Categories
Contents

Borderless, March 2024

Art by Sohana Manzoor

Editorial

‘If Winter Comes, Can Spring be Far Behind…’ Click here to read.

Translations

Travels of Debendranath Tagore are narratives translated from Bengali by Somdatta Mandal. Click here to read.

The Yellow Flower, a narrative by Haneef Sharif, has been translated by Fazal Baloch from Balochi. Click here to read.

Ye Shao-weng’s poetry ( 1100-1150) has been translated from Mandarin by Rex Tan. Click here to read.

Nazrul’s Amamai Nahi Go Bhalobashleo (Even if you don’t love me) has been translated by Professor Fakrul Alam from Bengali. Click here to read.

Rough Stone by Ihlwha Choi has been translated from Korean to English by the poet himself. Click here to read.

Phalgun or Spring by Rabindranath Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Conversations

A discussion with Radha Chakravarty on her new book, Subliminal, and a brief review of the book. Click here to read.

Jagari Mukherjee interviews Rajorshi Patranabis, discussing his new book, Checklist Anomaly and Wiccan philosophy. Click here to read.

Poetry

Click on the names to read the poems

Rhys Hughes, Alpana, Ron Pickett, Shamik Banerjee, Stuart McFarlean, Baisali Chatterjee Dutt, John Grey, Shahalam Tariq, Jim Murdoch, Kumar Ghimire, Peter Magliocco, Saranyan BV, Rex Tan, Samina Tahreem, Luis Cuauhtémoc Berriozábal

Poets, Poetry & Rhys Hughes

In Lines for Loons, Loonies and Such-like, Rhys Hughes shares a rare treat. Click here to read.

Musings/Slices from Life

The Elusive Utopia?

Farouk Gulsara discusses the ideal of a perfect world. Click here to read.

Serenading Sri Lanka

Mohul Bhowmick backpacks in Sri Lanka with a camera. Click here to read.

Musings of a Copywriter

In A Conversation with God, Devraj Singh Kalsi has a bargaining chip. Click here to read.

Notes from Japan

In Cherry Blossom Forecast, Suzanne Kamata brings the Japanese ritual of cherry blossom viewing to our pages with her camera and words. Click here to read.

Stories

Prison Break

C.J.Anderson-Wu gives a poignant flash fiction. Click here to read.

Terrace

Rakhi Pande relates a strange tale from Goa. Click here to read.

The Temple-going Snake

Devraj Singh Kalsi almost creates a fable but not quite. Click here to read.

Monsoon Arc

K.S. Subramaniam shows the human spirit pitched against the harshness of monsoon storms. Click here to read.

Felipe Jimenez’s Quest of the Unheard

Paul Mirabile travels to Spain of Goya’s times with an imaginary friend who takes after perhaps, Don Quixote? Click here to read.

Essays

Where the Rice is Blue and Dinosaurs Roar…

Ravi Shankar takes us on a tour of a Malaysian town. Click here to read.

Conquering Fears: Bowing to the Mountains 

Keith Lyons tells us of his challenging hike in New Zealand. Click here to read.

Book Excerpts

An excerpt from Out of Sri Lanka: Tamil, Sinhala and English Poetry from Sri Lanka and its Diasporas edited by Vidyan Ravinthiran, Seni Seneviratne and Shash Trevett. Click here to read.

An excerpt from Rajat Chaudhuri’s Spellcasters. Click here to read.

Book Reviews

Somdatta Mandal reviews Ilse Kohler-Rollefson’s Camel Karma: Twenty Years Among India’s Camel Nomads. Click here to read.

Rakhi Dalal reviews Anuradha Kumar’s The Kidnapping of Mark Twain: A Bombay Mystery. Click here to read.

Bhaskar Parichha reviews Mafia Raj: The Rule of Bosses in South Asia by Lucia Michelutti, Ashraf Hoque, Nicolas Martin, David Picherit, Paul Rollier, Clarinda Still. Click here to read.

.

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

‘If Winter Comes, Can Spring be Far Behind…’

Where the mind is without fear

Where the world has not been broken up into fragments

Where the clear stream of reason has not lost its way

Where the mind is led forward by thee
Into ever-widening thought and action…

— ‘Where the Mind is without Fear’ (1910), by Rabindranath Tagore

As we complete the fourth year of our virtual existence in the clouds and across borders, the world has undergone many changes around us, and it’s not only climate change (which is a huge challenge) but much more. We started around the time of the pandemic — in March 2020 — as human interactions moved from face-to-face non-virtual interactions to virtual communication. When the pandemic ended, we had thought humanity would enter a new age where new etiquettes redefining our social norms would make human existence as pandemic proof as possible. But before we could define new norms in the global context, takeovers and conflicts seem to have reft countries, regions and communities apart. Perhaps, this is a time when Borderless Journal can give a voice to all those who want to continue living as part of a single species in this world — where we can rise above our differences to find commonalities that make us human and part of the larger stream of humanity, that has been visualised by visionaries like Tagore or John Lennon — widely different cultural milieus but looking for the same things — humankind living together in harmony and moving towards a world without violence, without hate, without rancour and steeped in goodwill and love.  

