Categories
celebrations

Festivals of Humanity

Festivals are affirmations of joy and love that bind humanity with their sense of hope even in a world torn by violence and climate change. As the end of the year approaches, we invite you to savour flavours of festivals past and, a few, yet to come, before the cycle starts again in the new year. The colours of celebrations are vibrant and varied as shades of nature or the skies.

We have new years spread out over the year, starting with January, moving on to the Chinese New Year around February, the Bengali new year in April to festivals of environment, light, darkness as in Wiccan beliefs, Tagore’s birth, more conventional ones like Deepavali, Eid, Durga Puja and Christmas. People celebrate in different ways and for different reasons. What we have also gathered is not only the joie de vivre but also the sadness people feel when celebrations are muted whether due to the pandemic, wars or for social reasons. In some cases, we indulge in excesses with funny results! And there are of course festivals of humanity … as celebrated by the bauls — the singing mendicants of Bengal — who only recognise the religion of love, compassion and kindness. 

Enjoy our fare! 

Poetry

 Aaji Shubhodine Pitaar Bhabone or On This Auspicious Day, a Brahmo Hymn by Tagore. Click here to read the translation by Mitali Chakravarty.

Potpouri by Isa Kamari familiarises us with Malay-Singaporean traditions that are observed during festivals. Click here to read.

Eid Poems by Afsar Mohammad. Click here to read.

 Ramakanta Rath’s Sri Radha celebrating the love of Radha and Krishna have been translated from Odiya by the late poet himself, have been excerpted from his full length translation. Click here to read.

Bijoya Doushumi, a poem on the last day of Durga Puja, by the famous poet, Michael Madhusudan Dutt, has been translated from Bengali by Ratnottama Sengupta. Click here to read.

Groundhog Day by John Grey. Click here to read. 

Christmas Cheer by Malachi Edwin Vethamani. Click here to read.

Christmas Poems by Rhys Hughes. Click here to read.

Poem on Christ by  Rabindranath Tagore: Verses excerpted from  ‘The Child‘, a poem originally written in English by the poet. Click here to read.

 Purano Sei Diner Kotha or ‘Can old days ever be forgot?’ by Tagore, based on Robert Burn’s lyrics, Auld Lang Syne. Click here to read the translation by Mitali Chakravarty.

Prose


 A Clean StartSuzanne Kamata tells us how the Japanese usher in a new year. Click here to read.

Shanghai in Jakarta: Eshana Sarah Singh takes us to Chinese New Year celebrations in Djakarta. Click here to read.

Cherry Blossom Forecast: Suzanne Kamata brings the Japanese ritual of cherry blossom viewing to our pages with her camera and words. Click here to read.

Pohela Boisakh: A Cultural Fiesta: Sohana Manzoor shares the Bengali New Year celebrations in Bangladesh with interesting history and traditions that mingle beyond the borders. Click here to read.

The New Year’s BoonDevraj Singh gives a glimpse into the projection of a new normal created by God. Click here to read.

A Musical Soiree: Snigdha Agrawal recalls how their family celebrated Tagore’s birth anniversary. Click here to read.

Not Everyone is Invited to a Child’s Haircut Ceremony: Odbayar Dorje muses on Mongolian traditions. Clickhere to read.

A Golden Memory of Green Day in JapanSuzanne Kamata tells us of a festival where she planted a tree in the presence of the Japanese royalty. Click here to read.

An Alien on the Altar! Snigdha Agrawal writes of how a dog and lizard add zest to Janmashtami (Krishna’s birthday) festivities with a dollop of humour. Click here to read

Memories of Durga Puja : Fakrul Alam recalls the festivities of Durga Puja in Dhaka during his childhood. Click here to read.

From Bombay to Kolkata — the Dhaaks of Durga : Ratnottama Sengupta explores a UNESCO Intangible Cultural Heritage Festival. Click here to read.

KL Twin Towers near Kolkata?: Devraj Singh Kalsi visits the colours of a marquee hosting the Durga Puja season with its spirit of inclusivity.  Click here to read.

The Oral Traditions of Bengal: Story and Song: Aruna Chakravarti describes the syncretic culture of Bengal through its folk music and oral traditions. Click here to read.

From Diana to ‘Dayaan’: Rajorshi Patronobis talks of Wiccan lore. Click here to read.

Dim Memories of the Festival of Lights: Farouk Gulsara takes a nostalgic trip to Deepavali celebrations in Malaysia. Click here to read. 

When Nectar Turns Poisonous!: Farouk Gulsara looks at social norms around festive eating. Click here to read.

 Hold the roast turkey please Santa: Celebrating the festive season off-season with Keith Lyons from New Zealand, where summer solstice and Christmas fall around the same time. Click here to read.

 Indian Christmas: Essays, MemoirsHymns, an anthology edited by Jerry Pinto and Madhulika Liddle, has been reviewed by Somdatta Mandal. Click here to read.

 I Went to KeralaRhys Hughes treads a humorous path bringing to us a mixed narrative of Christmas on bicycles . Click here to read.

The Bauls of Bengal: Aruna Chakravarti writes of wandering minstrels called bauls and the impact they had on Tagore. Click here to read.

Categories
Contents

Borderless, August 2025

Art by Sohana Manzoor

Editorial

Storms that Rage… Click here to read.

Translations

Nazrul’s Jonomo, Jonomo Gelo (Generations passed) has been translated from Bengali by Professor Fakrul Alam. Click here to read and listen to a rendition by the famed Feroza Begum.

