Categories
Contents

Borderless, August 2025

Art by Sohana Manzoor

Editorial

Storms that Rage… Click here to read.

Translations

Nazrul’s Jonomo, Jonomo Gelo (Generations passed) has been translated from Bengali by Professor Fakrul Alam. Click here to read and listen to a rendition by the famed Feroza Begum.

Ajit Cour‘s short story, Nandu, has been translated from Punjabi by C Christine Fair. Click here to read.

The Scarecrow by Anwar Sahib Khan has been translated from Balochi by Fazal Baloch. Click here to read.

Five poems by Aparna Mohanty have been translated from Odia by Snehprava Das. Click here to read.

Angshuman Kar has translated some of his own Bengali poems to English. Click here to read.

Sunflower, a poem by Ihlwha Choi,  has been translated from Korean by the poet himself. Click here to read.

Tagore’s Shaishabshanda (Childhood’s Dusk) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Ron Pickett, Fakrul Alam, William Miller, Meetu Mishra, Heath Brougher, Laila Brahmbhatt, Luis Cuauhtémoc Berriozábal, Snigdha Agrawal, George Freek, Ashok Suri, Scott Thomas Outlar, Dustin P Brown, Rajorshi Patranabis, Ryan Quinn Flanagan

Poets, Poetry & Rhys Hughes

From the Vale of Glamorgan are two poems on the place where Rhys Hughes grew up. Click here to read.

Musings/Slices from Life

Menaced by a Marine Heatwave

Meredith Stephens writes of how global warming is impacting marine life in South Australia. Click here to read.

The Man from Pulwama

Gowher Bhat introduces us to a common man who is just kind. Click here to read.

More than Words

Jun A. Alindogan writes on his penchant for hardcopy mail. Click here to read.

To Bid or Not to Bid… the Final Goodbye?

Ratnottama Sengupta ponders on Assisted Dying. Click here to read.

Musings of a Copywriter

In Syrupy Woes, Devraj Singh Kalsi looks at syrupy health antidotes with a pinch of humour. Click here to read.

Essays

‘Verify You Are Human’

Farouk Gulsara ponders over the ‘intelligence’ of AI and humans. Click here to read.

Does the First Woman-authored Novel in Bengali Seek Reforms?

Meenakshi Malhotra explores Somdatta Mandal’s translation of Manottama, the first woman-authored Bengali novel published in 1868. Click here to read.

Bhaskar’s Corner

In Bidyut Prabha Devi – The First Feminist Odia Poet, Bhaskar Parichha pays a tribute to the poet. Click here to read.

Stories

The Sixth Man

C. J. Anderson-Wu tells a story around disappearances during Taiwan’s White terror. Click here to read.

I Am Not My Mother

Gigi Baldovino Gosnell gives a story of child abuse set in Philippines where the victim towers with resilience. Click here to read.

The Archiver of Shadows

Hema R explores shadows in her story set in Chennai. Click here to read.

Ali the Dervish

Paul Mirabile weaves the strange adventures of a man who called himself Ali. Click here to read.

The Gift

Naramsetti Umamaheswararao moulds children’s perspectives. Click here to read.

Notes from Japan

In American Wife, Suzanne Kamata gives a short story set set in the Obon festival in Japan. Click here to read.

Conversation

Neeman Sobhan, author of Abiding City: Ruminations from Rome, discusses shuttling between multiple cultures and finding her identity in words. Click here to road.

Book Excerpts

An excerpt from M.A.Aldrich’s From Rasa to Lhasa: The Sacred Center of the Mandala. Click here to read.

An excerpt from Neeman Sobhan’s An Abiding City: Ruminations from Rome. Click here to read.

Book Reviews

Somdatta Mandal reviews Chhimi Tenduf-La’s A Hiding to Nothing. Click here to read it.

Madhuri Kankipati reviews O Jungio’s The Kite of Farewells: Stories from Nagaland. Click here to read.

Bhaskar Parichha reviews Snehaprava Das’s Keep it Secret: Stories. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
A Wonderful World

Vignettes from a Borderless World

Enjoy some of the most memorable gems from our treasury … gems that were borne of pens that have written to make our world bloom and grow over time.

The first cover art by Sohana Manzoor published in Borderless Journal

Poetry

An excerpt from Rabindranath Tagore’sThe Child‘, a poem originally written in English by the poet. Click here to read.

Click on the names to read the poems

 Luis Cuauhtémoc Berriozábal,  Masha Hassan, Ryan Quinn Flangan LaVern Spencer McCarthy, Prithvijeet Sinha, Shamik Banerjee, George FreekG Javaid RasoolRakhi Dalal, Afsar Mohammad, Kiriti Sengupta, Adeline Lyons, Nilsa Mariano, Jared Carter,  Mitra SamalLizzie PackerJenny MiddletonAsad Latif, Stuart Mcfarlane, Kumar Bhatt, Saranyan BVRex Tan, Jonathan Chan, Kirpal Singh, Maithreyi Karnoor, Rhys Hughes, Jay Nicholls

Tumi Kon Kanoner Phul by Tagore and Anjali Loho Mor by Nazrul, love songs by the two greats, have been translated from Bengali by Professor Fakrul Alam. Click here to read.

Poetry of Jibananda Das translated by Fakrul Alam and Rakibul Hasan Khan from Bengali. Click here to read.

Mahnu, a poem by Atta Shad, translated from Balochi by Fazal Baloch. Click here to read. 

Manish Ghatak’s Aagun taader Praan (Fire is their Life) has been translated from Bengali by Indrayudh Sinha. Click here to read.

Amalkanti by Nirendranath Chakraborty has been translated from Bengali by Debali Mookerjea-Leonard. Click here to read.

Ye Shao-weng’s poetry ( 1100-1150) has been translated from Mandarin by Rex Tan. Click here to read.

Homecoming, a poem by Ihlwha Choi on his return from Santiniketan, has been translated from Korean by the poet himself. Click here to read.

Essays

 Travels & Holidays: Humour from Rabindranath: Translated from the original Bengali by Somdatta Mandal, these are Tagore’s essays and letters laced with humour. Click here to read.

Temples and Mosques: Kazi Nazrul Islam’s fiery essay translated by Sohana Manzoor. Click here to read.

The Comet’s Trail: Remembering Kazi Nazrul Islam: Radha Chakravarty pays tribute to the rebel poet of Bengal. Click here to read.

The Oral Traditions of Bengal: Story and Song: Aruna Chakravarti describes the syncretic culture of Bengal through its folk music and oral traditions. Click here to read.

Discovering Rabindranath and My Own Self: Professor Fakrul Alam muses on the impact of Tagore in his life. Click here to read.

One Life, One Love, 300 Children : Keith Lyons writes of Tendol Gyalzur, a COVID 19 victim, a refugee and an orphan who found new lives for many other orphans with love and an ability to connect. Click here to read.

When West Meets East & Greatness Blooms: Debraj Mookerjee reflects on how syncretism impacts greats like Tagore,Tolstoy, Emerson, Martin Luther King Jr, Gandhi and many more. Click here to read.

Amrita Sher-Gil: An Avant-Garde Blender of the East & West: Bhaskar Parichha shows how Amrita Sher-Gil’s art absorbed the best of the East and the West. Click here to read.

A Manmade Disaster or Climate Change?: Salma A Shafi writes of floods in Bangladesh from ground level. Click here to read.

Dilip Kumar: Kohinoor-e-Hind: In a tribute to Bollywood legend Dileep Kumar,  Ratnottama Sengupta, one of India’s most iconic arts journalists, recollects the days the great actor sprinted about on the sets of Bombay’s studios …spiced up with fragments from the autobiography of Sengupta’s father, Nabendu Ghosh. Click here to read. 

Dramatising an Evolving Consciousness: Theatre with Nithari’s Children: Sanjay Kumar gives us a glimpse of how theatre has been used to transcend trauma and create bridges. Click here to read.

Are Some of Us More Human than Others ?: Meenakshi Malhotra ponders at the exclusivity that reinforces divisions, margins and borders that continue to plague humankind, against the backdrop of the Women’s Month, March. Click here to read.

To Be or Not to Be or the Benefits of Borders: Wendy Jones Nakanishi argues in favour of walls with wit and facts. Click here to read. 

Reminiscences from a Gallery: MF Husain: Dolly Narang recounts how she started a gallery more than four decades ago and talks of her encounter with world renowned artist, MF Husain. Click here to read.

In The Hidden Kingdom of Bhutan: Mohul Bhowmick explores Bhutan with words and his camera. Click here to read.

From Srinagar to Ladakh: A Cyclist’s Diary: Farouk Gulsara travels from Malaysia for a cycling adventure in Kashmir. Click here to read.

Musings

Baraf Pora (Snowfall) by Rabindranath Tagore, gives a glimpse of his first experience of snowfall in Brighton and published in the Tagore family journal, Balak (Children), has been translated from Bengali by Somdatta Mandal. Click here to read.

Migrating to Myself from Kolkata to Singapore: Asad Latif explores selfhood in context of diverse geographies. Click here to read. 

Cherry Blossom ForecastSuzanne Kamata brings the Japanese ritual of cherry blossom viewing to our pages with her camera and words. Click here to read.

 Hair or There: Party on My HeadDevraj Singh Kalsi explores political leanings and hair art. Click here to read.

 Ghosts, Witches and My New Homeland: Tulip Chowdhury muses on ghosts and spooks in Bangladesh and US. Click here to read.

 Two Pizza Fantasies, Rhys Hughes recounts myths around the pizza in prose, fiction and poetry, Click here to read.

An Alien on the Altar!: Snigdha Agrawal writes of how a dog and lizard add zest to festivities with a dollop of humour. Click here to read.

Where it all Began: Sybil Pretious recounts her first adventure, an ascent on Mt Kilimanjaro at the age of sixty. Click here to read.

Conversations

Rabindranath Tagore: A Universal Bard.: This conversation between Aruna Chakravarti and Sunil Gangopadhyay that took place at a Tagore Conference organised by the Sahitya Akademi in Kochy in 2011. Click here to read.

Sriniketan: Tagore’s “Life Work”: In Conversation with Professor Uma Das Gupta, Tagore scholar, author of A History of Sriniketan, where can be glimpsed what Tagore considered his ‘life’s work’ as an NGO smoothening divides between villagers and the educated. Click here to read. (Review & Interview).

In conversation with the late Akbar Barakzai, a Balochi poet in exile who rejected an award from Pakistan Academy of Letters for his principles. Click here to read.

In A Voice from Kharkiv: A Refugee in her Own CountryLesya Bukan relates her journey out of Ukraine as a refugee and the need for the resistance. Click here to read.

Andrew Quilty, an award winning journalist for his features on Afghanistan, shares beyond his book,August in Kabul: America’s Last Days in Afghanistan and the Return of the Taliban, in a candid conversation. Click here to read. 

Jim Goodman, an American traveler, author, ethnologist and photographer who has spent the last half-century in Asia, converses with Keith Lyons. Click here to read.

In Bridge over Troubled Waters, the late Sanjay Kumar tells us about Pandies, an activist theatre group founded by him that educates, bridging gaps between the divides of university educated and the less fortunate who people slums or terror zones. Click here to read.

In Lessons Old and New from a Stray Japanese CatKeith Lyons talks with the author of The Cat with Three PassportsCJ Fentiman who likes the anonymity loaned by resettling in new places & enjoys creating a space for herself away from her birthplace. Click here to read.

Fiction

 Aparichita by Tagore: This short story has been translated as The Stranger by Aruna Chakravarti. Click here to read.

Hena by Nazrul has been translated from Bengali by Sohana Manzoor. Click here to read. 

