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Contents

Borderless, December 2025

Art by Sohana Manzoor

Editorial

‘I wondered should I go or should I stay…’ …Click here to read.

Translations

Nazrul’s Shoore O Baneer Mala Diye (With a Garland of Tunes and Lyrics) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Four of his own Malay poems have been translated by Isa Kamari. Click here to read.

Five poems by Satrughna Pandab have been translated to English from Odia by Snehaprava Das. Click here to read.

A Lump Stuck in the Throat, a short story by Nasir Rahim Sohrabi translated from Balochi by Fazal Baloch. Click here to read.

Tagore’s Jatri (Passenger) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Conversation

Keith Lyons in conversation with Harry Ricketts, mentor, poet, essayist and more. Click here to read.

Poetry

Click on the names to read the poems

Harry Ricketts, Luis Cuauhtémoc Berriozábal, Laila Brahmbhatt, John Grey, Saba Zahoor, Diane Webster, Gautham Pradeep, Daniel Gene Barlekamp, Annwesa Abhipsa Pani, Cal Freeman, Smitha Vishwanath,John Swain, Nziku Ann, Anne Whitehouse, Tulip Chowdhury, Ryan Quinn Flangan, Ramzi Albert Rihani, Rhys Hughes

Poets, Poetry & Rhys Hughes

In Said the Spook, Rhys Hughes gives a strange tale around Christmas. Click here to read.

Musings/ Slices from Life

Your call is important to us?

Farouk Gulsara writes of how AI has replaced human interactions in customer service. Click here to read.

Honeymoon Homecoming

Meredith Stephens visits her old haunts in Japan. Click here to read.

Cracking Exams

Gower Bhat discusses the advent of coaching schools in Kashmir for competitive exams for University exams, which seem to be replacing real schools. Click here to read.

The Rule of Maximum Tolerance?

Jun A. Alindogan writes of Filipino norms. Click here to read.

How Two Worlds Intersect

Mohul Bhowmick muses on the diversity and syncretism in Bombay or Mumbai. Click here to read.

Musings of a Copywriter

In The Monitoring Spirit, Devraj Singh Kalsi writes of spooky encounters. Click here to read.

Notes from Japan

In One Thousand Year Story in the Middle of Shikoku, Suzanne Kamata takes us on a train ride through Japan. Click here to read.

Essays

250 Years of Jane Austen: A Tribute

Meenakshi Malhotra pays a tribute to the writer. Click here to read.

Anadi: A Continuum in Art

Ratnottama Sengupta writes of an exhibition curated by her. Click here to read.

Sangam Literature: Timeless Chronicles of an Ancient Civilisation

Ravi Varmman K Kanniappan explores the rich literary heritage of Tamil Nadu. Click here to read.

A Brickfields Christmas Tale

Malachi Edwin Vethamani recounts the flavours of past Christmases in a Malaysian Kampung. Click here to read.

Bhaskar’s Corner

In The Riverine Journey of Bibhuti Patnaik, Bhaskar Parichha pays a tribute to the octegenarian writer. Click here to read.

Stories

Evergreen

Sayan Sarkar gives a climate friendly and fun narrative. Click here to read.

The Crying Man

Marc Rosenberg weaves a narrative around childhood. Click here to read.

How Madhu was Cured of Laziness

Naramsetti Umamaheswararao gives a fable set in Southern India. Click here to read.

Book Excerpts

Excerpt from Ghosted: Delhi’s Haunted Monuments by Eric Chopra. Click here to read.

Excerpt from Leonie’e Leap by Marzia Pasini. Click here to read.

Book Reviews

Rakhi Dalal reviews Anuradha Kumar’s Love and Crime in the Time of Plague. Click here to read.

Andreas Giesbert reviews Ariel Slick’s The Devil Take the Blues: A Southern Gothic Novel. Click here to read.

Gazala Khan reviews Ranu Uniyal’s This Could Be a Love Poem for You. Click here to read.

Bhaskar Parichha reviews Indira Das’s Last Song before Home, translated from Bengali by Bina Biswas. Click here to read.

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Editorial

‘I wondered should I go or should I stay…’

I flow and fly
with the wind further
still; through time
and newborn worlds…

--‘Limits’ by Luis Cuauhtémoc Berriozábal

In winters, birds migrate. They face no barriers. The sun also shines across fences without any hindrance. Long ago, the late Nirendranath Chakraborty (1924-2018) wrote about a boy, Amalkanti, who wanted to be sunshine. The real world held him back and he became a worker in a dark printing press. Dreams sometimes can come to nought for humanity has enough walls to keep out those who they feel do not ‘belong’ to their way of life or thought. Some even war, kill and violate to secure an exclusive existence. Despite the perpetuation of these fences, people are now forced to emigrate not only to find shelter from the violences of wars but also to find a refuge from climate disasters. These people — the refuge seekers— are referred to as refugees[1]. And yet, there are a few who find it in themselves to waft to new worlds, create with their ideas and redefine norms… for no reason except that they feel a sense of belonging to a culture to which they were not born. These people are often referred to as migrants.

At the close of this year, Keith Lyons brings us one such persona who has found a firm footing in New Zealand. Setting new trends and inspiring others is a writer called Harry Ricketts[2]. He has even shared a poem from his latest collection, Bonfires on the Ice. Ricketts’ poem moves from the personal to the universal as does the poetry of another migrant, Luis Cuauhtémoc Berriozábal, aspiring to a new, more accepting world. While Tulip Chowdhury — who also moved across oceans — prays for peace in a war torn, weather-worn world:

I plant new seeds of dreams
for a peaceful world of tomorrow.

--‘Hopes and Dreams’ by Tulip Chowdhury

We have more poems this month that while showcasing the vibrancy of thoughts bind with the commonality of felt emotions on a variety of issues from Laila Brahmbhatt, John Grey, Saba Zahoor, Diane Webster, Gautham Pradeep, Daniel Gene Barlekamp, Annwesa Abhipsa Pani, Cal Freeman, Smitha Vishwanath, John Swain, Nziku Ann and Anne Whitehouse. Ramzi Albert Rihani makes us sit up by inverting norms while Ryan Quinn Flangan with his distinctive style raises larger questions on the need for attitudinal changes while talking of car parks. Rhys Hughes sprinkles ‘Hughesque’ humour into poetry with traffic jams as he does with his funny spooky narrative around Christmas.

