Categories
Essay

From Srinagar to Ladakh: A Cyclist’s Diary

Farouk Gulsara on a cycling adventure through battleworn Kashmir

They say to go forth and explore, to go to the planet’s edge to increase the depth of your knowledge. Learning about a country is best done doing the things the local populace does, travelling with them, amongst them, not in a touristy way, in a manicured fashion in a tourist’s van but on leg-powered machines called bicycles. Itching to go somewhere after our memorable escapade in South Korea, cycling from Seoul to Busan, as the borders opened up after the pandemic, somebody threw in the idea of cycling from Kashmir to Ladakh. Long story short, there we were, living our dream. The plan was to cycle the 473km journey, climbing 7378m ascent in 8 days, between 6th July 2024 and 12th July 2024. 

Our expedition started with us landing in Amritsar after a 5.5-hour flight from Kuala Lumpur. From there, it was another flight to Srinagar, where the crunch began.

Day 1. Amritsar

Amritsar Golden Temple. Photo Courtesy: Farouk Gulsara

After a good night’s sleep, everyone was game for a quick, well-spread breakfast and a leisurely stroll to the Harmandir, the Sikh Golden Temple. Much later, I realised the offering was 100% vegetarian and did not miss any non-vegetarian food. As a mark of respect, the vicinity around the temple complex served only vegetarian food, including a McDonald’s there. Imagine a McDonald’s without the good old quarter pounder! Hey, image is essential.

The usual showing of gratitude to the Almighty was marred by the unruly behaviour of the Little Napoleons, the Royal Guards. New orders were out, it seems, according to one guard with a chrome-plated spear and a steely sheathed dagger at his hip—no photography allowed. Then, on the other end of the Golden Pool, it was okay to photograph but only with a salutary (namaste) posture, with hands clasped on the chest. On the other side, it was alright. One can pose as he pleases. The guards were more relaxed there. 

That is the problem when rules are intertwined with religion. People make their own goal post and shift it as they please. When little men are given power to enforce God’s decree on Earth, they go overboard. They feel it is their God-given raison d’etre and the purpose of existence. Since nothing is cast in stone and everyone in mankind is on a learning curve, what is appropriate today may be blasphemous tomorrow and vice versa. We distinctly remember snapping loads of pictures of the full glory of Harmandir day and night during our last visit, preCovid. 

We all know what happened in the Stanford experiment when students were given powers to enforce order. It becomes ugly very quickly. Next, the flight to Srinagar. 

Boat House Dal Lake, Srinagar

Srinagar. Photo Courtesy: Farouk Gulsara

My impression differed from when Raj Kapoor and Vyajanthimala were seen spending their honeymoon boating around the lake in the 1964 mega-blockbuster Hindi movie Sangam. Then, it had appeared insanely cold, with mists enveloping the lake’s surface. Serenity was the order of the day. What I saw in the height of summer with a temperature hovering around 30C, was anything but peaceful. Even across the lake, the constant blaring of car horns was enough to make anyone go slightly mad. 

The lake is a godsend for dwellers around it. Many depend on the lake to transport tourists and sell memorabilia and other merchandise on their boats. The rows of boat houses are also popular sites for honeymooners and tourists to hire. Privacy may be an issue here. Imagine small-time Kashmiri silk vendors just landing at the boat house and showing produce to the occupants. They may want you to sample their kahwa, a traditional spiced-up, invigorating, aromatic, exotic green tea.

Day 2. Boat House, Dal Lake, Srinagar

Kashmiri Kahwa, a spiced tea. Photo Courtesy: Farouk Gulsara

Early morning starts with peaceful silence until the honking and murmur of the crowd start slowly creeping in. It was a leisurely morning meant to acclimatise ourselves to the high altitude (~1500m) before we began to climb daily till we hit the highest point of ~5400m. This would — aided by prophylactic acetazolamide –hopefully do the trick to keep altitude sickness at bay. 

The morning tête á tête amongst the generally older crowd was basically about justifying our trip ahead. The frequent question encountered by these older cyclists was, ‘Why were they doing it?’ The standard answer was similar to what George Mallory told his detractors when he expressed his desire to climb the peak that became Everest.

“Why? Because it is there!” Mallory had said. 

The cyclists told their concerned naysayers, “Because we can!”

Yeah, the general consensus was sobering. Time was running out, and so many things needed to be done before the big eye shut. There were so many places and so little time!

Lal Chowk. Photo Courtesy: Farouk Gulsara

Continuing the easy-peasy stance before the crunch, a trip to town was due. Backed with the symphony of the blaring of honks, we made a trip to the town square, Lal Chawk. After checking out how regular people got along with life, we realised the heavy presence of armed army personnel at almost every nook and corner of the town. Perhaps it was because it was Friday and prayers were in progress.

The return trip to our boat house was a trip down memory lane. After spending most of our adult lives in air-conditioned cars, the trip back on a cramped Srinagar town bus brought us back to our childhood, when rushing to get a place in the bus and squeezing through shoulder to shoulder in a sardine-packed bus was a daily challenge. That, too, was in the tropical heat minus the air conditioning. 

By noon, temperatures had soared to a roasting 30C. So much for cool Kashmir!

Our trip coincided with the Amarnath Yatra, an annual pilgrimage for Shiva worshippers who pay obeisance to Holy Ice Lingam. 

Dal Lake. Photo Courtesy: Farouk Gulsara

The evening was the time to familiarise ourselves with our machines, which involved a ride around the city. It was a nightmare of an experience where we had to simultaneously see our fronts, back, and sides. It was jungle fare. Nobody knew from which direction vehicles were going to barge at us. We survived somehow, if ever we were born in India, our most probable cause of death would be death by road traffic accident. 

The ride brought us to the affluent part of Srinagar, which changed our perception of Kashmir as a war-torn zone. What we saw were nicely manicured lawns and neatly painted buildings. The only hint of disturbances is the apparent presence of armed army personnel nearby. It is said that the one single sign of peace is to see people hanging around lakes and esplanades. We did see this on this ride. Young families were strolling along the promenade to a string of shops selling potpourri of delicacies. Kashmir appeared peaceful. 


Day 3. Srinagar…move it, move it…

Sunset at Dal Lake. Photo Courtesy: Farouk Gulsara

It was 4am in Kashmir, and all through the night, it had been raining with occasional threats of thunder in the distance. The plan was to start riding as soon as the day broke with the first ray of the sun. That could be 5am or later. And it has probably nothing to do with Indian timing. Today’s ride would be a 90km challenging ride with an ascent of 4.5%. 

All the cyclists survived the ordeal. Starting around 6am, after checking the machines and last-minute briefings, we were good to go.

We did not know that Lake Dal was so huge. The first 20km was all about going around the lake. The first stop was at Mani Gam, a picturesque countryside with a massive tributary of the Sindh River, for an early breakfast of hot milk coffee. 

As expected, the traffic was heavy because of the Amarnath Yatra. But one would expect attendees of a divine voyage like this to want to exhibit tolerance, patience, and softness. Unfortunately, the ugly side of drivers was in full glory. If the rest of the world would blare their honk with all their might just before a head-on collision, here, the same action is synonymous with informing another fellow road user that he is around. 

To be fair, many pilgrims were in chartered vans, and the drivers were quite aggressive, overtaking in blind corners and swerving to the edge of the roads. All in the name of making more trips and making money for the family. 

Sind River at Ganderbal. Photo Courtesy: Farouk Gulsara

They say with greater powers comes great responsibility. Apparently, the lorry drivers here missed the memo. Locally, they are known as the King of the Road, with multi-octaved ear drums rupturing high-decibel honks, sometimes to the tune of Bollywood numbers. 

The cyclists continued grinding despite side disturbances that can push any person raving mad; the steady climb was unforgiving. Just when they thought that was the end of the climb, they were fooled for another just after the bend. The most gruelling part was the end of the day’s trip. We rode more than 85 km, climbed a total elevation of 2692 m, and still lived to tell. 

