Categories
Poets, Poetry & Rhys Hughes

Rhysop’s Fables: Noses, Genies, Icebergs & More…

By Rhys Hughes

A SMASHING EXCUSE

A genie lived happily in a green glass bottle until the bottle was accidentally smashed by a meteorite. The genie went on the rampage, getting drunk, taking drugs, starting fires in rubbish tips and stealing food from shops. “I hope you have a good excuse for your deplorable behaviour!” protested the meteorite.

The genie nodded. “Yes I do. I come from a broken home.”

THE HIGHLY QUALIFIED NOSE

An aardvark went for a job interview. “Why do you have apricot jam on your nose?” was the first question.

“It’s a long story,” replied the aardvark.

“Not as long as your nose, I bet!” chuckled the horse who was conducting the interview. Probably he thought he was the first entity to make that joke.

“Look,” said the aardvark reasonably. “I have all the qualities you require in a foreman of a spice factory. I can sniff and retrieve cardamom pods that have rolled under benches; I can sniff and retrieve chillies that have fallen behind jars; I can sniff and retrieve saffron that has—”

“Can you sniff and retrieve this?” cried the horse.

“Huh? Atchoo!!!”

The horse put away the sample of black pepper and pointed at the door with a hoof. “Sorry, I can’t offer you the job. You have a highly qualified nose but when it came to the interview stage you blew it.”

ACTING THE GOAT

A sheep decided to join the theatre. Her first role was to play a goat that got itself stuck at the top of a cliff.

The director told her that she had to convey fear, anguish and despair so convincingly that the people in the audience would believe the scripted predicament was real. But on the play’s opening night, the woolly actress forgot her lines and began laughing.

The director was outraged and rushed onto the stage in full view of the audience. “Start acting the goat!” he cried.

THE WARLORD

A warlord spent all his pocket money on tubes and jars of tomato purée. Because he was a warlord he had very big pockets made from chain mail, so that he could keep maces, knives and hand-axes in them without fear of the sharp spikes and blades making a hole in the fabric and falling out and landing on his foot and injuring it.

Because his pockets were so large, his pocket money was considerable and he was able to purchase enormous amounts of tomato purée. At home he filled ice-trays with the purée and froze them in his freezer until he had many blocks of frozen concentrated tomato pulp. With these blocks, each of which resembled a little brick, he constructed a building at the bottom of the garden. It was a small building with only one room and he used it as storage space for all his garden tools.

A distant relative came to visit him. “What are you doing?” he asked in astonishment, when he saw the tomato purée house, which was beginning to sag in the heat of the sun.

“I’m a warlord,” said the warlord, “and I read in a book of history that in order to be a genuine warlord, one must shed blood. I don’t particularly like blood, so I’m using tomato purée instead. I might shed other kinds of vegetable juices too, if I have the time.”

THE MIDAIR MEETING

Two boomerangs met in midair. They were polite to each other. “How do you do?” said one of them. “Pleased to make your acquaintance!” replied the other. Then there was a brief pause.

“Well, I must be getting back now,” said the first.

“Me too,” added the second.

“I’ve got an idea,” said the first boomerang, who was mischievous and liked to play practical jokes. “Why don’t we swap owners? They’ll never be able to tell the difference. Instead of turning around at this point, you keep going forward and I’ll do the same; and we’ll end up in the hands of new people. That might be a laugh.”

“I’ve got an even better idea,” retorted the second boomerang. “Why don’t we fall in love and get married?”

“I bet that’s what they’re hoping we’ll do! No, I prefer my own idea. I enjoy fooling humans: it’s great fun!”

And so they both continued in a straight line and were caught by hands that hadn’t thrown them. The owners of those hands looked glumly down at the lengths of curved wood and said, “Releasing them into boomerang society hasn’t worked in the way we anticipated. They didn’t meet a mate but changed identity instead. Weird!”

THE EQUATOR’S MISTAKE

The Greenwich Meridian said to the Equator, “Why have you dressed up in that ridiculous outfit? Four paws, a tail, a golden mane and long teeth! I can’t see any good reason for it.”

“I’m expressing what I really am,” came the reply.

“But you’re the Equator! That’s what you really are. I wonder who has been filling your head — not that you have one —with such rubbish? Did you read one of those books again?”

“Yes I did. It was an encyclopaedia. And it told me that the Equator is an ‘imaginary lion that runs around the world’. Now I’m off for my first run of infinity. See you on each lap!”

RHINO COP

A rhinoceros joined the police force. They told him, “First you arrest the criminals and then you charge them.”

He nodded and went off to tackle crime in the big city. He saw a man trying to steal a cabbage in a greengrocer’s and he shouted out that the fellow was under arrest.

“But I was just testing its firmness!” the man replied.

