Categories
A Wonderful World

Vignettes from a Borderless World

Enjoy some of the most memorable gems from our treasury … gems that were borne of pens that have written to make our world bloom and grow over time.

The first cover art by Sohana Manzoor published in Borderless Journal

Poetry

An excerpt from Rabindranath Tagore’sThe Child‘, a poem originally written in English by the poet. Click here to read.

Click on the names to read the poems

 Luis Cuauhtémoc Berriozábal,  Masha Hassan, Ryan Quinn Flangan LaVern Spencer McCarthy, Prithvijeet Sinha, Shamik Banerjee, George FreekG Javaid RasoolRakhi Dalal, Afsar Mohammad, Kiriti Sengupta, Adeline Lyons, Nilsa Mariano, Jared Carter,  Mitra SamalLizzie PackerJenny MiddletonAsad Latif, Stuart Mcfarlane, Kumar Bhatt, Saranyan BVRex Tan, Jonathan Chan, Kirpal Singh, Maithreyi Karnoor, Rhys Hughes, Jay Nicholls

Tumi Kon Kanoner Phul by Tagore and Anjali Loho Mor by Nazrul, love songs by the two greats, have been translated from Bengali by Professor Fakrul Alam. Click here to read.

Poetry of Jibananda Das translated by Fakrul Alam and Rakibul Hasan Khan from Bengali. Click here to read.

Mahnu, a poem by Atta Shad, translated from Balochi by Fazal Baloch. Click here to read. 

Manish Ghatak’s Aagun taader Praan (Fire is their Life) has been translated from Bengali by Indrayudh Sinha. Click here to read.

Amalkanti by Nirendranath Chakraborty has been translated from Bengali by Debali Mookerjea-Leonard. Click here to read.

Ye Shao-weng’s poetry ( 1100-1150) has been translated from Mandarin by Rex Tan. Click here to read.

Homecoming, a poem by Ihlwha Choi on his return from Santiniketan, has been translated from Korean by the poet himself. Click here to read.

Essays

 Travels & Holidays: Humour from Rabindranath: Translated from the original Bengali by Somdatta Mandal, these are Tagore’s essays and letters laced with humour. Click here to read.

Temples and Mosques: Kazi Nazrul Islam’s fiery essay translated by Sohana Manzoor. Click here to read.

The Comet’s Trail: Remembering Kazi Nazrul Islam: Radha Chakravarty pays tribute to the rebel poet of Bengal. Click here to read.

The Oral Traditions of Bengal: Story and Song: Aruna Chakravarti describes the syncretic culture of Bengal through its folk music and oral traditions. Click here to read.

Discovering Rabindranath and My Own Self: Professor Fakrul Alam muses on the impact of Tagore in his life. Click here to read.

One Life, One Love, 300 Children : Keith Lyons writes of Tendol Gyalzur, a COVID 19 victim, a refugee and an orphan who found new lives for many other orphans with love and an ability to connect. Click here to read.

When West Meets East & Greatness Blooms: Debraj Mookerjee reflects on how syncretism impacts greats like Tagore,Tolstoy, Emerson, Martin Luther King Jr, Gandhi and many more. Click here to read.

Amrita Sher-Gil: An Avant-Garde Blender of the East & West: Bhaskar Parichha shows how Amrita Sher-Gil’s art absorbed the best of the East and the West. Click here to read.

A Manmade Disaster or Climate Change?: Salma A Shafi writes of floods in Bangladesh from ground level. Click here to read.

Dilip Kumar: Kohinoor-e-Hind: In a tribute to Bollywood legend Dileep Kumar,  Ratnottama Sengupta, one of India’s most iconic arts journalists, recollects the days the great actor sprinted about on the sets of Bombay’s studios …spiced up with fragments from the autobiography of Sengupta’s father, Nabendu Ghosh. Click here to read. 

Dramatising an Evolving Consciousness: Theatre with Nithari’s Children: Sanjay Kumar gives us a glimpse of how theatre has been used to transcend trauma and create bridges. Click here to read.

Are Some of Us More Human than Others ?: Meenakshi Malhotra ponders at the exclusivity that reinforces divisions, margins and borders that continue to plague humankind, against the backdrop of the Women’s Month, March. Click here to read.

To Be or Not to Be or the Benefits of Borders: Wendy Jones Nakanishi argues in favour of walls with wit and facts. Click here to read. 

