Borderless January, 2022

Painting by Sohana Manzoor


Elephants & Laughter… Click here to read.


Keith Lyons introduces us to Kenny Peavy, an author, adventurer, educator and wilderness first-aider who has travelled far and wide and wishes everyone could connect with the natural world right outside their door. Click here to read.

In Rhys Hughes Unbounded, Hughes, an author and adventurer, tells us about his inclination for comedies. Click here to read


Professor Fakrul Alam translates If Life were Eternal by Jibananada Das from Bengali. Click here to read.

Ratnottama Sengupta translates Bengali poet Michael Madhusudan Dutt’s Bijoya Doushami. Click here to read.

Korean poet Ihlwha Choi translates his own poem, Sometimes Losing is Winning, from Korean. Click here to read.

Give Me A Rag, Please:A short story by Nabendu Ghosh, translated by Ratnottama Sengupta, set in the 1943 Bengal Famine, which reflects on man’s basic needs. Click here to read.

On This Auspicious Day is a translation of a Tagore’s song, Aaji Shubhodine Pitaar Bhabone, from Bengali by Mitali Chakravarty. Click here to read.


Click on the names to read

Rhys Hughes, Ryan Quinn Flanagan, Anasuya Bhar, Jay Nicholls, Anuradha Vijayakrishnan, Vernon Daim, Mathangi Sunderrajan, William Miller, Syam Sudhakar, Mike Smith, Pramod Rastogi, Ivan Peledov, Subzar Ahmed, Michael R Burch

Nature’s Musings

In Best Friends, Penny Wilkes takes us for a photographic treat. Click here to read.

Poets, Poetry & Rhys Hughes

In Making Something of Nothing…, Rhys Hughes explores sources of inspirations with a dollop of humour. Click here to read.

Musings/Slices from Life

Wooing Children to School

Munaj Gul writes of how volunteers are engaged in wooing children from poverty stricken backgrounds to school in Turbat, Balochistan. Click here to read.

Historical Accuracy

Ravibala Shenoy ponders over various interpretations of the past in media and through social media. Click here to read.

The Ocean & Me

Meredith Stephens writes of her sailing adventures in South Australia. Click here to read.


Kavya RK finds her fascination for plants flourish in the pandemic. Click here to read.

The Great Freeze

P Ravi Shankar trots through winters in different parts of the globe. Click here to read.

Two Birds

Ratnottama Sengupta muses as she translates a Tagore’s song. Click here to read.

Musings of a Copywriter

In The New Year’s Boon, Devraj Singh gives a glimpse into the projection of a new normal created by God. Click here to read.


Dramatising an Evolving Consciousness: Theatre with Nithari’s Children

Sanjay Kumar gives us a glimpse of how theatre has been used to transcend trauma and create bridges. Click here to read.

Potable Water Crisis & the Sunderbans

Camellia Biswas, a visitor to Sunderbans during the cyclone Alia, turns environmentalist and writes about the potable water issue faced by locals. Click here to read.

The Malodorous Mountain: A Contemporary Folklore

Sayantan Sur looks into environmental hazards due to shoddy garbage disposal. Click here to read.

Where Sands Drift Back in Time…

Shernaz Wadia explores Western Australia. Click here to read.

The Observant Immigrant

In The Changing Faces of the Family, Candice Louisa Daquin explores the trends in what is seen as a family now. Click here to read.

Bhaskar’s Corner

In Fakir Mohan: A Tribute, Bhaskar Parichha introduces us to Fakir Mohan Senapati, the writer he considers the greatest in Odia literature. Click here to read.


Folklore from Balochistan: The Pearl

Balochi folktales woven into a story and reinvented by Fazal Baloch highlighting the wisdom of a woman. Click here to read.

The American Wonder

Steve Ogah takes us to a village in Nigeria. Click here to read.

The Boy

Neilay Khasnabish shares a story on migrant labours with a twist. Click here to read.

Stranger than Fiction

Sushant Thapa writes of real life in Nepal, which at times is stranger than fiction. Click here to read.

The Solace

Candice Louisa Daquin takes us on a poignant story of longing. Click here to read.

The Doll

Sohana Manzoor tells a story around the awakening of a young woman. Click here to read.

Among Our PeopleDevraj Singh Kalsi gives a fictitious account of a common man’s quest for security in a country that is one of the world’s largest democracy. Click here to read.

Book Excerpts

An excerpt from Shazi Zaman’s Akbar: A Novel of History detailing his interactions with Surdas and Braj. Click here to read.

