Categories
Contents

Borderless, March 2024

Art by Sohana Manzoor

Editorial

‘If Winter Comes, Can Spring be Far Behind…’ Click here to read.

Translations

Travels of Debendranath Tagore are narratives translated from Bengali by Somdatta Mandal. Click here to read.

The Yellow Flower, a narrative by Haneef Sharif, has been translated by Fazal Baloch from Balochi. Click here to read.

Ye Shao-weng’s poetry ( 1100-1150) has been translated from Mandarin by Rex Tan. Click here to read.

Nazrul’s Amamai Nahi Go Bhalobashleo (Even if you don’t love me) has been translated by Professor Fakrul Alam from Bengali. Click here to read.

Rough Stone by Ihlwha Choi has been translated from Korean to English by the poet himself. Click here to read.

Phalgun or Spring by Rabindranath Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Conversations

A discussion with Radha Chakravarty on her new book, Subliminal, and a brief review of the book. Click here to read.

Jagari Mukherjee interviews Rajorshi Patranabis, discussing his new book, Checklist Anomaly and Wiccan philosophy. Click here to read.

Poetry

Click on the names to read the poems

Rhys Hughes, Alpana, Ron Pickett, Shamik Banerjee, Stuart McFarlean, Baisali Chatterjee Dutt, John Grey, Shahalam Tariq, Jim Murdoch, Kumar Ghimire, Peter Magliocco, Saranyan BV, Rex Tan, Samina Tahreem, Luis Cuauhtémoc Berriozábal

Poets, Poetry & Rhys Hughes

In Lines for Loons, Loonies and Such-like, Rhys Hughes shares a rare treat. Click here to read.

Musings/Slices from Life

The Elusive Utopia?

Farouk Gulsara discusses the ideal of a perfect world. Click here to read.

Serenading Sri Lanka

Mohul Bhowmick backpacks in Sri Lanka with a camera. Click here to read.

Musings of a Copywriter

In A Conversation with God, Devraj Singh Kalsi has a bargaining chip. Click here to read.

Notes from Japan

In Cherry Blossom Forecast, Suzanne Kamata brings the Japanese ritual of cherry blossom viewing to our pages with her camera and words. Click here to read.

Stories

Prison Break

C.J.Anderson-Wu gives a poignant flash fiction. Click here to read.

Terrace

Rakhi Pande relates a strange tale from Goa. Click here to read.

The Temple-going Snake

Devraj Singh Kalsi almost creates a fable but not quite. Click here to read.

Monsoon Arc

K.S. Subramaniam shows the human spirit pitched against the harshness of monsoon storms. Click here to read.

Felipe Jimenez’s Quest of the Unheard

Paul Mirabile travels to Spain of Goya’s times with an imaginary friend who takes after perhaps, Don Quixote? Click here to read.

Essays

Where the Rice is Blue and Dinosaurs Roar…

Ravi Shankar takes us on a tour of a Malaysian town. Click here to read.

Conquering Fears: Bowing to the Mountains 

Keith Lyons tells us of his challenging hike in New Zealand. Click here to read.

Book Excerpts

An excerpt from Out of Sri Lanka: Tamil, Sinhala and English Poetry from Sri Lanka and its Diasporas edited by Vidyan Ravinthiran, Seni Seneviratne and Shash Trevett. Click here to read.

An excerpt from Rajat Chaudhuri’s Spellcasters. Click here to read.

Book Reviews

Somdatta Mandal reviews Ilse Kohler-Rollefson’s Camel Karma: Twenty Years Among India’s Camel Nomads. Click here to read.

Rakhi Dalal reviews Anuradha Kumar’s The Kidnapping of Mark Twain: A Bombay Mystery. Click here to read.

Bhaskar Parichha reviews Mafia Raj: The Rule of Bosses in South Asia by Lucia Michelutti, Ashraf Hoque, Nicolas Martin, David Picherit, Paul Rollier, Clarinda Still. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

‘If Winter Comes, Can Spring be Far Behind…’

Where the mind is without fear

Where the world has not been broken up into fragments

Where the clear stream of reason has not lost its way

Where the mind is led forward by thee
Into ever-widening thought and action…

— ‘Where the Mind is without Fear’ (1910), by Rabindranath Tagore

As we complete the fourth year of our virtual existence in the clouds and across borders, the world has undergone many changes around us, and it’s not only climate change (which is a huge challenge) but much more. We started around the time of the pandemic — in March 2020 — as human interactions moved from face-to-face non-virtual interactions to virtual communication. When the pandemic ended, we had thought humanity would enter a new age where new etiquettes redefining our social norms would make human existence as pandemic proof as possible. But before we could define new norms in the global context, takeovers and conflicts seem to have reft countries, regions and communities apart. Perhaps, this is a time when Borderless Journal can give a voice to all those who want to continue living as part of a single species in this world — where we can rise above our differences to find commonalities that make us human and part of the larger stream of humanity, that has been visualised by visionaries like Tagore or John Lennon — widely different cultural milieus but looking for the same things — humankind living together in harmony and moving towards a world without violence, without hate, without rancour and steeped in goodwill and love.  

Talking of positive values does not make sense in a world that seems to be veering towards darkness… Many say that humankind is intrinsically given to feelings of anger, hate, division, lust, shame and violence. But then we are just as much inclined towards happiness, fun, love, being respectful and peaceful. Otherwise, would we be writing about these? These are inherited values that have also come down to us from our forefathers and some have been evolving towards embalming or healing with resilience, with kindness and with an open mind.  

If you wake up before sunrise, you will notice the sky is really an unredeemable dark. Then, it turns a soft grey till the vibrant colours of the sun paint the horizon and beyond, dousing with not just lively shades but also with a variety of sounds announcing the start of a new day. The darkest hours give way to light. Light is as much a truth as darkness. Both exist. They come in phases in the natural world, and we cannot choose but live with the choices that have been pre-made for us. But there are things we can choose — we can choose to love or hate. We can choose resilience or weakness. We can choose our friends. We can choose our thoughts, our ideas. In Borderless, we have a forum which invites you to choose to be part of a world that has the courage to dream, to imagine. We hope to ignite the torch to carry on this conversation which is probably as old as humanity. We look forward to finding new voices that are willing to move in quest of an impractical world, a utopia, a vision — from which perhaps will emerge systems that will give way to a better future for our progeny.

In the last four years, we are happy to say we have hosted writers from more than forty different nationalities and our readers stretch across almost the whole map of the world. We had our first anthology published less than one and a half years ago, focussing more on writing from established pens. Discussions are afoot to bring out more anthologies in hardcopy with more variety of writers.

In our fourth anniversary issue, we not only host translations by Professor Fakrul Alam of Nazrul, by Somdatta Mandal of Tagore’s father, Debendranath Tagore, but also our first Mandarin translation of a twelfth century Southern Song Dynasty poet, Ye Shao-weng, by Rex Tan, a journalist and writer from Malaysia. From other parts of Asia, Dr Haneef Sharif’s Balochi writing has been rendered into English by Fazal Baloch and Ihlwha Choi has transcreated his own poetry from Korean to English. Tagore’s Phalgun or Spring, describing the current season in Bengal, adds to the variety in our translated oeuvre.