Talking of positive values does not make sense in a world that seems to be veering towards darkness… Many say that humankind is intrinsically given to feelings of anger, hate, division, lust, shame and violence. But then we are just as much inclined towards happiness, fun, love, being respectful and peaceful. Otherwise, would we be writing about these? These are inherited values that have also come down to us from our forefathers and some have been evolving towards embalming or healing with resilience, with kindness and with an open mind.  

If you wake up before sunrise, you will notice the sky is really an unredeemable dark. Then, it turns a soft grey till the vibrant colours of the sun paint the horizon and beyond, dousing with not just lively shades but also with a variety of sounds announcing the start of a new day. The darkest hours give way to light. Light is as much a truth as darkness. Both exist. They come in phases in the natural world, and we cannot choose but live with the choices that have been pre-made for us. But there are things we can choose — we can choose to love or hate. We can choose resilience or weakness. We can choose our friends. We can choose our thoughts, our ideas. In Borderless, we have a forum which invites you to choose to be part of a world that has the courage to dream, to imagine. We hope to ignite the torch to carry on this conversation which is probably as old as humanity. We look forward to finding new voices that are willing to move in quest of an impractical world, a utopia, a vision — from which perhaps will emerge systems that will give way to a better future for our progeny.

In the last four years, we are happy to say we have hosted writers from more than forty different nationalities and our readers stretch across almost the whole map of the world. We had our first anthology published less than one and a half years ago, focussing more on writing from established pens. Discussions are afoot to bring out more anthologies in hardcopy with more variety of writers.

In our fourth anniversary issue, we not only host translations by Professor Fakrul Alam of Nazrul, by Somdatta Mandal of Tagore’s father, Debendranath Tagore, but also our first Mandarin translation of a twelfth century Southern Song Dynasty poet, Ye Shao-weng, by Rex Tan, a journalist and writer from Malaysia. From other parts of Asia, Dr Haneef Sharif’s Balochi writing has been rendered into English by Fazal Baloch and Ihlwha Choi has transcreated his own poetry from Korean to English. Tagore’s Phalgun or Spring, describing the current season in Bengal, adds to the variety in our translated oeuvre.

An eminent translator who has brought out her debut poetry book, Radha Chakravarty, has conversed about her poetry and told us among other things, how translating to English varies from writing for oneself. A brief overview of her book, Subliminal, has been provided. Our other interviewee, Rajorshi Patranabis — interviewed by Jagari Mukherjee — has written poetry from a Wiccan perspective — poetry on love — for he is a Wiccan. We have poetry by Luis Cuauhtémoc Berriozábal, Jim Murdoch, Alpana, Baisali Chatterjee Dutt, John Grey, Shahalam Tariq, Saranyan BV, Rex Tan, Ron Pickett with poetry on the season and many more. Humour is brought into poetry with verses woven around a funny sign by Rhys Hughes . His column this month hosts a series of shorter poems — typically in Hughes’ own unique style.

Devraj Singh Kalsi has explored darker shades of humour in his conversation with God while Suzanne Kamata has ushered in the Japanese spring ritual of gazing at cherry blossoms in her column with photographs and narrative. Keith Lyons takes us to the beautiful Fiordlands of New Zealand, Ravi Shankar to Malaysia and Mohul Bhowmick trapezes from place to place in Sri Lanka. Farouk Gulsara has discussed the elusiveness of utopia — an interesting perspective given that we look upto ideals like these in Borderless. I would urge more of you to join this conversation and tell us what you think. We did have Wendy Jones Nakashini start a discussion along these lines in an earlier issue.

We have stories from around the world: C.J.Anderson-Wu from Taiwan, Paul Mirabile from France, Rakhi Pande, Kalsi and K.S. Subramaniam from India. Our book excerpts are from Out of Sri Lanka: Tamil, Sinhala and English Poetry from Sri Lanka and its Diasporas edited by Vidyan Ravinthiran, Seni Seneviratne and Shash Trevett and a Cli-fi book that is making waves, Rajat Chaudhauri’s Spellcasters. Mandal has also reviewed for us Ilse Kohler-Rollefson’s Camel Karma: Twenty Years Among India’s Camel Nomads. Bhaskar Parichha has discussed Mafia Raj: The Rule of Bosses in South Asia by Lucia Michelutti, Ashraf Hoque, Nicolas Martin, David Picherit, Paul Rollier, Clarinda Still — a book written jointly by multiple academics. Rakhi Dalal in her review of Anuradha Kumar’s The Kidnapping of Mark Twain: A Bombay Mystery has compared the novel to an Agatha Christie mystery!

