UNCONCEALMENT
Like that water touched by shining
that yields no trace
Beyond itself, undermining
no passing grace
Or moment, still emerging where
no thing can last
Or venture, manifesting there
in ways that cast
Loss into focus – what receives
and realigns,
Where patterns on the water leave
no mark behind.
ULTERIOR
And if such stillness overflows,
it does not fall
Entirely away, but slows,
as when a caul
Deflects the sight from moments lost
to moments still
To come. Invariably the cost
of knowing will
Be paid, yet deep within that stream,
something remains –
A clarity that even dreams
cannot sustain.
'Ulterior' was first published in Better than Starbucks.
Jared Carter’s most recent collection, The Land Itself, is from Monongahela Books in West Virginia. His Darkened Rooms of Summer: New and Selected Poems, with an introduction by Ted Kooser, was published by the University of Nebraska Press in 2014. A recipient of several literary awards and fellowships, Carter is from the state of Indiana in the U.S.
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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL
We did it! … Announcing our first anthology … Monalisa No Longer Smiles… Click here to read.
Conversations
Suchen Christine Lim, an iconic writer from Singapore in conversation about her latest book, Dearest Intimate. Click here to read.
Blazing trails, as well as retracing the footsteps of great explorers, Christopher Winnan, a travel writer, delves into the past, and gazes into the future while conversing with Keith Lyons. Click hereto read.
Saturday Afternoon is a poem by Ihlwha Choi, translated from Korean by the poet himself. Click here to read.
Tagore’s poem, Tomar Shonkho Dhulay Porey (your conch lies in the dust), has been translated from Bengali by Mitali Chakravarty as The Conch Calls. Click here to read.
Basudhara Roy has reviewed Afsar Mohammad’s Evening with a Sufi: Selected Poems, translated from Telugu by Afsar Mohammad and Shamala Gallagher. Click hereto read.
That good things happen despite darkness, despite prognostications of doom, that light glimmers hope if you strive to focus on your strength in hard times is borne true both in fiction and in life. Perhaps, we cannot get back the old ways (but is that what we want?) but new paths emerge. Old gives way to new. And while trying to gather pearls of human excellence — borne not of awards or degrees but of bringing out the best, the kindest, the most loving in human hearts — we managed to create with a team an outstanding anthology. Woven with the writings of old and new — we created a tapestry together that the editor in chief of our publishing house said was “classy, literary, engaging and international”. That one of the oldest and most reputed publishing houses in India with bookshops countrywide took it on was also an unusual event! We are truly grateful to Om Books International, Shantanu Ray Chaudhuri and Jyotsna Mehta along with all our writers and readers who made our anthology a reality, and to Radha Chakravarty and Fakrul Alam for the kind words they bestowed on our effort.
Please greet our first anthology, Monalisa No Longer Smiles, with love and friendship. It could be the perfect Christmas gift in the spirit of the season! And as the blurb says, “it will definitely bring a smile to your face because it is a celebration of the human spirit.”
The anthology is different from our journal in as much as it has a sample of an eclectic collection that has been honed with further editing and has some new features. Most of the writing is from our first year and showcases our ethos, except for Lesya’s poetry and interview. Lesya Bakun from Ukraine is still on the run, looking for a refuge — she cannot return home like you or I can. Her family is scattered across number of countries. Her cousin, who was guarding the factory at Azovstal, was taken prisoner. We included her story in the anthology hoping to create global empathy for refugees as the numbers will increase not only due to war but also due to climate change.
The reason we felt a hardcopy anthology was a good idea was because nothing beats the joy of having a bunch of interesting reads in the warmth of your hands (especially where internet cannot reach or is unavailable). In any case, books with the feel of paper, the rustling whispers which carry voices of leaves can never be replaced as Goutam Ghose had also said in his interview which is now part of our anthology.