“You’re under arrest anyway,” the rhino said.

“On what charge?” demanded the man.

“On this one!” bellowed the rhino as he charged him.

The cabbage was rescued…

Later, back at the police station, the rhino said, “I had a busy first day at work. I arrested ten criminals and charged all of them, but now there’s no room left on my horn and the blood is trickling into my eyes. Will you remove them for me? Much appreciated!”

POOR VISIBILITY

A gorgon was driving her jaguar through the pouring rain. The jaguar was growling and grumbling because cats don’t like water. “Why don’t you stop at the next settlement and find shelter?” he asked. “If you keep going, you’ll be certain to crash.”

“Crash? Why should I do that?” asked the gorgon.

“Because of the poor visibility!”

“No need for you to worry about that!” answered the gorgon. “I’ve got a set of windscreen vipers on my head.”

THE NEW KNIGHT

“I’ve not seen you at Camelot before,” said Sir Galahad.

“That’s right,” answered the new knight, “I’m just doing a one-off job for King Arthur. He has started using workers who aren’t affiliated with the Round Table. I’m one of those.”

“Oh, I see,” sniffed Sir Galahad. “And you are Sir—?”

“Freelancealot,” came the reply.

ANTIMATTER PASTA

The astronomer removed his eye from the telescope. “I have got some startling news! The sun is going out!”

“Going out? Going out?” came the shocked response. “This is terrible! A catastrophe! You mean to say that…”

“Yes,” replied the astronomer grimly. “It seems that a new restaurant has opened beyond the orbit of Pluto!”

THE FLYING FISH

A shoal of flying fish was swimming through the ocean. Suddenly one of the fish nearest the front shouted, “Our way forward is blocked by a mass of ice! I never expected such a thing!”

“A mass of ice?” cried one of the more experienced members of the shoal. “Oh, I see what you mean…” His name was Lindy and he held the fish record for the longest solo flight.

“Have you seen this before?” asked the first fish.

“Yes, it’s an iceberg,” said Lindy.

“Well, let’s just fly over it! We are flying fish, after all. We can easily re-enter the ocean on the far side.”

“Be careful!” Lindy answered.

“What for? I’ll go first. It will be simple!”

“Not true,” warned Lindy. “You must glide very high when you make the attempt; and so must the fish that follow. Don’t you realise that 10% of an iceberg lies above the water…?”

From Public Domain

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Poetry

Poetry by Rhys Hughes

From Public Domain
ANIMAL TANKAS
(Can You Guess Them?)



A grey mountain moves
Trunk packed, no passport needed
Ears cooling tall trees
Flapping theatre curtains
On the fruit flecked wordly stage


A dart in shadows
Whiskers twitching cello strings
Cake crumbs are quavers
On the stave of his visage
A sunbeam the resined bow


Long nose elegance
Termite dance futility
Twilight adventures
Strong claws a gratuity
On the equator's tightrope


Nut nibbler furtive
Turning his breakfast slowly
Watchful sequined eyes
Centres of spiral galaxies
Bushy tail a semaphore


Cooling the burning
Depths of a green muddy pool
Drowning memories
Leopard bested hours ago
Bear digested yesterday


Down the forest path
Someone dropped a walking stick
A green stick that lives
And moves without needing legs
Faster than a hobbling man


Broad sail on his back
Scaly schooner majestic
Like an arrow shot
From the horizon's bowstring
Over the curve of the world


Drumming on the ground
Building a many arched bridge
Across the sand sea
As it hurries to escape
all possible pickpockets


Emerging from bushes
Ears longer than crescent moons
Feasting on soft grass
Dressed with sweetish evening dews
And dozing on small flowers


Perched on sloping roofs
Of buildings that mimic cliffs
Cuboid cave studded
And shrieking at each other
While the troglodytes study
From Public Domain

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Editorial

Seasons Out of Time

...the horror of dark red sky – the gates of hell opened wide so they say that even atheists prayed to save the souls of the dead...

— Lizzie Packer, 'Hot Dry Summers'

The description in ‘Hot Dry Summers’ is not of hell but what is perceived as happening on certain parts of Earth due to global warming or climate change. Forest fires. Nearer the equator, the storms have become harsher with lightning strikes that seem to connect the Earth to the sky. Trees get uprooted as the soil is softened from excessive rain. Sometimes, they fall on passers-by killing or injuring them. There is no rain in some places, forest fires or flooding in others… The highest temperatures touched 55 degrees Celsius this year. Instead of worrying about losing our homes lodged on land masses to the oceans that continue to rise, becoming dark heat absorbers due to loss of white ice cover, we persistently fight wars, egged on by differences highlighting divisive constructs. It feels strange that we are witness to these changes which seem to be apocalyptic to doomsday sayers. Are they right? Our flora, fauna and food will also be impacted by global climate change. How will we survive these? Will we outlive these as a species?