An eminent translator who has brought out her debut poetry book, Radha Chakravarty, has conversed about her poetry and told us among other things, how translating to English varies from writing for oneself. A brief overview of her book, Subliminal, has been provided. Our other interviewee, Rajorshi Patranabis — interviewed by Jagari Mukherjee — has written poetry from a Wiccan perspective — poetry on love — for he is a Wiccan. We have poetry by Luis Cuauhtémoc Berriozábal, Jim Murdoch, Alpana, Baisali Chatterjee Dutt, John Grey, Shahalam Tariq, Saranyan BV, Rex Tan, Ron Pickett with poetry on the season and many more. Humour is brought into poetry with verses woven around a funny sign by Rhys Hughes . His column this month hosts a series of shorter poems — typically in Hughes’ own unique style.

Devraj Singh Kalsi has explored darker shades of humour in his conversation with God while Suzanne Kamata has ushered in the Japanese spring ritual of gazing at cherry blossoms in her column with photographs and narrative. Keith Lyons takes us to the beautiful Fiordlands of New Zealand, Ravi Shankar to Malaysia and Mohul Bhowmick trapezes from place to place in Sri Lanka. Farouk Gulsara has discussed the elusiveness of utopia — an interesting perspective given that we look upto ideals like these in Borderless. I would urge more of you to join this conversation and tell us what you think. We did have Wendy Jones Nakashini start a discussion along these lines in an earlier issue.

We have stories from around the world: C.J.Anderson-Wu from Taiwan, Paul Mirabile from France, Rakhi Pande, Kalsi and K.S. Subramaniam from India. Our book excerpts are from Out of Sri Lanka: Tamil, Sinhala and English Poetry from Sri Lanka and its Diasporas edited by Vidyan Ravinthiran, Seni Seneviratne and Shash Trevett and a Cli-fi book that is making waves, Rajat Chaudhauri’s Spellcasters. Mandal has also reviewed for us Ilse Kohler-Rollefson’s Camel Karma: Twenty Years Among India’s Camel Nomads. Bhaskar Parichha has discussed Mafia Raj: The Rule of Bosses in South Asia by Lucia Michelutti, Ashraf Hoque, Nicolas Martin, David Picherit, Paul Rollier, Clarinda Still — a book written jointly by multiple academics. Rakhi Dalal in her review of Anuradha Kumar’s The Kidnapping of Mark Twain: A Bombay Mystery has compared the novel to an Agatha Christie mystery!

I would want to thank our dedicated team from the bottom of my heart. Without them, we could not have brought out two issues within three weeks for we were late with our February issue. A huge thanks to them for their writing and to Sohana Manzoor for her art too. Thanks to our wonderful reviewers who have been with us for a number of years, to all our mentors and contributors without who this journal could not exist. Huge thanks to all our fabulous loyal readers. Devoid of their patronage these words would dangle meaninglessly and unread. Thank you all.

Wish you a wonderful spring as Borderless Journal starts out on the fifth year of its virtual existence! We hope you will be part of our journey throughout…

Enjoy the reads in this special anniversary issue with more content than highlighted here, and each piece is a wonderful addition to our oeuvre!

Mitali Chakravarty

borderlessjournal.com

Click here to access the content page for the March 2024 Issue.

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

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Musings

The Elusive Utopia?

By Farouk Gulsara

When I was growing up, the radio was the musical score constantly playing in the background. Blaring between Tamil movie songs and radio dramas were news of the hour and current issue discussions. The things that got imprinted on my impressionable mind as I was transforming from a teenager to a young adult were about violence, wars and bombings. I remember about the war in Vietnam as it was close to home. For every peace talk and the end of war announcement, there would pop up another bombing and a barrage of casualties. My simple mind wondered when the war would end, but it never did. It went on for so long that they had a Tamil film in 1970 named Vietnam Veedu (House of Vietnam), referring to a household forever in family feuds and turmoil. 

Along with the war in Vietnam, people came by boat to the shores of Malaysia. The then leaders, in the late 1970s, dealing with a poor economic climate as they were reeling from a devastating racial riot, were not so cordial with their arrival. Malaysia went into the bad books of the international arena when the Marines were issued a ‘shoot-at-sight’ order on Vietnamese boat people by the then Deputy Prime Minister, Mahathir Muhammad. The refugees were eventually placed in barb-wired concentration camps-like holding centres. The last of the boat people left Malaysia in 2005. Even today, many former refugees who had started life anew elsewhere return to Pulau Bidong to perform ancestral worship or to remind themselves and their descendants of the hell they escaped.

Just as I thought Malaysia had seen the last of the people displaced from their homes gracing their shores, Malaysia had to play host to economic refugees from Myanmar, the ethnic Myanmarese and the Rohingyas. And the cycle of not wanting to spend the country’s precious resources and accepting them on humanitarian grounds continues to date.  

My ever optimist friend is dreaming of a utopia on Earth. Her idea of utopia is one where people are kind to each other, not hurling grenades or aiming intercontinental missiles at each other and accepting each other’s citizens with open arms. In fact, in her world, there would be borders. She dreams of a world where people are happy, able to enjoy the fruit of their existence, a world where there is no destruction of Mother Earth and none of the species of plants and animals go extinct. She envisages a space where everyone communicates with one another with kindness without hurting their psyche. The search is still on, where people do not look at each other with scorn and suspicion and are willing to accept another as a fellow sibling from a common mother. She dreams of a borderless world where heart, mind and territories are a continual flow of ideas and messages for the betterment of humankind. Unfortunately, despite all the strides the world has seemingly made, she remains unhappy and is getting more discontent by the day. 

“Why is there so much hate? Why is there war after all the wisdom we have supposedly learnt as evidenced by our scientific advancements?” she asks. “Are we just developing creative ways to annihilate each other until the whole race reaches the point of no return?” 

I see our newspapers and digital media. I became convinced that humans are evil and anthropocentric. They do not bother about other living beings. They are only interested in fending for themselves, fattening themselves, usurping treasures and fattening their coffers, and rapaciously wanting to leave a legacy for their descendants to savour to eternity. In typical situations, the world can accommodate all of Man’s needs, but not their greed. 

Innately, I reminisce about the times when I was young, trees were tall, the air was clean, and adults were trustworthy. We long to go back to those innocent days. 

Upon closer scrutiny, we realise we were presented with a false image of serenity. Beneath the surface of sobriety, even then, trenches were built to gun down brothers and chemical factories to neutralise them biologically. We think we are in the worst of times, but historians differ. Our current era is the most peaceful and safest throughout our existence. The chance of an average man in the current time, unlike his ancestors, to be directly involved or affected physically by wars is quite remote. 

