Tag: Devraj Singh Kalsi

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Musings of a Copywriter

The Amateur Professional 

By Devraj Singh Kalsi

I am never too confident about those who label themselves ace professionals. Such grandiose claims, often based on degrees or years of experience, deliver substandard outcomes. A professional photographer near my residence ranks high in the list of pseudo-professionals I have known all these years. As the sole proprietor of SN Studio1, his roster of clients comprises the dead, the alive and the half-dead types like me. He offers a long list of services – as evident from the signage emblazoned with his debonair picture for better brand recall.   

The dead queued for the last click are, perhaps, the coolest customers for him, offering the rare luxury of stillness he seeks from those he photographs. Only the dead can satisfy his need for immobility and dollops of patience. The restlessness of those alive and kicking and seeking to expedite the clicking process annoys him. He often behaves like an artist, as if he is engaged in creating a classic portrait instead of taking a photograph, and the conspiratorial world is just not ready to allow his artistic blooms to create many splendored exhibits. Several customers decline the inventive touch he wants to add, admonishing him for being too tardy to freeze the fleeting moment.

His focus is pretty sharp on capturing the nostrils stuffed with cotton balls from a fresh angle, adding to the frame a member of the family touching the feet. No one notices or appreciates the special touch to bring the picture to life. Urged by those carrying the bier to make haste, he hurriedly clicks. The bier bearers set out for their last journey with the dead before the weather gods turn hostile, leaving our photographer friend with instructions to take only the good prints even though he spends the entire roll to immortalise the departed soul. It is reaffirmed beyond a strain of doubt that he shares an amazing chemistry with the dead. It is true the dead emerge the easiest to click, and he is at his best in the presence of the dead. Although the dead cannot get up to thank him for a great job, their survivors often do so by placing further orders for portraits.

He always clicks close-up pictures of the face and those weeping inconsolably and embracing the corpse while including strong, irreverent relatives wearing bright shades on sad occasions to suggest their undying spirit to live. Clicking their sons and daughters reflecting grief is what to him is a prize-winning candid shot that unfortunately escapes attention and admiration. He includes one such picture in his portfolio to remind himself of his professional acumen that remains untapped.   

Some people who started patronising him for passport-size photographs – much before the digital era arrived – often fail to obey his instructions. The make-up he applies makes them look strange. The talcum powder on his dressing unit is of the popular Dreamflower brand, and the brushes and puffs bring him closer to a moody make-up stylist. Under the harsh lights of the camera, beads of sweat appear on the forehead as the inexorable wait makes even the most saintly folks restless. By the time he takes a snap after tilting the head or lifting the chin for the perfect pose, I feel sapped. Like a film photographer with characteristic disdain, he makes bombastic pronouncements but falls short of meeting the expectation pitched high. Most of the passport-size pictures were meant for the dossiers such as identity card, library card, passport, or any other form-filling exercise where affixing a passport-size photo was mandatory.

Many of those who got clicked for matrimonial purposes remained unmarried for a long time. The reason behind the lacklustre response is understood quite late – more than a year. He frames what he considers to be beautiful shots and showcases them on the display board behind his counter. Applying for jobs with such pictures creates a bad impression on recruiters. Once upon a time, getting a chance to be auditioned for a TV serial excited me. I asked him to prepare two classy pictures to be sent for the competition. He made me wear goggles and then applied gel to my hair. I thought it was an audition for a hero’s role but my look impressed the selectors to shortlist me for a villain’s role. When he asked me whether I was chosen for the role a month later, I had nothing much to say. Before I could frame a reply, he sounded confident that the pictures were fabulous for the role of an anti-hero. I said I did not accept the role offered as the terms and conditions were exploitative. I said I was ready to wait for the right opportunity, for a bigger gig though it was not convincing enough as a newcomer is normally desperate to grab whatever comes his way.

I said I would be getting my portfolio made by a leading photographer. But I knew within myself, I would never again venture along this path. Some weeks later, I went to his studio and noticed my pictures pinned on the board. Sensing that I was about to object to this public display, he pacified me by saying some girls took an interest and sought my contact details. Hoping that this news would create a flurry of excitement in my heart, he offered to arrange a meeting with them at the studio. Smelling something fishy, I chose not to show any interest and stayed out of the trap. His offer of help to get me hitched was ditched and he was perhaps pricked beyond imagination that his selfless moves were scuttled in this dry, thankless manner.  

During those days he was scouting for a chance to film a Punjabi wedding for his portfolio. I did what he was expecting from me. I invited him to photograph my wedding. He was roped in with a clear clause mentioning that his photography during the Ladies Sangeet and the Mehndi ceremonies would decide whether he would qualify to cover the marriage and reception. During the Ladies Sangeet function, I sneaked in along with him. He was busy enjoying the performance so much that he forgot to click for half-an-hour. He got poor, dark, hazy, long shots, without any close-ups as he did not have the temerity to go nearer and click. He stayed away from the inner circle for fear of being snubbed. When asked why he did so, he explained timidly that the opportunity to create memories took centre stage and his mind was busy soaking in the gyrations forever. It seemed to be more of his desire to be present during an ostentatious Punjabi wedding for his entertainment than anything else.

The resultant effect was I declared that I would never patronise him for any occasion or event. As his client list thinned with the digital wave setting in, he did try to stage a comeback in a new avatar, by converting the studio into a photographer’s institute where he conducted highly affordable short-term courses and taught amateurs all about professional photography in various categories.

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  


PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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  1. Make-believe name ↩︎
Categories
Contents

Borderless July 2023

Painting by Sohana Manzoor

Editorial

As Imagination Bodies Forth… Click here to read.

Translations

Bankim Chandra Chattopadhyay’s Bangalar Nobbyo Lekhokdiger Proti Nibedon (a request to new writers of Bengali), has been translated from Bengali and introduced by Abdullah-Al-Musayeb. Click here to read.

Poetry on Rain by Masud Khan has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Dancer by Bashir Baidar, has been translated from Balochi by Fazal Baloch. Click here to read.

Motherhood: A Tiny Life inside Me, a poem by Sangita Swechcha, has been translated from Nepali by Hem Bishwakarma. Click here to read.

The Wind and the Door, has been written and translated from Korean by Ihlwha Choi. Click here to read.

Megh or Cloud by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Conversation

In conversation with Afsar Mohammad, a poet, a Sufi and an academic teaching in University of Pennsylvania. Click here to read.

Poetry

Click on the names to read the poems

Afsar Mohammad, Rhys Hughes, Kirpal Singh, Don Webb, Masha Hassan, Vernon Daim, George Freek, Arya KS, Robert Nisbet, Dr Kanwalpreet, John Grey, Nivedita N, Samantha Underhill, Vikas Sehra, Ryan Quinn Falangan, Saranyan BV, Heath Brougher, Carol D’Souza, Michael Burch

Poets, Poetry & Rhys Hughes

In Productivity, Rhys Hughes muses tongue-in-cheek on laziness and its contribution in making a nation more productive. Click here to read.