Hotel Thajwass Glacier, Sonamarg 

Along Srinagar…Ladakh Highway. Photo Courtesy: Farouk Gulsara

Dinner was entirely vegetarian as a mark of respect to the hotel’s occupants who were there to fulfil their pilgrimage at Amarnath temple. The brouhaha that struck a chord amongst many occupants was the cancellation of helicopter services to the pilgrimage site. The pilgrims were given the choice of either walking a 15 or 22-km track to fulfil their vows or they could pre-book a helicopter ticket to go there. The trouble with the helicopter services is that their feasibility depended on the weather. Weather is controlled by God, the logical explanation would be that God was not too keen to give audience to the so-and-so who were scheduled on flight.

After the light chat with fellow hotel dwellers and answering their curious questions about why able bodies would want to torture themselves, it was time to hit the sack. We could have asked them why fly when they could walk, but we did not.

Day 4. Sonamarg

Sonamarg. Photo Courtesy: Farouk Gulsara

We decided to make it a day of light and easy. Everyone was left to their own devices after the spirit-sapping grind the day before. Most took a rain check on the initial hike but went for a long walk instead. 

So, we took a stroll in the Kashmiri Valley, admiring the result of Nature’s choice of colours in His palette: the symphony of rushing cool mountain water and the refreshing cool breeze. 

We met a couple from Chennai at the breakfast table with a sad tale. They had recently lost their only child who was born with cerebral palsy. They had to part from her after caring for their child for many years. They suddenly found plenty of free time on their hands. They decided to spend the rest of their remaining post-retirement lives doing short gigs, earning enough money to tour around and help out other families undergoing the same predicament as they did with their special child. 

When we think we do not have nice shoes, we should not forget about those with no feet. No matter how big our problems seemed, others could have had it worse. 

Sonamarg can be classified as a tourist town with rows of hotels on either side of the road, occasionally laced with souvenir shops and restaurants. The township appears to have been newly built, with freshly tarred roads, loose pebbles on the road shoulder, and unfinished touch-ups. 

Day 5. Off to Drass

On the way… Photo Courtesy: Farouk Gulsara

We were off to Drass, the coldest inhabited place in India in winter. A quick read and one might read it as Dr-Ass, rather fitting of a name as one could use an examination of one’s derrière after a climb that was upon us. We will see you in hell. But wait, hell is supposed to be hot, is it not? Or hath hell frozen over?

At one point in the 1947-48, Drass was invaded and captured by Pakistan. Soon later, India recaptured Drass. We were only 12km from the line of control (LOC).

Hotel D’Meadow Drass

As expected, it was a gruelling ride. The first 21km were excruciatingly torturous, with narrow roads that had to be shared with the notorious motorists who thought that without the honk, one could not drive. We had to test our trail biking skills later as quite a bit of the stretch was undone or probably collapsed as a result of downpours. We were left with a sand tract and later fabricated stone tracks, which gave good knocking on our posterior ends. Remember our appointment with Dr Ass?

Zojila Pass. Photo Courtesy: Farouk Gulsara

After the 21 km mark, it was generally downhill, but our guide told us to unlock the mountain bike suspension for more comfort due to the violent bumping. The road improved as we entered Ladakh but was interspersed with occasional potholes that shook the machine.

After a short lunch break at a remote restaurant (referred to as a hotel), we were good to go and finally reached Drass at about 3 pm.


We had gone through the gruelling Zojila Pass. A tunnel is currently being built to connect Sonamarg and Drass. It would cut down travel from 4h to 1.5h. 

Point to note: this Pass lives up to its name. When Japan was attacked by many post-nuclear attack monsters, the biggest one was referred to as Gojira. Hollywood decided to christian Gojira as Godzilla, giving rise to the meaning of gigantic as in Mozilla and Godzilla’s appetite. Zojila Gojira, what’s the difference? Both were scary.

Day 6. Drass to Kargil 

Leaving the ‘Gateway to Ladakh’ and the ‘Coldest place in India’, we headed toward Kargil, which had been immortalised in annal of history when Pakistan and India fought a war in 1999. 

Today’s cycling routine was less enduring compared to our previous rides. Most of the route was a downhill trend lined by dry, stony mountains on one side and the gushing blue waters of a tributary of the Indus on the other. The road condition was pretty good, with recently tarred roads, barring some stretches being tarred and resurfaced in various states. 

After completing the close 60km trip to Kargil, we were told we were the fastest group the organiser had ridden with. Eh, not bad for a bunch of sixty-something madmen! Maybe they were just words of encouragement.

I was surprised to see Kargil as a bustling town with many business activities. Construction is happening here and there. Vendors were spreading their produce. Touters were busy looking for clientele. Hyundais, Marutis, and motorcycles thronged the streets, which were obviously not built to handle such tremendous volumes. Everyone was in a hurry. That is a sign of development. 

We were housed in the tallest building around here. It was a four-story, four-star hotel with a restaurant and 24-hour hot water services. In most places we stayed, hot water was only supplied at short, predetermined intervals. 

Day 7. Kargil to Budkharbu

The day started at about 6:45 am, with temperatures around 9C. This leg was expected to be tough. Two-thirds of our journey would be climbs, and there’d be more. It is expected to be sunny throughout, so we could expect a lot of huffing and puffing. 

Today’s ride was easily the toughest one. Straddling on our saddles for 7.5 hours was no easy feat by any means. The climbs went on and on. The steepest and most prolonged ascent came after 39 km. It was a sustained climb for the next 10 km, hovering between 4% and 12% ascent. 

Photo Courtesy: Farouk Gulsara

Nevertheless, we were feasted with some of the most mesmerising views of barren, arid landscapes, as though someone had painted them with hues in the brown range, occasionally speckled with malachite green and a top of sky blue. It was a feeling as if we were at the edge of heaven. 

We pass through a small town called Malbech, which appears to be a Buddhist town with many temples and chanting over its public address system. I guess no one wants to keep their sacred words of God to themselves. They had a compelling desire to broadcast it to the world. 

Many Shiva temples and mosques lined the road of our ride, all showing their presence with specific flags, colours and banners claiming those areas. 

We finally reached Budhkharbu at 2 pm in the heat of summer Ladakh. The temperature was about 22C. The total biking time was 5h 43m. Everyone was shrivelled, depleted of glycogen and energy.  

Budhkharbu is so far from civilisation that the occupants do not feel the need for digital connectivity. Only we, the town folks, were having withdrawal symptoms for not being able to upload our Strava data to earn instant gratification. Foreigners were not allowed to purchase SIM cards, so we were essentially crippled for a day.

Day 8. Padma Numbu Guest House, Budhkhorbu to Nurla

Photo Courtesy: Farouk Gulsara

Rise and shine. Rinse and repeat. Breakfast at the Guest House to a vegetarian, sorry, no eggs too, accompanied by the aroma of incense and the tune of ‘Om Jaya Jagatheeswara Hare1‘, we were good to go. I suspect the owners of this guest house were ardent BJP supporters. The keyholder to our rooms carried a lotus symbol. And the BJP mission office was their neighbour. 

We were up on the saddle and ready to move by 7:15 am. The sun was already bright and shiny by then, and we were all enticed by the 26kms steep decline.

After 9 kms, we did not mind the initial steep climb traversing the unforgiving Fotula Pass. At one point, we almost reached 4,200m above sea level. Other than the occasional passerby and military barracks, there wasn’t a single inkling of life there. It was just barren, arid land for miles and miles. 

64 km later, we arrived at our destination, Nurla. Nurla is a no man’s land and is not featured for first-time visitors to Ladakh. Nearby is a self-forming statue of the Sleeping Buddha and a giant statue of Maitreya Buddha. Here, the seed of the Namgyal Dynasty started. It is famous for Tibetan paintings. As temporary sojourners, we just learned and moved along. 