Our ancestors did not need the media to know the world’s plight because it often happened at their doorstep. The swords carved out people’s fate line, not consensus or democracy. 

Life is cyclical. Peace and chaos have alternated all through our history. Like a phoenix, we keep rising from the rubble of destruction only to be broken to smithereens. Torrents of events around us bear testimony to this fact. It has been like this since time immemorial.

There was a time when Angkor Wat was the talk of travellers who could not stop praising man’s colossal achievement. With mind-binding engineering marvels, it testified to what the human mind could think next. Then, it got lost in the folly of human activities, only to be discovered as an ancient relic by passing foreigners. 

Isfahan, an essential stop along the Silk Road, was once hailed as heaven on Earth with the highest level of culture. People with exquisite taste for art, literature, music and architecture made it their second home. Babur, who established the Mughal Dynasty, never synced with India as he felt the Indians were less cultured than the Persians because of what he was exposed to in the Safavid capital. Isfahan’s own glory brought its destruction. 

All through Man’s sojourn on Earth, it has been anything but peaceful. The funny thing is that, amid all the destruction, we still managed to bring up our humanity and the science that would save us from extinction. In spite and amidst all the mayhem, we kept famine at bay, found cures for many infectious diseases and sent rockets to the moon and beyond. Paradoxically, the science that saved us becomes a thorn in our progress. From muskets to rifles to intercontinental missiles to the press of a red button, it is becoming easier to plan out our destruction. 

So, the world has never been peaceful, and humans have not been kind. What can we do about it? Do you brood at our shortsightedness, or are we like Sisyphus? Knowing pretty well that, Sisyphus destined for life with the punishment of pushing a boulder up a hill only to see it roll down and for him to repeat the whole exercise again and again, he can take two paths. He can perform the task without thinking, like an automaton, go mad and die, or the alternative is finding simple pleasures in the seemingly mundane task. He could challenge himself to do it faster, explore newer routes to roll the boulder or experiment with various tools to aid in his task. 

We continue doing our bit for humanity, knowing very well that it is just a drop in the ocean. Our efforts to promote peace and brotherhood will trigger small pockets of change and hopefully snowball into something earth-shattering for a good reason.

War, hardship and tragedy are bound to continue. It is too intertwined in our DNA. Many are even convinced that for seismic changes to occur, we need jolts and uncertainties. All these wars may be part of our search for a perfect system to pave Earth’s peace. A war to end all wars? Now, where have we heard that one before?

All through its existence, the Universe has seen it all before. If one were to believe Graham Hancock, the documentary maker or a pseudo-historian as some may call him, then one would be convinced that the world has experienced all these and even greater things before, only to lose everything because of human greed. Some other belief systems are confident that time does not go in a linear fashion but rather in a cyclical fashion. All that is happening today gives the Universe a deja vu.

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Farouk Gulsara is a daytime healer and a writer by night. After developing his left side of his brain almost half his lifetime, this johnny-come-lately decided to stimulate the non-dominant part of his remaining half. An author of two non-fiction books, Inside the twisted mind of Rifle Range Boy and Real Lessons from Reel Life, he writes regularly in his blog, Rifle Range Boy.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

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Greetings from Borderless

We wish You a Happy New Year

The year 2023 seemed to have been hard on all of us. Wars in the post-pandemic world, weapons and armies that destroy innocent civilian lives have taken the centre stage, vying with climate disasters, refugees, senseless shootings and unrest.  Amidst this gloom and doom, we need hope — a gleam of light to help us find solutions towards a peaceful world. Let us give the newborn 2024 a fair chance towards its own wellbeing with cheer and laughter. Let’s laugh away our troubles and find the inner strength to move forward towards a better future where people live in harmony… perhaps to hum and recall Paul Mc Cartney’s wise words in ‘Ebony and Ivory'(1982)…

We all know that people are the same wherever you go 
There is good and bad in ev'ryone
We learn to live, when we learn to give
Each other what we need to survive, together alive

A solution to find that hidden strength within us is given to us by a bard who we cherish, Rabindranath Tagore. He suggests a panacea in his poem, Tomar Kachhe Shanti Chabo Na (I Will Not Pray to You for Peace):

....
Amidst this wave of conflict,
In the haze of the games you script,
I will swing towards my own dream.

Let the breeze blow off the lamplight,
Let storms thunder in the sky —
Every moment in my heart,
I can sense your footfall.
In darkness, I strive to find my stream.

In that spirit, we look inward not just to find our dreams and materialise them, but also into the treasure chests of Borderless Journal to find writings that bring a smile to our lips. Tagore, translated by Fakrul Alam and Somdatta Mandal, leads the way as we start with humour and wonder in poetry and meander into a few prose pieces that evoke laughter, at times upending our current stream of thoughts or values. We move on to our three columnists, Rhys Hughes, Devraj Singh Kalsi and Suzanne Kamata, who bring laughter and uncover the nuances of the world around us on a monthly basis. Included also are the pieces by our travelling granny, Sybil Pretious, whose spirited travels prove that age is just a number. Capturing the spirit of diversity with a tinge of laughter, let us usher in the new year to a more hopeful and sturdy start.  

Poetry

Giraffe’s Dad by Tagore: Giraffer Baba (Giraffe’s Dad), a short humorous poem by Tagore, has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Dangermouse by Ryan Quinn Flanagan. Click here to read. 

A Poem About Mysore by Rhys Hughes. Click here to read.

Voice of the Webb by Ron Pickett.  Click here to read.

The Writer on the Hill by Kisholoy Roy.  Click here to read.

Philosophical Fragments by Don Webb. Click here to read.

A Blob of Goo? by Wilda Morris. Click here to read.

Dino Poems by Richard Stevenson.   Click here to read.

Rani Pink by Carol D’Souza. Click here to read.

Walking Gretchums by Saptarshi Bhattacharya. Click here to read.

The Decliner by Santosh Bakaya. Click here to read.

Prose

Travels & Holidays: Humour from Rabindranath: Translated from the original Bengali by Somdatta Mandal, these are Tagore’s essays and letters laced with humour. Click here to read.

Humbled by a Pig: Farouk Gulsara meets a wild pig while out one early morning and muses on the ‘meeting’. Click here to read. 

Leo Messi’s Magic Realism: Sports fan Saurabh Nagpal explores the magic realism in famous footballer Messi’s play with a soupçon of humour. Click here to read.

I am a Jalebi: Arjan Batth tells us why he identifies with an Indian sweetmeat. Click here to read why.

A Day at Katabon Pet Shop , a short story set amidst the crowded streets of Dhaka, by Sohana Manzoor. Click here to read.

Columns

Poets, Poetry & Rhys Hughes… Click here to read.

Musings of a Copywriter by Devraj Singh Kalsi … Click here to read.

Adventures of a Backpacking Granny by Sybil Pretious… Click here to read.

Notes from Japan by Suzanne Kamata … Click here to read.