Musings/ Slices from Life

Should I stay or should I go?

Keith Lyons muses on our attitude towards changes. Click here to read.

Bangal-Ghoti-Bati-Paati or What Anglophilia did to My Palate

Ramona Sen journeys in a lighter vein through her taste buds to uncover part of her identity. Click here to read.

Awesome Arches and Acrophobia

Meredith Stephens takes us for a fabulous treat of Sierra Nevada mountains with her camera and narrative. Click here to read.

Musings of a Copywriter

In The Lost Garden, Devraj Singh Kalsi writes of how his sense of wellbeing mingles with plants. Click here to read.

Notes from Japan

In Better Relations Through Weed-pulling, Suzanne Kamata introduces us to an annual custom in Japan. Click here to read.

Essays

The Story of a Land at War with Itself

Ratnottama Sengupta presents the first hand account of the war in Bosnia-Herzegovina (1992-1995) from a letter from her brother, who was posted there as part of the peace-keeping troops. Click here to read.

‘Wormholes to other Worlds’

Ravi Shankar explores museums in Kuala Lumpur. Click here to read.

Stories

A Troubled Soul

Mahim Hussain explores mental illness. Click here to read.

The Llama Story

Shourjo shares a short fun piece written from a llama’s perspective. Click here to read.

Mister Wilkens

Paul Mirabile gives a strange tale set in Europe of the 1970s. Click here to read.

Book Excerpts

An excerpt from Red Sky Over Kabul: A Memoir of a Father and Son in Afghanistan by Baryalai Popalzai and Kevin McLean. Click here to read.

An excerpt from The Blue Dragonfly – healing through poetry by Veronica Eley. Click here to read.

Book Reviews

Somdatta Mandal reviews The Past is Never Dead: A Novel by Ujjal Dosanjh. Click here to read.

KPP Nambiar reviews The Stolen Necklace: A Small Crime in a Small Town by Shevlin Sebastian and VK Thajudheen. Click here to read.

Rakhi Dalal reviews Drop of the Last Cloud by Sangeetha G. Click here to read.

Bhaskar Parichha reviews Burning Pyres, Mass Graves and A State That Failed Its People : India’s Covid Tragedy by Harsh Mander. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Editorial

As Imagination Bodies Forth…

Painting by Sybil Pretious
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name

 A Midsummer Night's Dream (1595) by William Shakespeare

Famous lines by Shakespeare that reflect on one of the most unique qualities in not only poets — as he states — but also in all humans, imagination, which helps us create our own constructs, build walls, draw boundaries as well as create wonderful paintings, invent planes, fly to the moon and write beautiful poetry. I wonder if animals or plants have the same ability? Then, there are some who, react to the impact of imagined constructs that hurt humanity. They write fabulous poetry or lyrics protesting war as well as dream of a world without war. Could we in times such as these imagine a world at peace, and — even more unusually — filled with consideration, kindness, love and brotherhood as suggested by Lennon’s lyrics in ‘Imagine’ – “Imagine all the people/ Livin’ life in peace…”. These are ideas that have been wafting in the world since times immemorial. And yet, they seem to be drifting in a breeze that caresses but continues to elude our grasp.

Under such circumstances, what can be more alluring than reflective Sufi poetry by an empathetic soul. Featuring an interview and poetry by such a poet, Afsar Mohammad, we bring to you his journey from a “small rural setting” in Telangana to University of Pennsylvania, where he teaches South Asian Studies. He is bilingual and has brought out many books, including one with his translated poetry. Translations this time start with Bankim Chandra Chattopadhyay’s advice to new writers in Bengali, introduced and brought to us by Abdullah-Al-Musayeb. Tagore’s seasonal poem, ‘Megh or Cloud’, has been transcreated to harmonise with the onset of monsoons. However, this year with the El Nino and as the impact of climate change sets in, the monsoons have turned awry and are flooding the world. At a spiritual plane, the maestro’s lines in this poem do reflect on the transience of nature (and life). Professor Fakrul Alam’s translation of Masud Khan’s heartfelt poetry on rain brings to the fore the discontent of the age while conveying the migrant’s dilemma of being divided between two lands. Fazal Baloch has brought us a powerful Balochi poet from the 1960s in translation, Bashir Baidar. His poetry cries out with compassion yet overpowers with its brutality. Sangita Swechcha’s Nepali poem celebrating a girl child has been translated by Hem Bishwakarma while Ihlwha Choi has brought his own Korean poem to readers in English.

An imagined but divided world has been explored by Michael Burch with his powerful poetry. Heath Brougher has shared with us lines that discomfit, convey with vehemence and is deeply reflective of the world we live in. Masha Hassan is a voice that dwells on such an imagined divide that ripped many parts of the world — division that history dubs as the Partition. Don Webb upends Heraclitus’s wisdom: “War is the Father of All, / War is the King of All.” War, as we all know, is entirely a human-made construct and destroys humanity and one cannot but agree with Webb’s conclusion.  We have more from Kirpal Singh, Ryan Quinn Flanagan, Nivedita N, John Grey, Carol D’Souza, Vernon Daim, George Freek, Saranyan BV, Samantha Underhill and among the many others, of course Rhys Hughes, who has given us poetry with a unique alphabetical rhyme scheme invented by him and it’s funny too… much like his perceptions on ‘Productivity’, where laziness accounts for an increase in output!

Keith Lyons has mused on attitudes too, though with a more candid outlook as has Devraj Singh Kalsi with a touch of nostalgia. Ramona Sen has brought in humour to the non-fiction section with her tasteful palate. Meredith Stephens takes us on a picturesque adventure to Sierra Nevada Mountains with her camera and narrative while Ravi Shankar journeys through museums in Kuala Lumpur. We travel to Japan with Suzanne Kamata and, through fiction, to different parts of the Earth as the narratives hail from Bangladesh, France and Singapore.

Ratnottama Sengupta takes us back to how imagined differences can rip humanity by sharing a letter from her brother stationed in Bosnia during the war that broke Yugoslavia (1992-1995). He writes: “It is hard to be surrounded by so much tragedy and not be repulsed by war and the people who lead nations into them.” This tone flows into our book excerpts section with Red Sky Over Kabul: A Memoir of a Father and Son in Afghanistan by Baryalai Popalzai and Kevin McLean. Popalzai was affected by the Russian invasion of Afghanistan in 1980 and had to flee. A different kind of battle can be found in the other excerpt from The Blue Dragonfly – healing through poetry by Veronica Eley – a spiritual battle to heal from experiences that break.