I would want to thank our dedicated team from the bottom of my heart. Without them, we could not have brought out two issues within three weeks for we were late with our February issue. A huge thanks to them for their writing and to Sohana Manzoor for her art too. Thanks to our wonderful reviewers who have been with us for a number of years, to all our mentors and contributors without who this journal could not exist. Huge thanks to all our fabulous loyal readers. Devoid of their patronage these words would dangle meaninglessly and unread. Thank you all.

Wish you a wonderful spring as Borderless Journal starts out on the fifth year of its virtual existence! We hope you will be part of our journey throughout…

Enjoy the reads in this special anniversary issue with more content than highlighted here, and each piece is a wonderful addition to our oeuvre!

Mitali Chakravarty

borderlessjournal.com

Click here to access the content page for the March 2024 Issue.

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Tagore Translations

Phalgun or Spring by Rabindranath Tagore

Phalgun or Spring was published posthumously by Visva Bharati, in a collection of published and unpublished poems by Tagore called Chitra Bichitra (Picturesque Potpouri) in 1954.

Art by Sohana Manzoor
Phalgun* unfolds
Bright blooms,
Branches laden with
mango plumules.
Restless bees
Hum a melody,
Bamboo woods murmur
In harmony.

The vibrant river-water
Glitters and glimmers
In the moon light
As the sandbank shimmers.
The boat is tied to the shore.
The boatman is enticed
By the headiness
Of the full moon night.

From the shores, a song
soars soulfully.
A traveller plays the
Flute spontaneously.
The melody races
To distant fringes,
Crossing lonely
Trails and ridges.

In a distant bed
A dreamy-eyed boy, all alone,
listens to the melody and
Imagines on his own…
Late at night,
He is sailing avast,
Crossing the moonlit seas,
With the moon for a raft.

He travels all night,
On the moon-craft,
The boat touches the
Clouds that waft.
As night passes into dawn,
Birds chirp in the woods,
The moon-craft descends
Into the earth’s nook.

*Month in the Bengali Calendar
(normally from mid-February to mid-March)

This poem has been translated by Mitali Chakravarty with editorial input by Sohana Manzoor 

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Contents

Borderless, February 2024

Art by Sohana Manzoor

Editorial

Finding Godot?… Click here to read.

Conversations

Ratnottama Sengupta talks to Ruchira Gupta, activist for global fight against human trafficking, about her work and introduces her novel, I Kick and I Fly. Click here to read.

A conversation with Ratna Magotra, a doctor who took cardiac care to the underprivileged and an introduction to her autobiography, Whispers of the Heart: Not Just a Surgeon. Click here to read.

Translations

Two poems by Nazrul have been translated from Bengali by Niaz Zaman. Click here to read.

Masud Khan’s poetry has been translated by Fakrul Alam. Click here to read.

The White Lady by Atta Shad has been translated from Balochi by Fazal Baloch. Click here to read.

Sparrows by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Tagore’s Dhoola Mandir or Temple of Dust has been translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies Corner

Songs of Freedom: What are the Options? is an autobiographical narrative by Jyoti Kaur, translated from Hindustani by Lourdes M Supriya. These narrations highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and pandies’. Click here to read.

Poetry

Click on the names to read the poems

Rhys Hughes, Maithreyi Karnoor, Luis Cuauhtémoc Berriozábal, Sivakami Velliangiri, Wendy Jean MacLean, Pramod Rastogi, Stuart McFarlean, Afrida Lubaba Khan, George Freek, Saranyan BV, Ryan Quinn Flanagan, Sanjay C Kuttan, Peter Magliocco, Sushant Thapa, Michael R Burch

Poets, Poetry & Rhys Hughes

In City Life: Samples, Rhys Hughes takes on the voice of cities. Click here to read.

Musings/Slices from Life

Ratnottama Sengupta Reminisces on Filmmaker Mrinal Sen

Ratnottama Sengupta travels back to her childhood wonderland where she witnessed what we regard as Indian film history being created. Click here to read.

Suga Didi

Snigdha Agrawal gives us a slice of nostalgia. Click here to read.

Healing Intellectual Disabilities

Meenakshi Pawha browses on a book that deals with lived experiences of dealing with intellectual disabilities. Click here to read.

Musings of a Copywriter

In Hobbies of Choice, Devraj Singh Kalsi explores a variety of extra curriculums. Click here to read.

Notes from Japan

In Becoming a Swiftie in my Fifties, Suzanne Kamata takes us to a Taylor Swift concert in Tokyo. Click here to read.

Essays

Walking about London Town

Sohana Manzoor takes us around the historic town. Click here to read.

How Do You Live?

Aditi Yadav explores the universal appeal of the translation of a 1937 Japanese novel that recently came to limelight as it’s rendition on the screen won the Golden Globe Best Animated Feature Film award (2024). Click here to read.

The Magic Dragon: Cycling for Peace

Keith Lyons writes of a man who cycled for peace in a conflict ridden world. Click here to read.

Stories

A Night at the Circus

Paul Mirabile tells a strange tale set in Montana. Click here to read.

Echoes in the Digital Expanse

Apurba Biswas explores a futuristic scenario. Click here to read.