Playlets by Rabindranath Tagore : Two skits that reveal the lighter side of the poet. They have been translated from Bengali by Somdatta Mandal. Click here to read.

Pus Ki Raat or A Frigid Winter Night by Munshi Premchand has been translated from Hindi by C Christine Fair. Click here to read. 

Abhagi’s Heavena poignant story by Saratchandra Chattopadhyay translated by Aruna Chakravarti. Click here to read.

An Eternal Void, a Balochi story by Munir Ahmed Badini translated by Fazal Baloch. Click here to read.

The Witch, a short story by renowned Bengali writer Tarasankar Bandopadhyay (1898 to 1971), translated by Aruna Chakravarti. Click here to read.

I Grew into a Flute: Balochi Folktale involving magic retold by Fazal Baloch. Click here to read.

Give Me A Rag, Please:A short story by Nabendu Ghosh, translated by Ratnottama Sengupta, set in the 1943 Bengal Famine, which reflects on man’s basic needs. Click here to read

Rakhamaninov’s Sonata: A short story by Sherzod Artikov, translated from Uzbeki by Nigora Mukhammad. Click here to read.

The Magic Staff , a poignant short story about a Rohingya child by Shaheen Akhtar, translated from Bengali by Arifa Ghani Rahman. Click here to read.

Khaira, the Blind, a story by Nadir Ali, has been translated from Punjabi by Amna Ali. Click here to read. 

The Browless Dolls by S.Ramakrishnan, has been translated from Tamil by B Chandramouli. Click here to read.

Orang Minyak or The Ghost: A Jessie Michael explores blind belief in a Malay village. Click here to read.

Flash Fiction: Peregrine: Brindley Hallam Dennis tells us the story of a cat and a human. Click here to read.

No Man’s Land: Sohana Manzoor gives us surrealistic story reflecting on after-life. Click here to read.

The Protests Outside: Steve Ogah talks of trauma faced by riot victims in Nigeria. Click here to read.

Flash Fiction: Turret: Niles M Reddick relates a haunting tale of ghosts and more. Click here to read.

Henrik’s Journey: Farah Ghuznavi follows a conglomerate of people on board a flight to address issues ranging from Rohingyas to race bias. Click here to read.

Does this Make Me a Psychic?; Erwin Coombs tells a suspenseful, funny, poignant and sad story, based on his real life experiences. Click here to read. 

Phôs and Ombra: Paul Mirabile weaves a dark tale about two people lost in a void. Click here to read.

A Queen is Crowned: Farhanaz Rabbani traces the awakening of self worth. Click here to read.

The Chopsy Moggy: Rhys Hughes gives us a feline adventure. Click here to read.

Happy Birthday Borderless… Click here to read.
Art by Sybil Pretious
Categories
Greetings from Borderless

Auld Lang Syne…

As we wait for the new year to unfold, we glance back at the year that just swept past us. Here, gathered together are glimpses of the writings we found on our pages in 2024 that herald a world of compassion and kindness…writings filled with hope and, dare I say, even goodwill…and sometimes filled with the tears of poetic souls who hope for a world in peace and harmony. Disasters caused by humans starting with the January 2024 in Japan, nature and climate change, essays that invite you to recall the past with a hope to learn from it, non-fiction that is just fun or a tribute to ideas, both past and present — it’s all there. Innovative genres started by writers to meet the needs of the times — be it solar punk or weird western — give a sense of movement towards the new. What we do see in these writings is resilience which healed us out of multiple issues and will continue to help us move towards a better future.

A hundred years ago, we did not have the technology to share our views and writings, to connect and make friends with the like-minded across continents. I wonder what surprises hundred years later will hold for us…Maybe, war will have been outlawed by then, as have been malpractices and violences against individuals in the current world. The laws that rule a single man will hopefully apply to larger groups too…

Poetry

Whose life? by Aman Alam. Click here to read.

Winter Consumes by Luis Cuauhtémoc Berriozábal. Click here to read.

Hot Dry Summers by Lizzie Packer. Click here to read.

House of Birds (for Pablo Neruda) by Ryan Quinn Flanagan. Click here to read.

Poems for Dylan Thomas by Michael Burch. Click here to read.

Dylan Thomas in Ardmillan Terrace? by Stuart McFarlane. Click here to read.

Bermuda Love Triangle & the Frothiest Coffee by Rhys Hughes. Click here to read.

Satirical Poems by Maithreyi Karnoor. Click here to read.

Three Poems by Rakhi Dalal. Click here to read.

Manish Ghatak’s Aagun taader Praan (Fire is their Life) has been translated from Bengali by Indrayudh Sinha. Click here to read.

Manzur Bismil’s poem, Stories, has been translated from Balochi by Fazal Baloch. Click here to read.

Ye Shao-weng’s poetry ( 1100-1150) has been translated from Mandarin by Rex Tan. Click here to read.

Amalkanti by Nirendranath Chakraborty has been translated from Bengali by Debali Mookerjea-Leonard. Click here to read.

The Mirror by Mubarak Qazi has been translated from Balochi by Fazal Baloch. Click here to read.

Homecoming, a poem by Ihlwha Choi on his return from Santiniketan, has been translated from Korean by the poet himself. Click here to read.

Pochishe Boisakh (25th of Baisakh) by Tagore (1922), has been translated from Bengali by Mitali Chakravarty. Click here to read.

Nazrul’s Ghumaite Dao Shranto Robi Re (Let Robi Sleep in Peace) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Jibananada Das’s Andhar Dekhecche, Tobu Ache (I have seen the dark and yet there is another) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Tagore’s Shotabdir Surjo Aji ( The Century’s Sun today) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Non-fiction

Baraf Pora (Snowfall)

A narrative by Rabindranath Tagore that gives a glimpse of his first experience of snowfall in Brighton and published in the Tagore family journal, Balak (Children), has been translated from Bengali by Somdatta Mandal. Click here to read.

Dylan on Worm’s Head

Rhys Hughes describes a misadventure that the Welsh poet had while hiking as a tribute to him on Dylan Thomas Day. Click here to read.

Travels of Debendranath Tagore 

These are from the memoirs of Tagore’s father translated from Bengali by Somdatta Mandal. Click here to read.

Two Pizza Fantasies

Rhys Hughes recounts myths around the pizza in prose, fiction and poetry, Click here to read

Is this a Dagger I See…?

Devraj Singh Kalsi gives a tongue-in-cheek account of a writer’s dilemma. Click here to read.

Still to Moving Images 

Ratnottama Sengupta explores artists who have turned to use the medium of films… artists like the legendary MF Husain. Click here to read.

How Dynamic was Ancient India?

Farouk Gulsara explores William Dalrymple’s latest book, The Golden Road: How Ancient India Transformed the World. Click here to read.

The Magic Dragon: Cycling for Peace

Keith Lyons writes of a man who cycled for peace in a conflict ridden world. Click here to read.

A Cover Letter

Uday Deshwal muses on writing a cover letter for employment. Click here to read.

A Manmade Disaster or Climate Change?

Salma A Shafi writes of floods in Bangladesh from ground level. Click here to read.

Pinecones and Pinky Promises

Luke Rimmo Minkeng Lego writes of mists and cloudy remembrances in Shillong. Click here to read.

 Educating for Peace in Rwanda

Suzanne Kamata discusses the peace initiatives following the terrors of the 1994 Rwandan Genocide while traveling within the country with her university colleague and students. Click here to read.

Breaking Bread

Snigdha Agrawal has a bovine encounter in a restaurant. Click here to read.

From Srinagar to Ladakh: A Cyclist’s Diary

Farouk Gulsara travels from Malaysia for a cycling adventure in Kashmir. Click here to read.

A Saga of Self-empowerment in Adversity

Bhaskar Parichha writes of Noor Jahan Bose’s Daughter of The Agunmukha: A Bangla Life, translated from Bengali by Rebecca Whittington. Click here to read.

Safdar Hashmi

Meenakshi Malhotra writes of Anjum Katyal’s Safdar Hashmi: Towards Theatre for a Democracy. Click hereto read.

Meeting the Artists

Kiriti Sengupta talks of his encounter with Jatin Das, a legendary artist. Click here to read.

The Comet’s Trail: Remembering Kazi Nazrul Islam

Radha Chakravarty pays tribute to the rebel poet of Bengal. Click here to read.

The Myriad Hues of Tagore by Aruna Chakravarti

Aruna Chakravarti writes on times and the various facets of Tagore. Click here to read.

The Year of Living Dangerously

Professor Fakrul Alam takes us back to the birth of Bangladesh. Click here to read.

A Short, Winding, and Legendary Dhaka Road 

Professor Fakrul Alam takes us on a historical journey of one of the most iconic roads of Dhaka, Fuller Road. Click here to read.

 A Sombre Start 

Suzanne Kamata talks of the twin disasters in Japan. Click here to read.

Fiction

The Snakecharmer

Shapuray by Nazrul, has been translated from Bengali by Sohana Manzoor. Click here to read.

Significance

Naramsetti  Umamaheswararao creates a fable around a banyan tree and it’s fruit. Click here to read.

Just Another Day

Neeman Sobhan gives a story exploring the impact of the politics of national language on common people. Click here to read.

The Ghosts of Hogshead

Paul Mirabile wanders into the realm of the supernatural dating back to the Potato Famine of Ireland in the 1800s. Click here to read.

A Queen is Crowned

Farhanaz Rabbani traces the awakening of self worth. Click here to read.

The Last Hyderabadi

Mohul Bhowmick talks of the passage of an era. Click here to read.

The Gift 

Rebecca Klassen shares a sensitive story about a child and an oak tree. Click here to read.

Galat Aurat or The Wrong Woman

Veena Verma’s story has been translated from Punjabi by C Christine Fair. Click here to read.

The Melting Snow

A story by Sharaf Shad,  has been translated from Balochi by Fazal Baloch. Click here to read.

Conversations

Ratnottama Sengupta talks to Ruchira Gupta, activist for global fight against human trafficking, about her work and introduces her novel, I Kick and I Fly. Click here to read.

A conversation with eminent Singaporean poet and academic, Kirpal Singh, about how his family migrated to Malaya and subsequently Singapore more than 120 years ago. Click here to read.

A brief overview of Rajat Chaudhuri’s Spellcasters and a discussion with the author on his book. Click here to read.

A review of and discussion with Rhys Hughes about his ‘Weird Western’, The Sunset Suite. Click here to read.

Categories
Contents

Borderless, October 2024

Art by Sohana Manzoor

Editorial

Where Are Those Happy Days? … Click here to read.

Conversations

In conversation with Malashri Lal with focus on her poetry book, Mandalas of Time. Click here to read.

Keith Lyons speaks to novelist Lya Badgley about her life, books and travels. Click here to read.

Translations

Tagore’s poem on Africa has been translated from Bengali by Debali Mookerjea-Leonard. Click here to read.

Nazrul’s Shukno Patar Nupur Paye (With Ankle Bells of dried leaves) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Veena Verma’s story, Galat Aurat or The Wrong Woman, has been translated from Punjabi by C Christine Fair. Click here to read.

Sharaf Shad’s story, The Melting Snow, has been translated from Balochi by Fazal Baloch. Click here to read.

Tagore’s Andhokaarer Utso Hote (From the Fount of Darkness) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Rhys Hughes, Afsar Mohammad, Fhen M, Luis Cuauhtémoc Berriozábal, Shamik Banerjee, George Freek, Shahin Hossain, Stuart MacFarlane, Matthew James Friday, Udita Banerjee, Jenny Middleton, Alpa Arora, Stephen Philip Druce, Malashri Lal, Michael Burch

Poets, Poetry & Rhys Hughes

In Two Pizza Fantasies, Rhys Hughes recounts myths around the pizza in prose, fiction and poetry, Click here to read.

