Categories
pandies' corner

Songs of Freedom: What are the Options?

By Jyoti[1], translated from Hindustani by Lourdes M Supriya

Songs of Freedom bring stories from women — certainly not victims, not even survivors but fighters against the patriarchal status quo with support from the organisation Shaktishalini[2].

–Sanjay Kumar, founder, pandies

Painting by Amrita Shergil (1913-1941)
What are the Options?

“So then what happened?”

Nothing. My father came and took me back to his house. My nana-nani [3] didn’t stop him. He put me in a good school though, so this time I didn’t mind going back there. Last time he took me, I hated it.

“Why did you hate it?”

He wasn’t a nice man. I think that’s why my grandparents took me in. They knew what kind of a man he was. I loved being at my grandparents’. My mama, mother’s brother, he would take me shopping during holidays. I could pick anything in the entire shop, he’d never say no. Whenever I wanted new clothes, my masi, mother’s sister, took me to the markets\. She was like my mother. I was so loved there. But then my father took me away…

He had too many restrictions. My mother and I weren’t allowed to leave the house. I couldn’t leave after I came back from school. He kept an eye on us from his shop, it was down the street. Then the drinking got too much, the yelling, the swearing. I was afraid of his footsteps. I could tell from the sound of them what the night was going to be like. My mother was very scared of him, she couldn’t protect me from him. She felt helpless, I felt really bad for her. Then I was sent away again to my grandparents. I liked it there. I was studying in a government school. I did well in studies. I liked it. But then he came and took me back to the village. I had to repeat my third standard[4] there. I cried a lot at first, but it was a private school, better than the government one in Delhi.

“So this was the second time you were going there?”

Yes. I’ve lived at my father’s a couple of times. Sometimes I ran away and came back to my grandparents’, sometimes my mother brought me with her and stayed. But she always went back pretty soon. The first time he took me, I used to cry to my grandparents every night to take me back. I had to repeat classes so many times, I’m really behind on my studies. This has ruined my education. That’s why I hate it.

“What about the last time you were there? What happened then?”

Nothing. The same. But worse. He was more violent. My mother herself asked me to go with her to my grandparent’s. But I had exams in a month. I was a good student. I’d worked so hard. That year was especially bad at home; I’d put all my energy into school. I didn’t want to just drop it all and repeat the class again. I begged my mother to stay till the end of the term. He would beat her over everything. So I had to beg her. I promised her I would support her if she’d just let me give those exams. I was 14. I was old enough to start working.

“So did she stay?”

Yes. And then I came back to my grandparents’. But she went back the second day. Then she stopped taking my calls. Finally, I called her from someone else’s phone. She recognised my voice. I could tell. She didn’t say anything for a long time. I kept asking her to come. Then she said, “Aaj se tera mera rishta khatam; you’re not my daughter anymore. Don’t call again.”

I felt very alone. Things at my grandparents’ were also changing. My aunt was getting married. Everyone was busy with the preparations.

Nana[5] used to drive the auto 15 hours a day to save up for it. But he first had to pay back the loan he took out for the auto before he could save for the wedding. It was his last installment and they were really breathing down on him. One day he came home and told us he was short of 1000 bucks and it was time to make the payment. He asked my uncle, who was married by then, but his wife said they couldn’t spare it since they were also paying for the wedding and saving for the baby they planned to have next year. My uncle didn’t even have the balls to refuse his father himself. His wife had to do it. My grandfather turned to my mother, but she said, she couldn’t spare it either, she’d spent it all on me.

“Wait, your mother was there?”

Yes. She’d come eventually, some two months after me. She was working as a cook. It was really nice. For the first time, it felt like she was there. But that day she had used me as an excuse. I didn’t see any of that money. She wasn’t even paying for my school fees. I took tuitions and paid for it. I was starting to resent her too, I could see why the rest of them hated her.

“Wait, who hated her? Why did you resent her, you just said she was there for you.”

She was. When she came. She got a job. She got offs on Sunday and she would spend those with me. On Sundays, I didn’t have to cook for the family, she did. She even gave me money for school supplies, like new copies or pens, whenever I asked for it. She got me a small phone too. But this didn’t last long. She met someone. She used to take the same rickshaw to work everyday. He’d take her from one place to the next, they used to talk, then she’d talk to him at night too. She kept to herself. She started spending her Sundays with him. He wasn’t a good man. One day, he went to the village.

I thought it would end but her late-night conversations continued. They hated her, my grandparents and my uncle, his wife, even my mother’s sister. She knew her sister was to get married soon but she was roaming around with a man. All the neighborhood knew about it. What would they think? And then she stopped contributing to the house. How much could my grandfather do? She didn’t even give me any money anymore. Not even for notebooks. I had to work. And it was so difficult. I had to make breakfast for everyone in the house in the mornings, pack my lunch, rush back and do all the cleaning of the house, make lunch for everyone, then clean up the kitchen and wash the vessels. Then my kids would come. But everyone was selfish then. They were angry with my mother, and then with me. I gave my grandmother a part of my earnings, and I paid for my school. I did everything. She’d stopped staying home on Sundays too, so I had to do the work. That day, when my grandfather asked for money, she said she didn’t have any. He got so angry with her, he called her a slut, a leach, a parasite, draining him, killing him slowly, he slapped her. She ran away. I noticed that he didn’t react the same way when his daughter-in-law had refused to give him the money. But he was just so upset, he started crying. I couldn’t bear it. So I took one thousand from the money I’d saved for all those months and gave it to him. My grandmother took me aside and told me I shouldn’t have done it, that she could have dipped into the money I gave her. I told her that was for her. She didn’t have any money at all. And she’d been so kind to me. She was the only one who didn’t resent me. But she respected my grandfather too much to contradict him when he called me names.

“I thought your grandparents were supportive, that you’d felt safe in their house?”

I did. But my aunt was getting married, that changed everything. And I understand why they were angry with my mother. She brought us so much shame. One day, that man that she’d been having an affair with, he went to her workplace and started beating her up. He forced her onto his rickshaw, holding her hair throughout, and then brought her to our neighborhood and dragged her through the streets by her hair to his friend’s house. She’d started an affair with his friend when he’d gone to his village, and he found out about it. All the people heard him that day. She was so scratched up when he finally let her go. I took her to the police station but they didn’t file a complaint. My grandparents also encouraged her to file a complaint. But she didn’t. The new man she was seeing told her he was going to help her. So she listened to him, trusted that he would get her justice. I’ve never seen him, none of us had. But she really trusted him.

One day my aunt was really anxious. She came into the room when I was taking a class, and she asked me to go to the terrace because she needed the room. I had to move all the kids upstairs, take all the chairs. When I came back after the class, she started yelling at me, telling me I’m a burden, then she started beating me, abusing my mother too. I didn’t say anything to her when she was beating me; she left me in the room. I waited for my mother to come and comfort me. But she didn’t come. So I went looking for her, thinking this could bring us together. But I found her on the terrace, talking to her new boyfriend, telling him about all this. I felt really abandoned. She couldn’t even bother to check on me but she wanted his sympathy. Then they got into a fight. At one point, I overheard her begging him not to leave her or she’d kill herself. It made me so angry, I felt like I could break something.  I didn’t like this man at all. One day, she just got up left. I asked my grandparents to file a missing person’s report but they didn’t want to do it because it would bring shame to the family and my aunt was getting married. So they waited till it was over and then filed it, three years later. But I haven’t seen her since. I think she’s missing, we need to find her.

“How long ago was this?”

I don’t know. I can’t tell.

“What happened after your mother left?”

They all blamed me, they said I drove her to do it, that I hated her, that I was like her. They asked me to start contributing to the house, to stop living like a freeloader. I started giving all my tuition money home. I couldn’t continue school anymore. But they were so angry. One day, after my aunty’s marriage, the police came to our house in response to the missing person’s complaint I’d made them file. They wanted to ask questions about my mother and her boyfriend. I think she planned her escape. She’d been staying overnight at his house 2-3 times a week, and slowly taking her clothes there. The police pointed this out,  how she couldn’t have taken a big bag when she escaped, or we’d have seen her packing. I think they’re right. She abandoned me.

“Do your grandparents believe she’s okay, living somewhere else?”