Categories
Contents

Borderless, December 2023

Art by Sohana Manzoor

Editorial

Celebrating the Child & Childhood… Click here to read.

Special Tributes

An excerpt from Rabindranath Tagore’sThe Child‘, a poem originally written in English by the poet. Click here to read.

Vignettes from an Extraordinary Life: A Historical Dramatisation by Aruna Chakravarti… Click here to read.

Conversations

A conversation with the author, Afsar Mohammed, and a brief introduction to his latest book, Remaking History: 1948 Police Action and the Muslims of Hyderabad. Click here to read.

A conversation with Meenakshi Malhotra over The Gendered Body: Negotiation, Resistance, Struggle, edited by Meenakshi Malhotra, Krishna Menon and Rachana Johri and a brief introduction to the book. Click here to read.

Translations

The Monk Who Played the Guitar, a story by S Ramakrishnan, has been translated from Tamil by T Santhanam. Click here to read.

The White-Coloured Book, a poem by Quazi Johirul Islam has translated from Bengali by Professor Fakrul Alam. Click here to read.

Indecisiveness has been written and translated from Korean by Ihlwha Choi. Click here to read.

Tagore’s 1400 Saal (The Year 1993) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Nazrul’s rejoinder to Tagore’s 1400 Saal has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Poetry

Click on the names to read the poems

Ron Pickett, Prithvijeet Sinha, George Freek, Sutputra Radheye, Caroline Am Bergris, Thoyyib Mohammad, Kumar Bhatt, Patricia Walsh, Hamza Azhar, John Grey, Papia Sengupta, Stuart McFarlane, Padmanabha Reddy, Ryan Quinn Flanagan, Jee Leong Koh, Rhys Hughes

Poets, Poetry & Rhys Hughes

In His Unstable Shape, Rhys Hughes explores the narratives around a favourite nursery rhyme character with a pinch of pedantic(?) humour. Click here to read.

Musings/ Slices from Life

Trojan Island

Nitya Amalean writes of why she chooses to be an immigrant living out of Sri Lanka. Click here to read.

Wayward Wayanad

Mohul Bhowmick travels to the tea gardens and hills of Wayanad. Click here to read.

Musings of a Copywriter

In Visiting Cards & Me…, Devraj Singh Kalsi ponders on his perspective on the need and the future for name cards. Click here to read.

Notes from Japan

In Kyoto: Where the Cuckoo Calls, Suzanne Kamata introduces us to Kyoto. Click here to read.

Essays

Peeking at Beijing: The Epicentre of China

Keith Lyons travels to the heart of Beijing with a sense of humour and a camera. Click here to read.

To Be or Not to Be or the Benefits of Borders

Wendy Jones Nakanishi argues in favour of walls with wit and facts. Click here to read.

Where Eagles Soar

Ravi Shankar gives a photographic treat and a narrative about Langkawi. Click here to read.

Stories

Heather Richards’ Remarkable Journey

Paul Mirabile journeys into a womb of mystery set in Thailand. Click here to read.

The Untold Story

Neeman Sobhan gives us the story of a refugee from the 1971 Bangladesh Liberation War. Click here to read.

Wrath of the Goddess?

Farouk Gulsara narrates a story set in 1960s Malaya. Click here to read.

No Man’s Land

Sohana Manzoor gives us surrealistic story reflecting on after-life. Click here to read.

Book Excerpts

An excerpt from Dr Ratna Magotra’s Whispers of the Heart – Not Just A Surgeon: An Autobiography. Click here to read.

An excerpt from Manjima Misra’s The Ocean is Her Title. Click here to read.

Book Reviews

Somdatta Mandal reviews Indian Christmas: Essays, Memoirs, Hymns, an anthology edited by Jerry Pinto and Madhulika Liddle. Click here to read.

Christopher Marks reviews Veronica Eley’s The Blue Dragonfly: healing through poetry. Click here to read.

Basudhara Roy reviews Kuhu Joshi’s My Body Didn’t Come Before Me. Click here to read.

Bhaskar Parichha reviews Permacrisis: A Plan to Fix a Fractured World by Gordon Brown, Mohamed El-Erian, Michael Spence, Reid Lidow 

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Editorial

Celebrating the Child & Childhood…

‘Victory to Man, the newborn, the ever-living.’
They kneel down, the king and the beggar, the saint and
the sinner,
the wise and the fool, and cry:
‘Victory to Man, the newborn, the ever-living.’

The Child’ by Rabindranath Tagore1, written in English in 1930

This is the month— the last of a conflict-ridden year— when we celebrate the birth of a messiah who spoke of divine love, kindness, forgiveness and values that make for a better world. The child, Jesus, has even been celebrated by Tagore in one of his rarer poems in English. While we all gather amidst our loved ones to celebrate the joy generated by the divine birth, perhaps, we will pause to shed a tear over the children who lost their lives in wars this year. Reportedly, it’s a larger number than ever before. And the wars don’t end. Nor the killing. Children who survive in war-torn zones lose their homes or families or both. For all the countries at war, refugees escape to look for refuge in lands that are often hostile to foreigners. And yet, this is the season of loving and giving, of helping one’s neighbours, of sharing goodwill, love and peace. On Christmas this year, will the wars cease? Will there be a respite from bombardments and annihilation?

We dedicate this bumper year-end issue to children around the world. We start with special tributes to love and peace with an excerpt from Tagore’s long poem, ‘The Child‘, written originally in English in 1930 and a rendition of the life of the philosopher and change-maker, Vivekananda, by none other than well-known historical fiction writer, Aruna Chakravarti. The poem has been excerpted from Indian Christmas: Essays, MemoirsHymns, an anthology edited by Jerry Pinto and Madhulika Liddle, a book that has been reviewed by Somdatta Mandal and praised for its portrayal of the myriad colours and flavours of Christmas in India. Christ suffered for the sins of humankind and then was resurrected, goes the legend. Healing is a part of our humanness. Suffering and healing from trauma has been brought to the fore by Christopher Marks’ perspective on Veronica Eley’s The Blue Dragonfly: healing through poetry. Basudhara Roy has also written about healing in her take of Kuhu Joshi’s My Body Didn’t Come Before Me. Bhaskar Parichha has reviewed a book that talks of healing a larger issue — the crises that humanity is facing now, Permacrisis: A Plan to Fix a Fractured World, by ex-British Prime Minister Gordon Brown, Nobel Laureate Michael Spence, Mohamed El-Erian and Reid Lidow. Parichha tells us that it suggests solutions to resolve the chaos the world is facing — perhaps a book that the world leadership would do well to read. After all, the authors are of their ilk! Our book excerpts from Dr Ratna Magotra’s Whispers of the Heart – Not Just A Surgeon: An Autobiography and Manjima Misra’s The Ocean is Her Title are tinged with healing and growth too, though in a different sense.

