Categories
Editorial

‘Footfalls Echo in the Memory’

Painting by Claud Monet (1840-1926). From Public Domain

Acknowledging our past achievements sends a message of hope and responsibility, encouraging us to make even greater efforts in the future. Given our twentieth-century accomplishments, if people continue to suffer from famine, plague and war, we cannot blame it on nature or on God.

–Homo Deus (2015), Yuval Noah Harari

Another year drumrolls its way to a war-torn end. Yes, we have found a way to deal with Covid by the looks of it, but famine, hunger… have these drawn to a close? In another world, in 2019, Abhijit Banerjee had won a Nobel Prize for “a new approach to obtaining reliable answers about the best ways to fight global poverty”. Even before that in 2015, Yuval Noah Harari had discussed a world beyond conflicts where Homo Sapien would evolve to become Homo Deus, that is man would evolve to deus or god. As Harari contends at the start of Homo Deus, some of the world at least hoped to move towards immortality and eternal happiness. But, given the current events, is that even a remote possibility for the common man?

Harari points out in the sentence quoted above, acknowledging our past achievements gives hope… a hope born of the long journey humankind has made from caves to skyscrapers. If wars destroy those skyscrapers, what happens then? Our December issue highlights not only the world as we knew it but also the world as we know it.

In our essay section, Farouk Gulsara contextualises and discusses William Dalrymple’s latest book, The Golden Road with a focus on past glories while Professor Fakrul Alam dwells on a road in Dhaka , a road rife with history of the past and of toppling the hegemony and pointless atrocities against citizens. Yet, common people continue to weep for the citizens who have lost their homes, happiness and lives in Gaza and Ukraine, innocent victims of political machinations leading to war.

Just as politics divides and destroys, arts build bridges across the world. Ratnottama Sengupta has written of how artists over time have tried their hands at different mediums to bring to us vignettes of common people’s lives, like legendary artist M F Husain went on to make films, with his first black and white film screened in Berlin Film Festival in 1967 winning the coveted Golden Bear, he captured vignettes of Rajasthan and the local people through images and music. And there are many more instances like his…

Mohul Bhowmick browses on the past and the present of Hyderabad in a nostalgic tone capturing images with words. From the distant shores of New Zealand, Keith Lyons takes on a more individualistic note to muse on the year as it affected him. Meredith Stephens has written of her sailing adventure and life in South Australia. Devraj Singh Kalsi describes a writerly journey in a wry tone. Rhys Hughes also takes a tone of dry humour as he continues with his poems musing on photographs of strangely worded signboards. Colours are brought into poetry by Michael R Burch, Farah Sheikh, George Freek, Rajiv Borra, Kelsey Walker, John Grey, Stuart McFarlane, Saranyan BV, Ryan Quinn Falangan and many more. Some lines from this issue’s poetry selection by young Aman Alam really resonated well with the tone defined by the contributors of this issue:

It's always the common people who pay first.
They don’t write the speeches or sign the orders.
But when the dust rises, they’re the ones buried under...

Whose Life? By Aman Alam

Echoing the theme of the state of the common people is a powerful poem by Manish Ghatak translated from Bengali by Indrayudh Sinha, a poem that echoes how some flirt with danger on a daily basis for ‘Fire is their life’. Professor Alam has brought to us a Bengali poem by Jibanananda Das that reflects the issues we are all facing in today’s world, a poem that remains relevant even in the next century, Andhar Dekhecche, Tobu Ache (I have seen the dark and yet there is another). Fazal Baloch has translated contemporary poet Manzur Bismil’s poem from Balochi on the suffering caused by decisions made by those in power. Ihlwha Choi on the other hand has shared his own lines in English from his Korean poem about his journey back from Santiniketan, in which he claims to pack “all my lingering regrets carefully into my backpack”. And yet from the founder of Santiniketan, we have a translated poem that is not only relevant but also disturbing in its description of the current reality: “…Conflicts are born of self-interest./ Wars are fought to satiate greed…”. Tagore’s Shotabdir Surjo (The Century’s Sun, 1901) recounts the horrors of history…The poem brings to mind Edvard Munch’s disturbing painting of “The Scream” (1893).  Does what was true more than hundred years ago, still hold?

Reflecting on eternal human foibles, Naramsetti Umamaheswararao creates a contemporary fable in fiction while Snigdha Agrawal reflects on attitudes towards aging. Paul Mirabile weaves an interesting story around guilt and crime. Sengupta takes us back to her theme of artistes moving away from the genre, when she interviews award winning actress, Divya Dutta, for not her acting but her literary endeavours — two memoirs — Me and Ma and Stars in the Sky. The other interviewee Lara Gelya from Ukraine, also discusses her memoir, Camels from Kyzylkum, a book that traces her journey from the desert of Kyzylkum to USA through various countries. In our book excerpts, we have one that resonates with immigrant lores as writer VS Naipual’s sister, Savi Naipaul Akal, discusses how their family emigrated to Trinidad in The Naipauls of Nepaul Street. The other excerpt from Thomas Bell’s Human Nature: A Walking History of the Himalayan Landscape seeks “to understand the relationship between communities and their environment.” He moves through the landscapes of Nepal to connect readers to people in Himalayan villages.

