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Contents

Borderless, October 2025

Painting by Sohana Manzoor

Editorial

Imagine… All the People… Click here to read

Translations

Jani Jani Priyo, Ea Jebone  (I know my dear one, in this life) by Nazrul has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Four of his own poems in Malay have been translated by Isa Kamari. Click here to read.

Five poems by Hrushikesh Mallick have been translated from Odia by Snehprava Das. Click here to read.

The Headstone, a poignant story by Sharaf Shad has been translated by Fazal Baloch. Click here to read.

Shukh (Happiness) by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

John Valentine, Saranyan BV, John Swain, Ahmad Al-Khatat, Stephen Druce, Jyotish Chalil Gopinath, Jenny Middleton, Maria Alam, Ron Pickett, Tanjila Ontu, Jim Bellamy, Pramod Rastogi, John Grey, Laila Brahmbhatt, John Zedolik, Snehaprava Das, Joseph K.Wells, Rhys Hughes

Poets, Poetry & Rhys Hughes

Rhys Hughes shares his play, Night in Karnataka. Click here to read.

Musings/ Slices from Life

Just Passing Through

Farouk Gulsara muses on humans and their best friends. Click here to read.

Feeding Carrots to Gentle Herbivores

Meredith Stephens looks back to her past adventures with horses and present ones with giraffes. Click here to read.

Linen at Midnight

Pijus Ash relates a real-life spooky encounter in Holland. Click here to read.

Two Lives – A Writer and A Businessman

Chetan Datta Poduri explores two lives from the past and what remains of their heritage. Click here to read.

My Forest or Your City Park?

G Venkatesh muses on the tug of war between sustainabilty, ecology and economies. Click here to read.

Musings of a Copywriter

In Karmic Backlog, Devraj Singh Kalsi explores reincarnations with a twinge of humour. Click here to read.

Notes from Japan

In DIY Dining in Japan, Suzanne Kamata in a light note talks about restaurants with robots. Click here to read.

Essays

Peddling Progress?

Jun A. Alindogan writes about what is perceived as progress from Philippines. Click here to read.

From Madagascar to Japan: An Adventure or a Dream…

Randriamamonjisoa Sylvie Valencia writes of her journey from Africa to Japan with a personal touch. Click here to read.

From Bombay to Kolkata — the Dhaaks of Durga 

Ratnottama Sengupta explores a UNESCO Intangible Cultural Heritage Festival. Click here to read.

Stories

Sleeper on the Bench

Paul Mirabile sets his strange story in London. Click here to read.

Sandy Cannot Write

Devraj Singh Kalsi takes us into the world of adverstising and glamour. Click here to read.

The Wise Words of the Sun

Naramsetti Umamaheswararao relates a fable involving elements of nature. Click here to read.

Discussions

A conversation with Swati Pal, academic and poet, on healing through writing and bereavement. Click here to read.

A conversation with five translators — Aruna Chakravarti, Radha Chakravarty, Somdatta Mandal, Fakrul Alam and Fazal Baloch from across South Asia. Click here to read.

Book Excerpts

An excerpt from That’s A Fire Ant Right There! Tales from Kavali by Mohammed Khadeer Babu, translated from Telugu by D.V. Subhashri. Click here to read.

An excerpt from Swati Pal’s poetry collection, Forever Yours. Click here to read.

Book Reviews

Somdatta Mandal reviews Banu Mushtaq’s Heart Lamp: Selected Stories, translated from Kannada by Deepa Bhasthi. Click here to read.

Meenakshi Malhotra has reviewed Malachi Edwin Vethamani’s anthology, Contours of Him: Poems. Click here to read.

Rupak Shreshta reviews Sangita Swechcha’s Rose’s Odyssey: Tales of Love and Loss, translated from Nepali by Jayant Sharma. Click here to read.

Bhaskar Parichha has reviewed Kalpana Karunakaran’s A Woman of No Consequence: Memory, Letters and Resistance in Madras. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Editorial

Imagine… All the People…

Art by Henry Tayali(1943-1987). From Public Domain

Let us imagine a world where wars have been outlawed and there is only peace. Is that even possible outside of John Lennon’s song? While John Gray, a modern-day thinker, propounds human nature cannot change despite technological advancements, one has to only imagine how a cave dweller would have told his family flying to the moon was an impossibility. And yet, it has been proven a reality and now, we are thinking living in outer space, though currently it is only the forte of a few elitists and astronomers. Maybe, it will become an accessible reality as shown in books by Isaac Asimov, Arthur C Clarke or shows like Star Trek and Star Wars. Perhaps, it’s only dreamers or ideators pursuing unreal hopes and urges who often become the change makers, the people that make humanity move forward. In Borderless, we merely gather your dreams and present them to the world. That is why we love to celebrate writers from across all languages and cultures with translations and writings that turn current norms topsy turvy. We feature a number of such ideators in this issue.

Nazrul in his times, would have been one such ideator, which is why we carry a song by him translated by Professor Fakrul Alam. And yet before him was Tagore — this time we carry a translation of an unusual poem about happiness. From current times, we present to you a poet — perhaps the greatest Malay writer in Singapore — Isa Kamari. He has translated his longing for changes into his poems. His novels and stories express the same longing as he shares in The Lost Mantras, his self-translated poems that explore adapting old to new. We will be bringing these out over a period of time. We also have poems by Hrushikesh Mallick translated from Odia by Snehprava Das and a poignant story by Sharaf Shad translated from Balochi by Fazal Baloch.