Excerpts from A Glimpse Into My Country, An Anthology of International Short Stories edited by Andrée Roby & Dr Sangita Swechcha. Click here to read.

Book Reviews

Meenakshi Malhotra reviews Somdatta Mandal’s translation of A Bengali Lady in England by Krishnabhabini Das (1885). Click here to read.

Gracy Samjetsabam reviews Anuradha Kumar’s The Hottest Summer in Years. Click here to read.

Rakhi Dalal reviews Selma Carvalho’s Sisterhood of Swans. Click here to read.

Bhaskar Parichha reviews Amit Ranjan’s John Lang; Wanderer of Hindoostan; Slanderer in Hindoostanee; Lawyer for the Ranee. Click here to read.


Sisterhood of Swans

Book Review by Rakhi Dalal

Title: Sisterhood of Swans

Author: Selma Carvalho

Publishers: Speaking Tiger Books

To feel a kind of belongingness, to find acceptance in a society is an inherent human desire. Perhaps this desire stems from the need to strengthen alliance with something larger than individual identities. It is not only family, but also the place we live in, the community we come from, as well as the prevalent societal and cultural norms which fall into this ambit for most of us. Sometimes the scales in life do not balance till this desire remains elusive. More so when one makes home a place not native to the community one belongs to.

Selma Carvalho is a British-Asian writer whose work explores the themes of migration, memory and belonging. She is the author of three non-fiction books documenting the Goan presence in colonial East Africa. She led the Oral Histories of British – Goans Project (2011-2014) funded by UK Heritage Lottery Fund. Her stories have been published in various journals and anthologies. She is the editor of two volumes of The Brave New World of Goan Writing & Art (2018 and 2020). Her work has been shortlisted for various literary prizes including London Short Story Prize and the New Asian Writing Prize. She is the winner of the Leicester Writes Prize 2018 and a finalist for prestigious SI Leeds Literary Prize 2018. Sisterhood of Swans, her debut novel, was shortlisted for Mslexia Novella Prize 2018 in the UK.

Carvalho’s book explores the complexities around this desire to belong and yet the inability to fully embrace the possibilities a place offers because of conceived notions a propos the idea of identity. Her writing, traversing the world of immigrant Indian community in London, is focused upon anxieties and their repercussions, as experienced by a second generation immigrant. Anna-Marie Souza is plagued by a yearning to belong and to hold onto the familiar. Her restlessness stems not only from the inescapability of ethnic alienation, being a Goan-Indian in Horton, but also from the inevitable suffering caused by her parents’ separation.

Consequently, she longs to find a soul mate, a bond for life. In her relationships, first with Nathu and then with Sanjay, she seeks a father figure, a man in whom she may find a resemblance of her father. The choices Anna-Marie makes are flawed and she carries on with them even while understanding that they might be doomed for failure.

The men in Anna-Marie’s world are all adulterers, diving into new relationships and then abandoning their families to move onto other women. It appears almost like a cycle. Every woman she comes across goes through the ordeal. Left in misery by their husbands/partners, they desperately try to put the pieces of their shattered selves together. Their kids endure fractured lives. But it is never the men who suffer, they keep moving on like a river flowing into another and renewing itself, unbroken and unburdened.

It is to this sisterhood of pain of women that Anna-Marie belongs. Like swans, these women look to pair for life but it is disappointment they are fated for. Whether it be her mother, Ines, Sanjay’s wife, Kaya, or her schoolmate, Jassie.

In drawing out the characters of Anna-Marie and her best friend, Sujata, Carvalho also puts the focus on what is inherited from parents subconsciously. In case of Sujata, her father’s illness comes a full circle to haunt her person as she grows up and try to make sense of her existence in a place she recognizes as her home but do not completely fit in. Anna-Marie on the other hand, start relating more to her mother once she steps into motherhood herself, recalling that it was never her father but mother who had always stood by her.

 Carvalho’s pen proficiently renders the intricacies brought about by intersection of different cultures and their consequent uncertainties. She handles the notions of belongingness delicately and with much sensitivity. Her characters are not without flaws and yet they are memorable for their openness and ability to perceive things genuinely. As pointed by Sujata, Anna-Marie comes to accept life as a constantly evolving construct in which to grow also means to allow oneself to evolve irrespective of the contradictions confronted with. To come to a juncture where the permanence of a place or constancy of people does not matter and lives are aglow with the radiance of all the love received.  


Rakhi Dalal is an educator by profession. When not working, she can usually be found reading books or writing about reading them. She writes at .