Tag: Rhys Hughes

Categories
Poets, Poetry & Rhys Hughes

An Experiment with Automatic Poetic Translation

Courtesy: Creative Commons

I am intrigued by the whole process of translation, a most remarkable alchemy of words and meanings, and when it comes to the translation of poetry, I find the operation especially bewildering and beguiling. But this is not the place for me to discuss my views on the mechanics of the subject, for in fact I have no such views. I am not a translator. I merely wish to explain that the following poem is the result of a minor experiment I have been planning for a long time, a variant of the ‘Chinese Whispers’ game, performed using an automatic translation program. A poem is written, a poem using fairly obvious imagery, and then the translation game begins. The poem is translated from English into another language, in this case Albanian, then from Albanian into another language, Arabic in fact, and from Arabic into Basque, and so on. Eventually the poem exists in Zulu, and from there it is translated back into English.

Possibly it will no longer sound like a real poem at this stage. But it can be easily adjusted, turned into something resembling a new poem, and presented as a continuation of the original poem. The final poetic work will consist of the original stanza followed by the manipulated stanza. If they enhance each other, so much the better, but if not, nothing much has been lost.

The Transformation

The transformation is lengthy
but painless,
it does not drain us. The way
ahead is clear
as far as the glowing horizon
where the moon
has promised to rise. The eyes
of the night
stare intensely in preparation
for blinking
thanks to the white eyelid of
a belated moon
and we grow wise when at last
it arrives, saying
that the stars belong in sleep
and so they do and so
do we and finally
the change
occurs
rest
ful
ly.

This poem was automatically translated between all the following languages:

English – Albanian – Arabic – Basque – Bengali – Czech – Dutch – French – German – Greek – Hindi -Indonesian – Korean – Latin – Macedonian – Maltese – Nepali – Persian – Portuguese – Romanian – Sanskrit – Slovak – Swahili – Thai – Turkish – Urdu – Vietnamese – Welsh – Zulu – English

And the result, after a very small manual adjustment, is:

After a long time
I’m still crying,
a street name outside of us.
This is obvious at first:
bright horizon.
Where is the moon?
And so ends the contract.
Dinner?
I can’t wait to get ready.
This is not a rumour
of white hair
or months.
Finally we bring you a sage.
They started talking,
you are sleeping,
and so
I continue to do so.
Be careful,
what’s up is silence,
targeted
from where?

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Poetry

Postcards from the Ledge

By Rhys Hughes

  Prologue.
There are fourteen mountains
on the surface of the Earth
higher than eight-thousand metres
and recently it was found
by observers on the ground
they have all been sending postcards
to the Royal Geographical Society
but no one knows why…
Courtesy: Creative Commons
     Mount Everest.
You say I am the tallest but that’s not
quite true: I am just
more obviously tall than you
and everyone else you know.
There is a mountain under the sea,
Mauna Kea by name
who is rather taller than me, 10,200
metres high as a matter
of fact: it’s just a question of tact that
she doesn’t loudly dispute
my claim to fame (and yes,
she’s a lady). And on the planet Mars
stands Olympus Mons,
highest mountain in our solar-system.
Courtesy: Creative Commons
     K2.
I am not quite as lofty
as my brother
Mount Everest (see above)
but he’s a softy
when compared to me in terms
of difficulty of climb.
Mountaineers drop from fright
on my slopes as well
as from physical exhaustion.
This is a warning, just a friendly
caution. Don’t sleigh
on my white suede snows. You
can do anything but
sleigh off my white suede snows.
Courtesy: Creative Commons
     Kangchenjunga.
I invoke hunger in the bellies
of those who try
to get to my summit. A fellow
named Crowley tried it
back in 1905 and he survived
while others of his team
were avalanched into oblivion.
He was snacking
at the time in his tent on mints
and thus was born
his insistence that life is sweet.
Courtesy: Creative Commons
    Lhotse.
I am the least prominent
of the eight-thousanders
despite the awfully vertiginous
vertical relief of my
South and Northeast Faces.
I wouldn’t really mind
swapping places with one of my
sheerer fellows but I’m
reluctant to make the offer.
Should I stoop so low?
Courtesy: Creative Commons
    Makalu. 
I look like a pyramid, they say,
but the comparison
offends me most painfully.
I am millions of years old,
the pyramids, a few thousand.
It should be the other way
around, visitors to Egypt ought to gasp
and cry: the pyramids look rather
like Makalu. Now that’s
the analogy that ought to apply.
Courtesy: Creative Commons
     Cho Oyu.
My name in Tibetan means
Turquoise Goddess
and although I am modest
I am pleased with the appellation.
It seems I am the easiest
of the eight-thousanders to climb
but I don’t regard that
as a disadvantage. Why be macho
in the clouds? If you love
Cho Oyu, she will be kind to you.
Climb me and you’ll return
like a human boomerang
for I have the lowest death-summit
ratio among the gang.
Courtesy: Creative Commons
    Dhaulagiri.
I dazzle the eyes with my gleaming
backside, and startle
the minds of those who slide down
my beauteous slopes.
I hope and pray for a climber today
to do something silly
such as roll down Dhaulagiri all the
way to the bottom
after the snapping of his ropes: yes,
to my shining base.
It’s not a race, as such, because there
can never be a winner,
just a mess like a yeti’s dog’s dinner.
Courtesy: Creative Commons
     Manaslu.
A serrated wall of ice hanging
on the horizon like a bandsaw
nailed to a door.
That is how I am described by
those who wish
to ride my teeth: climb up one
side and perch
on my summit and you’ll find
my mind is pure
enough for gentler metaphors.
I am not a tool, rarely the fool
who tries to fix
my own position in the scheme
of things. In the
valley below me snow leopards
prowl and growl
and so do you, softly, dreaming.
Courtesy: Creative Commons
     Nanga Parbat.
When rats desert a sinking ship
they expect it to really
sink, not merely plunge its prow
for a quick drink
and then right itself again. That
hurts, a betrayal
of the laws of disaster. And the
mice called climbers
who scurried
on my broad flanks when I sank
into the spray
of my own blown snows, crying
avalanche! surely
thought I had drowned for good
in that illusory sea.
But as you can see: I’m still here.
Courtesy: Creative Commons
     Annapurna.
Now we come to the real test.
I was the first eight-thousander
to be climbed.
Does that make me the easiest?
Well, no. In fact
I am the most dangerous of the
fourteen. My fatality
rate is twenty-five times as high 
as that of Miss Cho Oyu
and my slopes are littered with
those who have
found their literal ever rest here.
Get it? My propensity for
making puns wasn’t mentioned
in Maurice Herzog’s
classic book about the first ascent
of me. I wonder why?
I took all his toes and most of his
fingers with the aid
of frostbite: a remarkable feat for
him, paid for with
both of his own astonishing feet.
Courtesy: Creative Commons
     Gasherbrum I.
I have a brother who you will meet
below, but in the meantime
you ought to know
that my eternal
snows glow
brightly
across the region that is my home,
and this is why
I am mystified as to
the origin of my nickname:
the Hidden Peak. It’s inaccurate
to my mind. Am I really
so hard to find?
Courtesy: Creative Commons
     Broad Peak.
My name is a physical descriptor
but my views
are broad too: I don’t care who or
what climbs me.
I welcome diversity. 
On July 23rd, 2016, a Frenchman
by the name of
Antoine Girard piloted a paraglider
over my head.
That’s a type of lightweight plane,
but I didn’t complain.
I never lodge objections with God.
Courtesy: Creative Commons
     Gasherbrum II.
You have already met my brother a short
distance above.
He is above in height
as well as in his location in this poem. I
look up to him in
everything, true, but he isn’t what I want
to talk about today.
No, I wish to briefly mention the Duke of
the Abruzzi and
also a certain Vittorio Sella,
the former a brave aristocrat and intrepid
mountain explorer,
the latter the greatest photographer of high
peaks who ever held
a camera. Climbers wear trousers but their
breath comes in pants:
this pair arrived to reconnoitre me in 1909
and I was flattered,
at least to the greatest extent that any giant
is flattered by ants.
Courtesy: Creative Commons
     Shishapangma.
I was the last of the eight-thousanders
to be scaled, not because
I’m any harder to climb than I am to rhyme
but thanks to logistical
and political considerations. Less of that!
I wish to share with you
a little snippet that I find pleasant to think
about. When Tintin
was in Tibet, he travelled
with Captain Haddock towards me, looking
for a crashed plane. I
don’t recall either of them,
but I have been told their journey was true,
although they knew me
back then by my Sanskrit name, Gosainthan.