Ajit Cour‘s short story, Nandu, has been translated from Punjabi by C Christine Fair. Click here to read.

The Scarecrow by Anwar Sahib Khan has been translated from Balochi by Fazal Baloch. Click here to read.

Five poems by Aparna Mohanty have been translated from Odia by Snehprava Das. Click here to read.

Angshuman Kar has translated some of his own Bengali poems to English. Click here to read.

Sunflower, a poem by Ihlwha Choi,  has been translated from Korean by the poet himself. Click here to read.

Tagore’s Shaishabshanda (Childhood’s Dusk) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Ron Pickett, Fakrul Alam, William Miller, Meetu Mishra, Heath Brougher, Laila Brahmbhatt, Luis Cuauhtémoc Berriozábal, Snigdha Agrawal, George Freek, Ashok Suri, Scott Thomas Outlar, Dustin P Brown, Rajorshi Patranabis, Ryan Quinn Flanagan

Poets, Poetry & Rhys Hughes

From the Vale of Glamorgan are two poems on the place where Rhys Hughes grew up. Click here to read.

Musings/Slices from Life

Menaced by a Marine Heatwave

Meredith Stephens writes of how global warming is impacting marine life in South Australia. Click here to read.

The Man from Pulwama

Gowher Bhat introduces us to a common man who is just kind. Click here to read.

More than Words

Jun A. Alindogan writes on his penchant for hardcopy mail. Click here to read.

To Bid or Not to Bid… the Final Goodbye?

Ratnottama Sengupta ponders on Assisted Dying. Click here to read.

Musings of a Copywriter

In Syrupy Woes, Devraj Singh Kalsi looks at syrupy health antidotes with a pinch of humour. Click here to read.

Essays

‘Verify You Are Human’

Farouk Gulsara ponders over the ‘intelligence’ of AI and humans. Click here to read.

Does the First Woman-authored Novel in Bengali Seek Reforms?

Meenakshi Malhotra explores Somdatta Mandal’s translation of Manottama, the first woman-authored Bengali novel published in 1868. Click here to read.

Bhaskar’s Corner

In Bidyut Prabha Devi – The First Feminist Odia Poet, Bhaskar Parichha pays a tribute to the poet. Click here to read.

Stories

The Sixth Man

C. J. Anderson-Wu tells a story around disappearances during Taiwan’s White terror. Click here to read.

I Am Not My Mother

Gigi Baldovino Gosnell gives a story of child abuse set in Philippines where the victim towers with resilience. Click here to read.

The Archiver of Shadows

Hema R explores shadows in her story set in Chennai. Click here to read.

Ali the Dervish

Paul Mirabile weaves the strange adventures of a man who called himself Ali. Click here to read.

The Gift

Naramsetti Umamaheswararao moulds children’s perspectives. Click here to read.

Notes from Japan

In American Wife, Suzanne Kamata gives a short story set set in the Obon festival in Japan. Click here to read.

Conversation

Neeman Sobhan, author of Abiding City: Ruminations from Rome, discusses shuttling between multiple cultures and finding her identity in words. Click here to road.

Book Excerpts

An excerpt from M.A.Aldrich’s From Rasa to Lhasa: The Sacred Center of the Mandala. Click here to read.

An excerpt from Neeman Sobhan’s An Abiding City: Ruminations from Rome. Click here to read.

Book Reviews

Somdatta Mandal reviews Chhimi Tenduf-La’s A Hiding to Nothing. Click here to read it.

Madhuri Kankipati reviews O Jungio’s The Kite of Farewells: Stories from Nagaland. Click here to read.

Bhaskar Parichha reviews Snehaprava Das’s Keep it Secret: Stories. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Storms that Rage

Storm in purple by Arina Tcherem. From Public Domain

If we take a look at our civilisation, there are multiple kinds of storms that threaten to annihilate our way of life and our own existence as we know it. The Earth and the human world face twin threats presented by climate change and wars. While on screen, we watch Gaza and Ukraine being sharded out of life by human-made conflicts over constructs made by our own ‘civilisations’, we also see many of the cities and humankind ravaged by floods, fires, rising sea levels and global warming. Along with that come divides created by economics and technology. Many of these themes reverberate in this month’s issue.

From South Australia, Meredith Stephens writes of marine life dying due to algal growth caused by rising water temperatures in the oceans — impact of global warming. She has even seen a dead dolphin and a variety of fishes swept up on the beach, victims of the toxins that make the ocean unfriendly for current marine life. One wonders how much we will be impacted by such changes! And then there is technology and the chatbot taking over normal human interactions as described by Farouk Gulsara. Is that good for us? If we perhaps stop letting technology take over lives as Gulsara and Jun A. Alindogan have contended, it might help us interact to find indigenous solutions, which could impact the larger framework of our planet. Alindogan has also pointed out the technological divide in Philippines, where some areas get intermittent or no electricity. And that is a truth worldwide — lack of basic resources and this technological divide.

On the affluent side of such divides are moving to a new planet, discussions on immortality — Amortals[1] by Harari’s definition, life and death by euthanasia. Ratnottama Sengupta brings to us a discussion on death by choice — a privilege of the wealthy who pay to die painlessly. The discussion on whether people can afford to live or die by choice lies on the side of the divide where basic needs are not an issue, where homes have not been destroyed by bombs and where starvation is a myth, where climate change is not wrecking villages with cloudbursts.  In Kashmir, we can find a world where many issues exist and violences are a way of life. In the midst of such darkness, a bit of kindness and more human interactions as described by Gower Bhat in ‘The Man from Pulwama’ goes some way in alleviating suffering. Perhaps, we can take a page of the life of such a man. In the middle of all the raging storms, Devraj Singh Kalsi brings in a bit of humour or rather irony with his strange piece on his penchant for syrups, a little island removed from conflicts which seem to rage through this edition though it does raise concerns that affect our well-being.

