A translation from Nabendu Ghosh’s autobiography, Eka Naukar Jatri(Journey of a Lonesome Boat), translated by Dipankar Ghosh, from Bengali post scripted by Ratnottama Sengupta. Clickhereto read.
Ueharaby Kamaleswar Barua has been translated from Assamese and introduced by Bikash K. Bhattacharya. Clickhere to read.
Kurigram by Masud Khan has been translated by Professor Fakrul Alam from Bangla. Clickhere to read.
Bonfire by Ihlwha Choi has been translated from Korean by the poet himself. Clickhere to read.
In Indian Pale Ale, Rhys Hughes experiments with words and brews. Click here to read.
Conversation
Being fascinated with the human condition and being vulnerable on the page are the two key elements in the writing of fiction, author and poet Heidi Northtells Keith Lyons in a candid conversation. Clickhere to read.
In Multicultural Curry, Suzanne Kamata reflects on mingling of various cultures in her home in Japan and the acceptance it finds in young hearts. Clickhere to read.
Ratnottama Sengupta explores the poetry in lyrics of Bollywood songs, discussing the Sahityotsav (Literary Festival) hosted by the Sahitya Akademi. Clickhere to read.
Imagine a world without wars, without divisions, where art forms flow into each other and we live by the African concept of Ubuntu — I am because you are’ — sounds idyllic. But this is the month of March, of poetry, of getting in touch with the Dionysian elements in ourselves. And as we have said earlier in the introduction of Monalisa No Longer Smiles: An Anthology of Writings from across the World, what could be a better spot to let loose this insanity of utopian dreams than Borderless Journal!
Having completed three years of our Earthly existence on the 14th of March, we celebrate this month with poetry and writing that crosses boundaries — about films, literature and more. This month in the Festival of Letters or Sahityaotsav 2023, organised by the Sahitya Akademi, films were discussed in conjunction with literature. Ratnottama Sengupta, who attended and participated in a number of these sessions, has given us an essay to show how deep run the lyrics of Bollywood films, where her father, Nabendu Ghosh, scripted legends. It is Ghosh’s birth month too and we carry a translation from his Bengali autobiography which reflects how businessmen drew borders on what sells… After reading the excerpt from Nabendu’s narrative translated by Dipankar Ghosh and post-scripted by Sengupta, one wonders if such lines should ever have been drawn?
Questioning borders of a different kind, we have another piece of a real-life narrative on a Japanese Soldier, Uehara. Written by an Assamese writer called Kamaleswar Barua, it has been translated and introduced by Bikash K. Bhattacharya. The story focusses on a soldier’s narrative at his death bed in an alien land. We are left wondering how his need for love and a home is any different from that of any one of ours? Who are the enemies — the soldiers who die away from their homes? What are wars about? Can people live in peace? They seemed to do so in Kurigram, a land that has faded as suggests the poem by Masud Khan, brought to us in translation from Bangla by Professor Fakrul Alam, though in reality, the area exists. Perhaps, it has changed… as does wood exposed to a bonfire, which has been the subject of a self-translated Korean poem by Ihlwha Choi. Tagore’s poem, Borondalatranslated as ‘Basket of Offerings’, has the last say: “Just as the stars glimmer / With light in the dark night, / A spark awakens within/ My body. / This luminosity illuminates / All my work.” And perhaps, it is this luminosity that will also help us find our ideal world and move towards it, at least with words.
We have a book review by Aruna Chakravarti of Bornali Datta’sIn A Better Place: A Doctor’s Journey, a book that is set amidst immigrants and takes up certain social issues. Baba Padmanji’s Yamuna’s Journey, translated from Marathi by Deepra Dandekar, one of the oldest Indian novels has been discussed by Somdatta Mandal. Bhaskar Parichha has told us about S.Irfan Habib’s Maulana Azad – A Life. Basudhara Roy has brought out the simplicity and elegance of Robin Ngangom’sMy Invented Land: New and Selected Poems. He writes in the title poem that his home “has no boundaries. / At cockcrow one day it found itself/ inside a country to its west,/ (on rainy days it dreams looking east/ when its seditionists fight to liberate it from truth.)”. We also carry an excerpt from his book. Stories by Jessie Michael, Brindley Hallam Dennis, Sangeetha G and Shubhangi bring flavours of diversity in this issue.