     Epilogue.
Mountains rise and fall
like empires or supposedly solid walls.
Postcards are more
ephemeral than either,
especially when written in verse.
That’s the curse of time.
But the Royal Geographical Society
is never averse
to receiving them from
any interesting global feature that cares
to write a few lines.

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Contents

Borderless July 2023

Painting by Sohana Manzoor

Editorial

As Imagination Bodies Forth… Click here to read.

Translations

Bankim Chandra Chattopadhyay’s Bangalar Nobbyo Lekhokdiger Proti Nibedon (a request to new writers of Bengali), has been translated from Bengali and introduced by Abdullah-Al-Musayeb. Click here to read.

Poetry on Rain by Masud Khan has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Dancer by Bashir Baidar, has been translated from Balochi by Fazal Baloch. Click here to read.

Motherhood: A Tiny Life inside Me, a poem by Sangita Swechcha, has been translated from Nepali by Hem Bishwakarma. Click here to read.

The Wind and the Door, has been written and translated from Korean by Ihlwha Choi. Click here to read.

Megh or Cloud by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Conversation

In conversation with Afsar Mohammad, a poet, a Sufi and an academic teaching in University of Pennsylvania. Click here to read.

Poetry

Click on the names to read the poems

Afsar Mohammad, Rhys Hughes, Kirpal Singh, Don Webb, Masha Hassan, Vernon Daim, George Freek, Arya KS, Robert Nisbet, Dr Kanwalpreet, John Grey, Nivedita N, Samantha Underhill, Vikas Sehra, Ryan Quinn Falangan, Saranyan BV, Heath Brougher, Carol D’Souza, Michael Burch

Poets, Poetry & Rhys Hughes

In Productivity, Rhys Hughes muses tongue-in-cheek on laziness and its contribution in making a nation more productive. Click here to read.

Musings/ Slices from Life

Should I stay or should I go?

Keith Lyons muses on our attitude towards changes. Click here to read.

Bangal-Ghoti-Bati-Paati or What Anglophilia did to My Palate

Ramona Sen journeys in a lighter vein through her taste buds to uncover part of her identity. Click here to read.

Awesome Arches and Acrophobia

Meredith Stephens takes us for a fabulous treat of Sierra Nevada mountains with her camera and narrative. Click here to read.

Musings of a Copywriter

In The Lost Garden, Devraj Singh Kalsi writes of how his sense of wellbeing mingles with plants. Click here to read.

