hot dry summers are the norm for Australians whether they understand climatology or not – hot dry summers are for beach going swimming partying skylarking drinking – families friends holidays Christmas and New Year – festive meals of prawns and beer champagne and pavlova
hot dry summers now with more frequent extreme heat for longer periods extended harsher droughts empty dams and creeks and rivers – thirsty starving stock with bony carcasses and fish floating dead from lack of oxygen in muddy river pools
in hotter drier summers vegetation is easily burnt trees explode into infernos – burning embers fly far on fire-generated winds – extreme heat rising creates fire tornados pyro cumulus clouds generate dry lightning and more fire
in this dry year their habitats in flames about eight thousand koalas died – the population decimated no-one will ever know how many they move too slowly to escape the greedy flames – a billion mammals birds and reptiles perished – trees shrubs plants and grasses – ash – Gondwana rainforest reserves surviving since the dinosaurs half now burned
this hot dry year fires started different ways mainly dry lightning strikes – once a tree falling on power lines not so much arsonists or discarded cigarettes sparks from farm equipment or bored teens wasting their lives endangering others though all above were lit
this hot dry summer three firefighters already dead others burnt so bad they lie in city hospitals’ intensive care – first responders struggle with PTSD – unknown numbers of homeowners injured burnt bereft defending homes and livelihoods – those in evacuation centres who lost everything bar clothes they wore that morning struggle to imagine their next steps
this hot dry year survivors recount the unholy roar the palpable fear the wall of flame – spot fires embers ash – exigent heat burning exposed skin – smoke searing breath – the horror of dark red sky – the gates of hell opened wide so they say that even atheists prayed to save the souls of the dead
Lizzie Packer is an experienced freelance writer, and an emerging poet. At Adelaide College of Arts, Lizzie established the online creative writing program and led it for over a decade.
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Titles: The Poisoner of Bengal/The Prince and the Poisoner
Author: Dan Morrison
Publishers: Juggernaut (India)/ The History Press (UK)
November1933:HowrahStation
For most of the year, Calcutta is a city of steam, a purgatory of sweaty shirt-backs, fogged spectacles, and dampened décolletage. A place for melting. In summer the cart horses pull their wagons bent low under the weight of the sun, nostrils brushing hooves, eyes without hope, like survivors of a high desert massacre. The streets are ‘the desolate earth of some volcanic valley’, where stevedores nap on pavements in the shade of merchant houses, deaf to the music of clinking ice and whirring fans behind the shuttered windows above.
The hot season gives way to monsoon and, for a while, Calcuttans take relief in the lightning-charged air, the moody day- time sky, and swaying trees that carpet the street with wet leaves, until the monotony of downpour and confinement drives them to misery. The cars of the rich lie stalled in the downpour, their bonnets enveloped in steam, while city trams scrape along the tracks. Then the heat returns, wetter this time, to torment again.
Each winter there comes an unexpected reprieve from the furious summer and the monsoon’s biblical flooding. For a few fleeting months, the brow remains dry for much of each day, the mind refreshingly clear. It is a season of enjoyment, of shopping for Kashmiri shawls and attending the races. Their memories of the recently passed Puja holidays still fresh, residents begin decking the avenues in red and gold in anticipation of Christmas. With the season’s cool nights and determined merriment, to breathe becomes, at last, a pleasure.
Winter is a gift, providing a forgiving interval in which, sur- rounded by goodwill and a merciful breeze, even the most determined man might pause to reconsider the murderous urges born of a more oppressive season.
Or so you would think.
On 26 November 1933, the mercury in the former capital of the British Raj peaked at a temperate 28°C, with just a spot of rain and seasonally low humidity. On Chowringhee Road, the colonial quarter’s posh main drag, managers at the white- columned Grand Hotel awaited the arrival of the Arab-American bandleader Herbert Flemming and his International Rhythm Aces for an extended engagement of exotic jazz numbers. Such was Flemming’s popularity that the Grand had provided his band with suites overlooking Calcutta’s majestic, lordly, central Maidan with its generous lawns and arcing pathways, as well as a platoon of servants including cooks, bearers, valets, a housekeeper, and a pair of taciturn Gurkha guardsmen armed with their signature curved kukri machetes. Calcuttans, Flemming later recalled, ‘were fond lovers of jazz music’. A mile south of the Grand, just off Park Street, John Abriani’s Six, featuring the dimple-chinned South African Al Bowlly, were midway through a two-year stand entertaining well-heeled and well-connected audiences at the stylish Saturday Club.