Two Countries

Ravi Shankar gives a story about immigrants. Click here to read.

Chadar

Ravi Prakash writes about life in an Indo-Nepal border village. Click here to read.

Just Another Day

Neeman Sobhan gives a story exploring the impact of the politics of national language on common people. Click here to read.

Book Excerpts

An excerpt from Nabendu Ghosh’s Journey of a Lonesome Boat( Eka Naukar Jatri), translated from Bengali by Ratnottama Sengupta. Click here to read.

An excerpt from Upamanyu Chatterjee’s Lorenzo Searches for the Meaning of Life. Click here to read.

Book Reviews

Somdatta Mandal reviews The History Teacher of Lahore: A Novel by Tahira Naqvi. Click here to review.

Basudhara Roy reviews Srijato’s A House of Rain and Snow, translated from Bengali by Maharghya Chakraborty. Click here to read.

Bhaskar Parichha reviews Toby Walsh’s Faking It : Artificial Intelligence In a Human World. Click here to read.

.

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Finding Godot?

Discard all prayers,
Meditation, hymns and rituals.
Why do you hide behind
Closed doors of temples?
....
There is no God in this house.

He has gone to visit the
Farmers who plough the hard ground,
The workers who break rocks ...


— Tagore, Dhoola Mandir or Temple of Dust (1910)

Love is a many splendoured thing and takes many forms — that stretches beyond bodily chemistry to a need to love all humankind. There is the love for one’s parents, family, practices one believes in and most of all nurtured among those who write, a love for words. For some, like Tagore, words became akin to breathing. He wrote from a young age. Eventually, an urge to bridge social gaps led him to write poetry that bleeds from the heart for the wellbeing of all humanity.  Tagore told a group of writers, musicians, and artists, who were visiting Sriniketan in 1936: “The picture of the helpless village which I saw each day as I sailed past on the river has remained with me and so I have come to make the great initiation here. It is not the work for one, it must involve all. I have invited you today not to discuss my literature nor listen to my poetry. I want you to see for yourself where our society’s real work lies. That is the reason why I am pointing to it over and over again. My reward will be if you can feel for yourself the value of this work.”

And it was perhaps to express this great love of humanity that he had written earlier in his life a poem called Dhoola Mandir that urges us to rise beyond our differences of faith and find love in serving humankind. In this month, which celebrates love with Valentine’s Day, we have a translation of this poem that is born of his love for all people, Dhoola Mandir.  Another poet who writes of his love for humanity and questions religion is Nazrul, two of whose poems have been translated by Niaz Zaman. Exploring love between a parent and children is poetry by Masood Khan translated from Bengali by Fakrul Alam. From the distant frontiers of Balochistan, we have a poem by Atta Shad, translated from Balochi by Fazal Baloch, for a fair lady — this time it is admiration. Ihlwha Choi translates poetry from Korean to express his love for a borderless world through the flight of sparrows.

Love has been taken up in poetry by Michael Burch. Borne of love is a concern for the world around us. We have powerful poetry by Maithreyi Karnoor that expresses her concern for humanity with a dash of irony or is it sarcasm? Luis Cuauhtémoc Berriozábal expresses his admiration for the poetry of Italian Poet Antonia Pozzi (1912-1938) in poetry. We have poems by Stuart McFarlane, Pramod Rastogi, Afrida Lubaba Khan, George Freek, Saranyan BV, Ryan Quinn Flanagan and many more. Rhys Hughes brings humour into poetry and voices out in his column taking on the persona of two cities he had lived in recently. There is truth and poignancy in the voices of the cities.

Suzanne Kamata writes a light-hearted yet meaningful column on the recent Taylor Swift concert in Tokyo.  Aditi Yadav takes up the Japanese book on which was based a movie that won the 2024 Golden Globe Best Animated Feature Film Award. Sohana Manzoor journeys to London as Devraj Singh Kalsi with tongue in cheek humour comments on extracurriculars that have so become a necessity for youngsters to get to the right schools. Snigdha Agrawal gives us a slice of nostalgia while recounting the story of a Santhali lady and Keith Lyons expresses his love for peace as he writes in memory of a man who cycled for peace.

Ratnottama Sengupta also travels down the memory lane to recall her encounters with film maker Mrinal Sen as he interacted with her father, Nabendu Ghosh. She has translated an excerpt from his autobiography to highlight his interactions with Ghosh. The other excerpt is from Upamanyu Chatterjee’s latest novel, Lorenzo Searches for the Meaning of Life.