The focus of our essays pause on women writers too. Meenakshi Malhotra ponders on Manottama (1868), the first woman-authored novel in Bengali translated by Somdatta Mandal whereas Bhaskar Parichha writes on the first feminist Odia poet, Bidyut Prabha Devi.

Parichha has also reviewed a book by another contemporary Odia woman author, Snehaprava Das. The collection of short stories is called Keep it Secret. Madhuri Kankipati has discussed O Jungio’s The Kite of Farewells: Stories from Nagaland and Somdatta Mandal has written about Chhimi Tenduf-La’s A Hiding to Nothing, a novel by a global Tibetan living in Sri Lanka with the narrative between various countries. We have an interview with a global nomad too, Neeman Sobhan, who finds words help her override borders. In her musing on Ostia Antica, a historic seaside outside Rome, Sobhan mentions how the town was abandoned because of the onset of anopheles mosquitos. Will our cities also get impacted in similar ways because of the onset of global ravages induced by climate change? This musing can be found as a book excerpt from Abiding City: Ruminations from Rome, her book on her life as a global nomad. The other book excerpt is by a well-known writer who has also lived far from where he was born, MA Aldrich. His book, From Rasa to Lhasa: The Sacred Center of the Mandala is said to be “A sweeping, magnificent biography—which combines historical research, travel-writing and discussion of religion and everyday culture—Old Lhasa is the most comprehensive account of the fabled city ever written in English.”

With that, we come to our fiction section. This time we truly have stories from around the globe with Suzanne Kamata sending a story set in the Bon festival that’s being celebrated in Japan this week for her column. From there, we move to Taiwan with C. J. Anderson-Wu’s narrative reflecting disappearances during the White Terror (1947-1987), a frightening period for people stretched across almost four decades.  Gigi Gosnell writes of the horrific abuse faced by a young Filipino girl as the mother works as a domestic helper in Dubai. Paul Mirabile gives us a cross-cultural narrative about a British who opts to become a dervish. While Hema R touches on women’s issues from within India, Sahitya Akademi Award Winner, Naramsetti Umamaheshwararao, writes a story about children.

We have a powerful Punjabi story by Ajit Cour translated by C.Christine Fair. Our translations host two contemporary poets who have rendered their own poems to English: Angshuman Kar, from Bengali and Ihlwha Choi, from Korean. Snehaprava Das has brought to us poetry from Odia by Aparna Mohanty. Fazal Baloch has translated ‘The Scarecrow’, a powerful Balochi poem by Anwar Sahib Khan. While Tagore’s Shaishabshandha (Childhood’s Dusk) has been rendered to English, Nazrul’s song questing for hope across ages has been brought to us by Professor Fakrul Alam.

Professor Alam has surprised us with his own poem too this time. In August’s poetry selection, Ron Pickett again addresses issues around climate change as does Meetu Mishra about rising temperatures. We have variety and colour brought in by George Freek, Heath Brougher, Laila Brahmbhatt, Luis Cuauhtémoc Berriozábal, Snigdha Agrawal, William Miller, Ashok Suri, Scott Thomas Outlar, Dustin P Brown, and Ryan Quinn Flanagan. Rajorshi Patranabis weaves Wiccan lore of light and dark, death and life into his delicately poised poetry. Rhys Hughes has also dwelt on life and death in this issue. He has shared poems on Wales, where he grew up— beautiful gentle lines.

 In spring warm rain will crack
the seeds of life: tangled
roots will grow free again.

('Tinkinswood Burial Chamber' by Rhys Hughes)

With such hope growing out of a neolithic burial chamber, maybe there is hope for life to survive despite all the bleakness we see around us. Maybe, with a touch of magic and a sprinkle of realism – our sense of hope, faith and our ability to adapt to changes, we will survive for yet another millennia.

We wind up our content for the August issue with the eternal bait for our species — hope. Huge thanks to the fantastic team at Borderless and to all our wonderful writers. Truly grateful to Sohana Manzoor for her artwork and many thanks to all our wonderful readers for their time…

We wish you all a wonderful reading experience!

Gratefully,

Mitali Chakravarty.

borderlessjournal.com

[1] Homo Deus: A Brief History of Tomorrow (2015) by Yuval Noah Harari

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Click  here to access the contents for the August 2025 Issue

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Humour & Horror

Spooky, Chooky, Gooky

Art by Sohana Manzoor

It’s again that time of the year when we have fun spooking each other with stories of ghosts and haunting. While festivals of light1 and darkness vie with each other for a spot on the same date, observances to pay our respects to our forefathers follow at their heels, some before and some after.

In this selection, we bring to you narratives that could be dark, strange or funny or all of these … a selection of poetry, fiction and non-fiction from around the world. Enjoy the reads!

Poetry

Of Singing Mice, Biscuit Tins & Gym Bikes… by Rhys Hughes. Click here to read.

Human by Manzur Bismil has been translated from Balochi by Fazal Baloch. Click here to read.

In Another Galaxy by Masud Khan has been translated from Bengali by Professor Fakrul Alam. Click here to read.

The Waiting by Stuart MacFarlane. Click here to read.

Walking Gretchums by Saptarshi Bhattacharya. Click here to read.