Yes. It makes sense. She didn’t like it at home. They felt so ashamed by the police visit. They were angry that I’d made them file the complaint only to find out that their daughter had run away willingly. My grandfather was livid that day. He beat me up, then tried to drag me down the stairs. But I fell down at the 3rd floor landing so he started kicking me. Then he left me lying there. My grandmother didn’t come to help me. I was so distraught. I couldn’t even go to school, everyone hated me. What future did I have? No one wanted to help me, I didn’t know anyone who could help me or even who to turn to. I jumped off the landing there. I tried to commit suicide. That’s why I’m here now. Now I go to school.

[1] Note: Loosely based on the writer’s lived experiences

[2]  “Establishing itself as a premier women’s organisation in India from 1987, Shaktishalini has spread out and deals with all kinds of gender based violence. A shelter home, a helpline and more than that a stunning activist passion are the hallmarks of this organisation. 

pandies and Shaktishalini – different in terms of the work they do but firmly aligned in terms of ideological beliefs and where they stand and  speak from. It goes back to 1996 when members of the theatre group went to the Shaktishalini office to research on (Dayan Hatya) witch burning for a production and got the chance to learn from the iconic leaders of Shaktishalini, Apa Shahjahan and Satya Rani Chadha. And collaborative theatre and theatre therapy goes back there. It is a mutual learning space that has survived over 25 years. Collaborative and interactive, this space creates anti-patriarchal and anti-communal street and proscenium performances and provides engaging workshop theatre with survivors of domestic and societal patriarchal violence. Many times we have sat together till late night, in small or large groups debating what constitutes violence? Or what would be gender equality in practical, real terms? These and many such questions will be raised in the stories that follow.” — Sanjay Kumar

[3] Maternal grandparents

[4] Grade. Third grade

[5] Maternal grandfather

Jyoti Kaur is a 19-year-old from Delhi, currently pursuing her 10th grade studies. She likes to dance, read books and loves to travel at night.

Lourdes M Supriya is a Delhi based filmmaker, editor, and theatre practitioner who has been associated with pandies’ theatre since 2015.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Contents

Borderless August 2023

Art by Sohana Manzoor

Editorial

Other Echoes in the Garden… Click here to read.

Interviews

Ujjal Dosanjh, former Minister from Canada and former Premier of British Columbia, discusses his autobiography, Journey After Midnight – A Punjabi Life: From India to Canada, and the need for a world with less borders. Click here to read.

Professor Fakrul Alam discusses his new book of Tagore translations, Gitabitan: Selected Song-Lyrics of Rabindranath Tagore. Click here to read.

Translations

Tagore’s Musalmanir Galpa (A Muslim Woman’s Story) has been translated from Bengali by Aruna Chakravarti. Click here to read.

Masud Khan’s poem, In Another Galaxy, has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Wakeful Stays the Door, a poem by Munir Momin, has been translated from Balochi by Fazal Baloch. Click here to read.

Dangerous Coexistence, written in Korean and translated by Ilhwah Choi. Click here to read.

Proshno or Questions by Tagore has been translated by Mitali Chakravarty. Click here to read.

Pandies Corner

Songs of Freedom: An Ordinary Tale is a narrative by Nandani based on her own experiences, translated from Hindustani by Janees. These narrations highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and Pandies. Click here to read.

Poetry

Click on the names to read the poems

Jared Carter, Rhys Hughes, Malachi Edwin Vethamani, Luis Cuauhtémoc Berriozábal, Saranyan BV, Ryan Quinn Flanagan, A Jessie Michael, Jahnavi Gogoi, George Freek, Koushiki Dasgupta Chaudhuri, David Francis, Akil Contractor, Michael Burch

Poets, Poetry & Rhys Hughes

In An Experiment with Automatic Poetic Translation, Rhys Hughes auto translates an English poem sequentially through 28 languages and then back to English with hilarious results. Click here to read.

Musings/ Slices from Life

Mister, They’re Coming Anyway

Timothy Jay Smith writes on the refugee crisis in Lesbos Island, Greece with photographs by Michael Honegger. Click here to read.

Migrating to Myself from Kolkata to Singapore

Asad Latif explores selfhood in context of diverse geographies. Click here to read.

Islands that Belong to the Seas

Paul Mirabile muses on how humans are like migrants on islands borrowed from the seas. Click here to read.

Of Dreams, Eagles and Lost Children

Aysha Baqir muses on the narrow, closed borders that condemn children. Click here to read.

Mushroom Clouds and Movies: Response from a Hibakusha’s Daughter

Kathleen Burkinshaw discusses Oppenhiemer the movie. Click here to read.

Sleepless in the High Desert, Slumber in the Sierra

Meredith Stephens covers Nevada to Columbia in a car with her camera. Click here to read.

My Hostel Days

Ravi Shankar reminisces on bygone days. Click here to read.

Musings of a Copywriter

In The Amateur Professional, Devraj Singh Kalsi writes of a amateur who thought of himself as a professional. Click here to read.

Notes from Japan

In How I Wound Up in Japan, Suzanne gives her story as an immigrant. Click here to read.

Essays

A Different Persuasion: On Jane Austen’s Novels & their Adaptations

Deepa Onkar delves into the world of Jane Austen books and films. Click here to read.

A Foray into Andamans

Mohul Bhowmik explores Andaman with a camera and narrative. Click here to read.

Bhaskar’s Corner

In Chittaranjan Das: A Centenary Tribute, Bhaskar Parichha discusses the life of one of the most legendary Odia writers. Click here to read.

Stories

Belacan

Farouk Gulsara shares a story based on the life of a migrant in 1950s. Click here to read.

The Japanese Maple

Shivani Shrivastav weaves a story of friendship and loneliness among migrants. Click here to read.

The Coin

Khayma Balakrishnan explores human and supernatural interactions in a school setting in Malaysia. Click here to read.

The Vagrant

Reeti Jamil narrates a strange tale set in a village and told by a farmer. Click here to read.

Book Excerpts

An excerpt from Ujjal Dosanjh’s Journey After Midnight: A Punjabi Life from Canada to India. Click here to read.

An excerpt from Roses in the Fire of Spring: Better Roses for a Warming World and Other Garden Adventures, by M.S. Viraraghavan and Girija Viraraghavan. Click here to read.

Book Reviews

Somdatta Mandal reviews Amitav Ghosh’s Smoke and Ashes: A Writer’s Journey Through Opium’s Hidden Histories. Click here to read.

Basudhara Roy reviews Greening the Earth: A Global Anthology of Poetry, edited by K. Satchidanandan & Nishi Chawla. Click here to read.

Bhaskar Parichha reviews Arunava Sinha’s The Greatest Indian Stories Ever Told: Fifty Masterpieces from the Nineteenth Century to the Present. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
pandies' corner

Songs of Freedom: An Ordinary Tale

Story by Nandani, translated from Hindustani by Janees

Songs of Freedom bring stories from women — certainly not victims, not even survivors but fighters against the patriarchal status quo with support from the organisation Shaktishalini[1]

–Sanjay Kumar, founder, pandies


Nandani is an 18 year-old from Delhi, currently studying in the 10th grade. In her free time, she loves to read biographies, hang out with her friends, dancing and singing. She calls books as good friends of hers and looks forward to travelling across the world once in her lifetime. 

An Ordinary Tale

A story set in the year 2002. An ordinary story I must tell.

When a girl child is born in a Panditfamily, the mother welcomes Goddess Lakshmi. But the mother-in-law is unable to fathom bahu’s [2] joy over the girl baby. Call it outdated, archaic, outmoded. For the saas[3], a son would have proven to be a boon, a blessing straight from the heavens, a support to the family’s genes. She, like many others, was of the belief that a girl born is nothing but a burden who must be ‘disposed’ off to another family at the earliest. What are women but estranged wealth?! The world is run by men, their divine masculinities, their valour, by their being. Women are absolute subordinates to men. She failed to understand that being born a ‘male’ is simply a matter of – birth.

But bahu was not ready to give up. She would put in efforts to make her family think otherwise. She named her daughter Avantika. When Avantikahad grown up a bit, the saas one day cunningly said, “Bahu! See I like to put forward things as they are, no sugar-coating. I want you to focus on giving birth to my grandson now. I hope I will not be disappointed this time.”