In reviews, Somdatta Mandal has explored Tahira Naqvi’s The History Teacher of Lahore: A Novel. Srijato’s A House of Rain and Snow, translated from Bengali by Maharghya Chakraborty, has been discussed by Basudhara Roy and Bhaskar Parichha has reviewed Toby Walsh’s Faking It: Artificial Intelligence in a Human World. News and Documentary Emmy Award winner (1996) Ruchira Gupta’s daring novel born of her work among human traffickers, I Kick and I Fly, has been brought to our notice by Sengupta and she converses about the book and beyond with this socially conscious activist, filmmaker and writer. Another humanist, a doctor who served by bridging gaps between patients from underprivileged backgrounds, Dr Ratna Magotra, also conversed about her autobiography, Whispers of the HeartNot Just a Surgeon: An Autobiography , where she charts her journey which led her to find solutions to take cardiac care to those who did not have the money to afford it,

We have fiction this time from Neeman Sobhan reflecting on how far people will go for the love of their mother tongue to highlight the movement that started on 21st February in 1952 and created Bangladesh in 1971. Our stories are from around the world — Paul Mirabile from France, Ravi Shankar from Malaysia, Sobhan from Bangladesh and Ravi Prakash and Apurba Biswas from India — weaving local flavours and immigrant narratives. Most poignant of all the stories is a real-life narrative under the ‘Songs of Freedom’ series by a young girl, Jyoti Kaur, translated from Hindustani by Lourdes M Supriya. These stories are brought to us in coordination with pandies’ and Shaktishalini, a women’s organisation to enable the abused. Sanjay Kumar, the founder of pandies’ and the author of a most poignant book about healing suffering of children through theatre, Performing, Teaching and Writing Theatre: Exploring Play, writes, “‘Songs of Freedom’ bring stories from women — certainly not victims, not even survivors but fighters against the patriarchal status quo with support from the organisation Shaktishalini.”

While looking forward in hope of finding a world coloured with love and kindness under the blue dome, I would like to thank our fabulous team who always support Borderless Journal with their wonderful work. A huge thanks to all of you from the bottom of my heart. I thank all the writers who make our issues come alive with their creations and readers who savour it to make it worth our while to bring out more issues. I would urge our readers to visit our contents’ page as we have more than mentioned here.

Enjoy our February fare.

Mitali Chakravarty

borderlessjournal.com

Click here to access the content’s page for the February 2024 Issue.

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Tagore Translations

Temple of Dust by Rabindranath Tagore

Dhoola Mandir (The Temple of Dust) was written by Tagore in 1910 and can be found in his collection, Sanchayita1. It is a poem that seeks to bridge social gaps.

Peasant Couple (1950), painting by MF Husain (1915-2011)
Discard all prayers,
Meditation, hymns and rituals.
Why do you hide behind
Closed doors of temples?
In the darkness of the sanctum,
Who do you worship in secrecy?
Open your eyes and look,
There is no God in this house.

He has gone to visit the
Farmers who plough the hard ground,
The workers who break rocks for paths,
People who slog round the year.
He is there with them under the hot sun,
With dust-smeared hands;
Take off your garb of purity,
Join him in his dusty domain.

Nirvana? Oh! Where will you get it,
Where can you find freedom?
After Creation, our God,
Found himself bound to all of us.
Discard meditation, relinquish floral offerings.
Let your garments tear, your hands get dusty,
Join Him in His endeavours --
Free yourself of the rituals of religions.
  1. Sanchayita (literal meaning: collection) was published by Visva Bharati in 1931 to commemorate Tagore’s seventieth birthday. ↩︎

This poem has been translated by Mitali Chakravarty with editorial input by Sohana Manzoor 

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Essay

Walking about London Town

By Sohana Manzoor

The first thing I realised while walking around London is that not a single one of all the people I had known who had been to England, told me how charming the city is. The buses with open tops, the red telephone booths, Big Ben, the London Bridge and all those pretty buildings simply fascinated us. So, before heading out for Haworth, we walked around in London and took Duck’s tour and saw some really enchanting stuff.

Sohana at the Tower of London

We spent a large part of a day at the famed Tower of London, which is literally a thousand years old, first built by William the Conqueror in the 11th century. Our visit began with a tour by a Beefeater (also known as a Yeoman Warder), who gave us a general overview of the Tower’s history. He had a wicked sense of humor and kept making puns like “Let’s be heading this way.” We saw Tower Hill, the site of public executions on the scaffold, and also Tower Green, where Anne Boleyn and Lady Jane Grey were executed – the spot is now commemorated by a glass sculpture with a pillow on top. The tour ended at the Chapel Royal of St Peter ad Vincula where those executed on Tower Green (including Boleyn and Jane Grey) are buried. Afterwards, we took a picture with the Beefeater outside the chapel.

Next, we went to the building that houses the Crown Jewels. Our eyes were dazzled by the rich display of crowns, scepters, and orbs bejeweled with diamonds, rubies, sapphires, and every kind of precious stone possible in the vault. We also saw the famed Kohinoor diamond, set in the Queen Mother’s crown, as well as the crown worn by the late Queen Elizabeth II. After the crown jewels, there was also a section of gold plates, serving dishes, goblets, wine jugs, etc. that were used for ceremonial occasions by various monarchs. We will probably never again see such a display of wealth, and perhaps there is no other place with so much wealth on display in one place. However, all the gold and perhaps some of the obnoxious histories attached with the splendour on display started to make me feel nauseous, so I was glad to get out into the open air.