By now, we had learnt how the honking system worked. Even the brotherly advice from BRO (Border Road Organisation) advises using vehicle horns, especially at blind corners and overtaking another vehicle. At a telepathic level, the driver seems to converse with the other, ‘I can take charge of my vehicle as I overtake you. Now, don’t you make any sudden moves, can you?’ The melodious tone of honks, especially of lorries and buses, is just to liven up the monotonous journey, as do music (and movies).

Day 9. Travellers Lodge, Nurla to Leh

We were told today’s leg would be challenging, with 85 km to cover and a steep one. Hence, we had to be up on our saddles by 5 am. 

In essence, today’s outing was the toughest by far. We climbed two hills, and just when we thought everything was done and dusted, another climb to our hotel came. Overall, we covered 85km and 1672m elevation in 7h 2m. 

We saw two essential tourist attractions as we approached Leh: Magnetic Hill and gurudwara. Magnetic Hill is believed to create an optical illusion of a hill in the area and surrounding slopes. The cars may be going uphill when they are, in fact, going downhill. 

Sourced by Farouk Gulsara

The Guru Pathan Gurudwara is another curious worship site in the middle of nowhere. Legend has it that Guru Nanak stopped at this place, coming from Tibet and towards Kashmir. It was a Buddhist enclave. While meditating, an evil demon tried to crush him by rolling down a boulder. Hold behold, the stone turned waxy soft and did not injure the Guru. 

An indestructible piece of rock was encountered while constructing this stretch of the highway. The Buddhist monks told the authorities of the legend, and the Gurudwara was erected. The Buddhists revered Guru Nanak and treated him as a great teacher. 

The journey ended with a brutal, unrelenting climb to our final destination, Hotel Panorama in Leh. 

The next journey the following day to Khardungla was optional. Only the young at heart opted for it. A 37 km journey with an inclination of 8% constantly with possible extreme subzero temperatures was too much to ask from my gentle heart. I opted out.  

Thus ended our little cycling escapade from Srinagar to Leh, Ladakh. Few will attempt this journey with SUVs or superbikes; only madmen will do it with mountain bikes. 

P.S. I want to thank Sheen, Adnan, Basil, and Samir of MTB Kashmir for their immaculate planning and supervision of the rides. 

  1. A holy chant extolling the lord of the Universe ↩︎

Farouk Gulsara is a daytime healer and a writer by night. After developing his left side of his brain almost half his lifetime, this johnny-come-lately decided to stimulate the non-dominant part of his remaining half. An author of two non-fiction books, Inside the twisted mind of Rifle Range Boy and Real Lessons from Reel Life, he writes regularly in his blogRifle Range Boy.

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Categories
Poetry

           Lunar Talk   

By Craig Kirchner

The Moon from Earth 1968. From Public Domain.
I have lived with over 27,550 moons.
Weather permitting, I speak to them.
Occasionally, one speaks back
depending on my schedule and needs.

Tonight, he’s full, starts the conversation.
This is new and exhilarating,
he describes quite poetically that he
sees himself as an island of truth.

I am responsible for tides, time and light,
my phases affect your sleep, he smiles.
I help birds migrate, navigate, and now
I need to get involved; it is true that

truth is subjective, depending on the tides,
two people will see the same event and have
different recollections, descriptions, analysis -
a third comes along and says it didn’t happen.


He says earth’s aura is turning murky grey,
indicating that its credibility is burning out,
that the lying and hate have become normal,
and the universe, the galaxies are watching,

They always have, thinking man humorous until
the last hundred years, caging, killing your young
isn’t acceptable. I see karma in man’s horoscope,
the planets aligning. You should leave, find an island.


Craig Kirchner thinks of poetry as hobo art, loves storytelling. He has had two poems nominated for the Pushcart, and has a book of poetry, Roomful of Navels.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Editorial

Seasons Out of Time

...the horror of dark red sky – the gates of hell opened wide so they say that even atheists prayed to save the souls of the dead...

— Lizzie Packer, 'Hot Dry Summers'

The description in ‘Hot Dry Summers’ is not of hell but what is perceived as happening on certain parts of Earth due to global warming or climate change. Forest fires. Nearer the equator, the storms have become harsher with lightning strikes that seem to connect the Earth to the sky. Trees get uprooted as the soil is softened from excessive rain. Sometimes, they fall on passers-by killing or injuring them. There is no rain in some places, forest fires or flooding in others… The highest temperatures touched 55 degrees Celsius this year. Instead of worrying about losing our homes lodged on land masses to the oceans that continue to rise, becoming dark heat absorbers due to loss of white ice cover, we persistently fight wars, egged on by differences highlighting divisive constructs. It feels strange that we are witness to these changes which seem to be apocalyptic to doomsday sayers. Are they right? Our flora, fauna and food will also be impacted by global climate change. How will we survive these? Will we outlive these as a species?

Keeping the myriad nuances of living on this planet in mind, we have writings from more than a dozen countries showcased in this issue, with a few highlighting climate change and wars — especially in poetry. Michael Burch has given us poetry on weather. John Grey has celebrated nature. Other than Lizzie Packer, Mitra Samal has a subtle poem on climate change. Stuart McFarlane and David Mellor bring the disaster of war to our doorstep. Jared Carter, Kirpal Singh, Ryan Quinn Flanagan, Averi Saha, Shamik Banerjee, David Francis, George Freek, Rakhi Dalal and more have reflected on the varied nuances of life. Rhys Hughes has brought in humour and a comment on our perspectives, with his poem ‘Devil’s Bridge to Istanbul’… Can a shortcut be found across continents with the magic of a signboard?

Poetry in our translations’ section travels to Balochistan, from where a Hafeez Rauf translated from Balochi by Fazal Baloch, talks of burning tyres, again conflicts. It takes on a deeper hue as Ihlwha Choi translates his poignant poem from Korean, reflecting on the death of his mother. We have a translation of Tagore’s less popular poem, Mrityu[1], reflecting on the same theme. His reflections on his wife’s death too have been translated by Professor Fakrul Alam who has also shared a song of Nazrul, written and composed on the death of Tagore. Another lesser-known poet but brilliant nonetheless, Nirendranath Chakraborty, has been translated for us by Debali Mookerjea-Leonard. And what a tremendous poem it is when the person called Amalkanti wanted to be sunshine! We have a story too — ‘Speech Matters’ by Naramsetti Umamaheswararao translated by Johny Takkedasila.

Our stories as usual travel around the world — from Holland (by Paul Mirabile) to Hyderabad (by Mohul Bhowmick) and with a quick pause at Bangalore (by Anagha Narasimha). Travels in the real world are part of our non-fiction. Sai Abhinay Penna takes to a the second largest mangrove forest in the world and Ravi Shankar to Colombo. Madhuri Bhattachrya gives us a glimpse of an Indian summer and Snigdha Aggrawal explores the impact of climate change in her part of the world. Farouk Gulsara actually writes his reflections at a traffic junction. And it reads droll…

We have an in memoriam by Keith Lyons on Morgan Spurlock, the documentary maker who ate McDonald fare for a month and then made a film on it. We have two tributes to two legends across time. Wayne F Burke has given a brief piece on the iconic illustrator, Norman Rockwell. And Aruna Chakravarti, the queen of historic fiction who brought the Tagore family alive for us in her two very well researched novels, Jorasanko and Daughters of Jorasanko, has given us a fabulous tribute to Tagore on the not-so common aspects of him.

