Tag: Phil Wood

Whan that Aprill with his shoures soote
The droghte of March hath perced to the roote,
….
Thanne longen folk to goon on pilgrimages.

— Prologue, The Canterbury Tales, Geoffrey Chaucer (1342-1400)

Centuries ago, April was associated with spring induced travel… just as pilgrims set out on a journey in Chaucer’s Canterbury Tales. Some of the journeys, like to Mecca, become a part of religious lore. And some just add to the joie de vivre of festivities during different festivals that punctuate much of Asia during this time — Pohela Boisakh (Bengali), Songkran (Thai), Navavarsha (Nepali), Ugadi (Indian), Vaisakhi (Indian), Aluth Avurudda (Sri Lankan) and many more.

A hundred years ago, in April 1924, Tagore had also set out to journey across the oceans to China — a trip which, perhaps, led to the setting up of Cheena Bhavan in Vishwa Bharati. Recently, Professor Uma Dasgupta in a presentation stated that Tagore’s Nobel prize winning Gitanjali, and also a collection called The Crescent Moon (1913), had been translated to Chinese in 1923 itself… He was renowned within China even before he ventured there. His work had been critically acclaimed in literary journals within the country. That arts connect in an attempt to override divides drawn by politics is well embodied in Tagore’s work as an NGO and as a writer. He drew from all cultures, Western and Eastern, to try and get the best together to serve humankind, closing gaps borne of human constructs. This spirit throbbed in his work and his words. Both towered beyond politics or any divisive constructs and wept with the pain of human suffering.

This issue features translations of Tagore’s writings from his childhood — both done by professor Somdatta Mandal — his first trip with his father to the Himalayas and his first experience of snow in Brighton. We have a transcreation of some of his lyrics by Ratnottama Sengupta. The translation of his birthday poem to himself — Pochishe Boisakh (his date of birth in the Bengali calendar) along with more renditions in English of Korean poetry by Ihlwha Choi and Manzur Bismil’s powerful poetry from Balochi by Fazal Baloch, add richness to our oeuvre. Bismil’s poetry is an ode to the people — a paean to their struggle. It would seem from all the translations that if poets and writers had their way, the world would be filled with love and kindness.

Yet, the world still thunders with wars, with divides — perhaps, there will come a time when soldiers will down their weapons and embrace with love for, they do not fight for themselves but for causes borne of artificial human divides. It is difficult to greet people on any festival or new year, knowing there are parts  of the world where people cannot celebrate for they have no food, no water, no electricity, no homes and no lives… for many have died for a cause that has been created not by them as individuals but by those who are guided solely by their hankering for power and money, which are again human constructs. Beyond these constructs there is a reality that grows out of acceptance and love, the power that creates humanity, the Earth and the skies…

Exploring the world beyond these constructs are poems by Scott Thomas Outlar, Nusrat Jahan Esa and Shamik Banerjee, who spins out an aubade to Kanchenjunga extolling the magnificence of a construct that is beyond the human domain.  Michael Burch brings in the theme of evolution and adaptation — the survival of the fittest. We have colours of life woven into our issue with poetry from Ryan Quinn Flangan, Kirpal Singh, George Freek, Stuart McFarlane, Lisa Sultani, Jenny Middleton, Phil Wood, Kumar Bhatt, Snigdha Agrawal and more. Rhys Hughes adds a zest of humour as he continues to explore signs and names with poetry and, in his column, he has written to extoll the virtues of a writing desk!

Humour is brought into non-fiction by Devraj Singh Kalsi’s narrative about being haunted by an ancient British ghost in Kolkata! Suzanne Kamata adds to the lightness while dwelling on modelling for photographs in the Japanese way. Ravi Shankar plunges into the history of photography while musing on black and white photographs from the past.

Tagore again seeps into non-fiction with Professor Fakrul Alam and Asad Latif telling us what the visionary means to the Bengali psyche. Starting with precursors of Tagore, like Michael Madhusudan Dutt, and post-him, Sarojini Naidu, Mandal has shared an essay on Bengaliness in contemporary poetry written by those born to the culture. Jared Carter has given discussed ‘the lyric temper’ in poetry — a wonderful empathetic recap of what it takes to write poetry. Exploring perspectives of multiple greats, like Yeats, Keats, George Santyana, Fitzgerald, Carter states, “Genuine lyricism comes only after the self has been quieted.”

Sengupta has conversed with a dance choreographer, Sudershan Chakravorty, who has been composing to create an awareness about the dilemmas faced by migrants. An autobiographical narrative in Hindustani from Ilma Khan, translated by Janees, shows the resilience of the human spirit against oppressive social norms. Our fiction has stories from Lakshmi Kannan and Shevlin Sebastian urging us to take a relook at social norms that install biases and hatred, while Paul Mirabile journeys into the realm of fantasy with his strange story about a boy obsessed with pyromania.

We carry excerpts from journalistic books by Jessica Muddit, Once Around the Sun: From Cambodia to Tibet, and by Bhaskar Parichha, Biju Patnaik: The Rainmaker of Opposition Politics.  Parichha has also reviewed for us an interesting book by Akshaya Bahibala, called Bhang Journeys: Stories, Histories, Trips and Travels. Basudhara Roy has explored migrant poetry in Out of Sri Lanka: Tamil, Sinhala and English Poetry from Sri Lanka and its Diasporas, edited by Vidyan Ravinthiran, Seni Seneviratne, Shash Trevett. Meenakshi Malhotra has discussed the volume brought out by Radha Chakravarty on the legendary Mahasweta Devi — Mahasweta Devi: Writer, Activist, Visionary. Meenakshi concludes her review contending:

“It is an ironical reflection on our times that a prolific and much awarded Indian writer– perhaps deserving of the Nobel prize — should be excised from the university syllabus of a central university. This move has, perhaps paradoxically, elicited even more interest in Mahasweta Devi’s work and has also consolidated her reputation as a mascot, a symbol of resistance to state violence. A timely intervention, this volume proves yet again that a great writer, in responding to local, regional, environmental ethical concerns sensitively, transcends his/her immediate context to acquire global and universal significance.”

There is more content than I mention here. Do pause by our current issue to take a look.

I would hugely like to thank the Borderless team for their unceasing support, and especially Sohana Manzoor, also for her fantastic art. Heartfelt thanks to all our wonderful writers and our readers. We exist because you all are — ubuntu.

Hope you have a wonderful month. Here’s wishing you all wonderful new years and festivals in March-April — Easter, Eid and the new years that stretch across Asian cultures.

Looking forward and hoping for peace and goodwill.

Mitali Chakravarty

borderlessjournal.com

.

Click here to access the content page for the April 2024 Issue.

.

READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.