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Conversation

Peregrinations of a Diplomat’s Wife

Ratnottama Sengupta converses with Reba Som

Reba Som

“If Washington goes to Dhaka, there’s a chance that Paris might make it to Stockholm. And of course Moscow would be moved to Geneva!?”

Sounds like gibberish? But this is a piece of the speculative conversation on transfers and postings that is regular in the drawing rooms of embassies and consulates, Dr Reba Som found out on her very first posting after her marriage with Himachal Som.

Both were Presidency graduates pursuing higher careers — he in Foreign Service, she on the threshold of a doctorate. But life as the wife of an ambassador wasn’t only about glamour postings, fancy holidays and brush with celebrities. It was a mixed bag of blessings, as the woman who had grown up in Kolkata with a grounding in Tagore’s music would soon conclude. For, there were the dark clouds of life away from ageing parents and school going children; from the comfort of familiar food and mastered language; from developing your potential and crafting your own identity in the world out there.

In recent years we have read accounts of retired ambassadors and career diplomats’ experiences in diplomatic life. In her memoirs, Hop, Skip and Jump; Peregrinations of a Diplomat’s Wife, Dr Som’s is a woman’s voice, abounding in stories and observations about how the spouses keep a brave front in alien surroundings to hold up the best image of her country. In this conversation, she voices outmore about her encounters with racism, with political emergencies and exigencies. In short, about her lessons in a borderless world of multicoloured humanity.

You went to Brazil (1972), then to Denmark (1974), then Delhi (1976), Pakistan (1978), New York (1981), Dhaka (1984), then Ottawa (1991), Laos (1994), Italy (2002). Please share your gleanings from these lands.

The roller coaster ride was a saga of discovery. Travelling across expanses of the planet earth that we had seen only on the pages of geography books and atlases was a great learning experience. I gained an understanding of diverse cultures, imbibed social customs, became proficient in languages, and was exposed to exotic cuisines. At the same time I faced homesickness. Each posting entailed the challenge of uprooting oneself, finding schools for children, and reinventing oneself every time.

A large part of this life was in the years that had no mobile phones, no video calls, no social media, no internet communication. What did you thrive on?

Continents and hemispheres away from home, the only link with family and friends then was the diplomatic bag. The weekly mail service ferried across oceans by the ministry in Delhi contained letters and parcels from home. We were asked to judiciously use the weight allowed to bring spices, tea, condiments, clothing and other necessities. It became a ritual to write long letters and send them weekly by the diplomatic bag to Delhi from where they would be posted to respective destinations throughout India.

Along with letters would come bundles of magazines and newspapers. These brought us news of home from which we were truly cut off. With no television or internet or phone calls, we were in the dark about all news, be it political, social or entertainment. Every week on the bag day we waited anxiously to receive the newspapers – and the letters, which had instructions, news, recipes, advice, gossip. All of these were crucial for nurturing our souls.

One telegram from my father in 1973 carried the cryptic message: ‘Reba, solitary First class.’ These were the MA results of Calcutta University which were out after a delay of two years.

I was most taken up by the understated humour of some of your encounters in your memoir. Please recount some of them.

On our very first posting, to Brazil, not only our unaccompanied baggage but also our accompanied baggage did not arrive. Eventually when the lost luggage showed up, Himachal’s ceremonial bandhgala[1]was steeped brown — in the colour of the gur[2] my mother had lovingly packed in!

In Brazil, we found the people to be fun loving but too flamboyant. They made tall claims that their institutions were the biggest in the world. But reality often proved the claims to be hollow. Such was the Presidential bid to make the tallest flag pole in the world in Brazil’s new capital, Brasilia. A very tall flag mast was indeed built but the huge flag atop it was torn to shreds since the engineers had not factored in the wind speed at that height. Brazilians mirthfully called it the President’s erection!

And at Denmark. we were surprised by a sudden news of our posting to Mozambique. We had long realised that we were mere players on the chessboard of postings – we could be shunted off across continents at the whims of the powers that be. By the same token, a couple of phone calls by the newly arrived ambassador undid the mischief. We were happy to unpack and settle down again. The only guilt I felt was when I met the owner of Anthony Berg chocolates: I had in no time demolished the entire carton of chocolates he had sent as farewell gift!

You are among the few I know who have mothered in different continents. So how different is it to become a mother away from India?

I always felt that the best way to get to know certain nuances of a country’s cultural tradition was to have babies in them. My elder son, Vishnu was born in Copenhagen and Abhishek, the younger one, in New York — and my experiences each time couldn’t be more different.

In Copenhagen, a social democrat country, hospital visits for full term pregnant women were fixed on a certain day of the week. On the preceding day they had to collect their urine in a jerry can and present it for lab examination. I was confounded and not a little embarrassed to meet other mothers-to-be, swinging their jerry cans like designer bags without fail on the appointed day. I learnt only later that, from the urine examination doctors would note the condition of the placenta and not unnecessarily rush patients into childbirth with caesarean and surgical intervention!

In NY, on the day of my discharge, the hospital staff were highly excited because Elizabeth Taylor had come in for one of her facelifts. I could not forgive them their magnificent obsession when, along with a goodbye hamper, they wheeled in a bassinet with a different baby. On my protestation the nurse rudely shouted, “Can’t you read… the tag says Som Junior?” Shocked by the implication I said, I could not only read but also see! And it was not my child. While everyone was looking on in disbelief another nurse wheeled in my little one. The babies had their diapers changed and were put back in the wrong bassinet.

Years later, we discovered in an informal meeting with an American ambassador that Abhishek was indeed an American citizen. Because, at the time of the child’s birth Himachal was posted not to the embassy in Washington but to the consulate in New York. Only consulate children were given the privilege. This discovery, rechecked by State Department Records, gave our son the US passport. It was a windfall as Abhishek went on to graduate summa cum laude from a prestigious management school in the US and enter Wall Street as an investment banker.

I must also share another truth about birthing away from India. Before Vishnu’s birth, my parents had come to Copenhagen. When I was discharged from the hospital I received their care and being fed Ma’s cuisine was the best gift I could have. So, when phone calls came from hospital, followed by visits enquiring about my state of depression, I was totally confused. I realised how many mothers suffered from postpartum depression in a society bereft of nurturing family care.

How could you master languages as removed as Portuguese from Lao and Italian from Urdu? Is a flair for languages the key to this proficiency or the training imparted before each posting?

 I enjoy learning languages. My stint at learning French at Ramakrishna Mission Golpark stood me in good stead in grasping Portuguese in Brazil, French in Ottawa and Italian in Rome — all Latin languages. But there was also the hazard of mixing up some phrases and words, so similar yet so different! Like Bon Appetit in French and Bueno Appetito in Italian. Or Amor in Portuguese; amore in Italian and amour in French.

Sometimes though, I accidentally learnt how language travels. My mother had packed in many petticoats to match with my saris but without their cord. We went to a store that promised to hold all we need but all my sign language did not bring what I needed. “Phita is obviously not available here,” I told Himachal, preparing to leave. Suddenly the storekeeper perked up. ‘Fita, si senhora!” he said and produced bundles of cord.

In due time I found out that janala, kedara and chabi – Bengali for window, chair and keys – had travelled from India to become janela, cadeira and chavi.

What did Dhaka mean to one raised in West Bengal – per se the Ghoti-Bangal[3]divide, your roots  or the cultural side with Firoza Begum and Nazrul Geeti?