The poor bahu was busy attending household chores. She tended to ignore the otherwise outrageous demands the mother-in-law burdened her with. Meanwhile the saas thought to herself, “Now that I have explicitly expressed my wish to bahu, maybe it’s better to let my raja beta[4] know of my justified desire.” So, she made sure she had her wish conveyed to her son. “My dear son, I have expressed my wish to Bahu – for a grandson, with whom I can enjoy the joys of grandmotherhood.” For the son, the mother’s wish was as good as a divine decree.

The bahu, who has overheard their conversation, felt betrayed and outraged. “How could you say yes on my behalf? What about my consent? I am not ready for another child. You don’t have a job. You don’t let me go out and work. You are living off your mother’s expenses… drinking, beating me to death every night! I don’t want to traumatise another child the way Avantikahas been traumatised.”

Her husband retorted, “How dare you? Who are you to stop me from taking decisions?” Basically, what he meant was that she was his slave and had no authority in deciding how many kids she wanted, when to have and so on and so forth.

The saas interfered in the matter and somehow convinced, or rather forcibly convinced the bahu to bear a child. We will not go into the details of this.

2005

Another girl child was born! The saas, was not just disappointed this time. She experesses her intolerance of this development. “All I ever wanted was one grandson! Not five or eight. Bahu is deliberately depriving me of this privilege. It was wrong of me to trust her.” Again, she simply failed to comprehend how sex and science works!

With the birth of Nira, the bahu’s life became hell … rather was made hell by her mother-in-law and husband. Violence grew. “Ever since this girl has taken birth, a curse has taken over the joys and prosperity of our home. I refuse to accept her.  Her arrival is a time of tribulation for us.”

The contempt and disgust if the saas towards the bahu and her daughters were echoed by the husband and father, who had turned more violent than before, and why not ? He had all the more reason to inflict pain on his wife. Backed by his mother, he started beating his wife every day, cursed her all day. When Niraturned one-and-a-half, the hostility worsened. The bahu turned numb. A wish as simple as wanting a decent life was out of her reach. “Because of you I live a miserable life despite being a man. You are the reason my brothers and mother don’t respect me. You and your daughters have ruined my relations with them….”

One day something changed. She mustered the courage to say ‘no’ despite the routine beatings. She was not willing to take it anymore and so, with her two little daughters, she decided to leave the house.

“I have not sinned. I have given birth to daughters and that is no sin. There is not a single defect in me or my daughters. It is you, your intentions, and your mentality that is defective…I reject living a life like this.”

She sought refuge at her paternal home and soon began working to support her daughters. Now, she had a life that promised, to all intents and purposes, a relief from the darkness of the past. A few months later, she fell in love with a colleague at work. Nobody knew what occurred to her, but leaving her two daughters behind, the mother eloped with the lover to start a new life. She turned blind to the plight of her own daughters who were just starting out with the promise of a fresh start.

Avantika and Nira, unaware that another calamity had befallen them, adapted to the new life under the shadow of their maternal grandmother, their nani. Unable to look after the girls with growing time, nani took a difficult call due to her ailing health. “Can you look after the girls when I die? Can you take care of them?” she asked her other daughter (the girls’ aunt). “I wish I could…but in today’s time managing two more children… It’s beyond my capacity…I understand what they mean to you…so for you maybe I can look after Avantika, the elder one…however, something must be done about Nira

A few weeks later, the nani sent for their aunt and said, “I am here today, but who knows about tomorrow? We must take final decisions with regards to Avantika and Nira. All they have is me. I am glad you took charge of one of them. But something must be thought about the other as well. I am sure God will send help.”

“Mother, I have an acquaintance who is associated with a shelter home. Sending Nirato a girls’ hostel should take care of our worries. Let me get in touch with her.”

Little Nirawas sent to a girls shelter home. She cried a lot on separation from sister and nani. A year later the news of nani’s death upended the girls’ lives. Trying to cope with the grief, they adapted to their new lives – one day at a time, one goal at a time.

2023

Both Avantika and Nira are growing up at their own pace – finding new goals to focus on. They are not together, nor are they in touch. But they are fighters and survivors. And this is how this story has end for the time being. However, certain questions continue to haunt me…

Do you discriminate between a son and a daughter? What would Avantika and Nira’s mother do if her parents did not offer to support her? Can women discriminate against other women? Why is it that a woman often finds it difficult to find solidarities from fellow women?

It is quite difficult to single out the oppressor and the oppressed in this story, however, that does not spare us from rejecting to inflict this age-old atrocity on our women. This has to stop with our generation.

.

[1] “Establishing itself as a premier women’s organisation in India from 1987, Shaktishalini has spread out and deals with all kinds of gender based violence. A shelter home, a helpline and more than that a stunning activist passion are the hallmarks of this organisation. 

pandies and Shaktishalini – different in terms of the work they do but firmly aligned in terms of ideological beliefs and where they stand and  speak from. It goes back to 1996 when members of the theatre group went to the Shaktishalini office to research on (Dayan Hatya) witch burning for a production and got the chance to learn from the iconic leaders of Shaktishalini, Apa Shahjahan and Satya Rani Chadha. And collaborative theatre and theatre therapy goes back there. It is a mutual learning space that has survived over 25 years. Collaborative and interactive, this space creates anti-patriarchal and anti-communal street and proscenium performances and provides engaging workshop theatre with survivors of domestic and societal patriarchal violence. Many times we have sat together till late night, in small or large groups debating what constitutes violence? Or what would be gender equality in practical, real terms? These and many such questions will be raised in the stories that follow.” — Sanjay Kumar

[2] Daughter-in-law

[3] Mother-in-law

[4] Beta is son and raja is king

Janees is an independent researcher and theatre-practitioner who has been associated with Pandies for the past six years.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
celebrations

Borderless Birthday Bonanza

Figments caught straying in whispers of a dream,
Weave together till they form a visible stream,
Filling a void with voices that sing,
With freedom and impunity ring,
Giving credence to a distant, imagined realm.

— Introduction, Monalisa No Longer Smiles: An Anthology of Writings from across the World

As we complete three years of our virtual existence in clouds, connecting, collecting and curating words of ideators, we step into our fourth year with the pleasurable experience of being in bookshops in hardcopy too. Monalisa No Longer Smiles: An Anthology of Writings from across the World, our first hardcopy anthology, takes us into the realm of real books which have evolved over eons in history. This anthology connects us to those who hesitate to step into the virtual world created by technology. And there are many such people – as ingrained in the human heritage is a love for rustling paper and the smell of books. We have had some excellent reviews, praising not just the content but also the production of the book – the cover, the print and the feel. The collection bonds traditional greats with upcoming modern voices. We are grateful to our publisher, Om Books International, Shantanu Ray Chaudhuri, Jyotsna Mehta and their team for giving our book a chance. We do look forward to more anthologies hopefully in the future.

The writings we have collected over the last three years are reflective of diverse voices— some in concurrence with our thought processes and some in discussion or even in divergence. We have a variety of forms — poetry, conversations, fiction and non-fiction. Some are humorous and some serious. We try to move towards creating new trends as reflected in our anthology and our journal. For instance, Monalisa No Longer Smiles starts with an experiment — a limerick was adapted to express the intent of our book and journal; whereas normally this form is used to express light, or even bawdy sentiments. Perhaps, as the limerick says, we will find credence towards a new world, a new thought, a restructuring of jaded systems that cry out for a change.

Borderless Journal did not exist before 2020. Within three years of its existence, our published pieces have found voices in this anthology, in other books, journals and even have been translated to a number of languages. Our own translation section grows stronger by the day supported by translators like Aruna Chakravarti, Fakrul Alam, Radha Chakravarty and Somdatta Mandal. Our interviews and conversations probe to find similarities and divergences in viewpoints. Our stories tell a good tale rather than indulge in stylistic interplay and our poetry is meant to touch hearts, creating a bond between the writers and anglophone readers. What we hope to do is to expose our readers to writing that they can understand. Writers get lost at times with the joy of creating something new or unique and construct an abstraction that can be intimidating for readers. We hope to host writing that is comprehensible, lucid and clear to the lay person.