We have an evocative short play by Rhys Hughes, where gender roles are inverted in a most humorous way. It almost brings to mind Begum Rokeya’s Sultana’s Dream. Tongue-in-cheek humour in non-fiction is brought in by Devraj Singh Kalsi and Chetan Dutta Poduri. Farouk Gulsara and Meredith Stephens write in a light-hearted vein about their interactions with animal friends. G. Venkatesh brings in serious strains with his musings on sustainability. Jun A. Alindogan slips into profundities while talking of “progress” in Philippines. Young Randriamamonjisoa Sylvie Valencia gives a heartfelt account of her journey from Madagascar to Japan. Ratnottama Sengupta travels across space and time to recount her experiences in a festival recognised by UNESCO as an Intangible Cultural Heritage of Humanity. Suzanne Kamata brings a light touch again when she writes about robots serving in restaurants in Japan, a change that would be only fiction even in Asimov’s times, less than a hundred years ago!

Pijus Ash — are we to believe or not believe his strange, spooky encounter in Holland? And we definitely don’t have to believe what skeletons do in Hughes’ limericks, even if their antics make us laugh! Poetry brings on more spooks from Saranyan BV and frightening environmental focus on the aftermath of flooding by Snehaprava Das. We have colours of poetry from all over the world with John Valentine, John Swain, Ahmad Al-Khatat, Stephen Druce, Jyotish Chalil Gopinath, Jenny Middleton, Maria Alam, Ron Pickett, Tanjila Ontu, Jim Bellamy, Pramod Rastogi, John Grey, Laila Brahmbhatt, John Zedolik and Joseph K.Wells.

Fiction yields a fable from Naramsetti Umamaheswararao. Devraj Singh Kalsi takes us into the world of advertising and glamour and Paul Mirabile writes of a sleeper who likes to sleep on benches in parks out of choice! We also have an excerpt from Mohammed Khadeer Babu’s stories, That’s A Fire Ant Right There! Tales from Kavali , translated from Telugu by D.V. Subhashri. The other excerpt is from Swati Pal’s poetry collection, Forever Yours. Pal has in an online interview discussed bereavement and healing through poetry for her stunning poems pretty much do that.

Book reviews homes an indepth introduction by Somdatta Mandal to Banu Mushtaq’s Heart Lamp: Selected Stories, translated from Kannada by Deepa Bhasthi. We have a discussion by Meenakshi Malhotra on Contours of Him: Poems, edited and introduced by Malaysian academic, Malachi Edwin Vethamani, in which she concludes, “that if femininity is a construct, so is masculinity.” Overriding human constructs are journeys made by migrants. Rupak Shreshta has introduced us to immigrant Sangita Swechcha’s Rose’s Odyssey: Tales of Love and Loss, translated from Nepali by Jayant Sharma. Bhaskar Parichha winds up this section with his exploration of Kalpana Karunakaran’s A Woman of No Consequence: Memory, Letters and Resistance in Madras. He tells us: “A Woman of No Consequence restores dignity to what is often dismissed as ordinary. It chronicles the spiritual and intellectual evolution of a woman who sought transcendence within the rhythms of domestic life, turning the everyday into a site of resistance and renewal.” Again, by the sound of it a book that redefines the idea that housework is mundane and gives dignity to women and the task at hand.

We wind up the October issue hoping for changes that will lead to a happier existence, helping us all connect with the commonality of emotions, overriding borders that hurt humanity, other species and the Earth.

Huge thanks to our fabulous team, especially Sohana Manzoor for her inimitable artwork. We would all love to congratulate Hughes for his plays that ran houseful in Swansea. And heartfelt thanks to all our wonderful contributors, without who this issue would not have been possible, and to our readers, who make it worth our while, to write and publish.

Have a wonderful month!

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE OCTOBER 2025 ISSUE

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Review

A Tapestry of Human Stories

Book Review by Rupak Shreshta

Title: Rose’s Odyssey: Tales of Love and Loss

Author: Sangita Swechcha

Translated from Nepali by Jayant Sharma

Publisher: Book Hill International

Rose’s Odyssey:Tales of Love and Loss is a translation of ‘Gulafsangako Prem1’, a short story collection in Nepali by Sangita Swechcha. Jayant Sharma, the translator, has displayed his incredible skill transmitting  the essence and the texture in his translation as they are in the original version.

Swechcha’s writing moves across geographies and emotional landscapes. In Rose’s Odyssey, we see the influence of her own journey: born and raised in Nepal, her time spent in Australia, and her life in the UK. Her experience of multiple cultures gives her work both depth and relatability. She writes not just as a woman, or a feminist, or a diasporic voice, but as a humanist. Her stories resonate because they are grounded in truth and told with generosity.

Several reviewers on Amazon have echoed the sentiments generated by the stories. Dr. Tamer Mikhail describes the experience as “mesmerising,” noting how vividly the characters come to life. Ketan Varia praises Swechcha’s exploration of how life unfolds and the unintended consequences of human choices, while Nirmala Karanjeet highlights the wit, humour, and deep perception of human emotions in every story. These voices of readers moved by the same qualities.

Among the twenty stories, a few stood out with particular force. The titular story, ‘Rose’s Odyssey’, reminded me in scope and ambition of Homer’s Odyssey. Yet this is no imitation. Swechcha’s tale of love, betrayal, vengeance, and repentance transcends a simple love story. It is a story within stories, a tapestry woven with dramatic shifts and psychological insight.

Another memorable piece is the final story, presented in diary format. The narrative offers a poignant glimpse into diasporic life, told in a male voice, which is an unusual and ambitious choice for a female writer. The story’s ability to inhabit male psychology with such authenticity is no small achievement.