The city was full of diversions.
Despite the differences in culture and climate, if an Englishman were to look at the empire’s second city through just the right lens, he might sometimes be reminded of London. The glimmer- ing of the Chowringhee streetlights ‘calls back to many the similar reflection from the Embankment to be witnessed in the Thames’, one chronicler wrote. Calcutta’s cinemas and restaurants were no less stuffed with patrons than those in London or New York, even if police had recently shuttered the nightly cabaret acts that were common in popular European eateries, and even if the Great Depression could now be felt lapping at India’s shores, leaving a worrisome slick of unemployment in its wake.
With a million and a half people, a thriving port, and as the former seat of government for a nation stretching from the plains of Afghanistan to the Burma frontier, Calcutta was a thrumming engine of politics, culture, commerce – and crime. Detectives had just corralled a gang of looters for making off with a small fortune in gold idols and jewellery – worth £500,000 today – from a Hindu temple dedicated to the goddess Kali. In the unpaved, unlit countryside, families lived in fear of an ‘orgy’ of abductions in which young, disaffected wives were manipulated into deserting their husbands, carried away in the dead of night by boat or on horseback, and forced into lives of sexual bondage.
Every day, it seemed, another boy or girl from a ‘good’ middle- class family was arrested with bomb-making materials, counterfeit rupees, or nationalist literature. Each month seemed to bring another assassination attempt targeting high officials of the Raj. The bloodshed, and growing public support for it, was disturbing proof that Britain had lost the Indian middle class – if it had ever had them.
Non-violence was far from a universal creed among Indians yearning to expel the English, but it had mass support thanks to the moral authority of Mohandas Gandhi. Gandhi, the ascetic spiritual leader whose campaigns of civil disobedience had galvanised tens of millions, was then touring central India, and trying to balance the social aspirations of India’s untouchables with the virulent opposition of orthodox Hindus – a tightrope that neither he nor his movement would ever manage to cross.
And from his palatial family seat at Allahabad, the decidedly non-ascetic Jawaharlal Nehru, the energetic general secretary of the Indian National Congress, issued a broadside condemning his country’s Hindu and Muslim hardliners as saboteurs to the cause of a free and secular India. Nehru had already spent more than 1,200 days behind bars for his pro-independence speeches and organising. Soon the son of one of India’s most prominent would again return to the custody of His Majesty’s Government, this time in Calcutta, accused of sedition.
It was in this thriving metropolis, the booming heart of the world’s mightiest empire, that, shortly after two o’clock in the afternoon on that last Sunday in November, well below the radar of world events, a young, slim aristocrat threaded his way through a crowd of turbaned porters, frantic passengers, and sweating ticket collectors at Howrah, British India’s busiest railway station.
He had less than eight days to live.
About the Book:
A crowded train platform. A painful jolt to the arm. A mysterious fever. And a fortune in the balance. Welcome to a Calcutta murder so diabolical in planning and so cold in execution that it made headlines from London to Sydney to New York.
Amarendra Chandra Pandey, 22, was the scion of a prominent zamindari family, a model son, and heir to half the Pakur Raj estate. Benoyendra Chandra Pandey, 32, was his rebellious, hardpartying halfbrother – and heir to the other half. Their dispute became the germ for a crime that, with its elements of science, sex, and cinema, sent shockwaves across the British Raj.
Working his way through archives and libraries on three continents, Dan Morrison has dug deep into trial records, police files, witness testimonies, and newspaper clippings to investigate what he calls ‘the oldest of crimes, fratricide, executed with utterly modern tools’. He expertly plots every twist and turn of this repelling yet riveting story –right up to the killer’s cinematic last stand.
About the Author:
Dan Morrison is a regular contributor to The New York Times, Guardian, BBC News and the San Francisco Chronicle. He is the author of The Black Nile (Viking US, 2010), an account of his voyage from Lake Victoria to Rosetta, through Uganda, Sudan and Egypt. Having lived in India for five years, he currently splits his time between his native Brooklyn, Ireland and Chennai.