What we look forward to homing in the coming months is a mingling of different art forms to birth new ideas that will help our species move progressively towards a world in harmony, filled with peace and love, giving credence to voices like that of Tagore, Nazrul or Lennon. “Imagine there’s no heaven…Imagine there’s no countries…no religion, too…Imagine all the people/ Livin’ life in peace…Imagine all the people/ Sharing all the world…” The need to redefine has been felt and as Lennon says in his last paragraph: “You may say I’m a dreamer/ But I’m not the only one/ I hope someday you’ll join us/ And the world will live as one.” With this hope, we continue our journey into another year – a new adventure that will take us to a universe where heaven can be found on Earth, grounded and real, within the human reach and can be shared without war, greed, hatred and anger.

Here, we share with you a few iconic pieces that have found their way to our pages within the last three years.

Poetry

Poems by Arundhathi Subramaniam houses three poems. Click here to read. The following poems from her collection can be found here.

  1. When God is a Traveller (titular poem from her Sahitya Akademi Award winning book)
  2. Eight Poems for Shankuntala
  3. The Fine Art of Ageing

Murmuration by Jared Carter. Click here to read.

Poems by Sukrita Paul Kumar: Poetry on Ukraine. Click here to read.

Arthurian Legends by Michael R Burch. Click here to read.

Conversations

Keith Lyons talks to Jessica Mudditt about her memoir, Our Home in Myanmar, and the current events. Click here to read.

Unveiling Afghanistan: In Conversation with Nazes Afroz, former editor of BBC and translator of a book on Afghanistan which reflects on the present-day crisis. Click here to read.

Professor Anvita Abbi, a Padma Shri, discusses her experience among the indigenous Andamanese and her new book on them, Voices from the Lost Horizon. Click here to read.

In Conversation with Akbar Barakzai, a ‘Part-time Poet’ in Exile: The last interview of Akbar Barakzai where he says, ‘The East and the West are slowly but steadily inching towards each other. Despite enormous odds “the twain” are destined to “meet” and be united to get rid of the geographical lines…’ Click here to read more.

The Making of Historical Fiction: A Conversation with Aruna Chakravarti unfolds the creation of her latest novel, The Mendicant Prince, based on the prince of Bhawal controversy in the first part of the last century. Click here to read. 

Fiction

Half-Sisters: Sohana Manzoor explores the darker regions of human thought with a haunting psychological narrative about familial structures. Click here to read.

Rituals in the Garden: Marcelo Medone discusses motherhood, aging and loss in this poignant flash fiction from Argentina. Click here to read.

Navigational Error: Luke P.G. Draper explores the impact of pollution with a short compelling narrative. Click here to read.

The American Wonder: Steve Ogah takes us to a village in Nigeria. Click here to read.

Columns

Poets, Poetry & Rhys Hughes: A column by Rhys Hughes which can be fun poetry or prose. Click here to read.

Bhaskar’s Corner: Essays on contemporary life by Bhaskar Parichha. Click here to read.

Musings of a Copywriter: Humour by Devraj Singh Kalsi. Click here to read.

Pandies’ Corner: These narratives highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and Pandies. Click here to read.

Notes from Japan by Suzanne Kamata: A column that takes us closer to Japan. Click here to read.

Non- Fiction

Dilip Kumar: Kohinoor-e-Hind: Ratnottama Sengupta recollects the days the great actor sprinted about on the sets of Bombay’s studios …spiced up with fragments from the autobiography of Sengupta’s father, Nabendu Ghosh. Click here to read. 

The Ultimate Genius of Kishore Kumar: Shantanu Ray Chaudhuri, an eminent film critic, writes on the legend of Kishore Kumar. Click here to read.

Farewell Keri Hulme: A tribute by Keith Lyons to the first New Zealand Booker Prize winner, Keri Hulme, recalling his non-literary encounters with the sequestered author. Click here to read.

Epaar Bangla, Opaar Bangla:  Bengals of the Mind: Asad Latif explores if homeland is defined by birth. Click here to read.

At Home in the World: Tagore, Gandhi and the Quest for Alternative Masculinities: Meenakshi Malhotra explores the role of masculinity in Nationalism prescribed by Tagore, his niece Sarala Debi, Gandhi and Colonials. Click here to read.

Just a Face on Currency Notes?: Debraj Mookerjee explores Gandhi-ism in contemporary times. Click here to read.

The Idea of India: Bharata Bhagya Bidhata – The Making of a Motherland: Anasuya Bhar explores the history of the National Anthem of India, composed by Tagore in Bengali and translated only by the poet himself and by Aruna Chakravarti. Click here to read.

Translations

Tagore Translations, including translations by Aruna Chakravarti, Fakrul Alam, Somdatta Mandal and Radha Chakravarty. Click here to read.

Nazrul Translations, including Professor Fakrul Alam and Sohana Manzoor. Click here to read.

Gandhi & Robot by Thangjam Ibopishak, translated from the Manipuri by Robin S Ngangom. Click here to read.

Songs of Freedom by Akbar Barakzai, poems translated from Balochi by Fazal Baloch. Click here to read.

Give Me A Rag, Please:A short story by Nabendu Ghosh, translated by Ratnottama Sengupta, set in the 1943 Bengal Famine, which reflects on man’s basic needs. Click here to read.

Thanks to our team, contributors and readers for being a part of our journey. Let’s sail onwards…

Painting by Sohana Manzoor

Mitali Chakravarty

borderlessjournal.com

Categories
Editorial

Will Monalisa Smile Again?

The first month of 2023 has been one of the most exciting! Our first book, Monalisa No Longer Smiles: An Anthology of Writings from across the World, is now in multiple bookstores in India (including Midlands and Om Bookstores). It has also had multiple launches in Delhi and been part of a festival.

We, Meenakshi Malhotra and I, were privileged to be together at the physical book events. We met the editor in chief of Om Books International, Shantanu Ray Chaudhuri, the editor of our anthology, Jyotsna Mehta, along with two translators and writers I most admire, Aruna Chakravarti and Radha Chakravarty, who also graced a panel discussion on the anthology during our physical book launch. The earlier e-book launch had been in November 2022. My heartfelt thanks to the two eminent translators and Chaudhuri for being part of the discussions at both these launches. Chaudhuri was also in the panel along with Debraj Mookerjee at a launch organised by Malhotra and the English Literary Society steered by Nabaneeta Choudhury at Hans Raj College, Delhi University. An energising, interactive session with students and faculty where we discussed traditional and online publishing, we are immensely grateful to Malhotra for actively organising the event and to the Pandies’ founder, Sanjay Kumar, for joining us for the discussion. It was wonderful to interact with young minds. On the same day, an online discussion on the poetry in Monalisa No Longer Smiles was released by the Pragati Vichar Literary Festival (PVLF) in Delhi.

At the PVLF session, I met an interesting contemporary diplomat cum poet, Abhay K. He has translated Kalidasa’s Meghaduta and the Ritusamhara from Sanskrit and then written a long poem based on these, called Monsoon. We are hosting a conversation with him and are carrying book excerpts from Monsoon, a poem that is part of the curriculum in Harvard. The other book excerpt is from Sanjay Kumar’s Performing, Teaching and Writing Theatre: Exploring Play, a book that has just been published by the Cambridge University Press.

Perhaps because it is nearing the Republic Day of India, we seem to have a flurry of book reviews that reflect the Sub-continental struggle for Independence from the colonials. Somdatta Mandal has reviewed Priya Hajela’s Ladies Tailor: A novel, a book that takes us back to the trauma of the Partition that killed nearly 200,000 to 2 million people – the counts are uncertain. Bhaskar Parichha has discussed MA Sreenivasan’s Of the Raj, Maharajas and Me, a biography of a long serving official in the Raj era — two different perspectives of the same period. Rakhi Dalal has shared her views on Shrinivas Vaidya’s A Handful of Sesame, translated from Kannada by Maithreyi Karnoor, a book that dwells on an immigrant to the Southern part of India in the same time period. The legendary film writer K.A. Abbas’s Sone Chandi Ke Buth: Writings on Cinema, translated and edited by Syeda Hameed and Sukhpreet Kahlon, has been praised by Gracy Samjetsabam.