Notes from Japan

In Better Relations Through Weed-pulling, Suzanne Kamata introduces us to an annual custom in Japan. Click here to read.

Essays

The Story of a Land at War with Itself

Ratnottama Sengupta presents the first hand account of the war in Bosnia-Herzegovina (1992-1995) from a letter from her brother, who was posted there as part of the peace-keeping troops. Click here to read.

‘Wormholes to other Worlds’

Ravi Shankar explores museums in Kuala Lumpur. Click here to read.

Stories

A Troubled Soul

Mahim Hussain explores mental illness. Click here to read.

The Llama Story

Shourjo shares a short fun piece written from a llama’s perspective. Click here to read.

Mister Wilkens

Paul Mirabile gives a strange tale set in Europe of the 1970s. Click here to read.

Book Excerpts

An excerpt from Red Sky Over Kabul: A Memoir of a Father and Son in Afghanistan by Baryalai Popalzai and Kevin McLean. Click here to read.

An excerpt from The Blue Dragonfly – healing through poetry by Veronica Eley. Click here to read.

Book Reviews

Somdatta Mandal reviews The Past is Never Dead: A Novel by Ujjal Dosanjh. Click here to read.

KPP Nambiar reviews The Stolen Necklace: A Small Crime in a Small Town by Shevlin Sebastian and VK Thajudheen. Click here to read.

Rakhi Dalal reviews Drop of the Last Cloud by Sangeetha G. Click here to read.

Bhaskar Parichha reviews Burning Pyres, Mass Graves and A State That Failed Its People : India’s Covid Tragedy by Harsh Mander. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Editorial

As Imagination Bodies Forth…

Painting by Sybil Pretious
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name

 A Midsummer Night's Dream (1595) by William Shakespeare

Famous lines by Shakespeare that reflect on one of the most unique qualities in not only poets — as he states — but also in all humans, imagination, which helps us create our own constructs, build walls, draw boundaries as well as create wonderful paintings, invent planes, fly to the moon and write beautiful poetry. I wonder if animals or plants have the same ability? Then, there are some who, react to the impact of imagined constructs that hurt humanity. They write fabulous poetry or lyrics protesting war as well as dream of a world without war. Could we in times such as these imagine a world at peace, and — even more unusually — filled with consideration, kindness, love and brotherhood as suggested by Lennon’s lyrics in ‘Imagine’ – “Imagine all the people/ Livin’ life in peace…”. These are ideas that have been wafting in the world since times immemorial. And yet, they seem to be drifting in a breeze that caresses but continues to elude our grasp.

Under such circumstances, what can be more alluring than reflective Sufi poetry by an empathetic soul. Featuring an interview and poetry by such a poet, Afsar Mohammad, we bring to you his journey from a “small rural setting” in Telangana to University of Pennsylvania, where he teaches South Asian Studies. He is bilingual and has brought out many books, including one with his translated poetry. Translations this time start with Bankim Chandra Chattopadhyay’s advice to new writers in Bengali, introduced and brought to us by Abdullah-Al-Musayeb. Tagore’s seasonal poem, ‘Megh or Cloud’, has been transcreated to harmonise with the onset of monsoons. However, this year with the El Nino and as the impact of climate change sets in, the monsoons have turned awry and are flooding the world. At a spiritual plane, the maestro’s lines in this poem do reflect on the transience of nature (and life). Professor Fakrul Alam’s translation of Masud Khan’s heartfelt poetry on rain brings to the fore the discontent of the age while conveying the migrant’s dilemma of being divided between two lands. Fazal Baloch has brought us a powerful Balochi poet from the 1960s in translation, Bashir Baidar. His poetry cries out with compassion yet overpowers with its brutality. Sangita Swechcha’s Nepali poem celebrating a girl child has been translated by Hem Bishwakarma while Ihlwha Choi has brought his own Korean poem to readers in English.

An imagined but divided world has been explored by Michael Burch with his powerful poetry. Heath Brougher has shared with us lines that discomfit, convey with vehemence and is deeply reflective of the world we live in. Masha Hassan is a voice that dwells on such an imagined divide that ripped many parts of the world — division that history dubs as the Partition. Don Webb upends Heraclitus’s wisdom: “War is the Father of All, / War is the King of All.” War, as we all know, is entirely a human-made construct and destroys humanity and one cannot but agree with Webb’s conclusion.  We have more from Kirpal Singh, Ryan Quinn Flanagan, Nivedita N, John Grey, Carol D’Souza, Vernon Daim, George Freek, Saranyan BV, Samantha Underhill and among the many others, of course Rhys Hughes, who has given us poetry with a unique alphabetical rhyme scheme invented by him and it’s funny too… much like his perceptions on ‘Productivity’, where laziness accounts for an increase in output!

Keith Lyons has mused on attitudes too, though with a more candid outlook as has Devraj Singh Kalsi with a touch of nostalgia. Ramona Sen has brought in humour to the non-fiction section with her tasteful palate. Meredith Stephens takes us on a picturesque adventure to Sierra Nevada Mountains with her camera and narrative while Ravi Shankar journeys through museums in Kuala Lumpur. We travel to Japan with Suzanne Kamata and, through fiction, to different parts of the Earth as the narratives hail from Bangladesh, France and Singapore.

Ratnottama Sengupta takes us back to how imagined differences can rip humanity by sharing a letter from her brother stationed in Bosnia during the war that broke Yugoslavia (1992-1995). He writes: “It is hard to be surrounded by so much tragedy and not be repulsed by war and the people who lead nations into them.” This tone flows into our book excerpts section with Red Sky Over Kabul: A Memoir of a Father and Son in Afghanistan by Baryalai Popalzai and Kevin McLean. Popalzai was affected by the Russian invasion of Afghanistan in 1980 and had to flee. A different kind of battle can be found in the other excerpt from The Blue Dragonfly – healing through poetry by Veronica Eley – a spiritual battle to heal from experiences that break.