Reminiscences from a Gallery: MF Husain: Dolly Narang recounts how she started a gallery more than four decades ago and talks of her encounter with world renowned artist, MF Husain. Click here to read.

In The Hidden Kingdom of Bhutan: Mohul Bhowmick explores Bhutan with words and his camera. Click here to read.

From Srinagar to Ladakh: A Cyclist’s Diary: Farouk Gulsara travels from Malaysia for a cycling adventure in Kashmir. Click here to read.

Musings

Baraf Pora (Snowfall) by Rabindranath Tagore, gives a glimpse of his first experience of snowfall in Brighton and published in the Tagore family journal, Balak (Children), has been translated from Bengali by Somdatta Mandal. Click here to read.

Migrating to Myself from Kolkata to Singapore: Asad Latif explores selfhood in context of diverse geographies. Click here to read. 

Cherry Blossom ForecastSuzanne Kamata brings the Japanese ritual of cherry blossom viewing to our pages with her camera and words. Click here to read.

 Hair or There: Party on My HeadDevraj Singh Kalsi explores political leanings and hair art. Click here to read.

 Ghosts, Witches and My New Homeland: Tulip Chowdhury muses on ghosts and spooks in Bangladesh and US. Click here to read.

 Two Pizza Fantasies, Rhys Hughes recounts myths around the pizza in prose, fiction and poetry, Click here to read.

An Alien on the Altar!: Snigdha Agrawal writes of how a dog and lizard add zest to festivities with a dollop of humour. Click here to read.

Where it all Began: Sybil Pretious recounts her first adventure, an ascent on Mt Kilimanjaro at the age of sixty. Click here to read.

Conversations

Rabindranath Tagore: A Universal Bard.: This conversation between Aruna Chakravarti and Sunil Gangopadhyay that took place at a Tagore Conference organised by the Sahitya Akademi in Kochy in 2011. Click here to read.

Sriniketan: Tagore’s “Life Work”: In Conversation with Professor Uma Das Gupta, Tagore scholar, author of A History of Sriniketan, where can be glimpsed what Tagore considered his ‘life’s work’ as an NGO smoothening divides between villagers and the educated. Click here to read. (Review & Interview).

In conversation with the late Akbar Barakzai, a Balochi poet in exile who rejected an award from Pakistan Academy of Letters for his principles. Click here to read.

In A Voice from Kharkiv: A Refugee in her Own CountryLesya Bukan relates her journey out of Ukraine as a refugee and the need for the resistance. Click here to read.

Andrew Quilty, an award winning journalist for his features on Afghanistan, shares beyond his book,August in Kabul: America’s Last Days in Afghanistan and the Return of the Taliban, in a candid conversation. Click here to read. 

Jim Goodman, an American traveler, author, ethnologist and photographer who has spent the last half-century in Asia, converses with Keith Lyons. Click here to read.

In Bridge over Troubled Waters, the late Sanjay Kumar tells us about Pandies, an activist theatre group founded by him that educates, bridging gaps between the divides of university educated and the less fortunate who people slums or terror zones. Click here to read.

In Lessons Old and New from a Stray Japanese CatKeith Lyons talks with the author of The Cat with Three PassportsCJ Fentiman who likes the anonymity loaned by resettling in new places & enjoys creating a space for herself away from her birthplace. Click here to read.

Fiction

 Aparichita by Tagore: This short story has been translated as The Stranger by Aruna Chakravarti. Click here to read.

Hena by Nazrul has been translated from Bengali by Sohana Manzoor. Click here to read. 

Playlets by Rabindranath Tagore : Two skits that reveal the lighter side of the poet. They have been translated from Bengali by Somdatta Mandal. Click here to read.

Pus Ki Raat or A Frigid Winter Night by Munshi Premchand has been translated from Hindi by C Christine Fair. Click here to read. 

Abhagi’s Heavena poignant story by Saratchandra Chattopadhyay translated by Aruna Chakravarti. Click here to read.

An Eternal Void, a Balochi story by Munir Ahmed Badini translated by Fazal Baloch. Click here to read.

The Witch, a short story by renowned Bengali writer Tarasankar Bandopadhyay (1898 to 1971), translated by Aruna Chakravarti. Click here to read.

I Grew into a Flute: Balochi Folktale involving magic retold by Fazal Baloch. Click here to read.

Give Me A Rag, Please:A short story by Nabendu Ghosh, translated by Ratnottama Sengupta, set in the 1943 Bengal Famine, which reflects on man’s basic needs. Click here to read

Rakhamaninov’s Sonata: A short story by Sherzod Artikov, translated from Uzbeki by Nigora Mukhammad. Click here to read.