We looked around in the White Tower, which stands in the center with a display of military equipment and history. Then we went to the Beauchamp Tower, which is known for the graffiti on the walls left by various prisoners, including some very high-profile ones. At one point, when I saw the graffiti attributed to Robert Dudley, Earl of Leicester, I stood rooted to the spot. It was incredible to think we were standing in the same room where such illustrious prisoners once lived, carving their convictions into the walls.

We walked around the grounds, taking pictures, and then came across some costumed characters, including James Scott, Duke of Monmouth, who posed with me graciously for a picture. The costumed characters put on a dramatic reenactment of James trying to claim the throne. James Scott is the fellow who required several blows of the axe, followed by a butcher knife, during his beheading on Tower Hill by the half-drunk Jack Ketch. The Beefeater told us the story in all its gory detail, though the reenactment, thankfully, included the trial but not the execution.

We took pictures, including one of Nausheen posing with a raven. These birdsare kept and bred on the grounds of the Tower. Apparently, they have kept at least half a dozen ravens since the time of Charles II, who thought the Tower would fall and the empire disintegrate if he did not always keep ravens there. There is even one beefeater whose job it is to feed and take care of the ravens! Finally, we also saw the room where Sir Walter Raleigh was imprisoned for many years, and the place where he used to walk back and forth (now called Raleigh’s Walk), and I got goose bumps.

Our day ended with a brief stop at Tate Modern, which is just across the river from the Tower. I’m not really into modern art, and as I paused in front of a famous painting by Picasso, I had to admit that I understood nothing about its greatness. To me it looked like a misshapen human figure lying on its side. Nausheen kept on dancing around the pieces and went on explaining what she had learnt in conjunction with modern poetry.

The Parliament & Big Ben

Next morning, we passed Big Ben and the Houses of Parliament on our way to Westminster Abbey where kings and queens are still coronated, and where many notable historical, political, and literary figures are buried. It was very crowded, but also a very solemn kind of place – kind of dark and gloomy, with tombs and effigies all around, and Latin epitaphs everywhere. Many of England’s kings and queens are buried here, and we saw the tombs of Henry VII, Elizabeth I, Bloody Mary, and Mary Queen of Scots. The tomb of Queen Elizabeth felt unreal – almost as if it was part of a dream I had nurtured for long.

Eventually, we made our way to the Poets’ Corner, which Nausheen was especially eager to see. She got excited seeing the tomb of Chaucer, who was the first to be buried in the Poets’ Corner. We both patted the tomb in homage to the great man. We also saw tombs of various other poets and writers, such as Austen and Dickens, and memorials to writers who are buried elsewhere, but commemorated here nonetheless, such as Shakespeare and the Brontës. Finally, we stopped at the museum shop to buy some souvenirs.

The afternoon saw us at the Tate Britain. We took a tour with one of the museum guides, who took us through the Turner wing. It was really great that they have an entire wing devoted to Turner, since his work is familiar to me from my dissertation supervisor, Dr. Collins’s course. There were also paintings by Constable and Gainsborough, but of course, Turner’s are the most dramatic and majestic. There was also a smaller wing dedicated to Blake’s prints, paintings, and engravings. However, the ones that are most familiar to us, from Songs of Innocence and Experience, are mostly elsewhere, such as in the British Museum, so there were only a handful of those.

The next day was cold and gloomy and we decided to stay in. We made plans of visiting Hampstead, the home of the young Romantic poet John Keats the day after. I knew days would be bad as I was developing a fever. But I could surely rest for one day.

Sohana Manzoor is an Associate Professor at the Department of English and Humanities at ULAB, a short story writer, a translator, an essayist and an artist. This essay was previously published in The Daily Star in January 2019.

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Contents

Borderless, January 2024

Art by Sohana Manzoor

Editorial

Imagine all the People, Sharing All the World’Click here to read

Conversations

Interviewing Bulbul: Remembering Mrinal SenRatnottama Sengupta introduces Bulbul Sharma to converse with her on Mrinal Sen, the legendary filmmaker, reflecting on Bulbul Sharma’s experience as an actress in his film, Interview. Click here to read.

In conversation with Gajra Kottary, eminent screenplay writer, and a brief introduction to her recent book of short stories, Autumn Blossoms. Click here to read.

Translations

Nazrul’s poem, Samya or Equality, has been translated from Bengali by Niaz Zaman. Click here to read.

Masud Khan’s Fire Engine has been translated from Bengali by Fakrul Alam. Click here to read.

Short Poems by Mulla Fazul have been translated from Balochi by Fazal Baloch. Click here to read.

