Categories
Stories

Sótkál by Aslam Dostain

A physician by profession, Aslam Dostain is widely regarded as one of the prominent contemporary Balochi fiction writers. Although he has also written short stories, he is best known for his novels. To date, two of his novels have been published. The flexibility, fluency, and natural flow of language are among the most distinctive features of his novels. The passage under discussion is taken from his first novel, Sotkaal, which was first published in 2008 by Gaam Publications, Gwadar.

An excerpt from Aslam Dostan’s novel, Sótkál, been translated from Balochi by Fazal Baloch

Whenever Asumi spoke of Noddranzán, his words seemed to brim with longing. He was often found talking about the coast of Noddranzán.

Asumi was my cousin, and we were the same age. In the beginning, he was a shepherd like me, but later he began travelling with camel caravans and took up trading. He spoke so admiringly of the coast simply to tempt me and stir my curiosity.

As far back as I can remember, I had never been beyond Sótkál, except once. I have only a faint memory of it. My grandfather had taken me with him down to the coastal region to offer condolences. After that, my entire world was Sótkál. There was hardly anything in Sótkál that escaped my eyes. I knew where water could be found, where the trees and the shades rustled, where the ravines and gorges lay, and which areas were infested with ferocious wild beasts.

Grandfather used to say: “A shepherd who does not know his flock, its ways, and its temperament can never truly be a shepherd. And here, in rain and storms, to be unfamiliar with the temperament of the river that comes surging from the far reaches of Sótkál is to invite your own destruction.”

Grandfather had another story to tell. Once, a group of the British came here determined to find the source of the Sótkál River. Starting from here, they travelled northward, covering some eighteen manzil[1], but eventually grew exhausted and turned back. They said they had done everything they could, but they could not find its source. That is why only those who live along its banks truly understand the temperament of this river, and that, indeed, is the truth.

For as long as I can remember, my entire universe has been these sheep and goats. Grandfather said only this to me: “Ghulamuk, my son! This flock is yours now. You know what to do with it.”

I had no other work besides this. From dawn until I went to bed at night, I was occupied with the flock. Grandfather had, with great wisdom, kept me busy. It took me many years to understand that there could hardly be a greater calling than this.

Whether it was the scorching sun, the freezing winter rains and storms, or the hot, blistering winds of summer, I could find no rest. I was forever responsible for guarding and tending the flock: making sure that no goat fell into a ravine and broke its bones, that none wandered off and got lost, that no beast of prey carried one away, and that no goat drank all of its own milk.

By virtue of being a shepherd, I came to know every corner of the wilderness. Sometimes I would take the flock to the ravine of Kachól, sometimes to the Basshám Pass. At times I could be seen wandering with them through the desert of Mojén Dém, and at others in Masháni. But there was still one place in Sótkál that I had never taken the flock: Jinnani Jomp—The Mounds of the Jinns.”

Grandfather had strictly forbidden me from going there. “Ghulamuk, my child! You may go wherever you please in every corner of Sótkál, but never, ever turn towards the Mounds of the Jinns.”

We were allowed neither questions nor arguments. Whenever such a thing seemed about to arise, Grandfather would stop us before we could even finish speaking.We were always under his watchful eye.

“Don’t put your hands on your head, boy!”

“Don’t stand on the threshold. It is the time of sunset.”

“Straighten your slippers. They’re lying upside down.”

We always carried within us the fear that whatever we did, Grandfather would see it.

Except for one occasion, he had never actually beaten us. But threats, scolding, and warning us with nothing more than a look were part of his everyday manner.

God knows whether we had a guest that day or what the occasion was, but that day Grandfather slaughtered the hen with black-and-white feathers and had it cooked for lunch. We all sat down together for the meal. Everyone began to eat, but Asumi kept his hands to himself.

“What’s the matter, boy? Why aren’t you eating?” Grandfather asked.

“Grandpa, I don’t eat chicken,” Asumi replied.

“You don’t eat chicken? Why not?”

“I don’t eat chicken because chickens eat lizards.”

A look of disgust passed over everyone’s face, but no one said a word.

“So, chickens have only just started eating lizards, have they? They were eating lizards before you were born, and they’ll go on eating them long after you’re dead. Come on, start eating, and don’t talk such nonsense.”

“No, Grandpa. I don’t eat chickens that…”

Asumi had not even finished the sentence when a slap landed just below his ear. Everyone was startled, but no one dared say anything.

“You think you’re clever enough to make arguments? Eat, and be done with it. Didn’t I tell you never to find fault with the food?”

Without uttering another word, Asumi lowered his head and began to eat.

From that day onward, Asumi stopped finding fault with things. I am certain that no sage, mullah, or learned man could have cured him of that habit so swiftly. Yet one hard slap from Grandfather set him right in a moment.

Grandfather would always say, “Don’t be in a hurry. With time, you will ripen into wisdom.”

No one ever sat us down to advise or teach us the ways of the world. With the passing of time, we learned and gathered our share of experience.

How right Grandfather had been!

***

One scorching day, one of the straps of my sawás[2] snapped. I tried as hard as I could to mend it, but everything I did couldn’t fix it. The earth was burning like an oven, with waves of heat rising from it, while the goats of my flock had scattered in every direction.

Reluctantly, I set out across the scorching ground and gathered the flock. When I finally returned and sat down beneath a tree, I looked at my bare feet and felt tears welling up in my eyes. They were covered in blisters, some as large as lemons.

At dusk, I drove the flock home. By then, I could hardly put my blistered feet to the ground. The moment I reached home, I went straight to Grandfather.