Bonfire by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Exaltation in D. Minor (I’ll Be Around) by Ryan Quinn Flangan. Click here to read.

It’s Halloween! by Michael Burch. Click here to read.

Prose

From Diana to ‘Dayaan’ : Rajorshi Patronobis talks of Wiccan lore. Click here to read.

The Ghosts of Hogshead: Paul Mirabile wanders into the realm of the supernatural dating back to the Potato Famine of Ireland in the 1800s. Click here to read.

My Christmas Eve “Alone”: Erwin Coomb has a strange encounter at night. Is it real? Click here to read. 

Orang Minyak or The Ghost: A Jessie Michael explores ‘ghosts’ in a Malay village. Click here to read.

The Browless DollsS.Ramakrishnan‘s spooky story, has been translated from Tamil by B Chandramouli. Click hereto read.

 Witches and Crafts: A Spook’s TaleDevraj Singh Kalsi finds a ghostly witch in his library. Click here to read.

In The Chopsy Moggy: Rhys Hughes gives us a strange feline adventure. Click here to read. 

Ghosts, Witches and My New Homeland: Tulip Chowdhury muses on ghosts and spooks in Bangladesh and US. Click here to read.

Nagmati: Prafulla Roy’s long story based on strange folk beliefs has been translated from Bengali as Snake Maiden by Aruna Chakravarti. Click here to read.

From Public Domain

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  1. Deepavali or festival of lights is on October 31st this year along with Kali Puja and Halloween. October 30th is Bhooth Chaturdashi, or Indian Festival of Ghosts while All Saints’ Day and all Souls’ Day are observed at the start of November. Early October hosted Pitri Paksha, observances for apeasing forefathers in India. ↩︎

Categories
Contents

Borderless, October 2024

Art by Sohana Manzoor

Editorial

Where Are Those Happy Days? … Click here to read.

Conversations

In conversation with Malashri Lal with focus on her poetry book, Mandalas of Time. Click here to read.

Keith Lyons speaks to novelist Lya Badgley about her life, books and travels. Click here to read.

Translations

Tagore’s poem on Africa has been translated from Bengali by Debali Mookerjea-Leonard. Click here to read.

Nazrul’s Shukno Patar Nupur Paye (With Ankle Bells of dried leaves) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Veena Verma’s story, Galat Aurat or The Wrong Woman, has been translated from Punjabi by C Christine Fair. Click here to read.

Sharaf Shad’s story, The Melting Snow, has been translated from Balochi by Fazal Baloch. Click here to read.

Tagore’s Andhokaarer Utso Hote (From the Fount of Darkness) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Rhys Hughes, Afsar Mohammad, Fhen M, Luis Cuauhtémoc Berriozábal, Shamik Banerjee, George Freek, Shahin Hossain, Stuart MacFarlane, Matthew James Friday, Udita Banerjee, Jenny Middleton, Alpa Arora, Stephen Philip Druce, Malashri Lal, Michael Burch

Poets, Poetry & Rhys Hughes

In Two Pizza Fantasies, Rhys Hughes recounts myths around the pizza in prose, fiction and poetry, Click here to read.

Musings/Slices from Life

An Alien on the Altar!

Snigdha Agrawal writes of how a dog and lizard add zest to festivities with a dollop of humour. Click here to read.

To Be or Not to Be…

Farouk Gulsara ponders over the nature of humanity. Click here to read.

Memories of my Grandfather

Alpana writes of her interactions with her late grandfather. Click here to read.

From Diana to ‘Dayaan’

Rajorshi Patronobis talks of Wiccan lore. Click here to read.

Musings of a Copywriter

In Libraries and Me, Devraj Singh Kalsi recalls his experiences in school and University in a lighter vein. Click here to read.

Notes from Japan

In Among Ghosts in the Land of a Thousand Hills, Suzanne Kamata travels with a Japanese colleague and students to Rwanda. Click here to read.

Essays

Memories of Durga Puja

Fakrul Alam recalls the festivities of Durga Puja in Dhaka during his childhood. Click here to read.

A Doctor’s Diary: Syncretic Festivities

Ravi Shankar writes of his early life in Kerala where festivals were largely a syncretic event. Click here to read.

Stories

The Return

Paul Mirabile unravels the homecoming of a British monk. Click here to read.

The Mango Thief

Naramsetti Umamaheswara Rao writes a story about peer pressure among children. Click here to read.

Sunset Memories

Saeed Ibrahim writes from near the Arabian Sea. Click here to read.

A Whiff of the Past…

Tanika Rajeswari V gives a haunting story set in Kerala. Click here to read.

Book Excerpts

An excerpt by Ruskin Bond from Let’s Be Best Friends Forever: Beautiful Stories of Friendship. Click here to read.

An excerpt from Lara Gelya’s Camel from Kyzylkum. Click here to read.

Book Reviews

Meenakshi Malhotra reviews Anjum Katyal’s Safdar Hashmi: Towards Theatre for a Democracy. Click here to read.

Somdatta Mandal reviews Ammar Kalia’s A Person Is a Prayer. Click here to read.

Bhaskar Parichha reviews Selected Works of Vyasa Kavi Fakir Mohan Senapati, edited by Monica Das. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Where Are Those Happy Days?

Festivals are like friends.

They bring hope, solace and love to those who believe in them. But, when the structures holding the fiestas in place start to crumble, what do we do then?