Fiction in this issue reverberates across the world with Marc Rosenberg bringing us a poignant telling centred around childhood, innocence and abuse. Sayan Sarkar gives a witty, captivating, climate-friendly narrative centred around trees. Naramsetti Umamaheswararao weaves a fable set in Southern India.

A story by Nasir Rahim Sohrabi from the dusty landscapes of Balochistan has found its way into our translations too with Fazal Baloch rendering it into English from Balochi. Isa Kamari translates his own Malay poems which echo themes of his powerful novels, A Song of the Wind (2007) and Tweet(2017), both centred around the making of Singapore. Snehaprava Das introduces Odia poems by Satrughna Pandab in English. While Professor Fakrul Alam renders one of Nazrul’s best-loved songs from Bengali to English, Tagore’s translated poem Jatri (Passenger) welcomes prospectives onboard a boat —almost an anti-thesis of his earlier poem ‘Sonar Tori’ (The Golden Boat) where the ferry woman rows off robbing her client.

In reviews, we also have a poetry collection, This Could Be a Love Poem for You by Ranu Uniyal discussed by Gazala Khan. Bhaskar Parichha introduces a book that dwells on aging and mental health issues, Indira Das’s Last Song before Home, translated from Bengali by Bina Biswas. Rakhi Dalal has reviewed Anuradha Kumar’s Love and Crime in the Time of Plague:A Bombay Mystery, a historical mystery novel set in the Bombay of yore, a sequel to her earlier The Kidnapping of Mark Twain. Andreas Giesbert has woven in supernatural lore into this section by introducing Ariel Slick’s The Devil Take the Blues: A Southern Gothic Novel. In our excerpts too, we have ghostly lore with an extract from Ghosted: Delhi’s Haunted Monuments by Eric Chopra. The other excerpt is from Marzia Pasini’s Leonie’s Leap, a YA novel showcasing resilience.

We have plenty of non-fiction this time starting with a tribute to Jane Austen (1775-1817) by Meenakshi Malhotra. Austen turns 250 this year and continues relevant with remakes in not only films but also reimagined with books around her novels — especially Pride and Prejudice (which has even a zombie version). Bhaskar Parichha pays a tribute to writer Bibhuti Patnaik. Ravi Varmman K Kanniappan explores ancient Sangam Literature from Tamil Nadu and Ratnottama Sengupta revisits an art exhibition that draws bridges across time… an exploration she herself curated.

Suzanne Kamata takes us on a train journey through historical Japan and Meredith Stephens finds joy in visiting friends and living in a two-hundred-year-old house from the Edo period[3]. Mohul Bhowmick introduces a syncretic and cosmopolitan Bombay (now Mumbai). Gower Bhat gives his opinion on examination systems in Kashmir, which echoes issues faced across the world while Jun A. Alindogan raises concerns over Filipino norms.

Farouk Gulsara — with his dry humour — critiques the growing dependence on artificial intelligence (or the lack of it). Devraj Singh Kalsi again shares a spooky adventure in a funny vein while Malachi Edwin Vethamani woos us with syncretic colours of Christmas during his childhood in Brickfields, Malaysia — a narrative woven with his own poems and nostalgia.

We have a spray of colours from across almost all the continents in our pages this time. A bumper issue again — for which all of the contributors have our heartfelt thanks. Huge thanks to our fabulous team who pitch in to make a vibrant issue for all of us. A special thanks to Sohana Manzoor for the fabulous artwork. And as our readers continue to grow in numbers by leap and bounds, I would want to thank you all for visiting our content! Introduce your friends too if you like what you find and do remember to pause by this issue’s contents page.

Wish all of you happy reading through the holiday season!

Best wishes,

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE DECEMBER 2025 ISSUE.

[1] UNHCR Refugees

[2] Harry Ricketts born and educated in  England moved to New Zealand.

[3] Edo period in Japan (1603-1868)

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Slices from Life

The Rule of Maximum Tolerance?

By Jun A. Alindogan

From Public Domain

In the Philippines, ‘maximum tolerance’ refers to peacekeepers practicing a high level of restraint during public gatherings to ensure safety and maintain peace, while law enforcement implements action against violent demonstrators and shows tolerance towards those who are peaceful. Essentially, it means tolerating an individual’s capacity for patience, endurance, and long-suffering in the face of behavioral challenges.

Until now, I have maintained a close relationship with an orphaned nephew of a colleague of mine. Our bond grew stronger when he moved to our church shelter from a nearby mountainous town to live with his uncle. I have always empathised with him, as my family also provided care for fatherless children. The purpose of his relocation was to enable him to complete his college education. He eventually graduated with a degree in computer science from an institution that claims to have an Asian focus, despite lacking a physical campus during the Covid-19 pandemic. Understandably, he struggled to find employment. He returned home to stay with his aunt’s family, patiently waiting for an opportunity to secure a job, which proved to be challenging.

During his studies, we would occasionally meet for meals to discuss the work on his paper requirements before graduation and plan his group thesis. When the pandemic hit, our conversations shifted online, but his willingness to seek my assistance remained strong, and I gladly supported him.

His first job involved selling organic powdered coffee imported from Malaysia at an office in the heart of Quezon City. When the Covid-19 virus spiked, all the company’s employees had to work from home. However, there were times when they were asked to come to the office despite the significant health risk.

My friend refused to do so, which was quite reasonable as he lived with his elderly aunt and uncle. As a result, he was reprimanded and issued a memo for unauthorised leave of absence. I had to help him draft a letter in response to the memo. This situation challenged him to assert his rights as an employee as not every human resource policy is beneficial. At times, companies will test your threshold of tolerance to the limit which is not necessarily wrong. Upon repeated emails that we sent to the HR department, he was finally given his last paycheck months after his resignation.