We have a piece on mental health in cinema by Chaudhuri, an excellent essay written after interviewing specialists in the field. Ratnottama Sengupta has given us a vibrant piece on Suhas Roy, an artist who overrides the bounds of East and West to create art that touches the heart. Candice Louisa Daquin has written on border controls and migrants in America. High profile immigrants have also been the subject of Farouk Gulsara’s ‘What do Freddy Mercury, Rishi Sunak & Mississipi Masala have in Common?’ Sengupta also writes of her immigrant family, including her father, eminent writer, Nabendu Ghosh, who moved from Bengal during the Partition. There are a number of travel pieces across the world by Ravi Shankar, Meredith Stephens and Mike Smith — each written in distinctively different styles and exploring different areas on our beautiful Earth. Sarpreet Kaur has revisited the devastation of the 2004 tsunami and wonders if it is a backlash from nature. Could it be really that?

Suzanne Kamata gives us a glimpse of the education system in Japan in her column with a humorous overtone. Devraj Singh Kalsi dwells on the need for nostalgia with a tongue-in-cheek approach. Rhys Hughes makes us rollick with laughter when he talks of his trip to Kerala and yet there is no derision, perhaps, even a sense of admiration in the tone. Hughes poetry also revels in humour. We have wonderful poetry from Jared Carter, Ranu Uniyal, Asad Latif, Anaya Sarkar, Michael R Burch, Scott Thomas Outlar, Priyanka Panwar, George Freek and many more.

The flavours of cultures is enhanced by the translation of Nazrul’s inspirational poetry by Professor Fakrul Alam, Korean poetry written and translated by Ihlwha Choi and a transcreation of Tagore’s poem Banshi (or flute) which explores the theme of inspiration and the muse. We have a story by S Ramakrishnan translated from Tamil by R Sathish. The short stories featured at the start of this year startle with their content. Salini Vineeth writes a story set in the future and Paul Mirabile tells the gripping poignant tale of a strange child.

With these and more, we welcome you to savour the January 2023 edition of Borderless, which has been delayed a bit as we were busy with the book events for our first anthology. I am truly grateful to all those who arranged the discussions and hosted us, especially Ruchika Khanna, Om Books International, the English Literary Society of Hans Raj College and to the attendees of the event. My heartfelt thanks to the indefatigable team and our wonderful writers, artists and readers, without who this journey would have remained incomplete. Special thanks to Sohana Manzoor for her artwork. Many thanks to the readers of Borderless Journal and Monalisa No Longer Smiles. I hope you will find the book to your liking. We have made a special page for all comments and reviews.

I wish you a wonderful 2023. Let us make a New Year’s wish —

May all wars and conflicts end so that our iconic Monalisa can start smiling again!

Mitali Chakravarty,

borderlessjournal.com

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Photographs of events around Monalisa No Longer Smiles: An Anthology of Writings from across the World. Click here to access the Book.

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Insta Link to an excerpt of the launch at Om Bookstore. Click here to view.

E-Launch of the first anthology of Borderless Journal, November 14th 2022. Click here to view.

Categories
Contents

Borderless, December 2022

Art by Sohana Manzoor

Editorial

It’s Only Hope… Click here to read.

Conversations

Shantanu Ray Chaudhari converses with writer Gajra Kottary, a well-known writer of Indian TV series, novels and stories. Click here to read.

A discussion on Samaresh Bose’s In Search of the Pitcher of Nectar, a book that takes us to the heart of the Kumbh Mela, a festival recognised by the UNESCO as an Intangible Cultural Heritage, with the translator, Nirmal Kanti Bhattacharjee. Click here to read.

Translations

Nazrul’s Why Provide Thorns has been translated by Professor Fakrul Alam. Click here to read.

Mercy, a story be P. F. Mathews, has been translated from Malayalam by Ram Anantharaman. Click here to read.

Even A Simurgh Cannot Change Destiny, a Balochi folktale translated and retold by Fazal Baloch. Click here to read.

Confessions, a poem written by and translated from Korean by Ihlwha Choi. Click here to read.

The Sun on the First Day, a translation of Tagore’s Prothom Diner Shurjo by Mitali Chakravarty. Click here to read.

Pandies’ Corner

Songs of Freedom: Vikalangta or Disability is an autobiographical narrative by Kajal, translated from Hindustani by Janees. These narrations highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and Pandies. Click here to read.

Poetry

Click on the names to read

Jared Carter, Sukrita Paul Kumar, Rhys Hughes, Asad Latif, Luis Cuauhtémoc Berriozábal, Santosh Bakaya, Phil Wood, Sharanya B, George Freek, Saibal Chatterjee, Jonathan Chan, Sutputra Radheye, Shambhu Nath Banerjee, Michael Burch

Poets, Poetry & Rhys Hughes

In Some Differences Between Wales and India, Rhys Hughes makes some hilarious comparisons. Click here to read.

Musings/ Slices from Life

Near-Life Experiences: Hiking in New Zealand

Keith Lyons escapes city life to find his happy place while hiking in New Zealand. Click here to read.

The Seven Grandfather Teachings

Saeed Ibrahim introduces us to Native Indian lore from Canada and shows its relevance in the current times. Click here to read.

Dismasted in Bass Strait

Meredith Stephens takes us for a sailing adventure with photographs in the Southern Hemisphere. Click here to read.

Musings of a Copywriter

In Of Mice & Men, Devraj Singh Kalsi talks of his encounters with rats. Click here to read.

Notes from Japan

In A Clean Start, Suzanne Kamata tells us how the Japanese usher in a new year. Click here to read.

Stories

Annapurna Bhavan

Lakshmi Kannan closes class divides in Chennai over a meal. Click here to read.

Two Faces of a Mirror

Tulip Chowdhury gives us a story set in a Bangladeshi village. Click here to read.

The Slip

Sushma R Doshi takes a look at the pandemic against an Indian middle-class set up. Click here to read.

Till Life Do Us Part

Devraj Singh Kalsi explores a strange new trend. Click here to read.

Essays

Orangutans & a School at Sarawak

Christina Yin, a conservationist, travels to Borneo in an attempt to create awareness for conserving the Orangutan. Click here to read.

Taiping of the Raj Era

Ravi Shankar explores Taiping in Malaysia with a camera and words. Click here to read.

Ivory Ivy & Stephen Dedalus

Paul Mirabile explores James Joyce’s Stephen Dedalus and his passion for words keeping in mind the hundred year old Ulysees & the even older, A Portrait of the Artists as a Young Man. Click here to read.

Book Excerpts

An excerpt from Radha Chakravarty’s translation of Tagore’s Farewell Song. Click here to read.

An excerpt or two short narratives from Rhys Hughes’ Yule Do Nicley. Click here to read.

Book Reviews

Somdatta Mandal reviews The Shaping of Modern Calcutta: The Lottery Committee Years, 1817 – 1830 by Ranabir Ray Chaudhury. Click here to read.

Rakhi Dalal reviews Freny Manecksha’s Flaming Forest, Wounded Valley: Stories from Bastar and Kashmir. Click here to read.

Basudhara Roy reviews Manoranjan Byapari’s How I Became a Writer: An Autobiography of a Dalit. Click here to read.

Bhaskar Parichha reviews In Search of the Divine: Living Histories of Sufism in India by Rana Safvi. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

You are all welcome to the book talks of our first anthology

Categories
pandies' corner

Songs of Freedom: ‘Viklangta’ or Disability

Story by Kajal, translated from Hindustani by Janees

Songs of Freedom bring stories from women — certainly not victims, not even survivors but fighters against the patriarchal status quo with support from the organisation Shaktishalini[1].

–Sanjay Kumar, founder, pandies

Kajal is from Ghaziabad, Uttar Pradesh. She is 24 years old and has completed her bachelors in Hindi. She is currently pursuing master’s in social work through distance education. She has found her voice in writing activist stories around the theme of gender violence and disability. She is currently working at an NGO as a special educator and wishes to fight for the specially-abled community’s right to education.

Viklangta or Disability

Is there no one who could see through my tears? Anyone who could hear the tumult my silence has put me in? Someone who could acknowledge if not accept my bare feelings? None I could talk to?