Our lives have moved out of wilderness to cities over centuries. Now, we have covered our world with the gloss of technology which our ancestors living in caves would have probably viewed as magic. And yet we violate the dignity of our own kind, war and kill, destroy what we built in the past. The ideological structures seem ineffective in instilling love, peace, compassion or hope in the hearts of the majority. Suddenly, we seem to be caving in to violence that destroys humanity, our own kind, and not meting out justice to those who mutilate, violate or kill. Will there be an end to this bleak phase? Perhaps, as Tagore says in his lyrics[1], “From the fount of darkness emerges light”. Nazrul has gone a step further and stated clearly[2], “Hair dishevelled and dressed carelessly/ Destruction makes its way gleefully. / Confident it can destroy and then build again …Why fear since destruction and creation are part of the same game?”

And yet, destruction hurts humans. It kills. Maims. Reduces to rubble. Can we get back the people whose lives are lost while destruction holds sway? We have lost lives this year in various wars and conflicts. As a tribute to all the young lives lost in Bangladesh this July, we have a poem by Shahin Hossain. Afsar Mohammad has brought in the theme of festivals into poetry tying it to the current events around the world. In keeping with the times, Michael Burch has a sense of mirthlessness in his poems. Colours of emotions and life have been woven into this section by Malashri Lal, Luis Cuauhtémoc Berriozábal, Fhen M, Shamik Banerjee, George Freek, Matthew James Friday, Jenny Middleton and many more. This section in our journal always homes a variety of flavours. Stuart MacFarlane has poems for Wordsworth… and some of it is funny, like Rhys Hughes’ poem based on photographs of amusing signposts. But then life has both sorrows and laughter, and poetry is but a slice of that as are other genres. We do have non-fiction in a lighter vein with Hughes’ story and poem about pizzas. Devraj Singh Kalsi has given a tongue in cheek narrative about his library experiences.

Suzanne Kamata has written for us about her visit to Rwanda. Farouk Gulsara has pondered over humanity’s natural proclivitiesWiccan lore has been discussed by Rajorshi Patranabis. And Snigdha Agrawal has tuned into humour with her rendition of animal antics that overran festivities. Ravi Shankar, on the other hand, has written about the syncretic nature of festivals in Kerala. Professor Fakrul Alam has given a nostalgic recap of Durga Puja during his childhood, a festival recognised as an “Intangible Cultural Heritage of Humanity” by UNESCO, and known for its syncretic traditions where people from all backgrounds, religions and cultures celebrate together.

Festivals have also been taken up in fiction by Tanika Rajeswari V with a ghostly presence hovering over the arrangements. Paul Mirabile has taken us around the world with his story while Saeed Ibrahim writes from his armchair by the Arabian sea. Sahitya Akademi winner for his children’s stories, Naramsetti Umamaheswara Rao, has showcased peer pressure among youngsters in his narrative.  

Two stories have also featured in our translations. Christine C Fair has rendered Veena Verma’s Punjabi story about an illegal immigrant into English. Hinting at climate concerns, Sharaf Shad’s fiction, has been translated from Balochi by Fazal Baloch. Tagore’s powerful poem on Africa has been brought to Anglophone readers by Debali Mookerjea-Leonard as well as his inspiring lyrics, Andhokaarer Utso Hote (From the Fount of Darkness), by our team. Nazrul’s vibrant lyrics, Shukno Patar Nupur Paye (With Ankle Bells of Dried Leaves), has been rendered into English from Bengali by Professor Alam.

Our reviews explore immigrant stories in fiction with Somdatta Mandal reviewing Ammar Kalia’s A Person Is a Prayer. Bhaskar Pariccha has written about Selected Works of Vyasa Kavi Fakir Mohan Senapati, edited by Monica Das. Fakir Mohan is a legendary writer from Odisha. Meenakshi Malhotra has discussed a book on another legend, Safdar Hashmi, one of the greatest names in street theatre in India. The book is by Anjum Katyal and called, Safdar Hashmi: Towards Theatre for a Democracy.

Our book excerpts usher good cheer with a narrative by Ruskin Bond from Let’s Be Best Friends Forever: Beautiful Stories of Friendship. And also hope with a refugee’s story from Ukraine, which travels through deserts, Italy and beyond to US and has a seemingly happier outcome than most, Lara Gelya’s Camel from Kyzylkum. This issue’s conversations take us around the world with Keith Lyons interviewing Lya Badgley, who has crossed continents to live and write. Malashri Lal, the other interviewee, is an academic and writer with sixteen books under her belt. She travels through the world with her poetry in Mandalas of Time.

Huge thanks to the Borderless team for putting this issue together – the last-minute ties – and the art from Sohana Manzoor. Without all this, the edition would look different. Heartfelt thanks to our contributors without whose timely submissions, we would not have a journal. And most of all we thank our readers – we are because you are – thank you for reading our journal.  As all our content, despite being indispensable, could not be mentioned here, do pause by our content’s page for this issue.

We wish you a wonderful month!

Cheers,

Mitali Chakravarty

borderlessjournal.com

[1] Tagore’s Andhokaarer Utso Hote (From the Fount of Darkness)

[2] Nazrul’s Proloyullash translated by Professor Alam as The Frenzy of Destruction

Click here to access the content’s page for the October 2024 Issue.

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Slices from Life

From Diana to Daayan

Rajorshi Patranabis shares the philosophy and lore of Wiccans

What, if I say that 68% of the universe is dark? Well, this is not my statement. This is a scientifically proven fact. What is there inside the darkness? Sceptics will say, let science find it out. The spirituals will say there’s mysticism. A Wiccan will say there’s mystical magic. Magic, as in common parlance is entertainment, in Wiccan philosophy, it’s the basis of existence. Magic can be best explained as something that’s occurs yet cannot be fathomed.