The theme of the need for acceptance, love and synchronicity flows into our conversations with Afsar Mohammad, who has recently authored Remaking History: 1948 Police Action and the Muslims of Hyderabad. He shows us that Hyderabadi tehzeeb or culture ascends the narrow bounds set by caged concepts of faith and nationalism, reaffirming his premise with voices of common people through extensive interviews. In search of a better world, Meenakshi Malhotra talks to us about how feminism in its recent manifestation includes masculinities and gender studies while discussing The Gendered Body: Negotiation, Resistance, Struggle, edited by her, Krishna Menon and Rachana Johri. Here too, one sees a trend to blend academia with non-academic writers to bring focus on the commonalities of suffering and healing while transcending national boundaries to cover more of South Asia.

That like Hyderabadi tehzeeb, Bengali culture in the times of Tagore and Nazrul dwelled in commonality of lore is brought to the fore when in response to the Nobel laureate’s futuristic ‘1400 Saal’ (‘The year 1993’), his younger friend responds with a poem that bears not only the same title but acknowledges the older man as an “emperor” among versifiers. Professor Fakrul Alam has not only translated Nazrul’s response, named ‘1400 Saal’ aswell, but also brought to us the voice of another modern poet, Quazi Johirul Islam. We have a self-translation of a poem by Ihlwha Choi from Korean and a short story by S Ramakrishnan in Tamil translated by T Santhanam.

Our short stories travel with migrant lore by Farouk Gulsara to Malaysia, from UK to Thailand with Paul Mirabile while chasing an errant son into the mysterious reaches of wilderness, with Neeman Sobhan to Rome, UK and Bangladesh, reflecting on the Birangonas (rape victims) of the 1971 Bangladesh Liberation war, an issue that has been taken up in Malhotra’s book too. Sobhan’s story is set against the backdrop of a war which was fought against linguistic hegemony and from which we see victims heal. Sohana Manzoor this time has not only given us fabulous artwork but also a fantasy hovering between light and dark, life and death — an imaginative fiction that makes a compelling read and questions the concept of paradise, a construct that perhaps needs to be found on Earth, rather than after death.

The unusual paradigms of life and choices made by all of us is brought into play in an interesting non-fiction by Nitya Amlean, a young Sri Lankan who lives in UK. We travel to Kyoto with Suzanne Kamata, to Beijing with Keith Lyons, to Wayanad with Mohul Bhowmick and to Langkawi with Ravi Shankar. Wendy Jones Nakanishi argues in favour of borders with benevolent leadership. Tongue-in-cheek humour is exuded by Devraj Singh Kalsi as he writes of his attempts at using visiting cards as it is by Rhys Hughes in his exploration of the truth about the origins of the creature called Humpty Dumpty of nursery rhyme fame.

Poetry again has humour from Hughes. A migrant himself, Jee Leong Koh, brings in migrant stories from Singaporeans in US. We have poems of myriad colours from Ryan Quinn Flanagan, Patricia Walsh, John Grey, Kumar Bhatt, Ron Pickett, Prithvijeet Sinha, Sutputra Radheye, George Freek and many more. Papia Sengupta ends her poem with lines that look for laughter among children and a ‘life without borders’ drawn by human constructs in contrast to Jones Nakanishi’s need for walls with sound leadership. The conversation and dialogues continue as we look for a way forward, perhaps with Gordon Brown’s visionary book or with Tagore’s world view of lighting the inner flame in each human. We can hope that a way will be found. Is it that tough to influence the world using words? We can wish — may there be no need for any more Greta Thunbergs to rise in protest for a world fragmented and destroyed by greed and lack of vision. We hope for peace and love that will create a better world for our children.

As usual, we have more content than mentioned here. All our pieces can be accessed on the contents’ page. Do pause by and take a look. This bumper issue would not have been possible without the contribution of all the writers and our fabulous team from Borderless. Huge thanks to them all and to our wonderful readers who continue to encourage us with their comments and input.

Here’s wishing you all wonderful new adventures in the New Year that will be born as this month ends!

Mitali Chakravarty

borderlessjournal.com

  1. Indian Christmas: Essays, MemoirsHymns edited by Jerry Pinto & Madhulika Liddle ↩︎

Click here to access the content’s page for the December 2023 issue

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Categories
Stories

Wrath of the Goddess?

By Farouk Gulsara

1960s, Malaya

The big day will be here soon, tomorrow, to be exact. School life had been going on, dragging its feet. They say time flies when you are having fun. I do not remember having any fun, but it flew by anyway. Whenever I start thinking of the future, time seems to be ticking like a time bomb. There is so much uncertainty, and so much can happen. So, I tell myself to tread one day at a time. The best thing to do is not to think too far ahead. But then, that would make me no different from my father, would it not? Enjoy today of what is uncertain tomorrow.

Today is Sunday. The restaurant is closed after lunch. I have been helping out at an Indian restaurant near my house to earn some extra cash to pay for my school fees, the fees that my father refuses to pay. In his eyes, I am old enough to earn for the family, not draining from it. Money is always not enough.

I have some free time. As promised, I decide to meet up with Johnny to discuss some matters about the coming examination. I have not been feeling well for the past few days, with constant lethargy, malaise, body itch and muscle aches. I passed it off as the stress of facing one of my biggest challenges in life, the Middle Certificate Examinations.

As I walk towards Johnny’s house, I run my hand over the back of my neck to scratch. I thought I felt a small globule there.

“Oh no, is that something serious?” I ask myself. “Maybe Johnny can examine it for me.”

Johnny runs his hand over the area.

“Thamby, you have many spots like that over the neck and back. It could be smallpox that they are saying on the radio,” he says, “I think we better see our schoolmaster, Mr Peter. I know his house. He stays in the school compound. Let’s go.”

We race to our school master’s house. In no time, we are banging on Mr Peter Tan’s gate. Standing on his balcony, he acknowledges our presence. “Boys, what are you all doing here?” he says. “Johnny, your father isworried about your examinations. You better be at home, studying.”

“Sorry, sir,” I interject. “Mr Tan, I want to tell you something. I think I have smallpox.”

“What? Smallpox?” he implodes. “Thamby, you better go to the hospital and get yourself admitted. You cannot be walking around spreading the illness to every Tom, Dick and Harry that you see on the street!” he starts preaching. “You can sit for the exams next year, not this year, no way.”

“But, sir, I am all ready for the exams.” I object. “It’s not fair.”

The first thing that goes through my mind is working for another whole year all over again to pay another year’s school fees. I had to think of another way to sit for the public examinations I had been waiting for so long.

“I tell you what,” Mr Tan continues, “you check yourself into the General Hospital. I will talk to the Headmaster to get a refund for you. You go now.”

I am not going to throw in the towel so easily.

“Sir, can I sit for the test in the hospital?”

“No way, boy,” he exclaims. “In my ten years of experience, I have never heard of such a thing. If you are sick, especially with pox, nobody would dare come near you. Sorry, I can’t do anything!”