His next job was as a management trainee for a Canadian-based coffee shop in a mall chain. Coffee shops and fast-food stores often hire college graduates from any field to fill staffing gaps caused by high employee turnover, even if their majors are unrelated to the food industry. Unfortunately, he did not pass the probationary period because he said he was verbally mistreated by the store manager over work principles and practices.

His initial job application at a global fast-food chain was unsuccessful, as he did not receive an interview. He ended up taking a part-time online job at a small pharmaceutical company to earn money for his expenses. After a year of waiting, he was finally invited for a management interview at the same fast-food chain in a city near his hometown. He got the job.

He has been working for the global fast-food chain for over two years now and enjoys his role as a specialist manager due to his interest in computing and ordering items. However, the local store management has not been supportive in terms of taking care of their team. For example, when he had a high-grade fever while working, he was not allowed to go home until the next shift manager arrived, in the midst of a heavy, rainy evening. There was even an instance where he had to attend a management meeting at another store after his graveyard shift.

On a particular rest day after his graveyard shift, he was instructed to attend management classes in a southern city for three days, without being given additional days off to offset his attendance during his rest day. Another schedule required him to report at 2pm after working a graveyard shift. At times, he was also instructed to go to other stores to manage, without any fare allowances. All these cases are documented online. The goal is for the team to hit the sales target at whatever cost and without offering any additional incentives. Even when he had toe-surgery and had to go on sick leave, he was still expected to work from home regarding stock orders. The global fast food chain’s work-life balance policy is only superficial.

Maximum tolerance does not mean to allow individuals, communities, and corporations to exploit us to unimaginable levels, where our self-worth is solely dependent on our output. Outstanding results should be based on a holistic approach that recognises everyone’s basic humanity. Resignation prevails simply because individuals are not allowed to exercise and enjoy their humanness in any circumstances. This should not be the case.

This scenario is not only limited to corporations, but also to religious institutions. In the church that I regularly attend, the resident minister encourages members to be involved in various programs, as leadership should not be dependent on a single individual but on the collective efforts of everyone. However, in doing so, he expects every member to participate in a series of activities all day on Sundays. Sundays, or any Sabbath day, should be a day of spiritual and physical refreshment and renewal. However, with the onslaught of day-long programmes each Sunday, the maximum tolerance of members is tested to the point where most skip events instead of feeling encouraged, as the minister makes them feel guilty. Saying ‘n’o is not a sin of omission.

I look forward to a time when it will be common for business enterprises and social institutions to implement appropriate mechanisms that help individuals to be more human, rather than just robots mindlessly following instructions.

Manuel A. Alindogan, Jr. or Jun A. Alindogan is the Academic Director of the Expanded Alternative Learning Program of Empowered East, a Rizal-province based NGO in the Philippines and is also the founder of Speechsmart Online that specialises in English test preparation courses. He is a freelance writer and a member of the Freelance Writers’ Guild of the Philippines (FWGP).

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Contents

Borderless, October 2025

Painting by Sohana Manzoor

Editorial

Imagine… All the People… Click here to read

Translations

Jani Jani Priyo, Ea Jebone  (I know my dear one, in this life) by Nazrul has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Four of his own poems in Malay have been translated by Isa Kamari. Click here to read.

Five poems by Hrushikesh Mallick have been translated from Odia by Snehprava Das. Click here to read.

The Headstone, a poignant story by Sharaf Shad has been translated by Fazal Baloch. Click here to read.

Shukh (Happiness) by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

John Valentine, Saranyan BV, John Swain, Ahmad Al-Khatat, Stephen Druce, Jyotish Chalil Gopinath, Jenny Middleton, Maria Alam, Ron Pickett, Tanjila Ontu, Jim Bellamy, Pramod Rastogi, John Grey, Laila Brahmbhatt, John Zedolik, Snehaprava Das, Joseph K.Wells, Rhys Hughes

Poets, Poetry & Rhys Hughes

Rhys Hughes shares his play, Night in Karnataka. Click here to read.

Musings/ Slices from Life

Just Passing Through

Farouk Gulsara muses on humans and their best friends. Click here to read.

Feeding Carrots to Gentle Herbivores

Meredith Stephens looks back to her past adventures with horses and present ones with giraffes. Click here to read.

Linen at Midnight

Pijus Ash relates a real-life spooky encounter in Holland. Click here to read.

Two Lives – A Writer and A Businessman

Chetan Datta Poduri explores two lives from the past and what remains of their heritage. Click here to read.

My Forest or Your City Park?

G Venkatesh muses on the tug of war between sustainabilty, ecology and economies. Click here to read.

Musings of a Copywriter

In Karmic Backlog, Devraj Singh Kalsi explores reincarnations with a twinge of humour. Click here to read.

Notes from Japan

In DIY Dining in Japan, Suzanne Kamata in a light note talks about restaurants with robots. Click here to read.

Essays

Peddling Progress?

Jun A. Alindogan writes about what is perceived as progress from Philippines. Click here to read.

From Madagascar to Japan: An Adventure or a Dream…

Randriamamonjisoa Sylvie Valencia writes of her journey from Africa to Japan with a personal touch. Click here to read.

From Bombay to Kolkata — the Dhaaks of Durga 

Ratnottama Sengupta explores a UNESCO Intangible Cultural Heritage Festival. Click here to read.

Stories

Sleeper on the Bench

Paul Mirabile sets his strange story in London. Click here to read.

Sandy Cannot Write

Devraj Singh Kalsi takes us into the world of adverstising and glamour. Click here to read.

The Wise Words of the Sun

Naramsetti Umamaheswararao relates a fable involving elements of nature. Click here to read.

Discussions

A conversation with Swati Pal, academic and poet, on healing through writing and bereavement. Click here to read.

A conversation with five translators — Aruna Chakravarti, Radha Chakravarty, Somdatta Mandal, Fakrul Alam and Fazal Baloch from across South Asia. Click here to read.

Book Excerpts

An excerpt from That’s A Fire Ant Right There! Tales from Kavali by Mohammed Khadeer Babu, translated from Telugu by D.V. Subhashri. Click here to read.

An excerpt from Swati Pal’s poetry collection, Forever Yours. Click here to read.