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It is the 20th of December 1980, a Saturday, and at dinner, Lorenzo Senesi, who will turn twenty-two in a little over a month, tells his mother, ‘Mamma, I think I just might go down to Padua with Roberto and Francesca for Christmas and the New Year. Should be back by the 3rd or 4th of January.’
Elda glances at her son but says nothing. Amedeo the father grunts once to acknowledge that the information has reached his ears. Paola, Lorenzo’s sister, older by fourteen months, asks in a tone that suggests that it wouldn’t matter if he doesn’t respond, ‘With those two? But I thought you were bored to death of them.’
The next morning, Lorenzo packs some essential things, including his copy of Carlo Carretto’s The Desert in the City, in an overnight bag, places the bag on the rear seat of his Renault 5, goes to the kennel in the corner of the garden to hug and nuzzle Vega the dog (a handsome golden-brown beast, half German Shepherd, a quarter Retriever, and in her reflective moments, there is something about her eyes that recalls the young Sylvester Stallone) and is off. Francesca and Roberto are nowhere to be seen. From Aquilinia, the dot on the outskirts of Trieste where they stay (a workers’ village, really, an adjunct to the Aquila oil refinery is how it was conceived and inaugurated in 1938, with habitual pomp, by Mussolini), he takes La Strada Costiera, the scenic coast road, down to the plains.
It is late in the morning, and bright and sunny. On his right lie the hummocks, ridges and undulations of karst, their eroded limestone continually sneaking a peek between the trees of lime and pine at the brilliant blue, on his left, of the bay of Trieste. The landscape tumbles down in leaps and bounds to the radiant sea that stretches like blue polythene till the haze of the horizon. On some curves, he can spot the white sails of boats, as still as life, on the aquamarine lapping at the feet of Miramare Castle.
The Renault, three years old, is an acquisition that dates from his road accident and the insurance money that he reaped as one of its consequences. It moves well; he makes good time to Sistiana and thence to Monfalcone where, having left the Adriatic and reached the bland plains, he takes the A 4 west-south-west towards Milan. He is undecided—but only for a moment—between the radio and the cassette player. Radio Punto Zero on FM wins; with his arms fully stretched to grip the steering wheel, he leans back in the seat to enjoy Adriano Celentano crooning ‘Il Tempo Se Ne Va’.
A hundred and fifty kilometres, more or less, to Padua, an uncluttered highway through the ploughed cornfields and plantations of poplar of the region of Gorizia; Celentano on the radio is succeeded by Franco Battiato, Giuni Russo, Antonello Venditti and Claudio Baglioni. Friuli-Venezia-Giulia gives way to the Veneto a while before Lorenzo switches off the radio to enjoy, in peace, the noon silence. At Padua, though, it not being his final destination, he still has a further fifteen kilometres to go to reach Praglia at the foot of the Euganean Hills.
He parks the Renault as far as he can from a bus disgorging a contingent of British tourists alongside the church wall of the Chiesa Abbaziale di Santa Maria Assunta and carrying his overnight bag, walks across to the arched recess in which is inset an iron door. It is the principal entrance to Praglia Abbey of which the church forms an integral part. He rings the bell and waits.
He glances back at his car. Behind the wall, the church rises solid and grey, monolithic like a fortress, almost forbidding. Hearing the clang and whine of the iron door being opened, he turns back.
The monk whom he sees, Father Anselmo, sombre in his black robe, is tiny. He smiles and nods at Lorenzo and ushers him in. ‘Oh, have you come by car? Then I’ll open the main gates for you so that you can park inside.’ Without ceasing to nod and smile, he ushers him out.
Father Anselmo, being the porter of the abbey, is a statutory requirement of the institution. Let there be stationed at the monastery gate, says Chapter 66 of the Rule of Saint Benedict, a wise and elderly monk who knows how to receive an answer and to give one and whose ripeness of years does not suffer him to wander about. This porter ought to have his cell close to the gate so that those who come may always find someone there from whom they can get an answer. So when the Father does not reply, it may be presumed that the question was not worth a response. For they do not speak much, the Benedictines.
The Renault having found its parking berth in a spacious, paved, open corridor that runs right around a large, rectangular garden, Lorenzo returns to the reception room where Father Anselmo, at his place behind a plain, unadorned desk, waits for him.
‘Good afternoon,’ he starts again formally. ‘I would like to meet the maestro dei novizi. I have an appointment. My name is Lorenzo Bonifacio.’