We have excerpts from another historical novel set in Bengal of Tagore’s time, Dan Morrison’s The Prince and the Poisoner: The Murder that Rocked the British Raj and Hughes’ The Sunset Suite, a set of absurd tall tales that make you smile, squirm or wonder…  Reviews of Salman Rushdie’s Knife: Meditations After an Attempted Murder by Somdatta Mandal and of Arundhathi Subramaniam’s Wild Women: Seekers, Protagonists and Goddesses in Sacred Indian Poetry by Basudhara Roy bring two latest books to our readers. Navleen Multani reflects on Mapping the Mind, Minding the Map, edited by Basudhara Roy and Jaydeep Sarangi. And Bhaskar Parichha tells us about a group of men called Pundits during British Raj, “In the closed files of the government of British India, however, they were given their true designation as spies…” in his review of Derek Waller’s The Pundits: British Exploration of Tibet and Central Asia.

Suzanne Kamata, the novelist who does a column from Japan for us normally, has spoken to us about her new novel, Cinnamon Beach, which overrides multiple manmade constructs. It’s an interesting read from someone who lives her life across multiple cultures and transcends many boundaries.

This is a bumper issue, and it is difficult to convey the vibrant hues of words that colour this edition. Please do pause by our contents page for a more comprehensive look.

This issue would not have been possible without all our fabulous contributors and a wonderful, dedicated team. We are delighted that Rakhi Dalal — who has done many reviews and shares her poetry with us in this issue — has agreed to be a writer-in-residence with us. A huge thanks to all of you, and especially Sohana Manzoor for her artwork. I am truly grateful to our readers for popularising our efforts to put together an online space with free and vibrant reads.

I would like to end with a few lines that gives me hope despite climate change, wars and doomsday predictions.

There’s more to life,
he says to me,
than what you choose to see.

— George Freek, 'The Imponderables'

Enjoy the reads.

Mitali Chakravarty

borderlessjournal.com

[1] Death

Click here to access the content’s page for the July 2024 Issue.

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Categories
Editorial

Fly High… Like Birds in the Sky…

He sees a barrier where soldiers stand
with rifles drawn, encroachers kept at bay.
A migrant child who holds his mother's hand


— LaVern Spencer McCarthy, Are We There Yet?

There was a time when humans walked the Earth crossing unnamed landmasses to find homes in newer terrains. They migrated without restrictions.  Over a period of time, kingdoms evolved, and travellers like Marco Polo talked of needing permissions to cross borders in certain parts of the world. The need for a permit to travel was first mentioned in the Bible, around 450BCE. A safe conduct permit appeared in England in 1414CE. Around the twentieth century, passports and visas came into full force. And yet, humanity had existed hundreds of thousand years ago… Some put the date at 300,000!

While climate contingencies, wars and violence are geared to add to migrants called ‘refugees’, there is always that bit of humanity which regards them as a burden. They forget that at some point, their ancestors too would have migrated from where they evolved. In South Africa, close to Johannesburg is Maropeng with its ‘Cradle of Humanity’, an intense network of caves where our ancestors paved the way to our evolution. The guide welcomes visitors by saying — “Welcome home!” It fills one’s heart to see the acceptance that drips through the whole experience.  Does this mean our ancestors all stepped out of Africa many eons ago and that we all belonged originally to the same land?

And yet there are many restrictions that have come upon us creating boxes which do not allow intermingling easily, even if we travel. Overriding these barriers is a discussion with Jessica Mudditt about Once Around the Sun: From Cambodia to Tibet, her book about her backpacking through Asia. Documenting a migration more than a hundred years ago from Jullundur to Malaya, when borders were different and more mobile, we have a conversation with eminent scholar and writer from Singapore, Kirpal Singh. Telling the story of another eminent migrant, a Persian who became a queen in the Mughal Court is a lyric by Nazrul, Nur Jahan, translated by Professor Fakrul Alam from Bangla. Ihlwha Choi has self-translated his own poem from Korean, a poem bridging divides with love. Fazal Baloch has brought to us some exquisite Balochi poems by Munir Momin. Tagore’s poem, Okale or Out of Sync, has been translated from Bengali to reflect the strange uniqueness of each human action which despite departing from the norm, continue to be part of the flow.

Among our untranslated poetry is housed LaVern Spencer McCarthy’s voice on the plight of migrants of the current times. Michael Burch gives us poems for Dylan Thomas. We have a plethora of issues covered in poetry ranging from love to women’s issues, even an affectionate description of his father by Shamik Banerjee. Ryan Quinn Flanagan, Kumar Sawan, Prithvijeet Sinha, Gregg Norman, Anushka Chaudhary, Wayne Russell, Ahmad Rayees, Ivan Ling, Ayesha Binte Islam and many more add verve with their varied themes. Rhys Hughes has shared a poem on a funny sign he photographed himself.

We have a tongue in cheek piece from Devraj Singh Kalsi on traveling in a train with a politician. Uday Deshwal writes with a soupçon of humour as he talks of applying for jobs. Snigdha Agrawal brings to us flavours of Bengal from her past while Ratnottama Sengupta muses on the ongoing wars and violence as acts of terror in the same region and looks back at such an incident in the past which resulted in a powerful Bengali poem by Tarik Sujat. Kiriti Sengupta has written of a well-known artist, Jatin Das, a strange encounter where the artist asks them to empty fully even a glass of water! Ravi Shankar weaves in his love for books into our non-fiction section. Recounting her mother’s migration story which leads us to perceive the whole world as home is a narrative by Renee Melchert Thorpe. Urmi Chakravorty takes us to the last Indian village on the borders of Tibet. Taking us to a Dinosaur Museum in Japan is our migrant columnist, Suzanne Kamata. Her latest multicultural novel, Cinnamon Beach, has found its way to our book excerpts as has Flanagan’s poetry collection, These Many Cold Winters of the Heart.

In reviews, Somdatta Mandal has written about an anthology, Maya Nagari: Bombay-Mumbai A City in Stories edited by Shanta Gokhale and Jerry Pinto. Rakhi Dalal has discussed a translation from Konkani by Jerry Pinto of award-winning writer Damodar Mauzo’s Boy, Unloved. Basudhara Roy has reviewed Trailokyanath Mukhopadhyay’s Tales of Early Magic Realism in Bengali, translated by Sucheta Dasgupta. Bhaskar Parichha has introduced us to The Dilemma of an Indian Liberal by Gurcharan Das, a book that is truly relevant in the current times in context of the whole world for what he states is a truth:In the current polarised climate, the liberal perspective is often marginalised or dismissed as being indecisive or weak.” And it is the truth for the whole world now.

Our short stories reflect the colours of the world. A fantasy set in America but crossing borders of time and place by Ronald V. Micci, a story critiquing social norms that hurt by Swatee Miittal and Paul Mirabile’s ghost story shuttling from the Irish potato famine (1845-52) to the present day – all address different themes across borders, reflecting the vibrancy of thoughts and cultures. That we all exist in the same place and have the commonality of ideas and felt emotions is reflected in each of these narratives.

We have more which adds to the lustre of the content. So, do pause by our content’s page and enjoy the reads!

I would like to thank all our team without who this journal would be incomplete, especially, Sohana Manzoor, for her fabulous artwork. Huge thanks to all our contributors who bring vibrancy to our pages and our wonderful readers, without who the journal would remain just part of an electronic cloud… We welcome you all to enjoy our June issue.

Wish you happiness and good weather!

Thank you all.

Mitali Chakravarty

borderlessjournal.com

Click here to access the content’s page for the June 2024 Issue.

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Editorial

Though I Sang in my Chains like the Sea…

      Time held me green and dying
Though I sang in my chains like the sea.

Fern Hill by Dylan Thomas (1914-1953)

Perhaps when Dylan Thomas wrote these lines, he did not know how relevant they would sound in context of the world as it is with so many young dying in wars, more than seven decades after he passed on. No poet does. Neither did he. As the world observes Dylan Thomas Day today — the day his play, Under the Milkwood, was read on stage in New York a few months before he died in 1953 — we have a part humorous poem as tribute to the poet and his play by Stuart McFarlane and a tribute from our own Welsh poet, Rhys Hughes, describing a fey incident around Thomas in prose leading up to a poem.