“Look at my feet. Just look at how badly they’re blistered! This broken strap has caused me so much trouble. Please make me a new pair of sawás, whatever it takes.”

When Grandfather saw my blistered feet, he replied with a touch of sarcasm: “All right, son. Go and soak the dwarf-palm leaves in water. After dinner, I’ll make you a new pair”.

I did exactly as Grandfather had told me. After dinner, Grandfather sat talking with the family for a while. Then he lay down and soon drifted off to sleep. I thought to myself that perhaps he would make them for me early the next morning.

The next morning, I saw Grandfather heading towards the fields, a shovel slung over his shoulder.

“Grandpa, what about my sawás?” I called out.

“Oh, damn! I completely forgot,” he said with a laugh. “Never mind. You go on. I’ll ask a man named Nakam to make you a pair.”

I took my flock, tucked the dwarf-palm leaves under my arm, and set off towards the jungle, hoping to find Nakam there.

I waited for him for a long time, but there was no sign of him anywhere. My feet were still covered in the blisters I had got the day before, and I had no strength left to walk under the blazing sun.

There was no sign of Nakam.

“What am I supposed to do now, O God?” I wondered.

To hell with him. Let him come or stay away. Why should he care? It’s my feet that are covered in blisters. With that thought, I set about making the sawás myself. I had watched people make them before, so I knew more or less what to do. They might not have been perfect, but somehow, I managed to make myself a new pair.

I was overjoyed. At last, I thought, my feet would no longer have to suffer the burning ground. When I returned home, Grandfather looked at me and, as usual, asked with a teasing smile: “So, my son, did Nakam ever show up?”

“Grandpa, why did you make me believe that a man named Nakam would come and make me a pair of sawás? I waited for him for ages, but he never came,” I replied, a little irritated.

“My son, the truth is, there is no man named Nakam in the whole hamlet. I told you about him because you are a shepherd, and you must learn to fend for yourself. If I make your sawás for you today, what will you do tomorrow?”

Then he added: “Ghulamok, my son, learn to take care of your own needs. Do not sit around waiting for someone named Nakam, because there is no such man in the entire hamlet.”

[1] Manzil: A Day-long journey equivalent to forty-eight mile

[2] Sawás*: Traditional handcrafted Balochi slippers made of dwarf-palm leaves.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. He has the translation rights of this novel.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Poetry

Fragments by Mohammad Hussain Anqa

Translated from Balochi by Fazal Baloch

Mohammad Hussain Anqa (1907–1977) was a poet, historian, journalist, and political activist. He spent a significant portion of his life in prison because of his dissenting political views, an experience that is reflected throughout his poetry. Anqa’s most important contribution to Balochi literature was the introduction of a modern aesthetic sensibility into the Balochi ghazal. The selected fragments are drawn from various couplets in his ghazals, collected in Roken Poll (The Glowing Flower), a volume of his poetry published by the Balochi Academy in 2007.
 
(1)

Drop by drop, celestial honey flows into my ears—
In midnight hours, when the chime of your bangles fills the air,
I wonder whence the angels brought you this grace and modesty;
No moon glows so purely, no blossom blooms so fair.

(2)

Whenever, in prayer, I lifted my hands, they were scorched.
Like ember smouldering beneath ash was the sky.
Tyranny's flames sear the earth like a griddle.
I seek to rest a little while, but tell me, how could I?

(3)

If it bears not the fragrance of her perfumed tresses,
Let this callous breeze fall dead — I do not care.
In quest of my heart, I seek you — but you’re nowhere,
My heart—may it lie tangled in a knot of your hair.

(4)

If you have seized my forbearance, along with your grace,
The joy of love and longing will fade, you must know.
At dawn, Anqa whispered to the nightingale in the cage:
“Most of my captive days are gone, just a few left to go.”

(5)

The cloud burst forth and showed you —
Ask your tresses how blessings are bestowed.
A home is where the heart finds peace,
Cots and couches alone make no abode.

(6)

I know not by what mysterious fashion, the Creator shaped this world—
The shepherd dreads the wolf; the wolf fears the shepherd’s wrath.
Anqa! I spilled my blood so blossoms might grace every garden in the land;
Yet never once did I dive for pearls beneath the ocean’s path.

(7)

They crushed the only blossom I called my own
May every garden wither, far and nigh.
They show me not the path unto her abode
May God rend every star out of the sky.

(8)

He rends the garment, only to mend it whole again.
How artful this madness proves itself to be.
Why does autumn fall to me, while spring blossoms for you,
If from the selfsame clay are fashioned both you and me?

(9)

Like a night flower's fragrance adrift through the eerie darkness,
O butterfly of my love, when will you come to me silently?
Beside my pillow, there shimmered your outstretched hand.
I reached to steal a kiss, but the sword cut through me.

.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. 

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Stories

The Heartless by Abdul Qayum Sarbazi

Story by Abdul Qayum Sarbazi: translated from Balochi Fazal Baloch

Abdul Qayum Sarbazi (d. 2022) was a Karachi-based fiction writer who began his literary career in the mid-1980s. Deeply influenced by the tradition of social realism, his stories illuminate the struggles, inequalities, and everyday realities of ordinary people. The story translated here first appeared in Monthly Balochi (a magazine in the public domain) in May 1988 under its original title, Bey Maarag.

The doctor checked the unconscious child’s pulse and said, “You have almost killed the child before bringing him to the hospital.”

He lifted the child’s eyelids and examined his mouth and throat. Then he placed a thermometer in his mouth and rolled up his shirt slightly. Looking at the child’s hollow stomach and protruding ribs, the doctor began critiquing the parents in a stern tone. “He is suffering more from starvation than illness. If you cannot take care of your children, why do you bring them into the world?”