Dhaka was a great posting in so many ways. It was a hop, skip and jump away from my home town Kolkata, with the same language and culture and yet was a foreign posting with foreign allowances!

As you know, there’s a subtle cultural difference in East and West Bengal. Both speak Bengali but in East Bengal, it’s a colloquial rustic dialect while West Bengal speaks its refined cultural form. This formed the infamous ‘Ghoti-Bangal’ divide: Urban Calcuttans looked askance at their country cousins from the East.

The difference extended to the palate. East Bengalis flavoured their dishes with more chillies and West Bengalis, with a pinch of sugar. For the fish loving people, the two iconic symbols are Hilsa and Prawns, for East and West. Emotions soared high in Kolkata when the supporters of the football teams, East Bengal and Mohun Bagan, clashed, after intensely fought matches that spurred deadly arguments and bets.

Given this background, Himachal created a minor storm by announcing to his parents from Chinsurah, Hooghly in West Bengal that he would marry a girl whose parents were from Dhaka and Faridpur in East Bengal.  Ghoti-Bangal feud remained the subject of much friendly banter between Himachal and me until we were posted in Dhaka. There, in a diplomatic turnaround, Himachal played down his Ghoti background to announce that his mother’s family was from Chittagong and he was born in the principal’s bungalow in Daulatpur, Khulna, where his grandfather was posted.

To give a bit of Himachal’s family background: Dr Pramod Kumar Biswas, the first Indian doctorate in Agricultural Sciences from Hokkaido University in Japan, had settled in Dhaka as principal of the Agricultural College. His charming daughter Kana won the heart of Dr Rabindranath Som, a veterinarian who weathered the predictable Ghoti Bangal storm to win her hand in marriage. 

When my parents Jyotsnamay and Manashi Ray visited us, we couldn’t visit Patishwar in Rajshahi district, where my maternal grandfather Atul Sen had worked with Rabindranath Tagore before he was arrested for revolutionary activities with Anushilan Samiti, and exiled to Kutubdia, an isolated island in the Bay of Bengal. As a headmaster, he had given shelter to Jatirindranath Mukherji, popularly known as Bagha Jatin[4].

It was a breezy day when my octogenarian father revisited Faridpur Zilla School. The colonial bungalow had acquired a fresh coat of terracotta paint. Finding his way to the headmaster’s room, he announced with a lump in his throat that history had been rewritten, boundaries redefined and new national identities forged since 1923, the year he had matriculated.

The headmaster, delving through yellowing files, fished out the matriculation results for that year. My father’s face was that of an excited school boy impatient to show off his prowess: “Look at my maths marks! Oh yes, my English scores were a trifle lower than expected because I had a touch of fever, but look at Jasimuddin’s marks in English! Thank God, he passed it.” We looked around in hushed surprise. This isn’t The Jasimuddin, the beloved poet of Bangladesh? “But of course,” my father responded. “Jasim’s weakness in English was my strength!”

Dhaka was also personally fulfilling as my doctoral studies, which I had carried across three continents, found fruition at last! On another front, I met with success in gaining the confidence and blessings of Firoza Begum, the legendary exponent of Nazrul Geeti.

The songs of Kazi Nazrul Islam were a great favourite of my father. He often hummed those made famous by Firoza Begum. Since I had trained in Tagore songs from age five, I never aspired to master the distinctly different style of rendition. A chance encounter with the golden voice revived this desire. Firoza Begum bluntly refused. When I persisted, she wanted to hear me sing a few Tagore songs.

One morning I mounted three flights of steps, harmonium on my driver’s shoulder, to enter her flat with apprehension. At her bidding, I sang four songs of Tagore. She heard me without any comment, then she asked why I hadn’t been singing for Bangladesh television. My relief was palpable! I had passed her test.

Over the next two years, my weekly classes with her extended well beyond the music lessons to serious discussions on life itself and the meaning of religion. What began as a guru-shishya[5]relationship, transcended to deep friendship. She declined any remuneration and dearly wished that I should cut a disc. This wish of hers came true only when Debojyoti Mishra heard me and decided to record my Nazrul-songs for Times Music in 2016.

Food is perhaps the first face of culture. So please share with us some of your culinary adventures. Or should I say ‘fishy’ stories?

Adventures? I could talk about the chapli kebabs in Pakistan, or about putting samosas in Bake Sales. I could tell you about making rasgullas from powder milk. I could even tell you about our gardener in Laos who merrily collected every scorpion and caterpillar that came his way, “for snacks,” he told me. But let me focus on fish.

The very first party I hosted at home in Brazil led me to seek substitutes for Indian ingredients. Fish of course had to be on the menu, mustard fish at that. I had already learnt from the Brazilian ambassador in Delhi that surubim, being boneless, was the most suited for curries. So surubim it was for months until the day I had to go to the fishmongers – and found it was a monster of a whale!

In Pakistan, traversing the arid countryside of Sind, the train would stop at stations where fillets of pala were being shallow fried on large skillets. Savouring its delicate flavour we went into a discussion on the merits of pala versus hilsa. Both have a shiny silver body with thin bones, both swim upstream against current. The taste of hilsa steam-cooked in mustard sauce is a super delight in both Dhaka and Kolkata. There of course the discussions are on the merits of the hilsa from Padma and Ganga respectively.

In Laos I once called the plumber to ease the draining of the bathtub since the pipe had got clogged. He arrived with a live fish in a plastic bag and promptly emptied it into the pipe. It would eat through the slush as it travelled through the pipe, he assured me!

Post retirement, Himachal settled to honing his culinary skills. Cooking, which he had started in Ottawa, became his lasting hobby. He would shop for fish in C R Park or INA Market[6]. He would pore over cookbooks and plot innovative recipes. “Cooking,” he was quoted in Outlook magazine, “is art thought out with palate.” And his piece de resistance was the salmon baked whole.

Which was your most cherished, or striking, brush with celebrities in world history?

At one of the finest dinners in Copenhagen I found myself seated next to a countess. She invited me to visit her since she lived in the neighbourhood. The next day a liveried man arrived to escort us to an imposing manor house. We were welcomed with sherry and we had to select a card from a silver salver with the name of our partner for the dinner. I was escorted by a handsome young man who floored me when we exchanged names. He was the descendent of Count Leo Tolstoy!

Another memorable encounter was with a person straight out of the history books. I was strolling in a forested park outside Copenhagen. I noticed with a shock that I was looking into a glass topped coffin. The aristocratic face inside had an aquiline nose and a goatee that lent a refinement to the visage that still sported a faint smile. The starched lace collar was held in place by a jewelled button that showed impeccable taste. But the elegant hands tapered off to skeletal fingers, and the feet too had become skeletal.

The plaque at the bottom of the coffin informed us that this was James Hepburn, the Earl of Bothwell, with whom Mary, Queen of Scots had fallen in love. It was a fatal attraction since both were married. But soon her husband, Lord Darnley, the father of her son James, the future king of Scotland and England, was mysteriously burnt down in a manor, and Bothwell was granted a divorce. However, their marriage incensed Catholic Europe, so Mary gave herself up to buy the release of Bothwell, who fled to Denmark.

‘Whoever marries your mother is your father’: this dictum defines the acceptance of whatever political dispensation you are forced to live with, at home or abroad. So how did you cope with a turmoil like Emergency or antagonism in Islamabad? 

