By Devraj Singh Kalsi
On Panchami, the Fifth Day of Durga Puja, around noon, I was stopped by a small girl riding a pillion on her father’s motorbike. In a polite but hurried and restless voice, she asked me the way to reach the ‘Twin Towers’. Usually, I am not comfortable while offering directions, and often goof it up by saying left when I mean right. On this occasion, I exercised caution and pondered over the easiest and quickest route before advising her father to enter through the next lane and then turn right to find what was nothing short of a wonderland for the schoolgirl. She smiled and waved for prompt assistance while her father accelerated the two-wheeler. It was apparent they were new to this small town that had suddenly grown big in stature within weeks and emerged as a hotspot because of the replica of the Twin Towers from Malaysia as one of the Puja pandal themes here.
The Puja organisers were surprised as the turnout surpassed their expectations and broke all previous records. Some analysts explained this unprecedented wave was the public response to the pandemic that had kept them indoors for two consecutive years. With people sharing images and reels across social media platforms, the ‘Twin Towers’ went viral, generating a big buzz among pandal hoppers to include it in the must-see list. The sea of humanity in this small town surged from neighbouring towns, far-off districts, and even other states.
The grandeur of tall towers led to a google search for architectural wonders, modern and ancient, from around the world as likely themes for the puja pandals next year. The appeal of tall and towering structures offers a valid reason to see the lavish artificial mounts to be dismantled within a few days of idol immersion. Painstakingly built over the months, the hard work of artisans and craftsmen has paid off rich dividends – without any special efforts by the organisers. The public informed fellow citizens of all faiths, through every possible means of communication, to visit the Twin Towers and make the Puja celebrations complete.
It was much bigger than the crowds milling at any cadre-driven political rally organised in Bengal. Missing this marvel was a loss for devotees and non-believers who thronged the Puja pandals to see art and creativity in full bloom. “Have you seen the Twin Towers?” became the common refrain that gained currency among local people drawn from all sections. Tens of thousands of people stood in queues that moved at a snail’s pace, their floral and musk fragrances overpowering their perspiration. Driven by faith and the desire to see the architectural marvel and the Goddess, the crowds showed patience for hours, braving thunderstorms and intermittent showers without complaints, standing with umbrellas for their turn, without any attempt to jump the fence.
Droves of people – armed with camera-flashing mobile phones – were busy capturing the Twin Towers from various angles, looking for a different click for their feeds, slowing down their pace to capture the images without blurring. The volunteers brandished batons to keep the crowds moving toward the exit gate. The entire process of entering the pandal and exiting was over within two minutes. The wait outside the pandal took a couple of hours at least.
Although I had visited other pandals where the turnout was modest, I intended to see the ‘Twin Towers’ after Dashami, the last day of the festival, after the crowds thinned. I wanted to be bedazzled by the lights, so I did not venture during the daytime. I chose to go during in the late evening for a fully lit-up view of the colossal towers, to stand behind the crowds discussing bus routes and means of transport available at night, apart from momos and biriyani outlets in the vicinity. It was the last day after the week-long festival drew to a close. But the turnout remained steady and suggested it was perhaps the first day, showing once again that aesthetic appeal allures people and creates a hangover that refuses to subside even after the curtains are drawn.
I came out of the premises and checked the random clicks on my phone. I was overwhelmed with the pride of having seen the replica. I had captured the precious moments, posing against the backdrop of the Twin Towers forever.
Whether this Puja inspires people from Bengal to travel to Malaysia to see the towers is pure speculation. But it has made people complacent, and they happily declare they have seen the Malaysia ‘Twin Towers’ in Bengal. Crossing borders, oceans, countries, and continents to select themes, the Pujas in Bengal offer people the vicarious pleasure of seeing the global wonders come alive in the art form.
Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.
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