Our journey has been a short one — three years is a short span. But, with goodwill from all our readers and contributors, we are starting to crawl towards adulthood. I thank you all as caregivers of Borderless Journal as I do my fabulous team and the artists who leave me astounded at their ability to paint and write — Sohana Manzoor, Gita Vishwanath and Pragya Bajpai.
Thank you all.
Looking forward to the next year, I invite you to savourBorderless Journal, March 2023, where more than the treasures mentioned here lie concealed.
It is often said that monkeys do not like to see their face in the mirror. They tend to screech with explicit dental intimidation if they happen to find themselves in front of one. Whether it is outright abhorrence for narcissistic indulgences that eggs the simians to adopt such a stance or anything else remains unknown, but my litany of encounters with a few specimens illustrate that exceptions also prevail here as everywhere else.
One sunny afternoon, a monkey sneaked in through the door left open by the domestic help who had stepped out to pick up woollens from the clothesline. Sensing positive vibes in the air, he proceeded into the living room and stood on his hind legs in front of a large full-length mirror, striking a confident, self-assured, and dignified pose to assess the overall look. When I lifted the curtain to have a full view of his antics, it was an invasion on his privacy and the facial expression of self-love melted into cheeky defiance. Before I could guess what would happen next, the monkey bared his clenched yellow teeth and raised a palm and gave a resounding slap that made a perfect landing on my face.
As luck would have it, something more interesting caught his attention. The domestic help had just stepped in to discover my strange predicament. She genuflected at the threshold to pay obeisance to the unwanted guest. With such devotion on display, his mood changed from anger to happiness. While the monkey and my help gazed at each other, I quickly disappeared from the scene to arm myself with a stick for self-defence. When I returned, I found the monkey missing while my help was still lying prostrate. I had to bang the stick on the door to alert her and inform her that the monkey had left. She got up and looked around to check if he had gone out and concluded that the peaceful departure meant good luck for the house.
I said she was lucky he did not trample over her while exiting. I had missed his exit. I did not know whether the monkey swished his tail or made a quiet, unceremonious exit. The life-threatening experience was life changing as well. The domestic help kept on showering praise on the auspicious visit that would change my fortune soon. Perhaps the visit was too short – or it was the lack of gastronomic delight for the guest that deprived me of good luck. I should have served lemonade or cookies at least.
We were destined to meet again. On another afternoon, around the same time, I was caught unawares by the presence of another simian walking gracefully out of the open kitchen with a plastic jar of biscuits clutched firmly in one arm. I had just come out after having a bath when this scene exploded in front of my eyes. Though I was fully dressed to keep my assets safe, I was jolted by this free movement inside the house. What I could figure out without my spectacles was that this simian looked more feminine than the previous trespasser. Perhaps this was the companion, and she knew that this house had easy access and was worth visiting and exploring. While moving out, this one also made no rushed effort, as if familiar with the route. Was her memory sharper than mine? Honestly speaking, I often jumble up between exit and entry doors.
As soon as the monkey went out, some other of her flock descended from the roof and flanked her. She was quite skilled at pulling the lid off just like us. In no time, several hands took turns picking up digestive biscuits. Perhaps this good bonding has kept my clothes safe from any direct attack. Even if they are left out to dry, none of them make any mischief by pulling them off from the clothesline whenever they hop around in the compound in gay abandon. Before I could shout at any family member for this negligence, I was reminded there was no one else at home. I had been careless enough to have kept the door open when the courier arrived an hour ago.
They had been to the living room and the dining space – also to the kitchen. The bedroom and the study escaped their notice till then. I was dusting my books. The door had been left ajar. It was the perfect occasion for another visitor to fall in love with reading. While I was busy shuffling and stacking up on the upper shelves, I turned around to see one monkey sitting in front of the computer, fiddling with the mouse and the wire. I was about to jump off the small ladder to save my gadget when the simian tapped on the woofer, identifying the source of soothing music. I descended quickly to pick up some fluffy cushions from the settee to hurl at his face and started to chase him away by making whoosh-whoosh noises. The monkey felt offended, lost interest in the gadgets and rose suddenly, hitting the keyboard with his behind, toppling it along with the music discs kept at the edge of the table. Once he left without creating a ruckus, I was relieved and hoped such an encounter would not occur again though this household was familiar territory for them. However, if surprises are in store, you cannot avoid them.