Musings/Slices from Life

An Alien on the Altar!

Snigdha Agrawal writes of how a dog and lizard add zest to festivities with a dollop of humour. Click here to read.

To Be or Not to Be…

Farouk Gulsara ponders over the nature of humanity. Click here to read.

Memories of my Grandfather

Alpana writes of her interactions with her late grandfather. Click here to read.

From Diana to ‘Dayaan’

Rajorshi Patronobis talks of Wiccan lore. Click here to read.

Musings of a Copywriter

In Libraries and Me, Devraj Singh Kalsi recalls his experiences in school and University in a lighter vein. Click here to read.

Notes from Japan

In Among Ghosts in the Land of a Thousand Hills, Suzanne Kamata travels with a Japanese colleague and students to Rwanda. Click here to read.

Essays

Memories of Durga Puja

Fakrul Alam recalls the festivities of Durga Puja in Dhaka during his childhood. Click here to read.

A Doctor’s Diary: Syncretic Festivities

Ravi Shankar writes of his early life in Kerala where festivals were largely a syncretic event. Click here to read.

Stories

The Return

Paul Mirabile unravels the homecoming of a British monk. Click here to read.

The Mango Thief

Naramsetti Umamaheswara Rao writes a story about peer pressure among children. Click here to read.

Sunset Memories

Saeed Ibrahim writes from near the Arabian Sea. Click here to read.

A Whiff of the Past…

Tanika Rajeswari V gives a haunting story set in Kerala. Click here to read.

Book Excerpts

An excerpt by Ruskin Bond from Let’s Be Best Friends Forever: Beautiful Stories of Friendship. Click here to read.

An excerpt from Lara Gelya’s Camel from Kyzylkum. Click here to read.

Book Reviews

Meenakshi Malhotra reviews Anjum Katyal’s Safdar Hashmi: Towards Theatre for a Democracy. Click here to read.

Somdatta Mandal reviews Ammar Kalia’s A Person Is a Prayer. Click here to read.

Bhaskar Parichha reviews Selected Works of Vyasa Kavi Fakir Mohan Senapati, edited by Monica Das. Click here to read.

.

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Stories

The Wrong Woman

Story by Veena Verma, translated from Punjabi by C. Christine Fair

In the darkest of night, a black car was winding its way along the black, wide, and desolate roads of Germany like a snake. Only the sound of the wind broke the all-pervasive silence. The wind and the car seemed to be competing to outpace each other. Far away in the distance, a glimmer of light briefly appeared and then vanished like a firefly. The silence and darkness returned once more. The electricity poles on the side of the road appeared to be standing with their heads bowed in exhaustion, yawning forth a light so dim that Manjit couldn’t even make out the time on her watch.

But Manjit didn’t even bother looking at her watch. She didn’t know the date, the day, much less the time.  She didn’t know whether this country’s time zone was ahead of or behind that of India. She only knew that she had left her home on the 25th of October.  She didn’t even have a calendar to look at the dates. But nature had given women one way to know the passing of a month. But that clock gifted from nature had become broken along the way.  Manjit seemed to bleed every third day.

Sitting in the car, with eyes half open, she looked at her fellow travelers. There was the Gujarati driver and a white man in the passenger seat. Manjit was in the back with her son, Dipu, who rested his head in her lap. Dipu was the only one she knew. Manjit didn’t know who the others were, where they were taking her, or which routes they were driving. She only knew that she would soon meet her husband, Harjit.

Harjit, to whom she had been married six years ago. After spending only two weeks together, Harjit returned to Germany after promising to take her to Germany soon. The two weeks spent with Harjit felt like two minutes. It was like a beautiful dream which disappeared once she opened her eyes. Harjit promised her that within two months at the most, she would be with him in Germany. But years had passed, and Harjit still hadn’t sent the paperwork to call Manjit to Germany. He only wrote once to say that up to now, he had not yet divorced his German wife.  Manjit and her family remained silent.

The Bride by Amrita Shergil (1913-1941). From Public Domain.

In this silence, there was also regret. Why did they marry this tall, slender, beautiful Manjit at the tender age of 20 to Harjit, who was already married? Manjit was faultless. No one ever said anything bad about her character. After finishing the tenth grade in the village, her father arranged for her to do her BA in a hostel in Ludhiana. Pragat Singh lived for his daughter whose mother died while she was a child. She was only five years old and her brother was only one year old when their mother passed away from pneumonia. Pragat Singh brought his young children, wailing like birds, under his wing and accepted God’s will. His relatives tried very hard to get him a second wife, but Pragat Singh was not ready to hear this.

“I will not allow a stepmother to come into this home…My children will not be neglected. What happened has happened. If I had had any luck at all, why did my first wife die? My God will take care of me. My children will grow up. Manjit will leave my home. When Kulbir turns 16, I will get him married. Happiness will return to the house. I’ve lived my life. All of you should pray for my children’s well-being.” Whenever Pragit Singh spoke with sorrow in his voice, the entire family wept.

Manjit remembered everything. Even though she was only five years old at the time, she remembered her mother’s passing very well. Throughout her childhood, she carried this loss in her gut.  Without a mother, Manjit had to grow up early. She had to care for her little brother. She had to cook food for her father. All of the household responsibilities fell on her. Even though she ostensibly had a large family, they did nothing to help her other than expressing their sympathies.

Passing the tenth grade was a major milestone for Manjit.  She had passed with distinction. Pragat Singh was very excited.

“Who says that daughters are less than sons?  My daughter is my son. I will make her a lawyer…” Pragat Singh said with pride.

“Excessive education spoils girls…Moreover, because of her education, finding a suitable boy for her will be difficult. It’s hard to marry off well-educated girls. If the girl becomes a lawyer, you’ll have to find a judge,” the relatives caviled.

“So according to your logic, I should dump my daughter on some run-of-the-mill boy? I am going to send her to America or Canada. There, my daughter will enjoy her life. What is there for her here? Here, she’ll just toil away her life.”  Pragat Singh had such lofty dreams for his daughter. He wanted to do everything he could to make up for the fact that the children had no mother. He wanted to give them all manner of comforts.

He enrolled Manjit in a girls’ college in Ludhiana where she stayed in a hostel. Sorrow tempered her father’s nature. With Kulbir, her relationship was more like that of a friend.  Both siblings shared their secrets freely with each other. Kulbir paid less attention to his studies. She advised him to focus more on his studies, but he would just shrug his shoulders in response.

One day Manjit grabbed his ear and asked, “What do you mean to say by this shoulder shrugging?”

“Sister…If you leave after completing your studies and if I become a government officer, then Father will be left alone. If we both leave, then people will steal our land.” Manjit was incredulous hearing such a profound thing from Kulbir’s tiny mouth.

“I don’t understand, Biri…” She called her brother Biri from childhood.

“Father is alone, sister…All night he is exhausted…He needs someone to help him…Even though he doesn’t say anything, how long can this go on? Moreover, sons are supposed to take over the responsibilities of the family. Daughters become the assets of another family. You have studied a lot. You’ve studied enough for both of us. I am going to stay with Father. I have no plans for further study.” Manjit sighed upon hearing her brother speak as if he were an old man. It seemed to her as if neither she nor her brother ever got to be children. Both had to become responsible as soon as they were born. Both siblings sat there for some time, sharing their sorrows.

From that point onwards, Manjit didn’t pressure Kulbir to study. Moreover, she was very happy when she got called home right before the holidays to go meet a girl for Kulbir.

Kulbir was married even though he hadn’t even passed the tenth grade. The sadness was lifted. Happiness returned to Pragat Singh’s house. The family had a new member and liveliness returned. Relatives visited the house more often. The empty place of a woman had been filled.

Manjit had completed her BA and preparations were underway to marry her off. But no boy met Pragat Singh’s expectations. The prospective grooms came and went, but each time he found some fault with them. The search stretched out. Finally, Pragat Singh’s brother-in-law, Baldev Singh, said that a boy had come to Ludhiana from Germany. He’s an engineer there. To live in Germany permanently, he married a white woman in a “paper marriage” but they lived separately, and they would get divorced. The boy came from so far to marry a special Punjabi girl.  He’s a boy from a very good family.  He’s an educated, good-looking, strapping young man. He had no shortage of prospects. But because Baldev was Manjit’s uncle he could persuade them not to see these other girls right away. If they were to take out a matrimonial advertisement in the newspaper, there would be a huge line of girls, and it wouldn’t take long for there to be a bidding war.

Pragat Singh began to think about the boy’s second marriage.

Pragat Singh asked, “My daughter is not lacking anything.  Why would I marry her off to a boy who is already married?”

Baldev Singh explained, “Look, it’s different in other countries…No one is virtuous there. People get married to settle there permanently. These white women do not find our sons suitable nor do they suit our sons. My friend’s son did exactly this. He went to England and married a white woman. Then after paying her off, he left her. White women agree easily. They never stay with one man for long. Now that boy is very wealthy, and he has taken a bride from Kapurthala back with him. The girl did a double BA!”

“But what will people say?” Pragat Singh was not convinced.

“How can you convince them? You don’t need to tell anyone…The boy knows and you know…Do what suits you. Don’t make a big deal about it. Fulfil your responsibility while you are still alive. In the future, we don’t know what your son and daughter-in-law will do.” Baldev Singh instilled in him the fear of an unknown future.

“No! My son would never betray his sister…” Pragat Singh was hurt by his suggestion.

“You married off your boy. He’s no longer yours to control. For now, you are the boss of your household.  Whether you spend five rupees or fifty. It’s your call. No one would dare question you. Moreover, finding a boy from this kind of family is very difficult. The boy is a gem. A total gem. He is beyond reproach. He even takes care to iron his underwear. For the sake of my dead sister, I don’t want my niece to get caught up in the ruses of a mother-in-law or a sister-in-law. In a foreign country, there won’t be such family fights. Both the husband and wife are educated. They can enjoy life. Here, even the best government employee doesn’t make in a month what this boy makes in a week. And this is not temporary work. He has houses and cars. What difference does it make if he married a white woman to live there permanently?  If a jatt [1]has land and vigour, then he can marry twice in one year, during the March and July harvests. These days, no one is a saint like you.”  Baldev Singh’s flattery brought a smile to Pragat Singh’s sad face which flickered for a moment then disappeared much like a lightning bolt flashing ever so briefly in a dark cloud.

“Okay. I’ll consider your suggestion. You should do as you like. You are family. My daughter is your daughter…But I am asking Manjit’s preference.” Pragat Singh laid down this condition.

“You talk to Manjit. And also get Kulbir’s views. Even though he’s younger, his opinion still matters. By the grace of God, Kulbir is happily married.” Baldev Singh said his peace and got up.

Even though Manjit never argued with her father, Pragat Singh still wanted to have her consent before taking such a big step. When he raised the issue of Harjit with her, she became very bashful.

“If your mother were still alive, I wouldn’t have to ask you about this or discuss this with you. She would have done this herself.”  Today he remembered his wife for the first time in years and his eyes welled up in front of his children.

Bride’s Toilette, Painting by Amrita Shergil. From Public Domain

“Do whatever you want father.” Manjit, crying, hugged her father tightly.

They cried for a long time in each other’s embrace.