By now, I must be appearing like a nagging pain in the neck to my teacher, but like a rabid dog, I do not seem to let him go.

Upon my insistence, he tells me, “I tell you what. Try the good offices of the Director of Schools of Penang Island, Mr Ingram Bell.”

He, however, quickly adds, “He stays just around the corner, but don’t keep your hopes too high.”

With a heavy heart, I drag my feet to the living quarters of Mr Bell. Johnny and I stood at the gate after ringing the bell hanging in the corner. A thin and tall, moustachioed Indian man, who must be his servant, starts shooing us away from the premises. Our attires and appearances must have been out of character from the government quarters and its whitewashed walls.

In between the shenanigan of the coolie telling his employer that just some uninvited pests had shown up at the premises and his trying to get us just to buzz off, a muscular man with a build of a pugilist appears.

“What is happening here?” he asks as he looks toward us. “Who are you, and why are you here?”

Before the coolie could utter another sentence, I rushed in, “Sir, I am supposed to be sitting for my MCE tomorrow. They tell me I can’t sit for it tomorrow. They say I have to sit for it next year. I am from a poor family. I cannot afford to pay another year’s school fees…” I rattle on without catching a breath.

“Hold, hold on to your horses, young man,” he says. “Come in.”

“Mani, open the gate, let them in. And get some juices.”

He invites us to sit at the verandah. I tell him my whole life story in a single breath and end it with my dire straits of affairs. Mr Bell listens to the saga intently and looks up at the ceiling as I finish my story in a time that appears forever. Then, like looking for a flower to blossom, I waited with bated breath for his words of wisdom. Time stands still. I can hear my heart pounding. I think I heard a gecko chirping.

“Tambi, listen to what I have to say.” he finally vocalises. “You get admitted now. Take the treatment. Come tomorrow, I will make sure that you can sit for the examination. Trust me!”

With a heavy heart, I admit myself to the Penang General Hospital. Luckily, I have chickenpox, not smallpox, as I had dreaded. I have to be hospitalised anyway as per orders of the State Director of Schools. (gulp…!)

The night proves to be a very long one. The uncertainty of events of tomorrow and the febrility of the illness kept me wide awake. I did not want to be the one who slept through the examinations, though.

“Why me? Why now?” I keep asking myself. “Did I incur the wrath of Goddess Mariamman, the guardian of pox illnesses?”

Maybe the Gods are angry with me for not paying my respects to the Divine forces since Ma passed away. I have not gone to the temples for so long. But then, Ma used to be a loyal temple-going devotee who never missed her chance to perform penance, fasts and rituals. See how she turned out — stripped of her lifelong dreams of self-empowerment, entrapped in an awkward, unhappy marriage, afflicted with a deadly disease at a young age, suffering and dying in a gruesome manner, not seeing her offspring blossom to adulthood.

“Shouldn’t the divine powers at the level of a Creator, from the status of a Mother or Father, be protective, not vindictive, not demanding salutations and showing narcissistic tendencies to gloat in the joy of being feted by His parishioners?” I wonder sometimes.

Slowly, I conclude that I decide my fate, not the intergalactic planetary constellations of the stars. The philosophical labyrinth were so exhausting that I doze off eventually.

Dawn comes with the murmur of the hospital attendants and their paraphernalia. I wake up in a daze. I soon remember the events of the day before: the admission, the chicken pox and … Oh no! Today is examination day. My pulse raced. I run my hand over my neck, and I feel scores of fluid-filled blisters, many more than I had felt yesterday.

It had spread downward to my back and my limbs. I have an intense desire to scratch the lesions, but I know I am not supposed to do that. And the body aches and the fever have not subsided. I shower, pop in two Aspro fever tablets, eat the hospital breakfast and wait.

Is the Director of Secondary School going to live up to his words, or

were his words mere rhetorics to get rid of me and my poxed-self from his abode? I glance at the large Smith clock with the Roman numeral on the ward wall. It is 7 am. The first paper is due to start in two hours. What is it going to be? Am I going to sit for the test, or will it be another disappointment, just like the many uncertainties that had plagued my family? Every turn in my life seems to hit a dead end. Is there no future for me?

I decide to have a last-minute glance at my books before the reckoning, but it is only an attempt at futility. The butterflies in my tummy and the pulsatile gush of blood to my head are too disturbing. I keep glancing at the clock. Time ticks slowly. It is fifteen minutes before nine. The background murmur of the ward suddenly comes to a halt. Piercing the silence is the sound, rapid staccato of heels. I rush out of my quarantine.

The scene of neatly dressed shirt-and-tie-donning men walking across the medical ward is a sight for sore-eyes. They must be the education officers that Mr Bell had promised. I give out a sigh of relief. I feel like I have already done and passed the examinations. And guess who is moving in with them? It is none other than the pessimistic Mr Peter Tan who told me, in not so many words, to go back home and sleep off my chicken pox away and kiss my exams bye-bye. What is he doing here? He looks pretty pleased with himself, gleaming from ear to ear like Punch and walking in long strides to keep pace with a Caucasian man, probably an Education Department staff.

As if the wards are devoid of action-packed activities, everyone, the nurses, ancillary workers, and even patients, stop whatever they are doing to give full attention to the visitors who seem to walk in boldly even though it is not visiting hours. They must have been wondering what was about to happen. The Caucasian man stops in my room to ask, “Young man, are Nalla Thamby?”

I tried to vocalise, but my voice seems stuck. I clear my throat to give out a feeble whisper, “Yes, I am, sir.”

“We are from the State Education Department,” he rattled on. “We are here to supervise your MCE examinations in this hospital.”

A trail of busybodies flock around my room to quell their sense of curiosity. They must be wondering who in the devil’s name is this unassuming young boy who gets visits from Government officials! Pretty soon, they understand what is happening with all the desk arrangement, clocks, papers, ‘Exams in progress’ notices and the flashing of cameras by photographers. The tests progress without much fanfare.

The most amusing thing about this fiasco is what is reported in the next day’s newspaper. Mr Tan is pictured patting me on my shoulder, no more the persona of the day previously who shooed me like a bug from his compound. He is seen patting me in the part most visibly infected with pox vesicles, ironically. In his interview, he mentioned that he was instrumental in ensuring that I did not miss my papers, and it is unfortunate that I should be inflicted with this illness at such a wrong time. He boasted that he knew about my true potential and that I would turn out tops in the examinations. I also found out later that my seating of the Senior Cambridge examination in the hospitals was the first of its kind in the history of the state, and Mr Tan took all credit!

I smile to myself. It does not matter who takes the credit. The important thing is that I completed the examinations. Like what Mr Tan had predicted, the examination results proved to be in my favour. I was successful. The vesicles dried up fast enough but not the memory of this whole brouhaha and all. One thing that I learnt through this debacle is that you hold the reign to your future. Nobody owes you a living. What you want, you have to search for it. Perhaps the guardian angels are there to help me to think out the correct things at the fastest of times. Maybe all of Ma’s prayers played a role too.