In our reviews section, KPP Nambiar reviews The Stolen Necklace: A Small Crime in a Small Town by Shevlin Sebastian and VK Thajudheen, a book that retells a true story. Sangeetha G’s novel, Drop of the Last Cloud, we are told by Rakhi Dalal, explores the matrilineal heritage of Kerala, that changed to patriarchal over time. Bhaskar Parichha reviews Burning Pyres, Mass Graves and A State That Failed Its People: India’s Covid Tragedy by Harsh Mander. Parichha emphasises the need never to forget the past: “It is a powerful book and sometimes it is even shattering. The narrative is a live remembrance of a national tragedy that too many of us wish to forget when we should, instead, etch it in our minds so that we can prevent another national tragedy like this one from recurring in the future.”  While we need to learn from the past as Parichha suggests, Somdatta Mandal has given a review that makes us want to read Ujjal Dosanjh’s book, The Past is Never Dead: A Novel. She concludes that it “pays tribute to the courage and tenacity of the human spirit and its capacity for hope despite all odds.”

We have more content than mentioned here… all of it enhances the texture of our journal. Do pause by our July issue to savour all the writings. Huge thanks to all our contributors, artists, all our readers and our wonderful team. Without each one of you, this edition would not have been what it is.

Thank you all.

Have a wonderful month!

Mitali Chakravarty

borderlessjournal.com

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Visit the July edition’s content page by clicking here

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Categories
Poets, Poetry & Rhys Hughes

Productivity

I am British and the British are a lazy race. This must be true because our own governments keep telling us it is. They have been saying the same thing for as long as I can recall. They never grow weary of loudly declaring it, despite the constant effort involved in berating us, thus contradicting the meaning of their message with the method of delivering it.

I think they mean that we should work harder for their benefit, so they can take the opportunity to be more lazy. Because, yes, they are just as indolent as the people they accuse of laziness, if not more so. If national characters really exist (I am not sure they do) then laziness is certainly part of ours. How can this be possible? We wandered the world invading and colonising and that requires drive and vigour, surely? Not necessarily. I suspect we did all that because it was an easier option. Less effort to take than make. But I wish we had been just a little lazier and not even bothered to take.

As the philosopher Emil Cioran pointed out, lazy people cause less trouble than busy ones. Almost all the artificial crises of history are the result of active, busy go-getters, whether they be warlords, emperors or irresponsible inventors. Another thinker, Paul Lafargue, published a book in 1883 called The Right to be Lazy which sets out comprehensive arguments as to how decreasing one’s own workload is the best way forward for the entire human race. This book ought to be read by everyone. It opens with an exquisite quote from Lessing, “Let us be lazy in everything except in being lazy.”

Laforgue suggests that the stated desire of socialist governments for ‘full employment’ is a mistake. More working hours means more servitude, misery and frustration. It might mean more pay too, but what is the use of pay when it is paid for in time? That is self-defeating. And the stated desire of conservative governments for ‘greater competition’ is also a mistake. Effective competition requires more work, and so we are back where we started, in a world where the only thing that radically different political systems agree on is that the innocent people they rule over should be toilers.

It is leisure time that is the fruit of progress, free space in which one can be creative, joyful or just peaceful. Automation is key to making the utopia happen, and when I was young we were promised a future of leisure in which computers would do all the hard thinking and robots all the heavy labour, and we could be released into freedom, visiting friends, taking siestas, writing poetry, composing music, or floating on our backs in the clouds thanks to silent anti-gravity motors and communing with birds and rainbows.

The promise was broken. Automation gave us more free time, but that free time was flooded with more work, at the urgings of the high lords of capitalism. And now the computers and robots write poems, compose music and create art, while we drudge and toil in ever worse conditions, with ever greater pressure on the hulls of our souls, as if we are organic submersibles sinking irreversibly into the deepest depths of the oceans of degradation. One day we must be crushed, a flattened populace, compressed to shadows on the seabed of our aspirations and dreams. The high lords will have triumphed.

Therefore, I regard the laziness of the British nation with affection. And yet I recently saw a map that has been produced from statistical data revealing that not all Britain is equally lazy. On the contrary, some regions are very productive indeed, over-productive in fact. I studied the map and saw that where I lived for many years was in one of the lazy zones. I heaved a sigh of relief. It is good to know that I did not fail to fit in with my environment back then. It reassures me, and we all need reassurance, even lazy people.

Map provided by Rhys Hughes

But my main reaction to viewing the map was to wonder how peculiar it must be to live right on the border that divides an over-productive zone from an under-productive one, especially with your left half in one zone and your right half in another. One of your legs and arms would be moving much faster than the other arm and leg, and presumably you would then rotate in a circle, as you paddled yourself around, which would mean all parts of you would take turns to be basted in both laziness and industriousness!

That was my first thought. But then I realised that I had been quite lazy in the details of my speculation. Actually, you would not rotate in a circle in that manner. You would rotate first one way, then back the other way, as different sides of your body came under the influence of the over-productive zone, and so you would move more like an alternating current than a windmill. Whether this would be an improvement or not, I do not know.

