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Contents

Borderless, April 2023

Painting by Sohana Manzoor

Editorial

Can Love Change the World?… Click here to read.

Conversation

Keith Lyons interviews Asian Australian poet Adam Aitken about cross-cultural identity, and the challenges of travel, writing, and belonging. Click here to read.

Translations

Gandhiji, a short story by Nabendu Ghosh, has been translated from Bengali by Ratnottama Sengupta. Click here to read.

Khaira, the Blind, a story by Nadir Ali, has been translated from Punjabi by Amna Ali. Click here to read.

Clothes of Spirits, a folktale, has been translated from Balochi by Fazal Baloch. Click here to read.

Many Splendored Love, four poems by Masud Khan, have been translated from Bengali by Fakrul Alam. Click here to read.

Birds are Alive, has been written and translated from Korean by Ihlwha Choi. Click here to read.

Nobo Borshe or on New Year, Tagore’s poem on the Bengali New Year, has been translated from Bengali by Mitali Chakravarty for the occasion this April. Click here to read.

Poetry

Click on the names to read the poems

Michael R Burch, Vipanjeet Kaur, William Miller, Sutputra Radheye, Jim Landwehr, Namrata Varadharajan, Phil Wood, Akshada Shrotryia, Richard Stevenson, Abdul Jamil Urfi, Scott Thomas Outlar, Anasuya Bhar, George Freek, Malachi Edwin Vethamani, Ryan Quinn Flanagan, Rhys Hughes

Poets, Poetry & Rhys Hughes

In My Love for RK Narayan, Rhys Hughes discusses the novels by ths legendary writer from India. Click here to read.

Musings/Slices from Life

Magic of the Mahatma & Nabendu

Ratnottama Sengupta shows the impact of Gandhi and his call for non-violence on Nabendu Ghosh as she continues to emote over his message of Ahimsa and call for peace amidst rioting. Click here to read.

Kindred Spirits

Anjali V Raj writes of an endearing friendship. Click here to read.

Colorado comes to Eden

Meredith Stephens sails to meet more people in Eden. Click here to read.

Us vs Them

Shivani Agarwal talks of sharing the planet with all creatures great and small. Click here to read.

Musings of a Copywriter

In To Be or Not to Be, Devraj Singh Kalsi muses on food fads. Click here to read.

Notes from Japan

In Olives and Art in the Inland Sea, Suzanne Kamata explores the island of Sodoshima. Click here to read.

Essays

Charlie and I: My Visit to Corsier-sur-Vevey

Nirupama Kotru talks of her trip to Charlie Chaplin’s home and writes about the legendary actor. Click here to read.

The Wonderland of Pokhara

Ravi Shankar explores, Pokhara, a scenic town in Nepal. Click here to read.

Stories

Sparks

Brindley Hallam Dennis captures the passing of an era. Click here to read.

The Moulting

PG Thomas brings us a glimpse of Kerala — the past merging to create a new present. Click here to read.

The Book Hunter

Paul Mirabile gives a tale about a strange obsession. Click here to read.

Book Excerpts

An excerpt from What Will People Say?: A Novel by Mitra Phukan. Click here to read.

An excerpt from The Wistful Wanderings of Perceval Pitthelm by Rhys Hughes. Click here to read.

Book Reviews

Somdatta Mandal reviews Chitra Banerjee Divakaruni’s Independence. Click here to read.

Rakhi Dalal reviews Song of the Golden Sparrow – A Novel History of Free India by Nilanjan P. Choudhary. Click here to read.

Basudhara Roy reviews Ukiyo-e Days… Haiku Moments by Bina Sarkar Ellias. Click here to read.

Bhaskar Parichha reviews Japanese Management, Indian Resistance: The Struggles of the Maruti Suzuki Workers by Anjali Deshpande and Nandita Haksar. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Click here to learn more about our first anthology, Monalisa No Longer Smiles

Categories
Editorial

Can Love Change the World?