A cue, as it were, for Father Anselmo to nod and smile again, and without getting up, lean sideways in his chair and press, six times in a measured, definite code, a red plastic button affixed to the wall. One push of the bell, a long pause, two pushes, a short pause, two more pushes, a long pause, one last push. Immediately, from the great bell tower of the church, clearly audible in each nook and cranny of the abbey, begins to ring, in the same code and with the same pauses, one of the lesser bells. Father Anselmo then gestures to Lorenzo to sit down in one of the chairs ranged along the wall. No conversation ensues.
(Extracted from Lorenzo Searches for the Meaning of Life by Upamanyu Chatterjee. Published by Speaking Tiger Books, 2024)
About the Book
One summer morning in 1977, nineteen-year-old Lorenzo Senesi of Aquilina, Italy, drives his Vespa motor-scooter into a speeding Fiat and breaks his forearm. It keeps him in bed for a month, and his boggled mind thinks of unfamiliar things: Where has he come from? Where is he going? And how to find out more about where he ought to go? When he recovers, he enrols for a course in physiotherapy. He also joins a prayer group, and visits Praglia Abbey, a Benedictine monastery in the foothills outside Padua.
The monastery will become his home for ten years, its isolation and discipline the anchors of his life, and then send him to a Benedictine ashram in faraway Bangladesh—a village in Khulna district, where monsoon clouds as black as night descend right down to river and earth. He will spend many years here. He will pray seven times a day, learn to speak Bengali and wash his clothes in the river, paint a small chapel, start a physiotherapy clinic to ease bodies out of pain, and fall, unexpectedly, in love. And he will find that a life of service to God is enough, but that it is also not enough.
A study of the extraordinary experiences of an ordinary man, a study of both the majesty and the banality of the spiritual path, Upamanyu Chatterjee’s new novel is a quiet triumph. It marks a new phase in the literary journey of one of India’s finest and most consistently original writers.
About the Author
Upamanyu Chatterjee is the author of English August: An Indian Story (1988), The Last Burden (1993), The Mammaries of the Welfare State (2000), Weight Loss (2006), Way to Go (2011), Fairy Tales at Fifty (2014), and Villainy (2022)—all novels; The Revenge of the Non-vegetarian (2018), a novella; and The Assassination of Indira Gandhi (2019), a collection of long stories.
In 2000, he won the Sahitya Akademi Award, and in 2008, he was awarded the Order of Officier des Arts et des Lettres by the French Government for his contribution to literature.
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Nativity of Christ, painted in the Mughal empire, around 1800 AD
“The central celebration is the birth of a child. There is no culture that does not celebrate this event, because all of us who belong to the human race can see our collective future in the pudgy little face. We marvel at this conjuring act, the miniature miracle, at its tiny fingernails and budlike nose.” — Jerry Pinto, Indian Christmas: Essays, Memoirs, Hymns, an anthology edited by Jerry Pinto and Madhulika Liddle
Christmas centres around the birth of a child who impacted a large part of the world and urged us to love others despite differences, to be kind, to embrace those who suffered… and that is the spirit that continues to unite humankind to move towards a future where people thrive in harmony, with love in their hearts. Despite all the darkness that broods over the world, Christmas has come around. The sun still moves forward in time and at some point, the darkness will give way to light. Perhaps, Christmas will remind people of the values they need to uphold to live in a world that is not filled with fear, greed or the lust for power and they will stop killing ruthlessly and without any sense of coherence. With that in mind, we have tried to evoke the spirit of Christmas cheer by presenting writings that talk of celebrations.
This is a season that should be filled with hope, goodwill, peace and love. The celebrations — depicting variety, a departure from conventional norms — by writers who reach across borders and time, rekindle our belief in the wonder created by these values, which is what Christmas is all about. We start with Tagore, a Brahmo by religion but his poem in English dwells on the wonder he feels at the idea of this unique birth of Christ. Our other writers from across the world pitch in with what Christmas means to all of them, whether it creates a sense of goodwill, nostalgia, invokes curiosity or just evokes plain laughter. Hopefully, we can all join together to ring the bells of kindness, love, humanitarian help and peace this year!
Poetry
An excerpt from Rabindranath Tagore’s ‘The Child‘ a poem originally written in English by the poet to celebrate Christmas. Click here to read.