Disaster Alert by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Prarthona or Prayer by Rabindranath Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Radha Chakravarty, David Skelly Langen, Urmi Chakravorty, Avantika Vijay Singh, JM Huck, Isha Sharma, Stuart McFarlane, Saranyan BV, Ron Pickett, Mereena Eappen, Ahmad Al-Khatat, Ganesh Puthur, George Freek, Rhys Hughes

Poets, Poetry & Rhys Hughes

In Some Differences Between India and Sri Lanka, Rhys Hughes relates his perceptions of the two countries with a pinch of humour. Click here to read.

Musings/Slices from Life

When the Cobra Came Home

Antara Mukherjee nostalgically recalls her past and weaves it into the present. Click here to read.

The Old Man

Munaj Gul Muhammad describes his encounter with an old Balochi man. Click here to read.

Corner

Anita Sudhakaran muses on the need for a quiet corner. Click here to read.

Musings of a Copywriter

In Taking Stock…Finally, Devraj Singh Kalsi writes of stocks that defy the laws of gravity. Click here to read.

Notes from Japan

In A Sombre Start, Suzanne Kamata talks of the twin disasters in Japan. Click here to read.

Essays

Abol Tabol: No Nonsense Verses of Sukumar Ray

Ratnottama Sengupta relives the fascination of Sukumar Ray’s Abol Tabol, which has  just completed its centenary. Click here to read.

Peeking at Beijing: Fringe-dwellers and Getting Centred

Keith Lyons shares the concluding episode of his trip to Beijing. Click here to read.

Stories

The Gift

Rebecca Klassen shares a sensitive story about a child and an oak tree. Click here to read.

Healing in the Land of the Free

Ravi Shankar gives the story of a Nepali migrant. Click here to read.

Pigeons & People

Srinivasan R explores human nature. Click here to read.

Phôs and Ombra

Paul Mirabile weaves a dark tale about two people lost in a void. Click here to read.

Book Excerpts

An excerpt from Srijato’s A House of Rain and Snow, translated from Bengali by Maharghya Chakraborty. Click here to read.

An excerpt from The Kidnapping of Mark Twain: A Bombay Mystery by Anuradha Kumar. Click here to read.

Book Reviews

Somdatta Mandal reviews Sudha Murty’s Common Yet Uncommon: 14 Memorable Stories from Daily Life. Click here to read.

Meenakshi Malhotra reviews Rhys Hughes’ The Coffee Rubaiyat. Click here to read.

Rakhi Dalal reviews Ajit Cour’s Life Was Here Somewhere, translated by Ajeet Cour and Minoo Minocha. Click here to read.

Bhaskar Parichha reviews Scott Ezell’s Journey to the End of the Empire: In China Along the Edge of Tibet. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Editorial

‘Imagine all the People, Sharing All the World’

Art by Sohana Manzoor

Let’s look forward to things getting better this New Year with wars tapering off to peace— a peace where weapons and violence are only to be found in history. Can that ever happen…?

Perhaps, all of us need to imagine it together. Feeling the need for peace, if we could dwell on the idea and come up with solutions, we could move towards making it a reality. To start with, every single human being has to believe firmly in the need for such a society instead of blaming wars on natural instincts. Human nature too needs to evolve. Right now, this kind of a world view may seem utopian. But from being hunter-gatherers, we did move towards complex civilisations that in times of peace, built structures and created art, things that would have seemed magical to a cave dweller in the Palaeolithic times. Will we destroy all that we built by warring – desecrating, decimating our own constructs and life to go on witch-hunts that lead to the destruction of our own species? Will human nature not evolve out of the darkness and chaos that leads to such large-scale annihilation?

Sometimes, darkness seems to rise in a crescendo only to be drowned by light emanating from an unknown source. This New Year — which started with an earthquake followed the next day by a deadly plane collision — was a test of human resilience from which we emerged as survivors, showing humanity can overcome hurdles if we do not decimate each other in wars. Bringing this to focus and wringing with the pain of loss, Suzanne Kamata, in her column tells us: “Earthquakes and other natural disasters are unavoidable, but I admire the effort that the Japanese people put into mitigating their effects. My hope is that more and more people here will begin to understand that it is okay to cry, to mourn, to grieve, and to talk about our suffering. My wish for the Japanese people in the new year is happiness and the achievement of dreams.”

And may this ring true for all humanity.

Often it is our creative urges that help bring to focus darker aspects of our nature. Laughter could help heal this darkness within us. Making light of our foibles, critiquing our own tendencies with a sense of humour could help us identify, creating a cathartic outcome which will ultimately lead to healing. An expert at doing that was a man who was as much a master of nonsense verses in Bengal as Edward Lear was in the West. Ratnottama Sengupta has brought into focus one such book by the legendary Sukumar Ray, Abol Tabol (or mumbo jumbo), a book that remains read, loved and relevant even hundred years later. We have more non-fiction from Keith Lyons who reflects on humanity as he loses himself in China. Antara Mukherjee talks of evolving and accepting a past woven with rituals that might seem effete nowadays and yet, these festivities did evoke a sense of joie de vivre and built bridges that stretch beyond the hectic pace of the current world. Devraj Singh Kalsi weaves in humour and variety with his funny take on stocks and shares. Rhys Hughes does much the same with his fun-filled recount on the differences between Sri Lanka and India, with crispy dosas leaning in favour of the latter.