We had returned to Delhi in the midst of Emergency. We felt some relief to see trains running on time and punctuality being maintained in government offices. Corrupt officers were being hauled up and over-population being addressed. But the atmosphere was sombre and conversations hushed. The deep scar left by the Emergency saw Indira Gandhi being swept out of power the following year.

In Islamabad tension had mounted when I arrived over the imminent execution of Zulfiqar Ali Bhutto[7]. Our residence had become the favourite watering hole for Indian and international journalists who knew Himachal from his Delhi days. Animated discussions over drinks were followed by quick despatches typed out on my rickety typewriter. Unending speculations on the unfolding drama had kept us on tenterhooks. Then one morning in April 1979, the phone rang to say, “It’s done.” [8]

How did Italy change your life?

Italy was easily the best posting of my life in embassies, not only because of its rich history. There I found Italian artists painting inspired by Tagore’s lyrics, and singers like Francesca Cassio singing Alain Danielou’s translations. What made them take it on? The question led me to rediscover Tagore.

My singing of Rabindra Sangeet also found recognition in Rome. My first CD album was released there. I was in many concerts. It was so fulfilling when my translation of Tagore’s lyrics into English found appreciation. Tagore himself believed that his songs were ‘real songs’ with emotions that speak to all people. I began translation in earnest. And that led me to write Rabindranath Tagore: The Singer and his Song (Penguin 2009). The book, with my translation of 50 Tagore songs, was considered very useful to many performing artistes who could understand and represent Tagore better in their art forms.

Please tell us about growing up with Tagore.

Like many girls in Kolkata I began learning Rabindra Sangeet from the age of five. Over the years the songs grew on me. The unique lyrics conveying a gamut of emotions spoke to me when I was far away on postings abroad. I continued my practice of the music through the years and felt vindicated when I got the opportunity to perform to appreciative audiences abroad and back in India.

Why did you work on his songs rather than his poems or stories?

There’s something compelling about Tagore songs. Remember that Gitanjali, which won him the Nobel, was a collection of ‘Song Offerings.’ Songs had given Tagore the strength to ride over the tragedies that had beset his life. They not only helped him express his grief over the deaths and suicides in his family, they were also his mode of expressing his frustration over the political situation that obtained then. And he felt his songs would help others too. “You can forget me but not my songs,” he had written.

Did you ever feel the need to jazz up the songs for Western audiences?

Tagore’s songs are like the Ardhanariswar[9] – the lyrics and the music are inseparable. The copyright restrictions that prevailed after this death did not allow translations. And that was a handicap since his music cannot be appreciated without comprehending his lyrics which are an expression of his creative thoughts.

I would say his songs have near-perfect balance between evocative lyrics, matching melody and rhythmic structure. And the incredible variety of his musical oeuvre touches every emotion felt by any human soul, without jazzing up.

Tagore’s songs are the national anthem of India and Bangladesh, and have also inspired that of Sri Lanka. But will his internationalism hold up with the change of order indicated by the recent developments on the subcontinent?

Tagore was known to be anti-nationalistic. He believed no man-made divisions can keep people segregated. He did not agree with the Western concept of ‘nation,’ he was an internationalist who accepted the ideals of democracy – ‘aamra sabai raja’[10], of gender equality – ‘aami naari, aami mohiyoshi’[11]; indeed, in equality of humans. What he wrote in lucid Bengali suited every mood. Georges Clemenceau, who was the Prime Minister of France for a second time from 1917 to 1920, had turned to Gitanjali when he heard that World War I had broken out. Even today people can relate to what he wrote.

How did all the hop skip and jump shape the feminist within Reba Som?

The wives of Foreign Service officers are often seen as decorative extensions of their spouses. People only saw the glamour we enjoyed on postings abroad, not the heartbreaks and disappointments we battled. Despite their qualifications the wives were not allowed to work abroad. Instead they had to be perfect hostesses: clad in colourful Kanjeevarams they had to prepare mounds of samosas and gulab jamuns.

But there was little recognition, appreciation or compensation by the Ministry of External Affairs of all the hard work and struggle they put in. To settle down in different postings in rapid succession. To host representational parties where they had to conjure Indian delicacies with improvised ingredients. To raise disgruntled children on paltry allowances.

Once, as the Editor of our in-house magazine, I had floated a questionnaire to all the missions abroad asking about the changing perceptions of the Foreign Service wives. That had opened a Pandora’s Box. Eventually in response to our requests the Ministry relaxed service conditions and allowed the wives to work abroad if they had the professional qualifications and received the host country’s permission. This was a veritable coup!

My own act of rebellion was accepting the Directorship of the Tagore Centre ICCR Kolkata (2008-13) after we returned to Delhi on Himachal’s retirement. It became a challenge for me to try and get the Tagore Centre on the cultural map of Kolkata, proving to myself and my disbelieving family in Delhi that it was possible!

[1] Somewhat like a Chinese collared coat

[2] Molasses

[3] Ghoti – People from West Bengal state in India
Bangal – People from Bangladesh

[4] Bagha Jatin or Joyotinadranth Mukherjee (1879-1915) was a famous name in the Indian Independence struggle

[5] Teacher-student

[6] Markets in Delhi

[7] Zulfikar Ali Bhutto(1928-1979) was the fourth president of Pakistan and later he served as the Prime Minister too.

[8] Bhutto was executed on 4th April 1979

[9] Half man half woman

[10] We are all kings

[11] I am a woman, noble and great

Ratnottama Sengupta, formerly Arts Editor of  The Times of India, teaches mass communication and film appreciation, curates film festivals and art exhibitions, and translates and write books. She has been a member of CBFC, served on the National Film Awards jury and has herself won a National Award. 

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A Special Tribute

Blazing across the Darkness: Kazi Nazrul Islam

Why fear destruction? It’s the gateway to creation!
The new will arise and rip through the unlovely.
Hair disheveled and dressed carelessly
Destruction makes its way gleefully.
Confident it can destroy and then build again!
Ring bells of victory!
Ring bells of victory!

-- Prolloyullash (The Frenzy of Destruction) by Nazrul; translated from Bengali by Professor Fakrul Alam

As the world swerves in disarray, Kazi Nazrul Islam, who died the same month as Tagore, leaves behind a treasury of prose and poetry which, if we imbibe into our blood and bones, could perhaps heal dysfunctional constructs made by humans. Given the current situation, one cannot but help recall Nazrul’s lines from his poem, Prolloyullash (The Frenzy of Destruction), hoping for better times. Known as the rebel poet of Bengal, in his poem, Bidrohi (Rebel), he becomes the force that creates the change. His powerful writing and idealism continues to inspire over the decades.

Tagore saw brilliance in him and even wrote a poem for him that Radha Chakravarty has shared in her essay as a tribute on his 48th death anniversary. We also revisit his own inspiring words with translations of his poetry, lyrics and fiction by Professor Alam and Sohana Manzoor, along with the tribute by Chakravarty.

Poetry

Rebel or ‘Bidrohi’ by Nazrul has been translated by Professor Fakrul Alam. Click here to read.

Two Songs of Parting by Nazrul have been translated by Professor Fakrul Alam. Click here to read. 

Prose

The Snakecharmer, Shapuray by Nazrul, has been translated from Bengali by Sohana Manzoor. Click here to read.