The night has nearly come to an end.
The old year is almost past.
Under this dust, it will lay down
Its worn-out life at last.
Whether friend or foe,      wherever you go,
Old wrongs cast
Away. On this auspicious day,
Old grievances shed as the old year parts.

— Nobo Borshe or on New Year by Tagore

Art by Sohana Manzoor

Mid-April, Thailand celebrates Songkran and Cambodia, Thingyan — water festivals like Holi. These coincide with the celebration of multiple New Years across Asia. Sikhs celebrate Baisakhi. Kerala celebrates Bishu and Tamil Nadu, Puthandu. Nepal celebrates Nava Varsha and Bengal Nobo Borsho or Poila Boisakh. A translation of Tagore’s poem on the Bengali New Year in spirit asks us to dispense with our past angst and open our hearts to the new day — perhaps an attitude that might bring in changes that are so needed in a world torn with conflicts, hatred and anger. The poet goes on to say, “I want to tie all lives with love” but do we do that in our lives? Can we? Masud Khan’s poems on love translated by Professor Fakrul Alam explore this from a modern context. From Korea, Ihlwha Choi tells us in his translation, “Loving birds is like loving stars”. But the translation that really dwells on love bringing in changes is Nabendu Ghosh’s ‘Gandhiji’, translated by Ratnottama Sengupta, his daughter. The short story by Ghosh highlights the transformation of a murderous villain to a defender of a victim of communal violence, towering above divides drawn by politics of religion.

Another daughter who has been translating her father’s works is Amna Ali, daughter of award-winning Punjabi writer, Nadir Ali. In ‘Khaira, the Blind‘, the father-daughter duo have brought to Anglophone readers a lighter narrative highlighting the erasure of divides and inclusivity. A folktale from Balochistan, translated by Fazal Baloch, echoes in the footsteps of ‘Emperor’s New Clothes’ — a story that can found in the Andersen’s Fairy Tales published in the nineteenth century. I wonder which narrative had come first? And how did it cross cultures retaining the original ideas and yet giving it a local colour? Was it with traders or immigrants?

That such narratives or thoughts are a global phenomenon is brought to the fore by a conversation between Keith Lyons and Asian Australian poet Adam Aitken. Aitken has discussed his cross-cultural identity, the challenges of travel, writing, and belonging. Belonging is perhaps also associated with acceptance. How much do we accept a person, a writer or his works? How much do we empathise with it — is that what makes for popularity?

Cross cultural interactions are always interesting as Rhys Hughes tells us in his essay titled ‘My Love for RK Narayan’. He writes: “Narayan is able to do two contradictory things simultaneously, namely (1) show that we are all the same throughout the world, and (2) show how cultures and people around the world differ from each other.” The underlying emotions that tie us together in a bond of empathy and commonality are compassion and love, something that many great writers have found it necessary to emphasise.

Mitra Phukan’s What Will People say?: A Novel is built around such feelings of love, compassion and patience that can gently change narrow norms which draw terrifying borders of hate and unacceptance. We carry an excerpt this time from her ‘Prologue’. Somdatta Mandal has reviewed Chitra Banerjee Divakurni’s latest , Independence. Starting from around the time of the Indian Independence too is Song of the Golden Sparrow – A Novel History of Free India by Nilanjan P. Choudhary, which has been discussed by Rakhi Dalal. The Partition seems to colour narratives often as does the Holocaust. Sometimes, one wonders if humanity will ever get over the negative emotions set into play in the last century.

Closer to our times, when mingling of diverse cultures is becoming more acceptable in arts, Basudhara Roy introduces us to Bina Sarkar Ellias’s Ukiyo-e Days…Haiku Moments, a book that links poetry to a Japanese art-form. While a non-fiction that highlights the suffering of workers by enforcing unacceptable work ethics, Japanese Management, Indian Resistance: The Struggles of the Maruti Suzuki Workers by Anjali Deshpande and Nandita Haksar has been reviewed by Bhaskar Parichha. The narrative, he writes, “tells the story of the biggest car manufacturer in India through the voices of the workers, interviewed over three years. They give us an understanding that the Maruti Suzuki revolution wasn’t the unmitigated success it was touted to be when they tell us about their resistance to being turned into robots by uncompromising management.” That lack of human touch creates distress in people’s hearts, even if we have an efficient system of management and mass production is well elucidated in the review.