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Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

An Alphabetical Adventure

By Rhys Hughes

I have long been interested in unusual rhyme schemes, especially if they have a pleasing mathematical pattern. Deciding to attempt an ambitious rhyme scheme unlike any other, I produced the following poem. Regarded as a whole, the poem relies on chain rhymes, with a linking rhyme carrying over from one stanza into the next one. Thus, the rhyme scheme is AABAA, BBCBB, CCDCC, DDEDD, EEFEE and so on until ZZAZZ, which completes the loop. This means that for every word at the end of every line there are four other words at the ends of other lines that rhyme with it. I was careful to ensure that no types of rhyme were duplicated, so the progression from A to Z is authentic. After the poem was finished, I discovered to my surprise that my rhyme scheme was quite similar to one that  already had a name, the ‘virelai ancien’, and a respected history.

AABAA
It happened on a rainy day
when I was strolling through the grey
curling mists that hid each tree
I soon enough lost my way
and what remains for me to say?

BBCBB
Not a lot, you will agree,
and as a practical insight this is key
therefore I kept wandering on
deeper into the illusory sea
of thickening fog that shrouded me.

CCDCC
I stretched my neck out like a swan
and crooned an old wayfarer’s song
and snapping a branch from a trunk
I beat my stomach like a gong
and not once thought it very wrong.

DDEDD
You might suspect that I was drunk
but I was as sober as a monk
and yet the boom of my belly flaps
summoned strangers as they shrunk
like dinner guests who are in a funk.

EEFEE
And why in funk were those chaps?
They were ghosts swathed in wraps,
forest phantoms who died long ago
caught in the jaws of various traps
who expired after the first collapse.

FFGFF
They lined up before me in a row
opening their mouths very slow
expecting food that they could chew
thanks to each beating note so low
that called them with an urgent blow.

GGHGG
The fault was mine, yes that’s true
and now I was jostled by this crew
of ghouls and spectres immaterial,
my unmoving limbs stuck with glue
as if fear’s an adhesive turgid brew.

HHIHH
I broke the spell with a great yell
and turned to escape from this hell
but one of the ghosts held me back
and advised me all my fears to quell
or else I might make myself unwell.

IIJII
And now all my limbs did go slack
while my nerves began to crack
for I trusted not that phantom brute,
no more than I might trust a quack
dressed not as a doctor but in a sack.

JJKJJ
“Sir, your terror appears to be acute
but please relax for it’s more astute,”
the phantom said with a twisted grin.
He meant no harm although destitute
of bones and flesh worn like a suit.

KKLKK
“What do you want?” I implored him
and in response he lifted up a limb
and made a gesture most mysterious
as if touching an invisible hat’s brim,
a mark of respect to a man named Tim.

LLMLL
For yes, that is my name, I am serious,
on no account have I become delirious
and I continue to insist ‘Tim’ is alright
as a cognomen neither very imperious
nor in any manner judged deleterious.

MMNMM
“Our rotten bodies were our birthright
but now forever more lost to our sight,
lonely we are in this transparent form,
very melancholy in our present plight,”
replied the ghost who might be a sprite.

NNONN
“How can I help you to feel less forlorn
or at least assist your sadness to warm
and thaw itself until into liquid it melts,
into teardrops as pungent as chloroform
that evaporates and is gone by dawn?”

OOPOO
That was the question that ancient Celts
might have asked when tightening belts
in preparation for the Roman invasion,
but I vocalised it now at the ghostly pelts
that scarred my sanity like whiplash welts.

PPQPP
“Amuse us with a dance on this occasion,”
they answered rapidly without evasion,
and I suppose they expected me to decline,
but as it happens I need little persuasion
to begin dancing, although I am Caucasian.

QQRQQ
Having taken lessons, my dancing is fine,
also in good time my steps usually align,
and so I waltzed with an imaginary friend
and the ghosts were no longer saturnine
in demeanour as they followed in a line.

RRSRR
Both straight ahead and around the bend,
I propelled myself fast, you may depend,
hoping to shake off my spectral entourage
for the rest of the journey I wished to spend
reassuringly alone until I reached the end.

SSTSS
But if I couldn’t outpace them, camouflage
was my other option: in the mists a mirage
my outline would be, indistinct, just a blur,
and I might get away in the foggy montage
like a carrot that hides in vegetable potage.

TTUTT
So now I abandoned the pose of danseur
and from my imaginary partner I did incur
non-existent chidings and a vocal uprising
that I chose to ignore like I do a longueur
in a play in the theatre acted by a poseur.

UUVUU
I took to my heels and puffed, exercising
my legs and my heart, while galvanising
my soul with thoughts of ghosts behind,
and thus, by rushing, it is not surprising
I fell and indulged in a spot of capsizing.

VVWVV
My pursuers caught up and I was resigned
to being surrounded by apparitions unkind,
but in actual fact they were concerned,
expressing sympathy in voices combined,
meaning they had been unfairly maligned.

WWXWW
We touch a hot topic and end up burned:
the subject of ghosts is one I have learned
to regard with caution if lectured by men,
for the grim spirits we may have spurned
perhaps by death into sweet beings turned.

XXYXX
I struggled to my feet and stood again,
bowed politely every now and then
as they gently touched me on my arm,
I laughed as if tickled by a quill pen
until I stopped, but I don’t know when.

YYZYY
Softly they spoke, not wishing to alarm
an injured stranger who must stay calm,
and I listened with not a little surprise
to amazing words delivered with charm
by ghastly brothers who meant no harm.

ZZAZZ
My fall killed me, I was in a new guise,
a ghost like them, for all that lives dies,
despite the fact it sounds like a cliché,
my flesh I cast off like a cheap disguise
and now with spooks I will harmonise.
Courtesy: Creative Commons

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Contents

Borderless June 2023

Art by Sohana Manzoor

Editorial

Where have All the People Gone? … Click here to read.