The next week, he brought Manjit to a friend of Baldev Singh’s to meet Harjit. Manjit kept her eyes lowered and didn’t look at Harjit. Harjit took a liking to the fair-complected, serious, and shy girl. Five days later, she was married to Harjit. Harjit, lacking vacation time, returned to Germany two weeks later. It didn’t seem like two weeks had passed.  Manjit dropped Harjit off at the Delhi airport. She felt as if she had seen off her own soul. Only her body was returning. Harjit’s loving touch awoke her virginal body and aroused a thirst in her. Like the hot earth which, upon experiencing a sudden momentary burst of rain, becomes ever thirstier.

Manjit no longer felt at home in her village. What game is Mother Nature playing that she feels like a stranger in her own home?

“It’s a matter of a little time. Harjit will send the papers…Then this separation will be over.” She was trying to console herself and care for the keepsakes of Harjit’s love. But Harjit had left her a hidden gift that she would realise much later – Harjits’s child. This was the real token of his love. Upon learning of this, a wave of happiness swept over the entire family. Manjit went to Ludhiana for the sole purpose of informing Harjit of the good news via phone. Harjit was very happy to hear this news.

Manjit forthrightly told him “Call me soon as I don’t want to remain alone.”

“I also want this…but I am helpless…That bitch is obstinate. She says that she will leave me and have me deported. She isn’t divorcing me. Just be patient for a while. I will do something,” Harjit assured her.

It was like this every time. She would stay up until the middle of the night writing him letters. She told him about her anxieties, she wrote about their love, and their child. She asked him about a name for the child, told him about the village gossip questioning why she hadn’t gone to her in-law’s family, and the growing burden on her father.  But every question got the same response, “I am helpless…The issues are still being sorted….”

Some time had passed. Manjit’s son Dipu, began to crawl.  But the paperwork from Harjit still had not come.  The hopes and aspirations with which Pragat Singh had married off his daughter failed to materialise.  After four years of having his daughter sitting at his home, he began to feel fits of panic. On several occasions, he wrote to Harjit to say that even though there was no shortage of wealth in the house, it still didn’t look good to have his daughter at her parent’s home. But Harjit repeated the same story that he wanted to do something but couldn’t.

In the meantime, Kulbir had two daughters. His wife, who had been an adolescent girl, grew into a woman and she began to rule the house indirectly. That very sister-in-law who out-danced everyone in the village at her wedding now did not speak with her politely. Leave aside not having conversations, she found a way to taunt her even in basic matters. She wasn’t half as smart or attractive as Manjit. But a woman whose husband loves her is the queen. The world will bow down to a woman—howsoever ugly or moronic she may be–if her husband values her.  But even the most useless man will consider a woman who is beautiful and intelligent to be irrelevant if her husband is not with her.  In our society, a man is like a woman’s identity card without which she cannot be identified.

Manjit was an intelligent girl.  She very well understood her husband’s compulsions and her father’s responsibilities. So, she made a compromise with time and quietly waited for the papers to be sent from Harjit. She could tolerate all of this. But she couldn’t tolerate Kulbir’s avoidance and silence.  Kulbir’s nature had completely changed in the last two years. Her little brother had been a friend. They spent their childhood laughing and playing together.  They supported each other in times of sorrow. Now, he didn’t speak to her. He never spoke to her son Dipu nicely– as if he were some illegitimate child. And he didn’t speak that much with Father either. He usually spent his time away and the rest of the time with his wife.

Harjit occasionally sent a bit of money. But Pragit Singh forbade her from spending that money on expenses and told her to save it. Harjit sent clothes for Dipu a few times but Kulbir’s wife burned with jealousy. When her eldest daughter insisted upon wearing new clothes, she would drag her and punch her.

 “Your father did not go to Germany…We are villagers…We have to make do with the little we have. I am not going to pamper my girls. I won’t let them become lawyers….” The sister-in-law let out her frustration that had been festering for several days.

“Sister-in-law, why do you beat your daughter? It makes no difference to me whether she or Dipu wear the clothes. Both are the same.” Manjit took her sister-in-law’s hand.

“How can they be the same? He has a rich father…His father seems to be some bigshot and her father toils all day in the soil. This will spoil the girls. There’s no question of me pampering my girls. I’m going to keep them on the straight and narrow otherwise they’ll make my life hell. We are already screwed because we haven’t sorted out the previous problem and we can’t bear more difficulties. My husband can’t sleep at all at night…” The sister-in-law, having made a mountain out of a molehill, went inside.

It seemed to Manjit that her sister-in-law wasn’t taunting her but simply speaking the truth. She hadn’t realised that Kulbir wasn’t her little brother anymore; rather, he was now the father of two daughters.  The burden of Manjit wasn’t just born by her father or Kuldip but by the entire family. And not just by the family, but the entire village. And maybe by the entire country, whose culture views women as a burden or the wealth of another family. Perhaps, Harjit had forgotten his culture having settled in Germany. This was perhaps why he had become irresponsible.

Several such incidents made Manjit feel uneasy. Silence spread across the house. It was as if everyone was sulking at each other. Dipu began going to school.  He went along with Kulbir’s daughters. Manjit never dropped him off at school. She had stopped leaving the house because people would pepper her with questions.

One asked, “Girl! Do you have any clue about your husband?”

Another said, “We know about those who live abroad…They do what suits them. We heard that he keeps a white woman. What was the need for your father to make this mess by marrying you off to someone so far away? Were there no boys in the Punjab?”

Because Manjit didn’t have the courage to leave the house, she remained inside. She kept her face hidden like a thief. Pragat Singh began to fall ill. His body was not robust to begin with. But the sorrow of his daughter devastated him. He was bedridden. Manjit’s heart sank when she saw him.

One day, Pragat Singh and Kulbir were engrossed in an argument about something. Just two days before, Manjit had gone to her friend’s home in Ludhiana to call Harjit. Upon her return, no one spoke to her.

“Have you done anything for Manjit or not, father?” This was perhaps the first time that Kulbir spoke to their father in a loud voice.

“What should I do, son? The boy turned out to be a duffer. We took a risk with this second marriage…” Pragat Singh took a deep sigh.

“The boy turned out to be a good-for-nothing. Are there no other boys in the world? Marry her off somewhere…” Kulbir’s patience had run out.

“How can we marry her off?  What will people say?” Pragat Singh understood his son’s predicament.

“What are people already saying? You are always inside the house. I’m the one who has to interact with them. It’s going to be six years of her living here.  In the future, I’ll have to marry off my daughters.” Kulbir was worried about his daughters’ futures.

“It’s not a big deal. Six years have passed by. So will another four. If he doesn’t call her, then he’ll return. Where will a woman with a child get a second husband?” Pragat Singh began coughing.

“So, you keep her for four more years. I can’t care for her. She frequently goes to Ludhiana. People are talking shit about us. So how long can you keep her here? Until her hair goes grey? Then you’ll marry her off? Right now, you should find someone who has been married twice or even thrice. But you won’t like any of them. You said, ‘My daughter will be a magistrate.’ Has the women’s revolution come? Yet, you gave her more education. Even though our relatives objected to more education, you did what you wanted. Even now if I say something, you are unwilling to listen. You, like mom, are going to die.  But I’m the one who has to deal with the problems. If in the future she does something that disgraces us, who will we blame?” Kulbir seemed to be trying to find a solution.

Pragat Singh sat there thinking quietly.

“I am going to call your uncle. You don’t worry. First, we’ll hear what advice he has. He was the middleman.” Pragat Singh wanted to calm the situation.

“Forget this useless uncle. This is his mess. This son-of-a-bitch has never even visited. After getting us wrapped up in this bad marriage, he has stepped aside.” Kulbir abused his uncle profusely.

“It’s not a big deal. Don’t worry. Tomorrow, I am going to send someone to Tutian Ali village to call Baldev Singh,” Pragat Singh said calmly.

“Why will you send someone? I am going to Tutian Ali myself to get that bastard.” Kulbir got up.

And the next day, at the break of dawn, he brought Baldev Singh on his motorcycle.

The three men went on arguing for some time. After considerable discussion, Baldev promised to do something quickly and then left.

Even though Manjit didn’t hear everything, she sensed that something important would happen. She was like a bird in the forest who seeing the direction of the wind can predict a storm.

A few days later, Baldev returned and explained that an agent who lived in Jalandhar would illegally deliver Manjit to Germany for Rs 5 lakhs.  Once she reached Germany, she could apply for political asylum just as others did. She could live there till Harjit got his divorce and they could live together.

At first, Pragat Singh was not amenable to this. But, seeing no other way, he relented. When Kulbir and his wife learned about the amount of 5 lakhs, they made it clear that they were not going to pay for it. From that point onward, neither spoke to the father or the uncle. Upon hearing this, Manjit felt as if finally, there was a glimmer of hope in her dark world.

When they discussed this with Harjit, he refused.

Harjit explained, “Coming here through an agent is very dangerous. Women are raped by them. How can a woman come like this? Moreover, she has a child with her.”

“The legendary lovers of the Punjab, Sassi and Sohni, took even greater risk to cross rivers to meet their lovers. I will be coming by plane. Don’t worry. It’s become very difficult for me to live here now. I can’t explain everything on the phone. With great difficulty, God has given us this opportunity.” Manjit choked up as she made her appeal. Harjit relented.

“It’s fine. Do as you wish. I won’t stop you.” Harjit gave the green signal.

Pragat Singh immediately agreed without seeking the advice of the pandit. After speaking with his brother-in-law, Baldev, Pragat Singh sold some land and arranged the 5 Lakhs to give to the agent.  He didn’t ask Kulbir. However, he did inform him that by selling Manjit’s share of the land, he had fulfilled his obligation. Hearing Kulbir use such hurtful words for his sister, Pragat Singh felt aggrieved, and he wanted to do anything to bring back happiness to his depressed and hapless daughter.

“Why should this poor girl be punished for our mistakes?  I feel like I have had two daughters. I spent five lakhs for the marriage of my second daughter. Parents will do anything to settle a daughter in her own home.” God knows how Pragat Singh managed to summon such confidence despite being ill and frail.

Manjit knew that her brother and sister-in-law would be angry when they heard about selling the land. But there were no other options available. She hesitated to speak to her brother. But a woman could understand a woman’s pain. So, she tried to explain everything clearly to her sister-in-law.

“Sister-in-law, I don’t know why I am so unfortunate that my father had to sell ancestral land to reunite me with my husband. But all of these things are on my mind. This is a loan to me and to Harjit. When I reach, I will return every cent.” Manjit felt like a criminal.

“Sister-in-law, go to your in-laws even if you have to take the earrings off my ears to do it. It’s not a loan. Educated girls take their equal share. Had Harjit intended to send money, he would have done it a long time before. Why does he need to do this? Harjit has artfully extracted his share of the land. Fine. It’s finished. We’ll make do. Father must also be very happy that he gave his daughter her share. But he never even spoke with us politely about this.” Manjit lost her courage to discuss things further when her sister-in-law spoke rudely, nostrils flaring.

She didn’t want there to be a conflict in the house because of her. Whatever relationship that she still had with her brother would also be lost.  With a heavy heart, she swallowed her tears so that her father wouldn’t know what she was suffering.

Kesar Singh, the agent, was given Rs 4 lakhs. The remaining one lakh was promised to be handed over once Manjit reached Germany. Dipu, who from childhood had picked up on the idea of flying, would see a plane flying in the sky and say “Daddy’s plane has come! I am going to see Daddy!” With her child in her lap, Manjit said her final goodbyes to her village. In the middle of the night, she left her beloved village, like a thief.

“Father, we will come back soon.” She placed her head upon her father’s chest as he lay upon the bed.

Pragat Singh began to wail. He took $500 and some jaggery from underneath his pillow and gave it to his daughter and grandson as a blessing.