In our reviews section, KPP Nambiar reviews The Stolen Necklace: A Small Crime in a Small Town by Shevlin Sebastian and VK Thajudheen, a book that retells a true story. Sangeetha G’s novel, Drop of the Last Cloud, we are told by Rakhi Dalal, explores the matrilineal heritage of Kerala, that changed to patriarchal over time. Bhaskar Parichha reviews Burning Pyres, Mass Graves and A State That Failed Its People: India’s Covid Tragedy by Harsh Mander. Parichha emphasises the need never to forget the past: “It is a powerful book and sometimes it is even shattering. The narrative is a live remembrance of a national tragedy that too many of us wish to forget when we should, instead, etch it in our minds so that we can prevent another national tragedy like this one from recurring in the future.”  While we need to learn from the past as Parichha suggests, Somdatta Mandal has given a review that makes us want to read Ujjal Dosanjh’s book, The Past is Never Dead: A Novel. She concludes that it “pays tribute to the courage and tenacity of the human spirit and its capacity for hope despite all odds.”

We have more content than mentioned here… all of it enhances the texture of our journal. Do pause by our July issue to savour all the writings. Huge thanks to all our contributors, artists, all our readers and our wonderful team. Without each one of you, this edition would not have been what it is.

Thank you all.

Have a wonderful month!

Mitali Chakravarty

borderlessjournal.com

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Visit the July edition’s content page by clicking here

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Categories
Musings of a Copywriter

The Lost Garden 

By Devraj Singh Kalsi

Courtesy: Creative Commons

A balcony teeming with plants showcases the best efforts put in by flat owners to keep alive their connection with nature. Unlike those living in sprawling houses with plenty of open space to make a garden, flat residents have to live with a space crunch that makes them think of buying space-saving furniture all the time. It does not really matter whether the densely potted varieties in the balcony supply oxygen for an hour or not. The plants merely convey that the inmates carry a genuine love for nature, but the constraints of space in the cities prevent them from creating a full-fledged garden.

The other vital truth is that the miniature garden helps them assuage the guilt of causing environmental damage before the World Environment Day posters deliver ‘Save the Planet’ message every year. The air conditioner jutting out of the window next to the balcony garden proves they are equally culpable for impacting the planet’s health. But every inch of the balcony dotted with plants is the best frame that provides the opportunity to post candid pictures on social media and gather hundreds of likes for having green fingers despite the CFC generated by most air conditioners.  

In my ancestral home, I used to observe my father turn the soil every morning. As he worked with his garden tools, I took an interest in his hobby, thinking I would inherit his passion for the same. He created small beds, raised mounds of soil around tender plants to offer better support and strength, and watered them with a sprinkler with patience, making sure they were not too wet.

With the onset of winter, the saplings would be ready to deliver iridescent blooms and surprise us with their vibrant beauty. Pansies, dahlias, zinnias, carnations, roses, and petunias were some of the awesome floral feasts that occupied much of our garden beds though there were many others that were less popular and with scientific names that have elude my meory. As the first buds appeared, my parents would admire the lush garden and ask me to sit in front of those budding flowers with well-combed hair to strike a pose while my father clicked a series of random photographs.  

While I never found ample time to take up gardening, I made it a habit to water the plants in the evenings on alternate days after my tutorials. Slaking the thirst of others – whether humans, animals, birds or plants, gives the same kind of satisfaction. I was careful not to keep them thirsty for long and maintained a strict timeline for that – otherwise I would feel guilty and sleepless at night. If I would be absent for a few days, I would assign the duty to some other person. Along with plants, I was learning to be sensitive to others needs.

The blooming flowers generated the desire to possess beauty. I was told I should not pluck them but learn to admire them. It was another key lesson – to indulge in the appreciation of beauty instead of being ruthless about possessing the beautiful. Any piece of beauty, in any form, gets the same treatment. Admire instead of turning desperate to possess it or call it your own. Such treasure-worthy lessons last a lifetime. It is true nature teaches a lot many things to lead a good life. A garden full of colours of all varieties looked rich and tempting. My mother never plucked any of the flowers, never put them in a vase in the living room to make a statement. Such restraint amazed me. 

I was encouraged to plant some on my own – before the advent of the floral season. My initial reluctance petered out when I read many celebrities were pursuing it. The ones I planted were lucky if they survived. I felt sad and low when they did not survive. But when some of them bloomed well, negativity perished.

The first bloom made me glad and confident, encouraging me to look forward to planting more varieties the next year. The ones that perished were soon forgotten and my focus shifted to the survivors, wondering whether they found it easy to grow in their beds or if there was something I could have done better to ease their growth in the lush garden. 

My parents gave a nod of approval and okayed my efforts. It was deemed a good exercise to raise a garden, add manure or spray something and water them all.

After my father’s death, my mother brought saplings from the nearby nursery, expecting me to do what my father did. She would sit near the verandah and oversee the entire process. Her supervision continued and she derived satisfaction that she had managed to raise a child who was growing close to nature with each passing year. She was always the first person to spot the buds and had the habit of predicting the colours of the flowers before they bloomed. She conducted a tour of the garden every morning and would foretell which one would turn out to be yellow, red, or white. Most of the time, her guesses were right. It appeared I was under an expert. When the flowers bloomed, she would say such impeccable beauty is for the soul, as it makes you happy deep within.  

Blooming is so relevant a need for every creative person: to bloom with ideas that are fresh, appealing to the senses and fragrant. Tucking a flower in the vase in front of the writing desk is a serious effort to bring in visual freshness, and to feel positive. With creepers growing around, you feel the spread of ideas surround you, trying to reach higher and higher just like you keep trying to elevate your thoughts and consciousness. Even if the apartment does not offer a grand view of thirty feet-high Ashoka trees lined up outside my window, the mind’s eye still retains and cherishes its beauty while trying to find inspiration from the balcony garden, a poor substitute for the grandeur of the landed garden.

While living in an apartment does not offer a natural view, the truth is I am still writing and have yet to break up with nature. Whether memory continues to feed the imagination or the fear of writing without nature’s support leads to a premature loss of an intimate connection with nature will pan out in the coming years. Sometimes the loss agonises so much that one feels like writing tragedies especially if it is the death of loved ones. It remains to be seen what the permanent loss of a vast garden from my life brings forth. 

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Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  


PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Musings of a Copywriter

Trees from My Childhood

By Devraj Singh Kalsi

Litchi Tree
Mango tree
Courtesy: Creative Commons

Returning from school, dumping my school bag on the sofa, and rushing out to climb the litchi tree in the garden without changing out of my school uniform, was an everyday affair during the summer. The scenes flash in a carousel of slides before my eyes whenever I purchase a bunch of litchis from local fruit vendors. I cannot resist regaling them with lively tales of my adventures and expeditions during those fruit-bearing seasons that remain refreshing and fresh even after decades. 