Keeping the myriad nuances of living on this planet in mind, we have writings from more than a dozen countries showcased in this issue, with a few highlighting climate change and wars — especially in poetry. Michael Burch has given us poetry on weather. John Grey has celebrated nature. Other than Lizzie Packer, Mitra Samal has a subtle poem on climate change. Stuart McFarlane and David Mellor bring the disaster of war to our doorstep. Jared Carter, Kirpal Singh, Ryan Quinn Flanagan, Averi Saha, Shamik Banerjee, David Francis, George Freek, Rakhi Dalal and more have reflected on the varied nuances of life. Rhys Hughes has brought in humour and a comment on our perspectives, with his poem ‘Devil’s Bridge to Istanbul’… Can a shortcut be found across continents with the magic of a signboard?

Poetry in our translations’ section travels to Balochistan, from where a Hafeez Rauf translated from Balochi by Fazal Baloch, talks of burning tyres, again conflicts. It takes on a deeper hue as Ihlwha Choi translates his poignant poem from Korean, reflecting on the death of his mother. We have a translation of Tagore’s less popular poem, Mrityu[1], reflecting on the same theme. His reflections on his wife’s death too have been translated by Professor Fakrul Alam who has also shared a song of Nazrul, written and composed on the death of Tagore. Another lesser-known poet but brilliant nonetheless, Nirendranath Chakraborty, has been translated for us by Debali Mookerjea-Leonard. And what a tremendous poem it is when the person called Amalkanti wanted to be sunshine! We have a story too — ‘Speech Matters’ by Naramsetti Umamaheswararao translated by Johny Takkedasila.

Our stories as usual travel around the world — from Holland (by Paul Mirabile) to Hyderabad (by Mohul Bhowmick) and with a quick pause at Bangalore (by Anagha Narasimha). Travels in the real world are part of our non-fiction. Sai Abhinay Penna takes to a the second largest mangrove forest in the world and Ravi Shankar to Colombo. Madhuri Bhattachrya gives us a glimpse of an Indian summer and Snigdha Aggrawal explores the impact of climate change in her part of the world. Farouk Gulsara actually writes his reflections at a traffic junction. And it reads droll…

We have an in memoriam by Keith Lyons on Morgan Spurlock, the documentary maker who ate McDonald fare for a month and then made a film on it. We have two tributes to two legends across time. Wayne F Burke has given a brief piece on the iconic illustrator, Norman Rockwell. And Aruna Chakravarti, the queen of historic fiction who brought the Tagore family alive for us in her two very well researched novels, Jorasanko and Daughters of Jorasanko, has given us a fabulous tribute to Tagore on the not-so common aspects of him.

We have excerpts from another historical novel set in Bengal of Tagore’s time, Dan Morrison’s The Prince and the Poisoner: The Murder that Rocked the British Raj and Hughes’ The Sunset Suite, a set of absurd tall tales that make you smile, squirm or wonder…  Reviews of Salman Rushdie’s Knife: Meditations After an Attempted Murder by Somdatta Mandal and of Arundhathi Subramaniam’s Wild Women: Seekers, Protagonists and Goddesses in Sacred Indian Poetry by Basudhara Roy bring two latest books to our readers. Navleen Multani reflects on Mapping the Mind, Minding the Map, edited by Basudhara Roy and Jaydeep Sarangi. And Bhaskar Parichha tells us about a group of men called Pundits during British Raj, “In the closed files of the government of British India, however, they were given their true designation as spies…” in his review of Derek Waller’s The Pundits: British Exploration of Tibet and Central Asia.

Suzanne Kamata, the novelist who does a column from Japan for us normally, has spoken to us about her new novel, Cinnamon Beach, which overrides multiple manmade constructs. It’s an interesting read from someone who lives her life across multiple cultures and transcends many boundaries.

This is a bumper issue, and it is difficult to convey the vibrant hues of words that colour this edition. Please do pause by our contents page for a more comprehensive look.

This issue would not have been possible without all our fabulous contributors and a wonderful, dedicated team. We are delighted that Rakhi Dalal — who has done many reviews and shares her poetry with us in this issue — has agreed to be a writer-in-residence with us. A huge thanks to all of you, and especially Sohana Manzoor for her artwork. I am truly grateful to our readers for popularising our efforts to put together an online space with free and vibrant reads.

I would like to end with a few lines that gives me hope despite climate change, wars and doomsday predictions.

There’s more to life,
he says to me,
than what you choose to see.

— George Freek, 'The Imponderables'

Enjoy the reads.

Mitali Chakravarty

borderlessjournal.com

[1] Death

Click here to access the content’s page for the July 2024 Issue.

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