“Child, if your mother were alive…” His pillow was soaked with tears.

“Father, my sister-in-law and mother are the same. Don’t you worry about me. Both Kulbir and my sister-in-law have taken very good care of me.” Manjit paid her respects to her brother and sister-in-law who were standing nearby.

Pragat Singh took a deep sigh. Manjit picked up Dipu and left the house.

She had no idea when she left her house how long her journey would be or even how she would know when she reached her destination.  The agent, Kesar Singh, had her passport delivered with a visa for Moscow. Kesar Singh’s man would take her from here. At the Moscow airport, she hid herself among the other passengers and came outside. Standing outside the airport she was looking everywhere frantically. For some 15 minutes or so, she stood there waiting for the agent’s man but no one came. She didn’t have a lot of luggage. She had only three suits for herself and three for Dipu in a handbag. The agent explained that she shouldn’t take a lot of luggage because she would have to walk along the way.

Just as she was thoroughly exhausted and thinking about sitting upon the ground, a South Asian man passed by her.

“You are Manjit, right?,” the man asked discretely.

Upon hearing her name, Manjit was startled. But she quickly got a hold of herself and nodded her head affirmatively.

He instructed, “Follow behind me slowly. Don’t arouse suspicion.” He then slipped in front of her.

Manjit put Dipu down to walk, and they began to slowly follow the man. Outside the airport, a white car was waiting, driven by a white man. When the South Asian man went and sat in the car, she picked up Dipu and walked briskly to the car. She climbed inside and sat Dipu on her lap. The car started with a jerk and took off slowly like a bullock cart.

Manjit looked outside the window. people with strange faces and clothes roamed about. Store sign boards were written in Russian, which she didn’t understand. She prayed to God and sat quietly with her son in her lap.

They arrived at some desolate place and stopped in front of a building. When the old, rusty door opened, a foul odor filled the air. Manjit was seated in a room on the second floor. In the room, there was only one bed, a desk, and a chair. Manjit laid the sleeping Dipu on the bed and began looking for water to wash her hands and face.

The South Asian man explained, “There’s a shared kitchen here, Madam…Boys in your situation are staying in the adjoining rooms. I mean those with illegal papers.”

Confused, Manjit responded, “Illegal? But Uncle Kesar arranged my papers…These are genuine…”

“In our profession, no one has an uncle. Agents and goldsmiths don’t even spare their own fathers…. How did you get this wrong impression?” The man gave a lecherous laugh, his black, filthy teeth glimmered like watermelon seeds.

Manjit was in disbelief. “This is fraud,” she said in English.

“Don’t speak English. You will get caught…And if you get caught, four other men will suffer along with you…Sit here quietly. The kitchen and the bathroom are below. You go and wash your face and hands, and I will bring you something to eat.” And as he was leaving, Manjit handed him Dipu’s empty milk bottle.

“Oh. I forgot to tell you my name…People call me Tony…But this is my fake name, just like your passport.” As soon as Tony said this, Manjit’s whole body began to tremble.

After Tony left, she locked the door to the room. Not only did she not go downstairs to wash her hands and face, but she didn’t even as much as turn on the lights in her room. She shivered as she sat in the darkness.

About an hour later, Tony returned with things to eat and drink.

He was worried. “Something terrible has happened.”

“What happened…?” She also became concerned.

“Because your visa is fake your name is not showing up in the computer at the embassy here.  The embassy people told me to bring the woman because they are starting a case.”  Tony sat down with his head in his hands.

Fearfully, she stood up from the bed. “Now what will happen?”

“Who knows what will happen…We have a man working in the embassy. I have just returned from meeting him. He is on his way here.  Look, maybe this will get sorted out…The man is very useful…If he uploads your name in the computer somehow…Otherwise….” Concerned, Tony shook his head.

“Otherwise, what will happen?” Manjit went and stood next to him.

Tony laid out the possible punishments. “The police will capture you. Jail is also possible. They may send you back to India…and you may spend seven years in jail here.  They’ll send your kid to an orphanage…”

“No…No…This cannot happen.” Manjit let out a shriek.

“Shut up, you crazy bitch! You’re going to get caught and you’re going to get me caught.” Tony got up and put his hand over her mouth to muffle her sounds and he put the other hand on her back.

“This can’t happen.” Manjit shook her head in disbelief.

“Why can’t it happen? Everything is possible. In the underworld, everything is possible.” Tony removed his hand from her mouth but not from her back.

An idea came to Manjit’s mind. “Can I call my husband or the uncle in India?”

“I thought you’re an intelligent and educated women. But you seem like a complete moron. Where are you going to find a phone here? What if the police record your voice on the phone?  You will bring this trouble upon yourself.” Tony expressed sympathy.

Manjit, out of options, asked him, “So…what should I do?”

“Look. I’m not nuts. I am worried about you. This guy is coming, Peter. He can do a lot of things. If he manages to understand the problem, then he will sort it out. Guaranteed.”  Tony grabbed her and sat her down on the bed.

Manjit asked, “How should he understand?”

Bas[2]. Just watch what is going on…” As Tony elaborated, there was a knock on the door.

“Look, he’s here.”  Tony ran to open the door.

A short, obese man entered. It was hard to tell from his colour whether he was white or South Asian. He sat down as he blew smoke from his cigar. He stared at Manjit and then at Dipu, who suddenly got up from his sleep. Seeing the situation, Tony picked up Dipu and carried him outside.

Manjit was stunned. Peter got up from the chair and sat her on the bed. Manjit was terrified and tried to get up, but he had pinned down her arms.

“Sit up. Don’t worry.” When Peter spoke Punjabi, Manjit sighed relief.

“I…I…I…am very tired…I want to relax.” She began to sense some looming danger.

“Don’t make such a fuss. There is no shortage of women in Russia. I have come here only to help you because you are an Indian girl. I have an obligation to help out my own people because no one over here is going to look after us.” When Peter spoke, Manjit could smell the alcohol on his breath.

“I don’t need any help.” Manjit pushed him and she ran towards the door.

“Don’t be so stupid, girl. You entered this country illegally. It’s very rare to come across Indian girls here. If anyone gets suspicious, you’ll get caught. You need a visa for Germany, and you need papers.” Peter pulled back her dupatta.

“I don’t need anything…” Manjit tried to open the door, but it was locked from the outside.

Manjit threatened, “I am going to scream and call the others for help.”

“Screaming happens every day here. No one will bother. Everyone here is a thief.  Illegal immigrants like you. They value their lives.” Rather than kowtowing to her threat, he scared the shit out of her.

Manjit felt as if she were imprisoned. She banged her head on the door with all her might then she began to wail.

“Don’t be foolish. In life, nothing happens exactly as a person wants. You have to give something to get something.  I am with you…I’m going to help you cross over…” Peter forcefully took her into his embrace and turned off the light in the room.

Helpless and in tears, Manjit sat on the floor with her head in her knees. Peter did not force her onto the bed. He satisfied his lust on the foul-smelling carpet on the floor. Leaving Manjit lying on the floor, he took a key from his pocket and opened the door then put on his coat and went outside.

Injured, Manjit stood up and began looking everywhere for something with which she could take her life. Amidst the things on the table, she glimpsed a long knife. She had just picked up the knife when the door opened, and Dipu came in alone.

“Mommy…” Dipu yelled.  The knife fell from Manjit’s hand.

“Mommy. Uncle has given me so many toys…” Dipu showed her a large packet which he held in his small hands.

“My son…If you hadn’t been born, I would have killed myself. How can I go to your father being disgraced like this?”  Manjit hugged her son and began to sob.

“Mother, who beat you?” It was very difficult for little Dipu to understand his mother’s suffering.

“No one, son.” Manjit collected her wits.

While feeding Dipu, she thought that some way or another, she would hand over Dipu to Harjit to whom he belonged. After this, nothing else would matter. What had she done with her life?  She was living only for Dipu. Otherwise, given all that happened after her marriage, she would have killed herself somehow to remove the burden from her father’s mind. She tried to move on from the rape that had happened. Then she wiped her eyes and began to put Dipu to sleep.

That night, Tony did not return. She spent the entire night awake. The next morning, Tony returned with fresh milk and bread. Manjit wanted to smash Tony’s head with a brick. Tony understanding her mental condition went downstairs with eyes glancing downward to make tea.  After some time, he came upstairs. He had a smile on his face.

“Your situation will be sorted out, Madam.” Tony said in a conciliatory tone of voice.

But Manjit did not respond.  She looked in Tony’s direction with fury in her eyes. With that same, old lustful smirk, he began to pour the tea into the cups.

“Whatever was meant to happen, has happened…Take this tea. Wash your face and hands and change your clothes…Take a look at how ugly you look.

“Your man lives in a country of white women… Where women stand beneath streetlights and call men with a gesture of their hand.  How did your husband pick you, such low-grade stuff?”  When Tony exceeded all limits of indecency, Manjit could no longer control herself.

“What do you know about my husband, you bastard? When I tell him of your misdeeds, he will eat you alive.” Abuses shot from Manjit’s mouth like bullets.

“You are going to tell your husband? About my misdeeds? From where has this brave man come who will eat me alive? If he had any feelings for you, why didn’t he come and get you himself?  Why are you going through an agent?” Tony laughed sarcastically.

“He had to…” Manjit began to say something but quickly stopped herself.

“Compulsion is just an excuse. Here, men sleep around with dozens of women. What do you know about your husband? What will you get by telling him? Your honour is in your hands.  Moreover, no man in this world would keep a woman in his house who has slept with strange men. You’ll just create problems for yourself.  You’ll pay the price.”  Tony’s words silenced Manjit.

For some time, she went on thinking in silence.

“You don’t worry. You are a married woman. Here, we don’t abandon unmarried girls. What will come of you? So, has anyone compromised your virginity? After all, you have a kid…Who will ever know? Your sacrifice will not go wasted. Take a look. I bought your papers from Peter. You’ll be allowed to travel onwards.” Tony withdrew the paperwork from his pocket.

A sparkle returned to Manjit’s sad eyes.  Having forgotten all of her pain and sorrow, she began to eat a biscuit with her tea.

“What else is going to happen to me?” Manjit made herself get up to go to the bathroom to wash her face and hands.

Looking at herself in the mirror, she saw that what Tony said was true. Her face looked haggard. Looking at herself carefully after so many months, she sobbed. Her face was gaunt. Her eyes were sunken with dark circles appearing all around them.

Her face had become skeletal. The veins in her long neck were clearly visible. Her body was emaciated. The darkness of her sorrows snatched her rosy glow and left her face sallow.  Her one-expressive face had become a portrait of despair. Her youth had faded.

“Sorrow and anguish consume a person…,” she said to her reflection in the mirror then she washed her hands and face.

Deep inside a person, no matter how despondent and defeated by life they may feel, there is still some glimmer of life that illuminates a path out of this darkness. This is where Manjit was. Somehow, her heart told her that there would be an end to her misery.  She, like an ordinary woman, would reach her husband’s house and forget all of her hardships. Holding this thought, she spent the whole day playing with Dipu. Just like a person, who after sustaining an injury is weak but healed by nature and rebounds twice as strong to face down challenges, Manjit too resolved to ford this difficult path.

“What was to happen, has happened. What was my fault?” Holding this thought, she began trying to forget the incident of that night.

She was asleep at midnight when she felt something moving on her chest. Fear seized her breath. When she opened her eyes and looked, she saw Tony stretched out next to her, his right hand exploring her body.

“Bastard.” Manjit grabbed his hand and twisted it.

“Don’t speak loudly, Madam. People outside will hear,” Tony whispered.