Book Reviews

Somdatta Mandal reviews Banu Mushtaq’s Heart Lamp: Selected Stories, translated from Kannada by Deepa Bhasthi. Click here to read.

Meenakshi Malhotra has reviewed Malachi Edwin Vethamani’s anthology, Contours of Him: Poems. Click here to read.

Rupak Shreshta reviews Sangita Swechcha’s Rose’s Odyssey: Tales of Love and Loss, translated from Nepali by Jayant Sharma. Click here to read.

Bhaskar Parichha has reviewed Kalpana Karunakaran’s A Woman of No Consequence: Memory, Letters and Resistance in Madras. Click here to read.

.

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Imagine… All the People…

Art by Henry Tayali(1943-1987). From Public Domain

Let us imagine a world where wars have been outlawed and there is only peace. Is that even possible outside of John Lennon’s song? While John Gray, a modern-day thinker, propounds human nature cannot change despite technological advancements, one has to only imagine how a cave dweller would have told his family flying to the moon was an impossibility. And yet, it has been proven a reality and now, we are thinking living in outer space, though currently it is only the forte of a few elitists and astronomers. Maybe, it will become an accessible reality as shown in books by Isaac Asimov, Arthur C Clarke or shows like Star Trek and Star Wars. Perhaps, it’s only dreamers or ideators pursuing unreal hopes and urges who often become the change makers, the people that make humanity move forward. In Borderless, we merely gather your dreams and present them to the world. That is why we love to celebrate writers from across all languages and cultures with translations and writings that turn current norms topsy turvy. We feature a number of such ideators in this issue.

Nazrul in his times, would have been one such ideator, which is why we carry a song by him translated by Professor Fakrul Alam. And yet before him was Tagore — this time we carry a translation of an unusual poem about happiness. From current times, we present to you a poet — perhaps the greatest Malay writer in Singapore — Isa Kamari. He has translated his longing for changes into his poems. His novels and stories express the same longing as he shares in The Lost Mantras, his self-translated poems that explore adapting old to new. We will be bringing these out over a period of time. We also have poems by Hrushikesh Mallick translated from Odia by Snehprava Das and a poignant story by Sharaf Shad translated from Balochi by Fazal Baloch.

We have an evocative short play by Rhys Hughes, where gender roles are inverted in a most humorous way. It almost brings to mind Begum Rokeya’s Sultana’s Dream. Tongue-in-cheek humour in non-fiction is brought in by Devraj Singh Kalsi and Chetan Dutta Poduri. Farouk Gulsara and Meredith Stephens write in a light-hearted vein about their interactions with animal friends. G. Venkatesh brings in serious strains with his musings on sustainability. Jun A. Alindogan slips into profundities while talking of “progress” in Philippines. Young Randriamamonjisoa Sylvie Valencia gives a heartfelt account of her journey from Madagascar to Japan. Ratnottama Sengupta travels across space and time to recount her experiences in a festival recognised by UNESCO as an Intangible Cultural Heritage of Humanity. Suzanne Kamata brings a light touch again when she writes about robots serving in restaurants in Japan, a change that would be only fiction even in Asimov’s times, less than a hundred years ago!

Pijus Ash — are we to believe or not believe his strange, spooky encounter in Holland? And we definitely don’t have to believe what skeletons do in Hughes’ limericks, even if their antics make us laugh! Poetry brings on more spooks from Saranyan BV and frightening environmental focus on the aftermath of flooding by Snehaprava Das. We have colours of poetry from all over the world with John Valentine, John Swain, Ahmad Al-Khatat, Stephen Druce, Jyotish Chalil Gopinath, Jenny Middleton, Maria Alam, Ron Pickett, Tanjila Ontu, Jim Bellamy, Pramod Rastogi, John Grey, Laila Brahmbhatt, John Zedolik and Joseph K.Wells.

Fiction yields a fable from Naramsetti Umamaheswararao. Devraj Singh Kalsi takes us into the world of advertising and glamour and Paul Mirabile writes of a sleeper who likes to sleep on benches in parks out of choice! We also have an excerpt from Mohammed Khadeer Babu’s stories, That’s A Fire Ant Right There! Tales from Kavali , translated from Telugu by D.V. Subhashri. The other excerpt is from Swati Pal’s poetry collection, Forever Yours. Pal has in an online interview discussed bereavement and healing through poetry for her stunning poems pretty much do that.

Book reviews homes an indepth introduction by Somdatta Mandal to Banu Mushtaq’s Heart Lamp: Selected Stories, translated from Kannada by Deepa Bhasthi. We have a discussion by Meenakshi Malhotra on Contours of Him: Poems, edited and introduced by Malaysian academic, Malachi Edwin Vethamani, in which she concludes, “that if femininity is a construct, so is masculinity.” Overriding human constructs are journeys made by migrants. Rupak Shreshta has introduced us to immigrant Sangita Swechcha’s Rose’s Odyssey: Tales of Love and Loss, translated from Nepali by Jayant Sharma. Bhaskar Parichha winds up this section with his exploration of Kalpana Karunakaran’s A Woman of No Consequence: Memory, Letters and Resistance in Madras. He tells us: “A Woman of No Consequence restores dignity to what is often dismissed as ordinary. It chronicles the spiritual and intellectual evolution of a woman who sought transcendence within the rhythms of domestic life, turning the everyday into a site of resistance and renewal.” Again, by the sound of it a book that redefines the idea that housework is mundane and gives dignity to women and the task at hand.

We wind up the October issue hoping for changes that will lead to a happier existence, helping us all connect with the commonality of emotions, overriding borders that hurt humanity, other species and the Earth.

Huge thanks to our fabulous team, especially Sohana Manzoor for her inimitable artwork. We would all love to congratulate Hughes for his plays that ran houseful in Swansea. And heartfelt thanks to all our wonderful contributors, without who this issue would not have been possible, and to our readers, who make it worth our while, to write and publish.

Have a wonderful month!

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE OCTOBER 2025 ISSUE

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

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Essay

Peddling Progress?