The reviews in this issue travel through cultures and time with Somdatta Mandal’s discussion of Kusum Khemani’s Lavanyadevi, translated from Hindi by Banibrata Mahanta. Aditi Yadav travels to Japan with Nanako Hanada’s The Bookshop Woman, translated from Japanese by Cat Anderson. Jagari Mukherjee writes on the poems of Kiriti Sengupta in Oneness and Bhaskar Parichha reviews a book steeped in history and the life of a brave and daring woman, a memoir by Noor Jahan Bose, Daughter of The Agunmukha: A Bangla Life, translated from Bengali by Rebecca Whittington.

We have more content than mentioned here. Please do pause by our content’s page to savour our December Issue. We are eternally grateful to you, dear readers, for making our journey worthwhile.

Huge thanks to all our contributors for making this issue come alive with their vibrant work. Huge thanks to the team at Borderless for their unflinching support and to Sohana Manzoor for sharing her iconic paintings that give our journal a distinctive flavour.

With the hope of healing with love and compassion, let us dream of a world in peace.

Best wishes for the start of the next year,

Mitali Chakravarty

borderlessjournal.com

Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden.

TS Eliot, ‘Burnt Norton’, Four Quartets (1941)

Click here to access the content’s page for the December 2024 Issue

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Poetry

Stories by Manzoor Bismil

Translated from Balochi by Fazal Baloch

A mythical Simurgh perched on the Tree of Life, to which it has special affinity. Belonging to Persian mythology, the Simurgh is said to have seen the world destroyed thrice. Photo from Public Domain.
Storytellers unfolded their tales,
Yet we paid them no heed.
Again, they unfurled their tales,
It didn’t bother us, indeed.

As tales unfolded, we drifted to sleep,
Fairies, demons, djins, and devils
Crept into their lore,
Yet we remained ignorant, as before.

When the Simurgh swallowed the snake,
Nothing we did care.
When the princess fled with a shepherd,
Curiosity filled the air.
When the thieves broke in the warehouse,
Clamours spread far and near.

And when war arrived, knocking at our door,
We left for the mountains, grasping the swords.
At last, we knew: stories are not lies anymore.

Manzur Bismil is a prominent Balochi poet. He emerged on the literary scene in the early 1990s and soon rose to fame, creating a niche for himself in the pantheon of the Balochi poets. He is widely known for his neo-classic style, especially in his verses. So far he has published eight anthologies of his poetry. This poem is taken from the poet’s poetry collection Sahaar (The Fear) published by Demrawi Majlis Muscat in 2017.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. Fazal Baloch has the translation rights of of this poem from the poet. 

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Humour & Horror

Spooky, Chooky, Gooky

Art by Sohana Manzoor

It’s again that time of the year when we have fun spooking each other with stories of ghosts and haunting. While festivals of light1 and darkness vie with each other for a spot on the same date, observances to pay our respects to our forefathers follow at their heels, some before and some after.

In this selection, we bring to you narratives that could be dark, strange or funny or all of these … a selection of poetry, fiction and non-fiction from around the world. Enjoy the reads!

Poetry

Of Singing Mice, Biscuit Tins & Gym Bikes… by Rhys Hughes. Click here to read.

Human by Manzur Bismil has been translated from Balochi by Fazal Baloch. Click here to read.

In Another Galaxy by Masud Khan has been translated from Bengali by Professor Fakrul Alam. Click here to read.

The Waiting by Stuart MacFarlane. Click here to read.

Walking Gretchums by Saptarshi Bhattacharya. Click here to read.

Bonfire by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Exaltation in D. Minor (I’ll Be Around) by Ryan Quinn Flangan. Click here to read.

It’s Halloween! by Michael Burch. Click here to read.

Prose

From Diana to ‘Dayaan’ : Rajorshi Patronobis talks of Wiccan lore. Click here to read.

The Ghosts of Hogshead: Paul Mirabile wanders into the realm of the supernatural dating back to the Potato Famine of Ireland in the 1800s. Click here to read.

My Christmas Eve “Alone”: Erwin Coomb has a strange encounter at night. Is it real? Click here to read. 

Orang Minyak or The Ghost: A Jessie Michael explores ‘ghosts’ in a Malay village. Click here to read.

The Browless DollsS.Ramakrishnan‘s spooky story, has been translated from Tamil by B Chandramouli. Click hereto read.

 Witches and Crafts: A Spook’s TaleDevraj Singh Kalsi finds a ghostly witch in his library. Click here to read.

In The Chopsy Moggy: Rhys Hughes gives us a strange feline adventure. Click here to read. 

Ghosts, Witches and My New Homeland: Tulip Chowdhury muses on ghosts and spooks in Bangladesh and US. Click here to read.

Nagmati: Prafulla Roy’s long story based on strange folk beliefs has been translated from Bengali as Snake Maiden by Aruna Chakravarti. Click here to read.

