different dream; each dream adding value to the idea of human progress. We have discussions and stories on freedom from Nigeria, Argentina, India, Pakistan, Myanmar, Malaysia and more. Strangely enough, August holds multiple independence/ national days that are always for some reason seen as days of being ‘freed’ by many — at least from oppression. But is that true?

From Malaysia, Julian Matthews and Malachi Edwin Vethamani cry out against societal, religious and political bindings – quite a powerful outcry at that with a story and poems. Akbar Barakzai continues his quest with three poems around ideas of freedom translated from Balochi by Fazal Baloch. Jaydeep Sarangi and Joan Mcnerny pick up these reverberations of freedom, each defining it in different ways through poetry.

Jared Carter takes us back to his childhood with nostalgic verses. Ryan Quinn Flanagan, Michael Lee Johnson, Vandana Sharma and many more sing to us with their lines. Rhys Hughes has of course humour in verse that makes us smile as does Jay Nicholls who continues with her story-poems on Pirate Blacktarn – fabulous pieces all of them. The sport of hummingbirds and cats among jacaranda trees is caught in words and photographs by Penny Wilkes in her Nature’s Musings. A poetic tribute to Danish Siddiqui by young Sutputra Radheye rings with admiration for the Pulitzer prize-winning photographer who met his untimely end last month on 16th while at work in Afghanistan, covering a skirmish between Taliban and Afghanistan security forces. John Linwood Grant takes up interesting issues in his poetry which brings me back to ‘freedom’ from colonial regimes, perhaps one of the most popular themes for writers.

Indo-Pak independence, celebrated now on 14th (Pakistan) and 15th August (India), reflects not only the violence of the Partition which dislocated and killed millions historically but also the trauma caused by the event. Capturing this trauma is a short story based on memories of Partition by Nadir Ali, translated from Punjabi by his daughter, Amna Ali. Ratnottama Sengupta translates from the diary of Sandhya Sinha (1928-2016), a woman’s voice from the past that empathises with the subjugated who were subdued yet again after an upsurge of violence during the Quit India Movement (1942) against the colonials. Sinha contends that though the movement frittered away, the colonials were left with an after-taste of people hankering for self-rule. A thought-provoking short story by Sunil Sharma explores the results of self-rule in independent India.

Alluding to Jinnah’s vision for women, Aysha Baqir muses emotionally about the goals that remain yet to be fulfilled 74 years after independence. Moazzam Sheikh’s story of immigrants explores dementia, giving us a glimpse of the lives of Asian immigrants in America, immigrants who had to find a new home despite independence. Was this the freedom they dreamt of — all those who fought against various oppressive regimes or colonialism?

Tagore’s lyrics might procure a few ideas on freedom, especially in the song that India calls its National Anthem. Anasuya Bhar assays around the history that surrounds the National Anthem of India, composed by Tagore in Bengali and translated to English by the poet himself and more recently, only by Aruna Chakravarti. We also carry Dr Chakravarti’s translation of the National Anthem in the essay. Reflecting on the politics of Partition and romance is a lighter piece by Devraj Singh Kalsi which says much. ‘Dinos in France’ by Rhys Hughes and Neil Reddick’s ‘The Coupon’ have tongue-in-cheek humour from two sides of the Atlantic.

A coming-of-age story has been translated from Nepali by Mahesh Paudyal – a story by a popular author, Dev Kumari Thapa – our first Nepali prose piece.  We start a four-part travelogue by John Herlihy, a travel writer, on Myanmar, a country which has recently been much in the news with its fight for surviving with democracy taking ascendency over the pandemic and leaving the people bereft of what we take for granted.

Candice Louisa Daquin discusses a life well-lived in a thought provoking essay, in which she draws lessons from her mother as do Korean poet, Ihlwha Choi, and Argentinian writer, Marcelo Medone. Maybe, mothers and freedom draw similar emotions, of blind love and adulation. They seem to be connected in some strange way with terms like motherland and mother tongue used in common parlance.

We have two book excerpts this time: one from Beyond the Himalayas by the multi-faceted, feted and awarded filmmaker we have interviewed, Goutam Ghose, reflecting on how much effort went in to make a trip beyond boundaries drawn by what Tagore called “narrow domestic walls”. We carry a second book excerpt this time, from Jessica Muddit’s Our Home in Myanmar – Four years in Yangon. Keith Lyons has reviewed this book too. If you are interested in freedom and democracy, this sounds like a must read.