The Comet’s Trail: Remembering Kazi Nazrul Islam

Radha Chakravarty pays tribute to the rebel poet of Bengal. Click here to read.

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Contents

Borderless, August 2024

Art by Sohana Manzoor

Editorial

A Sprinkling of Happiness?… Click here to read.

Conversation

A review of and discussion with Rhys Hughes about his ‘Weird Western’, The Sunset Suite. Click here to read.

Translations

Two Songs of Parting by Nazrul have been translated by Professor Fakrul Alam. Click here to read.

The Snakecharmer, Shapuray by Nazrul, has been translated from Bengali by Sohana Manzoor. Click here to read.

Leaving for Barren, Distant Lands by Allah Bashk Buzdar has been translated from Balochi by Fazal Baloch. Click here to read.

Loneliness has been translated from Korean by the poet, Ihlwha Choi. Click here to read.

Tagore’s Olosh Shomoy Dhara Beye (Time Flows at an Indolent Pace) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Michael Burch, Arshi Mortuza, Jason Ryberg, Saranyan BV, Koiko Tsuuda, Jane Hammons, Noopur Vedajna Das, Adeline Lyons, George Freek, Naisha Chawla, John Grey, Lakshmi Chithra, Craig Kirchner, Nia Joseph, Stuart MacFarlane, Sanjay C Kuttan, Nilsa Mariano, G Javaid Rasool, Ryan Quinn Flanagan, Rhys Hughes

Musings/ Slices from Life

Breaking Bread

Snigdha Agrawal has a bovine encounter in a restaurant. Click here to read.

That Box of Colour Pencils

G Venkatesh writes of a happy encounter with two young children. Click here to read.

The Chameleon’s Dance

Chinmayi Goyal muses on the duality of her cultural heritage. Click here to read.

Musings of a Copywriter

In Godman Ventures Pvt. Ltd., Devraj Singh Kalsi looks into a new business venture with a satirical glance. Click here to read.

Notes from Japan

In In Praise of Parasols, Suzanne Kamata takes a light look at this perennial favourite of women in Japan. Click here to read.

Essays

The Comet’s Trail: Remembering Kazi Nazrul Islam

Radha Chakravarty pays tribute to the rebel poet of Bengal. Click here to read.

From Srinagar to Ladakh: A Cyclist’s Diary

Farouk Gulsara travels from Malaysia for a cycling adventure in Kashmir. Click here to read.

Bottled Memories, Inherited Stories

Ranu Bhattacharyya takes us back to Dhaka of the 1930s… and a world where the two Bengals interacted as one with her migration story. Click here to read.

Landslide In Wayanad Is Only The Beginning

Binu Mathew discusses the recent climate disaster in Kerala and contextualises it. Click here to read.

Stories

The Orange Blimp

Joseph Pfister shares a vignette set in the Midwest. Click here to read.

A Queen is Crowned

Farhanaz Rabbani traces the awakening of self worth. Click here to read.

Roberto Mendoza’s Memoirs of Admiral Don Christopher Columbus

Paul Mirabile explores myths around Christopher Columbus in a fictitive setting. Click here to read.

Book Excerpts

An excerpt from Syed Mujtaba Ali’s Shabnam, translated from Bengali by Nazes Afroz. Click here to read.

An excerpt from Maaria Sayed’s From Pashas to Pokemon. Click here to read.

Book Reviews

Somdatta Mandal reviews Upamanyu Chatterjee’s Lorenzo Searches for the Meaning of Life. Click here to read.

Meenakshi Malhotra reviews Shuchi Kapila’s Learning to Remember: Postmemory and the Partition of India. Click here to read.

Rakhi Dalal reviews Namita Gokhale’s Never Never Land. Click here to read.

Bhaskar Parichha reviews Malvika Rajkotia’s Unpartitioned Time: A Daughter’s Story. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

A Sprinkling of Happiness?

A Pop of Happiness by Jeanie Douglas. From Public Domain

Happiness is a many splendored word. For some it is the first ray of sunshine; for another, it could be a clean bill of health; and yet for another, it would be being with one’s loved ones… there is no clear-cut answer to what makes everyone happy. In Harry Potter and the Half Blood Prince (JK Rowling, 2005), a sunshine yellow elixir induces euphoria with the side effects of excessive singing and nose tweaking. This is of course fantasy but translate it to the real world and you will find that happiness does induce a lightness of being, a luminosity within us that makes it easier to tackle harder situations. Playing around with Rowling’s belief systems, even without the potion, an anticipation of happiness or just plain optimism does generate a sense of hope for better times.  Harry tackles his fears and dangers with goodwill, friends and innate optimism. When times are dark with raging wars or climate events that wreck our existence, can one look for a torch to light a sense of hope with the flame of inborn resilience borne of an inner calm, peace or happiness — call it what you will…?

It is hard to gauge the extreme circumstances with which many of us are faced in our current realities, especially when the events spin out of control. In this issue, along with the darker hues that ravage our lives, we have sprinklings of laughter to try to lighten our spirits. In the same vein, externalising our emotions to the point of absurdity that brings a smile to our lips is Rhys Hughes’ The Sunset Suite, a book that survives on tall tales generated by mugs of coffee. In one of the narratives, there is a man who is thrown into a bubbling hot spring, but he survives singing happily because his attacker has also thrown in packs of tea leaves. This man loves tea so much that he does not scald, drown or die but keeps swimming merrily singing a song. While Hughes’ stories are dark, like our times, there is an innate cheer that rings through the whole book… Dare we call it happiness or resilience? Hughes reveals much as he converses about this book, squonks and stranger facts that stretch beyond realism to a fantastical world that has full bearing on our very existence.

Poetry brings in a sprinkling of good cheer not only with a photo poem by Hughes, but also with more in a lighter vein from Ryan Quinn Flanagan, Michael R Burch, Arshi Mortuza, Jason Ryberg and others. Sanjay C Kuttan has given a poem dipped in nostalgic happiness with colourful games that evolved in Malaysia. Koiko Tsuuda, an Estonian, rethinks happiness. George Freek, Stuart MacFarlane and Saranyan BV address mortality. Nilsa Mariano and G Javaid Rasool have given us powerful migrant poetry while John Grey, Craig Kirchner, Jane Hammons, Nia Joseph, Noopur Vedajna Das and Adeline Lyons refer to climate or changes wrought by climate disasters in their verses.

A powerful essay by Binu Mathew on the climate disaster at Wayanad, a place that earlier had been written of as an idyllic getaway, tells us how the land in that region has become more prone to landslides. The one on July 30th this year washed away a whole village! Farouk Gulsara has given a narrative about his cycling adventure through the state of Kashmir with his Malaysian friends and finding support in the hearts of locals, people who would be the first to be hit by any disaster even if they have had no hand in creating the catastrophes that could wreck their lives, the flora and the fauna around them. In the wake of such destructions or in anticipation of such calamities, many migrate to other areas — like Ranu Bhattacharya’s ancestors did a bit before the 1947 Partition violence set in. A younger migrant, Chinmayi Goyal, muses under peaceful circumstances as she explores her own need to adapt to her surroundings. G Venkatesh from Sweden writes of his happy encounter with local children in the playground. And Snigdha Agrawal has written of partaking lunch with a bovine companion – it can be intimidating having a cow munching at the next table, I guess! Devraj Singh Kalsi has given a tongue-in-cheek musing on how he might find footing as a godman. Suzanne Kamata has given a lovely summery piece on parasols, which never went out of fashion in Japan!