The Magic Staff , a poignant short story about a Rohingya child by Shaheen Akhtar, translated from Bengali by Arifa Ghani Rahman. Click here to read.

Khaira, the Blind, a story by Nadir Ali, has been translated from Punjabi by Amna Ali. Click here to read. 

The Browless Dolls by S.Ramakrishnan, has been translated from Tamil by B Chandramouli. Click here to read.

Orang Minyak or The Ghost: A Jessie Michael explores blind belief in a Malay village. Click here to read.

Flash Fiction: Peregrine: Brindley Hallam Dennis tells us the story of a cat and a human. Click here to read.

No Man’s Land: Sohana Manzoor gives us surrealistic story reflecting on after-life. Click here to read.

The Protests Outside: Steve Ogah talks of trauma faced by riot victims in Nigeria. Click here to read.

Flash Fiction: Turret: Niles M Reddick relates a haunting tale of ghosts and more. Click here to read.

Henrik’s Journey: Farah Ghuznavi follows a conglomerate of people on board a flight to address issues ranging from Rohingyas to race bias. Click here to read.

Does this Make Me a Psychic?; Erwin Coombs tells a suspenseful, funny, poignant and sad story, based on his real life experiences. Click here to read. 

Phôs and Ombra: Paul Mirabile weaves a dark tale about two people lost in a void. Click here to read.

A Queen is Crowned: Farhanaz Rabbani traces the awakening of self worth. Click here to read.

The Chopsy Moggy: Rhys Hughes gives us a feline adventure. Click here to read.

Happy Birthday Borderless… Click here to read.
Art by Sybil Pretious
Categories
Editorial

Where Are Those Happy Days?

Festivals are like friends.

They bring hope, solace and love to those who believe in them. But, when the structures holding the fiestas in place start to crumble, what do we do then?

Our lives have moved out of wilderness to cities over centuries. Now, we have covered our world with the gloss of technology which our ancestors living in caves would have probably viewed as magic. And yet we violate the dignity of our own kind, war and kill, destroy what we built in the past. The ideological structures seem ineffective in instilling love, peace, compassion or hope in the hearts of the majority. Suddenly, we seem to be caving in to violence that destroys humanity, our own kind, and not meting out justice to those who mutilate, violate or kill. Will there be an end to this bleak phase? Perhaps, as Tagore says in his lyrics[1], “From the fount of darkness emerges light”. Nazrul has gone a step further and stated clearly[2], “Hair dishevelled and dressed carelessly/ Destruction makes its way gleefully. / Confident it can destroy and then build again …Why fear since destruction and creation are part of the same game?”

And yet, destruction hurts humans. It kills. Maims. Reduces to rubble. Can we get back the people whose lives are lost while destruction holds sway? We have lost lives this year in various wars and conflicts. As a tribute to all the young lives lost in Bangladesh this July, we have a poem by Shahin Hossain. Afsar Mohammad has brought in the theme of festivals into poetry tying it to the current events around the world. In keeping with the times, Michael Burch has a sense of mirthlessness in his poems. Colours of emotions and life have been woven into this section by Malashri Lal, Luis Cuauhtémoc Berriozábal, Fhen M, Shamik Banerjee, George Freek, Matthew James Friday, Jenny Middleton and many more. This section in our journal always homes a variety of flavours. Stuart MacFarlane has poems for Wordsworth… and some of it is funny, like Rhys Hughes’ poem based on photographs of amusing signposts. But then life has both sorrows and laughter, and poetry is but a slice of that as are other genres. We do have non-fiction in a lighter vein with Hughes’ story and poem about pizzas. Devraj Singh Kalsi has given a tongue in cheek narrative about his library experiences.

Suzanne Kamata has written for us about her visit to Rwanda. Farouk Gulsara has pondered over humanity’s natural proclivitiesWiccan lore has been discussed by Rajorshi Patranabis. And Snigdha Agrawal has tuned into humour with her rendition of animal antics that overran festivities. Ravi Shankar, on the other hand, has written about the syncretic nature of festivals in Kerala. Professor Fakrul Alam has given a nostalgic recap of Durga Puja during his childhood, a festival recognised as an “Intangible Cultural Heritage of Humanity” by UNESCO, and known for its syncretic traditions where people from all backgrounds, religions and cultures celebrate together.