Maithreyi Karnoor’s Sylvia: Distant Avuncular Ends, is a fiction that seems to redefine norms by what Rakhi Dalal suggests in her review. Bhaskar Parichha has picked a book that many of us have been curious about, Arundhathi Subramaniam’s Women Who Wear Only Themselves. Parichha is of the opinion,Elevated or chastised, exonerated or condemned, the perturbation unworldly women in India face is that they have never been treated as equal to men as spiritual leaders. This lack of equality finds its roots not only in sociological and cultural systems, but more particularly at the levels of consciousness upon which spirituality and attitudes are finally based.”One wonders if this is conclusive for all ‘unworldly women’ in India only or is it a worldwide phenomenon or is it true only for those who are tied to a particular ethos within the geographical concept of India? The book reviewed by Meenakshi Malhotra,  Somdatta Mandal’s The Last Days of Rabindranath Tagore in Memoirs, dwells on the fierce independence of the early twentieth century women caregivers of the maestro from Bengal. These women did not look for approval or acceptance but made their own rules as did Jnadanandini, Tagore’s sister-in-law. Bhaskar Parichha has also added to our Tagore lore with his essay on Tagore in Odisha.

As usual, we have given you a peek into some of our content. There is more, which we leave for our wonderful readers to uncover. We thank all the readers, our fantastic contributors and the outstanding Borderless team that helps the journal thrive drawing in the best of writers.

I wish you all a happy August as many of the countries try to move towards a new normal.

Mitali Chakravarty

Borderless Journal, August 2021

Categories
Travel

Once Upon a Time in Burma: Land of a Thousand Pagodas

John Herlihy explores the magnificent sites of Mandalay in company of a Slovenian friend in the first episode of his quartet on his Myanmar

Mandalay overview. Courtesy: Creative Commons

Exotic journeys to far distant climes begin to take shape in the realm of the imagination. We roam verdant savannas, cut our way through savage jungles, climb into eagle’s nests on mountain crags, cross parched Mongolian deserts, and ply on ancient vessels across vast oceans, all in search of new sights and sounds, new pathways into the unknown, new visions into the future, anything that will take us far from our humdrum lives. Ah, how the imagination works overtime and takes us there, takes us where we want to go, offers up an experience we would not have savoured otherwise. The imagination opens doors for travelers to pack their bags and see other worlds not of their making, worlds that become a reality with the first step taken along the road of a fresh journey into the realm of the unknown.

A recent trip to Myanmar, formerly the much beloved and written about country of Burma of the 19th century, ended up fulfilling my wayward dreams of an adventure and experience that would take me out of myself and into another time and place. Indeed, the title of this adventure says it all, once upon a time in Burma, a country that once entered, will not leave us alone and will wrap the traveler up in its loving embrace. With all geo-political interests and concerns put aside for a moment, it is the people, the culture, the craftsmanship, the ancient land that we wish to know and experience, the lapping of lazy rivers, the sky-mirrored brilliance of expansive lakes, the shadowy curves of rugged mountains, the lush and verdant plains and paddy fields that fill the soul of the traveler to such exotic lands with the peace and serenity of its ancient way of life. Regimes, corruption, injustice, indeed political leaders come and go; it is the land that endures and the spirit of a people that will never die.

Whose heart will not be stirred by the name of Mandalay, immortalized by the British poet, Rudyard Kipling, whose poem, “Mandalay” still echoes resoundingly down through the corridors of time with its lush verses of charm and enchantment. It is this memory that leads me bravely onward as I plan my well-earned winter holiday in a brief respite from my duties as a writing professor at a new university on the outskirts of Kuwait, a city of sky-scraping towers wishing to be iconic and smoky oil fields wishing to be productive. I am now, in the world of Rudyard Kipling, “on the road to Mandalay // where the flyin’-fishes play // an’ the dawn comes up like thunder outer China ‘cross the bay.”