And that is why we celebrate more books… this time we feature Singaporean prima donna of literature, Suchen Christine Lim, with her new book Dearest Intimate, a novel that spans more than hundred years including the harrowing Japanese invasion during World War II. She shared sound advice with writers: “Suffering is good for the writer. It will deepen lived experience and expand the heart’s empathy.” And perhaps that is what is echoed through the experiences of the other writer interviewed on our pages by Keith Lyons. This is a writer who not only brought out his own books but was a regular contributor of travel pieces for Frommer’s and National Geographic traveling to unexplored destinations — Christopher Winnan. Another writer Lyon had interviewed recently, Steve Carr, has passed on. We would like to convey our heartfelt condolences to his family and friends.
More translations from Bengali, Balochi and Korean enrich our November edition. Fazal Baloch has translated a story by Haneef Shareef and Rituparna Mukherjee by Shankhadeep Bhattacharya. We have the translation of an inspirational Tagore poem helping us find courage (Shonkho Dhulaye Pore or ‘the conch lies in the dust’). Another such poem by Nazrul has been rendered in English from Bengali by Professor Fakrul Alam. He has also shared an autobiographical musing on how he started translating Tagore’s Gitabitan, which also happens to be his favourite book. More discussion on the literary persona of TS Eliot and the relevance of his hundred year old poem — ‘The Waste Land’ by Dan Meloche adds variety to our essay section.
Evoking the genius of another outstanding artiste, Kishore Kumar, who happened to pen thought provoking dialogues in some films, is Shantanu Ray Chaudhuri’s essay, review of a recent book on the legendary actor-singer and an interview with the authors. Infringing the boundaries of literary with popular culture and art and integrating all forms into a wholistic bundle has been part of our ethos. In that spirit we have a musing by Prithvijeet Sinha on Edvard Munch’s famous painting called Scream. We have non-fiction from Australia spanning Meredith Stephens’s recent brush with Covid, Mike Smith visits a Scottish beach in the footsteps of a novelist, Ravi Shankar has given us a poignant piece for a late friend and Candice Lousia Daquin talks of the existence of bi-racial biases. In contrast, Suzanne Kamata sent a narrative that bridges divides showcasing a German wife of a Japanese scientist that draws us to conclude that biases erode over time to create an acceptance of bi-racial people. Devraj Singh Kalsi brings in humour with his funny narrative about a guitarist. Rhys Hughes writes in a lighter vein on Indian cuisine in his column and spouts more funny poetry bordering on the absurd.
Gathering all of your thoughts in strings of words from all corners of the world, we present to you the bumper November issue of Borderless Journal . Thank you all for sharing your thoughts with us. Thanks to Sohana Manzoor for her fantastic painting and more thanks to the whole Borderless team for seeing this issue through. We would not have been able to do the anthology or these issues without each one of you — writers and readers.
MURMURATION
Nothing that can last, only this
vast enchantment,
This breaking through – the sudden shifts
and turns, torrents
Of light and dark unerringly
expanding, now
Dissolving – stark asymmetry
revealing how
What vanishes returns. These are
the magi, drawn
To ancient practice, journeyed far,
still moving on.
Jared Carter’s most recent collection, The Land Itself, is from Monongahela Books in West Virginia. His Darkened Rooms of Summer: New and Selected Poems, with an introduction by Ted Kooser, was published by the University of Nebraska Press in 2014. A recipient of several literary awards and fellowships, Carter is from the state of Indiana in the U.S.
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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL
Sometimes, after a downpour, there is a rainbow. Though finding a real leprechaun with a pot of gold at the end of the shimmering diaphanous arch seems unlikely, rains inspire another type of treasure — a trove of poetry written around clouds, showers, thunder from across continents. We would like to share with you some of our gatherings from the Borderless treasury, starting with translations of Tagore to modern day poetry — all conversing around seasonal outpourings from the sky in their own way…
Tagore Translations
Monomor Megher Songi (My Friends, The Clouds), a song translated by Professor Fakrul Alam.