On another day, when the puja ceremony for the vehicle was about to begin, a monkey came down from the parapet, picked up a coconut from the tray, and broke it into two right in front of our eyes. While he did the honours, the priest stood shell-shocked to witness the simian intervention that was timely, prompt, voluntary and intelligent to deserve a video reel that would go viral within hours. Wondering if he was trained for such impossible acts, he kept quiet. Sadly, not being prepared for this surprise deprived me of the opportunity to shoot a video. I had to convince him that the monkey chose to do so out of his free will. We must appreciate his decision to help us during the auspicious occasion with active participation, to make ordinary mortals realise that they can also perform feats that humanity world thinks is only the human forte.
They still had the instinct to help though we have forgotten to help fellow humans and other creatures of this planet. It was a timely reminder that we need to wake up and start working towards making this world a better place again. On that sombre note, we concluded the brief ceremony and enriched our minds with a broader outlook. The priest would remember this all his life. As expected, the news of a monkey breaking the coconut bought many people to my gate, who came looking for darshan[1] of the trained resident monkey perched somewhere on the roof or a tree top.
Devraj Singh Kalsiworks as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.
PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL
Figments caught straying in whispers of a dream,
Weave together till they form a visible stream,
Filling a void with voices that sing,
With freedom and impunity ring,
Giving credence to a distant, imagined realm.
— Introduction, Monalisa No Longer Smiles: An Anthology of Writings from across the World
As we complete three years of our virtual existence in clouds, connecting, collecting and curating words of ideators, we step into our fourth year with the pleasurable experience of being in bookshops in hardcopy too. Monalisa No Longer Smiles: An Anthology of Writings from across the World, our first hardcopy anthology, takes us into the realm of real books which have evolved over eons in history. This anthology connects us to those who hesitate to step into the virtual world created by technology. And there are many such people – as ingrained in the human heritage is a love for rustling paper and the smell of books. We have had some excellent reviews, praising not just the content but also the production of the book – the cover, the print and the feel. The collection bonds traditional greats with upcoming modern voices. We are grateful to our publisher, Om Books International, Shantanu Ray Chaudhuri, Jyotsna Mehta and their team for giving our book a chance. We do look forward to more anthologies hopefully in the future.
The writings we have collected over the last three years are reflective of diverse voices— some in concurrence with our thought processes and some in discussion or even in divergence. We have a variety of forms — poetry, conversations, fiction and non-fiction. Some are humorous and some serious. We try to move towards creating new trends as reflected in our anthology and our journal. For instance, Monalisa No Longer Smiles starts with an experiment — a limerick was adapted to express the intent of our book and journal; whereas normally this form is used to express light, or even bawdy sentiments. Perhaps, as the limerick says, we will find credence towards a new world, a new thought, a restructuring of jaded systems that cry out for a change.
Borderless Journaldid not exist before 2020. Within three years of its existence, our published pieces have found voices in this anthology, in other books, journals and even have been translated to a number of languages. Our own translation section grows stronger by the day supported by translators like Aruna Chakravarti, Fakrul Alam, Radha Chakravarty and Somdatta Mandal. Our interviews and conversations probe to find similarities and divergences in viewpoints. Our stories tell a good tale rather than indulge in stylistic interplay and our poetry is meant to touch hearts, creating a bond between the writers and anglophone readers. What we hope to do is to expose our readers to writing that they can understand. Writers get lost at times with the joy of creating something new or unique and construct an abstraction that can be intimidating for readers. We hope to host writing that is comprehensible, lucid and clear to the lay person.
What we look forward to homing in the coming months is a mingling of different art forms to birth new ideas that will help our species move progressively towards a world in harmony, filled with peace and love, giving credence to voices like that of Tagore, Nazrul or Lennon. “Imagine there’s no heaven…Imagine there’s no countries…no religion, too…Imagine all the people/ Livin’ life in peace…Imagine all the people/ Sharing all the world…” The need to redefine has been felt and as Lennon says in his last paragraph: “You may say I’m a dreamer/ But I’m not the only one/ I hope someday you’ll join us/ And the world will live as one.” With this hope, we continue our journey into another year – a new adventure that will take us to a universe where heaven can be found on Earth, grounded and real, within the human reach and can be shared without war, greed, hatred and anger.
Here, we share with you a few iconic pieces that have found their way to our pages within the last three years.
Professor Anvita Abbi, a Padma Shri, discusses her experience among the indigenous Andamanese and her new book on them, Voices from the Lost Horizon. Click here to read.