From Public Domain

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  1. Deepavali or festival of lights is on October 31st this year along with Kali Puja and Halloween. October 30th is Bhooth Chaturdashi, or Indian Festival of Ghosts while All Saints’ Day and all Souls’ Day are observed at the start of November. Early October hosted Pitri Paksha, observances for apeasing forefathers in India. ↩︎

Categories
Contents

Borderless, October 2024

Art by Sohana Manzoor

Editorial

Where Are Those Happy Days? … Click here to read.

Conversations

In conversation with Malashri Lal with focus on her poetry book, Mandalas of Time. Click here to read.

Keith Lyons speaks to novelist Lya Badgley about her life, books and travels. Click here to read.

Translations

Tagore’s poem on Africa has been translated from Bengali by Debali Mookerjea-Leonard. Click here to read.

Nazrul’s Shukno Patar Nupur Paye (With Ankle Bells of dried leaves) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Veena Verma’s story, Galat Aurat or The Wrong Woman, has been translated from Punjabi by C Christine Fair. Click here to read.

Sharaf Shad’s story, The Melting Snow, has been translated from Balochi by Fazal Baloch. Click here to read.

Tagore’s Andhokaarer Utso Hote (From the Fount of Darkness) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Rhys Hughes, Afsar Mohammad, Fhen M, Luis Cuauhtémoc Berriozábal, Shamik Banerjee, George Freek, Shahin Hossain, Stuart MacFarlane, Matthew James Friday, Udita Banerjee, Jenny Middleton, Alpa Arora, Stephen Philip Druce, Malashri Lal, Michael Burch

Poets, Poetry & Rhys Hughes

In Two Pizza Fantasies, Rhys Hughes recounts myths around the pizza in prose, fiction and poetry, Click here to read.

Musings/Slices from Life

An Alien on the Altar!

Snigdha Agrawal writes of how a dog and lizard add zest to festivities with a dollop of humour. Click here to read.

To Be or Not to Be…

Farouk Gulsara ponders over the nature of humanity. Click here to read.

Memories of my Grandfather

Alpana writes of her interactions with her late grandfather. Click here to read.

From Diana to ‘Dayaan’

Rajorshi Patronobis talks of Wiccan lore. Click here to read.

Musings of a Copywriter

In Libraries and Me, Devraj Singh Kalsi recalls his experiences in school and University in a lighter vein. Click here to read.

Notes from Japan

In Among Ghosts in the Land of a Thousand Hills, Suzanne Kamata travels with a Japanese colleague and students to Rwanda. Click here to read.

Essays

Memories of Durga Puja

Fakrul Alam recalls the festivities of Durga Puja in Dhaka during his childhood. Click here to read.

A Doctor’s Diary: Syncretic Festivities

Ravi Shankar writes of his early life in Kerala where festivals were largely a syncretic event. Click here to read.

Stories

The Return

Paul Mirabile unravels the homecoming of a British monk. Click here to read.

The Mango Thief

Naramsetti Umamaheswara Rao writes a story about peer pressure among children. Click here to read.

Sunset Memories

Saeed Ibrahim writes from near the Arabian Sea. Click here to read.

A Whiff of the Past…

Tanika Rajeswari V gives a haunting story set in Kerala. Click here to read.

Book Excerpts

An excerpt by Ruskin Bond from Let’s Be Best Friends Forever: Beautiful Stories of Friendship. Click here to read.

An excerpt from Lara Gelya’s Camel from Kyzylkum. Click here to read.

Book Reviews

Meenakshi Malhotra reviews Anjum Katyal’s Safdar Hashmi: Towards Theatre for a Democracy. Click here to read.

Somdatta Mandal reviews Ammar Kalia’s A Person Is a Prayer. Click here to read.

Bhaskar Parichha reviews Selected Works of Vyasa Kavi Fakir Mohan Senapati, edited by Monica Das. Click here to read.

.

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Where Are Those Happy Days?

Festivals are like friends.

They bring hope, solace and love to those who believe in them. But, when the structures holding the fiestas in place start to crumble, what do we do then?

Our lives have moved out of wilderness to cities over centuries. Now, we have covered our world with the gloss of technology which our ancestors living in caves would have probably viewed as magic. And yet we violate the dignity of our own kind, war and kill, destroy what we built in the past. The ideological structures seem ineffective in instilling love, peace, compassion or hope in the hearts of the majority. Suddenly, we seem to be caving in to violence that destroys humanity, our own kind, and not meting out justice to those who mutilate, violate or kill. Will there be an end to this bleak phase? Perhaps, as Tagore says in his lyrics[1], “From the fount of darkness emerges light”. Nazrul has gone a step further and stated clearly[2], “Hair dishevelled and dressed carelessly/ Destruction makes its way gleefully. / Confident it can destroy and then build again …Why fear since destruction and creation are part of the same game?”