Festivals have also been taken up in fiction by Tanika Rajeswari V with a ghostly presence hovering over the arrangements. Paul Mirabile has taken us around the world with his story while Saeed Ibrahim writes from his armchair by the Arabian sea. Sahitya Akademi winner for his children’s stories, Naramsetti Umamaheswara Rao, has showcased peer pressure among youngsters in his narrative.  

Two stories have also featured in our translations. Christine C Fair has rendered Veena Verma’s Punjabi story about an illegal immigrant into English. Hinting at climate concerns, Sharaf Shad’s fiction, has been translated from Balochi by Fazal Baloch. Tagore’s powerful poem on Africa has been brought to Anglophone readers by Debali Mookerjea-Leonard as well as his inspiring lyrics, Andhokaarer Utso Hote (From the Fount of Darkness), by our team. Nazrul’s vibrant lyrics, Shukno Patar Nupur Paye (With Ankle Bells of Dried Leaves), has been rendered into English from Bengali by Professor Alam.

Our reviews explore immigrant stories in fiction with Somdatta Mandal reviewing Ammar Kalia’s A Person Is a Prayer. Bhaskar Pariccha has written about Selected Works of Vyasa Kavi Fakir Mohan Senapati, edited by Monica Das. Fakir Mohan is a legendary writer from Odisha. Meenakshi Malhotra has discussed a book on another legend, Safdar Hashmi, one of the greatest names in street theatre in India. The book is by Anjum Katyal and called, Safdar Hashmi: Towards Theatre for a Democracy.

Our book excerpts usher good cheer with a narrative by Ruskin Bond from Let’s Be Best Friends Forever: Beautiful Stories of Friendship. And also hope with a refugee’s story from Ukraine, which travels through deserts, Italy and beyond to US and has a seemingly happier outcome than most, Lara Gelya’s Camel from Kyzylkum. This issue’s conversations take us around the world with Keith Lyons interviewing Lya Badgley, who has crossed continents to live and write. Malashri Lal, the other interviewee, is an academic and writer with sixteen books under her belt. She travels through the world with her poetry in Mandalas of Time.

Huge thanks to the Borderless team for putting this issue together – the last-minute ties – and the art from Sohana Manzoor. Without all this, the edition would look different. Heartfelt thanks to our contributors without whose timely submissions, we would not have a journal. And most of all we thank our readers – we are because you are – thank you for reading our journal.  As all our content, despite being indispensable, could not be mentioned here, do pause by our content’s page for this issue.

We wish you a wonderful month!

Cheers,

Mitali Chakravarty

borderlessjournal.com

[1] Tagore’s Andhokaarer Utso Hote (From the Fount of Darkness)

[2] Nazrul’s Proloyullash translated by Professor Alam as The Frenzy of Destruction

Click here to access the content’s page for the October 2024 Issue.

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Categories
Poetry

Strolling among the Stars…

By Fhen M

𝑽𝑰𝑹𝑮𝑶 

I see you in the eastern sky
a fair maiden strolling among the stars
your feet, light as a feather,
like the feet of my daughter.

a rope mark around your neck
I heard the wine god
(I refrain from drinking liquor)
inflicts insanity on unmarried women

𝘵𝘩𝘦𝘳𝘦'𝘴 𝘵𝘩𝘦 𝘳𝘶𝘦 𝘩𝘦𝘳𝘣* 𝘧𝘰𝘳 𝘺𝘰𝘶,
𝘢𝘯𝘥 𝘩𝘦𝘳𝘦'𝘴 𝘴𝘰𝘮𝘦 𝘧𝘰𝘳 𝘮𝘦

the willow branch broken
she dropped beside a brook

If I die, I want my daughter
to live a long and happy life

so I say a prayer to Erigone*
sometimes to the drunkard deity
before wine is poured to a glass

a fair maiden strolling among the stars
(death will kindly stop for me)
let me sing a song on your short life
in the eternity of the heaven.



*Rue is a herb that gives relief from anxiety
*Erigone in Greek mythology was the author of Icarus. She was placed in the constellation of Virgo after she hung herself post her father’s death by his friend, Dionysus, the god of wine.

Virgo. Digital art from the Public Domain

Fhen M was a fellow in a creative writing workshop. His poems “A Name Whispered in the Wind,” “Yakal House beside the Sabang River”, among others appeared in 𝘗𝘰𝘦𝘵𝘪𝘤𝘢 anthology.

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