The term, Wicca, came was popularised by Gerald Gardiner with his books. Many said, it was misogynistic. To be fair to him, 1925 was not as open as it is today, as far as societal norms were concerned. It is more accepted today. I, a practicing Wiccan, follow a way that is more open, more aligned to nature, supernature and the supernatural. What I follow was introduced into India by Ma’am Ipsita Roy Chakraverti.

While this movement may well be termed as historically the first ever feminist movement, the pagan practices involved are more than a thousand years old. Ritualistic worshipping of nature is seamlessly integrated into Wiccan practices. The ancient knowledges that had trickled down through generations are put together in the modern Wiccan practices. Wicca is a philosophy, and I detest calling it a religion. Here, we don’t believe, we seek. We use the knowledge to try and to unfathom mysteries that lie within the dark spheres of nature. Albeit, a miniscule bit, but we do delve into that 68% of darkness, once in a while.

From shamanism to voodoo, from the ancient Egyptian ways of healing to the 64 yoginis, this school covers every way by which the human soul and body can be healed. They say the basic apothecary of life is to align oneself to the directions given by nature. Manifestation of the female power of nature (shakti) forms the essence of this philosophy. The mind, the body and the soul form the complete sphere of the universe. Wicca believes that nothing is inanimate and that everything has a consciousness draped in a veil of conscience.

Everything that’s around us has been derived from this planet, and if this planet is living, Mother Earth is living, then, everything that comes out of it is also living. As the Law of Conservation of Energy says, the total energy is constant, it can neither be created, nor be destroyed. Hence, the body might change, the forms change but the energy remains. Energy is eternal. The metamorphic energy inside a human body that has derived its form mostly from the magnetic or the electric energies of this planet is called the soul. The soul thinks and decides with the mind and the body giving them a presence. A purified soul is the spirit and when this spirit raises itself to survive in unison with the nature, we call that person spiritual.

Chakraverti says every strong woman is a witch. The word ‘witch’ comes from the old English word ‘wik’, which means wise. A female spirit is more nuanced, stubborn, flexible and erudite. A witch is that wise woman who takes on her challenges head on. A witch or a wizard work on the same footing of aligning mankind to the deluges of nature to heal the spirit, the mind, which in turn takes care of the body. Historically, a Wiccan considers Joan of Arc, Robin Hood, Noor Jehan as witches / wizards. Witches were killed at a point due to patriarchal fears of powerful women. These women had been portrayed as negative women in many of the kindergarten folklores.

The Greek goddess, Diana, was worshiped by Wiccan by Budapest Wiccans. Did she metamorphose to Dayaan[1], when she travelled east? Dayaans were to be feared, to be killed if possible. We have come a long way, no doubt, but sporadic news of such killings are still rampant.

There are also certain myths about witches, one being, flying on the broom. The broom is symbolic of cleanliness — cleaning a society of the cobwebs of false beliefs and weak minds. Broom becomes synonymous with power. Flight is of the spirit. A potent spirit reaches places in such time that the body can never think of. There are innumerable examples of saints and sages being spotted at two or more places at the same time. Advanced Wicca philosophy is inclusive of the powers of Hatyoga and Tantra.

Wiccans are the worshippers of the mother Goddess Isis of Egypt. She’s the moon Goddess and the wife of Lord Osiris, the lord of the dark world. She’s the quintessential witch, the Goddess of magic, the Goddess of strength. Indian Wiccans are influenced by forms of Shakti known as Kamala and the Bhubaneswari.  The most ancient traces of worship of the raw female power of nature can be found in Kali.  Wiccans are also influenced by the Tibetan Tara and the concept of Dakini (the divine witch).

The basic Wiccan principle of worship is through sound vibrations. Chants take the centre stage. Chants of Buddhism are also regularly practiced as are those of Vodun faith with drumbeats. Healing is practiced with chants, as was a common practice in ancient Egypt. The sound of the singing bowl is potent in helping heal.

They have tools that help focus energies of the Earth. Some sound like falling rain. Then there are stones, as in a crystal, a rose quartz, an obsidian, the lapiz lazuli and so on. But the most important tool is the Athame. This is a blunt long knife that is charged and is used to tap the powers of the nature.

One of the oft asked questions is do Wiccans delve into the ‘other dimension’? Physicists have claimed for long, the existence of a celestial plane. Scientists have even said, that, there is a time difference between the celestial and the terrestrial plane. Dreams are said to be in the celestial plane, and hence, time moves differently in dreams. But in effect all humans would have had a brush with the two worlds through dreams. Wiccans believe the veil between the two worlds becomes very thin in autumn. Thus we have All Soul’s Day, Halloween, Bhoot Chaturdashi (holy night of the ghosts) all around the same time, in the autumn of the Northern hemisphere.

I would like to share a few supernatural experiences that I have had myself. These are all first-hand experiences, and I share them with no intention to influence the readers.

A psychic expedition at the Rabindra Sarovar Lake in Kolkata at around 9.30 am on a November morning revealed a figure in my camera. The lake was the psychiatric hospital for the American Soldiers during the 2nd world war. The spirit communicated with us and what could generally be fathomed was, ‘ 1942, Michael James, Death nail through my heart’.

Another time, I rode in an e-rickshaw with someone who had crossed over 20 years before. The driver was very much in congruence with my story when he said, he takes a ride every other evening. This place is a traditionally haunted village in East Midnapore district of West Bengal, India. And yet again, at one of the famous 5-star hotels in Delhi, I could feel someone removing the sacred thread[2] from my body.