May seems to be a month when we celebrate birthdays of many writers, Tagore, Nazrul and Ruskin Bond. Tagore’s birthday was in the early part of May in 1861 and we celebrated with a special edition on him. Bond, who turns a grand ninety this year, continues to dazzle his readers with fantastic writings from the hills, narratives which reflect the joie de vivre of existence, of compassion and of love for humanity and most importantly his own world view. His books have the rare quality of being infused with an incredible sense of humour and his unique ability to make fun of himself and laugh with all of us. 

Nazrul, on the other hand, dreamt, hoped and wrote for an ideal world in the last century. The commonality among all these writers, seemingly so diverse in their outlooks and styles, is the affection they express for humanity. Celebrating the writings of Nazrul, we have one of his fiery speeches translated from Bengali by Radha Chakravarty and a review of her Selected Essays: Kazi Nazrul Islam by Somdatta Mandal. An essay from Niaz Zaman dwells on the feminist side of Nazrul while bringing in Begum Roquiah. Zaman has also shared translations of his poetry. Professor Fakrul Alam, who had earlier translated Nazrul’s iconic ‘Bidrohi or Rebel‘, has given us a beautiful rendition of his song ‘Projapoti or Butterfly’ in English.  Also in translation, is a poem by Tagore on the process of writing poetry. Balochi poetry by Manzur Bismil on human nature has been rendered into English by Fazal Baloch and yet another poem from Korean to English by Ilwha Choi.

Reflecting on the concept of a paradise is poetry from Michael Burch. Issues like climate, women, humanity, mourning, aging and more have been addressed in poetry by Shamik Banerjee, Ryan Quinn Flanagan, Milan Mondal, Kirpal Singh, Craig Kirchner, George Freek, Michael Lee Johnson and many more. Hughes brings in a dollop of humour with his response to a signpost in verse. Irony is woven into our non-fiction section by Devraj Singh Kalsi’s musing on writers and assailants. Ravi Shankar explores his passion for computers in a light vein. Snigdha Agrawal gives us a poignant story about a young child from the less privileged classes in India. Suzanne Kamata writes to tell us about the environment friendly Green Day in Japan.

Ratnottama Sengupta this month converses with a dancer who tries to build bridges with the tinkling of her bells, Sohini Roychowdhury. Gita Viswanthan travels to Khiva in Uzbekistan, historically located on the Silk Route, with words and camera.  An essay on Akbar Barakzai by Hazran Rahim Dad and another looking into literature around maladies by Satyarth Pandita add zest to our non-fiction section. Though these seem to be a heterogeneous collection of themes, they are all tied together with the underlying idea of creating links to build towards a better future.

Our stories travel from Malaysia to France and India. Farouk Gulsara sets his in futuristic Malaysia, again exploring the theme of utopia as did his earlier musing. Paul Mirabile creates a story where a child tries to create his own idyllic paradise while Kalsi writes of fiction centring around a property tussle. The book reviews feature a couple of non-fiction. Other than Kazi Nazrul Islam’s essays, Bhaskar Parichha reviews Will Cockrell’s Everest, Inc. The Renegades and Rogues Who Built an Industry at the Top of the World. Ajanta Paul discusses Bitan Chakraborty’s The Blight and Seven Short Stories, translated from Bengali by Malati Mukherjee. Malashri Lal has written on Lakshmi Kannan’s Nadistuti: Poems, poems dedicated to Jayanta Mahapatra who the poet reflects lives on with his verses. And that is so true, considering this issue is full of poets who continue in our lives eternally because of their words. That is why perhaps, we recreate their lives as has Aruna Chakravarti in Jorasanko.

In focus this time is a writer whose prose is almost akin to poetry, Rajat Chaudhuri. A proponent of solarpunk, his novel, Spellcasters, takes us to fictitious cities modelled on Delhi and Kolkata. In his interview, Chaudhuri tells us: “The path to utopia is not necessarily through dystopia. We can start hoping and acting today before things get really bad. Which is the locus of the whole solarpunk movement with which I am closely associated as an editor and creator…”

On that note, I would like to end with a couple of lines from Nazrul, who reiterates how the old gives way to new in Proloyullash (The Frenzy of Destruction, translated by Alam): “Why fear destruction? / It’s the gateway to creation!” Will destruction be the turning point for creation of a new world? And should the destruction be of human constructs that hurt humanity (like wars and weapons) or of humanity and the planet Earth? As the solarpunk movement emphasises, we need to act to move towards a better world. And how would one act? Perhaps, by getting in touch with the best in themselves and using it to act for the betterment of humankind? These are all points to ponder… if you have any ideas that need a forum on such themes, do share with us.

We have more content which has not been woven into this piece for the sheer variety of themes they encompass. Do pause by our content’s page and browse on all our pieces.

With warm thanks to our wonderful team at Borderless — especially Sohana Manzoor for her fabulous art — I would like to express gratitude to all our contributors, without who we could not create this journal. We would also like to thank our readers for making it worth our while to write — for all of our words look to be read, savoured and mulled, and maybe, some will evolve into treasured wines.

Thank you all.

Mitali Chakravarty

borderlessjournal.com

Click here to access the content’s page for the May, 2024 Issue

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Editorial

April Showers

Whan that Aprill with his shoures soote
The droghte of March hath perced to the roote,
….
Thanne longen folk to goon on pilgrimages.

— Prologue, The Canterbury Tales, Geoffrey Chaucer (1342-1400)

Centuries ago, April was associated with spring induced travel… just as pilgrims set out on a journey in Chaucer’s Canterbury Tales. Some of the journeys, like to Mecca, become a part of religious lore. And some just add to the joie de vivre of festivities during different festivals that punctuate much of Asia during this time — Pohela Boisakh (Bengali), Songkran (Thai), Navavarsha (Nepali), Ugadi (Indian), Vaisakhi (Indian), Aluth Avurudda (Sri Lankan) and many more.

A hundred years ago, in April 1924, Tagore had also set out to journey across the oceans to China — a trip which, perhaps, led to the setting up of Cheena Bhavan in Vishwa Bharati. Recently, Professor Uma Dasgupta in a presentation stated that Tagore’s Nobel prize winning Gitanjali, and also a collection called The Crescent Moon (1913), had been translated to Chinese in 1923 itself… He was renowned within China even before he ventured there. His work had been critically acclaimed in literary journals within the country. That arts connect in an attempt to override divides drawn by politics is well embodied in Tagore’s work as an NGO and as a writer. He drew from all cultures, Western and Eastern, to try and get the best together to serve humankind, closing gaps borne of human constructs. This spirit throbbed in his work and his words. Both towered beyond politics or any divisive constructs and wept with the pain of human suffering.

This issue features translations of Tagore’s writings from his childhood — both done by professor Somdatta Mandal — his first trip with his father to the Himalayas and his first experience of snow in Brighton. We have a transcreation of some of his lyrics by Ratnottama Sengupta. The translation of his birthday poem to himself — Pochishe Boisakh (his date of birth in the Bengali calendar) along with more renditions in English of Korean poetry by Ihlwha Choi and Manzur Bismil’s powerful poetry from Balochi by Fazal Baloch, add richness to our oeuvre. Bismil’s poetry is an ode to the people — a paean to their struggle. It would seem from all the translations that if poets and writers had their way, the world would be filled with love and kindness.

Yet, the world still thunders with wars, with divides — perhaps, there will come a time when soldiers will down their weapons and embrace with love for, they do not fight for themselves but for causes borne of artificial human divides. It is difficult to greet people on any festival or new year, knowing there are parts  of the world where people cannot celebrate for they have no food, no water, no electricity, no homes and no lives… for many have died for a cause that has been created not by them as individuals but by those who are guided solely by their hankering for power and money, which are again human constructs. Beyond these constructs there is a reality that grows out of acceptance and love, the power that creates humanity, the Earth and the skies…

Exploring the world beyond these constructs are poems by Scott Thomas Outlar, Nusrat Jahan Esa and Shamik Banerjee, who spins out an aubade to Kanchenjunga extolling the magnificence of a construct that is beyond the human domain.  Michael Burch brings in the theme of evolution and adaptation — the survival of the fittest. We have colours of life woven into our issue with poetry from Ryan Quinn Flangan, Kirpal Singh, George Freek, Stuart McFarlane, Lisa Sultani, Jenny Middleton, Phil Wood, Kumar Bhatt, Snigdha Agrawal and more. Rhys Hughes adds a zest of humour as he continues to explore signs and names with poetry and, in his column, he has written to extoll the virtues of a writing desk!