Radha Chakravarty, known for her fabulous translations, has written about the writer she translated recently, Nazrul. Her essay includes a poem by Tagore for Nazrul. Professor Fakrul Alam has translated two of Nazrul’s songs of parting and Sohana Manzoor has rendered his stunning story Shapuray (Snake Charmer) into English. Fazal Baloch has brought to us poetry in English from the Sulaimani dialect of Balochi by Allah Bashk Buzdar, and a Korean poem has been self-translated by the poet, Ihlwha Choi. The translations wind up with a poem by Tagore, Olosh Shomoy Dhara Beye (Time Flows at an Indolent Pace), showcasing how the common man’s daily life is more rooted in permanence than evanescent regimes and empires.

Fiction brings us into the realm of the common man and uncommon situations, or funny ones. A tongue-in-cheek story set in the Midwest by Joseph Pfister makes us laugh. Farhanaz Rabbani has given us a beautiful narrative about a girl’s awakening. Paul Mirabile delves into the past using the epistolary technique highlighting darker vignettes from Christopher Columbus’s life. We have book excerpts from Maaria Sayed’s From Pashas to Pokemon and Nazes Afroz’s translation of Syed Mujtaba Ali’s Shabnam with both the extracts and Rabbani’s narratives reflecting the spunk of women, albeit in different timescapes…

Our book reviews feature Meenakshi Malhotra’s perspectives on Shuchi Kapila’s Learning to Remember: Postmemory and the Partition of India and Bhaskar Parichha’s thought provoking piece on Malvika Rajkotia’s autobiographical Unpartitioned Time: A Daughter’s Story. While both these look into narratives around the 1947 Partition of the Indian subcontinent, Rakhi Dalal’s review captures the whimsical and yet thoughtful nuances of Namita Gokhale’s Never Never Land. Somdatta Mandal has written about Upamanyu Chatterjee’s latest novel, Lorenzo Searches for the Meaning of Life, which is in a way a story about a migrant too.

When migrations are out of choice, with multiple options to explore, they take on happier hues. But when it is out of a compulsion created by manmade disasters — both wars and climate change are that — will the affected people remain unscarred, or like Potter, bear the scar only on their forehead and, with Adlerian calm, find happiness and carpe diem?

Do pause by our current issue which has more content than mentioned here as some of it falls outside the ambit of our discussion. This issue would not have been possible without an all-out effort by each of you… even readers. I would like to thank each and every contributor and our loyal readers. The wonderful team at Borderless deserve much appreciation and gratitude, especially Manzoor for her wonderful artwork. I invite you all to savour this August issue with a drizzle of not monsoon or April showers but laughter.

May we all find our paths towards building a resilient world with a bright future.

Good luck and best wishes!

Mitali Chakravarty

borderlessjournal.com

Click here to access the content’s page for the August 2024 Issue.

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Categories
Essay

The Comet’s Trail: Remembering Kazi Nazrul Islam

By Radha Chakravarty    

 

The abiding image of Kazi Nazrul Islam (1899-1976) is that of the “Rebel Poet,” who defines himself as a fiery comet streaking across the firmament, emblazoning in the sky a message of revolutionary change. Unlike Rabindranath Tagore, Nazrul was not born into social and intellectual privilege. He has been described, in fact, as “the ‘other’ of the elite Kolkata bhadralok”.[1] Born in Churulia village in the Bardhaman district of Bengal, Nazrul was the son of the head of a mosque, studied in an Islamic school, and during his youth, joined a Leto group, a travelling band of local performers. When in high school, he was recruited into the British army, and served in Karachi. Even after he returned to Bengal as a young poet who had already acquired fame and repute, he remained something of an outsider to the intellectually sophisticated world of the literati. It was from this position of an outsider that he fashioned his own image as the bidrohi or ‘Rebel poet’ who challenged the structures of the political, social, cultural and literary establishment with the sheer force of his iconoclastic writings.

Though best known as a poet, composer and revolutionary, Nazrul’s oeuvre also includes novels, essays, stories, editorials and journalistic pieces on a remarkable variety of topics. He was also a lyricist and composer, creator of the iconic genre called “Nazrulgeeti”. Nazrul’s brilliant literary career lasted from 1919 to 1942, when illness brought it to a sudden end. During this short span of time, he wrote on an amazing range of subjects, including politics, nationalism, social change, religion, communalism, education, philosophy, nature, love, aesthetics, literature and music. He saw it as his mission to arouse public awareness about pressing issues, and to jolt them out of their complacency and general apathy. Remembering Nazrul on the 48th anniversary of his death, it is daunting to think about his extraordinary legacy, but also a timely moment to reflect upon his significance for our own times.

In his political stance, Nazrul argued passionately in favour of armed struggle for total independence from colonial rule, rejecting the Gandhian path to advocate a freedom won via armed resistance. The trope of violence recurs in his writings. Yet his apparent espousal of the principle of destruction springs from a utopian dream of constructive change. “Reform can be brought about, not through evolution, but through an outright bloody revolution,” he says in the essay ‘World Literature Today’. “We shall transform the world completely, in form and substance, and remake it, from scratch. Through our endeavours, we shall produce new creation, as well as new creators”.[2]

Nazrul’s ideas on education counter the colonial pattern, advocating instead a curriculum that draws on indigenous contexts and models. He feels that the new education policy should emphasise empathy, inclusiveness and heterogeneity, with a special focus on psychological and emotional development. “It is our desire that our system of education should be such that it progressively makes our life-spirit awakened and alive,” he says in ‘A National Education’, adding: “… We would rather produce daredevils than spineless young men.” [3]

Inclusiveness and acceptance of heterogeneities are central to Nazrul’s vision. During his stint as a soldier in Karachi in his young days, he became interested in Marxist thought. The influence of this line of thinking can be felt in his emphasis on economic egalitarianism, and his passionate support of the cause of the downtrodden peasantry, particularly in his journal Langal. Following the 1926 riots in Kolkata, he expresses his anguish at the communal antagonism between Hindus and Muslims, critiquing different forms of orthodoxy in both religions. In the poem ‘Samyabadi (Egalitarian)’ [4], he declares:

I sing the song of equality—
Where all divisions vanish and barriers dissolve,
Where Hindu-Buddhist-Muslim-Christian
merge and become one …

Nazrul was also a supporter of women’s rights. In his poetry, he speaks of equality between men and women. In ‘Nari (Woman)’ he argues: “If man keeps woman captive, then in ages to come, / He will languish in a prison of his own making”.[5]

Not surprisingly, Nazrul’s fearless, unconventional attitude aroused hostility in many quarters. His bold, outspoken magazine Dhumketu enraged the British. The journal was banned, and Nazrul condemned to rigorous imprisonment. At his trial in 1923, he delivered a resounding rejoinder in his speech ‘Rajbandir Jabanbandi (Deposition of a Political Prisoner)’.  He remained a thorn in the flesh for the British administration because of his revolutionary views. Nazrul’s religious views also raised many hackles. He married Ashalata Sengupta, or Pramila, who belonged to the Brahmo Samaj. This antagonised conservative Hindus as well as orthodox Muslims.