By Jun A. Alindogan

I grew up in a town where fish, shellfish, and seafood are abundant, so the specialty dishes are related to its topography. The location is humble, yet it boasts special delicacies such as noodles, porridge, tofu, duck eggs, and rice cakes. Many stores line the town’s main street, serving these types of morning and afternoon snacks that I was quite fond of. I particularly remember a store famous for its huge burgers with generous slices of cucumber, tomatoes, and onions on a tangy mayo-ketchup dressing — also popular for its all-day breakfast meals. Despite its marine resources, my hometown has no particular brand associated with it.

A Philippine-based fast-food chain was recently established in the area, and residents claim that development has now been put in place. Consumption is erroneously classified as development. A former English language student mistakenly believed that the Philippines was a wealthy nation because of the abundance of malls, only to realise later that poverty is widespread behind these malls. Consumption is peddled as a sign of progress.

This also happened during my university years when I had to take the elevated rail system to go to school. At the north end point of the train system stood a central grade school on a sprawling campus, which has now been transferred to a much smaller space but is still referred to as a central school. All central schools in our country are located on large campuses. Its original location is now part of a nationwide mall chain. Is going to the mall productive?

Years ago, my younger brother moved to the southernmost province of Luzon Island, which was our father’s hometown. In the past, I would spend holidays at my brother’s residence with some very close friends. The roads are well-paved, and in the city half an hour away, there are small commercial shops and a local fast-food chain unique to the area. The province is well-known for its “pili” nuts and handicrafts.

According to my brother, the city’s landscape has drastically changed with the addition of a big mall chain and a Roman-inspired colosseum. My nephew recently informed me that the provincial projects mainly consist of community-based gymnasiums. “Progress” seems to be selective and does not necessarily foster a strong culture of creativity and productivity in each household.

In my current municipality, the main issue is the lack of social infrastructure to support entrepreneurship. The prevailing norm is consumption, whether physical or digital. Bureaucratic red tape makes business mechanisms inaccessible, discouraging newcomers from starting any kind of enterprise.

Perhaps another reason for this lack of visitors is the municipality’s location. Being the last town in the province, only residents and haulers typically come to the area. It is isolated from the main arterial road that traverses the entire province.

The town does not have a specific product to boast of, unlike other cities and municipalities known for their specialties like shoemaking, salted and duck eggs, fish sauce, specialty noodle dishes, and slippers made from water lilies.

The town’s main products are concrete and sand, extracted through continuous quarrying activities that are detrimental to both human health and the environment. Agricultural produce — such as bananas, mangoes, tomatoes, okra, and eggplants — is limited due to the town’s rocky terrain. During a visit to an upland village, I met a caretaker of a small property that was supposed to be organic, but I discovered during our conversation that it was merely a facade by a large mobile phone provider for its social enterprise project.  Additionally, the population of native tilapia[1] is low due to murky waters caused by silt and mud. Despite having numerous hiking sites that also cater to consumerist interests, the municipality lacks a distinct specialty dish for people to enjoy and remember as part of its commercial offerings.

According to my sister-in-law’s brother, the main source of income for their island-province is remittances from Overseas Filipino Workers (OFWs) [2] .He also claims that the province is an ideal place to retire and spend money, boasting beaches, volcanic hot springs, coconut plantations, rice farms, nature resorts, and rivers. Despite having a root-crop based delicacy and an abundance of dried fish, the province lacks production or manufacturing facilities, with the exception of mining, which unfortunately led to one of the worst environmental disasters in the country’s history. As a result, consumption is the prevailing norm on the island. Isn’t it ironic that the ex-girlfriend of a close friend pursued a degree in BS Entrepreneurship but currently works as a Customer Engagement Manager at a global fast-food chain?  She should have considered starting her own business, no matter how small. She is actually promoting a perpetual cycle of consumerism, rather than entrepreneurship.

Based on online sources[3], there are only ten small manufacturing firms in my current area, Montalban (Rodriguez), which covers a total land area of   172.65 km 2 (66.66 sq mi) [4]. This implies that a culture of production is not the town’s priority when it should have been the first step to economic and social progress, alongside environmental protection and sustainability.

In hindsight, society generally encourages individuals to consume the latest gadgets, trends, food, technology, shoes, fashion, apps, make-up, and hairstyles. We are therefore told to consume and discard in a never-ending cycle of consumption and waste. Creativity in building enterprise is relegated in favor of a consumerist culture. To move forward, communities must do the reverse, so wealth is neutralized. Not everyone has the business acumen to succeed. However, production must still exceed consumption.

One main reason for the failure of production to establish a strong foothold in our communities could be attributed to the lack of practical and relevant entrepreneurial courses that are accessible to everyone in terms of fees, range, and distance. These courses are not tailored to the specific needs of each locality, as businesses tend to be similar in one area, causing most enterprises to struggle to take off without offering anything unique to attract patrons. Creativity and productivity go hand in hand.

To create a more sustainable society, we need to move away from consumerism and focus on increasing production through manual, mechanical, automated, or digital means. A thriving community relies on its ability to expand and improve production capabilities.

[1] Fish

[2] https://psa.gov.ph/statistics/survey/labor-and-employment/survey-overseas-filipinos/node/1684600

[3] https://www.dnb.com/business-directory/company-information.manufacturing.ph.rizal.rodriguez_%28montalban%29.html

[4] https://www.philatlas.com/luzon/r04a/rizal/rodriguez.html

Manuel A. Alindogan, Jr. or Jun A. Alindogan is the Academic Director of the Expanded Alternative Learning Program of Empowered East, a Rizal-province based NGO in the Philippines and is also the founder of Speechsmart Online that specialises in English test preparation courses. He is a freelance writer and a member of the Freelance Writers’ Guild of the Philippines (FWGP).

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Contents

Borderless, September 2025

Art by Sohana Manzoor

Editorial

Seasons Out of Time Click here to read

Translations

Nazrul’s Karar Oi Louho Kopat (Those Iron Shackles of Prison) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Five poems by Ashwini Mishra have been translated from Odia by Snehprava Das. Click here to read.