I never tire of flying into a new country that is totally unknown to me and yet soon to be less of a mystery, soon to be known. As I gaze down upon the scene below my comfortable perch on the plane, I see that we are entering a land seemingly lost to time. The blackened highlands turn to rugged mountains with nary a tree to see. The mountains themselves seem to cradle the surrounding land like a mother cradles her child, and a sense of balance and harmony prevails as I gaze upon this landscape of primordial nature, as if lifted from some remote paradise from another planet, captured out of time for the 21st century traveler such as myself to see. Already my expectant heart begins to stir as I eagerly await our arrival.

I am once again travelling with my Slovenian friend, Peter, and a better traveling companion one could never hope for. They say that if you want to really get to know people, you have only to take a trip with them to find out what they are really like. No truer words were ever spoken. My smart, brave, thoughtful, selfless friend would never let me down, brought his own unique approach to travelling with him, took delight in planning and doing background research about a place, and was able to monitor the number of steps (my three to his two giant strides) on our daily trails with his fashionable Garnett geo-watch (when it worked!).

We entered the subdued arrivals hall in Mandalay only to realise a half-hour time difference from Bangkok where we had met up from our different locations the night before.

“That can’t be right,” Peter knowingly quipped. “But it is,” I quickly responded, knowing how he liked to impose his will on things.

“Goa, on the west coast of the Indian Subcontinent is an hour and a half ahead of Dubai.” I added as supporting evidence of what I said.

We had easily arranged e-visas done online beforehand and quickly passed through customs control without a hitch. “Let’s change money,” I suggested. “But you get a better rate in town,” Peter countered. “We won’t get into town without local money,” I murmured, knowing he couldn’t counter-argue that. Indeed, at roughly 1,500 kyat to the dollar, after changing a mere $100, we walked away with 150,000 kyat. Hmm, that should get us into town, I thought to myself.

I won’t belabour the point, but the exchange rate of the currency turned out to be an interesting element in our economic calculations. When you are dealing in the thousands of any currency, it can be confusing. We all know what a dollar or euro values at, but what about 150,000 kyat and how much would it buy locally. Seems like a lot, yet it is only ten dollars in value, about the price of a sandwich and a zero coke on the streets of Manhattan. Now through immigration and customs and with local money in hand, the ever-intrepid researcher, Peter, marched over to the information booth to inform himself about getting into the town center where we had booked our hotel. While there were traditional taxis available for about 15,000 kyat (roughly $10), we learned that we could take a local bus outside the airport terminal that would take us directly to our hotel for about 3,000 kyat for the two of us (roughly a dollar each!). That won’t break the bank, I chirped to Peter. He agreed with a toothy grin and off we went on our great adventure.

The ride into town was uneventful, but long, leisurely and fascinating. I was beginning to experience the sense of laid-back calm and serenity that would follow me throughout my days of travel through this exotic, ancient land. In the distance, through the myriad lush and wind-blown trees that lined the side of the make-shift highway into town, a rough patch of roadway if there ever was one, we could glimpse the golden spires of pagodas upon hilltops extended clear to the horizon, a vision that would become the iconic characteristic to mark the bucolic setting of this rural landscape with its timely sense of spirituality.

“The trees,” I kept remarking to my friend Peter, “look at the variety and lushness of the grand, old trees. Have you ever seen the like of them?” Over an hour later in a place where time really had no meaning but that it could be filled with miracle and wonder, we were deposited at our more than adequate three-star hotel where we were greeted with timid smiles, folded hands and a humble bow.

Once unpacked and his geo-watch turned on, Peter exulted, “Let’s explore the town, the old palace isn’t far off.” I have traveled before with Peter and have come to realise that “not far off” doesn’t mean the same to him as it does to most other people. Nevertheless, I was game and still do my own 8-km run three times a week to keep fit and, in the running, as it were. Once outside, Peter tends to walk ahead in great strides, and I follow three steps to his two; but I didn’t mind. He faced the brunt of the chaotic traffic that came up, down and toward him in every which way, including the ever-present motorbikes that never follow the rules and seem to have license to come and go as they please. “Remember Peter,” I shouted to him over the din of dust and horns, “they drive British-style here, on the other side of the road, so take care where you look to cross.” Yet Peter strode confidently onward, like a giant amid pygmies, ready to brush aside any vehicle or motorbike that may dare to come his way. Indeed, the traffic seemed to have a rhythm of its own, despite the noise, and flowed like a river around his colossal bulk.