In Conversation with Akbar Barakzai, a ‘Part-time Poet’ in Exile: The last interview of Akbar Barakzai where he says, ‘The East and the West are slowly but steadily inching towards each other. Despite enormous odds “the twain” are destined to “meet” and be united to get rid of the geographical lines…’ Click hereto read more.
Half-Sisters: Sohana Manzoor explores the darker regions of human thought with a haunting psychological narrative about familial structures. Click hereto read.
Rituals in the Garden: Marcelo Medone discusses motherhood, aging and loss in this poignant flash fiction from Argentina. Click here to read.
Navigational Error: Luke P.G. Draper explores the impact of pollution with a short compelling narrative. Click here to read.
Pandies’ Corner: These narratives highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and Pandies. Click here to read.
Dilip Kumar: Kohinoor-e-Hind: Ratnottama Sengupta recollects the days the great actor sprinted about on the sets of Bombay’s studios …spiced up with fragments from the autobiography of Sengupta’s father, Nabendu Ghosh. Click here to read.
Farewell Keri Hulme: A tribute by Keith Lyons to the first New Zealand Booker Prize winner, Keri Hulme, recalling his non-literary encounters with the sequestered author. Click here to read.
Tagore Translations, including translations by Aruna Chakravarti, Fakrul Alam, Somdatta Mandal and Radha Chakravarty. Click here to read.
Nazrul Translations, including Professor Fakrul Alam and Sohana Manzoor. Click here to read.
Gandhi & Robot by Thangjam Ibopishak, translated from the Manipuri by Robin S Ngangom. Click here to read.
Songs of Freedom by Akbar Barakzai, poems translated from Balochi by Fazal Baloch. Clickhere to read.
Give Me A Rag, Please:A short story by Nabendu Ghosh, translated by Ratnottama Sengupta, set in the 1943 Bengal Famine, which reflects on man’s basic needs. Click here to read.
Thanks to our team, contributors and readers for being a part of our journey. Let’s sail onwards…
Abhirup Dhar, a horror writer whose books are being extensively adopted by Bollywood, talks about his journey and paranormal experiences. Click here to read.
Translations
Munshi Premchand’s Balak or the Child has been translated from Hindi by Anurag Sharma. Click hereto read.
Atta Shad’s Today’s Child has been translated from Balochi by Fazal Baloch. Click here to read.
Masud Khan’s History has been translated from Bengali by Professor Fakrul Alam. Click here to read.
Ihlwha Choi translates his own poem,Lunch Time, from Korean. Click here to read.
Tagore’s Somudro or Ocean has been translated from Bengali by Mitali Chakravarty. Click here to read.
“Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse -- and Thou
Beside me singing in the Wilderness --
And Wilderness is Paradise enow.”
― Omar Khayyám (1048-1131); translation from Persian by Edward Fitzgerald (Rubaiyat, 1859)
I wonder why Khayyam wrote these lines — was it to redefine paradise or just to woo his beloved? I like to imagine it was a bit of both. The need not to look for a paradise after death but to create one on Earth might well make an impact on humankind. Maybe, they would stop warring over an invisible force that they call God or by some other given name, some ‘ism’. Other than tens of thousands dying in natural disasters like the recent earthquake at the border of Turkiye and Syria, many have been killed by wars that continue to perpetrate divides created by human constructs. This month houses the second anniversary of the military junta rule in Myanmar and the first anniversary of the Ukrainian-Russian war that continues to decimate people, towns, natural reserves, humanity, economics relentlessly, polluting the environment with weapons of mass destruction, be it bombs or missiles. The more weapons we use, the more we destroy the environment of our own home planet.
Sometimes, the world cries for a change. It asks to be upended.
We rethink, reinvent to move forward as a species or a single race. We relook at concepts like life and death and the way we run our lives. Redefining paradise or finding paradise on Earth, redefining ‘isms’ we have been living with for the past few hundred years — ‘isms’ that are being used to hurt others of our own species, to create exclusivity and divisions where none should exist — might well be a requisite for the continuance of our race.