The doctor removed the thermometer from the child’s mouth and blinked arrogantly before continuing to scold the father. “May God guide you. Such a high fever. He is standing at the edge of death. Why didn’t you bring him here earlier? Though I know people like you are not entirely to blame. This is what happens when people have too many children and assume they will somehow grow up on their own. Such children do not become responsible human beings; they become a burden on society. But what do you care? For the sake of ‘momentary pleasure’, you bring children into the world only for others to carry their burden.”

The boy’s father lowered his pale face and listened silently to the doctor’s taunts. It was nothing new to him. He had long grown used to harsh words from the police, the coast guard, and the dealer. Rubbing one palm against the other, he let out a weary sigh and looked helplessly at the doctor. His eyes drifted toward the swollen veins in his hands and feet before he sank into a dark cloud of worry.

The doctor cleared his throat, washed his hands with soap, dried them on the hanging towel, and resumed his sermon. “The way you treated this child… not even do we treat our worst enemy so harshly. Anyhow, I will give him two vitamin injections. He also needs glucose. There is barely any sign of life left in him, but I will do whatever I can within my capacity. The rest depends on the boy’s fate.”

The boy’s father lowered his head even further as darkness clouded his already blurred vision. In that moment, a terrible wish rose in his heart: that the earth would split open, the four-storey hospital building would collapse, and everything would be buried beneath the rubble.

After wallowing in helplessness and grief for a short while, he slowly regained control of his breathing and looked again toward the doctor. His eyes faced the merciless man like those of a beggar pleading for mercy. The doctor ran his tongue across his lips as though sharpening a blade on stone and continued coldly: “This is not how a child should be raised. Children require care, sacrifice, and hardship. For breakfast, they should be given half-fried eggs, milk, butter, and bread. At lunch, boiled beans and minced meat. In the evening, fresh fruits and salad. For dinner, meat, chicken soup, and rice. And before going to bed, a glass of milk.”

The boy’s father’s already pale face darkened with despair. He shifted slightly, crushed beneath hardship and helplessness. The doctor glanced at his wristwatch and continued his barrage of words. “At this moment, the child is still not out of danger. Deposit five hundred rupees at the counter in advance for emergency medicines and treatment. The final bill can be settled later.”

The father felt as though he had been stung by a scorpion. His senses were already numb, and whatever strength remained in him now seemed to disappear completely.

For the first time, he spoke. Looking at the doctor with helpless eyes, he said softly, “I do not have five hundred rupees.”

The doctor struck him again with his words. “This hospital is not for the poor and needy. You see all these people working here? They have to be paid. Medicines come from companies, and they demand payment immediately. Do whatever you think is best, but let me make one thing clear: your child will not survive without medicine. If he dies, his blood will be on your hands.”

Then, lowering his voice slightly, the doctor added, “I took pity on your condition and asked for only five hundred rupees. Otherwise, we charge one thousand.”

The father’s dry lips trembled beneath tears that came too early and too painfully. Even the violent tides of the sea seemed less cruel than the doctor’s words. To him, the doctor appeared like a disciple of the Angel of Death, hardened by the complete loss of compassion. Closing his eyes, the father fell at the doctor’s feet and pleaded in a voice heavy with pain: “All I have is two hundred rupees. I do not know whether such a small amount means anything to you, but it is the cry of a helpless father’s soul.”

The doctor’s face darkened with anger. His arrogance swelled again as he replied coldly: “If your money is so dear to you, then take the boy’s dead body home. Perhaps you do not believe my words, but do whatever suits you.”

The boy’s mother stood silently in a corner, numb like a statue. Ever since they arrived at the hospital, she had not uttered a single word. Life had shown her only one face: hunger, poverty, humiliation, and endless helplessness. So she remained quiet.

The boy’s father was not very old, yet he looked far older than his years. He had spent his entire life in patience and endurance. And it was all the poor could afford. But sometimes humiliation becomes heavier than patience itself. Once again, he saw the bitter truth before him. A doctor, whose hands were meant to heal like those blessed by God, had turned his noble profession into a business. To the poor, such men seemed no different from heartless merchants or cruel officials.

Yet the father felt it wiser, perhaps easier, to fall at the feet of this “angel of death” if it might save his child’s life. Swallowing the anger rising inside him, he spoke softly:

“My helplessness lies before you as clearly as an open road. I listened carefully to all your words and hold them with respect. You said that people like us bring children into the world for ‘momentary pleasure’. I have only two children. One lies before you, struggling at the mercy of death, while the other plays in the dirt back at home. Luxury and comfort are sweet words, doctor, but I have never truly known them. The land has nothing to offer us. It is the sea that feeds our children. The old days were much better for people like us, but as time passed, the chains of circumstance tightened around our lives”.

He continued, “I returned home today after spending twelve days at sea battling rough tides. We managed to catch some fish, but the coast guard took their share as if it were their right. Some were taken by the police and customs officers, and whatever remained was bought by the dealers at miserable prices. In the end, my share came to only two hundred rupees. When I reached home, everything was in chaos. My wife was almost unconscious. One child lay unconscious with fever while the other cried from hunger. My wife told me the boy had been burning with fever for a week, but she could not take him to a doctor because she had no money.”

After revealing the bitter truth of his life, he placed the crumpled two hundred-rupee notes on the doctor’s table and said: “I leave both the money and the boy with you. If he survives, he will find his way home. And if he dies, bury him with a handful of dust, because I do not even have enough money for his funeral.”

With these words, he walked away.

The doctor stood silent, staring at his own reflection in the mirror.