My mind keeps company with clouds
And soars with them in all directions.
To the pitter patter pitter patter of sravan showers,
My mind swerves towards infinite space....
Only when it began to rain could I hear it,
in late summer, after they had all risen high
in the saucer magnolia tree – a soft, slow rain
at first, while the light still held in the west.
‘Shoshonee Indians – Fording a River,’ by Alfred Jacob Miller (1810-1874)The Declaration of Independence, July 4, 1776 by John Trumbull (1756-1843)Courtesy: Creative Commons
On the 4th of July, 1776, one of the world’s largest democracies came into being amidst revolution and violence. It grew as a land of immigrants to attract the best talents for many years. While the original inhabitants of the land who survived the exodus of the first generation immigrants were pushed into reserves, majority of the world looked up to the land of plenty in hope of a better life, especially post the two World Wars. Today, while looking forward to a new start in a post pandemic scenario, we present to you poetry that explores different facets of the United States of America.
Configuration by Jared Carter explores American impressionist Glen Cooper Henshaw (1880-1946) through art. Click here to read.
American Dreams, consisting of two poems by Michael R Burch, traces the historic growth of the country. Clickhereto read.
In the Honduran Dusk by Lorraine Caputo, giving voice to the spirit of exploration. Click here to read.
Languages Lost & Found, three poems by Luis Cuauhtémoc Berriozabal, gives voice to modern immigrants. Click here to read.
Waiting, four poems from Suzanne Kamata, give us glimpse of a heinous crime against women that is rampant worldwide, but to break silences helps move towards resolution. Click here to read.
In Conversation withRinki Roy(daughter of legendary director Bimal Roy) about The Oldest Love Story, an anthology on motherhood, edited and curated byjournalist and authors, Rinki Roy and Maithili Rao. Click here to read.
Achingliu Kamei in conversation with Veio Pou, author of Waiting for the Dust to Settle, a novel based on the ongoing conflicts in North-east India. Clickhereto read.
Translations
The Funeral, a satirical skit by Tagore, translated by Somdatta Mandal. Click here to read.
Pie in the Sky is a poem written and translated from Korean by Ihlwha Choi. Click here to read.
Taal Gaachh or The Palmyra Tree, a lilting light poem by Tagore, has been translated from Bengali by Mitali Chakravarty. Click here to read.
Pandies’ Corner
This narrative is written by a youngster from the Nithari village who transcended childhood trauma and deprivation. Dhaani has been written in Hindi and translated to English by Kiran Mishra. Click here to read.
Keith Lyons discovers the import and export of desires in Varanasi, one of the oldest cities in the world, beside one of the most revered rivers. Click here to read.
Notes from Japan
In Marathon Blues, Suzanne Kamata talks of pandemic outcomes in Japan in a lighter tone. Click here to read.
Musings of a Copywriter
In Journey of an Ant, Devraj Singh Kalsi explores life from an insect’s perspective. Click here to read.
Mission Earth
In Tuning in to Nature, Kenny Peavy tells us how to interact with nature. Click here to read.
Yes! It is vacation time, and we are all able to travel at last. Though the pandemic which had closed borders for us seems to be evolving as an endemic, another huge human crisis, a war which cannot be justified in any way, stares us in the face. Loss of lives, homes, towns, cities and threats of global recession follow in the footsteps of refugees wandering into our lives. Lesya Bakun, the Ukrainian refugee whose story we have been following, told me four of her relatives’ homes in Mariupol have been erased out of existence and her extended family has scattered where they found safety as her cousin continues a prisoner of war, captured while defending the iron and steel factory at Azovstal. While majority of the world expresses solidarity with the Ukrainians, another set of refugees remain in shadows. They have completely lost their country in which they had lived from ancient times. I am referring to the Rohingya of Arakan. CNN world states:
“The Rohingya are a stateless Muslim minority in Myanmar’s Rakhine State, thought to number about 1 million people.