And yet, destruction hurts humans. It kills. Maims. Reduces to rubble. Can we get back the people whose lives are lost while destruction holds sway? We have lost lives this year in various wars and conflicts. As a tribute to all the young lives lost in Bangladesh this July, we have a poem by Shahin Hossain. Afsar Mohammad has brought in the theme of festivals into poetry tying it to the current events around the world. In keeping with the times, Michael Burch has a sense of mirthlessness in his poems. Colours of emotions and life have been woven into this section by Malashri Lal, Luis Cuauhtémoc Berriozábal, Fhen M, Shamik Banerjee, George Freek, Matthew James Friday, Jenny Middleton and many more. This section in our journal always homes a variety of flavours. Stuart MacFarlane has poems for Wordsworth… and some of it is funny, like Rhys Hughes’ poem based on photographs of amusing signposts. But then life has both sorrows and laughter, and poetry is but a slice of that as are other genres. We do have non-fiction in a lighter vein with Hughes’ story and poem about pizzas. Devraj Singh Kalsi has given a tongue in cheek narrative about his library experiences.

Suzanne Kamata has written for us about her visit to Rwanda. Farouk Gulsara has pondered over humanity’s natural proclivitiesWiccan lore has been discussed by Rajorshi Patranabis. And Snigdha Agrawal has tuned into humour with her rendition of animal antics that overran festivities. Ravi Shankar, on the other hand, has written about the syncretic nature of festivals in Kerala. Professor Fakrul Alam has given a nostalgic recap of Durga Puja during his childhood, a festival recognised as an “Intangible Cultural Heritage of Humanity” by UNESCO, and known for its syncretic traditions where people from all backgrounds, religions and cultures celebrate together.

Festivals have also been taken up in fiction by Tanika Rajeswari V with a ghostly presence hovering over the arrangements. Paul Mirabile has taken us around the world with his story while Saeed Ibrahim writes from his armchair by the Arabian sea. Sahitya Akademi winner for his children’s stories, Naramsetti Umamaheswara Rao, has showcased peer pressure among youngsters in his narrative.  

Two stories have also featured in our translations. Christine C Fair has rendered Veena Verma’s Punjabi story about an illegal immigrant into English. Hinting at climate concerns, Sharaf Shad’s fiction, has been translated from Balochi by Fazal Baloch. Tagore’s powerful poem on Africa has been brought to Anglophone readers by Debali Mookerjea-Leonard as well as his inspiring lyrics, Andhokaarer Utso Hote (From the Fount of Darkness), by our team. Nazrul’s vibrant lyrics, Shukno Patar Nupur Paye (With Ankle Bells of Dried Leaves), has been rendered into English from Bengali by Professor Alam.

Our reviews explore immigrant stories in fiction with Somdatta Mandal reviewing Ammar Kalia’s A Person Is a Prayer. Bhaskar Pariccha has written about Selected Works of Vyasa Kavi Fakir Mohan Senapati, edited by Monica Das. Fakir Mohan is a legendary writer from Odisha. Meenakshi Malhotra has discussed a book on another legend, Safdar Hashmi, one of the greatest names in street theatre in India. The book is by Anjum Katyal and called, Safdar Hashmi: Towards Theatre for a Democracy.

Our book excerpts usher good cheer with a narrative by Ruskin Bond from Let’s Be Best Friends Forever: Beautiful Stories of Friendship. And also hope with a refugee’s story from Ukraine, which travels through deserts, Italy and beyond to US and has a seemingly happier outcome than most, Lara Gelya’s Camel from Kyzylkum. This issue’s conversations take us around the world with Keith Lyons interviewing Lya Badgley, who has crossed continents to live and write. Malashri Lal, the other interviewee, is an academic and writer with sixteen books under her belt. She travels through the world with her poetry in Mandalas of Time.

Huge thanks to the Borderless team for putting this issue together – the last-minute ties – and the art from Sohana Manzoor. Without all this, the edition would look different. Heartfelt thanks to our contributors without whose timely submissions, we would not have a journal. And most of all we thank our readers – we are because you are – thank you for reading our journal.  As all our content, despite being indispensable, could not be mentioned here, do pause by our content’s page for this issue.

We wish you a wonderful month!

Cheers,

Mitali Chakravarty

borderlessjournal.com

[1] Tagore’s Andhokaarer Utso Hote (From the Fount of Darkness)

[2] Nazrul’s Proloyullash translated by Professor Alam as The Frenzy of Destruction

Click here to access the content’s page for the October 2024 Issue.

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Stories

The Melting Snow

Story by Sharaf Shad, translated from Balochi by Fazal Baloch

The moment he stepped into his home, he sensed that something was wrong. A strange desolation and silence crept down the walls and doors. His wife, upon seeing him, stood up. Her voice trembled overwhelmed with anxiety. She whispered: “The snow is melting.”

“What?” At the mention of snow, his eyes flared with alarm. He rushed to the room where the snow statue was kept. As usual, it stood there like an impregnable mountain. But now, a tiny teardrop was trickling down its right cheek. The line of the rolling tear seemed to slice the statue into two, like the slash of a sword. He knew that if the melting continued, the statue wouldn’t last much longer. The mere thought of this brought tears to his eyes.

A few years ago, the sea had gifted him that very statue. In those days, he used to visit the sea every evening. He adored the sea and its rising tides, drawn to the depths and the vastness that made him feel immortal. It was that very sense of immortality that pulled him to the shore night after night. Despite the violence of the waves rising and crashing, he continued captivated by them.