.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. 

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Stories

The Stillness in Ocean-deep Eyes

Balochi Story by Younus Hussain; Translated by Fazal Baloch 

Younus Hussain

The moment the story ended, I closed the book and tucked it beneath the pillow. It was one of the most fascinating stories I had ever encountered. Perhaps that is because the eyes of my mind are fixed on one place while yours are drawn to another. In the end, it is the eyes that measure the worth of what they behold. Just as my imagination began to shape the tale of those eyes, I felt as though the story, once finished, was beginning again from the very beginning. Soon, the tale seemed to whisper through the blazing winds that swept across the towering sand dunes of the Arabian desert. Most of the people in that hamlet belonged to the Al-Baj tribe, whose ancestors had migrated from Baghdad.

Among them was a young man renowned for the extraordinary power of his eyes. He could see far beyond the reach of ordinary sight, and even in the darkness of night, he saw as clearly as one does in broad daylight. The entire hamlet placed unwavering trust in his vision. More than once, he had warned the villagers of approaching storms and heavy rains before they arrived. The young man, barely twenty-years-old, was held in great esteem by the villagers, who respectfully called him Mullah. Yet despite their admiration, his faith remained humble and deeply devoted to God. While the rest of the village slept, he often stayed awake through the long nights.

Days and nights passed in this manner until, one day, as he lay in deep sleep, a dreadful plague swept through the hamlet.

“Mullah, wake up…”

“Mullah, while you sleep, calamity has fallen upon the village. Three people have suddenly gone mad. Even Abu Abbas has lost his mind!”

At the mention of Abu Abbas’s name, Mullah was stunned. He quickly slipped on his shoes and rushed outside. Abu Abbas lay upon his father’s cot, his eyes fixed lifelessly on the ceiling. Mullah stood frozen in shock as he gazed into those vacant, numbed eyes. A dark spirit had taken possession of him, and Mullah realised that he could hear the spirit’s voice.

Quietly, under his breath, Mullah began to recite prayers and sacred incantations. The spirit writhed in agony, and as it departed from Abu Abbas’s body, it spoke to Mullah: “I am leaving, but tomorrow evening this man will leave you all.”

Turning to the people around, Mullah said, “Only God knows His divine will, but by tomorrow evening, Abu Abbas will no longer be among us.”

His words proved true. By the following evening, the villagers were already digging Abu Abbas’s grave. The other two afflicted men also died within the very time Mullah had foretold.

Stories of Mullah’s extraordinary eyes spread far beyond the village. People from distant lands began bringing their insane relatives to him, hoping for healing and relief. With each passing day, the number of his followers and devotees continued to grow. Yet deep within, Mullah was troubled. Every few days, more people in the hamlet seemed to fall victim to evil spirits. Though he could foresee their fate and drive the spirits away, he felt powerless to stop the suffering itself. Each time one of his prophecies came true, he would spend the night in anguish and self-reproach, praying before God: “I am worthless. Among all these people, You granted this power to me, yet in doing so I have become an intruder upon Your divine will. Never once have You proven me wrong. You are greater and more powerful than these evil spirits. I am only Your sinful servant, while You alone are the Almighty. Protect our land from these evil forces.”

One day, there came a knock at his door.

“Is this the house of Saeed bin Hashim?”

Hearing his name, Mullah turned to his disciples and said, “This man seems to be in great haste. I will see him myself.”

Outside stood a man holding the reins of a camel.

“Sardar Aqrash of Al-Sawabi sends his greetings,” the man said. “He requests that you come at once. There is a patient in need of your help.”

Mullah asked, “Are their eyes fixed upon something?”

The man replied, “I do not know, for I have not seen them myself.”

The people of Al-Sawabi were of a different persuasion, yet Mullah, being a healer who understood the duty of his calling, agreed to go with them.

After traveling for half a day, they arrived at Aqrash’s settlement. Aqrash welcomed him warmly, then drew him aside and spoke in a low voice: “If the patient is possessed by an evil spirit, do not speak of it before others. Inform me privately. And if anyone asks, tell them nothing is wrong. I swear upon you by the holy prophets.”

The door to the room was locked from the outside. An elderly woman stepped forward, unlocked it, and silently withdrew into a corner. The moment Mullah entered, the heavy scent of burning incense and herbs told him that the patient had not yet received proper treatment. Upon the bed sat a young woman with disheveled hair falling across her face. Her head rested against the wall as she stared into silence, lost in distant thoughts. At once, Mullah understood that she was not yet possessed.

Something within him whispered, Your work here is done, you may leave now. Yet, he did not know what it was he found in the woman that had nailed his feet to the ground. Just as he turned to leave, a soft and melodious voice called out to him: “O man, come closer… Let me see those eyes of yours, the ones spoken of with such wonder.”

With his back turned to her, he stood deep in thought, struggling with his decision. Somewhere within, he sensed the coming of a storm. Then, in the stillness, he heard the soft chime of anklets halt just behind him.

“Saeed bin Hashim… is that your name?”

He turned.

Before him stood a vision of beauty and grace.

“Answer me,” she said softly. “Are you Saeed bin Hashim?”

“Yes,” he replied.

“Then tell me… what illness do I suffer from?”

“You suffer from none.”

“I swear to you, I am mad.”

She looked into his eyes as though searching for something hidden within them. Yet, she seemed to find nothing.

“You swear without reason,” he said quietly. “You are perfectly well.”

“If only you knew,” she whispered, “that I am mad for your eyes.”

“You have seen them now,” he replied. “Did they bring you any peace?”

“I count myself fortunate,” she said, “for only a few days ago, I wished to see them.”