Nazrul’s success as a writer, especially Rabindranath Tagore’s appreciation of his work, also caused jealousy among contemporary writers. For Tagore had dedicated his play Basanta to Nazrul, and also sent a telegram to him when he was in prison, exhorting him to give up his hunger strike. In 1922, Tagore had written a poem addressed to Nazrul, which appeared in successive issues of the journal Dhumketu[6]:

Come, O shining comet! Blaze
Across the darkness, with your fiery trail.
Upon the fortress-top of evil days,
Let your victory-pennant sail.
What if the forehead of the night
Bear misfortune’s sinister sign?
Awaken, with your flashing light,
All who lie comatose, supine.

Rabindranath Tagore’s recognition of Nazrul’s talent created a lot of envy in literary circles. In 1926-27, parodies of Nazrul’s poetry started appearing in Shanibarer Chithi, a journal published by the Tagore circle. It came to be rumoured that Tagore had not liked Nazrul’s use of the Persianate word khoon (blood) instead of the Sanskritised word rakta, in his composition ‘Kandari Hushiar’. This gave rise to a controversy that became known as khooner mamla (the bloody affair), which drew a strong reaction from a deeply perturbed Nazrul, in the shape of an essay ‘Boror Piriti Balir Baandh” (A Great Man’s Love is a Sandbank)’, in which he blamed Tagore’s followers for the entire misunderstanding. The situation was resolved through the mediation of friends, and relations between Tagore and Nazrul remained cordial. When Tagore died in 1941, Nazrul broadcast a moving elegy, “Robi-Hara”, on Calcutta Radio.

In some ways, Nazrul was ahead of his time. Not many people know that he was aware of environmental issues and the threat of climate change, pressing problems in our own times. In ‘The Day of Annihilation’, he writes in a prophetic vein, of global warming, dissolving ice-caps and a changing ecology, cautioning his readers that if humans exploit the planet, we will eventually be responsible for the destruction of life on earth.

In Nazrul’s life and writings, we encounter the constant pull of contraries. His consciousness was simultaneously rooted in local culture, and infused with a broad transnational spirit. He felt inspired by movements in other parts of the world, such as the Turkish Revolution, the Irish Revolution and the Russian Revolution. In the essay ‘Bartaman Viswasahitya (World Literature Today)’, we discover his awareness about literary developments across the globe. In his political writings he espouses the path of violence, but he also composes exquisitely tender love songs, devotional songs drawing on both Hindu and Muslim imagery, and songs about the beauty of nature.

Nazrul’s style is a volatile mix of colloquial, idiomatic expressions, formal Bengali, Sanskrit and Persianate vocabulary, a smattering of English, and multiple registers of language. His polyglot sensibility also surfaces in his practice as a translator. He translated Omar Khayyam and Hafez from Persian into Bengali. His translations from Arabic into Bengali include 38 verses of the Qu’ran, part of the Mirasun Nagmat (a treatise on Hindustani classical music) and some poems. He translated Whitman’s ‘O Pioneer’ from English into Bengali. He is also known for his innovative ghazals in Bengali.

In 1942, Nazrul suddenly lost his speech. His illness brought his literary life to an abrupt end. All the same, the impact of his writings continued to be felt. In the Bangladesh Liberation War of 1971, the freedom fighters adopted Nazrul’s music as a source of inspiration. He was later declared the National Poet of Bangladesh. Today, while Nazrul’s poems and songs continue to delight and inspire, the true extent of his achievement remains in shadow. It is time for a comprehensive reappraisal of this much underestimated literary genius, because his writings have so much to offer us in our present world.

[1] The Collected Short Stories of Kazi Nazrul Islam, ed. Syed Manzoorul Islam and Kaustav Chakraborty (Hyderabad: Orient Blackswan, 2024), p. xviii. Bhadralok translates to gentleman

[2] Kazi Nazrul Islam, Selected Essays, translated by Radha Chakravarty (New Delhi: Penguin Random House, 2024), p. 137.

[3]  Kazi Nazrul Islam, Selected Essays, trans. Radha Chakravarty (2024), p. 60.

[4] Translation by Radha Chakravarty

[5] Translation by Radha Chakravarty

[6] The Essential Tagore, ed. Fakrul Alam and Radha Chakravarty. Cambridge, Massachusetts: Harvard University Press, 2011, pp. 115-116; Translation mine.

Radha Chakravarty is a writer, critic, and translator. She has published 23 books, including poetry, translations of major Bengali writers, anthologies of South Asian literature, and critical writings on Tagore, translation and contemporary women’s writing. She was nominated for the Crossword Translation Award 2004.

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Categories
Tagore Translations

Rabindranath’s Paean to Humanity

Olosh Shomoy Dhara Beye (Time Flows at an Indolent Pace) was part of Tagore’s 1941 collection called Arogya (Healing). In the poem, the poet celebrates the lives of common people over empires.

Painting by Sohana Manzoor
TIME FLOWS AT AN INDOLENT PACE

Time flows at an indolent pace.
The mind floats in an empty space.
Into that vast void, images drift.
Over many eons, many have flit
To the distant past.
Arrogant conquerors sped fast.
Pathans rode to satiate their greed.
Then, Mughals wheeled
Victories, whipping dust-storms,
Flying flags for their throngs.
These empires have left no trace
On the vast void at which I gaze.
Through ages, the serene sky
Is with sunset and sunrise dyed.
Now the might of Britons holds sway
Penetrating new pathways
With the power of steam
And vehicles of fiery steel.
With vigour, they spread
Their dominions across the land’s breadth.
I know their regime will also pass.
Their empire will crumble at last.
On the astral plane, despite their strength,
Their army will not leave a single indent.


When I look around the Earth,
An ocean ripples along its girth
Heaving huge waves of humanity
Through myriad paths, in myriad coveys,
Over centuries as their daily needs are met
In life and in death.
Forever, they row,
With their rudders tow,
Work in fields, plant seeds,
Their harvests reap.
They work all the time,
In towns or in wilds.
Empires decline silencing bugles of war.
People forget histories of battles fought.
Stories of glory, angst and gore,
Stay concealed in children’s lore.
They struggle to work hard,
In Punjab, Bombay and Gujarat,
In Bengal, in Kalinga, all over the land,
By the coastline and the riverbank.
These stories of daily life hum
Reverberating like drums;
Joys, sorrows, day and night
Resonate as hymns to our lives.
Empires are ruined to ashes.
Over eons, they toil as masses.

This poem has been translated by Mitali Chakravarty with editorial input by Sohana Manzoor 

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Categories
Stories

A Queen is Crowned

By Farhanaz Rabbani

The grand images of a historic event flashed before her eyes, as 11-year-old Jui, flanked by her sisters, sat still in the dark hall of Gulistan Cinema Hall. There was a great buzz about the new Technicolor documentary on the coronation.

The week before she had heard her elder sisters, Ruby and Shelly trying to convince their mother to let them watch it at Gulistan. For an affluent wealthy Muslim family, allowing girls to watch movies outside was unheard of. But the matriarch of the family, Zubeida, was groomed in a different manner. Born of a renowned family in Munshiganj, she was educated at the Sakhawat Memorial Girl’s High School in the 1920s. Inspired by the values of the Bengali feminist writer and the founder of her school– Begum Rokeya Sakhawat Hossein, Zubeida was an avid reader and extremely aware of the social issues of her times. When she was married at the age of 14, her husband, a renowned physician, encouraged her to read at home.