One day, as he was lost in watching the rise and fall of tides, he noticed the statue gleaming amidst the water, like a giant pearl. He picked it up, marveling at nature’s artistry. He wondered how such a beautiful statue could exist in the midst of such chaos. Then, a voice echoed from the tides, addressing him: “It’s a gift for you, from me. Every evening you came here and shared my grief. Take this statue home. It will bring you peace, health, and prosperity.”

The wind, tracing lines upon the surface of the ocean, was impressed by the sea’s generosity. It told him that, to help preserve the statue, it would maintain constant climate. When everything becomes kind to someone, time will surely follow suit. Thus, time assured him that it would never bring decay or harm to the statue.

He took the statue and placed it in the finest spot in his home. As the sea and the wind had promised, the statue became a symbol of prosperity and success. Under its shade, his life flourished. But that day, the snow had started to melt!

He knew that this was a sign that his life would soon be stormed with worries and torments. He quickly stepped out of the room. The wind was swirling dust in the courtyard. Like a man who finds comfort in a familiar face during a calamity, he tearfully told the wind that his snow statue was melting.

“Everything perishes in its due time,” the wind replied indifferently.

“But you promised to protect the statue and keep the climate unchanged.”

“I still stand by what I said. It is man who claims the climate is changing. Everything—the sky, the earth, the sea, the wind, the stars, and the moon—remains as it always has. It is only man who changes.”

“I don’t understand what you mean,” he blurted out in frustration. “Just tell me how to escape this curse!”

“Everyone must find their own way forward,” the wind replied.

“All roads seem closed to me,” he lamented.

“When all roads appear closed, that’s where a new one opens,” the wind whispered as it blew away, filling the lanes with dust.

To remind time of its promise, he turned to it for answers. The time listened patiently, as if it already knew the situation. After a brief silence, it gently spoke, “In this world, everything changes its shape sooner or later. Even things that seem unchanged eventually undergo some transformation. Your statue has fulfilled its purpose, and this is the law of nature. Everything new will turn old, and when it does, it changes. Your statue may have taken on a new form—one that may not be as appealing to you as it once was—but it will never truly decay.”

“My life now depends on this statue,” he said desperately. “By its virtue, my family has lived in prosperity. Since it arrived in our home, worries and sorrows of life have forgotten our door. Who knows what curse might fall upon us once it’s gone? Its new shape could bring harm and loss to me.”

“Who knows?” the time replied indifferently.

“If this statue continues to melt, my entire house will be ruined. That’s why I don’t want it to change its form.”

“It cannot be stopped from changing now,” the time said firmly.

Feeling disheartened by the time’s response, he wandered, lost in thought, searching for a way out of his dilemma. While he wandered absent mindedly, he felt a hand on his shoulder. Startled, he turned to find a tall man dressed in white, standing beside him.

“Hey man, I’ve seen you wandering these lanes for a while now. Is everything okay?”

Like a drowning man catching at a straw, he poured out the entire story. After listening, the tall man said, “You’ve pleaded with the wind and the time, and now you’ve told me, a mere wayfarer, your troubles. But you never approached the one who gifted you the snow statue.”

Startled by the realisation, he sprang to his feet, as if pulled up by ten men, and hurried away without thanking the tall man.

He rushed to the sea and bowed before it, pleading, “My snow statue is melting— please, do something to help me.”

“I cannot do anything,” the sea replied indifferently. “Your statue has run its course. Everything has its lifespan and eventually decays. It is an illness without a cure.”

“The fate of my house depends on this statue. There must be a way to escape this curse!” he cried, his voice filled with frustration and despair.

“The sea doesn’t find a way out for anyone,” the sea responded, its voice now filled with arrogance.

“Then no one should find a way for the sea either,” a voice echoed behind him. He turned and saw the same tall man standing there. The sea seemed embarrassed, lowering its head in shame. After a brief silence, its lips trembled as it muttered: “Go home. The blessing of snow will shower upon everything in your house.”

Overjoyed by these words, he grasped the tall man’s hand gratefully, thanking him. The fire that had been consuming his soul was suddenly soothed by the sea’s promise. He hurried home and rushed straight to the room where the statue stood. The teardrop that had once fallen from the statue had dried. Relieved, he smiled, content that the statue had been spared from decay.

Eager to share the joyful news, he went to find his wife and children. But as he stepped into each room, a strange, eerie air of grief and sorrow greeted him. Everything in his house had turned to snow—the windows, the doors, the curtains, and even his wife and children had transformed into frozen statues of snow. The sea’s words echoed hauntingly in his mind: “Go home. The blessing of snow will shower upon everything in your house.”

His heart shattered. Madness and despair took hold of him as he raced back to the sea. But when he arrived, his worst fears were realised. The sea was gone. In its place stretched a vast, dark desert.

He turned back and wandered through the streets, searching every lane and alley for the man in white. He needed to tell him how the sea had deceived and betrayed him. But after scouring every corner of the city, he found no trace of the man. Overcome with disappointment, he returned to the road leading to the sea, holding on to a faint hope that it might have returned.

When he arrived, there was no sea—only the endless desert stretched out in its place. His body, weak and exhausted, could go no further. He stood there, frozen, like a lifeless piece of wood.