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Farouk Gulsara is a daytime healer and a writer by night. After developing his left side of his brain almost half his lifetime, this johnny-come-lately decided to stimulate the non-dominant part of his remaining half. An author of two non-fiction books, Inside the twisted mind of Rifle Range Boy and Real Lessons from Reel Life, he writes regularly in his blog Rifle Range Boy.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Narratives of Humankind

Looking for a Refuge

Art by Sohana Manzoor

Our population crossed the 8 billion mark in November, 2022. As we move towards trying to hunt for alternative domiciles for our ever-expanding population, even in outer space, we still have to take into account  the increased movement of people across the Earth in search of alternative homes driven by external circumstances or by personal needs.

Some have lost their homes and lands to war, some to climate emergencies and some moved out out of choice. Here we have collected narratives of past and present migrations, emphasising the fluidity of borders, despite the lines drawn artificially by manmade constructs. In an earlier interview, Anthony Sattin talks of nomadic migrations and the concept of asabiyya, or brotherhood, which tied humans to ideas and ideals instead of a piece of land mooted in Arabia by Ibn Khaldun in the fourteenth century. Has the time come to revive this concept with conflicts and the climate crises becoming real? As weapons, fire and water affect our habitats, one wonders if reverting to the concept of nomadic existence is not becoming a necessity… This small collection of writings will hopefully highlight the concerns.

Migrants

In Migrating to Myself from Kolkata to Singapore, Asad Latif explores selfhood in context of diverse geographies. Click here to read.

In How I Wound Up in Japan, Suzanne Kamata gives her story as an immigrant. Click here to read.

In Belacan, Farouk Gulsara shares a narrative based on the life of a migrant in 1950s Malaysia. Click here to read.

Ujjal Dosanjh, former Minister from Canada and former Premier of British Columbia, talks of his own journey and learning as he migrated out of India to Canada. Click here to read.

Migrant poems by Malachi Edwin Vethamani. Click here to read. 

Refugees

In Mister, They’re Coming Anyway Timothy Jay Smith writes on the refugee crisis in Lesbos Island, Greece, in 2016 with photographs by Michael Honegger. Click here to read.

In A Voice from Kharkiv: A Refugee in her Own Country, Lesya Bakun relates her journey out of Ukraine as a refugee and the need for the resistance in 2022. Click here to read.

An excerpt from Ramy Al-Asheq’s Ever Since I Did Not Die, translated from Arabic by Isis Nusair, edited by Levi Thompson. The author was born in a refugee camp. Click here to read.

Refugee in my Own Country/ I am Ukraine… Poetry by Lesya Bakun. Click here to read.

Bringing Along their Homeland, a poem by Abdul Jamil Urfi, for refugees from the India- Pakistan Partition. Click here to read. 

In 1947, a biographical poem by Masha Hassan, set during the India-Pakistan Partition. Click here to read. 

The Grave is Wide, poems on refugees by Michael R Burch. Click here to read. 

Art by Sohana Manzoor

We are very grateful to our contributors who shared these unique narratives with us.

Categories
Contents

Borderless August 2023

Art by Sohana Manzoor

Editorial

Other Echoes in the Garden… Click here to read.

Interviews

Ujjal Dosanjh, former Minister from Canada and former Premier of British Columbia, discusses his autobiography, Journey After Midnight – A Punjabi Life: From India to Canada, and the need for a world with less borders. Click here to read.

Professor Fakrul Alam discusses his new book of Tagore translations, Gitabitan: Selected Song-Lyrics of Rabindranath Tagore. Click here to read.

Translations

Tagore’s Musalmanir Galpa (A Muslim Woman’s Story) has been translated from Bengali by Aruna Chakravarti. Click here to read.

Masud Khan’s poem, In Another Galaxy, has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Wakeful Stays the Door, a poem by Munir Momin, has been translated from Balochi by Fazal Baloch. Click here to read.

Dangerous Coexistence, written in Korean and translated by Ilhwah Choi. Click here to read.

Proshno or Questions by Tagore has been translated by Mitali Chakravarty. Click here to read.

Pandies Corner

Songs of Freedom: An Ordinary Tale is a narrative by Nandani based on her own experiences, translated from Hindustani by Janees. These narrations highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and Pandies. Click here to read.

Poetry

Click on the names to read the poems

Jared Carter, Rhys Hughes, Malachi Edwin Vethamani, Luis Cuauhtémoc Berriozábal, Saranyan BV, Ryan Quinn Flanagan, A Jessie Michael, Jahnavi Gogoi, George Freek, Koushiki Dasgupta Chaudhuri, David Francis, Akil Contractor, Michael Burch

Poets, Poetry & Rhys Hughes

In An Experiment with Automatic Poetic Translation, Rhys Hughes auto translates an English poem sequentially through 28 languages and then back to English with hilarious results. Click here to read.

Musings/ Slices from Life

Mister, They’re Coming Anyway

Timothy Jay Smith writes on the refugee crisis in Lesbos Island, Greece with photographs by Michael Honegger. Click here to read.

Migrating to Myself from Kolkata to Singapore

Asad Latif explores selfhood in context of diverse geographies. Click here to read.

Islands that Belong to the Seas

Paul Mirabile muses on how humans are like migrants on islands borrowed from the seas. Click here to read.

Of Dreams, Eagles and Lost Children

Aysha Baqir muses on the narrow, closed borders that condemn children. Click here to read.

Mushroom Clouds and Movies: Response from a Hibakusha’s Daughter

Kathleen Burkinshaw discusses Oppenhiemer the movie. Click here to read.

Sleepless in the High Desert, Slumber in the Sierra

Meredith Stephens covers Nevada to Columbia in a car with her camera. Click here to read.

My Hostel Days

Ravi Shankar reminisces on bygone days. Click here to read.

Musings of a Copywriter

In The Amateur Professional, Devraj Singh Kalsi writes of a amateur who thought of himself as a professional. Click here to read.

Notes from Japan

In How I Wound Up in Japan, Suzanne gives her story as an immigrant. Click here to read.

Essays

A Different Persuasion: On Jane Austen’s Novels & their Adaptations

Deepa Onkar delves into the world of Jane Austen books and films. Click here to read.

A Foray into Andamans

Mohul Bhowmik explores Andaman with a camera and narrative. Click here to read.

Bhaskar’s Corner

In Chittaranjan Das: A Centenary Tribute, Bhaskar Parichha discusses the life of one of the most legendary Odia writers. Click here to read.

Stories

Belacan

Farouk Gulsara shares a story based on the life of a migrant in 1950s. Click here to read.

The Japanese Maple

Shivani Shrivastav weaves a story of friendship and loneliness among migrants. Click here to read.

The Coin

Khayma Balakrishnan explores human and supernatural interactions in a school setting in Malaysia. Click here to read.

The Vagrant

Reeti Jamil narrates a strange tale set in a village and told by a farmer. Click here to read.