Voices of change-pleaders rang out in the last century with visionaries like Tagore, Gandhi, Nazrul, Satyajit Ray urging for a more accepting and less war-bound world. This month, Ratnottama Sengupta has written on Ray’s legendary 1969 film, Goopy Gyne, Bagha Byne: “The message he sent out loud and with laughter: ‘When people have palatable food to fill their belly and music to fill their soul, the world will bid goodbye to wars.’” Shantanu Ray Chaudhuri has given an essay on one of the greatest pacifists, Gandhi, and his attitudes to films as well as his depiction in movies. What was amazing is Gandhi condemned films and never saw their worth as a mass media influencer! The other interesting thing is his repeated depiction as an ethereal spirit in recent movies which ask for changes in modern day perceptions and reforms. In fact, both these essays deal with ghosts who come back from the past to urge for changes towards a better future.
Delving deeper into the supernatural is our interviewee, Abhirup Dhar, an upcoming writer whose ghost stories are being adapted by Bollywood. While he does investigative stories linked to supernatural lore, our other interviewee, Andrew Quilty, a renowned journalist who has won encomiums for his coverage on Afghanistan where he spent eight years, shows in his book, August in Kabul:America’s Last Days in Afghanistan and the Return of the Taliban, what clinging to past lores can do to a people, especially women. Where does one strike the balance? We also have an excerpt from his book to give a flavour of his exclusive journalistic coverage on the plight of Afghans as an eyewitness who flew back to the country not only to report but to be with his friends — Afghans and foreigners — as others fled out of Kabul on August 14 th 2021. While culturally, Afghans should have been closer to Khayyam, does their repressive outlook really embrace the past, especially with the Taliban dating back to about only three decades?
This intermingling of life and death and the past is brought to life in our fiction section by Sreelekha Chatterjee and Anjana Krishnan. Aditi Yadav creates a link between the past and our need to travel in her musing, which is reminiscent of Anthony Sattin’s description of asabiyya, a concept of brotherhood that thrived in medieval times. In consonance with wanderlust expressed in Yadav’s essay, we have a number of stories that explore travel highlighting various issues. Meredith Stephens travels to explore the need to have nature undisturbed by external interferences in pockets like Kangaroo Island in a semi-humorous undertone. While Ravi Shankar travels to the land’s end of India to voice candid concerns on conditions within Kerala, a place that both Keith Lyons and Rhys Hughes had written on with love and a sense of fun. It is interesting to see the contrasting perspectives on Southern India.
Professor Fakrul Alam has also translated poetry where a contemporary Bengali writer, Masud Khan, cogitates on history while Ihlwha Choi has translated his own poem from Korean. A translation of Tagore’s poem on the ocean tries to capture the vastness and the eternal restlessness that can be interpreted as whispers carried through eons of history. Fazal Baloch has also shared a poem by one of the most revered modern Balochi voices, that of Atta Shad. Our pièce de resistance is a translation of Premchand’s Balak or the Child by Anurag Sharma.
This vibrant edition would not have been possible without all the wonderful translators, writers, photographers and artists who trust us with their work. My heartfelt thanks to all of you, especially, Srijani Dutta for her beautiful painting, ‘Hope in Winter’, and Sohana for her amazing artwork. My heartfelt thanks to the team at Borderless Journal, to our loyal readers some of whom have evolved into fabulous contributors. Thank you.
Do write in telling us what you think of the journal. We look forward to feedback from all of you as we head for the completion of our third year this March.
Many of us derive a high after a bout of successful bargaining without realising that the moment of euphoric win soon peters out, only to be replaced by an embarrassing defeat as we get snubbed without a dash of realisation that the same old game checkmates us at some point.
Years ago, a bosom friend of mine found Rs 30 to be a whopping fee for a camel ride in Chandigarh. He did not add up the extra cost of transporting the animal from Rajasthan and denied the owner the legitimacy to charge at will, arguing that the owner would also be selling camel milk to recover its maintenance cost from Punjabis who would relish the refreshing change from the usual buffalo milk, without calculating the quantity of milk a single camel would deliver every day. He did not admit that the opportunity to experience what he would only get to ride in Rajasthan was made available in the local zone and, for that, he should be thankful to the entrepreneurial owner who preferred to bring a novelty item instead of a typical pony from the nearby hill state of Himachal Pradesh.
All he did was sit with the obedient camel tied to a pole, waiting for customers to approach him for a single round of a circular ride of the cemented garden track. My friend looked horrified when he had to shell out the fee before riding the camel, much like a pre-paid cab ride. As was his wont, he bargained hard and brought it down to Rs 20 before mounting the camel that observed the entire exchange in the sitting position, masticating something like chewing gum as the owner did and winking at him. After my friend had made himself comfortable, the owner whispered something, and the camel stood up without a fuss. My bosom friend looked confident and showed me a thumbs-up sign as if he was inside a fighter jet, ready to take the first solo flight.