“Let them hear, you prick. Get out of my room.”  Manjit, with all of her strength, kicked him in the legs.

“Stop it…Stop it.  It’s not good to get so angry. Am I any worse than Peter? If Peter could enjoy himself, what’s your problem with me taking a turn?” Tony didn’t mind her kicks of rage and smiled, revealing those black teeth.

“That happened once,” Manjit clarified.

“If it happened once, then what’s the problem with it happening again and again?”  Tony now began to show his manliness.  He tore Manjit’s clothes. Manjit was helpless and looking all around.  Tony spread a blanket out on the floor and put Dipu to sleep.  Manjit was grateful that at least her child was not watching him violate her.

But Manjit’s wish would not remain fulfilled for long. On the third day, Tony came with two other men, Pala and Narman.

“These are our men, and they will take you across the border with Russia…” Tony introduced them to her.

Upon seeing these men, Manjit didn’t like them. One could see the debauchery in their eyes. Then Manjit began to shake with some unknown fear. A woman, no matter how simple she may be, is an expert in reading the eyes of men.  And Manjit set out on that path where there was no dignity or honour. She put Dipu to sleep then she took a blanket and tried to sleep. The loud drunken laughter coming from the other room kept her awake.

A while later, Pala came into her room and dragged her out from underneath the blanket.  He was the rape champion. He didn’t let Manjit put up the slightest resistance and, like Peter, gave evidence of manliness on the floor of the room. When Pala had exhausted himself, Narman came. He couldn’t speak a word of Punjabi, but every torturer understands the language of cruelty and how to use it. Narman was not unfamiliar with this language.  This happened repeatedly throughout the night.  As if both men had decided their turns. Inside, Manjit had lost her will to say anything. She was not prepared for these sudden assaults.

The next day, Tony stayed with her the entire day.  Because of the incident the night before, whatever hesitation he had was now gone.  Now he violated Manjit in front of Dipu. If Dipu cried, he threatened to turn him over to the police. Several days passed like this.  So, when Tony finally handed over the paperwork to travel onwards, Manjit could not believe it.  Tony took four hundred dollars from her, claiming that it was for purchasing things and bribing onward agents. 

“Take these jeans and top and put it on.  You’ll get caught in Indian clothes.” And then he told her to change her clothes.

The next day, Pala and Narman put her on the train going to Budapest.  The long trip took two days and nights and was exhausting.  But at all times, on the train, there were checkers and other passengers. Because of this, she was not afraid of those two sadists.  At the border with Hungary, the railway employees gathered the passports which, upon reaching Budapest, were returned.

Once they reached Budapest, Pala and Narman dropped her off at a flat and returned.

“So be it.  I escaped that hell,” Manjit consoled herself.

According to what Paul said, two men going by the names of Ali and Makhan would facilitate her border crossing into Austria that evening. Manjit stretched out on the sofa and began waiting for these two strange men.

It was now quite dark but the two men had not come. Manjit felt restless. She didn’t know where she was, their ages or even what they looked like.  But it turns out that she didn’t have to wait much longer.  Around nine o’clock at night, the door to the flat opened and the two young men came in together. One was dark complexioned and the other was wheatish.

Manjit sat up on the sofa.

“It’s okay. Be comfortable. You can stay where you were,” the dark-complexioned man said.

The two men looked at each other and made secretive gestures.  Manjit saw everything and ignored it.  She had become used to tolerating such filthy gazes and rapacious behavior. The two of them went into the kitchen and began warming something. Then they took out a bottle of booze and put it on the table.  The dark one, Ali, filled two glasses with alcohol and offered some to Manjit.

“No.” Manjit answered with hatred.

“Makhna. You take this,” Ali yelled at Makhan who was standing in the kitchen.

“No. I am not drinking,” Makhan answered from the kitchen.

“Drink it, bastard! If you drink, you’ll have the courage to act.” Ali picked up the glass and went to give it to him in the kitchen.

Ali returned and put Manjit’s neck in his right arm and kissed her for a long time.  Manjit did not resist. It was as if she had lost the power to fight back. Dipu got up and began to play with the brass statues on the shelf. He had become accustomed to seeing everything.

“You do not have a visa for Austria. The police are very strict here…,” Ali began to strike fear in Manjit’s heart.

“I know. I do not have a visa. I know how strict the police are. However strict they are, compared to animals like you, they will be gentle…” Manjit suddenly boiled with rage.

Ali and Makhan looked in her direction in bewilderment.

“What do you want to say, girl?” Ali asked in an annoyed voice.

“Why are all of you dogs all alike?” Manjit’s voice was also piqued.

“From which jackal and wolf-infested jungle have you come? You should be grateful that they didn’t chew on your bones or your kid’s.” Ali’s eyes had the sparkle of a butcher, and he grabbed Manjit by her braid and yanked it hard. Manjit let out a cry and even Dipu began to cry out of fear. Ali slapped Manjit on the face two or three times and grabbing her braid dragged her into the other room.

Ali said “We have become bored with white meat. These days, we rarely get any Indian women.” He then rendered Manjit helpless and threw her on the bed.

“Makhan’s turn came after Ali’s.  Then came Ali’s turn, then Makhan’s. Both of them repeatedly did their duty.

After abusing her like this for some time, Ali demanded one hundred dollars from her so that he could give it to the agent who would take her onward. Manjit withdrew the last one hundred dollars from her bag and handed it to him. In the evening, Ali put her in a car and took her to the snow-covered mountains ahead. Before getting out of the car, he gave some instructions to Manjit.

“The next station after this will be your husband’s house.  Once you’ve reached there, you should not talk about us. Even we have a reputation. You also will be disgraced.  For this reason, you should forget everything that has happened during your journey.” Then he handed her over to Jack, the driver of the Sky Train, and left.

Jack took her to a guest house. He then said something in an unknown language to the older white woman sitting at the reception and they both laughed. Manjit could neither understand anything nor did she want to.

At night, Jack came to make use of his manliness. Manjit laid quietly on the bed like a corpse.

The next evening, Jack took her on foot along the twisting mountainous route. Ahead there was a dense forest and the darkness of night. But Jack wanted to make her cross the border at midnight, when the soldiers on guard would change shifts at midnight. They spent several hours walking along the uneven path.  Both were ready to drop due to the cold and exhaustion. Both took turns carrying Dipu, who was asleep.

“Look! There is Germany…”  Jack signaled towards the wire fencing ahead.

Manjit looked ahead with wide eyes as if she were searching for her lost destination in the darkness.

“We must crawl under this wire. There is a current running through it twenty-four hours a day.  If it is touched by you ever so slightly, you will be caught.” Jack warned her of the dangers.

She hesitated for a moment.

Jack warned her, “Do it quickly. Otherwise, I will leave you here and go back.”  Then she gathered her courage and laid herself out in the crevice that had been excavated beneath the wire. She squeezed herself through to the other side on her back. Jack handed her Dipu in the same way, then ran towards the dark forest.

Manjit, without wasting a single minute, turned towards the left following Jack’s instruction. Around five hundred feet ahead, there was a black car waiting for her in the darkness. Without giving it much thought or consideration, she got into the car. The Gujarati driver started the car without even turning around to look.

As the car sped up, Manjit’s memories came flooding back just as rapidly. She remembered each and every moment of her life like some story.  Only she knew what had happened to her, what she had suffered, and what she endured in silence. She could tell no one.  She was contemplating the deep extent of a woman’s suffering. She worships like a God the very one who destroys her. She wasn’t even considered worthy of explaining the reality of these so-called gentlemen who have been appointed the caretakers of society. If she were to say the slightest thing in protest of their cruelties, she would be punished. Society would boycott her. She would be exiled from the homes of her father and husband, and the mark of the stigma would always be a target on her forehead. Perhaps fearing this, she would tolerate all of the abuse quietly and would not share her agony.

Up to this point, she had endured in silence. Her heart had already been crushed in her own country, where people and her relatives taunted her and ruined her life. Without any other option, she had to set upon this dangerous path. Otherwise, somehow or the other, she would have remained waiting for Harjit her entire life. She had no objection.  But in this way, she was kicked out of her village.

Physically, she had been eviscerated by the monsters of this unknown land. Monsters who roamed around everywhere in the guise of men, whose hunger could only be sated by the flesh of women. They didn’t leave any meat on her body. Ali was correct when he said that if they could, they would chew on her bones. There was no part of her body that did not have the marks of the teeth and nails of those monstrous beasts. Even now, she felt their rough hands probing her body as if they wanted to tear away her flesh. Who knew which hand belonged to whom? There were so many hands, and they all felt the same. It was as if they weren’t fingers on her entire body, but lizards slithering. Filthy lizards, under whose stench, the fragrance of the beautiful moments spent with Harjit were vitiated.

She was thinking about Harjit when she recalled with great intensity all of those incidents that happened to her.

“Should I tell Harjit about this?” she asked herself.

“No. You’ll just cause problems for yourself.” Tony’s words were ringing in her ears.

“How can one keep such an enormous truth away from the man with whom one will spend her entire life?” she asked of the darkness.

“In the entire world, there has never been a man born who will let a woman who has been with another man in his house.” Ali’s eyes glimmered in the dark.

“Then what should I do?” Worried, she clutched her bag.

She found a packet of hard cane sugar, which her father had given her for good luck. She felt as if her hands had frozen.

“When your father comes to know your story, he will kill himself by eating poison.  Harjit won’t keep you…How will you go — having left Dipu alone in this cruel world?  You have seen the savagery and reality of this world. For this reason, you will remain quiet. Leave the decision in the hand of God…Women tolerate anything to preserve the honour of the family.” The packet grabbed her hand.

“So be it…If this ever gets out, then I will explain to Harjit that I destroyed myself for his son.  If it hadn’t been for Dipu, she would have ended her story by leaping into a well in the village. Maybe Harjit will forgive me. He is so educated and gentle. If he cannot understand my pain, then curse this life.” Thinking about this, she began her journey quietly like a train that would stop at several stations, and travelers would get on and off continuing forward towards its final destination.

“In just ten minutes, we will deliver you to your husband.” The Gujarati driver said in Hindi, breaking the silence.

Manjit’s heart began to pound hard and her hands and feet began to tremble.  Her mouth was dry.  She ran her hands over her hair and fixed her chunni[3].

“Have I really reached my husband’s country? What will be the first words I say to him?” But Harjit wouldn’t let her say anything. He would run to her and bring her into his arms in front of everyone…Maybe he’d even forget Dipu…But she would stop him herself to say, “Take care of your child. With great difficulty, I cared for him these last five years. Now it’s your turn.” All of this seemed to be a dream.

Suddenly the car stopped with a jerk beneath an electricity poll. Manjit looked outside from the window.   Some man was standing there with his hands inside the pockets of a leather jacket. Manjit watched with great attention.  This was indeed Harjit. He got a little heavier and perhaps this was why she didn’t recognise him.

The driver got out of the car and was talking with Harjit for some time. Manjit began to feel anxious. Why was Harjit taking so long?  Why hasn’t he come over to open the door and embrace her? When Manjit could no longer control herself, she slowly opened the door and came outside. Outside there was a frigid wind blowing and her chunni flew off, but Manjit didn’t realise this. Taking soft steps, she approached Harjit and the Gujarati man.

“Who is this,” Harjit asked in surprise.

“This is your wife…,” the Gujarati said happily.

“My wife? Dude, you have brought me the wrong woman. This is not my wife…” Harjit said worriedly.

“Believe me, sir… This is your wife. Look carefully.” The Gujrati was very distressed.

“Do you think that I am looking at my wife for the first time?  She is very beautiful.  Here. Look at her picture…” Harjit took his wallet from his pocket.