The shortest story, ‘Ram Maya’, dealing with the issue of human trafficking, is devastating. In just a few pages, it trembles with urgency. Then there is ‘Shattered Dream’, a story I had previously read in its original Nepali and was eager to revisit in English. The translation, no easy feat, is executed beautifully, preserving cultural nuances while making the narrative accessible to a broader audience. In fact, I was reminded of Toni Morrison’s The Bluest Eye (1970), particularly in how Sweccha addresses themes of bodily autonomy, survival, and the commodification of womanhood.

What ties all these stories together is Swechcha’s ability to write about complex emotional terrain with elegance and restraint. Each story is deeply personal, yet universal. The immigrant experience, cultural duality, gender, longing, and resilience are all present without ever feeling heavy-handed. It is heartening to see readers on Amazon responding so positively. One reviewer calls it “an easy and interesting read,” while another from Holistic World notes how each tale is “captivating and alluring,” connected by “the thread of love.” This feedback is not only encouraging, it also affirms the book’s power to reach readers from all walks of life.

In addition to the warm reader responses and literary features, I also recall Shahd Mahanvi, author of White Shoes,  at the launch event aptly described Rose’s Odyssey as “a powerful exploration of human emotions.” She added that it is “a compelling collection that delves into themes of control, mistrust, the impulse to hurt those we love, and the complex intersections of human relationships, provoking deep reflection.”

In the year since its release, Rose’s Odyssey has had a successful run, from warm reader responses to literary features, several book signings in the UK and Nepal, and community events. Its journey is far from over. The success of the book is not just a testament to Swechcha’s literary talent, but to her ability to connect across continents, cultures, and hearts.

  1. The Love with a Rose ↩︎

Dr. Rupak Shrestha, a London-based Nepali poet from Pokhara, is acclaimed for diverse literary forms and translation. He also serves as Advisor to the International Nepali Literary Society (INLS) UK Chapter.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

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Categories
Contents

Borderless, June 2025

Art by Sohana Manzoor

Editorial

‘How do you rebuild a life when all that remains is dust?’… Click here to read.

Translations

The Great War is Over and A Nobody by Jibanananda Das have been translated from Bengali by Professor Fakrul Alam. Click here to read.

Sukanta Bhattacharya’s poem, Therefore, has been translated from Bengali by Kiriti Sengupta. Click here to read.

 Five poems by Soubhagyabanta Maharana  have been translated from Odia by Snehaprava Das. Click here to read.

Animate Debris, a poem by Sangita Swechcha has been translated from Nepali by Saudamini Chalise. Click here to read.

Lost Poem, a poem by Ihlwha Choi  has been translated from Korean by the poet himself. Click here to read.

Sonar Tori (Golden Boat), a poem by Tagore, has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Allan Lake, Shobha Tharoor Srinivasan, Ron Pickett, Ananya Sarkar, George Freek, Bibhuti Narayan Biswal, Jim Bellamy, Pramod Rastogi, Vern Fein, Saranyan BV, Ryan Quinn Flanagan, Juairia Hossain, Gautham Pradeep, Jenny Middleton, Mandavi Choudhary, Rhys Hughes

Musings/Slices from Life

Where Should We Go After the Last Frontiers?

Ahamad Rayees writes from a village in Kashmir which homed refugees and still faced bombing. Click here to read.

The Jetty Chihuahuas

Vela Noble takes us for a stroll to the seaside at Adelaide. Click here to read.

Hope Lies Buried in Eternity

Farouk Gulsara muses on hope. Click here to read.

Undertourism in the Outback

Merdith Stephens writes from the Australian Outback with photographs from Alan Nobel. Click here to read.

Musings of a Copywriter

In Driving with Devraj, Devraj Singh Kalsi writes of his driving lessons. Click here to read.

Notes from Japan

In The Tent, Suzanne Kamata visits crimes and safety. Click here to read.

Essays

Public Intellectuals Walked, So Influencers Could Run

Lopamudra Nayak explores changing trends. Click here to read.

Where No One Wins or Loses a War…From Lucknow with Love

Prithvijeet Sinha takes us to a palace of a European begum in Lucknow. Click here to read.

Bhaskar’s Corner

In Can Odia Literature Connect Traditional Narratives with Contemporary Ones, Bhaskar Parichha discusses the said issue. Click here to read.

Feature

The story of Hawakal Publishers, based on a face-to-face tête-à-tête, and an online conversation with founder Bitan Chakraborty with his responses in Bengali translated by Kiriti Sengupta. Click here to read.

Stories

The Year the Fireflies Didn’t Come Back

Leishilembi Terem gives a poignant story set in conflict-ridden Manipur. Click here to read.

The Stranger

Jeena R. Papaadi writes of the vagaries of human relationships. Click here to read.

The Opening

Naramsetti Umamaheswararao relates a value based story in a small hamlet of southern India. Click here to read.

Book Excerpts

An excerpt from Wendy Doniger’s The Cave of Echoes: Stories about Gods, Animals and Other Strangers. Click here to read.

An excerpt from Mohua Chinappa’s Thorns in My Quilt: Letters from a Daughter to Her Father. Click here to read.

Book Reviews

Somdatta Mandal reviews Madhurima Vidyarthi’s Job Charnock and the Potter’s Boy. Click here to read.

Rakhi Dalal reviews Dhruba Hazarika’s The Shoot: Stories. Click here to read.