“Myanmar does not recognize them as citizens or one of the 135 recognized ethnic groups in the country.”
We are privileged to host a powerful poignant translation by Arifa Ghani Rahman of Shaheen Akhtar’s short story about such a voiceless Rohingya child in a refugee camp. Though this is a fiction inspired by Akhtar’s visits to such shelters, we hope at some point these children will be able to build new lives to create a world free of violence, intolerance, hatred and greed.
One of the questions that springs to one’s mind, watching such atrocities destroy innocent lives is that should one accept bullies and give in to their pressure tactics? Bullies can be found among world leaders as well as perpetrators of decadent societal norms which are often critiqued by satires. Somdatta Mandal has translated one such satirical playlet where social conventions are targeted in a lighter vein by Tagore. In the same spirit, the maestro’s iconic poem about a palmyra tree called Taal Gaachh has been transcreated to bring the joy of innocent wanderings back into the narrative, creating an island of healing thoughts. We continue with our translations of Jibananada Das by Professor Fakrul Alam, a Korean poem by Ihlwha Choi and a magical Balochi folktale by Fazal Baloch. Let us read such translations to connect with varied cultures so that compassion and acceptance of diverse perspectives end horrors like wars, starvation and hunger.
Tagore’s writings translated to English by Mandal in Gleanings of the Road, a collection covering the maestro’s travel to the West, is part one of our book excerpts and highlights Rabindranath’s perspectives on the need to connect with the larger world. The other book excerpt, from Waiting, poetry by Suzanne Kamata, takes up the theme of victimisation, crime and murder. Dwelling on no less horrific narratives, though justified as non-criminal, is a review by Meenakshi Malhotra of Harsh Mander’s Locking down the Poor: The Pandemic and India’s Moral Centre. Gracy Samjetsabam’s assessment of Half-Blood by Pronoti Datta informs about the greyer areas of a whole community in Mumbai. Indrashish Banerjee reviewed Keki Daruwalla’s stories on human relationships anthologised in a collection called Going: Stories of Kinship while Bhaskar Parichha has acquainted us with Deepti Priya Mehrotra’s Her Stories –Indian Women Down the Ages — Thinkers, Workers, Rebels, Queens, a non-fiction that visits inspiring women.
Inspiration can also be drawn from Rinki Roy Bhattacharya’s and Maithili Rao’sThe Oldest Love Story, featuring a medley of men and women writing on the theme of motherhood along with some narratives about their mothers or on the experience of being one. The medley includes well-known names from films and literature like Shabana Azmi, Saeed Mirza, Shashi Deshpande, Nabanita Dev Sen and more. We interviewed Roy Bhattacharya to find out more about this impactful book. Achingliu Kamei, an academic and writer, has conversed with Naga writer, Veio Pou, whose award-winning book, Waiting for the Dust to Settle, was reviewed earlier — a book that gives a glimpse of conflicts in the Northeast of India.
Taking on the theme of conflicts at a personal level, Atreyo Chowdhury’s and Banerjee’s stories create a sense of disquiet as Paul Mirabile’s explores crime, madness and its impact on humans. G Thomas takes a relook at heroism and bravery as a concept. His story set in Kerala shakes our complacency, upending traditional concepts of heroism and bravery just as Candice Louisa Daquin has upended the cult of positivity in her essay. Notes of discord and accord seem to ring through this edition and the undertones of greys spread out towards an exploration of life and death. We have multiple ghost stories this time, even from the Nithari column written by Kiran Mishra, a youngster who got over the trauma of violence in the community and discovered her place as a bilingual writer and educator.
Keith Lyons has got the bug of tongue-in-cheek too as he gives us a piece on his travels in Varanasi that well captures the dichotomies we find in India. Dwelling on social dichotomies also is Ratnottama Sengupta’s powerful tribute to Swatilekha Sengupta, a film and theatre doyenne who brought to life Tagore’s novel, Ghare Baire (Home and the World, 1985). An essay by Mozid Mahmud exploring both the syncretic elements in Tagore’s and Kabir’s works, the medieval poet’s impact on the Nobel laureate and a dispute over Rabindranath’s own translation blends with the tone of greys in this edition.