Then, gently taking his hand, she said, “Sit with me. I wish to ask your eyes something.”

Her delicate touch sent a strange calm through his entire being. In that moment, forgetting his role and purpose, he found himself unwilling to leave her presence.

“My name is Rabia,” she said softly. “I am Sardar Aqrash’s third wife. He adores me because I am still young. Tell me… what do your much-praised eyes say about my beauty?”

He looked at her from head to toe, as though seeing her beneath an entirely new light. A quiet fear stirred within him, for he sensed that his eyes might reveal more than his words ever could. As his gaze lingered upon her, Rabia seemed unable to endure its intensity. She drew her knees close to her chest and lowered her eyes.

“My delicate body cannot bear the heat of your gaze,” she whispered. “Do not look at me in this way. It feels as though I am melting from within.”

Without replying, he turned to leave.

“You may go today,” she said behind him, “but I will send for you again. I have faith in my beauty. One day, you will wait for my messenger with longing.”

A faint smile crossed his lips as he opened the door.

Outside, every eye turned toward him. “The patient is perfectly well,” he announced. “There is no cause for concern.”

Standing apart from the others, Aqrash waited anxiously for the truth. Mullah quietly shook his head, and relief immediately spread across Aqrash’s face. He stepped forward, embraced Mullah, and thanked him repeatedly. Moments earlier, his lips had trembled with fear, but Mullah’s words arrived like a cool wind, drying the beads of sweat upon his forehead.

Mullah departed for his hamlet. Though he returned home, his thoughts remained at Rabia’s doorstep. Her enchanting presence lingered within him. Her delicate nose, her dark cascading hair, her graceful fingers, and her heavy, drowsy eyes haunted his mind so much that he found himself waiting for the arrival of Rabia’s messenger.

.

On one side, Mullah remained occupied with driving out evil spirits; on the other, he was consumed by a restless longing to see Rabia again. The spirits feared his gaze, for he alone could truly see them. Whenever they fled the village, they would glance back at him with hesitation, and Mullah knew they were disciples of the Devil destined to return again and again.

One day, Rabia’s messenger came for him. From that time onward, he visited her every week, and with each meeting their bond grew deeper. Then suddenly, an entire month passed without a single message from her. Mullah became deeply troubled. During the day, his eyes remained fixed upon the road leading to her village. At night, when he lay awake in longing, the people mistook his sleeplessness for devotion and worship. Then, one day, Aqrash himself arrived.

“I came personally because we have already troubled you more than once,” he said. “After you left, she recovered completely and lived happily with her family for more than a month. But last night, her condition worsened again. Even the old healer of our village spoke your name. If you would come once more, I would remain forever grateful to you.”

But Mullah needed no persuasion. For days, he had already been waiting anxiously for even the smallest word from Rabia. That night, Rabia adorned herself like a bride, as though she had just been led into the wedding chamber.

“You were right,” he whispered. “Without you, I am incomplete.”

“Did you wait for my messenger every day?”

“The road to your village bears witness,” he replied.

“And I waited for you each day as well,” she said softly. “Ask the mirror.”

They drew so close to one another that no distance remained between them.

“Do you love me?” she asked.

“Do you wish to test me?”

Rabia’s lips trembled faintly. The beads of sweat upon her cheeks only deepened the radiance of her beauty. In a quivering voice, she said:

“If I ask something of you, will you grant it?”

“Ask it. And if my tongue refuses, I shall cut it out and lay it before you.”

“I cannot bring myself to say it.”

“Swear upon my life and tell me.”

“I will ask for something without which you yourself will remain incomplete.”

“Only do not ask me to live apart from you,” he said. “Without you, I would be nothing.”

Rabia lowered her gaze before whispering:

“Can you give me your eyes?”

“My life is dearer to me than even my eyes,” he replied, “yet if you asked for my life as well, I would place it before you. As for these eyes, I have long since laid them upon the path of your messenger.”

“I feel,” she said softly, “as though my beauty is incomplete without your eyes.”

Mullah slowly raised his hands toward the sky, “O my Almighty God…”

Yet in that moment, a strange feeling overcame him. It seemed as though his tongue no longer wished to bow in humility before any power greater than itself. The moonlit beauty of Rabia’s face stirred something within him, and his tongue began to speak like that of a plaintiff before destiny.

“O my Lord! Whatever You will, comes to pass. Life and death rest in Your hands alone. Nothing can happen without Your permission. Even the longing that arose within my heart was placed there by You. It is said in Alborz that a single bowl of water is worth a hundred years of loyalty. I, too, have pledged my loyalty. Do not look upon me as of different faiths. Look instead upon our love. O my Creator, grant us honor. Let the tale of our bond become known throughout the world, so that lovers may one day swear oaths in our names. O God, fulfill her innocent wish. Do not let me be humiliated before my Rabia.”

Then he fell silent. Tears of defeat slipped from his eyes, and in the depths of his sorrow, he whispered: “O God… if You refuse me this, then I shall go to Egypt and seek out magicians to fulfill my beloved’s wish…”

He continued mumbling in broken desperation until, suddenly, he felt his vision begin to fade. Darkness slowly gathered before his eyes, and just before the last trace of light vanished, he saw Rabia overcome with joy.

The moment he saw his eyes upon Rabia’s flower-like face, he fell into prostration and wept.

Rabia’s laughter rang through the room. Delighted by the new world before her, she gazed at her fingers in wonder, then gathered her hair into her palms and admired it. She lifted the edge of her scarf before her eyes, marveling at the beauty of her clothes. Everything around her seemed transformed, as though creation itself had been born anew.