Satya Narayan Misra reviews Bakhtiyar K Dadabhoy’s Honest John – A Life of John Matthai. Click here to read.

Bhaskar Parichha reviews David C Engerman’s Apostles of Development: Six Economists and the World They Made. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Editorial

‘How do you rebuild a life when all that remains is dust?’

The Great War is over
And yet there is left its vast gloom.
Our skies, light and society’s soul have been overcast…

'The Great War is Over' by Jibanananda Das (1899-1954), translated from Bengali by Professor Fakrul Alam.

Jibanananda Das wrote the above lines in the last century and yet great wars rage even now. As the world struggles to breathe looking for a beam of hope to drag itself out of the darkness induced by natural calamities, accidents, terror attacks and wars that seem to rage endlessly, are we moving towards the dystopian scenario created by George Orwell in 1984, which would be around the same time as Jibanananda Das’s ‘The Great War is Over’?

Describing such a scenario, Ahmed Rayees writes a moving piece from the Kashmiri village of Sheeri, the last refuge of the displaced refugees who were bombarded after peace was declared in their refuge during the clash across Indo-Pak borders. He contends: “People walked back not to homes, but to ruins. Entire communities had been reduced to ash and rubble. Crops were destroyed, livestock gone, schools turned into shelters or craters. How do you rebuild a life when all that remains is dust?”

People could be asking the same questions without finding answers in Gaza or Ukraine, where the cities are reduced to rubble. While we look for a ray of sunshine, amidst the rubble, Farouk Gulsara muses on hope that has its roots in eternity. Vela Noble wanders on nostalgic beaches in Adelaide. And Meredith Stephens travels to the Australian outback. Devraj Singh Kalsi brings in lighter notes writing of driving lessons while Suzanne Kamata creeps back to darker recesses musing on likely ‘criminals’ and crimes in her neighbourhood.

Lopamudra Nayak writes on social media and its impact while Bhaskar Parichha writes of trends that could be brought into Odia literature.  What he writes could apply well to all regional literature, where they lose their individual colouring to paint dystopian realities of the present world. Does modernising make us lose our ethnic identity and how important is that? These are questions that sprung to the mind reading his essay. As if in an attempt to hold on to the past ethos, Prithvijeet Sinha wafts around old ruins in Lucknow and sees a cemetery for colonial soldiers and concludes: “Everybody has formidable stakes, and the dead don’t preach the gospel of victory or sombre defeat.”

Taking up a similar theme of death and war is a poem from Saranyan BV. In poetry, we have colours from around the world with poems from Allan Lake, Ron Pickett, Ananya Sarkar, George Freek, Jim Bellamy, Ryan Quinn Flanagan, Juairia Hossain, Gautham Pradeep, Jenny Middleton, Mandavi Choudhary and many more. Multiple themes are woven into a variety of perspectives, including nature and environment, with June hosting the World Environment Day. Rhys Hughes gives a funny poem on the Welsh outlaw, Twm Siôn Cati.

We have mainly poetry in translation this time. Snehaprava Das has brought to us Soubhagyabanta Maharana’s poems from Odia and Ihlwha Choi has translated his own poem from Korean. Sangita Swechcha’s poem in Nepali has been rendered to English by Saudamini Chalise. From Bengali, other that Jibanananda Das’s poems translated by Professor Fakrul Alam, we have Tagore’s pensive and beautiful poem, Sonar Tori (the golden boat). Yet another Bengali poet, one who died young and yet left his mark, Sukanta Bhattacharya (1926-1947), has been translated by Kiriti Sengupta. Sengupta has also translated the responses of Bitan Chakravarty in a candid conversation about his dream child — the Hawakal Publishers. We also have a feature on this based on a face-to-face conversation, giving the story of how this publishing house grew out of an idea. Now, they publish poetry traditionally, without costs to the poet. Their range of authors are spread across continents.

Our fiction again returns to the darkness of war. Young Leishilembi Terem has given a story set in conflict-ridden Manipur from where she has emerged safely — a story that reiterates the senselessness of violence and politics. While Jeena R. Papaadi writes of modern human relationships that end without commitment, Naramsetti Umamaheswararao relates a value-based story in a small hamlet of southern India. 

From stories, our book excerpts return to the real world, where a daughter grieves her father in Mohua Chinappa’s Thorns in My Quilt: Letters from a Daughter to Her Father while Wendy Doniger’s The Cave of Echoes: Stories about Gods, Animals and Other Strangers, dwells on demystifying structures that create borders. We have two non-fiction reviews. Parichha writes about David C Engerman’s Apostles of Development: Six Economists and the World They Made. And Satya Narayan Misra discusses Bakhtiyar K Dadabhoy’s Honest John – A Life of John Matthai. Somdatta Mandal this time explores a historical fiction based around the founding of Calcutta, Madhurima Vidyarthi’s Job Charnock and the Potter’s Boy while Rakhi Dalal looks at fiction born of environmental awareness, Dhruba Hazarika’s The Shoot: Stories.

We have more content. Do pause by our contents page and take a look.

Huge thanks to all our contributors without who this issue would not have materialised. Heartfelt thanks to the team at Borderless for their support, especially Sohana Manzoor for her iconic artwork that has almost become a signature statement for Borderless.

Let’s hope that next month brings better news for the whole world.