Book Excerpts

An excerpt from Ujjal Dosanjh’s Journey After Midnight: A Punjabi Life from Canada to India. Click here to read.

An excerpt from Roses in the Fire of Spring: Better Roses for a Warming World and Other Garden Adventures, by M.S. Viraraghavan and Girija Viraraghavan. Click here to read.

Book Reviews

Somdatta Mandal reviews Amitav Ghosh’s Smoke and Ashes: A Writer’s Journey Through Opium’s Hidden Histories. Click here to read.

Basudhara Roy reviews Greening the Earth: A Global Anthology of Poetry, edited by K. Satchidanandan & Nishi Chawla. Click here to read.

Bhaskar Parichha reviews Arunava Sinha’s The Greatest Indian Stories Ever Told: Fifty Masterpieces from the Nineteenth Century to the Present. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Editorial

Other Echoes in the Garden…

“Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them…”

— TS Eliot, ‘Four Quartets: Burnt Norton’(1936)

Humans have always been dreamers, ideators and adventurers.

Otherwise, could we have come this far? From trees to caves to complex countries and now perhaps, an attempt to reach out towards outer space for an alternative biome as exploring water, in light of the recent disaster of the Titan, is likely to be tougher than we imagined. In our attempt to survive, to live well by creating imagined constructs, some fabrications backfired. Possibly because, as George Orwell observed with such precision in Animal Farm, some perceived themselves as “more equal”. Of course, his was an animal allegory and we are humans. How different are we from our brethren species on this beautiful planet, which can survive even without us? But can humanity survive without Earth? In science fiction, we have even explored that possibility and found home among stars with the Earth becoming uninhabitable for man. However, humanity as it stands of now, continues to need Earth. To live amicably on the planet in harmony with nature and all the species, including our own, we need to reimagine certain constructs which worked for us in the past but seem to have become divisive and destructive at this point.

Ujjal Dosanjh, former Minister in the Canadian cabinet and former Premier of British Columbia, in his autobiography, Journey After Midnight – A Punjabi Life: From India to Canada, talks of regionalism as an alternative to narrow divisive constructs that terrorise and hurt others. He writes in his book: “If humanity isn’t going to drown in the chaos of its own creation, the leading nations of the world will have to create a new world order, which may involve fewer international boundaries.” We have a candid conversation with him about his beliefs and also a powerful excerpt from his autobiography.

An interview with Professor Fakrul Alam takes us into Tagore’s imagined world. He discussed his new book of Tagore translations, Gitabitan: Selected Song-Lyrics of Rabindranath Tagore. He has brought out a collection of 300 songs translated to English. In a bid to emphasise an inclusive world, we also have a translation of Tagore’s ‘Musalmanir Galpa’ (A Muslim Woman’s Story) by Aruna Chakravarti. A transcreation of his poem, called ‘Proshno or Questions’ poses difficult challenges for humanity to move towards a more inclusive world. Our translation by Ihlwha Choi of his own Korean poem to English also touches on his visit to the polymath’s construct in the real world, Santiniketan. All of these centring around Tagore go to commemorate the month in which he breathed his last, August. Professor Alam has also translated a poem from Bengali by Masud Khan that has futuristic overtones and builds on our imagined constructs. From Fazal Baloch we have a Balochi translation of a beautiful, almost a surrealistic poem by Munir Momin.

The poetry selections start with a poem on ‘Wyvern’, an imagined dragon, by Jared Carter. And moves on to the plight of refugees by Michael Burch, A Jessie Michael, and on migrants by Malachi Edwin Vethamani. Ryan Quinn Flanagan has poetry that suggests the plight of refugees at a metaphorical level. Vibrant sprays of colours are brought into this section by Luis Cuauhtémoc Berriozábal, Saranyan BV, Jahnavi Gogoi, George Freek and many more. Rhys Hughes brings in a spot of humour with his mountainous poetry (literally) and a lot of laughter with his or rather Google’s attempt at automatic translation of a poem. Devraj Singh Kalsi has shared a tongue in cheek story about an ‘amateur professional’ — rather a dichotomy.

We travel to Andaman with Mohul Bhowmick and further into Sierra with Meredith Stephens. Ravi Shankar travels back in nostalgia to his hostel and Kathleen Burkinshaw dives into the past — discussing and responding to the media presentation of an event that left her family scarred for life, the atomic holocaust of 1945 in Japan. This was a global event more than seven decades ago that created refugees among the survivors whose homes had been permanently destroyed. Perhaps, their stories are horrific, and heart wrenching like the ones told by those who suffered from the Partition of India and Pakistan, a divide that is celebrated by Independence Days for the two nations based on a legacy of rifts created by the colonials and perpetrated to this day by powerbrokers. Aysha Baqir has written of the wounds suffered by the people with the governance gone awry. Some of the people she writes of would have been refugees and migrants too.

A poignant narrative about refugees who flock to the Greek island of Lesbos by Timothy Jay Smith with photographs by Michael Honegger, both of whom served at the shelters homing the displaced persons, cries out to halt wars and conflicts that displace them. We have multiple narratives of migrants in this issue, with powerful autobiographical stories told by Asad Latif and Suzanne Kamata. Paul Mirabile touches on how humans have adopted islands by borrowing them from seas… rather an unusual approach to migrations. We have an essay on Jane Austen by Deepa Onkar and a centenary tribute to Chittaranjan Das by Bhaskar Parichha.

The theme of migrants is echoed in stories by Farouk Gulsara and Shivani Shrivastav. Young Nandani has given an autobiographical story, translated from Hindustani to English by Janees, in which a migration out of various homes has shredded her family to bits — a narrative tucked in Pandies Corner.  Strange twists of the supernatural are woven into fiction by Khayma Balakrishnan and Reeti Jamil.

In reviews, Parichha has explored Arunava Sinha’s The Greatest Indian Stories Ever Told: Fifty Masterpieces from the Nineteenth Century to the Present. Somdatta Mandal’s review of Amitav Ghosh’s Smoke and Ashes: A Writer’s Journey Through Opium’s Hidden Histories seems to be an expose on how historical facts can be rewritten to suit different perceptions and Basudhara Roy has discussed the Greening the Earth: A Global Anthology of Poetry, edited by K. Satchidanandan and Nishi Chawla.

There is more wonderful content. Pop by our August’s bumper edition to take a look.

I would like to give my grateful thanks to our wonderful team at Borderless, especially to Sohana Manzoor for her fabulous artwork. Huge thanks to all our gifted contributors and our loyal readers. Borderless exists today because of all of you are making an attempt to bringing narratives that build bridges, bringing to mind Lennon’s visionary lyrics:

You may say I'm a dreamer
But I'm not the only one
I hope someday you'll join us
And the world will live as one

Thank you for joining us at Borderless Journal.

Have a wonderful month!

Mitali Chakravarty

borderlessjournal.com

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Visit the August edition’s content page by clicking here

READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.