Humour is brought into non-fiction by Devraj Singh Kalsi’s narrative about being haunted by an ancient British ghost in Kolkata! Suzanne Kamata adds to the lightness while dwelling on modelling for photographs in the Japanese way. Ravi Shankar plunges into the history of photography while musing on black and white photographs from the past.

Tagore again seeps into non-fiction with Professor Fakrul Alam and Asad Latif telling us what the visionary means to the Bengali psyche. Starting with precursors of Tagore, like Michael Madhusudan Dutt, and post-him, Sarojini Naidu, Mandal has shared an essay on Bengaliness in contemporary poetry written by those born to the culture. Jared Carter has given discussed ‘the lyric temper’ in poetry — a wonderful empathetic recap of what it takes to write poetry. Exploring perspectives of multiple greats, like Yeats, Keats, George Santyana, Fitzgerald, Carter states, “Genuine lyricism comes only after the self has been quieted.”

Sengupta has conversed with a dance choreographer, Sudershan Chakravorty, who has been composing to create an awareness about the dilemmas faced by migrants. An autobiographical narrative in Hindustani from Ilma Khan, translated by Janees, shows the resilience of the human spirit against oppressive social norms. Our fiction has stories from Lakshmi Kannan and Shevlin Sebastian urging us to take a relook at social norms that install biases and hatred, while Paul Mirabile journeys into the realm of fantasy with his strange story about a boy obsessed with pyromania.

We carry excerpts from journalistic books by Jessica Muddit, Once Around the Sun: From Cambodia to Tibet, and by Bhaskar Parichha, Biju Patnaik: The Rainmaker of Opposition Politics.  Parichha has also reviewed for us an interesting book by Akshaya Bahibala, called Bhang Journeys: Stories, Histories, Trips and Travels. Basudhara Roy has explored migrant poetry in Out of Sri Lanka: Tamil, Sinhala and English Poetry from Sri Lanka and its Diasporas, edited by Vidyan Ravinthiran, Seni Seneviratne, Shash Trevett. Meenakshi Malhotra has discussed the volume brought out by Radha Chakravarty on the legendary Mahasweta Devi — Mahasweta Devi: Writer, Activist, Visionary. Meenakshi concludes her review contending:

“It is an ironical reflection on our times that a prolific and much awarded Indian writer– perhaps deserving of the Nobel prize — should be excised from the university syllabus of a central university. This move has, perhaps paradoxically, elicited even more interest in Mahasweta Devi’s work and has also consolidated her reputation as a mascot, a symbol of resistance to state violence. A timely intervention, this volume proves yet again that a great writer, in responding to local, regional, environmental ethical concerns sensitively, transcends his/her immediate context to acquire global and universal significance.”

There is more content than I mention here. Do pause by our current issue to take a look.

I would hugely like to thank the Borderless team for their unceasing support, and especially Sohana Manzoor, also for her fantastic art. Heartfelt thanks to all our wonderful writers and our readers. We exist because you all are — ubuntu.

Hope you have a wonderful month. Here’s wishing you all wonderful new years and festivals in March-April — Easter, Eid and the new years that stretch across Asian cultures.

Looking forward and hoping for peace and goodwill.

Mitali Chakravarty

borderlessjournal.com

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Click here to access the content page for the April 2024 Issue.

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
World Poetry Day

What is Home?

Celebrating poetry around the world, our focus this year is on refugees, immigrants or poetry by migrants… In a way, we are all migrants on this Earth and yet immigration for both climate and war has created dissatisfaction in the hearts of many. Can mankind unify under the single blue dome which covers all our home?


“The Journey” by Alwy Fadhel, an asylum seeker to Australia. The piece is included in the Exile collection of the Refugee Art Project. Art from Public Domain.

We start by welcoming migrants from Jupiter but how do we react to human migrants within Earth… ?

All the Way from Jupiter

By Rhys Hughes

All the way
from Jupiter came the refugees,
their heads
made of hydrogen,
and helium, their knees.
No one cried:
depravity!
for we were pleased
to help them
relocate to Earth: we offered
them homes
inside plastic domes
uncrowded but
full of swirling clouds
blown by the music of
fierce trombones
to mimic the crushing gravity.

All the way
from one of our homegrown
war zones
came refugees on their knees
and we said:
no, no, no, and no again!
Go back home right now,
be killed,
assaulted,
it’s all your own fault
for being born here on Earth.
The newcomers
from Jupiter are tubular
like cucumbers,
but men, women and children
like yourselves
aren’t welcome.

And what do refugees from war-torn zones on Earth have to add?These are poems by those who had to escape to safety or move homes for the sake of conflict.

I am Ukraine brought to us by Lesya Bakun, while she was on the run from her home to a place of refuge outside her homeland. Click here to read.

Immigrant’s dream brought to us by Ahmad Al-Khatat, who migrated from Iraq to the West to find sustenance. Click here to read.

In some cases, the wounds lingered and the progeny of those who escaped earlier conflicts give voice to past injuries as well as some immigrants who wandered to find a better life share their experiences.

In 1947, Masha Hassan writes of her grandmother’s plight during the Partition of the Indian Subcontinent. Click here to read.

Bringing along their homeland by Abdul Jamil Urfi talks of immigrants from Lahore in Delhi in the 1960s. Click here to read.

Stories Left Unspoken: Auschwitz & Partition Survivors by Cinna give us stories of people who moved for wars and politics. Click here to read.

A Hunger for Stories by Quazi Johirul Islam, translated from Bengali by Professor Fakrul Alam, gives a migrant’s saga. Click here to read.

Reminiscence by Mitra Samal reflects on an immigrant’s longing for her home. Click here to read.

Finding the Self in Rooted Routes by Isha Sharma explores at an individual level the impact of immigration. Click here to red.

Birth of an Ally reflects Tamoha Siddiqui’s wonder with new flavours she experiences away from her original homeland. Click here to read.

Two Languages by Luis Cuauhtémoc Berriozabal explores linguistic diversity in immigrants. Click here to read.

These could be listed as turns of history that made people relocate.

Red Shirt Hung from a Pine Tree by Ryan Quinn Flanagan takes two issues into account — violence against humanity and colonial displacement of indigenous people — is that migration? Click here to read.

Products of War by Mini Babu talks of the displacement of humanity for war. Click here to read.

This Island of Mine by Rhys Hughes reflects on climate disaster. Click here to read.

Some empathise with those who had to move and write of the trauma faced by refugees.

Migrant Poems by Malachi Edwin Vethamani reflect on migrants and how accepted they feel. Click here to read.

Birds in Flight by A Jessie Michael empathises with the plight of refugees. Click here to read.

The Ceramicist by Jee Leong Koh records the story of a migrant. Click here to read.

And some wonder about the spiritual quest for a homeland… Is it a universal need to be associated with a homeland or can we find a home anywhere on Earth? If we stretch the definition of homeland to all the planet, do we remain refugees or migrants?

Anywhere Particular by Wendy Jean MacLean reflects on the universality of homes — perhaps to an extent on nomadism. Click here to read.

Where is Home? by Shivani Shrivastav meditates on the concept of home. Click here to read.

Sparrows, a poem translated from Korean by the poet — Ihlwha Choi — questions the borders drawn by human laws. Click here to read.