I can go on and on. But when it’s Wicca, it’s the strength of  Isis that needs to be manifested for healing. And as a true Wiccan, I take leave with, Tebua Netr Anset (You’re the Isis, we know).

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[1] Witch in Hindi

[2] A thread worn by Brahmins after they go through an initiation ceremony in their teens.

Rajorshi Patranabis is a poet, critic, reviewer and translator. A Wiccan by philosophy and belief, he is a food consultant by profession with 10 books of poetry and 4 books of translation.

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Contents

Borderless, March 2024

Art by Sohana Manzoor

Editorial

‘If Winter Comes, Can Spring be Far Behind…’ Click here to read.

Translations

Travels of Debendranath Tagore are narratives translated from Bengali by Somdatta Mandal. Click here to read.

The Yellow Flower, a narrative by Haneef Sharif, has been translated by Fazal Baloch from Balochi. Click here to read.

Ye Shao-weng’s poetry ( 1100-1150) has been translated from Mandarin by Rex Tan. Click here to read.

Nazrul’s Amamai Nahi Go Bhalobashleo (Even if you don’t love me) has been translated by Professor Fakrul Alam from Bengali. Click here to read.

Rough Stone by Ihlwha Choi has been translated from Korean to English by the poet himself. Click here to read.

Phalgun or Spring by Rabindranath Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Conversations

A discussion with Radha Chakravarty on her new book, Subliminal, and a brief review of the book. Click here to read.

Jagari Mukherjee interviews Rajorshi Patranabis, discussing his new book, Checklist Anomaly and Wiccan philosophy. Click here to read.

Poetry

Click on the names to read the poems

Rhys Hughes, Alpana, Ron Pickett, Shamik Banerjee, Stuart McFarlean, Baisali Chatterjee Dutt, John Grey, Shahalam Tariq, Jim Murdoch, Kumar Ghimire, Peter Magliocco, Saranyan BV, Rex Tan, Samina Tahreem, Luis Cuauhtémoc Berriozábal

Poets, Poetry & Rhys Hughes

In Lines for Loons, Loonies and Such-like, Rhys Hughes shares a rare treat. Click here to read.

Musings/Slices from Life

The Elusive Utopia?

Farouk Gulsara discusses the ideal of a perfect world. Click here to read.

Serenading Sri Lanka

Mohul Bhowmick backpacks in Sri Lanka with a camera. Click here to read.

Musings of a Copywriter

In A Conversation with God, Devraj Singh Kalsi has a bargaining chip. Click here to read.

Notes from Japan

In Cherry Blossom Forecast, Suzanne Kamata brings the Japanese ritual of cherry blossom viewing to our pages with her camera and words. Click here to read.

Stories

Prison Break

C.J.Anderson-Wu gives a poignant flash fiction. Click here to read.

Terrace

Rakhi Pande relates a strange tale from Goa. Click here to read.

The Temple-going Snake

Devraj Singh Kalsi almost creates a fable but not quite. Click here to read.

Monsoon Arc

K.S. Subramaniam shows the human spirit pitched against the harshness of monsoon storms. Click here to read.

Felipe Jimenez’s Quest of the Unheard

Paul Mirabile travels to Spain of Goya’s times with an imaginary friend who takes after perhaps, Don Quixote? Click here to read.

Essays

Where the Rice is Blue and Dinosaurs Roar…

Ravi Shankar takes us on a tour of a Malaysian town. Click here to read.

Conquering Fears: Bowing to the Mountains 

Keith Lyons tells us of his challenging hike in New Zealand. Click here to read.

Book Excerpts

An excerpt from Out of Sri Lanka: Tamil, Sinhala and English Poetry from Sri Lanka and its Diasporas edited by Vidyan Ravinthiran, Seni Seneviratne and Shash Trevett. Click here to read.

An excerpt from Rajat Chaudhuri’s Spellcasters. Click here to read.

Book Reviews

Somdatta Mandal reviews Ilse Kohler-Rollefson’s Camel Karma: Twenty Years Among India’s Camel Nomads. Click here to read.

Rakhi Dalal reviews Anuradha Kumar’s The Kidnapping of Mark Twain: A Bombay Mystery. Click here to read.

Bhaskar Parichha reviews Mafia Raj: The Rule of Bosses in South Asia by Lucia Michelutti, Ashraf Hoque, Nicolas Martin, David Picherit, Paul Rollier, Clarinda Still. Click here to read.

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Categories
Editorial

‘If Winter Comes, Can Spring be Far Behind…’

Where the mind is without fear

Where the world has not been broken up into fragments

Where the clear stream of reason has not lost its way

Where the mind is led forward by thee
Into ever-widening thought and action…

— ‘Where the Mind is without Fear’ (1910), by Rabindranath Tagore

As we complete the fourth year of our virtual existence in the clouds and across borders, the world has undergone many changes around us, and it’s not only climate change (which is a huge challenge) but much more. We started around the time of the pandemic — in March 2020 — as human interactions moved from face-to-face non-virtual interactions to virtual communication. When the pandemic ended, we had thought humanity would enter a new age where new etiquettes redefining our social norms would make human existence as pandemic proof as possible. But before we could define new norms in the global context, takeovers and conflicts seem to have reft countries, regions and communities apart. Perhaps, this is a time when Borderless Journal can give a voice to all those who want to continue living as part of a single species in this world — where we can rise above our differences to find commonalities that make us human and part of the larger stream of humanity, that has been visualised by visionaries like Tagore or John Lennon — widely different cultural milieus but looking for the same things — humankind living together in harmony and moving towards a world without violence, without hate, without rancour and steeped in goodwill and love.  