Best wishes,

Mitali Chakravarty

borderlessjournal.com

Click here to access the contents for thJune 2025 Issue

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Celebrating Translations

We are the World

Vincent Van Gogh written is different scripts. Courtesy: Creative Commons

The whole world opens up in the realm of ideas that have existed wafting and bridging across time and space. Sometimes they find conduits to come to the fore, even though they find expression in different languages, under varied cultural milieus. One way of connecting these ideas is to translate them into a single language. And that is what many have started to do. Celebrating writers and translators who have connected us with these ideas across boundaries of time and place, we bring to you translated writings in English from twenty eight languages on the International Translation Day, from some of the most iconic thinkers as well as from contemporary voices. 

Prose

Tagore’s short story, Aparichita, has been translated from Bengali as The Stranger by Aruna Chakravarti. Click here to read. 

Travels & Holidays: Humour from Rabindranath, have been translated from Bengali by Somdatta Mandal. Click here to read.

Hena, a short story by Nazrul, has been translated from Bengali by Sohana Manzoor. Click hereto read.

Munshi Premchand’s Balak or the Child has been translated from Hindi by Anurag Sharma Click here to read.

Munshi Premchand’s Pus Ki Raat or A Frigid Winter Night  has been translated from Hindi by C Christine Fair. Click here to read.

Nadir Ali’s The Kabbadi Player has been translated from Punjabi by Amna Ali. Click here to read.

Kamaleswar Barua’s Uehara by  has been translated from Assamese and introduced by Bikash K. Bhattacharya. Click here to read.

S Ramakrishnan’s Muhammad Ali’s Singnature has been S. Ramakrishnan, translated from Tamil by Dr B. Chandramouli. Click here to read. 

PF Mathews’ Mercy,  has been translated from Malayalam by Ram Anantharaman. Click here to read.

Road to Nowhere, an unusual story about a man who heads for suicide, translated from Odiya by the author, Satya Misra. Click here to read.

An excerpt from A Handful of Sesame by Shrinivas Vaidya, translated from Kannada by Maithreyi Karnoor. Click here to read.

Writings from Pandies’ Corner highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms. Each piece is written in Hindustani and then translated by a volunteer from Pandies’ in English. Click here to read.

Rakhamaninov’s Sonata, a short story by Sherzod Artikov, translated from Uzbeki by Nigora Mukhammad. Click here to read.

Of Days and Seasons, a parable by the eminent Dutch writer, Louis Couperus (1863-1923), translated by Chaitali Sengupta. Click here to read.

The Faithful Wife, a folktale translated from Balochi by Fazal Baloch. Click here to read.

An excerpt from Ramy Al-Asheq’s Ever Since I Did Not Die, translated from Arabic by Isis Nusair, edited by Levi Thompson. The author was born in a refugee camp. Click here to read.

Poetry

Two songs by Tagore written originally in Brajabuli, a literary language developed essentially for poetry in the sixteenth century, has been translated by Radha Chakravarty. Click here to read. 

Rebel or ‘Bidrohi’, Nazrul’s signature poem,Bidrohi, translated from Bengali by Professor Fakrul Alam. Click here to read.

Banlata Sen, Jibananada Das’s iconic poem, translated from Bengali by Professor Fakrul Alam. Click here to read. 

Poetry of Michael Madhusudan Dutt has been translated from Bengali by Ratnottama Sengupta. Click here to read.

Our Children, a poem by well-known Iranian poet, Bijan Najdi, has been translated from Persian by Davood Jalili. Click here to read.

Akbar Barakzai’s Be and It All Came into Being has been translated from Balochi by Fazal Baloch. Click here to read.

Biju Kanhangad’s The Girl Who Went Fishing has been translated from Malayalam by Aditya Shankar. Click here to read.

Jitendra Vasava’s Adivasi Poetry,  translated from the Dehwali Bhili via Gujarati by Gopika Jadeja. Click here to read.

Sokhen Tudu’s A Poem for The Ol Chiki, translated from the Santhali by Hansda Sowvendra Shekhar. Click here to read.

Thangjam Ibopishak’s Gandhi & Robot translated from the Manipuri by Robin S Ngangom. Click here to read.

 Rayees Ahmad translates his own poem, Ab tak Toofan or The Storm that Rages, from Urdu to English. Click here to read.

Poetry by Sanket Mhatre has been translated by Rochelle Potkar from Marathi to English. Click here to read.

An excerpt from Evening with a Sufi: Selected Poemsby Afsar Mohammad, translated from Telugu by Afsar Mohammad & Shamala Gallagher. Click hereto read.

Ihlwha Choi’s Universal Language written at Santiniktan, translated from Korean by the poet himself. Click here to read.

Sangita Swechha’s Motherhood: A Tiny Life inside Me has been translated from Nepali by Hem Bishwakarma. Click here to read.

Rosy Gallace’s Two poems from Italy  have been translated from Italian by Irma Kurti. Click here to read.

Poetry in Bosnian written and translated from Bosnian by Maid Corbic. Click here to read.

Lesya Bakun translates three of her own poems from Ukranian and Russian to English. Click here to read.

Poems from Armenia by Eduard Harents translated from Armenian by Harout Vartanian. Click here to read.

Categories
Contents

Borderless July 2023

Painting by Sohana Manzoor

Editorial

As Imagination Bodies Forth Click here to read.

Translations

Bankim Chandra Chattopadhyay’s Bangalar Nobbyo Lekhokdiger Proti Nibedon (a request to new writers of Bengali), has been translated from Bengali and introduced by Abdullah-Al-Musayeb. Click here to read.

Poetry on Rain by Masud Khan has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Dancer by Bashir Baidar, has been translated from Balochi by Fazal Baloch. Click here to read.

Motherhood: A Tiny Life inside Me, a poem by Sangita Swechcha, has been translated from Nepali by Hem Bishwakarma. Click here to read.