While holding and admiring the colour and texture of litchis, I am prone to draw comparisons, celebrating the genetic superiority of the litchi tree from my past. Succulent nostalgia is inevitable as the litchis in my patch were rich in pulp, bereft of white worms creeping out during the peel-off process. 

Paying for the leaves and the litchis makes me lose my cool. The fruit vendors contend they do not sell litchis without leaves as their profit margin goes south. The delicate fruit has a low shelf life, which makes it worse for them. Keeping quiet, I pull off one litchi from the dangling bunch and peel it off in a single roll to show my expertise.  

I remember the long bamboo stick I used to twist the neck of a thick bunch to pull it in my direction, and the litchis fell on the white plastic sheet spread wide on the ground. I collected them all in a plastic tumbler and took them inside, inviting my parents to join me in the litchi feast. We sat on the red cemented floor and started peeling in silence. Although I never counted how many kilos I consumed, I am sure I gobbled up almost half the quantity within an hour. My parents never stopped me from having as much as I liked. Litchi was the first fruit that established my true love for fruits. I boasted in front of friends regarding my litchi consumption capacity. Some of them believed it, and some said it was untrue. Those who came over were surprised I was enjoying the bounty while they could only imagine such a royal privilege. 

People slot litchi based on region. For me, the litchi of my ancestral house in Bengal was the best variant though I never tried to find its origin or roots so long as it stood there. All that mattered was the bountiful harvest every year, and we distributed it in the neighbourhood. The leaves often crossed borders, and the branches spread out in several directions. The neighbours were kind enough to tolerate the intrusion and the extra chore of cleaning the fallen leaves as they loved getting bagfuls of litchis from us every season. They never complained, and we never objected if they plucked litchis from the branches spread out in their area across the boundary wall. The fruit cemented friendly ties as visitors and guests were gifted baskets full of litchis. We never sold the litchi fruit but distributed it as tokens of friendship. 

Making sacrifices for education is quite common. In my case, the litchi tree made the ultimate sacrifice. Axed to construct a study room for me. Today, when I have to buy litchis, I feel the curse of the litchi tree has befallen me. A study room built on the grave of a litchi tree is how it plays out in my mind. The episode haunts me. The insensitive axe that killed it now frightens me like the rising prices of the litchi fruit, reminding me of the best things I enjoyed for free. 

Another tree that played a stellar role in my early years was the mango tree planted on the day I was born. My father was in the process of planting the sapling when the news of my arrival reached him. It was nurtured well, like me, as if we were twins. He ensured the tree grew up well in the environment and the roots went deep, just as he wanted the cultural roots and the roots of decent upbringing to grow deeper in me. 

While mine was a doubtful case, the tree seemed happy in its place and grew up strong and tall very fast. During my childhood years, I sat beneath the cool shade and enjoyed the breeze. It started bearing fruit early, and my parents praised its qualities more than mine. Before the fruit-bearing season, I drew water from the hand pump and watered it. But I was told I should water it throughout the year. A good deed should not be limited to a selfish motive. To enjoy good fruit, I must nurture it around the year. Yes, the lesson was profound. The mango tree enabled me to catch it early in life. Whatever you do, work to achieve the goal with consistent efforts. 

The pressure to be result-driven was on me. It also generated a streak of jealousy. I did want to taste the home-grown mangoes and preferred the ones from the bazaar. When asked why I avoided the mango tree, I could not explain anything. But I began to accept its fruit with expressions that still did not indicate full approval. My critical views on the taste factor were forthcoming now and then. The mango tree perhaps heard the complaints and decided to improve its quality. With each passing year, the output became richer and tastier. I had nothing to complain about but render compliments. Soon bitterness made exit and I started plucking mangoes, storing them in boxes covered with hay to ensure quick ripening. 

The process of sharing it with neighbours gathered speed, just like in the case of the litchi tree. People began to compliment the taste. It was a matter of pride for my father who planted it. When asked, he did not specify the low-profile name of the variant. It was not the usual type available in the market like Himsagar or Langda, but it came with a rich taste and juicy pulp from some deeper pockets of a remote northern India town. 

While my grades left the scope for complaints and improvement in Science and Maths, the mango tree was the clear winner. I promised to beat the mango tree in performance without knowing the area of competition. Repeated failures came my way. I was disillusioned. But one truth stood out. My love of fruits was strong, and the mango tree drew me closer to nature.  

I started spending more time sitting and wondering about its journey into the future. The mango tree gave me the fruit I enjoyed aside from being the architect of my creative world. It gave me the idea of seed and its importance in writing. The seed of imagination grew. I began to learn valuable lessons outside the classroom. I began to search for the seed, to nurture it and develop it into a proper shape. My love for my writing got its first seed from the mango tree. I wrote my maiden short piece, a creative essay fashioned along those lines. I was inspired to add pulp and flesh out the idea well. The skin of the city as a character portrayed. Besides, adding a layer was also borrowed from the mango tree. The fruit imparted pleasure to the taste buds. I wanted to create something to deliver immense joy to those reading my creations and renditions.   

The mango tree and I found some common ground to compete. We were creating something beautiful for the taste buds and hoping consumers would relish the product — both the fruit of imagination and the mango fruit. Doing well in their ways. My writings drew praise from teachers and friends. The circle began to widen. I hoped my writing would become tasty like the mango relished by so many people worldwide.

While it was ambitious to find a large following of readers, I had found a purpose and direction to follow. I wanted my words to taste good as the mangoes in my garden. While the mango tree found early success, it has been a long, lonely struggle to find acceptance for my words – with natural sweetness added to the creative output. The lesson from the mango tree is to be rich like its fruit and have the same qualities in the writing output. Hopefully, one day my words will come closer to the sweet, rich, juicy taste of the mangoes that grew in my backyard.  

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  


PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Contents

Borderless, May 2023

Art by Sohana Manzoor

Editorial

Dancing in May? … Click here to read.

Translations

Aparichita by Tagore has been translated from Bengali as The Stranger by Aruna Chakravarti. Click here to read.

The Kabbadi Player, a short story by the late Nadir Ali, has been translated from Punjabi by Amna Ali. Click here to read.

Carnival Time by Masud Khan has been translated from the Bengali poem by Fakrul Alam. Click here to read.

Desolation, a poem by Munir Momin, has been translated from Balochi by Fazal Baloch. Click here to read.

Loneliness, a poem, has been translated from Korean to English by the poet himself, Ihlwha Choi. Click here to read

Jonmodiner Gaan or Birthday Song by Tagore has been translated by Mitali Chakravarty. Click here to read.