That the owner was up to some mischief became evident as the pick-up speed looked unusual. He pulled the strings and made the camel run faster along with him so that he could save some time to recover the loss in the ride fare. My friend’s growing discomfort was visible as the camel galloped faster than a horse. He closed his eyes and clutched whatever appeared in sight to prevent a fall. He was no trained horse rider either, and I ran behind the camel carrying my dear friend, like a morning jogger offering moral support, to grab him if toppled, requesting the owner to slow down and stop before something tragic happened. But he did not stop before the round was complete.
When the camel reached a standstill position, the owner was breathless, and the animal waited for further instructions. My friend had started hurling slang words again to order the camel to sit down and enable him to dismount. Finally, after a while, the owner signalled in his preferred language set, and the obedient camel went down on his legs. My rattled friend came down with a hand on his back, almost ready to pounce on the camel owner for endangering his life, threatening him to report the matter and seek cancellation of his licence to operate the camel with tingling bells around the neck in the beautiful city of Chandigarh. I told him it was the direct fall-out of the bargaining process he did to invite this trouble. The camel owner asked him to disappear when another person approached him for a ride and paid the total amount. He went around the park in a slow, languid manner. This pleasant sight further angered my friend. He agreed that the owner took nasty revenge in this manner and threatened to get the camel seized by using his contacts. He tried mobilising the small crowd against him, called him a rough driver who would have been lynched, beaten up black and blue. But nothing happened as the people looked mighty impressed with the novelty and instead blamed him for bargaining with a poor man to be as offensive as cheating and exploitation.
He narrated those terrifying minutes in greater detail as he felt it was a close shave with death. He saw the gates of heaven open up for him as he closed his eyes to envision a Saviour. The chances of a heart attack were the highest during this brief phase. What he expected to be a leisurely ride had turned out to be nightmarish, and he blamed me for not lending him vocal support. He had conveniently brushed aside the bargaining gaffe and concentrated on the life-threatening outcome. He asked the camel owner to pay for an ointment to heal his painful back, but he took small steps and slipped out to serve another customer who was ready to mount despite the dire warnings of my argumentative friend in accented Hindi.
As it is clear, my bosom friend was taken for a bumpy ride no less thrilling than a giant wheel ride as he drove a hard bargain. The camel owner also applied his tricks to outsmart him, proving again that the best bargaining deal often invites trouble for the one who hails himself as the big winner but ultimately ends up as a big loser.
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Devraj Singh Kalsiworks as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.
PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL
In Conversation with Abhay K, a poet turned diplomat, translator and a polyglot, converses of how beauty inspired him to turn poet and translating Kalidasa and other poets taught him technique. Click here to read.
Between 1990 and 2017 one in seven people in India suffered from mental illness. However, the depiction of this in cinema has been poor and sensationalist contends Shantanu Ray Chaudhuri. Click hereto read.
The Observant Immigrant
In The Immigrant’s Dilemma, Candice Louisa Daquin explores immigrants and the great American Dream. Click hereto read.
Book display at Om BookstoreBook display at Midlands
The first month of 2023 has been one of the most exciting! Our first book, Monalisa No Longer Smiles: An Anthology of Writings from across the World, is now in multiple bookstores in India (including Midlands and Om Bookstores). It has also had multiple launches in Delhi and been part of a festival.
Delhi University panellists from left to right: Shantanu Ray Chaudhuri, Meenakshi Malhotra, Debraj MookerjeePanellists at Om Bookstore launch: Aruna Chakravarti, Mitali Chakravarty, Radha Chakravarty
We, Meenakshi Malhotra and I, were privileged to be together at the physical book events. We met the editor in chief of Om Books International, Shantanu Ray Chaudhuri, the editor of our anthology, Jyotsna Mehta, along with two translators and writers I most admire, Aruna Chakravarti and Radha Chakravarty, who also graced a panel discussion on the anthology during our physical book launch. The earlier e-book launch had been in November 2022. My heartfelt thanks to the two eminent translators and Chaudhuri for being part of the discussions at both these launches. Chaudhuri was also in the panel along with Debraj Mookerjee at a launch organised by Malhotra and the English Literary Society steered by Nabaneeta Choudhury at Hans Raj College, Delhi University. An energising, interactive session with students and faculty where we discussed traditional and online publishing, we are immensely grateful to Malhotra for actively organising the event and to the Pandies’ founder, Sanjay Kumar, for joining us for the discussion. It was wonderful to interact with young minds. On the same day, an online discussion on the poetry in Monalisa No Longer Smiles was released by the Pragati Vichar Literary Festival (PVLF) in Delhi.