“Go,” Mullah said proudly, “look at yourself in the mirror. If you were amazed merely by these eyes, then any desire to reverse this decision would only dishonor our love.”

She stood before him and looked into the empty sockets that had once held the eyes now belonging to her.

“Tell me, my beloved,” he asked softly, “what do you see within your eyes?”

“From what I can understand,” she replied, “they are filled with fear.”

“Good,” he said quietly. “What else do you see?”

“I see that your heart is trembling.”

“And why do you think that is?”

“My heart… afraid?”

“Perhaps it is.”

“Perhaps,” she whispered, “it regrets the choice it has made.”

“My heart would never commit such disloyalty,” he replied.

“And if it did?”

“Then I would tear it from my chest and lay it at your feet this very moment. My poor heart rejoices only because your wish has been fulfilled. It is these eyes that are afraid… afraid that, in your delight with this new vision, you may forget them and cast them out from the world of beauty.”

“Tell them they are a gift from you, a token of your love. They should take pride in belonging to someone as brave as you.”

“I swear,” he replied, “fear shall never find a place within your eyes. But as for waiting… I can promise nothing. Do not make me suffer any longer.”

“I will send my messenger soon,” she said softly. “And if he delays, then curse both him and me.”

“This tongue prays only for your well-being,” he answered. “How could it ever curse you?”

“I am fortunate that you love me.”

“And now, let me go. I will return to you.”

“Do not leave me.”

“I must travel far away. My world… grant me permission.”

As he departed, he said: “My prayer is that your beauty, along with your eyes, becomes renowned throughout the world. May the praise of your eyes travel as far as China.”

He left. In a sorrowful voice, Rabia called after him: “Rest assured, the moment you reach home, my messenger will arrive.”

But days passed.

A few days later, people found Mullah wandering in delirium and brought him back home. His followers said he had neither eaten nor drunk anything for an entire month. Now he sat against a wall, his sightless face turned endlessly toward the threshold, waiting for the messenger who would bring word from Rabia.

The endless waiting had robbed him of sleep. His followers and the villagers grieved for him, believing that his eyes had fallen beneath some terrible curse. The evil spirits, meanwhile, rejoiced. Physicians were summoned from distant places, yet none could heal him. His suffering became a source of anguish for the entire village.

One day, someone said: “I have heard of an old woman whose eyes can see deep into the soul of the afflicted.”

Preparations were immediately made to bring her. When the old woman finally arrived, she looked upon Mullah and spoke in a trembling voice: “The Lord is greatest… but your Mullah has only one day left to live.”

Tears filled the eyes of everyone present. A few doubted her words, but Mullah himself became convinced that it was his own eyes that had dared to pronounce such a fate.

“May God protect them,” he thought.

Nearby, two men whispered quietly: “She speaks the truth.”

“She is an experienced woman. It is said she once deceived Sardar Aqrash’s wife and stole her eyes.”

At those words, Mullah became certain that the old woman’s prophecy could not be false. For one brief moment, he longed to see his own eyes again. Yet he feared looking into the prison where they now lived. And in the silence of his heart, he whispered: “Rabia, do not blame me. It is your own innocence and foolishness that allowed fear to enter your eyes.”

After the old woman departed, Mullah stretched out his legs and slowly forgot the threshold he had watched for so long. Gradually, his eyes began to close.

Far away, he could hear the soft voice of a shepherd singing a lonely raga while guiding his flock.

Younus Hussain is widely regarded as one of the foremost contemporary short story writers in Balochi language. He is known for enriching the landscape of Balochi fiction with compelling narratives and literary depth. His stories are often cited in most discussions of Balochi literature on account of their artistic merit and narrative power. A hallmark of Younus’ writing is his exploration of individuals grappling with the tension between cultural expectations and the personal inner conflict. Most of his stories capture these recurring themes with clarity and emotional resonance, offering a vivid portrait of the human condition shaped by tradition and transformation. The translated story is taken from his first anthology “Be Dasten Sareechk” (The Armless Scarecrow) published by Balochistan Academy Turbat in 2025. Fazal Baloch has the translation rights to this story.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. 

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Categories
Poetry

An Elegy for the Merchant of Hope by Atta Shad

Poetry by Atta Shad: Translated from Balochi by Fazal Baloch

Whether morning or eventide,
dawn or twilight—
what remains to be said
of the rainbow and raincloud,
of the scented breeze,
of the beloved earth?
The heart seems withdrawn from all.

The heart, a patient mendicant,
feels and endures each rebuff.
Desire wanders beneath the scorching sun,
a traveler without a destination.

Night falls, (so we’ve heard).
Day breaks, (so they claim).
But who can tell of day and the night?
Both are deemed dead now.
Joy wraps itself in mourning’s cloak.

Love’s springtide
carries the green pulse of bloom.
Yet to slay hope, to shatter a vow,
is a catastrophe enough for any age.
Love and wrath are bound in a single knot.

In the mirror of dreams
the world becomes a marketplace.
And in that marketplace
a shadow falls
over translucent melodies of spring,
over verdant meadows,
over pearl-laden, swaying fields.

Eyes go blind.
Ears turn deaf.
Only wealth gleams,
only riches glitter.

What remains to be said
of the rainbow and raincloud,
of the scented breeze,
of the beloved earth?

In this marketplace
you are for sale.
So am I.

The heart, a patient mendicant
feels and endures each rebuff.
Desire wanders in the scorching sun,
a traveler without a destination.