He remained in that spot for years, unmoving. The changing seasons, the winds, and the harsh climates left their marks on him. Over time, his form withered into a blackened log, lying forgotten by the roadside. His body had turned dark — black as a stone, disconnected from the people, the sea, and the snow.

Sharaf Shad

Sharaf Shad is simultaneously a short story writer, poet, translator, and critic. The richness of narrative is one of the defining features of his short stories. Death and identity crises are recurring themes in his works. A collection of his short stories, titled “Safara Dambortagen Rahan” (Journeying Down the Weary Roads), was published by the Institute of Balochistan, Gwadar, in 2020. The story presented here is taken from that collection and is being published with the author’s permission.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Contents

Borderless, September 2024

Art by Sohana Manzoor

Editorial

And Wilderness is Paradise Enow… Click here to read.

Translations

Raja O Praja or The King and His Subjects, an essay by Tagore, has been translated from Bengali by Himadri Lahiri. Click here to read.

Nazrul’s Roomu Jhoomu Roomu Jhoomu has been transcreated from Bengali by Professor Fakrul Alam. Click here to read.

The Mirror by Mubarak Qazi has been translated from Balochi by Fazal Baloch. Click here to read.

The Source by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Suprobhat or Good Morning by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Rhys Hughes, Cal Freeman, Jackie Kabir, Jennifer McCormack, Pramod Rastogi, Miriam Bassuk, K B Ryan Joshua Mahindapala, Paul Mirabile, Shamik Banerjee, Craig Kirchner, Thomas Emate, Stuart MacFarlane, Supriya Javalgekar, George Freek, Ryan Quinn Flanagan, Luis Cuauhtémoc Berriozábal, Michael Burch

Musings/Slices from Life

Finding the Fulcrum

Farouk Gulsara gives a poignant account of looking after an aged parent. Click here to read.

Watery World

Keith Lyons finds the whole world within a swimming pool. Click here to read.

Days that don’t Smell of Cakes and Candy

Priyanka Panwar muses on days which not much happens… Click here to read.

Rayban-dhan

Uday Deshwal revisits his life with his companion sunglass. Click here to read.

In Favour of a Genre…

Saeed Ibrahim argues in favour of short stories as a genre. Click here to read.

Musings of a Copywriter

In Shades of Grey – Hair and There, Devraj Singh Kalsi writes of adventures with premature greying. Click here to read.

Notes from Japan

In Sneaky Sneakers, Suzanne Kamata grins at life in Japan. Click here to read.

Essays

Ah Nana Bari!

Fakrul Alam writes nostalgically of his visits to Feni in Noakhali, a small town which now suffers from severe flooding due to climate change. Click here to read.

A Manmade Disaster or Climate Change?

Salma A Shafi writes of floods in Bangladesh from ground level. Click here to read.

A Doctor’s Diary: Life in the High Ranges

Ravi Shankar writes of his life in the last century among the less developed highlands of Kerala. Click here to read.

Stories

The Useless Idler

Paul Mirabile writes of a strange encounter with someone who calls himself an ‘idler’. Click here to read.

Imitation

Naramsetti Umamaheswararao explores parenting. Click here to read.

Final Hours

Mahila Iqbal gives a poignant story about aging. Click here to read.

Friends

G Venkatesh writes a story stirring environmental concerns. Click here to read.

Conversation

Ratnottama Sengupta converses with Reba Som, who recently brought out, Hop, Skip and Jump; Peregrinations of a Diplomat’s Wife. Click here to read.

Book Excerpts

An excerpt from Mineke Schipper’s Widows: A Global History. Click here to read.

An excerpt from Anuradha Marwah’s Aunties of Vasant Kunj. Click here to read.

Book Reviews

Somdatta Mandal reviews Karan Mujoo’s This Our Paradise: A Novel. Click here to read.

Rakhi Dalal reviews Swadesh Deepak’s A Bouquet of Dead Flowers translated from Hindi by Jerry Pinto, Pratik Kanjilal, Nirupama Dutt, Sukant Deepak. Click here to read.

Meenakshi Malhotra reviews Anuradha Marwah’s Aunties of Vasant Kunj. Click here to read.

Bhaskar Parichha reviews Ayurveda, Nation and Society: United Provinces, c. 1890–1950 by Saurav Kumar Rai. Click here to read.

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Categories
Editorial

And Wilderness is Paradise Enow…

Prayer Wheel at Nurulia, Ladakh. Photo Courtesy: Farouk Gulsara
We lock eyes, find glimmers
of smiles, trust our leaders.
We break bread with strangers
because there aren’t any.

--Imagine by Miriam Bassuk

Imagine the world envisioned by John Lennon. Imagine the world envisioned and partly materialised by Tagore in his pet twin projects of Santiniketan and Sriniketan, training institutes made with the intent of moving towards creating a work force that would dedicate their lives to human weal, to closing social gaps borne of human constructs and to uplifting the less privileged by educating them and giving them the means to earn a livelihood. You might well call these people visionaries and utopian dreamers, but were they? Tagore had hoped to inspire with his model institutions.  In 1939, he wrote in a letter: “My path, as you know, lies in the domain of quiet integral action and thought, my units must be few and small, and I can but face human problems in relation to some basic village or cultural area. So, in the midst of worldwide anguish, and with the problems of over three hundred millions staring us in the face, I stick to my work in Santiniketan and Sriniketan hoping that my efforts will touch the heart of our village neighbours and help them in reasserting themselves in a new social order. If we can give a start to a few villages, they would perhaps be an inspiration to some others—and my life work will have been done.”  But did we really have a new social order or try to emulate him?