To lighten the mood, we have humour in verses from Rhys Hughes and Richard Stevenson’s tongue-in-cheek dino poems. Michael Burch’s poetry explores nuances of love and, yet, changes wrought in love has become the subject of poetry by Malachi Edwin Vethamani and Anasuya Bhar with more wistful lines by George Freek highlighting evanescence.  Sutputra Radheye and Jim Landwehr bring darker nuances into poetry while Scott Thomas Outlar mingles nature with philosophical meanderings. We have more poetry by Ryan Quinn Flanagan, Abdul Jamil Urfi and many more exploring various facets of changes in our lives.

These changes are reflected in our musings too. Sengupta has written on how change is wrought on a murderous villain by the charisma of Gandhi in her father’s fiction, as well as this world leader’s impact on Ghosh and her. Devraj Singh Kalsi addresses food fads with a pinch of sarcasm. From Japan, Suzanne Kamata has written of a little island with Greek influences, a result of cultural ties brought in by the emperor Hirohito. Ravi Shankar takes us to Pokhara, Nepal, and Meredith Stephen expresses surprise on meeting a shipload of people from Colorado in the far reaches of the Southern Hemisphere while on her sailing adventures with beautiful photographs. Stories by moderns reflect diverse nuances depicting change. While Brindley Hallam Dennis writes of the passing of an era, PG Thomas integrates the past into the present to reflect how they have a symbiotic structure in the scheme of creating or recreating natural movements through changes wrought over time in his story. Paul Mirabile explores the darker recesses of the human existence in his fiction. As if in continuation, the excerpt from Rhys Hughes’ The Wistful Wanderings of Perceval Pitthelm seems to step out of darker facets of humanity with a soupçon of wit at its best.

To create a world that endures, one looks for values that create inclusivity as reflected in these lines from Charles Chaplin’s My Autobiography, “Mother illuminated to me the kindliest light this world has ever known, which has endowed literature and the theatre with their greatest themes: love, pity and humanity.” This quote starts off a wonderful essay from film-buff Nirupama Kotru. Her narrative carries the tenor of Chaplin’s ‘themes’ to highlight not only her visit to the actor’s last home in Switzerland but also glances at his philosophy and his contributions to cinema across borders.

Our issue rotates around changes and the need for love and compassion to rise in a choral crescendo whirling with the voices of Tagore, Charles Chaplin as well as that of twenty-first century writers. Perhaps this new year, we can move towards a world – at least an imagined world — where love will wipe away weapons and war, where love will take us towards a future filled with the acceptance of myriad colours, where events like the Partition and the Holocaust will be history, just like dinosaurs.

Huge thanks to all our readers and contributors, some of whom may not have been mentioned here but are an integral and necessary part of the issue. Do pause by our April edition. I would also like to give my thanks to our indefatigable team whose efforts breathe life into our journal every month. Sohana Manzoor needs a special mention for her lovely artwork.

Thank you all and wish you a wonderful April.

Mitali Chakravarty

borderlessjournal.com

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Read reviews and learn more about Monalisa No Longer Smiles: An Anthology of Writings from across the World by clicking here

Categories
Poetry

Funeral Wish by Jim Landwehr

Jim Landwehr
FUNERAL WISH 

At my funeral
I want you to put on the
J Geils Band vinyl 33 RPM
“Blow Your Face Out”
and dance until you’re 
sweated through
because when it 
comes down to it
life ain’t nothin’
but a house party.
That’s my dying request.
And, if instead,
you play On Eagles Wings
I will rise from the casket
and smash that record
like the woman
in It’s a Wonderful Life
because I don’t want to
be raised up like a raptor
I want to cut a rug
until I hurt

Jim Landwehr has five books of poetry and four full-length memoirs. He is poet laureate emeritus for the Village of Wales, Wisconsin and lives in Waukesha, Wisconsin.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International