Atta Shad (1939-1997) is the most revered and cherished modern Balochi poet. He instilled a new spirit in the moribund body of modern Balochi poetry in the early 1950s when the latter was drastically paralysed by the influence of Persian and Urdu poetry. Atta Shad gave a new orientation to modern Balochi poetry by giving a formidable ground to the free verse, which also brought in its wake a chain of new themes and mode of expression hitherto untouched by Balochi poets. Apart from the popular motifs of love and romance, subjugation and suffering, freedom and liberty, life and its absurdities are a few recurrent themes which appear in Shad’s poetry. What sets Shad apart from the rest of Balochi poets is his subtle, metaphoric and symbolic approach while versifying socio-political themes. He seemed more concerned about the aesthetic sense of art than anything else.

Shad’s poetry anthologies include Roch Ger and Shap Sahaar Andem, which were later collected in a single anthology under the title Gulzameen, posthumously published by the Balochi Academy Quetta in 2015. The translated poem is from Gulzameen.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. Fazal Baloch has the translation rights of Atta Shad from the publisher.

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Categories
Poetry

Five Short Poems by Munir Momin

Translated from Balochi by Fazal Baloch

From Public Domain
ENCHANTED

As I watched --
She wrapped the rainbow round her finger,
and drifted away -- slowly, ever so slowly.
Yet
The Heavens saw nothing.

EVENING

The wind wanders,
seeking the fragrance of your musk:
My heart and a fading leaf are carried along.

SPRING

The poor larks that returned this year
peck at the scent of your bosom,
still drifting through the footprints
along the path of yesteryear.

JUNGLE

Such terror stirs within,
none dare to face themselves.
The road runs deep with fear—
no one walks it alone.

THE WAIT

Shall I open a window?
Will you come—or the moon?

Munir Momin is a contemporary Balochi poet widely cherished for his sublime art of poetry. Meticulously crafted images, linguistic finesse and profound aesthetic sense have earned him a distinguished place in Balochi literature. His poetry speaks through images, more than words. Momin’s poetry flows far beyond the reach of any ideology or socio-political movement. Nevertheless, he is not ignorant of the stark realities of life. The immenseness of his imagination and his mastery over the language rescues his poetry from becoming the part of any mundane narrative. So far Munir has published seven collections of his poetry and an anthology of short stories. His poetry has been translated into Urdu, English and Persian.  He also edits a literary journal called Gidár.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. Fazal Baloch has the translation rights to Munir Momin’s works. 

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Categories
Stories

The Headstone

Story by Sharaf Shad, translated from Balochi by Fazal Baloch

From Public Domain

One afternoon, I had just returned home from the hospital and was waiting for my wife to bring me lunch when I heard the sound of a motorbike stopping outside. Then echoed the sound of hurried footsteps on the porch, followed by someone asking my wife, “Is the doctor home?”

It was Ali’s voice. I recognised it instantly. A moment later, the door swung open, and Ali, short and heavyset, entered the room.

“Doctor, come with me, please. My wife isn’t feeling well; she needs to be examined.”

“I was just about to eat…”

“You can eat there,” he interrupted, grabbing my doctor’s bag and heading out to his motorbike. Since he was my friend, I didn’t argue and silently followed him.

On the way, Ali explained that his wife was in labour. As we arrived, I examined her and, after consulting with the midwife, gave her an injection. I waited in the guest room. A short while later, his wife gave birth. Just then, the door opened, and Ali came in, his face glowing with joy.

“Sir, I’ve been blessed with a son.”

“Congratulations!”

“Thank you.” His voice was sweet with happiness. I wrote a prescription for the patient and sent Ali to the medical store to get the medicines. He dropped me off at home afterward. As we arrived, Ali reached into his pocket, but I stopped his hand with a smile.

“No, doctor, that won’t do,” he insisted.

“Come on, let it go. Just take us on a picnic sometime,” I said.

“Don’t worry about picnics. You will have plenty of them,” Ali said with a laugh, heading out of the room, still beaming with joy.

*

A few years later, one night, Ali was in intense pain and I was woken up in the middle of the night. When I arrived, he was groaning in agony. His son stood by his bedside, looking at him with wide, worried eyes. I comforted him and treated Ali. After a while, he drifted off to sleep. As I stood to leave, Ali’s son asked me with curiosity:

“Doctor, will my father be okay?”

“Yes, don’t worry. He’ll be just fine,” I reassured him, gently patting his cheek before heading out.

The next day, Ali came to see me on his motorbike and paid my consultation fee. His son was with him. I took some of the money and slipped it into the boy’s pocket.

“Are you doing well?” I asked him.

He didn’t reply, but Ali spoke up. “After seeing you treat me last night, he says he wants to be a doctor when he grows up.”

I burst out laughing and looked at the boy, who blushed and hid behind his father. “May God fulfill all his wishes!”

Ameen,” Ali said, and they both bid me farewell.

*

A few years later, Ali brought his son, Sabzal, to the hospital. The boy wasn’t feeling well; he had fever. Ali looked worried. After examining the boy and before writing down the medicines, I asked him:

“What grade are you in now?”

“Third,” he replied.

“If I write your name here, can you read it?”

“Yes!” he said proudly, puffing out his chest.

I wrote on the prescription: “Dr. Sabzal Baloch” and then added the list of medicines.

Happiness lit up both the father’s and son’s faces. They left, smiling.

One morning, as I was getting ready to head to the hospital, Ali arrived in a hurry.

“Doctor, please come quickly! My son is having trouble breathing.” When I got there, I gave him some medicines, but when his condition didn’t improve, I told Ali: “There aren’t the right facilities here. You need to take your son to the city hospital.”