Conversations

A conversation with Mitra Phukan about her latest novel, What Will People Say? A Novel along with a brief introduction to the book. Click here to read.

Shantanu Ray Chaudhuri converses with Prerna Gill on her poetry and her new book of poetry, Meanwhile. Click here to read.

Poetry

Click on the names to read the poems

Michael Burch, Lakshmi Kannan, Ryan Quinn Flanagan, Shahriyer Hossain Shetu, Peter Cashorali, K.V. Raghupathi, Wilda Morris, Ashok Suri, William Miller, Khayma Balakrishnan, Md Mujib Ullah, Urmi Chakravorty, Sreekanth Kopuri, Rhys Hughes

Poets, Poetry & Rhys Hughes

In What I Thought I Knew About India When I was Young, Rhys Hughes travels back to his childhood with a soupçon of humour. Click here to read.

Musings/Slices from Life

A Towering Inferno, A Girl-next-door & the Big City

Ratnottama Sengupta writes of actress Jaya Bachchan recounting her first day on the sets of Satyajit Ray’s Mahanagar. Click here to read.

Kissed on Kangaroo Island

Meredith Stephens travels with her camera and her narrative to capture the flora and fauna of the island. Click here to read.

Musings of a Copywriter

In The Reader, Devraj Singh Kalsi revisits his experiences at school. Click here to read.

Notes from Japan

In Making Chop Suey in South Carolina, Suzanne Kamata recaptures a flavour from her past. Click here to read.

Essays

Rabindranath’s Monsoonal Music

Professor Fakrul Alam brings to us Tagore songs in translation and in discussion on the season that follows the scorching heat of summer months. Click here to read.

A Night Hike in Nepal

Ravi Shankar hikes uphill in Nepal on a wet and rainy night along with leeches and water buffaloes. Click here to read.

Moving Images of Tagore

Ratnottama Sengupta talks of Tagore and cinema. Click here to read.

Stories

Threads

Julian Gallo explores addiction. Click here to read.

The Whirlpool

Abdullah Rayhan takes us back to a village in Bangladesh to give a poignant story about a young boy who dreamt of hunting. Click here to read.

Look but with Love

Sreelekha Chatterjee writes a story set in the world of media. Click here to read.

The Mysterious Murder of Adamov Plut

A globe-trotting murder mystery by Paul Mirabile, a sequel to his last month’s story, ‘The Book Hunter’. Click here to read.

Book Excerpts

An excerpt from Aruna Chakravarti’s Daughter’s of Jorasanko describing the last birthday celebration of Tagore. Click here to read.

An excerpt from Bhubaneswar@75 – Perspectives, edited by Bhaskar Parichha/ Charudutta Panigrahi. Click here to read.

Book Reviews

Meenakshi Malhotra revisits Tagore’s Farewell Song, translated from Bengali by Radha Chakravarty. Click here to read.

Somdatta Mandal reviews KR Meera’s Jezebel translated from Malayalam by Abhirami Girija Sriram and K. S. Bijukumar. Click here to read.

Lakshmi Kannan has reviewed Jaydeep Sarangi’s collection of poems, letters in lower case. Click here to read.

Bhaskar Parichha reviews Journey After Midnight – A Punjabi Life: From India to Canada by Ujjal Dosanjh. Click here to read.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Editorial

Dancing in May?

Courtesy: Creative Commons
“May is pretty, May is mild,
Dances like a happy child…”

Annette Wynne (Early twentieth century)

Each month is expressed in a different form by nature in various parts of the world. In the tropics, May is sweltering and hot — peak summer. In the Southern hemisphere, it is cold. However, with climate change setting in, the patterns are changing, and the temperatures are swinging to extremes. Sometimes, one wonders if this is a reflection of human minds, which seem to swing like pendulums to create dissensions and conflicts in the current world. Nothing seems constant and the winds of change have taken on a menacing appearance. If we go by Nazrul’s outlook, destruction is a part of creating a new way of life as he contends in his poem, ‘Ring Bells of Victory’ — “Why fear destruction? It’s the gateway to creation!” Is this how we will move towards ‘dancing like a happy child’?

Mitra Phukan addresses this need for change in her novel, What Will People Say — not with intensity of Nazrul nor in poetry but with a light feathery wand, more in the tradition of Jane Austen. Her narrative reflects on change at various levels to explore the destruction of old customs giving way to new that are more accepting and kinder to inclusivity, addressing issues like widow remarriage in conservative Hindu frameworks, female fellowship and ageing as Phukan tells us in her interview. Upcoming voice, Prerna Gill, lauded by names like Arundhathi Subramaniam and Chitra Divakaruni, has also been in conversation with Shantanu Ray Choudhuri on her book of verses, Meanwhile. She has refreshing perspectives on life and literature.

Poetry in Borderless means variety and diaspora. Peter Cashorali’s poem addresses changes that quite literally upend the sky and the Earth! Michael Burch reflects on a change that continues to evolve – climate change. Ryan Quinn Flanagan explores societal irritants with irony. Seasons are explored by KV Raghupathi and Ashok Suri. Wilda Morris brings in humour with universal truths. William Miller explores crime and punishment. Lakshmi Kannan and Shahriyer Hossain Shetu weave words around mythical lore. We have passionate poetry from Md Mujib Ullah and Urmi Chakravorty. It is difficult to go into each poem with their diverse colours but Rhys Hughes has brought in wry humour with his long poem on eighteen goblins… or is the count nineteen? In his column, Hughes has dwelt on tall tales he heard about India during his childhood in a light tone, stories that sound truly fantastic…

Devraj Singh Kalsi has written a nostalgic piece that hovers between irony and perhaps, a reformatory urge… I am not quite sure, but it is as enjoyable and compelling as Meredith Stephen’s narrative on her conservation efforts in Kangaroo Island in the Southern hemisphere and fantastic animals she meets, livened further by her photography. Ravi Shankar talks of his night hikes in the Northern hemisphere, more accurately, in the Himalayas. While trekking at night seems a risky task, trying to recreate dishes from the past is no less daunting, as Suzanne Kamata tells us in her Notes from Japan.

May hosts the birthday of a number of greats, including Tagore and Satyajit Ray. Ratnottama Sengupta’s piece on Ray’s birth anniversary celebrations with actress Jaya Bachchan recounting her experience while working for Ray in Mahanagar (Big City), a film that has been restored and was part of celebrations for the filmmaker’s 102nd Birth anniversary captures the nostalgia of a famous actress on the greatest filmmakers of our times. She has also given us an essay on Tagore and cinema in memory of the great soul, who was just sixty years older to Ray and impacted the filmmaker too. Ray had a year-long sojourn in Santiniketan during his youth.