Zubeida’s sons and daughters grew up reading the latest literary journals and novels written by legendary Bengali writers. Being the third daughter and the fourth among all the siblings, Jui was surrounded by casual conversations of the latest plays in town or the scintillating songs from the All India Radio. Her immediate elder sister Shelly was a huge fan of Dilip Kumar’s songs and was often seen pressing her right ear to the battery driven radio, swaying to the mellifluous melodies of S.D. Burman. But life was not all play in Zubeida’s home.

In the evenings, as soon as everyone completed their Maghrib prayers, the children had to study. Seven children had several different techniques of playing truant during this special time. The eldest son being an avid football player, would often stay away from home playing in tournaments for the Mohammedan team. The next child Ruby looked at life in a more serious manner. She sat on her table with the hurricane lamp illuminating her social studies book. But sometimes, Jui would often see books by Kamini Roy, or Ashutosh Mukherjee or Tagore hidden within the centrefold of the schoolbooks!

Once, their father had just returned from his medical chamber to catch Shelly pressing her right ear to the small battery driven radio intently listening to the latest Dilip Kumar song.

“Ruby’s Maa!” he exclaimed, “These girls will all get married to rickshawallas! All they do, every day, is to waste time. How will they ever pass their exams?”

 While the veteran patriarch was fuming in rage, Ruby’s Maa, Zubeida, appeared to be totally undisturbed by his lamentations. She never worried about the future. With her deep faith in God, she took life one day at a time,

Ruby and Shelly were intently looking at the screen transporting themselves to Westminster Hall amid all the grandeur of the Coronation. The sultry voice of Laurence Olivier wafted through the Cinema Hall of Gulistan as images of a sparkling crown being placed on the elegantly styled head of Queen Elizabeth II mesmerized the audience.

Zubeida, in her usual quiet persuasive way, had convinced her husband to give them permission to watch the famed documentary on the coronation of the new Queen — Elizabeth II. Abu Chacha– their darowan 1 went to great lengths to get 5 rickshaws for the journey from Naya Paltan to Gulistan.

The ladies adorned themselves in their best attires. The older daughters gave special care to apply their homemade surma2 on their eyes. The younger ones were just too excited to have a day out with the ladies of the household. Zubeida wore a beautiful cream coloured saree with a black border, the dark kohl accentuating her dreamy eyes, and she had mouthful of paan that made her lips ruby red. With a splash of attar, the ladies wearing saris got on the rickshaws– all veiled meticulously — so that passersby would not see their faces.

Abu Chacha was relegated with the noble duty of guarding the ladies–perched on a sixth rickshaw keeping track of the ladies at the front. As soon as Zubeida and her daughters reached Gulistan Cinema Hall, Abu Chacha stood on guard at the front of the Hall. He was not interested in the coronation of a foreigner. His life was not affected by the wonders of the colonial rulers. His only loyalty was for Doctor Sahib — who saved his mother from her deathbed. He would dedicate his life to the service of Doctor Sahib’s family.

Jui was silent– perhaps a little overwhelmed by the discipline and formality of the whole affair. She wondered if she would ever break away from the confines of her home and see the world outside. She was always the quiet one. Since she was not as robust as her sisters, she was considered to be docile and shy.  But the 11-year-old girl had a deep-rooted desire for breaking boundaries. The ornate gilded halls of Buckingham Palace flashed throughout the screen. Huge paintings framed in gold and the elegant procession of the Royal Guards clad in red and gold transported the audience to the glamour of the crowning of the new Queen of the United Kingdom. Jui, with her innate curiosity, watched the red canopy covering the Queen as she was anointed with holy oil. She had no idea about the significance of these actions. All she noticed was the splendour of a distant world – where women did not have to travel in covered rickshaws. 

Queen Elizabeth’s calm but firm look seemed to send a message to this little girl thousands of miles away. As she sat on the cushioned seats of Gulistan Cinema, surrounded by her protective sisters, Jui suddenly felt her resolve strengthening. She wanted to know more and see more of the world. She dreamed of visiting the land of the Queen one day. She dreamed of breaking out of the confines of her home one day.

 She would be the queen of her own destiny.

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  1. Security guard ↩︎
  2. Kohl ↩︎

Farhanaz Rabbani loves to chronicle interesting stories and events that happen around her.  She is an avid listener. Contact: fnazrs@gmail.com.

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Categories
Contents

Borderless, July 2024

Art by Sohana Manzoor

Editorial

Seasons out of Time… Click here to read.

Conversation

A brief introduction to Suzanne Kamata’s Cinnamon Beach and a conversation with the author about her latest novel. Click here to read.

Translations

Tagore’s Achhe Dukhu, Achhe Mrityu, (Sorrow Exists, Death Exists) has been translated from Bengali by Fakrul Alam. Click here to read.

Nazrul’s Ghumaite Dao Shranto Robi Re (Let Robi Sleep in Peace) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Amalkanti by Nirendranath Chakraborty has been translated from Bengali by Debali Mookerjea-Leonard. Click here to read.

Speech Matters, a story by Naramsetti Umamaheswararao, has been translated from Telugu by Johnny Takkedasila. Click here to read.

Every Day by Hafeez Rauf has been translated from Balochi by Fazal Baloch. Click here to read.

The Long Journey by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Mrityu or Death by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Jared Carter, Michael Burch, Kirpal Singh, Rakhi Dalal, Stuart MacFarlane, Averi Saha, John Grey, Surbhi Sharma, David Francis, Pramod Rastogi, David Mellor, Saranyan BV, Jim Bellamy, Tasneem Hossain, Thompson Emate, George Freek, Mitra Samal, Lizzie Packer, Shamik Banerjee, Ryan Quinn Flanagan, Rhys Hughes

Musings/ Slices from Life

Stop, Look, Think!

Farouk Gulsara muses with a slice irony at a traffic junction. Click here to read.

Norman Rockwell: Out of the Closet

Wayne F. Burke gives a vignette of the life of the legendary illustrator. Click here to read.

Unveiling the Magic of Mystical Mangroves

Sai Abhinay Penna travels to the second largest mangrove forest in the world. Click here to read.

Glimpses of an Indian Summer

Madhuri Bhattacharya nostalgically captures the nuances of a hot summer. Click here to read.

The Pearl of the Indian Ocean

Ravi Shankar travels to Colombo. Click here to read.

Essays

The Myriad Hues of Tagore by Aruna Chakravarti

Aruna Chakravarti writes on times and the various facets of Tagore. Click here to read.

Picked Clean

Snigdha Agrawal writes of the impact from the loss of green cover in Bangalore. Click here to read.

Fast Food for a Month

Keith Lyons gives an in memoriam about the late documentarian, Morgan Spurlock. Click here to read.

Stories

In the Shadows…

Paul Mirabile gives us a story steeped in art and mental health. Click here to read.

The Last Hyderabadi

Mohul Bhowmick talks of the passage of an era. Click here to read.

Alvin and the Curious Case of Spoilt Milk

Anagha Narasimha gives a light hearted piece about the impact of demonetisation. Click here to read.

Book Excerpts

An excerpt from The Poisoner of Bengal/The Prince and the Poisoner by Dan Morrison. Click here to read.

An excerpt from The Sunset Suite by Rhys Hughes. Click here to read.

Book Reviews

Somdatta Mandal reviews Knife:  Meditations After an Attempted Murder by Salman Rushdie. Click here to read.

