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Contents

Borderless, May 2023

Art by Sohana Manzoor

Editorial

Dancing in May? … Click here to read.

Translations

Aparichita by Tagore has been translated from Bengali as The Stranger by Aruna Chakravarti. Click here to read.

The Kabbadi Player, a short story by the late Nadir Ali, has been translated from Punjabi by Amna Ali. Click here to read.

Carnival Time by Masud Khan has been translated from the Bengali poem by Fakrul Alam. Click here to read.

Desolation, a poem by Munir Momin, has been translated from Balochi by Fazal Baloch. Click here to read.

Loneliness, a poem, has been translated from Korean to English by the poet himself, Ihlwha Choi. Click here to read

Jonmodiner Gaan or Birthday Song by Tagore has been translated by Mitali Chakravarty. Click here to read.

Conversations

A conversation with Mitra Phukan about her latest novel, What Will People Say? A Novel along with a brief introduction to the book. Click here to read.

Shantanu Ray Chaudhuri converses with Prerna Gill on her poetry and her new book of poetry, Meanwhile. Click here to read.

Poetry

Click on the names to read the poems

Michael Burch, Lakshmi Kannan, Ryan Quinn Flanagan, Shahriyer Hossain Shetu, Peter Cashorali, K.V. Raghupathi, Wilda Morris, Ashok Suri, William Miller, Khayma Balakrishnan, Md Mujib Ullah, Urmi Chakravorty, Sreekanth Kopuri, Rhys Hughes

Poets, Poetry & Rhys Hughes

In What I Thought I Knew About India When I was Young, Rhys Hughes travels back to his childhood with a soupçon of humour. Click here to read.

Musings/Slices from Life

A Towering Inferno, A Girl-next-door & the Big City

Ratnottama Sengupta writes of actress Jaya Bachchan recounting her first day on the sets of Satyajit Ray’s Mahanagar. Click here to read.

Kissed on Kangaroo Island

Meredith Stephens travels with her camera and her narrative to capture the flora and fauna of the island. Click here to read.

Musings of a Copywriter

In The Reader, Devraj Singh Kalsi revisits his experiences at school. Click here to read.

Notes from Japan

In Making Chop Suey in South Carolina, Suzanne Kamata recaptures a flavour from her past. Click here to read.

Essays

Rabindranath’s Monsoonal Music

Professor Fakrul Alam brings to us Tagore songs in translation and in discussion on the season that follows the scorching heat of summer months. Click here to read.

A Night Hike in Nepal

Ravi Shankar hikes uphill in Nepal on a wet and rainy night along with leeches and water buffaloes. Click here to read.

Moving Images of Tagore

Ratnottama Sengupta talks of Tagore and cinema. Click here to read.

Stories

Threads

Julian Gallo explores addiction. Click here to read.

The Whirlpool

Abdullah Rayhan takes us back to a village in Bangladesh to give a poignant story about a young boy who dreamt of hunting. Click here to read.

Look but with Love

Sreelekha Chatterjee writes a story set in the world of media. Click here to read.

The Mysterious Murder of Adamov Plut

A globe-trotting murder mystery by Paul Mirabile, a sequel to his last month’s story, ‘The Book Hunter’. Click here to read.

Book Excerpts

An excerpt from Aruna Chakravarti’s Daughter’s of Jorasanko describing the last birthday celebration of Tagore. Click here to read.

An excerpt from Bhubaneswar@75 – Perspectives, edited by Bhaskar Parichha/ Charudutta Panigrahi. Click here to read.

Book Reviews

Meenakshi Malhotra revisits Tagore’s Farewell Song, translated from Bengali by Radha Chakravarty. Click here to read.

Somdatta Mandal reviews KR Meera’s Jezebel translated from Malayalam by Abhirami Girija Sriram and K. S. Bijukumar. Click here to read.

Lakshmi Kannan has reviewed Jaydeep Sarangi’s collection of poems, letters in lower case. Click here to read.

