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Poetry

April Love?

Poetry By Michael R Burch

Orchard by Oscar-Claude Monet(1840-1926). Courtesy: Creative Commons
MOMENTS
(for Beth)

There were moments
full of promise,
like the petal-scented rainfall
of early spring,
when to hold you in my arms
and to kiss your willing lips
seemed everything.

There are moments
strangely empty
full of pale unearthly twilight
—how the cold stars stare!—
when to be without you
is a dark enchantment
the night and I share.

(Originally published by Tucumcari Literary Review)



WATER AND GOLD 

You came to me as rain breaks on the desert
when every flower springs to life at once.
But joys are wan illusions to the expert:
the Bedouin has learned how not to want.

You came to me as riches to a miser
when all is gold, or so his heart believes,
until he dies much thinner and much wiser,
his gleaming bones hauled off by chortling thieves.

You gave your heart too soon, too dear, too vastly;
I could not take it in; it was too much.
I pledged to meet your price, but promised rashly.
I died of thirst, of your bright Midas touch.

I dreamed you gave me water of your lips,
then sealed my tomb with golden hieroglyphs.

(Originally published by The Lyric)


LADY’S FAVOUR 

May 
spring
fling
her riotous petals
devil-
may-care
into the air,
ignoring the lethal
nettles
and may
May
cry gleeful-
ly Hooray!
as the abundance 
settles,
till a sudden June 
swoon
leave us out of tune,
torn,
when the last rose is left
inconsolably bereft,
rudely shorn
of every device but her thorn.

(Originally published by The Lyric)




ROSES FOR A LOVER, IDEALISED 

When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall—yours made me bleed?

When winter makes me think of you—
whorls petrified in frozen dew,
bright promises blithe spring forsook,
will I recall your words—barbed, cruel?

(Originally published by The Lyric)

Michael R. Burch’s poems have been published by hundreds of literary journals, taught in high schools and colleges, translated into fourteen languages, incorporated into three plays and two operas, and set to music by seventeen composers.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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