Eulogising Rabindrasangeet and its lyrics is an essay by Professor Fakrul Alam on Tagore. Professor Alam has translated number of his songs for the essay as he has, a powerful poem from Bengali by Masud Khan. A transcreation of Tagore’s first birthday poem , a wonderful translation of Balochi poetry by Fazal Baloch of Munir Momin’s verses, another one from Korean by Ihlwha Choi rounds up the translated poetry in this edition. Stories that reach out with their poignant telling include Nadir Ali’s narrative, translated from Punjabi by his daughter, Amna Ali, and Aruna Chakravarti’s translation of a short story by Tagore. We have more stories from around the world with Julian Gallo exploring addiction, Abdullah Rayhan with a poignant narrative from Bangladesh, Sreelekha Chatterjee with a short funny tale and Paul Mirabile exploring the supernatural and horror, a sequel to ‘The Book Hunter‘, published in the April issue.

All the genres we host seem to be topped with a sprinkling of pieces on Tagore as this is his birth month. A book excerpt from Chakravarti’s Daughters of Jorasanko narrates her well-researched version of Tagore’s last birthday celebration and carries her translation of the last birthday song by the giant of Bengali literature. The other book excerpt is from Bhubaneswar@75 – Perspectives, edited by Bhaskar Parichha/ Charudutta Panigrahi. Parichha has also reviewed Journey After Midnight – A Punjabi Life: From India to Canada by Ujjal Dosanjh, a book that starts in pre-independent India and travels with the writer to Canada via UK. Again to commemorate the maestro’s birth anniversary, Meenakshi Malhotra has revisited Radha Chakravarty’s translation of Tagore’s Farewell Song. Somdatta Mandal has critiqued KR Meera’s Jezebel, translated from Malayalam by Abhirami Girija Sriram and K. S. Bijukuma. Lakshmi Kannan has introduced to us Jaydeep Sarangi’s collection of poems, letters in lower case.

There are pieces that still reach out to be mentioned. Do visit our content page for May. I would like to thank Sohana Manzoor for her fantastic artwork and continued editorial support for the Tagore translations and the whole team for helping me put together this issue. Thank you. A huge thanks to our loyal readers and contributors who continue to bring in vibrant content, photography and artwork. Without you all, we would not be where we are today.

Wish you a lovely month.

Mitali Chakravarty

borderlessjournal.com

Categories
Musings of a Copywriter

The Reader

By Devraj Singh Kalsi

Courtesy: Creative Commons

A schoolmate was fond of creating a big impression of being an avid reader. He knew there were benefits of reading that were largely unknown to genuine book lovers. He fell in love with the idea of reading as he wanted someone to fall in love with him because of this good habit he cultivated. On the way to school, whether inside the bus or train, he always sat with a storybook, trying to cast a furtive glance and observe the bevy of girls noticing him engaged in this pedantic pursuit. He had faith that some girls would become curious and smitten very soon. 

With the fond hope of a conversation with them someday, he kept doing the same thing. The book covers kept changing. As he became desperate, he picked up a romantic novel to send the signal. When he did not have a storybook, he fished out a textbook. The compulsion to have some reading material in front of his eyes helped raise a façade of erudition. He wanted to be seen as a reader whenever girls were pottering around.    

The impact of reading was severe for him. He was classified and identified as a bookworm. The bespectacled first-rank holder in our class never read so much. Much to his disappointment, girls did not take an interest in him or his reading. It was scary for the fun-loving types. The guys who boarded a moving train at the last minute or disembarked from a speeding bus were heroes to them.  

Driven by fatigue for the first time, he was ready to flirt with other options. When he realised books were futile in winning fans or praise, he switched his strategy to something that involved more daring. He went and stood near the entrance door. Ignoring the warning sign ‘DO NOT LEAN OUT’ crafted capitals and in red, he put almost half of his body out of the train compartment, suspending his weight with the support of the hand railing above his head, hoping to be noticed by girls for his bravado.

Before he could realise what had happened, he was hit on the head and rushed to the nearest hospital at the next station halt. He underwent multiple stitches and survived a life-threatening experience. When he regained consciousness, no girls were waiting with bouquets and get-well-soon notes outside his cabin. He found just a few of us with fruit baskets. Such a misadventure, though unintended, did not elicit any wave of sympathy, but he ended up being famous as a silly boy who could not keep himself safe.   

Some girls enquired how he was after he rejoined, but it was a formal query devoid of affection. The one he had a soft corner for did not seek any update. The poor fellow failed miserably in reading as well as heroism. Now he was always made to sit inside the coach, never allowed to stand near the door. Some of us cracked jokes, but he often lost his temper after this brain injury. We read it as a change of personality traits. He sat with a bandaged head for some days expecting sensitive queries, but he had stopped being an object of curiosity or pity for the entire class.  

Inside the school, during the recess hour, he stopped playing indoor games like chess. He changed his strategy by approaching a lady teacher with suggestions for his reading list during lunch break. He went to the library and got some uncommon books issued, expecting that lady teachers would gauge him better, unlike the carefree girls. Inside the classroom, he raised irrelevant questions and drifted our attention to storybooks, making other students grumble as the lessons were incomplete.

When the copies arrived checked, he performed below average. Soon, the new English teacher understood his ulterior motive. He used difficult words to flaunt his vocabulary and to impress the woman English teacher. Most of us did not know the meaning of the words he used. He derived wicked pleasure as we were shown as ignoramous despite scoring better in English. He loved the idea that he was advanced in reading. He firmly believed someone would appreciate him better and attune themselves to his wavelength. Turning bespectacled before eighteen was a plus point for him as he thought readers looked like that. But the truth was that some vitamin deficiency had led to his poor eyesight.    

Most of us saw him spending time in the library scanning books. He would ask us the names of the author on his list. He recalled many names and titles unheard of as his memory appeared sharpened after the head injury. Since we failed to answer, he was pleased to find us ignorant. He mentioned some names to enlighten us. Most of us thought he would become a writer one day since he was discussing what we never bothered to know in such depth. Perhaps the system of education was not doing justice to him.

When we reached high school, a creative writing contest was organised in which the toppers took part. He was asked why he had stayed out of it. He was quiet for a while and then replied the teachers who were judging had not written anything in life, so he would not insult himself by writing for them and submitting to them for assessment. We did not know whether it was his arrogance, or his statement had an iota of truth attached to it. 

Years later, it was shocking for him to know I was dabbling in writing. He was still trapped in the world of books, as it appeared from the pictures he sent me of the sprawling library at his residence, and his various poses with books. I asked him what he was doing when Google did not list his name in the top five pages. He said he was doing a regular job for a living that gave him ample time and freedom to read and write. He also said he was the president of the local literary club for youth and a part-time social worker. Although he was eager to know what I wrote, he did not ask me anything as he feared being asked what he wrote all these years, I guess. I told him what I read, and he said he had finished reading those authors a long time ago – pretty advanced, as usual.