Translations

Hena, a short story by Nazrul, has been translated from Bengali by Sohana Manzoor. Click here to read.

Mohammad Ali’s Signature, a short story by S Ramakrishnan, has been translated from Tamil by Dr B Chandramouli. Click here to read.

Three poems by Masud Khan have been translated from Bengali by Professor Fakrul Alam. Click here to read.

Shadows, a poem in Korean, has been translated by the poet himself, Ihlwha Choi. Click here to read.

Pran or Life by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Conversations

Shantanu Ray Chaudhuri converses with Vinta Nanda about the Shout, a documentary by Vinta Nanda that documents the position of women in Indian society against the backdrop of the #MeToo movement and centuries of oppression and injustice. Click here to read.

In Conversation with Advait Kottary about his debut historic fiction, Siddhartha: The Boy Who Became the Buddha. Click here to read.

Poetry

Click on the names to read the poems

Michael Burch, Ananya Sarkar, George Freek, Smitha Sehgal, Rachel Jayan, Michael Lee Johnson, Sayantan Sur, Ron Pickett, Saranyan BV, Jason Ryberg, Priya Narayanan, Ryan Quinn Flanagan, Evangeline Zarpas, Ramesh Karthik Nayak, Rhys Hughes

Poets, Poetry & Rhys Hughes

In Ghee-Wizz, Rhys Hughes talks of the benefits of Indian sweets while wooing Yetis. Click here to read.

Musings/Slices from Life

Humbled by a Pig

Farouk Gulsara meets a wild pig while out one early morning and muses on the ‘meeting’. Click here to read.

Spring Surprise in the Sierra

Meredith Stephens takes us hiking in Sierra Nevada. Click here to read.

Lemon Pickle without Oil

Raka Banerjee indulges in nostalgia as she tries her hand at her grandmother’s recipe. Click here to read.

Apples & Apricots in Alchi

Shivani Shrivastav bikes down to Alchi Ladakh to find serenity and natural beauty. Click here to read.

Musings of a Copywriter

In Trees from my Childhood, Devraj Singh Kalsi muses on his symbiotic responses to trees that grew in their home. Click here to read.

Notes from Japan

In Superhero Sunday in Osaka, Suzanne Kamata writes of her experience at the Osaka Comic Convention with her daughter. Click here to read.

Stories

The Trial of Veg Biryani

Anagha Narasimha gives us a social satire. Click here to read.

Am I enough?

Sarpreet Kaur explores social issues in an unusual format. Click here to read.

Arthur’s Subterranean Adventure

Paul Mirabile journeys towards the centre of the Earth with his protagonist. Click here to read.

Essays

No Bucket Lists, No Regrets

Keith Lyons muses on choices we make while living. Click here to read.

In Search of the Perfect Dosa

Ravi Shankar trots around the world in quest of the perfect dosa — from South India to Aruba and West Indies. Click here to read.

“Bookshops don’t fail. Bookshops run by lazy booksellers fail.”

Shantanu Ray Chaudhuri takes us for a tour of the Kunzum bookstore in New Delhi. Click here to read.

Book Excerpts

An excerpt from Greening the Earth: A Global Anthology of Poetry, edited by K. Sachitanandan and Nishi Chawla. Click here to read.

An excerpt from Advait Kottary’s Siddhartha: The Boy Who Became the Buddha. Click here to read.

Book Reviews

Somdatta Mandal reviews Behind Latticed Marble: Inner Worlds of Women by Jyotirmoyee Devi Sen, translated from Bengali by Apala G. Egan. Click here to read.

Rakhi Dalal reviews Rhys Hughes’ The Wistful Wanderings of Perceval Pitthelm. Click here to read.

Basudhara Roy reviews Prerna Gill’s Meanwhile. Click here to read.

Bhaskar Parichha reviews Zac O’Yeah’s Digesting India: A Travel Writer’s Sub-Continental Adventures With The Tummy (A Memoir À La Carte). Click here to read.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Editorial

Where have All the People Gone?

Courtesy: Creative Commons

Can humankind ever stop warring and find peace?

Perhaps, most sceptics will say it is against human nature to stop fighting and fanning differences. The first recorded war was fought more than 13,000 years ago in what is now a desert but was green long ago. Nature changed its face. Continents altered over time. And now again, we are faced with strange shifts in climate that could redefine not just the dimensions of the surface area available to humankind but also our very physical existence. Can we absorb these changes as a species when we cannot change our nature to self-destruct for concepts that with a little redefining could move towards a world without wars leading to famines, starvation, destruction of beautiful edifices of nature and those built by humankind? That we could feed all of humans — a theory that won economist Abhijit Banerjee his Nobel Prize in 2019 so coveted by all humanity — almost seems to have taken a backseat. This confuses — as lemmings self-destruct…do humans too? I would have thought that all humanity would have moved towards resolving hunger and facing the climate crises post-2019 and post-pandemic, instead of killing each other for retaining constructs created by powerbrokers.

In the timeless lyrics of ‘Imagine’, John Lennon found peace by suggesting we do away with manmade constructs which breed war, anger and divisions and share the world as one. Wilfred Owen and many writers involved in the World Wars wrote to showcase the desolation and the heartfelt darkness that is brought on by such acts. Nazrul also created a story based on his experience in the First World War, ‘Hena’, translated for us by Sohana Manzoor. Showcasing the downside of another kind of conflict, a struggle to survive, is a story with a distinctive and yet light touch from S Ramakrishnan translated from Tamil by B Chandramouli. And yet in a conflict-ridden world, humans still yearn to survive, as is evident from Tagore’s poem Pran or ‘Life’. Reflecting it is the conditioning that we go through from our birth that makes us act as we do are translations by Professor Fakrul Alam of Masud Khan’s poetry and from Korean by Ihlwha Choi.