Bhaskar Parichha reviews Journey After Midnight – A Punjabi Life: From India to Canada by Ujjal Dosanjh. Click here to read.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Review

The River Within

Book Review by Lakshmi Kannan

Title: letters in lower case

Author: Jaydeep Sarangi 

 Jaydeep Srangi is an academic who writes beautiful poetry. letters in lower case is his tenth collection of poems. The poem that bears the title in the first section, blithely mentions the names of super figures such as Tagore, Tutankhamun, Ashoka and others in lower case, like it is an act of defiance, with the last three lines taking on a tongue-in-cheek tone to explain:

my letter to my boy hood idol is undelivered                                                                                                                                                        navigating an outswinger, the peon is on leave.                                                                                                                                                 all letters are in lower case. (Letters in Lower Case) 

He dedicates this book to his father-in law:

I know not how to pray --                                                                                                                               the hot tears I possess                                                                                                                        with that I will worship your cold feet. (Dear Departed)

The poems are classified broadly under three sections – ‘Laws of the Land’, ‘Gesture of Surrender’ and ‘The Window you Hold’. Poetry is often born between the said and the unsaid. Sarangi’s best poems leave some things half-said to reverberate in the mind of the reader. Sarangi returns to the lower case in another poem in the last section, only this time it is not just letters but life itself that is in lower case.

I take off the shirt that i liked so much,                                                                                                                  names written in only lower case                                                                                                                     here i shall rest in peace. (Life in Lower Case) 

The ‘I’ takes its place in a diminutive ‘i’.

Sarangi’s poetry has a distinct sense of geography.  Jhargram in West Bengal where the poet spent his boyhood days, together with the river Dulung, become powerful motifs. They are magnified manifold times to haunt, to evoke associations and emotions that one cannot always explain. Sarangi writes:

Stand near me, speak to me.                                                                                                                              Time arrives at my lips. 

He goes on to evokes a series of vivid images before he concludes:                 

With body carrying memories, dysfunctional habits,                                                                                  I wait for your green touch sometime, somewhere. (When You Visit Jhargram) 

In a number of poems, Sarangi has internalised the river so deeply that it seems to flow in his bloodstream.

Dulung in summer.                                                                                                                                        Where farmers can cross                                                                                                                         Cows can walk down.                                                                                                                                                          Each leaf is green. 
In love, I ask you to become a river.                                                                                        …
Dulung is sleepless tonight.                                                                                                                        It can’t wait to see                                                                                                                                 How dreams meet in a river. (Gifts of the Night)

Dulung calls you at this hour,                                                                                                                        trees are deep with the night,                                                                                                       mysteries of the world are back                                                                                                                         with bats calling a bad weather. (Dulung Moment) 
 
where do we all go? my mate, you know me --                                                                                                           for years, since my family nestled on your bank                                                                                          you have watched me with care and concern.                                                                                                        you always instructed me what to do and how to do. 

dear river, pure silver of the earth                                                                                                                     true mineral in humans, by blood and voice                                                                                                                     lead me to your honest home, always faithful,                                                                                       but never take away the window you hold. (My Growing up as a River) 

Like rivers, the rain holds a special fascination for poets, music composers, singers, dancers, and all artists. Interestingly, it means different things to different people. Sarangi’s poem “Rain Means” needs to be read whole to absorb the impact of the line ‘Rain brings me back to you’ that begins each stanza. So does the beautifully written poem ‘Rains in my Garden of Dreams’ and ‘Raining Always’. Life, memory, new experiences are all inextricably woven into the poem ‘Where the Rain is Born’. However, my favourite is ‘Waiting for Summer Rains in Kolkata’ with its laconic, understated humour, held on a tight leash. There is supplication, anticipation, yet an awareness of the wayward, capricious nature of rain. It is structured in a superbly ironical mode.

If she decides to come,                                                                                                                                               she may not.  
If the forecast is, she will come,                                                                                                            she will not come. 
Taking her on our side,                                                                                                                                               we keep white flowers on doorways

The third section of the collection is refreshing in its mix of poems about some of the most precious things in our lives, such as friendship. A poet’s best tribute to a friend is to pen a poem that could be remembered. It was a joy to read Sarangi’s ‘Makers’ to his ‘Friend Forever’, reminiscent of feelings evoked while reading Alfred Tennyson’s ‘In Memoriam’.

 With friends, Sarangi returns to rain again: ‘my old friends are fresh raindrops’ he declares. Other poems evoke memories so vivid and alive that Sarangi could have opened a box of perfectly preserved treasures. ‘In Folders’, he gives a feel of nostalgia with Jamdani muslin saris or his grandmother’s ‘delightful Bengali silks’. It is in the interstices between paradoxes and enigmatic ironies that Sarangi’s poems speak much the way life does – in fragments, snatches, lucid glimpses and haunting fade outs. 

Keep me in the waiting                                                                                                                       Once you attend to my call                                                                                                         My lines will lose charm. (Gifts of the Night) 

Lakshmi Kannan, also known by her Tamil pen-name ‘Kaaveri’, is a bilingual writer. Her twenty-five books include poems, novels, short stories and translations. For details regarding the fellowships and residencies she received, please visit her website http://www.lakshmikannan.in

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International