If we had acted out of compassion and kindness towards redefining with a new social order, as Miriam Bassuk points out in her poem based on Lennon’s lyrics of Imagine, there would be no strangers. We’d all be friends living in harmony and creating a world with compassion, kindness, love and tolerance. We would not have wars or regional geopolitical tensions which act against human weal. Perhaps, we would not have had the issues of war of climate change take on the proportions that are wrecking our own constructs.

Natural disasters, floods, fires, landslides have affected many of our lives. Bringing us close to such a disaster is an essay by Salma A Shafi at ground level in Noakhali. More than 4.5 million were affected and 71 died in this disaster. Another 23 died in the same spate of floods in Tripura with 65,000 affected. We are looking at a single region here, but such disasters seem to be becoming more frequent. And yet. there had been a time when Noakhali was an idyllic vacation spot as reflected in Professor Fakrul Alam’s nostalgic essay, filled with memories of love, green outdoors and kindnesses. Such emotions reverberate in Ravi Shankar’s account of his medical adventures in the highlands of Kerala, a state that suffered a stupendous landslide last month. While Shafi shows how extreme rainfall can cause disasters, Keith Lyons writes of water, whose waves in oceanic form lap landmasses like bridges. He finds a microcosm of the whole world in a swimming pool as migrants find their way to New Zealand too. Farouk Gulsara muses on kindness and caregiving while Priyanka Panwar ponders about ordinary days. Saeed Ibrahim gives a literary twist to our musings.   Tongue in cheek humour is woven into our nonfiction section by Suzanne Kamata’s notes from Japan, Devraj Singh Kalsi’s piece on premature greying and Uday Deshwal’s paean to his sunglasses!

Humour is wrought into poetry by Rhys Hughes. Supriya Javelkar and Shamik Banerjee have cheeky poems that make you smile. We have poetry on love by Michael Burch and poetry for Dylan Thomas by Ryan Quinn Flanagan. Miriam Bassuk has described a Utopian world… but very much in the spirit of our journal. Variety is brought into our journal with poetry from Jackie Kabir, Jennifer McCormack, Craig Kirchner, Stuart MacFarlane, George Freek, Luis Cuauhtémoc Berriozábal and many more.

In translations, we have Nazrul lyrics transcreated from Bengali by Professor Alam and poetry from Korean by Ihlwha Choi. We pay our respects to an eminent Balochi poet who passed on exactly a year ago, Mubarak Qazi, by carrying a translation by Fazal Baloch. Tagore’s Suprobhat (Good morning) has been rendered in English from Bengali. His descriptions of the morning are layered and amazing — with a hint of the need to reconstruct our world, very relevant even today.  A powerful essay by Tagore called Raja O Praja (The King and His Subjects), has been translated by Himadri Lahiri.

Our fiction hosts two narratives that centre around childhood, one by Naramsetti Umamaheswararao and another by G Venkatesh, though with very different approaches. Mahila Iqbal relates a poignant tale about aging, mental health and neglect, the very antithesis of Gulsara’s musing. Paul Mirabile has given a strange story about a ‘useless idler’.

A short story collection has been reviewed by Rakhi Dalal, Swadesh Deepak’s A Bouquet of Dead Flowers, translated from Hindi by Jerry Pinto, Pratik Kanjilal, Nirupama Dutt, Sukant Deepak. Somdatta Mandal has written about a book by a Kashmiri immigrant which is part based on lived experiences and part fictive, Karan Mujoo’s This Our Paradise: A Novel. Bhaskar Parichha has reviewed Ayurveda, Nation and Society: United Provinces, c. 1890–1950 by Saurav Kumar Rai, a book which shows how healthcare was even a hundred years ago, politicised. Meenakshi Malhotra has reviewed Anuradha Marwah’s novel, Aunties of Vasant Kunj, of which we also have an excerpt. The other excerpt is from Mineke Schipper’s Widows: A Global History. Ratnottama Sengupta converses with Reba Som, author of Hop, Skip and Jump; Peregrinations of a Diplomat’s Wife.

We have more content that adds to the vibrancy of the issue. Do pause by this issue and take a look. This issue would not have been possible without all your writings. Thank you for that. Huge thanks to our readers and our team, without whose support we could not have come this far. I would especially like to thank Sohana Manzoor for her continued supply of her fabulous and distinctive artwork and Gulsara for his fabulous photographs.

Let us look forward to a festive season which awakens each autumn and stretches to winter. May we in this season find love, compassion and kindness in our hearts towards our whole human family.

Have a wonderful month!