At the PVLF session, I met an interesting contemporary diplomat cum poet, Abhay K. He has translated Kalidasa’s Meghaduta and the Ritusamhara from Sanskrit and then written a long poem based on these, called Monsoon. We are hosting a conversation with him and are carrying book excerpts from Monsoon, a poem that is part of the curriculum in Harvard. The other book excerpt is from Sanjay Kumar’s Performing, Teaching and Writing Theatre: Exploring Play, a book that has just been published by the Cambridge University Press.
Perhaps because it is nearing the Republic Day of India, we seem to have a flurry of book reviews that reflect the Sub-continental struggle for Independence from the colonials. Somdatta Mandal has reviewed Priya Hajela’s Ladies Tailor: A novel, a book that takes us back to the trauma of the Partition that killed nearly 200,000 to 2 million people – the counts are uncertain. Bhaskar Parichha has discussed MA Sreenivasan’s Of the Raj, Maharajas and Me, a biography of a long serving official in the Raj era — two different perspectives of the same period. Rakhi Dalal has shared her views on Shrinivas Vaidya’s A Handful of Sesame, translated from Kannada by Maithreyi Karnoor, a book that dwells on an immigrant to the Southern part of India in the same time period. The legendary film writer K.A. Abbas’s Sone Chandi Ke Buth: Writings on Cinema, translated and edited by Syeda Hameed and Sukhpreet Kahlon, has been praised by Gracy Samjetsabam.
We have a piece on mental health in cinema by Chaudhuri, an excellent essay written after interviewing specialists in the field. Ratnottama Sengupta has given us a vibrant piece on Suhas Roy, an artist who overrides the bounds of East and West to create art that touches the heart. Candice Louisa Daquin has written on border controls and migrants in America. High profile immigrants have also been the subject of Farouk Gulsara’s ‘What do Freddy Mercury, Rishi Sunak & Mississipi Masala have in Common?’ Sengupta also writes of her immigrant family, including her father, eminent writer, Nabendu Ghosh, who moved from Bengal during the Partition. There are a number of travel pieces across the world by Ravi Shankar, Meredith Stephens and Mike Smith — each written in distinctively different styles and exploring different areas on our beautiful Earth. Sarpreet Kaur has revisited the devastation of the 2004 tsunami and wonders if it is a backlash from nature. Could it be really that?
The flavours of cultures is enhanced by the translation of Nazrul’s inspirational poetry by Professor Fakrul Alam, Korean poetry written and translated by Ihlwha Choi and a transcreation of Tagore’s poem Banshi (or flute) which explores the theme of inspiration and the muse. We have a story by S Ramakrishnan translated from Tamil by R Sathish. The short stories featured at the start of this year startle with their content. Salini Vineeth writes a story set in the future and Paul Mirabile tells the gripping poignant tale of a strange child.
With these and more, we welcome you to savour the January 2023 edition of Borderless, which has been delayed a bit as we were busy with the book events for our first anthology. I am truly grateful to all those who arranged the discussions and hosted us, especially Ruchika Khanna, Om Books International, the English Literary Society of Hans Raj College and to the attendees of the event. My heartfelt thanks to the indefatigable team and our wonderful writers, artists and readers, without who this journey would have remained incomplete. Special thanks to Sohana Manzoor for her artwork. Many thanks to the readers of Borderless Journal and Monalisa No Longer Smiles. I hope you will find the book to your liking. We have made a special page for all comments and reviews.
I wish you a wonderful 2023. Let us make a New Year’s wish —
May all wars and conflicts end so that our iconic Monalisa can start smiling again!