The Wind and the Door, has been written and translated from Korean by Ihlwha Choi. Click here to read.

Megh or Cloud by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Conversation

In conversation with Afsar Mohammad, a poet, a Sufi and an academic teaching in University of Pennsylvania. Click here to read.

Poetry

Click on the names to read the poems

Afsar Mohammad, Rhys Hughes, Kirpal Singh, Don Webb, Masha Hassan, Vernon Daim, George Freek, Arya KS, Robert Nisbet, Dr Kanwalpreet, John Grey, Nivedita N, Samantha Underhill, Vikas Sehra, Ryan Quinn Falangan, Saranyan BV, Heath Brougher, Carol D’Souza, Michael Burch

Poets, Poetry & Rhys Hughes

In Productivity, Rhys Hughes muses tongue-in-cheek on laziness and its contribution in making a nation more productive. Click here to read.

Musings/ Slices from Life

Should I stay or should I go?

Keith Lyons muses on our attitude towards changes. Click here to read.

Bangal-Ghoti-Bati-Paati or What Anglophilia did to My Palate

Ramona Sen journeys in a lighter vein through her taste buds to uncover part of her identity. Click here to read.

Awesome Arches and Acrophobia

Meredith Stephens takes us for a fabulous treat of Sierra Nevada mountains with her camera and narrative. Click here to read.

Musings of a Copywriter

In The Lost Garden, Devraj Singh Kalsi writes of how his sense of wellbeing mingles with plants. Click here to read.

Notes from Japan

In Better Relations Through Weed-pulling, Suzanne Kamata introduces us to an annual custom in Japan. Click here to read.

Essays

The Story of a Land at War with Itself

Ratnottama Sengupta presents the first hand account of the war in Bosnia-Herzegovina (1992-1995) from a letter from her brother, who was posted there as part of the peace-keeping troops. Click here to read.

‘Wormholes to other Worlds’

Ravi Shankar explores museums in Kuala Lumpur. Click here to read.

Stories

A Troubled Soul

Mahim Hussain explores mental illness. Click here to read.

The Llama Story

Shourjo shares a short fun piece written from a llama’s perspective. Click here to read.

Mister Wilkens

Paul Mirabile gives a strange tale set in Europe of the 1970s. Click here to read.

Book Excerpts

An excerpt from Red Sky Over Kabul: A Memoir of a Father and Son in Afghanistan by Baryalai Popalzai and Kevin McLean. Click here to read.

An excerpt from The Blue Dragonfly – healing through poetry by Veronica Eley. Click here to read.

Book Reviews

Somdatta Mandal reviews The Past is Never Dead: A Novel by Ujjal Dosanjh. Click here to read.

KPP Nambiar reviews The Stolen Necklace: A Small Crime in a Small Town by Shevlin Sebastian and VK Thajudheen. Click here to read.

Rakhi Dalal reviews Drop of the Last Cloud by Sangeetha G. Click here to read.

Bhaskar Parichha reviews Burning Pyres, Mass Graves and A State That Failed Its People : India’s Covid Tragedy by Harsh Mander. Click here to read.

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Categories
Editorial

As Imagination Bodies Forth…

Painting by Sybil Pretious
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name

 A Midsummer Night's Dream (1595) by William Shakespeare

Famous lines by Shakespeare that reflect on one of the most unique qualities in not only poets — as he states — but also in all humans, imagination, which helps us create our own constructs, build walls, draw boundaries as well as create wonderful paintings, invent planes, fly to the moon and write beautiful poetry. I wonder if animals or plants have the same ability? Then, there are some who, react to the impact of imagined constructs that hurt humanity. They write fabulous poetry or lyrics protesting war as well as dream of a world without war. Could we in times such as these imagine a world at peace, and — even more unusually — filled with consideration, kindness, love and brotherhood as suggested by Lennon’s lyrics in ‘Imagine’ – “Imagine all the people/ Livin’ life in peace…”. These are ideas that have been wafting in the world since times immemorial. And yet, they seem to be drifting in a breeze that caresses but continues to elude our grasp.

Under such circumstances, what can be more alluring than reflective Sufi poetry by an empathetic soul. Featuring an interview and poetry by such a poet, Afsar Mohammad, we bring to you his journey from a “small rural setting” in Telangana to University of Pennsylvania, where he teaches South Asian Studies. He is bilingual and has brought out many books, including one with his translated poetry. Translations this time start with Bankim Chandra Chattopadhyay’s advice to new writers in Bengali, introduced and brought to us by Abdullah-Al-Musayeb. Tagore’s seasonal poem, ‘Megh or Cloud’, has been transcreated to harmonise with the onset of monsoons. However, this year with the El Nino and as the impact of climate change sets in, the monsoons have turned awry and are flooding the world. At a spiritual plane, the maestro’s lines in this poem do reflect on the transience of nature (and life). Professor Fakrul Alam’s translation of Masud Khan’s heartfelt poetry on rain brings to the fore the discontent of the age while conveying the migrant’s dilemma of being divided between two lands. Fazal Baloch has brought us a powerful Balochi poet from the 1960s in translation, Bashir Baidar. His poetry cries out with compassion yet overpowers with its brutality. Sangita Swechcha’s Nepali poem celebrating a girl child has been translated by Hem Bishwakarma while Ihlwha Choi has brought his own Korean poem to readers in English.