A figure who questioned his own conditioning and founded a new path towards survival; propounded living by need, and not greed; renounced violence and founded a creed that has survived more than 2500 years, is the man who rose to be the Buddha. Born as Prince Siddhartha, he redefined the norms with messages of love and peace. Reiterating the story of this legendary human is debutante author, Advait Kottary with his compelling Siddhartha: The Boy Who Became the Buddha, a book that has been featured in our excerpts too. In an interview, Kottary tells us more of what went into the making of the book which perhaps is the best survivor’s guide for humanity — not that we need to all become Buddhas but more that we need to relook at our own beliefs, choices and ways of life.

Another thinker-cum-film maker interviewed in this edition is Vinta Nanda for her film Shout, which highlights and seeks resolutions for another kind of crisis faced by one half of the world population today. She has been interviewed and her documentary reviewed by Shantanu Ray Chaudhuri. Chaudhuri has also given us an essay on a bookshop called Kunzum which continues to expand and go against the belief we have of shrinking hardcopy markets.

The bookshop has set out to redefine norms as have some of the books featured in our reviews this time, such as Rhys Hughes’ latest The Wistful Wanderings of Perceval Pitthelm. The reviewed by Rakhi Dalal contends that the subtitle is especially relevant as it explores what it says — “The Absurdity of Existence and The Futility of Human Desire” to arrive at what a person really needs. Prerna Gill’s Meanwhile reviewed by Basudhara Roy and poetry excerpted from Greening the Earth: A Global Anthology of Poetry, edited by K. Satchidanandan and Nishi Chawla, also make for relooking at the world through different lenses. Somdatta Mandal has written about Behind Latticed Marble: Inner Worlds of Women by Jyotirmoyee Devi Sen, translated by Apala G. Egan and Bhaskar Parichha has taken us on a gastronomic tour with Zac O’Yeah’s Digesting India: A Travel Writer’s Sub-Continental Adventures with the Tummy (A Memoir À La Carte).

Gastronomical adventures seem to be another concurrent theme in this edition. Rhys Hughes has written of the Indian sweets with gulab jamun as the ultimate life saver from Yetis while trekking in the Himalayas! A musing on lemon pickle by Raka Banerjee and Ravi Shankar’s quest for the ultimate dosa around the world — from India, to Malaysia, to Aruba, Nepal and more… tickle our palate and make us wonder at the role of food in our lives as does the story about biryani battles by Anagaha Narasimha.

Talk of war, perhaps, conjures up gastronomic dreams as often scarcity of food and resources, even potable water and electricity is a reality of war or conflict. Michael Burch brings to us poignant poetry about war as Ramesh Karthik Nayak has a poem on a weapon used in wars. Ryan Quinn Flanagan has brought another kind of ongoing conflict to our focus with his poetry centring on the National Day (May 5th) in Canada for Vigils for Missing and Murdered Indigenous Women by hanging red clothes from trees, an issue that perhaps has echoes of Vinta Nanda’s Shout and Suzanne Kamata’s poetry for her friend who went missing decades ago as opposed to Rachel Jayen’s defiant poetry where she asserts her womanhood. Ron Pickett, George Freek and Sayantan Sur have given us introspective perspectives in verse. We have more poetry asking for a relook at societal norms with tongue-in -cheek humour by Jason Ryberg and of course, Rhys Hughes with his heartfelt poem on raiders in deserts.

The piece that really brought a smile to the lips this time was Farouk Gulsara’s ‘Humbled by a Pig’, a humorous recount of man’s struggles with nature after he has disrupted it. Keith Lyons has taken a look at the concept of bucket lists, another strange construct, in a light vein. Devraj Singh Kalsi has given a poignant and empathetic piece about trees with a self-reflective and ironic twist. We have narratives from around the world with Suzanne Kamata taking us to Osaka Comic Convention, Meredith Stephens to Sierra Nevada and Shivani Shrivastav to Ladakh. Paul Mirabile has travelled to the subterranean world with his fiction, in the footsteps perhaps of Jules Verne but not quite.

We are grateful to all our wonderful contributors some of whom have not been mentioned here but their works were selected because they truly enriched our June edition. Do visit our contents page to meet and greet all our wonderful authors. I would like to thank the team at Borderless without whose efforts and encouragement our journal would not exist and Sohana Manzoor especially for her fantastic artwork as well. Thank you all.

Wish you another lovely month of interesting reads!

Mitali Chakravarty

borderlessjournal.com

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Categories
Poets, Poetry & Rhys Hughes

Ghee-Wizz

By Rhys Hughes

Ladoos
Gujiya
Courtesy: Creative Commons

Ghee-laden, sugar-loaded, deep-fried, I have been warned that Indian sweets are naughty, even dangerous, and that I shouldn’t eat them at all, or if I do insist on eating them, then they must only be sampled in moderation, and even when I eat them in moderation I ought to visit a reliable doctor every week for a full health check, and even if I do that, I must bear in mind that men of my age die of heart attacks even when they don’t eat sweets of this nature. Indian sweets might look harmless on the plate but they are like cluster bombs, detonating inside the body and speeding a man into the next world.