In I Went to Kerala, Rhys Hughes treads a humorous path while exploring Christmas in Kerala. Click here to read.
In Hold the Roast Turkey Please Santa , Keith Lyons writes from New Zealand, where summer solstice and Christmas fall around the same time. Click hereto read.
In My Christmas Eve “Alone”, Erwin Coomb has a strange encounter on Christmas eve… Is it real? Clickhere to read.
Nativity, a fresco by Italian artist Boticelli, created around 1467
Mother & Child by Jamini Roy (1887-1972)Mother and Child by Picasso (1881-1973)
‘Victory to Man, the newborn, the ever-living.’ They kneel down, the king and the beggar, the saint and the sinner, the wise and the fool, and cry: ‘Victory to Man, the newborn, the ever-living.’
This is the month— the last of a conflict-ridden year— when we celebrate the birth of a messiah who spoke of divine love, kindness, forgiveness and values that make for a better world. The child, Jesus, has even been celebrated by Tagore in one of his rarer poems in English. While we all gather amidst our loved ones to celebrate the joy generated by the divine birth, perhaps, we will pause to shed a tear over the children who lost their lives in wars this year. Reportedly, it’s a larger number than ever before. And the wars don’t end. Nor the killing. Children who survive in war-torn zones lose their homes or families or both. For all the countries at war, refugees escape to look for refuge in lands that are often hostile to foreigners. And yet, this is the season of loving and giving, of helping one’s neighbours, of sharing goodwill, love and peace. On Christmas this year, will the wars cease? Will there be a respite from bombardments and annihilation?
We dedicate this bumper year-end issue to children around the world. We start with special tributes to love and peace with an excerpt from Tagore’s long poem, ‘The Child‘, written originally in English in 1930 and a rendition of the life of the philosopher and change-maker, Vivekananda, by none other than well-known historical fiction writer, Aruna Chakravarti. The poem has been excerpted from Indian Christmas: Essays, Memoirs, Hymns, an anthology edited by Jerry Pinto and Madhulika Liddle, a book that has been reviewed by Somdatta Mandal and praised for its portrayal of the myriad colours and flavours of Christmas in India. Christ suffered for the sins of humankind and then was resurrected, goes the legend. Healing is a part of our humanness. Suffering and healing from trauma has been brought to the fore by Christopher Marks’ perspective on Veronica Eley’s The Blue Dragonfly: healing through poetry. Basudhara Roy has also written about healing in her take of Kuhu Joshi’s My Body Didn’t Come Before Me.Bhaskar Parichha has reviewed a book that talks of healing a larger issue — the crises that humanity is facing now, Permacrisis: A Plan to Fix a Fractured World, by ex-British Prime Minister Gordon Brown, Nobel Laureate Michael Spence, Mohamed El-Erian and Reid Lidow. Parichha tells us that it suggests solutions to resolve the chaos the world is facing — perhaps a book that the world leadership would do well to read. After all, the authors are of their ilk! Our book excerpts from Dr Ratna Magotra’s Whispers of the Heart – Not Just A Surgeon: An Autobiographyand Manjima Misra’s The Ocean is Her Titleare tinged with healing and growth too, though in a different sense.
The theme of the need for acceptance, love and synchronicity flows into our conversations with Afsar Mohammad, who has recently authored Remaking History: 1948 Police Action and the Muslims of Hyderabad. He shows us that Hyderabadi tehzeeb or culture ascends the narrow bounds set by caged concepts of faith and nationalism, reaffirming his premise with voices of common people through extensive interviews. In search of a better world, Meenakshi Malhotra talks to us about how feminism in its recent manifestation includes masculinities and gender studies while discussing The Gendered Body: Negotiation, Resistance, Struggle, edited by her, Krishna Menon and Rachana Johri. Here too, one sees a trend to blend academia with non-academic writers to bring focus on the commonalities of suffering and healing while transcending national boundaries to cover more of South Asia.
That like Hyderabadi tehzeeb, Bengali culture in the times of Tagore and Nazrul dwelled in commonality of lore is brought to the fore when in response to the Nobel laureate’s futuristic ‘1400 Saal’ (‘The year 1993’), his younger friend responds with a poem that bears not only the same title but acknowledges the older man as an “emperor” among versifiers. Professor Fakrul Alam has not only translated Nazrul’s response, named ‘1400Saal’ aswell, but also brought to us the voice of another modern poet, Quazi Johirul Islam. We have a self-translation of a poem by Ihlwha Choi from Korean and a short story by S Ramakrishnan in Tamil translated by T Santhanam.