The Dragonfly, a poem by Ihlwha Choi,  has been translated from Korean by the poet himself. Click here to read.

Tagore’s Aaj Shororter Aloy (Today, in the Autumnal Light) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Ryan Quinn Flanagan, Onkar Sharma, Ron Pickett, Arshi, Joseph K Wells, Shamim Akhtar, Stephen House, Mian Ali, John Grey, Juliet F Lalzarzoliani, Joseph C.Obgonna, Jim Bellamy, Soumyadwip Chakraborty, Richard Stimac, Sanzida Alam, Jim Murdoch, Rhys Hughes

Poets, Poetry & Rhys Hughes

In Soaring with Icarus, Rhys Hughes shares a serious poems. Click here to read.

Musings/ Slices from Life

Parenting Tips from a Quintessential Nerd

Farouk Gulsara relooks at our golden years and stretches it to parenting tips. Click here to read.

Instrumental in Solving the Crime

Meredith Stephens takes us to a crime scene with a light touch. Click here to read.

What’s in a Name?

Jun A Alindogan writes about the complex evolution of names in Phillippines. Click here to read.

Bibapur Mansion: A Vintage Charmer

Prithvijeet Sinha takes us for a tour of Lucknow’s famed vintage buildings. Click here to read.

Musings of a Copywriter

In Demolition Drives… for Awards?, Devraj Singh Kalsi muses on literary awards. Click here to read.

Notes from Japan

In Contending with a Complicated History, Suzanne Kamata writes of her trip to US from Japan. Click here to read.

Essays

The Bauls of Bengal

Aruna Chakravarti writes of wandering minstrels called bauls and the impact they had on Tagore. Click here to read.

The Literary Club of 18th Century London

Professor Fakrul Alam writes on literary club traditions of Dhaka, Kolkata and an old one from London. Click here to read.

Stories

Looking for Evans

Rashida Murphy writes a light-hearted story about a faux pas. Click here to read.

Exorcising Mother

Fiona Sinclair narrates a story bordering on spooky. Click here to read.

The Storm

Anandita Dey wanders down strange alleys of the mind. Click here to read.

The Fog of Forgotten Gardens

Erin Jamieson writes from a caregivers perspective. Click here to read

The Anger of a Good Man

Naramsetti Umamaheswararao makes up a new fable. Click here to read.

Feature

A review of Jaladhar Sen’s The Travels of a Sadhu in the Himalayas, translated from Bengali by Somdatta Mandal, and an online interview with the translator. Click here to read.

Book Excerpts

An excerpt from Jaladhar Sen’s The Travels of a Sadhu in the Himalayas, translated from Bengali by Somdatta Mandal. Click here to read.

An excerpt from Prithvijeet Sinha’s debut collection of poems, A Verdant Heart. Click here to read.

Book Reviews

Somdatta Mandal reviews Aruna Chakravarti’s selected and translated, Rising From the Dust: Dalit Stories from Bengal. Click here to read.

Rakhi Dalal reviews Mohua Chinappa’s Thorns in My Quilt: Letters from a Daughter to her Father. Click here to read.

Pradip Mondal reviews Kiriti Sengupta’s Selected Poems. Click here to read.

Bhaskar Parichha reviews Kalyani Ramnath’s Boats in a Storm: Law, Migration, and Decolonization in South and Southeast Asia, 1942–1962. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Seasons Out of Time

Today, as I gaze in this autumnal light,
I feel I am viewing life anew.

— Tagore's Aaj Shororter Aloy (Today, in the Autumnal Light)
Autumn Garden by Vincent Van Gogh (1853-1890). From Public Domain

September heralds the start of year-end festivities around the world. It’s autumn in one part and spring in another – both seasons that herald change. While our planet celebrates changes, dichotomies, opposites and inclusively gazes with wonder at the endless universe in all its splendour, do we? Festivals are times of good cheer and fun with our loved ones. And yet, a large part of the world seems to be in disarray with manmade disasters wrought by our own species on its own home planet. Despite the sufferings experienced by victims of climate and war-related calamities, the majority will continue to observe rituals out of habit while subscribing to exclusivity and shun change in any form. Occasionally, there are those who break all rules to create a new norm.

One such group of people are the bauls or mendicants from Bengal. Aruna Chakravarti has shared an essay about these people who have created a syncretic lore with music and nature, defying the borders that divide humanity into exclusive groups. As if to complement this syncretic flow, we have Professor Fakrul Alam’s piece on a human construct, literary clubs spanning different cultures spread over centuries – no less an area in which we find norms redefined for, the literary, often, are the harbingers of change.

Weaving in stories from around the world, our non-fiction section offers parenting tips ( or are these really nerdy meanderings?) from Farouk Gulsara who looks inclusively at all life forms — big and small, including humans. Meredith Stephens brings us a sobering narrative with a light touch from the Southern Hemisphere. Prithvijeet Sinha takes us to explore an ancient monument of Lucknow and Jun A. Alindogan tells us “what’s in a name” in Philippines — it’s quite complex really  — it reads almost as complicated as a Japanese addresses explained in her column by Suzanne Kamata. In this issue, she takes us through the complexities of history in South Carolina, while Devraj Singh Kalsi analyses literary awards with a dollop of irony!

Humour is brought into poetry by Rhys Hughes, though his column houses more serious poems. Joseph C.Obgonna has an interesting take on his hat — if you please. We have poetry on climate by Onkar Sharma. Verses as usual mean variety on our pages. In this issue, we have a poem (an ekphrastic, if we were given to labelling) by Ryan Quinn Flanagan on a painting, by Ron Pickett on aging and on a variety of issues by Arshi, Joseph K Wells, Shamim Akhtar, Stephen House, Mian Ali, John Grey, Jim Murdoch, Juliet F Lalzarzoliani, Jim Bellamy, Soumyadwip Chakraborty, Richard Stimac and Sanzida Alam. We have translations of poetry. Ihlwha Choi has self-translated his poem on a dragonfly from Korean. Snehprava Das has brought to us another Odia poet, Ashwini Mishra. Tagore’s Aaj Shororter Aloy (Today, in the Autumnal Light) has been translated from Bengali. Though the poem starts lightly with the poet bathed in autumnal light, it dwells on ‘eternal truths’ while Nazrul’s Karar Oi Louho Kopat (Those Iron Shackles of Prison), transcreated by Professor Alam, reiterates breaking gates that exclude and highlight differences. In the same spirit as that of the bauls, Nazrul’s works ask for inclusivity as do those of Tagore.