Everyone is known by their name and their profession, but my disability is my very identity. At least that’s what the whole world has always made me feel. Who am I? I shall choose to remain anonymous here just like many others who are rendered nameless owing to the ‘fact’ that they are considered ‘disabled’.

The house is filled with chirpings of joy and excitement today. Bahu (daughter-in-law) is expecting her first child. “Hey, it will be a boy for sure,” the mother-in-law remarked, “Although there is no harm if a girl child is born either…umm… all I pray is for a healthy mother and a healthy child…” But deep down the grandmother-to-be prayed for a son, “Dear Lord, I shall adorn your temple with numerous offerings if you bless this house with a son…”

The day had arrived. The entire family eagerly waited to hear of the outcome. The nurse came out of the delivery room, “Congratulations! It’s a girl! Goddess Lakshmi has blessed your household with her presence.” It seemed as if everyone in the family was struck with lightning. “Well, who can meddle with God’s affairs?” the grandmother frowned. It was coming from the same woman who was busy pampering the pregnant Bahu just a few months back. With every passing day, Bahu and the baby were being showered with taunts and disgust.

Wasn’t being born a female enough for one to be in hell, that soon the calamity of ‘disability’ struck the child. “We are being punished for our sins! God why us?! Now all life-long we have to cater to her special needs — expenses, treatment, care and God knows what all. What an awful misfortune has struck my son?” grandmother would go on uttering.

‘I’ who was de trop[2]right from the time of birth, had been disowned on many grounds by my own family. Troubled with a question – “What was my role in my plight? How was it my fault?”

As time passed by, the jibes thrown at me turned more spiteful. ‘Disabled’, ‘Lame’ and ‘Who will marry a disabled woman?’. From ‘Ton of dowry will have to be paid to get rid of this woman’ to ‘She should have died the moment she was born!’. I would yearn for someone to understand me, befriend me, and chase away my agony. It must be wonderful to be a reason for joy in someone’s life. Could I ever be one? Every night I would cry myself to sleep in painful hopes.

Since a young age, I have loved studying. I believed and still do that fulfilling a meaningful career through studies is the only way to stun them. Maybe my father and grandmother both will start loving me then. “What use is education to you?” or “Your ultimate place is the house of the man you will marry. Why waste time pursuing education?” — such taunts haunted my existence.

“Anyway, your education won’t come to save you or your parents from the humiliation of finding a boy for you.”

“Look for a boy with a disability for her or bribe a normal boy to marry her.”

“It’s time to get rid of her.”

I would keep going back to my thoughts — is there anyone who, with all their love and honestly, would move mountains for me? Just for me! Adorn a river with my name…

Amidst all the agony, I only had one person by my side – my Maa, my mother. It aches to admit that she couldn’t keep her stand firm for long, she too fell for what was being fed to her. I was a burden to her now. To my own mother. But I understand – she was not fully in command. She was never respected in that house. It must have been so tough for her to face them all, so much so that she was convinced to get rid of me at any cost. A mother is the one who loves her child unconditionally, the same mother was now cursing me for being in her life. I have come to a point in life where not a single moment passes without my blaming myself for existing. In fact, I am sure it must be karma – my mother’s sins that have put me in this state and are now haunting her in my form.

This never-ending dejection has started to make me weak… I feel weak… this mental fatigue seems to have physically manifested itself in me… my one and only support had left me. Mother tried to emotionally convince me for acquiring skills in household chores, after all that would make me a good fit for marriage. She believed I had gained enough education and needed to divert my attention to master home-making skills. One day Maa came to me and said, “I have endured so much because of you, can’t you consider my helplessness and give up on your resilience?” I wanted to ask her how she could turn a blind eye to my skills? Couldn’t she see how well I was doing at school, how extraordinarily well I was doing in the whole class?

When the one who gave birth to me has expressed dismay at my being, there remains no room for any other expectations. I must decide. I must fight this battle, alone! I have just myself to trust. I must help my own self because no one else will. That without having ‘able’ feet, I still need to stand on my own. And with this thought and courage, I set out on a journey to carve my own identity. The climb is long and arduous. It’s the fight to be. The fight for my identity– of ‘viklangta[3]’. And of leaving an imprint on this ugly society’s hypocrisy.

Million-dollar revelation — losing hope is worse than losing legs/arm. That was the first lesson. That one step of making my own decisions and here I am – on my own ‘feet’, without the debt of anyone’s support. I am self-sufficient, a burden to no one. My source of power is my soul, and souls are never ‘viklang’.

And just as you fall, you shall stand as well
If you falter, hold onto yourself
For when you seek strength within
The mountains promise a rendezvous

Is there no one who could see through my tears? Anyone who could hear the tumult my silence has put me in? Someone who could acknowledge if not accept my bare feelings. None I could talk to? It took me a long, difficult time to accept that ‘someone’ as ‘myself’ – the only one who knows my potential and who respects my struggles, who accepts this ‘disability’ and yet doesn’t let it take her down. Everyone is able and the only condition to that is one must keep moving forward with whatever resources in hand.

Don’t wait for miracles. Be your own miracle!

[1] “Establishing itself as a premier women’s organisation in India from 1987, Shaktishalini has spread out and deals with all kinds of gender based violence. A shelter home, a helpline and more than that a stunning activist passion are the hallmarks of this organisation. 

pandies and Shaktishalini – different in terms of the work they do but firmly aligned in terms of ideological beliefs and where they stand and  speak from. It goes back to 1996 when members of the theatre group went to the Shaktishalini office to research on (Dayan Hatya) witch burning for a production and got the chance to learn from the iconic leaders of Shaktishalini, Apa Shahjahan and Satya Rani Chadha. And collaborative theatre and theatre therapy goes back there. It is a mutual learning space that has survived over 25 years. Collaborative and interactive, this space creates anti-patriarchal and anti-communal street and proscenium performances and provides engaging workshop theatre with survivors of domestic and societal patriarchal violence. Many times we have sat together till late night, in small or large groups debating what constitutes violence? Or what would be gender equality in practical, real terms? These and many such questions will be raised in the stories that follow.” — Sanjay Kumar

[2] French for superfluous or unwanted

[3] Disability

Janees is an independent researcher and theatre-practitioner who has been associated with Pandies for the past six years.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Contents

Borderless, October 2022

Art by Sohana Manzoor

Editorial

The Sky … Click here to read.

Conversations

Anthony Sattin, an award winning journalist and travel writer in conversation about Nomads: The Wanderers Who Shaped our World, his recent book published by Hachette, India. Click here to read.

VR Devika talks of the dynamic Muthulakshmi Reddy, the first woman in the world to preside over a Legislative Assembly who sought justice for Devadsis and prostitutes and discusses her book, Muthulakshmi Reddy: A Trailblazer in Surgery and Women’s Rights published by Niyogi Books. Click here to read.

Translations

Daridro or Poverty by Nazrul has been translated from Bengali by Professor Fakrul Alam. Click here to read.

The Browless Dolls by S.Ramakrishnan, has been translated from Tamil by B Chandramouli. Click here to read.

Two poems from Italy by Rosy Gallace have been translated from Italian by Irma Kurti. Click here to read.

Flowers of Love Bloom Everywhere, a poem for peace, written by and translated from Korean by Ihlwha Choi. Click here to read.

Aalo Amar Aalo (Light, My Light) a song by Tagore, has been translated by Mitali Chakravarty from Bengali. Click here to read.

Pandies Corner

Songs of Freedom: Moh-Reen is an autobiographical story by Amreen, translated from Hindustani by Janees. These stories highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and Pandies. Click here to read.

Poetry

Click on the names to read

Michael R Burch, Kirpal Singh, Ryan Quinn Flanagan, Jonathan Chan, Ron Pickett, Saranyan BV, George Freek, Pramod Rastogi, Mike Smith, Gayatri Majumdar, John Grey, Vandana Kumar, Ahmad Al-Khatat, Rhys Hughes

Poets, Poetry & Rhys Hughes

In Crossing the Date Line, Rhys talks of his fascination with this imagined construct. Click here to read.

Essays

Epaar Bangla, Opaar Bangla:  Bengals of the Mind

Asad Latif explores if homeland is defined by birth. Click here to read.