An imagined but divided world has been explored by Michael Burch with his powerful poetry. Heath Brougher has shared with us lines that discomfit, convey with vehemence and is deeply reflective of the world we live in. Masha Hassan is a voice that dwells on such an imagined divide that ripped many parts of the world — division that history dubs as the Partition. Don Webb upends Heraclitus’s wisdom: “War is the Father of All, / War is the King of All.” War, as we all know, is entirely a human-made construct and destroys humanity and one cannot but agree with Webb’s conclusion.  We have more from Kirpal Singh, Ryan Quinn Flanagan, Nivedita N, John Grey, Carol D’Souza, Vernon Daim, George Freek, Saranyan BV, Samantha Underhill and among the many others, of course Rhys Hughes, who has given us poetry with a unique alphabetical rhyme scheme invented by him and it’s funny too… much like his perceptions on ‘Productivity’, where laziness accounts for an increase in output!

Keith Lyons has mused on attitudes too, though with a more candid outlook as has Devraj Singh Kalsi with a touch of nostalgia. Ramona Sen has brought in humour to the non-fiction section with her tasteful palate. Meredith Stephens takes us on a picturesque adventure to Sierra Nevada Mountains with her camera and narrative while Ravi Shankar journeys through museums in Kuala Lumpur. We travel to Japan with Suzanne Kamata and, through fiction, to different parts of the Earth as the narratives hail from Bangladesh, France and Singapore.

Ratnottama Sengupta takes us back to how imagined differences can rip humanity by sharing a letter from her brother stationed in Bosnia during the war that broke Yugoslavia (1992-1995). He writes: “It is hard to be surrounded by so much tragedy and not be repulsed by war and the people who lead nations into them.” This tone flows into our book excerpts section with Red Sky Over Kabul: A Memoir of a Father and Son in Afghanistan by Baryalai Popalzai and Kevin McLean. Popalzai was affected by the Russian invasion of Afghanistan in 1980 and had to flee. A different kind of battle can be found in the other excerpt from The Blue Dragonfly – healing through poetry by Veronica Eley – a spiritual battle to heal from experiences that break.

In our reviews section, KPP Nambiar reviews The Stolen Necklace: A Small Crime in a Small Town by Shevlin Sebastian and VK Thajudheen, a book that retells a true story. Sangeetha G’s novel, Drop of the Last Cloud, we are told by Rakhi Dalal, explores the matrilineal heritage of Kerala, that changed to patriarchal over time. Bhaskar Parichha reviews Burning Pyres, Mass Graves and A State That Failed Its People: India’s Covid Tragedy by Harsh Mander. Parichha emphasises the need never to forget the past: “It is a powerful book and sometimes it is even shattering. The narrative is a live remembrance of a national tragedy that too many of us wish to forget when we should, instead, etch it in our minds so that we can prevent another national tragedy like this one from recurring in the future.”  While we need to learn from the past as Parichha suggests, Somdatta Mandal has given a review that makes us want to read Ujjal Dosanjh’s book, The Past is Never Dead: A Novel. She concludes that it “pays tribute to the courage and tenacity of the human spirit and its capacity for hope despite all odds.”

We have more content than mentioned here… all of it enhances the texture of our journal. Do pause by our July issue to savour all the writings. Huge thanks to all our contributors, artists, all our readers and our wonderful team. Without each one of you, this edition would not have been what it is.

Thank you all.

Have a wonderful month!

Mitali Chakravarty

borderlessjournal.com

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Visit the July edition’s content page by clicking here

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Categories
Poetry

Motherhood: A Tiny Life inside Me

A poem by Sangita Swechcha, translated from Nepali by Hem Bishwakarma

Painting by Bernardus Johannes Blommers (1845-1914). Courtesy: Creative Commons

 

A purpose in my life,
A reason to survive,
A flower budding inside me
That impatiently cried,
Begging to understand the meaning of life.

The terrible struggle with life --
Hundreds of questions from
A one-day old
Deluged me, 
Exhausted and distressed.

Though life was not that easy--
The flower that desired to flower
Did not want to wither 
Without a struggle.

The amusement in my life,
Lost in strange thoughts 
With silent, helpless emotions,
Tensed, fell down and cried,
With an abrupt pain of separation.

A life as in a story
And a story of life
With hope dared to live.
She, her courage and I --

The entanglement of 
Struggle and pain,
Perhaps, was a trial of restraint. 
A tiny life to chuckle that learned
Living was a novel mesh of affection.

The life that sprouted inside me,
Has patience to contend her life.
There is a desire, and a trust 
For her whole life is a dream that has yet to unfold!


Dr.Sangita Swechcha
has been an ardent lover of literature from an early age. She has published a novel and co-authored a collection of short stories before the collection GulafsangakoPrem (The Rose: An Unusual Love Story) in Nepali. She has many short stories and poems published in various international journals and online portals. The Himalayan Sunrise: Exploring Nepal’s Literary Horizon and A Glimpse Into My Country are her recent publications, co-edited with Karen Van Drie and Andrée Roby respectively. Email: sangyshrestha@hotmail.com, Website: www.sangitaswechcha.com

Hem Bishwakarma is a translator and poet from Nepal. He is an ELT teacher and educator by profession.

Hem Bishwakarma is a translation enthusiast, he also writes poems and reviews.  Email: swarmadhurya@gmail.com

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Categories
Contents

Borderless, March 2022

Painting by Sohana Manzoor

Editorial

Where Have All the Sunflowers Gone?… Click here to read.

Ukranian Refrains

In When will we ever learn? Oh, will we ever learn?, Ratnottama Sengupta, comments on the current situation in Ukraine while dwelling on her memorable meeting with folk legend Pete Seeger, a pacifist, who wrote ‘Where have all the Flowers gone’, based on a folk song from Ukraine. Click here to read.