Humour is also sprinkled into poetry by Hughes as Radha Chakravarty’s poetry brings in more sombre notes. An eminent translator from Bengali to English, she has now tuned her pen to explore the subliminal world. While trying to explore the darker aspects of the subliminal, David Skelly Langen, a young poet lost his life in December 2023. We carry some of his poems in memoriam. Ahmad Al-Khatat, an Iraqi immigrant, brings us close to the Middle East crisis with his heart-rending scenarios painted with words. Variety is added to the oeuvre with more poetry from George Freek, Ganesh Puthur, Ron Pickett, Stuart McFarlane, Urmi Chakravorty, Saranyan BV, JM Huck and many more.

Our stories take us around the world with Paul Mirabile from France, Ravi Shankar from Malaysia, Srinivasan R from India and Rebecca Klassen from England, weaving in the flavours of their own cultures yet touching hearts with the commonality of emotions.

In conversations, Ratnottama Sengupta introduces us to the multifaceted Bulbul Sharma and discusses with her the celebrated filmmaker Mrinal Sen, in one of whose films Sharma ( known for her art and writing) had acted. We also have a discussion with eminent screenplay writer Gajra Kottary on her latest book, Autumn Blossoms and an introduction to it.

Somdatta Mandal has reviewed Sudha Murty’s Common Yet Uncommon: 14 Memorable Stories from Daily Life, which she says, “speaks a universal language of what it means to be human”. Bhaskar Parichha takes us to Scott Ezell’s Journey to the End of the Empire: In China Along the Edge of Tibet. Parichha opines: “The book evokes the majesty of Tibetan landscapes, the unique dignity of the Tibetan people, and the sensory extremity of navigating nearly pre-industrial communities at the edge of the map, while also encompassing the erosion of cultures and ecosystems. Journey to the End of the Empire is both a love song and a protest against environmental destruction, centralised national narratives and marginalised minorities.” Meenakshi Malhotra provides a respite from the serious and emotional by giving us a lively review of Rhys Hughes’ The Coffee Rubaiyat, putting it in context of literature on coffee, weaving in poetry by Alexander Pope and TS Eliot. Rakhi Dalal has reviewed a translation from Punjabi by Ajeet Cour and Minoo Minocha of Cour’s Life Was Here Somewhere. Our book excerpts from Anuradha Kumar’s The Kidnapping of Mark Twain: A Bombay Mystery introduces a lighter note as opposed to the intense prose of Srijato’s A House of Rain and Snow, translated from Bengali by Maharghya Chakraborty.

Translations this time take us to the realm of poetry again with Fazal Baloch introducing us to a classical poet from Balochistan, the late Mulla Fazul. Ihlwha Choi has self-translated his poetry from Korean. Niaz Zaman brings us Nazrul’s Samya or Equality – a visionary poem for the chaotic times we live in — and Fakrul Alam transcribes Masud Khan’s Bengali verses for Anglophone readers. Our translations are wound up with Tagore’s Prarthona or Prayer, a poem in which the poet talks of keeping his integrity and concludes saying ‘May the wellbeing of others fill my heart/ With contentment”.

May we all like Tagore find contentment in others’ wellbeing and move towards a world impacted by love and peace! The grand polymath always has had the last say…

I would like to thank our contributors, the Borderless team for this vibrant beginning of the year issue, Sohana Manzoor for her fabulous art, and all our readers for continuing to patronise us.

With hope of moving towards a utopian future, I invite you to savour our fare, some of which is not covered by this note. Do pause by our contents page to check out all our fare.

Mitali Chakravarty

borderlessjournal.com

Click here to access the contents page for the January 2024 issue

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Tagore Translations

Prarthona or Prayer by Rabindranath Tagore

Written in August 1906,‘Prarthona or Prayer’, was first published in Tagore’s collection called Kheya (Boat) brought out the same year.

Art by Rabindranath Tagore(1861-1941)


PRARTHONA OR PRAYER

Despite all odds, I will not sell
Myself.
I want to stand with everyone
As a part of a queue.
In the morning light,
Shame should not sully me.
May I be enlightened by the
Permeating radiance.
I will not sell, not sell
Myself.

I will have a clear accord
With the world.
I will breathe in the breeze
That flits in the open skies.
My body will be purified by the
Affectionate touch of the Earth.
The trees will sway with the
Delight I experience.
I will be content with this
Accord with the world.

I will care for others and feel happy
In my heart.
Let no discordant notes sound
from the tunes of my bina*.
Whatever I experience, give me the
Strength to accept, let my
Heart be filled with the joyousness
Of the skies.
May the wellbeing of others fill my heart
With contentment.


*Veena, a string instrument
Veena by Anurag Mehta

This poem has been translated by Mitali Chakravarty with editorial input by Sohana Manzoor

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International