Basudhara Roy reviews Wild Women: Seekers, Protagonists and Goddesses in Sacred Indian Poetry by Arundhathi Subramaniam. Click here to read.

Navleen Multani reviews Mapping the Mind, Minding the Map, edited by Basudhara Roy and Jaydeep Sarangi. Click here to read.

Bhaskar Parichha reviews Derek Waller’s The Pundits: British Exploration of Tibet and Central Asia. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Editorial

Seasons Out of Time

...the horror of dark red sky – the gates of hell opened wide so they say that even atheists prayed to save the souls of the dead...

— Lizzie Packer, 'Hot Dry Summers'

The description in ‘Hot Dry Summers’ is not of hell but what is perceived as happening on certain parts of Earth due to global warming or climate change. Forest fires. Nearer the equator, the storms have become harsher with lightning strikes that seem to connect the Earth to the sky. Trees get uprooted as the soil is softened from excessive rain. Sometimes, they fall on passers-by killing or injuring them. There is no rain in some places, forest fires or flooding in others… The highest temperatures touched 55 degrees Celsius this year. Instead of worrying about losing our homes lodged on land masses to the oceans that continue to rise, becoming dark heat absorbers due to loss of white ice cover, we persistently fight wars, egged on by differences highlighting divisive constructs. It feels strange that we are witness to these changes which seem to be apocalyptic to doomsday sayers. Are they right? Our flora, fauna and food will also be impacted by global climate change. How will we survive these? Will we outlive these as a species?

Keeping the myriad nuances of living on this planet in mind, we have writings from more than a dozen countries showcased in this issue, with a few highlighting climate change and wars — especially in poetry. Michael Burch has given us poetry on weather. John Grey has celebrated nature. Other than Lizzie Packer, Mitra Samal has a subtle poem on climate change. Stuart McFarlane and David Mellor bring the disaster of war to our doorstep. Jared Carter, Kirpal Singh, Ryan Quinn Flanagan, Averi Saha, Shamik Banerjee, David Francis, George Freek, Rakhi Dalal and more have reflected on the varied nuances of life. Rhys Hughes has brought in humour and a comment on our perspectives, with his poem ‘Devil’s Bridge to Istanbul’… Can a shortcut be found across continents with the magic of a signboard?

Poetry in our translations’ section travels to Balochistan, from where a Hafeez Rauf translated from Balochi by Fazal Baloch, talks of burning tyres, again conflicts. It takes on a deeper hue as Ihlwha Choi translates his poignant poem from Korean, reflecting on the death of his mother. We have a translation of Tagore’s less popular poem, Mrityu[1], reflecting on the same theme. His reflections on his wife’s death too have been translated by Professor Fakrul Alam who has also shared a song of Nazrul, written and composed on the death of Tagore. Another lesser-known poet but brilliant nonetheless, Nirendranath Chakraborty, has been translated for us by Debali Mookerjea-Leonard. And what a tremendous poem it is when the person called Amalkanti wanted to be sunshine! We have a story too — ‘Speech Matters’ by Naramsetti Umamaheswararao translated by Johny Takkedasila.

Our stories as usual travel around the world — from Holland (by Paul Mirabile) to Hyderabad (by Mohul Bhowmick) and with a quick pause at Bangalore (by Anagha Narasimha). Travels in the real world are part of our non-fiction. Sai Abhinay Penna takes to a the second largest mangrove forest in the world and Ravi Shankar to Colombo. Madhuri Bhattachrya gives us a glimpse of an Indian summer and Snigdha Aggrawal explores the impact of climate change in her part of the world. Farouk Gulsara actually writes his reflections at a traffic junction. And it reads droll…

We have an in memoriam by Keith Lyons on Morgan Spurlock, the documentary maker who ate McDonald fare for a month and then made a film on it. We have two tributes to two legends across time. Wayne F Burke has given a brief piece on the iconic illustrator, Norman Rockwell. And Aruna Chakravarti, the queen of historic fiction who brought the Tagore family alive for us in her two very well researched novels, Jorasanko and Daughters of Jorasanko, has given us a fabulous tribute to Tagore on the not-so common aspects of him.

We have excerpts from another historical novel set in Bengal of Tagore’s time, Dan Morrison’s The Prince and the Poisoner: The Murder that Rocked the British Raj and Hughes’ The Sunset Suite, a set of absurd tall tales that make you smile, squirm or wonder…  Reviews of Salman Rushdie’s Knife: Meditations After an Attempted Murder by Somdatta Mandal and of Arundhathi Subramaniam’s Wild Women: Seekers, Protagonists and Goddesses in Sacred Indian Poetry by Basudhara Roy bring two latest books to our readers. Navleen Multani reflects on Mapping the Mind, Minding the Map, edited by Basudhara Roy and Jaydeep Sarangi. And Bhaskar Parichha tells us about a group of men called Pundits during British Raj, “In the closed files of the government of British India, however, they were given their true designation as spies…” in his review of Derek Waller’s The Pundits: British Exploration of Tibet and Central Asia.

Suzanne Kamata, the novelist who does a column from Japan for us normally, has spoken to us about her new novel, Cinnamon Beach, which overrides multiple manmade constructs. It’s an interesting read from someone who lives her life across multiple cultures and transcends many boundaries.

This is a bumper issue, and it is difficult to convey the vibrant hues of words that colour this edition. Please do pause by our contents page for a more comprehensive look.

This issue would not have been possible without all our fabulous contributors and a wonderful, dedicated team. We are delighted that Rakhi Dalal — who has done many reviews and shares her poetry with us in this issue — has agreed to be a writer-in-residence with us. A huge thanks to all of you, and especially Sohana Manzoor for her artwork. I am truly grateful to our readers for popularising our efforts to put together an online space with free and vibrant reads.

I would like to end with a few lines that gives me hope despite climate change, wars and doomsday predictions.

There’s more to life,
he says to me,
than what you choose to see.

— George Freek, 'The Imponderables'

Enjoy the reads.

Mitali Chakravarty

borderlessjournal.com

[1] Death

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Nazrul Translations

Nazrul’s Lines for Tagore

Ghumaite Dao Shranto Robi Re (Let Robi Sleep in Peace) was written by Nazrul in 1941 for Tagore, when he died. It has been translated from Bengali by Professor Fakrul Alam …

Tagore takes his leave on August 7, 1941. Photo from Public Domain
Let the spent Robi sleep on.
Please, please don’t try to wake him up.
Let not the one who spread light all his life
Be awakened; don’t disturb his sleep.
Let the one who gave light and delighted thousands,
And has now collapsed at mother earth’s bosom,
Be ritually smeared with sandal paste on his forehead;
Don’t redden his face by weeping incessantly!
Even at the risk of straining yourself, stretch out your palms
To accept the power and the strength he has given you.
The departed Sun and Supreme One will enable us to succeed
Let the poet sleep on!
The departed Sun’s glow will still light up our interiors.
So, from within yourself pay him homage every day.
Don’t make him weep by shedding continuous tears!

A recording of the first performance of Nazrul’s lyrics in Bengali

Born in united Bengal, long before the Partition, Kazi Nazrul Islam (1899-1976) was known as the  Bidrohi Kobi, or “rebel poet”. Nazrul is now regarded as the national poet of Bangladesh though he continues a revered name in the Indian subcontinent. In addition to his prose and poetry, Nazrul wrote about 4000 songs.

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Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

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