Travel narratives and photographs by Meredith Stephens sailing the seas in Tasmania and Ravi Shankar trekking on the slopes of the Himalayas to get a view of Mt Everest make for perfect holiday adventures. From Japan, Kamata has given us a narrative set in the pandemic. And environmentalist Kenny Peavy dwells on reconnecting with nature in Mission Earth.
We have a fair deal from across the globe in the June issue. But, as usual, some of the treats in the content have not been mentioned though they are wonderful pieces of writing too. We look forward to your continued support as you delve into our treasure trove of gems from across the oceans. A huge thanks to our fabulous team, to the contributors and readers. I especially want to thank Sohana Manzoor for sharing her lovely artwork and wish you all a wonderful read!
A found poem, consisting of various captions copied verbatim from descriptions of small figurines displayed in the Asian Wing of the Dayton Art Institute, in the state of Ohio, in the United States.
Menuki, sometimes called sword fittings, are matching or complementary pairs of tiny metal sculptures, traditionally secured to the hilt of a samurai sword and thought to improve the grip.
They were hammered from sheets of copper or alloys of silver and gold and were held in position on either side of a sword’s hilt by braids of silk.
— Jared Carter
Antique Japanese sword handle tsuka showing the ornament menuki held in place by the binding ito.
Sword Fittings, 18th-19th century, Edo period.Courtesy: Creative Commons
MENUKI
Each in the form of a cluster of branches and a flowering plum
Each in the form of celestial dragons
Each in the form of a cluster of flowers wrapped around a rolled mat
Each in the form of a crane with spread wings
nestled amidst the upper branches
of an ornamental spreading pine
One in the form of a prancing stag
the other in the form of a stag nuzzling a recumbent doe
One in the form of a cluster of grasses with a crescent moon
the other of grasses with the new moon
Each in the form of Mount Fuji
One in the form of a court noble in military dress
the other in the form of a sage holding a book
Each in the form of a woven basket filled with sprays of flowers
Each in the form of a cluster of eggplants
One in the form of a crane taking flight
the other in the form of a heron
Each in the form of a cluster of peacocks
Each in the form of a crawfish and waterweeds
Each in the form of crickets and wildflowers
Each in the form of two galloping horses
One in the form of a nightingale in flight
the other in the form of the moon
Each in the form of a horse cleaning itself
beside a shallow stream
One in the form of a stalking tiger
the other in the form of a seated tiger
Each in the form of a fisherman walking
with a large wicker basket
Each in the form of a samurai astride a galloping horse
Each in the form of three Chinese sages playing go
Each in the form of a gold pheasant
backed by a cluster of kiku, millet,
wildflowers, and grasses
Each in the form of a fisherman poling a boat
First published in Nexus.
Jared Carter’s most recent collection, The Land Itself, is from Monongahela Books in West Virginia. His Darkened Rooms of Summer: New and Selected Poems, with an introduction by Ted Kooser, was published by the University of Nebraska Press in 2014. A recipient of several literary awards and fellowships, Carter is from the state of Indiana in the U.S.
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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL
Professor Anvita Abbi, a Padma Shri, discusses her experience among the indigenous Andamanese and her new book on them, Voices from the Lost Horizon. Click here to read.
Keith Lyons talks to Jessica Muddittabout her memoir, Our Home in Myanmar, and the current events. Click here to read.
Geetha Ravichnadran explores additions to our vocabulary in a tongue-in-cheek article. Clickhere to read.
Musings of a Copywriter
In When I Almost Became a Professor, Devraj Singh Kalsi gives humour tinged reasons on why he detached himself from being an academician. Click here to read.
Borderless 