Manjit saw that Harjit was showing the photo of her when she was a maiden with two braids in which she is standing holding a book to her chest…a young girl.

Manjit wanted to say something, but the words would not come out.

“You certainly should be able to recognise your child?” The driver wanted to give more proof.

“When the wife isn’t mine, how can the kid be mine? Go. Go make an idiot of someone else…,” Harjit said in a stern voice and quickly went and sat in his car parked on the other side of the road.

“You…You. Please listen to me.” The driver ran behind him.

But Harjit, with a jolt, turned his car around and disappeared in a plume of smoke.

Just as Harjit’s car turned around, Manjit’s mind began to spin… She felt dizzy, and everything around her seemed to be spinning. It was as if the entire universe was spinning…Manjit lost her footing. Before the driver could do anything, she fell to the ground.

[1] Jat  here refers to a person from the farming community. It also could be the caste of the boy

[2] Alright. Stop.

[3] Veil or long scarf

Veena Verma is a Punjabi short story writer based in UK. She has brought out three anthologies of short stories.

C. Christine Fair, the translator,  is a professor in Georgetown University’s Security Studies Program.  Her books include In Their Own Words: Understanding the Lashkar-e-Tayyaba (OUP 2019); Fighting to the End: The Pakistan Army’s Way of War (OUP, 2014); and Cuisines of the Axis of Evil and Other Irritating States (Globe Pequot, 2008). Her translations of Hindi, Urdu and Punjabi stories have appeared in the Bombay Literary Magazine, Bombay Review, Muse India, Kitaab, The Punch Magazine, and Borderless Journal. She reads, writes and speaks Punjabi, Hindi, and Urdu.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Celebrating Translations

We are the World

Vincent Van Gogh written is different scripts. Courtesy: Creative Commons

The whole world opens up in the realm of ideas that have existed wafting and bridging across time and space. Sometimes they find conduits to come to the fore, even though they find expression in different languages, under varied cultural milieus. One way of connecting these ideas is to translate them into a single language. And that is what many have started to do. Celebrating writers and translators who have connected us with these ideas across boundaries of time and place, we bring to you translated writings in English from twenty eight languages on the International Translation Day, from some of the most iconic thinkers as well as from contemporary voices. 

Prose

Tagore’s short story, Aparichita, has been translated from Bengali as The Stranger by Aruna Chakravarti. Click here to read. 

Travels & Holidays: Humour from Rabindranath, have been translated from Bengali by Somdatta Mandal. Click here to read.

Hena, a short story by Nazrul, has been translated from Bengali by Sohana Manzoor. Click hereto read.

Munshi Premchand’s Balak or the Child has been translated from Hindi by Anurag Sharma Click here to read.

Munshi Premchand’s Pus Ki Raat or A Frigid Winter Night  has been translated from Hindi by C Christine Fair. Click here to read.

Nadir Ali’s The Kabbadi Player has been translated from Punjabi by Amna Ali. Click here to read.

Kamaleswar Barua’s Uehara by  has been translated from Assamese and introduced by Bikash K. Bhattacharya. Click here to read.

S Ramakrishnan’s Muhammad Ali’s Singnature has been S. Ramakrishnan, translated from Tamil by Dr B. Chandramouli. Click here to read. 

PF Mathews’ Mercy,  has been translated from Malayalam by Ram Anantharaman. Click here to read.

Road to Nowhere, an unusual story about a man who heads for suicide, translated from Odiya by the author, Satya Misra. Click here to read.

An excerpt from A Handful of Sesame by Shrinivas Vaidya, translated from Kannada by Maithreyi Karnoor. Click here to read.

Writings from Pandies’ Corner highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms. Each piece is written in Hindustani and then translated by a volunteer from Pandies’ in English. Click here to read.

Rakhamaninov’s Sonata, a short story by Sherzod Artikov, translated from Uzbeki by Nigora Mukhammad. Click here to read.

Of Days and Seasons, a parable by the eminent Dutch writer, Louis Couperus (1863-1923), translated by Chaitali Sengupta. Click here to read.

The Faithful Wife, a folktale translated from Balochi by Fazal Baloch. Click here to read.

An excerpt from Ramy Al-Asheq’s Ever Since I Did Not Die, translated from Arabic by Isis Nusair, edited by Levi Thompson. The author was born in a refugee camp. Click here to read.

Poetry

Two songs by Tagore written originally in Brajabuli, a literary language developed essentially for poetry in the sixteenth century, has been translated by Radha Chakravarty. Click here to read. 

Rebel or ‘Bidrohi’, Nazrul’s signature poem,Bidrohi, translated from Bengali by Professor Fakrul Alam. Click here to read.

Banlata Sen, Jibananada Das’s iconic poem, translated from Bengali by Professor Fakrul Alam. Click here to read. 

Poetry of Michael Madhusudan Dutt has been translated from Bengali by Ratnottama Sengupta. Click here to read.

Our Children, a poem by well-known Iranian poet, Bijan Najdi, has been translated from Persian by Davood Jalili. Click here to read.

Akbar Barakzai’s Be and It All Came into Being has been translated from Balochi by Fazal Baloch. Click here to read.

Biju Kanhangad’s The Girl Who Went Fishing has been translated from Malayalam by Aditya Shankar. Click here to read.

Jitendra Vasava’s Adivasi Poetry,  translated from the Dehwali Bhili via Gujarati by Gopika Jadeja. Click here to read.

Sokhen Tudu’s A Poem for The Ol Chiki, translated from the Santhali by Hansda Sowvendra Shekhar. Click here to read.

Thangjam Ibopishak’s Gandhi & Robot translated from the Manipuri by Robin S Ngangom. Click here to read.

 Rayees Ahmad translates his own poem, Ab tak Toofan or The Storm that Rages, from Urdu to English. Click here to read.

Poetry by Sanket Mhatre has been translated by Rochelle Potkar from Marathi to English. Click here to read.

An excerpt from Evening with a Sufi: Selected Poemsby Afsar Mohammad, translated from Telugu by Afsar Mohammad & Shamala Gallagher. Click hereto read.

Ihlwha Choi’s Universal Language written at Santiniktan, translated from Korean by the poet himself. Click here to read.

Sangita Swechha’s Motherhood: A Tiny Life inside Me has been translated from Nepali by Hem Bishwakarma. Click here to read.

Rosy Gallace’s Two poems from Italy  have been translated from Italian by Irma Kurti. Click here to read.

Poetry in Bosnian written and translated from Bosnian by Maid Corbic. Click here to read.

Lesya Bakun translates three of her own poems from Ukranian and Russian to English. Click here to read.

Poems from Armenia by Eduard Harents translated from Armenian by Harout Vartanian. Click here to read.

Categories
A Wonderful World

Exploring Colours

On 26 th January, 1950, India was declared a republic, an independent entity with the complete withdrawal of colonial support of any kind. The country adopted an independent constitution. The Republic Day celebrations conclude on 29th January with ‘Beating the Retreat’,where more than seven decades ago the British withdrew all armed support from India. 

In this edition, we will explore how the idea of an independent India has evolved over the decades. We have poetry by Asad Latif that celebrates the Indianess across borders. On the other hand, Beni S Yanthan from Nagaland explores the republic in the shadow of displacement, which makes one wonder if cultural hegemony can help make a country? Ukraine is faced with a war over it.

Tagore’s poem builds empathy around human suffering as does Premchand’s story, translated by C Christine Fair — these are texts written at the start of the turn of the last century. Have we come out of that suffering? Perhaps, the answer can be found in Bhaskar Parichha’s review about a book that spans almost the whole of twentieth century in India. He tells us the author, “MA Sreenivasan (1897-1998) lived through almost the entire 20th century and was among the very few people who witnessed at close quarters the enormous changes that took place in India during this period.” This has been recorded in his book and its review. Rhys Hughes’ humour winds up this edition where he recounts the differences in the cultural ethos of India and a region of the country that despite losing an empire where the sun never set, still retains its sense of humour! 

Poetry

An India like You by Asad Latif. Click here to read.

What if I Uproot You by Beni Sumer Yanthan. Click here to read.

Ebar Phirao More or Take Me Back by Tagore, translated by Mitali Chakravarty. Click here to read.

Prose

Pus Ki Raat or A Frigid Winter Night by Munshi Premchand has been translated from Hindi by C Christine Fair. Click here to read. 

Bhaskar Parichha reviews MA Sreenivasan’s Of the Raj, Maharajas and Me. Click here to read.

In Some Differences Between Wales and India, Rhys Hughes makes some hilarious comparisons. Click here to read.

Courtesy: Creative Commons

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Categories
Contents

Borderless, August 2022

Art by Sohana Manzoor

Editorial

The Stars were Shining There for You & Me, for Liberty… Click here to read.

Conversation

The Making of Historical Fiction: A Conversation with Aruna Chakravarti unfolds the creation of her latest novel, The Mendicant Prince, based on the prince of Bhawal controversy in the first part of the last century. Click here to read.

Translations

Tagore’s humorous skit, The Treatment of an Ailment, has been translated by Somdatta Mandal. Click here to read.

Arise, Arise O Patriot! and Helmsman Attention! by Kazi Nazrul Islam have been translated from Bengali by Professor Fakrul Alam. Click here to read.

Pus Ki Raat or A Frigid Winter Night by Munshi Premchand has been translated from Hindi by C Christine Fair. Click here to read.

Tagore’s Song of Hope or ‘Hobe Joye‘ has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read

Rhys Hughes, Ratnottama Sengupta, Mike Smith, Rituparna Mukherjee, Tony Brewer, Ahmed Rayees, Ron Pickett, Ramesh Dohan, Sister Lou Ella Hickman, Sambhu Nath Banerjee, Candice Louisa Daquin, Oindri Sengupta, Gigi Baldovino Gosnell, Ryan Quinn Flanagan, Tanvi Jeph, George Freek, Michael R Burch

Poets, Poetry & Rhys Hughes

In Mini-Sagas: A Dozen Examples, Rhys Hughes talks of a new genre with dollops of humour. Click here to read.

Musings/Slices from Life

Istanbul

G Venkatesh has a stopover in the airport to make a discovery. Click here to read.

The Loyal Dog in Loyalty Island

Meredith Stephens makes friends with a dog in the township of Wé on the Lifou island, an ‘overseas territory’ of France. Click here to read.

The ‘New Kid on the Block’ Celebrates…

Dr Kirpal Singh ruminates over what led to the making of an island state, Singapore. Click here to read.

Remnants of Time Once Spent Together

Sayali Korgaonkar ruminates over loss and grieving. Click here to read.

Moonland

Rupali Gupta Mukherjee journeys through the moonlike landscape housing a monastery with her camera and a narrative. Click here to read.

King Lear & Kathakali?

PG Thomas revisits a performance that mesmerised him in a pre-covid world. Click here to read.

Musings of a Copywriter

In A Bone in My Platter, Devraj Singh Kalsi shares a taste of running a restaurant. Click here to read.

Notes from Japan

Suzanne Kamata writes a light slice from life in The Boy & The Cats: A Love Story. Click here to read.

Stories

Does this Make Me a Psychic?

Erwin Coombs tells a suspenseful, funny, poignant and sad story, based on his real life experiences. Click here to read.

Hard Choices

Santosh Kalwar gives a glimpse of hope for an abandoned girl-child in Nepal. Click here to read.

No Rain on the Parade

Tan Kaiyi goes on a hunt for the National Day Killer. Click here to read.

Until We Meet Again

Shivani Shrivastav transports us to Manali for a misty union. Click here to read.