He mentioned without radiance that he wrote love poems in his mother tongue using a pen name. It must be for the girl he liked – who qualified as a doctor. Maybe, he still went around her old house on his bicycle to feel her presence though she had moved overseas to another country long ago. His unreciprocated love had many shades, and he kept it alive through poetry.

He forwarded me pictures of reading in the garden, terrace, recliner, et al. In this age of emojis, if you are seen reading, you get hundreds of likes. But in those days, you did not get a single like. These likes – for the book or his reading nook – would have made him confident then. The well-crafted image of being a pretentious reader he remains stuck with – despite no rewards. Possibly, these likes warm the cockles of his sad heart.  

I realised I owed him a few likes and pressed the love icon for some of his social media posts as an act of repentance. Being a friend, he deserved likes from me. He messaged me saying one like during those school days would have worked. Even though I praised him today, he understood I was faking like many others. True, I was always a miser when it came to showering praise.

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  


PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Editorial

Can Love Change the World?

The night has nearly come to an end.
The old year is almost past.
Under this dust, it will lay down
Its worn-out life at last.
Whether friend or foe,      wherever you go,
Old wrongs cast
Away. On this auspicious day,
Old grievances shed as the old year parts.

— Nobo Borshe or on New Year by Tagore
Art by Sohana Manzoor

Mid-April, Thailand celebrates Songkran and Cambodia, Thingyan — water festivals like Holi. These coincide with the celebration of multiple New Years across Asia. Sikhs celebrate Baisakhi. Kerala celebrates Bishu and Tamil Nadu, Puthandu. Nepal celebrates Nava Varsha and Bengal Nobo Borsho or Poila Boisakh. A translation of Tagore’s poem on the Bengali New Year in spirit asks us to dispense with our past angst and open our hearts to the new day — perhaps an attitude that might bring in changes that are so needed in a world torn with conflicts, hatred and anger. The poet goes on to say, “I want to tie all lives with love” but do we do that in our lives? Can we? Masud Khan’s poems on love translated by Professor Fakrul Alam explore this from a modern context. From Korea, Ihlwha Choi tells us in his translation, “Loving birds is like loving stars”. But the translation that really dwells on love bringing in changes is Nabendu Ghosh’s ‘Gandhiji’, translated by Ratnottama Sengupta, his daughter. The short story by Ghosh highlights the transformation of a murderous villain to a defender of a victim of communal violence, towering above divides drawn by politics of religion.

Another daughter who has been translating her father’s works is Amna Ali, daughter of award-winning Punjabi writer, Nadir Ali. In ‘Khaira, the Blind‘, the father-daughter duo have brought to Anglophone readers a lighter narrative highlighting the erasure of divides and inclusivity. A folktale from Balochistan, translated by Fazal Baloch, echoes in the footsteps of ‘Emperor’s New Clothes’ — a story that can found in the Andersen’s Fairy Tales published in the nineteenth century. I wonder which narrative had come first? And how did it cross cultures retaining the original ideas and yet giving it a local colour? Was it with traders or immigrants?

That such narratives or thoughts are a global phenomenon is brought to the fore by a conversation between Keith Lyons and Asian Australian poet Adam Aitken. Aitken has discussed his cross-cultural identity, the challenges of travel, writing, and belonging. Belonging is perhaps also associated with acceptance. How much do we accept a person, a writer or his works? How much do we empathise with it — is that what makes for popularity?

Cross cultural interactions are always interesting as Rhys Hughes tells us in his essay titled ‘My Love for RK Narayan’. He writes: “Narayan is able to do two contradictory things simultaneously, namely (1) show that we are all the same throughout the world, and (2) show how cultures and people around the world differ from each other.” The underlying emotions that tie us together in a bond of empathy and commonality are compassion and love, something that many great writers have found it necessary to emphasise.

Mitra Phukan’s What Will People say?: A Novel is built around such feelings of love, compassion and patience that can gently change narrow norms which draw terrifying borders of hate and unacceptance. We carry an excerpt this time from her ‘Prologue’. Somdatta Mandal has reviewed Chitra Banerjee Divakurni’s latest , Independence. Starting from around the time of the Indian Independence too is Song of the Golden Sparrow – A Novel History of Free India by Nilanjan P. Choudhary, which has been discussed by Rakhi Dalal. The Partition seems to colour narratives often as does the Holocaust. Sometimes, one wonders if humanity will ever get over the negative emotions set into play in the last century.

Closer to our times, when mingling of diverse cultures is becoming more acceptable in arts, Basudhara Roy introduces us to Bina Sarkar Ellias’s Ukiyo-e Days…Haiku Moments, a book that links poetry to a Japanese art-form. While a non-fiction that highlights the suffering of workers by enforcing unacceptable work ethics, Japanese Management, Indian Resistance: The Struggles of the Maruti Suzuki Workers by Anjali Deshpande and Nandita Haksar has been reviewed by Bhaskar Parichha. The narrative, he writes, “tells the story of the biggest car manufacturer in India through the voices of the workers, interviewed over three years. They give us an understanding that the Maruti Suzuki revolution wasn’t the unmitigated success it was touted to be when they tell us about their resistance to being turned into robots by uncompromising management.” That lack of human touch creates distress in people’s hearts, even if we have an efficient system of management and mass production is well elucidated in the review.

To lighten the mood, we have humour in verses from Rhys Hughes and Richard Stevenson’s tongue-in-cheek dino poems. Michael Burch’s poetry explores nuances of love and, yet, changes wrought in love has become the subject of poetry by Malachi Edwin Vethamani and Anasuya Bhar with more wistful lines by George Freek highlighting evanescence.  Sutputra Radheye and Jim Landwehr bring darker nuances into poetry while Scott Thomas Outlar mingles nature with philosophical meanderings. We have more poetry by Ryan Quinn Flanagan, Abdul Jamil Urfi and many more exploring various facets of changes in our lives.

These changes are reflected in our musings too. Sengupta has written on how change is wrought on a murderous villain by the charisma of Gandhi in her father’s fiction, as well as this world leader’s impact on Ghosh and her. Devraj Singh Kalsi addresses food fads with a pinch of sarcasm. From Japan, Suzanne Kamata has written of a little island with Greek influences, a result of cultural ties brought in by the emperor Hirohito. Ravi Shankar takes us to Pokhara, Nepal, and Meredith Stephen expresses surprise on meeting a shipload of people from Colorado in the far reaches of the Southern Hemisphere while on her sailing adventures with beautiful photographs. Stories by moderns reflect diverse nuances depicting change. While Brindley Hallam Dennis writes of the passing of an era, PG Thomas integrates the past into the present to reflect how they have a symbiotic structure in the scheme of creating or recreating natural movements through changes wrought over time in his story. Paul Mirabile explores the darker recesses of the human existence in his fiction. As if in continuation, the excerpt from Rhys Hughes’ The Wistful Wanderings of Perceval Pitthelm seems to step out of darker facets of humanity with a soupçon of wit at its best.