The Wabi-Sabi of Making a Living

Aditi Yadav calls for taking a break from hectic work schedules. Click here to read.

Just a Face on Currency Notes?

Debraj Mookerjee writes of Gandhi’s relevance and evolution. Click here to read.

A Mother, a Daughter & a Demon Slayer?

Meenakshi Malhotra checks out the festival of Durga Puja, declared the a heritage festival by UNESCO. Click here to read.

The Observant Immigrant

Candice Lousia Daquin explores festivals and the God gene in We had Joy, We Had Fun…. Click here to read.

Musings/Slices from Life

KL Twin Towers near Kolkata?

Devraj Singh Kalsi visits the colours of a marquee hosting the Durga Puja season with its spirit of inclusivity. Click here to read.

A Five Hundred Nautical Mile Voyage to Tasmania

Meredith Stephens writes of sailing to Tasmania when the pandemic had just started loosening its grip. Click here to read.

Keep Walking…

Ravi Shankar recommends walking as a panacea to multiple issues, health and climate change and takes us on a tour of walks around the world. Click here to read.

The Matriarch of Hirronk

Ali Jan Maqsood introduces us to a strong matriarch from a Balochi village. Click here to read.

Musings of a Copywriter

In Drill, Fill, Just Chill, Devraj Singh Kalsi gives us humour while under a dentist’s drill. Click here to read.

Notes from Japan

Suzanne Kamata writes of her A Ramble on Bizan, focussing on a writer, also by the surname of Moraes, who lived on Mount Bizan more than century ago, moving to Japan from Portugal having fallen violently in love. Click here to read.

Short Stories

Half-Sisters

Sohana Manzoor explores the darker regions of human thought with a haunting psychological narrative about familial structures. Click here to read.

Homecoming

Rituparna Mukherjee gives a poignant story about missing home. Click here to read.

The Phosphorescent Sea

Paul Mirabile journeys with his protagonist into the depths of the ocean. Click here to read.

The Literary Fictionist

In Deathless are the Words, Sunil Sharma explores madness and ideators who believe in the power of words. Click here to read.

Book Excerpts

An excerpt from Taranath Tantrik and Other Tales from the Supernatural by Bibhutibhushan, translated from Bengali by Devalina Mookerjee. Click here to read.

An excerpt from A Handful of Sesame by Shrinivas Vaidya, translated from Kannada by Maithreyi Karnoor. Click here to read.

Book Reviews

Somdatta Mandal has reviewed BM Zuhara’s The Dreams of a Mappila Girl: A Memoir, translated from Malayalam by Fehmida Zakir. Click here to read.

Basudhara Roy has reviewed Taranath Tantrik: And Other Tales from the Supernatural by Bibhutibhushan, translated from Bengali by Devalina Mookerjee. Click here to read.

Bhaskar Parichha has reviewed Satyajit Ray Miscellany: On Life, Cinema, People & Much More, a collection of the maestro’s writings and illustrations. Click here to read.

Categories
Editorial

The Sky

The sky is, was and will be.

It stretches without borders, without interruptions, without contentions, unifying all under its life-giving ambience. We live nurtured by the sky, the water and the Earth. If we think back to times before humans made constructs and built walls to guard their own, to times when their ancestors roamed the Earth and moved to meet their needs, the population was not huge, and resources were abundant. Our species lived in consonance with nature. People revered natural forces and found trends that evolved into traditions and constructs which eventually made their progeny forget that the sky, water and Earth did not belong to them. These belong or perhaps exist for some reason that we do not comprehend despite the explanations given by science and religions. Being merely transient passers-by through these, humanity, unlike dinosaurs, has an urge to survive and be like the sky — with a past, present and future and a sense of the eternal. Though we all have short lives compared to the sky, Earth or universe, we continue to find ourselves in a homo centric world that considers all else to be made to meet their aspirations. But there was a time, when humans lacked this arrogance. They just tried to survive. And move with shifting rivers in an unbordered world.

Exploring such times, is Anthony Sattin’s profound book, Nomads: The Wanderers Who Shaped our World. He converses to reinforce reviving the concept of asabiyya or bonding between humans so that they find it in their hearts to move forward with necessary changes to avoid following in the footsteps of mammoths. A change maker who redefined constructs for humankind, a devdasi’s[1] daughter who rose to become a pioneering doctor and activist a hundred years ago, is Dr Muthulakshmi Reddy. We have an interview with her recent biographer, R Devika, who authored Muthulakshmi Reddy: A Trailblazer in Surgery and Women’s Rights.

The books reviewed this time include one featuring the writings by the greatest change maker in cinema — Satyajit Ray. Bhaskar Parichha has reviewed Satyajit Ray Miscellany: On Life, Cinema, People & Much More while Professor Somdatta Mandal has given us a candid opinion on BM Zuhara’s The Dreams of a Mappila Girl: A Memoir, translated from Malayalam by Fehmida Zakir. Taranath Tantrik and Other Tales from the  Supernatural by Bibhutibhushan, translated from Bengali by Devalina Mookerjee brings unexplored dark mysterious forces into play and has been reviewed by Basudhara Roy. We have an excerpt from the titular stories of Tarantath Tantrik. Bibhutibhushan Bandopadhyay(1894-1950) was a legendary writer from Bengal. He wrote stories and novels, some of which were immortalised in cinema, such as the Apu triology by Satyajit Ray. The other book excerpt is from a translation from Kannada by an upcoming voice that needs to be heard, Maithreyi Karnoor. She has brought to the anglophone world Shrinivas Vaidya’s Handful of Sesame.

In our section on translations, we are privileged to carry voices that remain relevant to date, Tagore and Nazrul. Nazrul’s poem on poverty, Daridro, has been translated by Professor Fakrul Alam and we have a transcreation of Tagore’s inspiring lyrics (Aalo Amar Aalo) to energise one’s life with the refulgence of light. Rosy Gallace’s poetry has been translated from Italian by Albanian writer, Irma Kurti. Korean poet, Ihlwha Choi, has translated his own poem on peace for us. And a Tamil short story by S Ramakrishnan, has been rendered into English by B Chandramouli. It is an interesting potpourri as is our poetry section, which even features poetry from Iraq by Ahmad Al-Khatat. We also feature poems by Michael Burch, Kirpal Singh, Ryan Quinn Flanagan, Jonathan Chan, Ron Pickett, George Freek, Gayatri Majumdar, Vandana Kumar, Mike Smith and many more along with the inimitable witty ditties of Rhys Hughes which not only make us laugh but also wonder…

Evoking humour is not easy, but we do have a few such writers who manage it very well. Hughes has given us a tongue-in-cheek piece on the dateline, which has more than humour. And Devraj Singh Kalsi has shared his discovery that laughter is the best medicine to shrug off a dentist’s drill. He has also visited the colours of Durga Puja which, with its spirit of inclusivity, transported visitors in one marquee near Kolkata to the iconic Malaysian Twin Towers. Thus, bringing festivals in October into our purview. Candice Lousia Daquin has actually explored why we celebrate festivals and the God gene… Did you know we have a biological need for spirituality?

Suzanne Kamata has introduced us to Mount Bizan, which houses a writer by the surname of Moraes – Wenceslau José de Souza de Moraes, an expat writer who lived in Japan at the turn of the twentieth century. Wonder if he could have been related to the Anglo Indian writer, Dom Moraes? Aditi Yadav has also given us an essay on the Japanese philosophy of Wabi-sabi with its world view centred on imperfections and transience. Ravi Shankar has suggested walks for all of us, sharing his experiences in the Himalayas, the Caribbean island of Aruba and in many more places. Meredith Stephens has written of sailing to Tasmania.

The essay that brought back a flavour of home for me is one by Asad Latif, now a journalist in Singapore but long ago, he was an icon in India. We are very privileged to have his writing on what borders do for us… a piece exploring the idea on which we base our journal, also perhaps with a touch of Anthony Sattin’ s asabiyya. ‘Pandies’ Corner‘ starts another run, showcasing women’s tryst for freedom. Amreen’s ‘Moh-Reen’, her own story, translated from Hindustani by Janees, is a brave start to the series. The voices ring out asking for a change, to heal social norms to accommodate love and kindness with the backing of Shaktishalini and Pandies as does the unsupported solo voice of an older woman from Balochistan, Ganji Baloch, brought to our notice by Ali Jaan Maqsood.