Talking of positive values does not make sense in a world that seems to be veering towards darkness… Many say that humankind is intrinsically given to feelings of anger, hate, division, lust, shame and violence. But then we are just as much inclined towards happiness, fun, love, being respectful and peaceful. Otherwise, would we be writing about these? These are inherited values that have also come down to us from our forefathers and some have been evolving towards embalming or healing with resilience, with kindness and with an open mind.  

If you wake up before sunrise, you will notice the sky is really an unredeemable dark. Then, it turns a soft grey till the vibrant colours of the sun paint the horizon and beyond, dousing with not just lively shades but also with a variety of sounds announcing the start of a new day. The darkest hours give way to light. Light is as much a truth as darkness. Both exist. They come in phases in the natural world, and we cannot choose but live with the choices that have been pre-made for us. But there are things we can choose — we can choose to love or hate. We can choose resilience or weakness. We can choose our friends. We can choose our thoughts, our ideas. In Borderless, we have a forum which invites you to choose to be part of a world that has the courage to dream, to imagine. We hope to ignite the torch to carry on this conversation which is probably as old as humanity. We look forward to finding new voices that are willing to move in quest of an impractical world, a utopia, a vision — from which perhaps will emerge systems that will give way to a better future for our progeny.

In the last four years, we are happy to say we have hosted writers from more than forty different nationalities and our readers stretch across almost the whole map of the world. We had our first anthology published less than one and a half years ago, focussing more on writing from established pens. Discussions are afoot to bring out more anthologies in hardcopy with more variety of writers.

In our fourth anniversary issue, we not only host translations by Professor Fakrul Alam of Nazrul, by Somdatta Mandal of Tagore’s father, Debendranath Tagore, but also our first Mandarin translation of a twelfth century Southern Song Dynasty poet, Ye Shao-weng, by Rex Tan, a journalist and writer from Malaysia. From other parts of Asia, Dr Haneef Sharif’s Balochi writing has been rendered into English by Fazal Baloch and Ihlwha Choi has transcreated his own poetry from Korean to English. Tagore’s Phalgun or Spring, describing the current season in Bengal, adds to the variety in our translated oeuvre.

An eminent translator who has brought out her debut poetry book, Radha Chakravarty, has conversed about her poetry and told us among other things, how translating to English varies from writing for oneself. A brief overview of her book, Subliminal, has been provided. Our other interviewee, Rajorshi Patranabis — interviewed by Jagari Mukherjee — has written poetry from a Wiccan perspective — poetry on love — for he is a Wiccan. We have poetry by Luis Cuauhtémoc Berriozábal, Jim Murdoch, Alpana, Baisali Chatterjee Dutt, John Grey, Shahalam Tariq, Saranyan BV, Rex Tan, Ron Pickett with poetry on the season and many more. Humour is brought into poetry with verses woven around a funny sign by Rhys Hughes . His column this month hosts a series of shorter poems — typically in Hughes’ own unique style.

Devraj Singh Kalsi has explored darker shades of humour in his conversation with God while Suzanne Kamata has ushered in the Japanese spring ritual of gazing at cherry blossoms in her column with photographs and narrative. Keith Lyons takes us to the beautiful Fiordlands of New Zealand, Ravi Shankar to Malaysia and Mohul Bhowmick trapezes from place to place in Sri Lanka. Farouk Gulsara has discussed the elusiveness of utopia — an interesting perspective given that we look upto ideals like these in Borderless. I would urge more of you to join this conversation and tell us what you think. We did have Wendy Jones Nakashini start a discussion along these lines in an earlier issue.

We have stories from around the world: C.J.Anderson-Wu from Taiwan, Paul Mirabile from France, Rakhi Pande, Kalsi and K.S. Subramaniam from India. Our book excerpts are from Out of Sri Lanka: Tamil, Sinhala and English Poetry from Sri Lanka and its Diasporas edited by Vidyan Ravinthiran, Seni Seneviratne and Shash Trevett and a Cli-fi book that is making waves, Rajat Chaudhauri’s Spellcasters. Mandal has also reviewed for us Ilse Kohler-Rollefson’s Camel Karma: Twenty Years Among India’s Camel Nomads. Bhaskar Parichha has discussed Mafia Raj: The Rule of Bosses in South Asia by Lucia Michelutti, Ashraf Hoque, Nicolas Martin, David Picherit, Paul Rollier, Clarinda Still — a book written jointly by multiple academics. Rakhi Dalal in her review of Anuradha Kumar’s The Kidnapping of Mark Twain: A Bombay Mystery has compared the novel to an Agatha Christie mystery!

I would want to thank our dedicated team from the bottom of my heart. Without them, we could not have brought out two issues within three weeks for we were late with our February issue. A huge thanks to them for their writing and to Sohana Manzoor for her art too. Thanks to our wonderful reviewers who have been with us for a number of years, to all our mentors and contributors without who this journal could not exist. Huge thanks to all our fabulous loyal readers. Devoid of their patronage these words would dangle meaninglessly and unread. Thank you all.

Wish you a wonderful spring as Borderless Journal starts out on the fifth year of its virtual existence! We hope you will be part of our journey throughout…

Enjoy the reads in this special anniversary issue with more content than highlighted here, and each piece is a wonderful addition to our oeuvre!

Mitali Chakravarty

borderlessjournal.com

Click here to access the content page for the March 2024 Issue.

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