 Journey of Hope  by Tagore has been translated from Bengali by Mitali Chakravarty. It explores the spiritual quest for a home. Click here to read the poem in English and listen to Tagore’s voice recite his poem in Bengali. 

Some look forward to a future — perhaps in another galaxy — post apocalypse.

In Another Galaxy by Masud Khan translated from Bengali by Fakrul Alam wonders at the future of mankind. Click here to read.

And yet others believe in the future of humankind.

We are all Human by Akabar Barakzai, translated from Balochi by Fazal Baloch, is a paean to humanity. Click here to read.

We are all Human 

By Akbar Barakzai...

Russia, China and India,
Arabs and the New World*,
Africa and Europe,
The land of the Baloch and Kurds --
Indeed, the whole world is ours.
We are all human.
We are all human...

Click here to read the full poem.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Musings

The Elusive Utopia?

By Farouk Gulsara

When I was growing up, the radio was the musical score constantly playing in the background. Blaring between Tamil movie songs and radio dramas were news of the hour and current issue discussions. The things that got imprinted on my impressionable mind as I was transforming from a teenager to a young adult were about violence, wars and bombings. I remember about the war in Vietnam as it was close to home. For every peace talk and the end of war announcement, there would pop up another bombing and a barrage of casualties. My simple mind wondered when the war would end, but it never did. It went on for so long that they had a Tamil film in 1970 named Vietnam Veedu (House of Vietnam), referring to a household forever in family feuds and turmoil. 

Along with the war in Vietnam, people came by boat to the shores of Malaysia. The then leaders, in the late 1970s, dealing with a poor economic climate as they were reeling from a devastating racial riot, were not so cordial with their arrival. Malaysia went into the bad books of the international arena when the Marines were issued a ‘shoot-at-sight’ order on Vietnamese boat people by the then Deputy Prime Minister, Mahathir Muhammad. The refugees were eventually placed in barb-wired concentration camps-like holding centres. The last of the boat people left Malaysia in 2005. Even today, many former refugees who had started life anew elsewhere return to Pulau Bidong to perform ancestral worship or to remind themselves and their descendants of the hell they escaped.

Just as I thought Malaysia had seen the last of the people displaced from their homes gracing their shores, Malaysia had to play host to economic refugees from Myanmar, the ethnic Myanmarese and the Rohingyas. And the cycle of not wanting to spend the country’s precious resources and accepting them on humanitarian grounds continues to date.  

My ever optimist friend is dreaming of a utopia on Earth. Her idea of utopia is one where people are kind to each other, not hurling grenades or aiming intercontinental missiles at each other and accepting each other’s citizens with open arms. In fact, in her world, there would be borders. She dreams of a world where people are happy, able to enjoy the fruit of their existence, a world where there is no destruction of Mother Earth and none of the species of plants and animals go extinct. She envisages a space where everyone communicates with one another with kindness without hurting their psyche. The search is still on, where people do not look at each other with scorn and suspicion and are willing to accept another as a fellow sibling from a common mother. She dreams of a borderless world where heart, mind and territories are a continual flow of ideas and messages for the betterment of humankind. Unfortunately, despite all the strides the world has seemingly made, she remains unhappy and is getting more discontent by the day. 

“Why is there so much hate? Why is there war after all the wisdom we have supposedly learnt as evidenced by our scientific advancements?” she asks. “Are we just developing creative ways to annihilate each other until the whole race reaches the point of no return?” 

I see our newspapers and digital media. I became convinced that humans are evil and anthropocentric. They do not bother about other living beings. They are only interested in fending for themselves, fattening themselves, usurping treasures and fattening their coffers, and rapaciously wanting to leave a legacy for their descendants to savour to eternity. In typical situations, the world can accommodate all of Man’s needs, but not their greed. 

Innately, I reminisce about the times when I was young, trees were tall, the air was clean, and adults were trustworthy. We long to go back to those innocent days. 

Upon closer scrutiny, we realise we were presented with a false image of serenity. Beneath the surface of sobriety, even then, trenches were built to gun down brothers and chemical factories to neutralise them biologically. We think we are in the worst of times, but historians differ. Our current era is the most peaceful and safest throughout our existence. The chance of an average man in the current time, unlike his ancestors, to be directly involved or affected physically by wars is quite remote. 

Our ancestors did not need the media to know the world’s plight because it often happened at their doorstep. The swords carved out people’s fate line, not consensus or democracy. 

Life is cyclical. Peace and chaos have alternated all through our history. Like a phoenix, we keep rising from the rubble of destruction only to be broken to smithereens. Torrents of events around us bear testimony to this fact. It has been like this since time immemorial.

There was a time when Angkor Wat was the talk of travellers who could not stop praising man’s colossal achievement. With mind-binding engineering marvels, it testified to what the human mind could think next. Then, it got lost in the folly of human activities, only to be discovered as an ancient relic by passing foreigners. 

Isfahan, an essential stop along the Silk Road, was once hailed as heaven on Earth with the highest level of culture. People with exquisite taste for art, literature, music and architecture made it their second home. Babur, who established the Mughal Dynasty, never synced with India as he felt the Indians were less cultured than the Persians because of what he was exposed to in the Safavid capital. Isfahan’s own glory brought its destruction. 

All through Man’s sojourn on Earth, it has been anything but peaceful. The funny thing is that, amid all the destruction, we still managed to bring up our humanity and the science that would save us from extinction. In spite and amidst all the mayhem, we kept famine at bay, found cures for many infectious diseases and sent rockets to the moon and beyond. Paradoxically, the science that saved us becomes a thorn in our progress. From muskets to rifles to intercontinental missiles to the press of a red button, it is becoming easier to plan out our destruction. 

So, the world has never been peaceful, and humans have not been kind. What can we do about it? Do you brood at our shortsightedness, or are we like Sisyphus? Knowing pretty well that, Sisyphus destined for life with the punishment of pushing a boulder up a hill only to see it roll down and for him to repeat the whole exercise again and again, he can take two paths. He can perform the task without thinking, like an automaton, go mad and die, or the alternative is finding simple pleasures in the seemingly mundane task. He could challenge himself to do it faster, explore newer routes to roll the boulder or experiment with various tools to aid in his task. 

We continue doing our bit for humanity, knowing very well that it is just a drop in the ocean. Our efforts to promote peace and brotherhood will trigger small pockets of change and hopefully snowball into something earth-shattering for a good reason.

War, hardship and tragedy are bound to continue. It is too intertwined in our DNA. Many are even convinced that for seismic changes to occur, we need jolts and uncertainties. All these wars may be part of our search for a perfect system to pave Earth’s peace. A war to end all wars? Now, where have we heard that one before?

All through its existence, the Universe has seen it all before. If one were to believe Graham Hancock, the documentary maker or a pseudo-historian as some may call him, then one would be convinced that the world has experienced all these and even greater things before, only to lose everything because of human greed. Some other belief systems are confident that time does not go in a linear fashion but rather in a cyclical fashion. All that is happening today gives the Universe a deja vu.

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Farouk Gulsara is a daytime healer and a writer by night. After developing his left side of his brain almost half his lifetime, this johnny-come-lately decided to stimulate the non-dominant part of his remaining half. An author of two non-fiction books, Inside the twisted mind of Rifle Range Boy and Real Lessons from Reel Life, he writes regularly in his blog, Rifle Range Boy.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Poetry

Final Chapter in the History of Atonement

By Saranyan BV

Courtesy: Creative Commons
Imagine a situation, 

where Earth instructs the gravitational force
to stop wasting its energy
holding together earthlings…
Earth is not God,
yet it speaks against God’s own subjects.
The earthlings comprised of us --
we always come as primary --
then the animals, the flora
-- the trees, plants the shrubs --
and the pale green cloud of fungus,
the water, the seas, the oceans,
the rivers, the lakes with or without bunds,
dams, reservoirs, dead tree-trunks sprouting from under,
the loose sand, the tight sand, the clay, the quartz, rocks
tnd the angry embryo of core --
the magma, anything in that or any other order.