We have fiction from Sohana Manzoor – again bringing to fore strange stories of women rebelling against social norms. Paul Mirabile explores death and the sea in a horrific story. Sunil Sharma’s fiction explores madness and ideators, making a social comment on recent happenings. As the sky stretches out to accommodate all kinds of writings, all creatures great and small, we try our best to give voice to a fair cross section from around the world as we have done this time too.

There are as usual pieces that we have not mentioned in this note but they are all worth a read. Do drop in to check out our contents in this October issue. We are truly grateful to our contributors who continue to connect with words and thoughts that waft along with clouds. We would like to thank Sohana Manzoor especially for her wonderful artwork. The journal would not be a possibility without the support of the whole team and our valuable readers who make writing worth the effort. It is lovely to be read and remembered for the words we write.

Wish you all a wonderful October.

Mitali Chakravarty

borderlessjournal.com


[1] A woman ‘married’ to Gods and forced to live as a mistress to mortal men.

Categories
pandies' corner

Songs of Freedom: Moh-Reen

Story by Amreen, translated from Hindustani by Janees

Songs of Freedom bring stories from women — certainly not victims, not even survivors but fighters against the patriarchal status quo with support from the organisation Shaktishalini.[1]

–Sanjay Kumar, founder, pandies

Amreen hails from Khadoli village in Uttar Pradesh. She is 22 and currently pursuing distance education to complete her high school. She courageously braves writing down a peek of her life’s challenges as a survivor/fighter of gender and religion-based abuse with the intention of providing support and solidarity to underprivileged and disadvantaged women around the world.

Moh-Reen

How am I at fault Ammi? Abbu?

Are you upset that I am alive? (Does my being alive upset you to the core?)

You never tried to reach me, even for once!

You have never asked me how I was doing, never enquired whether Amreen was even alive….

I want to ask who gets to decide my worth?

Why have I been rendered helpless to make my own decisions?

Why is the conflict between humanity and religion forced upon us time and again? Are you telling me they cannot go hand-in-hand in harmony?

There always had been huge sermons on the unity of religions…of how all paths lead to the same God (Ishwar)…then why wasn’t my marriage with Mohit acceptable? Were we not in sync with our God who is the same, just called by different names?

Amreen hails from a small village, ‘Khadoli’ in the Meerut district of India’s largest state, Uttar Pradesh (UP). She is currently living in Delhi…but in fear…She has fled home.

Year 2005

Amreen, lovingly called ‘Lalli’, had a pleasant childhood…She would even go on describing it as happy and beautiful. Getting dressed for school early morning, then school, followed by a wave of excitement as the clock struck 3 and she was home. At home, she would have lunch in a rush only to catch up with her friends. Lalli loved her friends, what she loved more was spending time with them. After a long day of play and fun, Lalli would go back home and refuse to help with chores. After all, she had worked so hard at playing.

She loved wandering in the alleys of her village and wouldn’t trade anything in this world for that freedom.

Year 2010

Lalli’s life suddenly took a turn. Her elder sister got married as a virtue of which Lalli dropped out of school. Now her days were mostly marked with helping her Ammi with never-ending household chores. She lost touch with friends. Lalli had to grow up  at a tender age.

Amreen would get lost in her desperation and sing to herself: “The darkness has set foot on our path for a long time, come what may the sun must rise now…”

Year 2019

This is the year Mohit took their companionship and love a step ahead and proposed to Amreen.

“Put your hand in mine, with a promise of a love lifelong, I shall stand by your side.”

“I yearn to walk all my life with you. Let’s embark on this journey hand in hand, faith in souls.”

Year 2020

Amreen mustered the courage and disclosed her decision of marrying Mohit. She put in everything to convince her family. But is there a bigger sin in this world than loving/marrying someone from a different faith or caste? It turns out it’s a sin bigger than murdering entire humankind.

The moment Amreen disclosed her yearning to be with Mohit to her family, she understood what she had signed up for. All the mental and physical abuse on one side and now, her marriage was fixed with a man from her community. Yet she braved the decision to keep on trying to convince them, only to be met with pain and despair. Where else does one go with expectations and burdens other than to a family?

There seemed no other way, but the one Amreen dreaded the most. She never wanted to elope. In fact, she was hopeful that as parents, her Ammi and Abbu would understand her, or at least prioritise her happiness over all else. But alas, to fit into a society!

March 16, 2020

Amreen and Mohit left their respective homes. They embarked on a journey to make a home to be called theirs. They reached Delhi where a new hardship was awaiting their arrival. Due to the outbreak of Covid-19, a nation-wide lockdown was announced. As a result, all the courts were suspended indefinitely. Amreen needed a place to stay in the new city. She couldn’t live with Mohit. They feared the reactions of their families.  What if the police were after them and Mohit would be framed falsely in the case? What if the patriarchs of both the families were on their way to kill them? What if their village was being torn apart by communal violence because of what they had done?

Amidst this, the lockdown!

During this time, Dhanka Sanstha (an organisation for interfaith couples) and Shakti Shalini (an NGO that supports victims of gender and sexual violence) came to Amreen’s rescue. For the first time in her life, Amreen felt cared for, supported for her decision-making ability, and came to know what solidarity feels like.

July 29, 2020

After all the hardships and agony that Moh-Reen went through, the day they had been desperately seeking finally arrived. Amreen and Mohit tied the knot.

Year 2021

Moh-Reen were blessed with a little angel, whom they named, ‘Tamanna’ — a wish. It was their wish to have a daughter, a wish fulfilled. But it seemed Mohit’s family were upset with the sex of the child. They wanted a son – a son they would call theirs, not Muslim woman’s daughter.

It had only been five days after Tamanna was born and Amreen was brought home, that Mohit’s family started mistreating her. She was denied food. For days Amreen was only able to have tea and biscuits, which was also the time Tamanna was being breast fed by her famished mother. Amreen patched up with her elder sister, the only family member who was considerate enough to stay in contact. Her elder sister couldn’t bear to look at Amreen’s plight and took her home along with Tamanna, where they looked after the mother and child for almost two months.

The mistreatment continued even after Amreen moved back with Mohit’s family. She was verbally abused by her mother-in-law and sister-in-law for giving birth to a girl.

February 10, 2022

The previous year’s series of agonising events finally made Moh-Reen move out and rent a place of their own. Mohit, Amreen, and Tamanna live here peacefully. Amreen hopes her story is not confined within the frame of a short story but goes beyond touching lives of many people…even if it means changing a single woman’s life for good.

Mohit wants to fulfil Amreen’s dreams. Amreen is currently enrolled in tenth standard [grade] to catch up on her studies. She is on her to become someone – somebody known for her own self, where she will be known by her name and not just as someone’s wife, daughter, or mother.

Are we going to end this story with the same questions as asked in the beginning? Or are there questions that need to be asked from your side as well? There’s one definite question for sure – whom will you hold accountable?

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Janees is an independent researcher and theatre-practitioner who has been associated with Pandies for the past five years.


[1] “Establishing itself as a premier women’s organisation in India from 1987, Shaktishalini has spread out and deals with all kinds of gender based violence. A shelter home, a helpline and more than that a stunning activist passion are the hallmarks of this organisation. 

pandies and Shaktishalini – different in terms of the work they do but firmly aligned in terms of ideological beliefs and where they stand and  speak from. It goes back to 1996 when members of the theatre group went to the Shaktishalini office to research on (Dayan Hatya) witch burning for a production and got the chance to learn from the iconic leaders of Shaktishalini, Apa Shahjahan and Satya Rani Chadha. And collaborative theatre and theatre therapy goes back there. It is a mutual learning space that has survived over 25 years. Collaborative and interactive, this space creates anti-patriarchal and anti-communal street and proscenium performances and provides engaging workshop theatre with survivors of domestic and societal patriarchal violence. Many times we have sat together till late night, in small or large groups debating what constitutes violence? Or what would be gender equality in practical, real terms? These and many such questions will be raised in the stories that follow.” — Sanjay Kumar

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