Well forward at the end of the main street of the town, again lined amid the grand cacophony of shops and workshops with multiple trees blocking the pathway along the side of the road and forcing us time and again out onto the perilous danger of the streets, we beheld the inner sanctum of a walled palace surrounded by an extensive, medieval moat. Up close, when we finally arrived at the historic premises, we gazed across the extensive mote nearly a half kilometer in width at the heightened red brick wall, periodically adorned with brick latticework and towers featuring ferocious fang-filled mouths of animals out of which lotuses hung out like tongues. On the Google map, the palace walls that now house the military Myanmar government formed a perfect square. From where we stood, we could hardly see to the end of the first line of wall that we stood before. Undaunted, Peter started to walk the outside of the moat for about a kilometer until we found a little embellished wooden 19th century bridge that led across the extensive moat up to the face of the outer wall of the former palace that now up close towered over us, even over Peter.

Mandalay Palace. Courtesy: Creative Commons

The Mandalay Palace itself was constructed between the years 1857 and 1859 and housed the last Burmese monarchy, in honor of King Mindon’s founding of the new royal capital city of Mandalay. The palace itself was the center of the citadel and faced East. Built of teak wood in the traditional Burmese design, it rested inside a walled fort surrounded by a moat. The complex ceased to be a royal residence and seat of government in 1885 when, during the third Anglo-Burmese War, the British entered the palace and captured the royal family. To this day, the Mandalay Palace stands as the primary symbol of the once enchanted city of Mandalay, in another time and in another place now gone by.

As we perilously neared the gate to the military enclosure, a guard slumped on a metal chair in the shade of an awning looked up at Peter towering over him as he pointed his finger in the opposite direction and shook his fist to make his point. “Oh hello, my little friend,” Peter said ingratiatingly in a sugar-sweet ironic tone that the poor fellow would never pick up, even if Peter thought he might. I cringed and headed in the direction where the soldier was pointing, so as not to offend. The guy was smiling and trying to be friendly. “But I want to go there,” Peter asserted glancing in the opposite direction, as if looking at a tidbit. “We need to go this way,” I shouted back to Peter over my shoulder, “Where the restaurants were indicated on the map.” That did the trick and at the thought of food, Peter was soon striding far in front of me, like a giant panda intent on his destination, his money (and mobile) belt tightly secured around his waist. No one was going to come near that!

Peter finally found a young, presentable fellow who looked like he knew something, especially English, to ask about a restaurant. “Yes, yes,” the fellow obliged. It turned out he was actually from India but had lived in Myanmar many years. “Restaurant very good,” he affirmed. “I will be going there later with my family.”

Indeed, I thought. What a strange coincidence. Peter soon tracked the restaurant down on the map on his mobile (I still don’t have one, I am waiting for the hand-held technology to give way to something more sophisticated), a small place open to the street with tables spilling invitingly out onto the sidewalk. This promised to be our first meal in Mandalay and Peter was not taking any changes on eating unhealthy and/or getting sick with stomach trouble.

“We will eat here,” he announced although I wasn’t especially impressed and it was a little early, just around sunset, to be eating to my taste. When one travels alone, one may feel lonely, but if travelling with a companion, one has to make compromises. I did the menu test and with a quick scrutiny found little that inspired me. Also, the stools at the tables had no backs. Not exactly the leisurely environment I was anticipating for evening dinner, our one main meal of the day when travelling.

I grumbled and mumbled to no avail. Peter had already ensconced himself on the tiny stool with a big grin on his face, looking forward to eating. He expected me to extract the best of the savoury delights from the menu, and after some time was able to come up with various curry and vegetables dishes that seemed promising from the little photos that accompanied the text. The prices were also note-worthy, 2,000 to 3,000 kyat for the main courses (let me remind my readers that 1,500 kyat equals one dollar at the time of our visit!). We can afford that I chuckled to myself. As we waited in the open-air restaurant in the dust and heat sipping our cool fruit drinks, the cars and motorcycles made their mad dashes to God knows where in such a hurry, and the mosquitoes suddenly came alive in the twilight hush!