In Can Peace come Dropping by,Candice Louisa Daquin explores war and peace pausing over the attack on Ukraine. Click here to read.

Three Poems from Ukraine by Leslya Bakun. Click here to read.

Translations

Manush: Nazrul’s Lines for Humankind: Translated from Bengali by Professor Fakrul Alam. Click here to read.

Jibananda Das’s Where have all these Birds Gone & On the Pathways for Longtranslated from Bengali by Professor Fakrul Alam. Click here to read.

Munir Momin’s You & I translated from Balochi by Fazal Baloch. Click here to read.

Down the stairs by Nabendu Ghosh, a gripping story exploring the greyer areas of ethical dilemmas, has been translated by Sarmishta Mukhopadhyay with editorial input from Ratnottama Sengupta. Click here to read.

Autumn is Long, a poem written in Korean and translated to English by Ihlwha Choi. Click here to read.

Tagore’s Anondodhara Bohichche Bhubone (The Universe reverberates with celestial ecstasy)…translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies’ Corner

These narratives are written by youngsters from the Nithari village who transcended childhood trauma and deprivation. A letter to God by Tanveer Hussain  uses the epistolary technique to asks questions that would be relevant for all humankind. It has been translated from Hindustani by Vritika Thareja. Click here to read.

Poetry

Click on the names to read

Kirpal Singh, Rhys Hughes, Sutputra Radheye, Jay Nicholls, Uma Gowrishankar, Mike Smith, Anasuya Bhar, Luis Cuauhtémoc Berriozábal, Supatra Sen, George Freek, Pramod Rastogi, Ryan Quinn Flanagan, Ananta Kumar Singh, Michael R Burch, Shaza Khan

Nature’s Musings

In Storms & Seas, Penny Wilkes explores birds and the ocean during rough weather. Click here to read.

Poets, Poetry or Rhys Hughes

In Tall or Short Tales, Rhys Hughes explores the absurd. Click here to read.

Musings/Slices from Life

Eva Zu Beck & Marco Polo

San Lin Tun writes of how, in Yangon, he spends the lockdown watching a travel blog by Eva Zu Beck. Click here to read.

Messages through Space and Time

Meredith Stephens explores how the art of letter writing creates links across borders of time and place. Click here to read.

It’s Amazing the Things We can Do

Erwin Coombs takes us through his life in Egypt and has a relook at Nazi occupied Europe with a dollop of humour to come to an amazing conclusion. Click here to read.

An Existential Dilemma

G Venkatesh uses the laws of thermodynamics to try to interpret the laws that define life. Click here to read.

Musings of a Copywriter

Devraj Singh Kalsi ponders on his Visit to a Book Fair. Click here to read.

Notes from Japan

In Imagining a Possible Future: Filmmaker Felicity Tillack, Suzanne Kamata introduces us to an Australian film maker who is making films in Japan now and some are in Japanese. Click here to read.

Mission Earth

Kenny Peavy starts his column with Mama Calling, a cry to go back to living with nature. Click here to read.

Interviews

From the Himalayas to the Banks of Thames: In Conversation with Sangita Swechcha, a writer shuttles between England and Nepal and writes of her homeland. Click here to read.

At Home Across Continents : In Conversation with Neeman Sobhan, a Bangladeshi-born writer who writes of her experiences as an expat in Pakistan, Bangladesh, Italy and America. Click here to read.

Stories

The Man Who got Eaten

 Kieran Martin tells a tall tale or is it short? Click here to read.

Death Will Come

Munaj Gul Muhammed captures the wafting sadness of grieving in this short poetic narrative. Click here to read.

SofieMol

Sharika Nair paints a vignette of the past merging with the present in her narrative. Click here to read.

Faith & Fortune

Devraj Singh Kalsi shows how the twists of faith are aligned to wealth and fame. Click here to read.

Henrik’s Journey

Farah Ghuznavi follows a conglomerate of people on board a flight to address issues ranging from Rohingyas to race bias. Click here to read.

Essays

The Kaleidoscopic World of Satyajit Ray

Anasuya Bhar takes us into the literary world of Satyajit Ray, the world famous film director. Click here to read.

Are Some of Us More Human than Others ?

Meenakshi Malhotra ponders at the exclusivity that reinforces divisions, margins and borders that continue to plague humankind, against the backdrop of the Women’s Month, March. Click here to read.

The Observant Immigrant

In The Paradox of Modern Communication, Candice Louisa Daquin takes us through the absurdities that haunt modern verbal communication. Click here to read.

Book Excerpts

An excerpt from Friends in Wild Places: Birds, Beasts and Other Companions by Ruskin Bond. Click here to read.

An excerpt of a short story by Yang Ming from Asian Anthology, edited by Ivy Ngeow. Click here to read an excerpt.

Book Reviews

Meenakshi Malhotra reviews Mahasweta Devi, Our Santiniketan translated by Radha Chakravarty. Click here to read.

Indrashish Banerjee reviews The Tombstone in My Garden: Stories From Nagaland by Temsula  Ao. Click here to read.

Keith Lyons reviews Asian Anthology: New Writing Vol. 1: Stories by Writers from Around the World, edited by Ivy Ngeow. Click here to read.

Bhaskar Parichha reviews Why They Killed Gandhi; Unmasking the Ideology and the Conspiracy by Ashok Kumar Pandey. Click here to read.

Special Issues

Imagine… Click here to read our World Poetry Day Special.