Mitali Chakravarty

borderlessjournal.com

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Categories
Poetry

A Balochi Poem by Mubarak Qazi

Translated by Fazal Baloch

THE MIRROR

The world has changed, so the people claim.
Knowledge and wisdom have reached great heights.
Yet my unyielding heart remains ever the same.

Dawns and dusks often ask of me,
When will the sun glide upon the sea?
When will, like the moon, the rainbow
Cast upon the earth its colourful glow?
When will stars adorn the earth's lap,
Descending from heavenly height?

When will the wind chant like a cooing dove?
When will elegies transform into songs of love?
When will lizards and moths soar like birds?
And mountains soften to cotton flakes?

Your smiles and giggles, unfurl in my songs,
When will fire rise from beneath the water?
Lightning leap from eyes, the scorching winds
Blow across as gentle as gentle breeze?
When will fig blooms scatter, a feast for all to see,
When will Man regress from the heights of grace?
When will he grasp his true essence?
When will this world birth a new dawn's light?

When will life witness such glories?
With fervent urge, I plead.

The world has changed, or so the people claim.
Yet my unyielding heart remains ever the same.
I ponder, will change ever find its way?

Mubarak Qazi (1955-2023), is one of the most prolific and popular of modern Balochi poets. He is credited with making poetry a vocation for the masses in a lucid vocabulary. In other words, Qazi is like the conscience of the people — one who addresses them in a language they can easily comprehend and decipher. Instead of maintaining a subtle or vague approach, he conveyed his sentiments in simple and unembellished language. He has published ten anthologies of poetry.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies.

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Categories
Contents

Borderless, August 2024

Art by Sohana Manzoor

Editorial

A Sprinkling of Happiness?… Click here to read.

Conversation

A review of and discussion with Rhys Hughes about his ‘Weird Western’, The Sunset Suite. Click here to read.

Translations

Two Songs of Parting by Nazrul have been translated by Professor Fakrul Alam. Click here to read.

The Snakecharmer, Shapuray by Nazrul, has been translated from Bengali by Sohana Manzoor. Click here to read.

Leaving for Barren, Distant Lands by Allah Bashk Buzdar has been translated from Balochi by Fazal Baloch. Click here to read.

Loneliness has been translated from Korean by the poet, Ihlwha Choi. Click here to read.

Tagore’s Olosh Shomoy Dhara Beye (Time Flows at an Indolent Pace) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Michael Burch, Arshi Mortuza, Jason Ryberg, Saranyan BV, Koiko Tsuuda, Jane Hammons, Noopur Vedajna Das, Adeline Lyons, George Freek, Naisha Chawla, John Grey, Lakshmi Chithra, Craig Kirchner, Nia Joseph, Stuart MacFarlane, Sanjay C Kuttan, Nilsa Mariano, G Javaid Rasool, Ryan Quinn Flanagan, Rhys Hughes

Musings/ Slices from Life

Breaking Bread

Snigdha Agrawal has a bovine encounter in a restaurant. Click here to read.

That Box of Colour Pencils

G Venkatesh writes of a happy encounter with two young children. Click here to read.

The Chameleon’s Dance

Chinmayi Goyal muses on the duality of her cultural heritage. Click here to read.

Musings of a Copywriter

In Godman Ventures Pvt. Ltd., Devraj Singh Kalsi looks into a new business venture with a satirical glance. Click here to read.

Notes from Japan

In In Praise of Parasols, Suzanne Kamata takes a light look at this perennial favourite of women in Japan. Click here to read.

Essays

The Comet’s Trail: Remembering Kazi Nazrul Islam

Radha Chakravarty pays tribute to the rebel poet of Bengal. Click here to read.

From Srinagar to Ladakh: A Cyclist’s Diary

Farouk Gulsara travels from Malaysia for a cycling adventure in Kashmir. Click here to read.

Bottled Memories, Inherited Stories

Ranu Bhattacharyya takes us back to Dhaka of the 1930s… and a world where the two Bengals interacted as one with her migration story. Click here to read.

Landslide In Wayanad Is Only The Beginning

Binu Mathew discusses the recent climate disaster in Kerala and contextualises it. Click here to read.

Stories

The Orange Blimp

Joseph Pfister shares a vignette set in the Midwest. Click here to read.

A Queen is Crowned

Farhanaz Rabbani traces the awakening of self worth. Click here to read.

Roberto Mendoza’s Memoirs of Admiral Don Christopher Columbus

Paul Mirabile explores myths around Christopher Columbus in a fictitive setting. Click here to read.

Book Excerpts

An excerpt from Syed Mujtaba Ali’s Shabnam, translated from Bengali by Nazes Afroz. Click here to read.

An excerpt from Maaria Sayed’s From Pashas to Pokemon. Click here to read.

Book Reviews

Somdatta Mandal reviews Upamanyu Chatterjee’s Lorenzo Searches for the Meaning of Life. Click here to read.

Meenakshi Malhotra reviews Shuchi Kapila’s Learning to Remember: Postmemory and the Partition of India. Click here to read.

Rakhi Dalal reviews Namita Gokhale’s Never Never Land. Click here to read.

Bhaskar Parichha reviews Malvika Rajkotia’s Unpartitioned Time: A Daughter’s Story. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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