We have more poetry in book excerpts with Sinha’s debut collection of poems, A Verdant Heart, and in reviews with veteran poet Kiriti Sengupta’s Selected Poems, reviewed by academic Pradip Mondal. Rakhi Dalal has written on Mohua Chinappa’s Thorns in my Quilt: Letters from a father to a Daughter. while Bhaskar Parichha has discussed Kalyani Ramnath’s Boats in a Storm: Law, Migration, and Decolonization in South and Southeast Asia, 1942–1962, a book that explores beyond the boundaries that politicians draw for humanity. The pièce de résistance in this section is Somdatta Mandal’s exploration of Aruna Chakravarti’s selected and translated, Rising from the Dust: Dalit Stories from Bengal. The book stands out not just for the translation but also with the selection which showcases an attempt to create bridges that transcend linguistic and cultural barriers.

Mandal, herself, has a brilliant translation featured in this issue. We have a review of her book, an interview with her, and an excerpt from the translation of Jaladhar Sen’s The Travels of a Sadhu in the Himalayas. Written and first published in the Tagore family journal, Bharati, the narrative is an outstanding cultural bridge which even translates Bengali humour for an Anglophone readership. That Sen had a strictly secular perspective in the nineteenth century when blind devotion was often a norm is showcased in Mandal’s translation as well as the stupendous descriptions of the Himalayas that haunt with elegant simplicity. 

Our fiction this month seems largely focussed on women’s stories from around the world. While Fiona Sinclair and Erin Jamieson reflect on mother-daughter relationships, Anandita Dey looks into a woman’s dilemma as she tries to adjust to the accepted norm of an ‘arranged’ marriage. Rashida Murphy explores deep rooted social biases that create issues faced by a woman with a light touch. Naramsetti Umamaheswararao brings in variety with a fable – a story that reflects human traits transcending gender disparity.

The September issue would not have been possible without contributions of words and photographs by many of you. Huge thanks to all of you, to the fabulous team and to Sohana Manzoor, whose art has become synonymous with our journal. And our heartfelt thanks to our wonderful readers, without who the effort of putting together this journal would be pointless. Thank you all.

Looking forward to happier times.

Mitali Chakravarty

borderlessjournal.com

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CLICK HERE TO ACCESS THE CONTENTS FOR THE SEPTEMBER 2025 ISSUE

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Categories
Musings

What’s in a Name?

By Jun A. Alindogan… also known as Manuel A, Alindogan

Lines from Romeo and Juliet by William Shakespeare(1564-1616) From Public Domain

When I was in kindergarten, the only name I knew was Jun. So when my teacher called me by my full name, I didn’t respond at all.

Obviously, I was named after my father and am the second child in a brood of four. Many acquaintances actually mistake my name for Emmanuel. I don’t know why my grandparents named my father Manuel, but it might be attributed to common influences in the community, not necessarily based on a desired dream or a definite meaning. My grandfather was from Fujian, China, as were many other Chinese migrants to the Philippines. It is presently common for Filipino Chinese to have Filipino surnames, which could be traced back to the Spanish regime in the Philippines when conversion to Catholicism entailed getting a godparent to sponsor one’s last name.

Although my surname has its Tagalog root, which means alluring or captivating, my facial features are predominantly Chinese despite being just a quarter Chinese. According to my mom, I got my habit of heavy toothbrushing from my father. My dentist told me that I inherited my yellowish and strong teeth from my dad. According to stories, my grandmother, Isadora, was from Tondo, Manila, who I presume, had some Chinese roots too as her maiden name was Gubangco.

While teaching at a special speech school in Manila, I met a student from Capiz province whom I got to know better through some conversations on a bus heading to a southern suburb. She asked me about my middle name, which is Arnaldo, and mentioned that my roots might have a tendril from her province. She also noted that in addition to Roxas City, there is an Arnaldo City in the province. Similarly, there is a highway named Arnaldo in General Trias, Cavite province. However, our Arnaldo clan is from Bulacan province, so I am not sure if we have relatives who migrated to Capiz or if it is the other way around.

It is interesting to note that my grandfather had only one sibling. They shared two last names, which were Arnaldo Cruz. These names were not to be mistaken for middle and last names, as is the legal order of our names. From some information I received from my cousins, I discovered that my grandfather decided to only have one last name, so he adopted Arnaldo, while his brother took on Cruz. In Spanish, arnaldo means powerful as an eagle.

Our Arnaldo clan is large, as my mother had twelve siblings, with one dying shortly after birth. All of my uncles’ first names ended with the letter O, while two of my aunts shared the same last letter, A, in their first names as my mom. I do not have information about my grandfather’s brother and whether he had a large family as well. However, I do know that my mom and her siblings were close to their first cousins, who mostly lived in a village in Tondo, Manila.

One of their cousins worked in theatre, sharing the last name Arnaldo, for many years until his passing. My second cousin, whose maiden name is also Arnaldo, is a seasoned actress for television and movies. Another nephew who shares the same last name, Arnaldo, owns a boutique in Makati and is a fashion designer. His father was a village captain (Barangay Chairman) in Tondo. I am a freelance writer with a creative non-fiction portfolio. I do not know if talent is innate, but I believe it is a gift that needs to be consistently nourished and shared. Each family has its own unique talent, origin, and destination.

A former movie actress, who used to be known by her maiden name Arnaldo, has now become a nun and has turned her back on films. However, we are not related. She was also an environmentalist. Perhaps we are all connected in some way, but as time and tradition fade away, we cannot definitively identify these physiological and social elements.