To create a world that endures, one looks for values that create inclusivity as reflected in these lines from Charles Chaplin’s My Autobiography, “Mother illuminated to me the kindliest light this world has ever known, which has endowed literature and the theatre with their greatest themes: love, pity and humanity.” This quote starts off a wonderful essay from film-buff Nirupama Kotru. Her narrative carries the tenor of Chaplin’s ‘themes’ to highlight not only her visit to the actor’s last home in Switzerland but also glances at his philosophy and his contributions to cinema across borders.

Our issue rotates around changes and the need for love and compassion to rise in a choral crescendo whirling with the voices of Tagore, Charles Chaplin as well as that of twenty-first century writers. Perhaps this new year, we can move towards a world – at least an imagined world — where love will wipe away weapons and war, where love will take us towards a future filled with the acceptance of myriad colours, where events like the Partition and the Holocaust will be history, just like dinosaurs.

Huge thanks to all our readers and contributors, some of whom may not have been mentioned here but are an integral and necessary part of the issue. Do pause by our April edition. I would also like to give my thanks to our indefatigable team whose efforts breathe life into our journal every month. Sohana Manzoor needs a special mention for her lovely artwork.

Thank you all and wish you a wonderful April.

Mitali Chakravarty

borderlessjournal.com

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Read reviews and learn more about Monalisa No Longer Smiles: An Anthology of Writings from across the World by clicking here

Categories
Musings of a Copywriter

To be or Not to Be…

By Devraj Singh Kalsi

Courtesy: Creative Commons

Reading the nutrition chart on labels of packaged foods becomes the favourite pastime through your bifocals or progressive lens once you turn health-conscious after reaching a certain age. Those carefree days of feasting on anything in any quantity are gone. Anxiety shoots up after you gobble a gulab jamun. The glucometer starts ticking in your mind. You are smitten by guilt even if you are pre-diabetic. One gulab jamun pronounced the culprit for the imaginary spike in the sugar level.

It has become a successful business strategy to combine healthy with unhealthy these days. Restaurants and other eateries sell paneer roll but you know it is fried in oil. Since it has cottage cheese inside, you are told it is a good source of protein for your body to stay healthy. And you end up ordering a double paneer roll, ignoring the fact that oil is not good for the heart. Those big chunks of paneer allure you in the ads – and the visual treat tempts you for gastronomical excesses. Gradually, you convince yourself that cottage cheese is indeed good for the bones, and you need a good quantity of calcium from a vegetarian source to ensure they do not crack up under pressure from detractors. Expectedly, the frequency goes up as the paneer roll becomes your favourite ‘heaathy’ snack.

Having rummaged through articles on good sources of protein, you know the vegetarian diet has glaring deficiencies in this regard. Being a committed vegetarian, you do not try out animal sources. But the fear of protein deficiency haunts you, compelling you to dig up other vegetarian sources. If you need confidence to flex muscles in front of big bullies in your locality, you must have brawny biceps – not radish-shaped arms fit only to lift bathroom buckets. Protein shake becomes your predictable supplementary choice before you hit the gym floor.

Vegetarians often compromise when it comes to health though they hesitate to admit that. I have seen them almost puke at the sight of their vegetable chops being fried alongside fish cutlets in the same oil and pan. Such buddyhood is incompatible, intolerable and revolting for fanatics. But the same vegetarian folks pop cod liver oil capsules for stamina and justify it as a valid medical option to stay healthy. Likewise, animal fat is avoided but Omega-3 capsules are eagerly popped every day after lunch to keep mind and body in sound health.

Even though they know all about walnuts and their Omega content, they call it a hard nut to crack, preferring the cheaper alternative of medical supplements marked with a non-vegetarian symbol. Ask them why they are okay with that, and they are super quick to respond by saying their frail bodies need these. If the word goes around that non-vegetarian food is the ultimate secret behind longevity, will there be a sharp decline in the number of vegetarian folks? 

Take the case of those who do not consume eggs, but they love pastries and cakes with eggs even though eggless variants have flooded the bakeries. As the form of egg has changed in the preparation process, they do not feel it is a cardinal sin to try out this option. While there are many who eat vegetarian stuff at home, they are very fond of non-vegetarian stuff outside. Striking the perfect balance between vegetarian and non-vegetarian food keeps them healthy though this truth is rarely spoken in this fashion.

The population of vegetarian people also includes those who have eaten non-vegetarian food before their retirement from carnivore fare. Some give up give up their favourite fish, egg, and meat for spiritual succor. While they need applause for showing the strength to resist, they think they have done the right thing as their organs cannot take in rich food after a certain age. To prevent digestive problems, it is better to have a vegetarian diet. Once again it boils down to convenience. The desire to stay healthy governs this decision – just as they chose to eat non-vegetarian food more for strength rather than taste. 

There is perhaps another category of people who have switched from vegetarian fold to non-vegetarian diet in their old age. They say they have been quite cautious and avoided non-vegetarian food during their younger days but in old age they need solid strength that comes from animal sources alone. So, their decision to turn non-vegetarian after reaching sixty is right. Here, too, the desire to live healthy is the prime reason for the switch past their prime.  

The other day I was reading the health benefits of chia seeds, flax seeds, watermelon seeds, and fox nuts along with their nutritional value. Items not tried before also become the focus as the age sets in to get familiar with the best sources of staying healthy in mind and body, along with keeping a glowing, radiant skin. The search for super foods continues and the health freak seeks the daily dose of multi-vitamins to remind himself that he will remain healthy because he consumes it regularly now. Even if one consumes the most powerful sources of health, one has one’s own health challenges setting in due to aging. The fascination with reversing age inflates the budget and leads to growing stress instead of delivering effective results despite consumption of healthy items on a regular basis. 

Consuming fruits and vegetables is seen as a frail attempt to maintain health, but the tendency to strike out sweet fruits leads to explore other choices that are not well-balanced. A lifetime of rich diet based on vegetables and fruits should deliver the satisfaction of leading a healthy life but the presence of random fast food intake offsets the long-term benefits.  

So, it is perhaps, best to keep oneself undefined as a vegetarian or non-vegetarian because the need to stay healthy always decides what you prefer and for how long. In a lifetime there are several stages and there are several stages of being a pure vegetarian, a pure non-vegetarian and a mix of both based on convenience.

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  


PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International