Our short stories travel with migrant lore by Farouk Gulsara to Malaysia, from UK to Thailand with Paul Mirabile while chasing an errant son into the mysterious reaches of wilderness, with Neeman Sobhan to Rome, UK and Bangladesh, reflecting on the Birangonas (rape victims) of the 1971 Bangladesh Liberation war, an issue that has been taken up in Malhotra’s book too. Sobhan’s story is set against the backdrop of a war which was fought against linguistic hegemony and from which we see victims heal. Sohana Manzoor this time has not only given us fabulous artwork but also a fantasy hovering between light and dark, life and death — an imaginative fiction that makes a compelling read and questions the concept of paradise, a construct that perhaps needs to be found on Earth, rather than after death.
The unusual paradigms of life and choices made by all of us is brought into play in an interesting non-fiction by Nitya Amlean, a young Sri Lankan who lives in UK. We travel to Kyoto with Suzanne Kamata, to Beijing with Keith Lyons, to Wayanad with Mohul Bhowmick and to Langkawi with Ravi Shankar. Wendy Jones Nakanishi argues in favour of borders with benevolent leadership. Tongue-in-cheek humour is exuded by Devraj Singh Kalsi as he writes of his attempts at using visiting cards as it is by Rhys Hughes in his exploration of the truth about the origins of the creature called Humpty Dumpty of nursery rhyme fame.
Poetry again has humour from Hughes. A migrant himself, Jee Leong Koh, brings in migrant stories from Singaporeans in US. We have poems of myriad colours from Ryan Quinn Flanagan, Patricia Walsh, John Grey, Kumar Bhatt, Ron Pickett, Prithvijeet Sinha, Sutputra Radheye, George Freek and many more. Papia Sengupta ends her poem with lines that look for laughter among children and a ‘life without borders’ drawn by human constructs in contrast to Jones Nakanishi’s need for walls with sound leadership. The conversation and dialogues continue as we look for a way forward, perhaps with Gordon Brown’s visionary book or with Tagore’s world view of lighting the inner flame in each human. We can hope that a way will be found. Is it that tough to influence the world using words? We can wish — may there be no need for any more Greta Thunbergs to rise in protest for a world fragmented and destroyed by greed and lack of vision. We hope for peace and love that will create a better world for our children.
As usual, we have more content than mentioned here. All our pieces can be accessed on the contents’ page. Do pause by and take a look. This bumper issue would not have been possible without the contribution of all the writers and our fabulous team from Borderless. Huge thanks to them all and to our wonderful readers who continue to encourage us with their comments and input.
Here’s wishing you all wonderful new adventures in the New Year that will be born as this month ends!
We all know that Christmas Day, the night that Jesus came to earth, bringing with him peace and love for all humanity, is celebrated by Christians all around the world with great enthusiasm and merriment. Interestingly, for a multicultural country like India, Christmas is equally celebrated — not only as a religious festival but also as a cultural one. For a country where less than three percent of the population is Christian, the central celebration is the birth of a child, but it takes on new meaning in different Indian homes. Known in local parlance also as “Burradin”[big day] Indians from all classes and communities look forward to this day when they can at least buy a cake from the local market, shower their children with stars, toys, red Santa caps and other decorative items, and go for a family picnic for lunch, dine at a fancy restaurant or visit the nearby church. This syncretic cult makes this festival unique, and for Jerry Pinto and Madhulika Liddle editing this very interesting anthology comprising of different genres of Indian writing on the topic – essays, images, poems and hymns, both in English and also translated from India’s other languages is indeed unique.
Mary and Jesus’ a painting by Sister Marie Claire. (Picture courtesy: SMMI Provincialate, Bengalaru) ‘Adivasi Madonna’, a painting by Jyoti SahiImages from Indian Christmas: Essays, Memories, Hymns
In his introduction which he titles “Unto All of Us a Child is Born,” Jerry Pinto reminisces how he was surprised when he saw his first live Santa Claus. He was a figure in red that Akbarally’s, Bombay’s first department store, wheeled out around Christmas week. “He was a thin man, not very convincingly padded… seemed to be from my part of the world, someone who would climb up our narrow Mahim stairs and leave something at the door for us at three or four a.m., then take the local back to his regular job as a postman or seller of second-hand comics. The man in the cards and storybooks preferred London and New York. And a lot of snow. … Today, it is almost a cliché to say that Christmas, like every other festival, is hostage to the market.”