When I moved to a residence uphill a few decades ago, the municipal mayor’s last name was Cuerpo. Residents claimed he was originally from Nueva Ecija, the province next to Bulacan. Recently, I discovered that two last names were common during our grandparents’ time. I learned about this during annual visits to our family tomb in Obando, my hometown. My grandmother had a brother whom we fondly called Lolo (grandfather) and was a good painter. I remember a porch at their house with a concrete wall painted with fish, shells, and other marine life. His name was Eliseo, but we knew him by his nickname Sayong. On our family tomb, his death marker shows his full name as Eliseo Cuerpo Cruz Enriquez. Does this mean that we are remotely related to the previous town mayor of my current residence? Her daughter recently started a political career and won as the number one councilor in our just-concluded national and local government elections. It would be great to have a conversation with her about her family origins. Cuerpo means body in Spanish.

In my first teaching job at a high school in my province in the late 80s, I had the opportunity, along with my colleagues, to visit the ancestral house of the then-municipal mayor, former mayor Tito Enriquez of Bulakan, Bulacan, on his birthday. His house reminded me of the Alindogan ancestral house, also known as Bahay na Bato (stone house), where the ground floor was used for firewood storage, free-range chicken, and other household items. I suspect that we may be related, as my grandmother was also from Bulacan, but from a different municipality, Baliwag. I recall attending a large family reunion of the Arnaldo-Enriquez clan in the same town during my childhood, which rarely occurs now since all of my mom’s siblings have passed away. In my first year of teaching, I was too timid to inquire or discuss my ancestry with the mayor. “Enriquez” means “son of Enrique” in Spanish. According to history, the Enriquez family of Bulakan, Bulacan, were prominent heroes in the Battle of San Rafael[1].

Not everyone has the opportunity to observe, identify, and understand family connections from the past and present, but it is always a good idea to remember where we come from. This can perhaps help us navigate our present and future destinations more clearly.

[1] Fought between the Spanish and the Filipinos in 1896

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Manuel A. Alindogan, Jr. or Jun A. Alindogan is the Academic Director of the Expanded Alternative Learning Program of Empowered East, a Rizal-province based NGO in the Philippines and is also the founder of Speechsmart Online that specializes in English test preparation courses. He is a freelance writer and a member of the Freelance Writers’ Guild of the Philippines (FWGP).

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Contents

Borderless, August 2025

Art by Sohana Manzoor

Editorial

Storms that Rage… Click here to read.

Translations

Nazrul’s Jonomo, Jonomo Gelo (Generations passed) has been translated from Bengali by Professor Fakrul Alam. Click here to read and listen to a rendition by the famed Feroza Begum.

Ajit Cour‘s short story, Nandu, has been translated from Punjabi by C Christine Fair. Click here to read.

The Scarecrow by Anwar Sahib Khan has been translated from Balochi by Fazal Baloch. Click here to read.

Five poems by Aparna Mohanty have been translated from Odia by Snehprava Das. Click here to read.

Angshuman Kar has translated some of his own Bengali poems to English. Click here to read.

Sunflower, a poem by Ihlwha Choi,  has been translated from Korean by the poet himself. Click here to read.

Tagore’s Shaishabshanda (Childhood’s Dusk) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Ron Pickett, Fakrul Alam, William Miller, Meetu Mishra, Heath Brougher, Laila Brahmbhatt, Luis Cuauhtémoc Berriozábal, Snigdha Agrawal, George Freek, Ashok Suri, Scott Thomas Outlar, Dustin P Brown, Rajorshi Patranabis, Ryan Quinn Flanagan

Poets, Poetry & Rhys Hughes

From the Vale of Glamorgan are two poems on the place where Rhys Hughes grew up. Click here to read.

Musings/Slices from Life

Menaced by a Marine Heatwave

Meredith Stephens writes of how global warming is impacting marine life in South Australia. Click here to read.

The Man from Pulwama

Gowher Bhat introduces us to a common man who is just kind. Click here to read.

More than Words

Jun A. Alindogan writes on his penchant for hardcopy mail. Click here to read.

To Bid or Not to Bid… the Final Goodbye?

Ratnottama Sengupta ponders on Assisted Dying. Click here to read.

Musings of a Copywriter

In Syrupy Woes, Devraj Singh Kalsi looks at syrupy health antidotes with a pinch of humour. Click here to read.

Essays

‘Verify You Are Human’

Farouk Gulsara ponders over the ‘intelligence’ of AI and humans. Click here to read.

Does the First Woman-authored Novel in Bengali Seek Reforms?

Meenakshi Malhotra explores Somdatta Mandal’s translation of Manottama, the first woman-authored Bengali novel published in 1868. Click here to read.

Bhaskar’s Corner

In Bidyut Prabha Devi – The First Feminist Odia Poet, Bhaskar Parichha pays a tribute to the poet. Click here to read.

Stories

The Sixth Man

C. J. Anderson-Wu tells a story around disappearances during Taiwan’s White terror. Click here to read.

I Am Not My Mother

Gigi Baldovino Gosnell gives a story of child abuse set in Philippines where the victim towers with resilience. Click here to read.

The Archiver of Shadows

Hema R explores shadows in her story set in Chennai. Click here to read.

Ali the Dervish

Paul Mirabile weaves the strange adventures of a man who called himself Ali. Click here to read.

The Gift

Naramsetti Umamaheswararao moulds children’s perspectives. Click here to read.

Notes from Japan

In American Wife, Suzanne Kamata gives a short story set set in the Obon festival in Japan. Click here to read.

Conversation

Neeman Sobhan, author of Abiding City: Ruminations from Rome, discusses shuttling between multiple cultures and finding her identity in words. Click here to road.

Book Excerpts

An excerpt from M.A.Aldrich’s From Rasa to Lhasa: The Sacred Center of the Mandala. Click here to read.

An excerpt from Neeman Sobhan’s An Abiding City: Ruminations from Rome. Click here to read.

Book Reviews

Somdatta Mandal reviews Chhimi Tenduf-La’s A Hiding to Nothing. Click here to read it.

Madhuri Kankipati reviews O Jungio’s The Kite of Farewells: Stories from Nagaland. Click here to read.

Bhaskar Parichha reviews Snehaprava Das’s Keep it Secret: Stories. Click here to read.

.

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International