But I climb mountains and mountaineering has been a huge part of my life, and when we climbed mountains back in Britain we took with us large amounts of a substance called Kendal Mint Cake. I need to talk about this food before I am able to make the point that I intend to make about Indian sweets. If you bear with me, I won’t be too long. Kendal Mint Cake is a sugar-based confection and is flavoured with peppermint oil. In fact, sugar, water and peppermint oil are the only ingredients, but they are prepared in a special way which remains a secret. I don’t think there’s much that’s very secretive about blending sugar, water and peppermint oil, but who am I to say that?

The ingredients are mixed together and boiled in copper pans while being continually stirred. If this stirring stops, the mixture becomes translucent and it will be ruined, because opacity is the desired feature of Kendal Mint Cake. How can a translucent sugar-rush product be taken seriously? We see the light after a lifetime of contemplation. We see a solid lump of minty sugar when we plan to ascend to the summit of some peak or other.

Kendal Mint Cake. Courtesy: Creative Commons

Kendal Mint Cake has a formidable and perhaps peerless reputation as the energy-providing snack of choice for the intrepid explorer. It played an essential role in the Trans-Antarctic Expedition of 1914–1917, led by Ernest Shackleton, one of the fittest and toughest men who ever lived. It aided Hillary and Tenzing in the first successful attempt on Everest in 1953 and other members of the team wrote, “It was easily the most popular item on our high altitude ration” and “our only criticism was that we did not have enough of it”. High praise indeed, with an emphasis on the high. Bonington also climbed Everest in 1975 using Kendal Mint Cake, as well as ropes and crampons.

I think we can safely declare that Kendal Mint Cake is heroic. Therefore, it seems to be that Indian sweets can also be regarded as mighty, valiant, doughty, gallant, fearless and daring. And when we consider that India has mountains far higher than those in Britain, shouldn’t we tend to the conclusion that the sweets of India are themselves a bracing landscape when seen on the counter of a shop that sells them? We hear a lot of talk about sugar highs and lows, but viewed as a backdrop, rather than as the progress of a graph line through time, highs and lows form mountain ranges. Indian sweets recreate on the inside the geography of the northern icy reaches of the country.

It is high time (more wordplay) that mountaineers and other explorers start carrying Indian sweets on their expeditions. Kendal Mint Cake has proved itself in the lonely heights, and now gulab jamuns and ladoos, and boxes of sandesh, modak, barfi and bowls of payasam should be given a fair chance, to say nothing of kulfi, halwa, gujiya, and my favourite, Mysore pak. Need I list them all? It is not just a question of providing energy to the adventurer, energy that can be expended a very short time after eating the sweets, as opposed to eating healthy foods which provide energy slowly and in trickles. No, there are many other good reasons for adding a broad selection of sweets to the supplies that are to be taken up slopes of staggering steepness into the very clouds.

First of all, sweets are light. They are lighter than so-called healthy foods. I pity the mountaineer who hefts sacks of cabbages and carrots to the top of harsh and fearsome Annapurna or Dhaulagiri. Sweets are considerably more compact than vegetables, especially the unpleasant-tasting vegetables. Sweets can remain fresh for longer and that’s another advantage. You don’t have to eat them all in the foothills but can save some for the ascent.

Sweets are rewards too. The fellow who promises himself a ladoo or two when he finally attains a certain tricky ledge is more likely to be motivated to strive for that ledge than the man who tempts himself with a turnip or beetroot. Who would want to munch on a root vegetable during a blizzard? Not me. The taking of sweets on expeditions also provides work for sweet-makers. It is both economically wise and aesthetically sensible to carry sweets together with ropes and pitons and carabiners and all the other accoutrements of a sober climb if one happens to be a serious climber. Hunger pangs are one thing at sea level, but at altitude they tend to be much worse.

There is another consideration that hasn’t yet been touched on. There is the perennial risk for the mountaineer who attempts the Himalayas that he will meet and be abducted by Yetis. I won’t overstate the risk. Most of the climbers of that range have returned without being abducted. But is it really responsible to poke one’s nose into the eternal snows without something to mollify the beast? There is the question of simply organic respect. The explorer who suddenly encounters a Yeti and emits a shriek has insulted his potential host. The explorer who opens a box of sweets and offers one, or several, or many, to the hairy brute will surely make a good impression. I can almost see them now, in my mind’s eye, man and monster sitting on a crag, sharing gulab jamuns.

Gulab Jamuns
Mysore Pak
Courtesy: Creative Commons

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

The Raiders

By Rhys Hughes

Courtesy: Creative Commons
The raiders reach the crest of the dune
and rest their horses for a quarter hour
while they scowl down upon the town,
the clustered huts and a wooden tower,
dimly illumined by the crescent moon.

Their hooves will clatter like a shower
of barbarous arrows onto the tin crown
of the toy king, each rider keen to prune
with a cruel hook every troubled frown,
a demonstration of their ruthless power.

In both wine or music a man may drown,
the war god clearly demands some tune
to shake out the nectar from the flower,
and for all the petals that will be strewn
his laughter is that of the maddest clown.

Do not despair, give no thought to fears,
the isolated peaks must eternally gleam,
and when all the thunder is a faded hush
nothing shall appear as it now may seem,
and the whittling worlds require no years.

The stream of themes that flood my dream
wash clean the screams in a headlong rush
and I watch for eyes when the mist clears
that blink eyelids weighty enough to crush
every ironic invader with his iron scheme.

And now stony heads dent beds of plush,
tears dilute rum to the strength of beers,
half-defeated and lost they remain a team
and that is true despite those burning ears
that blush as cheeks in youth’s first flush.

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

.

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International