Ali booked a vehicle and rushed his son to the city. A day or two later, the news came that Ali’s son had passed away in the hospital. Ali returned home empty-handed, and I was deeply saddened. The sudden death of young Sabzal cast a shadow of grief over our small hamlet for a few days. But eventually, the routines of daily life washed away that sorrow, and life moved on as usual.

One day, I saw Ali riding his motorbike somewhere. As soon as he saw me, he stopped. After greeting him, I pointed to an object wrapped in old newspapers resting in his lap.

“What’s this?”

“It’s a headstone, sir,” Ali replied. His once cheerful face turned somber. “It’s for Sabzal’s grave.”

With a sad expression, Ali began unwrapping the newspapers. He turned the headstone towards me, and I read:

Name: Dr. Sabzal Baloch
Age: 7 years and 6 months

I looked at Ali. Two silent teardrops rolled down his cheeks and rested on his face.

Sharaf Shad is simultaneously a short story writer, poet, translator, and critic. The richness of narrative is one of the defining features of his short stories. Death and identity crises are recurring themes in his works. A collection of his short stories, titled “Safara Dambortagen Rahan” (Journeying Down the Weary Roads), was published by the Institute of Balochistan, Gwadar, in 2020.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. 

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Poetry

The Scarecrow by Anwar Sahib Khan

Translated from Balochi by Fazal Baloch

Anwar Sahib Khan

Anwar Sahib Khan (1944–2018) was a notable poet, drama artist and film actor. His poetry explores a wide range of themes, from love and romance to social and political issues. He published two anthologies, Chaotaar (A Riot of Colours) and Sareechk (The Scarecrow). The translated poem is taken from his second anthology, Sareechk.

Like a scarecrow,
I stand—
Rooted in fields of green,
Until time strips away
The truth of my being:
A breath of nothingness.

I am the emblem of eternal stillness,
My outside,
My inside —
Two different tales.

When the truth dawns,
The beasts — once fled
From the fear I’d fashioned —
Will return.
My walls will scatter
Like tufts of cotton
Cast to the wind.

Birds will nest in me,
Jubilant creatures will roam
Unafraid,
Dancing in my shadow.

And the tale of my stillness
Will drift through the air —
I’m a lifeless scarecrow standing here.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. Fazal Baloch has the translation rights to Anwar Sahib Khan’s works. 

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Categories
Poetry

Fragments by Karim Dashti

Translated from Balochi by Fazal Baloch

Karim Dashti (1939-1984) is a prominent Balochi poet. What sets Karim apart from other modern Balochi poets is his skeptical and somewhat nihilistic approach that are implied in his ghazals. Abruptnessis one of the main characteristics of his tone—hardly any Balochi poet employs such abruptness, especially when dealing with themes related to divinity. Most of Karim’s verses enshrine deep philosophical reflections on existence and are rich with emotional intensity. These ghazal-couplets1 have been taken from Dil Zareet Bolan published by Balochi Academy, Quetta, in 2009.

(1)
To the Lord’s throne
No grievances I ever bear,
For, never seek a Master
Who lends you no ear.

(2)
Of God’s fierce wrath
Every preacher warns me --
Would that there were some Gods
Who promised peace and harmony.

(3)
He commands—
All unfolds by His decree,
Then why must we carry
The weight of sins, endlessly?

(4)
They say all have a Master
In this vast domain,
Where is my Lord
For I’m bound in chains?

(5)
Behold, even in death,
Karim’s grandeur prevails.
Even in the depth of the grave,
His majesty never pales.

(6)
Forgive me, the tale was long indeed,
And I was eager to leave.
Had I known how the end would unfold,
For life, I’d not have endured such grief!

(7)
Life has tormented me, O Karim,
What the hell is this, after all?
If it’s love, let it unfold;
If it’s wrath, let it fall.

(8)
The houris, the wine, and the Tuba—
For none a thought I ever bear.
In a humble hut, I find my peace—
O, do not banish me from there.


(9)
With her each stride,
A lively melody unfolds,
Sangeen is God’s eternally melodious flute.

(10)
Deprived of your sight,
I left the world in grief.
Now don’t hurry to my grave with a trailing veil.
  1. The translation has not retained the couplet format. ↩︎

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. Fazal Baloch has the translation rights to Karim Dashti’s works. 

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Categories
Poetry

Identity by Munir Momin

Translated from Balochi by Fazal Baloch

From Public Domain
(1) 

If you were a lamp,
I would not become the night—
Nor a moth,
Nor a window,
Nor an eye.
If you were a lamp,
I too would be a lamp.

(2)

Whether you dwell afar or near,
To me, you are everywhere.
Be it dawn or dusk,
You bloom—verdant, evergreen.
With famished lamps,
I wander, seeking you.
I crumble, collapse.
With my tired soul,
I sow and grow whispers.
You are my pasture.

Munir Momin is a contemporary Balochi poet widely cherished for his sublime art of poetry. Meticulously crafted images, linguistic finesse and profound aesthetic sense have earned him a distinguished place in Balochi literature. His poetry speaks through images, more than words. Momin’s poetry flows far beyond the reach of any ideology or socio-political movement. Nevertheless, he is not ignorant of the stark realities of life. The immenseness of his imagination and his mastery over the language rescues his poetry from becoming the part of any mundane narrative. So far Munir has published seven collections of his poetry and an anthology of short stories. His poetry has been translated into Urdu, English and Persian.  He also edits a literary journal called Gidár. This poem originally titled as Pajjar (Identity) is taken from Munir Momin’s poetry collection Yak Bechelley Aazman (A Span Long Sky) published by Gidar Publications in 2014.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. Fazal Baloch has the translation rights to Munir Momin’s works.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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