Left to right: Mitali Chakravarty, Sanjay Kumar, Shantanu Ray Chaudhuri, Meenakshi Malhotra and Debraj Mookerjee After the event with a few students and teachersAt Delhi University
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Left to right: Radha Chakravarty, Mitali Chakravarty, Aruna Chakravarti, Shantanu Ray ChaudhuriLeft to right: Shantanu Ray Chaudhuri, Aruna Chakravarti, Mitali Chakravarty, Radha Chakravarty, Jyotsna MehtaAt Om Bookstore, Ambiance Mall, GurgaonWith book reviewer Rakhi Dalal
Insta Link to an excerpt of the launch at Om Bookstore. Click here to view.
E-Launch of the first anthology of Borderless Journal, November 14th 2022. Click here to view.
It was a stage of life when we were friends without knowing the meaning of friendship. Just like that. As we grew up and grasped what friendship meant, we lost the capacity to nurture unconditional friendship. Although we rarely admit our incompetence to strike genuine bonds, we always make tall claims of being real friends for life. Utter one word that pricks a friend’s ego, and you are thrown out of the chat room with collective opposition to make you a pariah forever. It is the equivalent of being punished by the schoolteacher who made you stand outside the classroom for disturbing the entire class.
Attending a grand gala reunion organised by school friends offers an opportunity to revive and relive childhood memories — although the attendees are more engrossed in observing your receding hairline or the protruding belly. Your grey hair reassures those with jet-black hair and gives the scope to suggest effective herbal therapy. Your glowing skin stirs jealousy, and curious friends, eager to dig up the secret of your taut skin, surround you. Tell them you apply nothing to nourish it, and they conclude you are simply masking the truth.
If you have been stylish during childhood but now prefer simple clothes, get ready to be accosted by a friend who flaunts branded apparel and tries to draw your attention to his fancy imported jacket by raising its hood again and again.
Life is strange, and meeting childhood friends makes you realise this bitter truth. Those who were the most dignified and sober types have turned out to be drunkards. Those who never used a cuss word now hurl abuses as an energy booster. Those who wore tidy shoes have turned out to be careless about polish. Those who were always late have now become punctual in life. Those with a strict routine for everything have no routine to follow. Those who never laughed or cracked a joke in school have become humorists. Those who were toppers have become showstoppers of a different kind. Those fond of reading books now dread owning a bookshelf. The compulsive liars have become worshippers of truth. Those friends who never said prayers have now become staunch devotees. Life has its unpredictable ways of shaping people and their destinies.
In a reunion, you meet old buddies and see how they have changed, grown, or decayed in the intervening decades. Although I do not attend these reunions, it fascinates me to wonder how they get the wavelength right to connect. Dance, swing, or hop to revive bonhomie? Do they stand in a queue and pass through the school corridors? Do they enter the classroom and sit on the last bench? Do they fiddle with the chalk and duster to sign their flamboyant designations and titles? Do they revisit the loo where they discovered their youth? Do they stand or jostle near the tap to drink water and then splash it on friends for aqua fun? Do they huff and puff and yet run and climb the guava tree or dangle from its lowest branch in a brave and desperate show of fitness and agility that they have lost? Do they shake an arthritic leg with a fake smile? Do they try to appear healthy and hide their blood sugar levels by gorging on sweets? Do they sprinkle table salt on chops and cutlets to show hypertension has left them untouched? Well, it is a heroic attempt to present the best side with a smiling visage.
Such impulses get the better of you in your middle age when you realise the risk of dying of a sudden heart attack looms large. Before you depart, you wish to meet these childhood buddies and relive the lost innocence. You are back to your primary school — as those were the days you lived without stress and shared without ulterior motives. Life was good, but then you wanted a life of your choice — to carve a niche, rise, and race ahead. The world beckons you then, and now your town of birth makes you feel this had been heaven on earth. Yet, it was the place you were eager to leave to explore the world. Now you have done everything, so you want to return to where it all started. Just another wish like the one that made you navigate the world for golden opportunities.
Now you want to sit under a shady tree and philosophise whether you have lived a good life. Deep inside, you realise it has been a mixed bag, and the cycle is almost complete. You want to slow down and enjoy what you lost or left behind in childhood in a somewhat apologetic way, and you want the company of friends who share a similar worldview now. The future holds no promise of anything worthwhile. But there is a lot in the haystack of the past to cherish and relish. Remember the jam and jelly and butter toast in the tiffin you shared. Perhaps the joys of a simple life pull the heartstrings, and those childhood friends allow you to be yourself and help you recognise the person were and have left behind to a long forgotten past.
Devraj Singh Kalsiworks as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.
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