The Hatchet Man

Paul Mirabile tells a story of murder and horror. Click here to read.

I am Not the End

Aysha Baqir takes on the persona of a computer to unleash a poignant and chilling story. Click here to read.

Essays

How Many Ways To Love a Book

Sindhu Shivprasad describes passion for books. Click here to read.

Hiking in the Himalayas with Nabinji

Ravi Shankar explores more of Himalayas in Nepal. Click here to read.

Freedom is another word for… Zohra Sehgal

Ratnottama Sengupta gives a glimpse of the life of Zohra Sehgal, based on the book Zohra: A Biography in Four Acts by Ritu Menon, and her own personal interactions with the aging Zohra Sehgal. Click here to read.

The Observant Immigrant

In Can We Create a Better World by Just Wishing for it, Candice Louisa Daquin dwells on the question to locate answers. Click here to read.

Book Excerpts

An excerpt from The Dreams of a Mappila Girl: A Memoir by B. M. Zuhara translated by Fehmida Zakeer. Click here to read.

An excerpt from Michael R Burch’s poetry book, O, Terrible Angel. Click here to read.

Book Reviews

Meenakshi Malhotra reviews Tagore’s Four Chapters translated and introduced by Radha Chakravarty. Click here to read.

Gracy Samjatsabam visits Mamang Dai’s Escaping the Land. Click here to read.

Aditi Yadav reviews Pallavi Aiyar’s Orienting : An Indian in Japan. Click here to read.

Rakhi Dalal visits Neelum Saran Gour’s Requiem in Raga Janki. Click here to read.

Bhaskar Parichha reviews Rakesh Batabyal’s Building a Free India. Click here to read.

Categories
Editorial

The Stars were Shining There for You & Me, for Liberty…

Painting by Sohana Manzoor

“It just so happens that their[1] universes were different from ours: because why would their imaginations be constrained by a nation-state that would not exist for another thousand years?”

Anirudh Kansetti, the print.in

These lines from a recent article on conquests carried out by the Indian subcontinent in ancient times brings to focus that earlier countries or nation-states as we know of them today did not exist till the industrial revolution set the concept in motion. In the month many countries in Asia celebrate their independent existence or rather the drawing of borders based on colonial mapmakers’ whims, we should perhaps relook at the way the world stands divided.

Is this what we want as humans? Where are we headed? While conquerors write the history, we tend to gloss over what is left unsaid. The millions who died crossing borders, in race riots and of hunger, starvation and disease in refugee camps is overlooked, or worse, used to justify the divisions that still hurt the residents of the sub-continent and try to destroy any sense of oneness among the human species. We tend not to forget the atrocities of the colonials but we overlook the violence of the mobs that incensed with hatred instilled by politics annihilated and murdered. Their story is reduced to “us” and “them”. In our mood of jubilation, the recent bombings in the Middle East and the Ukraine-Russia war have already been delegated to the newsreels. But these are all people who are killed and displaced without any justification for the need to do so. One of the things that George Orwell had depicted in 1984 was an acceptance of a constant state of war. Are we stepping into that frame of mind with our cold acceptance of the situation worldwide?

In the last century, many united against the atrocities of the empire builders. They wanted to rise above the divides. At least greats like Nazrul vociferously objected to the basis of divides that were used to draw the borders. Translations brought to us by Professor Fakrul Alam showcase such poetry as does much of Tagore’s own writing and actions. Tagore organised a protest march against the colonial proposal of Partition of Bengal in 1905 by taking a procession in which he encouraged Hindu and Muslim women to tie rakhis[2] on men from the other community and make them their brothers. Tagore put the welfare of humanity above nationalism as can be seen in his writings and speeches. Reflecting on humanity, we have Munshi Premchand’s powerful story, Pus Ki Raat or A Frigid Winter’s Night, translated from Hindi by C Christine Fair, dwelling on the sad state of peasantry under the Raj. In a bid to rouse people like the protagonist of Premchand’s story, Tagore wrote inspirational songs, one of which, Hobe Joye (Victory will be Ours) has been translated on our pages. We also continue sharing Rabindranath’s humour with a skit translated by Somdatta Mandal from Bengali.

Humour is also stirred into Borderless by Rhys Hughes with a series of mini sagas in his column and a trip around the world in eighty couplets. These couplets actually are more in number — I tried counting them — and are guaranteed to make you laugh. We have travel stories in plenty too. Ravi Shankar again treks to the Himalayas and brings us wonderful photographs of his journey and G Venkatesh stops over at Istanbul airport to find a friend from across the border. Meredith Stephens travels to a French colony called Lifou Island — sounds unbelievable as in the month we celebrate the independence of so many countries across Asia, there is still a country in the Pacific that owes allegiance to a democratic European power! But other than writing about the beaches, Stephens talks of a temporary pet dog while Suzanne Kamata gives us cat talk in her notes from Japan in a lighter vein — a very pleasant glimpse of life. Devraj Singh Kalsi brings a grin when he talks of his stint at trying to run a restaurant.

Interesting non-fictions from a book lover, Sindhu Shivprasad, and from PG Thomas who talks of King Lear performed a la classical Indian dance mode, Kathakali, by an international caste add to narratives that focus on bringing the pleasanter side of life to our readers. Such stories are a welcome relief in dark times when people find themselves caught between price hikes due to the pandemic and wars. An essay by Candice Louisa Daquin looks for a way out of the stresses of these times. Erwin Coombs gives us a funny, poignant and tragic classroom encounter which reminds me of the 1967 Sidney Poiter movie, To Sir, with Love. We have darker tones brought into our journal also with Aysha Baqir’s story on child exploitation, a sad but hopeful narrative from Nepal by Santosh Kalwar about the rejection of a girl-child by her mother and a horrific murder brought to us by Paul Mirabile.

Our poetry section this time flows over with poems from Michael R Burch, Ryan Quinn Flanagan, George Freek, Mike Smith, Gigi Baldvino Gosnell and even Ratnottama Sengupta, who has also given us a powerful essay on an acclaimed dancer called Zohra Sehgal whose life was changed by the Partition of the Indian subcontinent in 1947, basing her essay on Ritu Menon’s Zohra: A Biography in Four Acts and her own personal encounters with the irrepressible artiste. Michael Burch has also shared an excerpt of his book dedicated to his wife, O, Terrible Angel.

An excerpt from B. M. Zuhara’s The Dreams of a Mappila Girl: A Memoir, translated from Malayalam by Fehmida Zakeer, brings us close to a community we know very less about in the Southern part of India. Meenakshi Malhotra has reviewed Tagore’s Four Chapters translated from Bengali and introduced by Radha Chakravarty, a book that is a powerful voice against violence in the name of nationalism touching on the independence of women, a theme that is reiterated in another book that has been visited by Rakhi Dalal. While exploring Neelum Saran Gour’s Requiem in Raga Janki, Dalal contends that the book familiarises us with a singer “who carved her own destiny and lived life on her own terms, in times when women were generally subjugated and confined to roles given by society”. Gracy Samjetsabam has visited Mamang Dai’s Escaping the Land, a novel that tries to weave issues faced in the Northeast of India and integrate it with the mainstream by stirring human emotions.  Bhaskar Parichha has reviewed Rakesh Batabyal’s Building a Free India, a collection of powerful speeches from the past.

Within the confines of the Raj, there was a long court case where a prince who had been declared dead resurfaced as a Naga sadhu[3], a claimant to the throne, this time not to abuse his power as of past but to be a sympathiser of the people in their tryst to fight the Raj. Aruna Chakravarti has woven a historical fiction around this controversy centring around the prince of Bhawal. In an exclusive interview, she tells us the story behind the making of The Mendicant Prince — her novel that was published just last month. Her responses could well teach us how to write a historical novel.

We have much more than the fare that has been mentioned here. Pause by on our contents page to take a look. My heartfelt thanks to the whole team at Borderless for helping with this issue, which we managed to get out in a shorter time than usual and Sohana Manzoor for her wonderful artwork. I am grateful to all our contributors as well as our readers. We could not have made it this far without all of you.

In the spirit of uniting under a borderless sky, let us look forward to cooler climes and happier times.

Cheers!

Mitali Chakravarty

borderlessjournal.com


[1] Guptas (4-6 century CE), Cholas (300 BCE -1279 CE) and other ancient rulers in the Indian sub-continent

[2] A festival held in August where sisters of all ages tie a talisman or amulet called the rakhi around the wrists of their brothers, who promise to protect them.

[3] Mendicant

Categories
Independence Day

Of Midnight’s Children and their Compatriots… 

At the stroke of midnight, on 14th-15th August, 1947, the colonials handed the Indian subcontinent back to the indigenous population — but they did not leave it as they had found it. They made changes: some reforms and alterations, like the introduction of railways  helped the subcontinent move towards a better future once the  plundering of raw materials and the transport of British mill cloth halted. However,  the major change which continues to create conflicts in the sub-continent to date was the Partition on the basis of religions. This was initiated by the colonial  policy of divide and rule, which came into play post the revolt of 1857 and is often perpetrated still by the local inheritors of the colonies. Was it justified and does the packaging by the colonials have to be given credence so that the progeny of the ruled keep othering and thinking of differences? 

To help you find answers, we bring to you writings about the days of the Raj like Aruna Chakravarti’s The Mendicant Prince, where the colonials try to deprive a state of its rightful ruler to fill their own coffers, and Premchand’s Pus ki Raat (A Frigid Winter Night) that reflects the sorry state of peasantry under the Raj. Prince or pauper — both suffered.  Voices that pleaded for secularism, like that of Nazrul, Tagore or Gandhi remained unheard by those who drew the lines of division. Bhaskar Parichha tells us in his review: “On his way to Noakhali and in the face of the large-scale massacre, to the question ‘Will Partition Change Us Forever?’ Mahatma Gandhi replied: ‘I have seen more of history than anyone of you, and I tell you that I have known Hindu boys who called Muslims ‘uncle’. Hindus and Muslims used to participate in each other’s festivals and other auspicious occasions.’”

And perhaps this is borne out from the life of Zohra Sehgal, a legendary dancer as reflected by the essay written by Ratnottama Sengupta, based on Ritu Menon’s Zohra: A Biography in Four Acts and her own interactions with the aging performer. Along with these, we have the voices from the present like that of G Venkatesh who finds that the borders may not be what the indigenous population had wanted and Aysha Baqir’s narrative reflecting on the darker aspects of life in the sub-continent.

Poetry

Arise, Arise O Patriot! and Helmsman Attention! by Kazi Nazrul Islam have been translated from Bengali by Professor Fakrul Alam. Click here to read.

Tagore’s Song of Hope or ‘Hobe Joye‘ has been translated from Bengali by Mitali Chakravarty. Click here to read.

Prose

Pus Ki Raat or A Frigid Winter Night by Munshi Premchand has been translated from Hindi by C Christine Fair. Click here to read.

Aruna Chakravarti unfolds through the life of a prince in pre-independence era in her latest novel, The Mendicant Prince, based on the prince of Bhawal controversy in the first part of the last century. Click here to read.

Ratnottama Sengupta gives a glimpse of the life of Zohra Sehgal, based on the book Zohra: A Biography in Four Acts by Ritu Menon, and her own personal interactions with the aging Zohra Sehgal. Click here to read.

In Istanbul, G Venkatesh stops over at the airport to make a friend from the other side of the divide. Click here to read.

In I am Not the End, Aysha Baqir takes on the persona of a computer to unleash a poignant and chilling story based on the darker side of modern living. Click here to read.

Bhaskar Parichha reviews Rakesh Batabyal’s Building a Free India, dynamic speeches by freedom fighters of the last century. Click here to read.