I sat there feeling tired and dreamy after the long day and the long walk around the palace walls, but Peter suddenly seemed uncomfortable and agitated. “What’s the matter, Peter,” I asked, as he swatted his hands in front of his face and slapped his naked legs. “Mosquitoes,” he cried, “they are biting me.” Welcome to the tropics, I thought, but kept quiet until I couldn’t help but launch into the story of dengue fever that some mosquitoes can transmit. Admittedly, it’s a long shot, but I couldn’t help but make fun of my friend who had been so insistent about eating in this restaurant at this time. From then on, we took much more care in planning our evening meals as we travelled throughout the country heading south from Mandalay to Yangon (formerly Rangoon).

The next morning, we were promptly met by out little guide whose name was Swan. We would later come to know that Burmese names were different and unique. Peter in particular always got a kick out of asking Swan questions, but always addressing him by name. “Swan, why do the women wear powder on their faces (a natural product to protect against the sun)? Swan, how many motorbikes are there in this town (far too many to my reckoning)? Swan do you have brothers and sisters (he had a younger brother that he spoke fondly of)?” True enough, when you travel with a guide, the guide, if you are lucky, becomes a kind of father, brother, son. They are there as a font of knowledge, the shipmaster on a voyage into the unknown, a protector and a stranger turned friend in a stranger than strange land. Swan was all of those things and much more. When we came to learn that as we moved south, he would be replaced by another guide. Both Peter and I felt disappointed and when eventually we did say goodbye to him, knowing we would never see him again, we felt sad and at a loss. When I shook his hand, the thousands of kyat I left behind didn’t seem enough.

For the time being, Swan was with us at every temple, stupa and pagoda. “What’s the difference?” Peter wondered aloud, giving voice to my own question.

“You can enter a temple,” Swan patiently replied, as if he had never been asked that question before. Indeed, the trick of a new guide leads the tourists in his charge to believe that everything is fresh and new, questions, statements, explanations that had never been uttered before and may never be uttered again. “The pagoda is there in commemoration and as a gift or charity that could bring merit and blessing. But you cannot enter inside as it is a solid structure pointing heavenward. A stupa is a domed or bell-shaped monument traditionally used to store religious relics of the Buddha.” Whether temple of worship, stupa or pagoda, to enter its confines, we were required to take off our shoes and socks. In the land of a thousand pagodas/stupas, tourists end up taking off their shoes perhaps more than they would like. I kept silent, but Peter grumbled and complained as we wandered in and around these sacred places during our 10-day tour, Peter meticulously cleaning off his sizable feet with the moist wipes provided every time by the guide. I simply brushed off the sand and grit and re-socked my feet until it was time to enter the next temple, thinking that traveler dust is well earned.

After ambling through the chaotic fruit and vegetables markets of Mandalay, we made our way with our guide, Swan, to our first memorable site, the Shwenandaw Monastery, located at the foot of the Mandalay Hill overlooking the city and countryside. The monastery was speckled with trees, golden domes and bell-shaped towers gleaming in the winter sunlight. The intrepid guide explained everything in great detail, and perfect English I might add. I remember asking Swan how he had learned English, but never got a satisfactory answer to account for the ease with which he spoke.

The monastery was built in 1878 by King Thibaw Min, who dismantled and rebuilt the inner apartments formerly occupied by his father, King Mindon Min, believing the premises to be haunted by the spirit of his dead father. The entire structure was made of teak wood in the traditional style and heavily gilded with gold and glass mosaic work. The monastery is also known for its teak carvings of Buddhist myths, which adorn the walls and roofs in all their intricate, exquisite detail. As we roamed around the eerie premises, we came to see the commemorative preservation of a former royal way of life, particularly the colossal inner room where the king was known to have performed ritual meditation. We were even able to observe the meditation couch upon which he sat, creating in my mind dreamy reflections of a world I would never know, but had come to learn about in my travels.

The time of sunset was not far off. We made our way in the car midway up the Mandalay Hills into a parking lot and from there were able to take a series of escalators to the top of the hillside that provided fabulous views in every direction of the once enchanted city of Mandalay below, now a bustling metropolis that from the distance still held its mystical lure although up close, the 21st century left its mark of noise and pollution. The rolling hills and flattened plain leading to the city below provided the perfect backdrop for the flaming sunset that soon followed, bestowing upon the fabled city below the streaming golden light of twilight.

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John Herlihy, travel writer and poet, has published two collections of travel essays, Journeys with Soul and his more recent Distant Islands and Sealight, available at online booksellers and Amazon.

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