Imagine a situation,
where the gravitational force decides
to stop wasting energy…
We would all be flying -- away from one another,
trying to wrest air in our lungs, those of us living beings,
try and find happiness for the left-over period of our life --
which is the primary purpose of everything,
of being alive, of breathing and of being. In that short time,

we delight in listing our achievements,
listing them as pinnacles to the sun,
to the moon and to that God, who has no ear for trivia,
and to God’s keeper of records,
who watches earthlings disintegrate. Some atone, atone and atone--
atoning for everything, in no particular order,
for the fear of truth behind some halfwits propounding
that death would place us at the crossroad,
between hell and paradise in which we no longer have a say.

Saranyan BV is poet and short-story writer, now based out of Bangalore. He came into the realm of literature by mistake, but he loves being there. His works have been published in many Indian and Asian journals. He loves the works of Raymond Carver.

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Categories
Editorial

Celebrating the Child & Childhood…

‘Victory to Man, the newborn, the ever-living.’
They kneel down, the king and the beggar, the saint and
the sinner,
the wise and the fool, and cry:
‘Victory to Man, the newborn, the ever-living.’

The Child’ by Rabindranath Tagore1, written in English in 1930

This is the month— the last of a conflict-ridden year— when we celebrate the birth of a messiah who spoke of divine love, kindness, forgiveness and values that make for a better world. The child, Jesus, has even been celebrated by Tagore in one of his rarer poems in English. While we all gather amidst our loved ones to celebrate the joy generated by the divine birth, perhaps, we will pause to shed a tear over the children who lost their lives in wars this year. Reportedly, it’s a larger number than ever before. And the wars don’t end. Nor the killing. Children who survive in war-torn zones lose their homes or families or both. For all the countries at war, refugees escape to look for refuge in lands that are often hostile to foreigners. And yet, this is the season of loving and giving, of helping one’s neighbours, of sharing goodwill, love and peace. On Christmas this year, will the wars cease? Will there be a respite from bombardments and annihilation?

We dedicate this bumper year-end issue to children around the world. We start with special tributes to love and peace with an excerpt from Tagore’s long poem, ‘The Child‘, written originally in English in 1930 and a rendition of the life of the philosopher and change-maker, Vivekananda, by none other than well-known historical fiction writer, Aruna Chakravarti. The poem has been excerpted from Indian Christmas: Essays, MemoirsHymns, an anthology edited by Jerry Pinto and Madhulika Liddle, a book that has been reviewed by Somdatta Mandal and praised for its portrayal of the myriad colours and flavours of Christmas in India. Christ suffered for the sins of humankind and then was resurrected, goes the legend. Healing is a part of our humanness. Suffering and healing from trauma has been brought to the fore by Christopher Marks’ perspective on Veronica Eley’s The Blue Dragonfly: healing through poetry. Basudhara Roy has also written about healing in her take of Kuhu Joshi’s My Body Didn’t Come Before Me. Bhaskar Parichha has reviewed a book that talks of healing a larger issue — the crises that humanity is facing now, Permacrisis: A Plan to Fix a Fractured World, by ex-British Prime Minister Gordon Brown, Nobel Laureate Michael Spence, Mohamed El-Erian and Reid Lidow. Parichha tells us that it suggests solutions to resolve the chaos the world is facing — perhaps a book that the world leadership would do well to read. After all, the authors are of their ilk! Our book excerpts from Dr Ratna Magotra’s Whispers of the Heart – Not Just A Surgeon: An Autobiography and Manjima Misra’s The Ocean is Her Title are tinged with healing and growth too, though in a different sense.

The theme of the need for acceptance, love and synchronicity flows into our conversations with Afsar Mohammad, who has recently authored Remaking History: 1948 Police Action and the Muslims of Hyderabad. He shows us that Hyderabadi tehzeeb or culture ascends the narrow bounds set by caged concepts of faith and nationalism, reaffirming his premise with voices of common people through extensive interviews. In search of a better world, Meenakshi Malhotra talks to us about how feminism in its recent manifestation includes masculinities and gender studies while discussing The Gendered Body: Negotiation, Resistance, Struggle, edited by her, Krishna Menon and Rachana Johri. Here too, one sees a trend to blend academia with non-academic writers to bring focus on the commonalities of suffering and healing while transcending national boundaries to cover more of South Asia.

That like Hyderabadi tehzeeb, Bengali culture in the times of Tagore and Nazrul dwelled in commonality of lore is brought to the fore when in response to the Nobel laureate’s futuristic ‘1400 Saal’ (‘The year 1993’), his younger friend responds with a poem that bears not only the same title but acknowledges the older man as an “emperor” among versifiers. Professor Fakrul Alam has not only translated Nazrul’s response, named ‘1400 Saal’ aswell, but also brought to us the voice of another modern poet, Quazi Johirul Islam. We have a self-translation of a poem by Ihlwha Choi from Korean and a short story by S Ramakrishnan in Tamil translated by T Santhanam.

Our short stories travel with migrant lore by Farouk Gulsara to Malaysia, from UK to Thailand with Paul Mirabile while chasing an errant son into the mysterious reaches of wilderness, with Neeman Sobhan to Rome, UK and Bangladesh, reflecting on the Birangonas (rape victims) of the 1971 Bangladesh Liberation war, an issue that has been taken up in Malhotra’s book too. Sobhan’s story is set against the backdrop of a war which was fought against linguistic hegemony and from which we see victims heal. Sohana Manzoor this time has not only given us fabulous artwork but also a fantasy hovering between light and dark, life and death — an imaginative fiction that makes a compelling read and questions the concept of paradise, a construct that perhaps needs to be found on Earth, rather than after death.

The unusual paradigms of life and choices made by all of us is brought into play in an interesting non-fiction by Nitya Amlean, a young Sri Lankan who lives in UK. We travel to Kyoto with Suzanne Kamata, to Beijing with Keith Lyons, to Wayanad with Mohul Bhowmick and to Langkawi with Ravi Shankar. Wendy Jones Nakanishi argues in favour of borders with benevolent leadership. Tongue-in-cheek humour is exuded by Devraj Singh Kalsi as he writes of his attempts at using visiting cards as it is by Rhys Hughes in his exploration of the truth about the origins of the creature called Humpty Dumpty of nursery rhyme fame.

Poetry again has humour from Hughes. A migrant himself, Jee Leong Koh, brings in migrant stories from Singaporeans in US. We have poems of myriad colours from Ryan Quinn Flanagan, Patricia Walsh, John Grey, Kumar Bhatt, Ron Pickett, Prithvijeet Sinha, Sutputra Radheye, George Freek and many more. Papia Sengupta ends her poem with lines that look for laughter among children and a ‘life without borders’ drawn by human constructs in contrast to Jones Nakanishi’s need for walls with sound leadership. The conversation and dialogues continue as we look for a way forward, perhaps with Gordon Brown’s visionary book or with Tagore’s world view of lighting the inner flame in each human. We can hope that a way will be found. Is it that tough to influence the world using words? We can wish — may there be no need for any more Greta Thunbergs to rise in protest for a world fragmented and destroyed by greed and lack of vision. We hope for peace and love that will create a better world for our children.

As usual, we have more content than mentioned here. All our pieces can be accessed on the contents’ page. Do pause by and take a look. This bumper issue would not have been possible without the contribution of all the writers and our fabulous team from Borderless. Huge thanks to them all and to our wonderful readers who continue to encourage us with their comments and input.

Here’s wishing you all wonderful new adventures in the New Year that will be born as this month ends!

Mitali Chakravarty

borderlessjournal.com

  1. Indian Christmas: Essays, MemoirsHymns edited by Jerry Pinto & Madhulika Liddle ↩︎

Click here to access the content’s page for the December 2023 issue

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