The other editor, Madhulika Liddle in her introduction “Christmas in Many Flavours” states, “According to the annals of the Mambally Royal Biscuit Factory bakery in Thalassery, Kerala, its founder Mambally Bapu baked the first Christmas cake in India”. It was way back in 1883, at the instance of an East India Company spice planter he set about trying to create a Christmas cake. Liddle wondered what that first Christmas cake tasted like; how close it was to the many thousands of cakes still baked and consumed at Christmas in Kerala? She also writes about the situation in India, where instead of wholesale and mindless importing of Christmas ideas, the people have been discerning enough to amalgamate all our favourite (and familiar) ideas of what a celebration should be and fit them into a fiesta of our own.
Images from Indian Christmas: Essays, Memories, Hymns: dressed up as Santa Claus leave for school in Punjab. (Picture courtesy: Ecocabs,Fazilka).
There are several other aspects of Christmas celebrations too. The Christmas bazaars are now increasingly fashionable in bigger cities. The choral Christmas concerts and Christmas parties are big community affairs, with dancing, community feasts, Christmas songs, and general bonhomie. Across the Chhota Nagpur area, tribal Christians celebrate with a community picnic lunch, while many coastal villages in Kerala have a tradition of partying on beaches, with the partying spilling over into catamarans going out into the surf. In Kolkata’s predominantly Anglo-Indian enclave of Bow Bazar, Santa Claus traditionally comes to the party in a rickshaw, and in much of northeast India, the entire community may indulge in a pot-luck community feast at Christmas time. Thus Liddle states:
“Missionaries to Indian shores, whether St Thomas or later evangelists from Portugal, France, Britain, or wherever brought us the religion; we adopted the faith, but reserved for ourselves the right to decide how we’d celebrate its festivals.”
Apart from their separate introductions, the editors have collated twenty-seven entries of different kinds, each one more interesting than the other, that showcase the richness and variety of Christmas celebrations across the country. Though Christianity may have come to much of India by way of missionaries from Europe or America, it does not mean that the religion remained a Western construct. Indians adopted Christianity but made it their own. They translated the Bible into different Indian languages, translated their hymns, and composed many of their own. They built churches which they at times decorated in their own much-loved ways. Their feasts comprised of food that was often like the ones consumed during Holi or Diwali.
Thus, Christmas in India turned to a great Indian festival that highlighted the syncretism of our culture. Damodar Mauzo, Nilima Das, Vivek Menezes, Easterine Kire, Hansda Sowvendra Shekhar, Nazes Afroz, Elizabeth Kuruvilla, Jane Borges and Mary Sushma Kindo, among others, write about Christmas in Goa, Nagaland, Kerala, Jharkhand, Delhi, Kolkata, Mumbai, Shillong and Saharanpur. Arul Cellatturai writes tender poems in the Pillaitamil tradition to the moon about Baby Jesus, and Punjabi singers compose tappe-boliyan about Mary and her infant. There are Mughal miniatures depicting the birth of Jesus, paintings by Jyoti Sahi and Sister Claire inspired by folk art, and pictures of Christmas celebrations in Aizawl, Bengaluru, Chennai and Kochi and these visual demonstrations enrich the text further.
Seventeenth-century painting depicting Mary and Joseph travelling to Bethlehem. From a Mir’at al-quds of Father Jerome, 2005, Cleveland Museum of Art. (Wikimedia Commons) ‘Mother Mary and Child Christ’. Mid-eighteenth century, late Mughal, Muhammad Shah period. National Museum of India, New Delhi (Wikimedia Commons)Images from Indian Christmas: Essays, Memories, Hymns
Interestingly, the very first entry of this anthology is an excerpt from the final two sections of one of Rabindranath Tagore’s finest long poems, inspired by the life of Jesus Christ. Tagore wrote the poem “The Child” in 1930, first in English and translated it himself into Bengali the following year, titling it “Sishutirtha.” But many years even before that, every Christmas in Santiniketan, Tagore would give a talk about Christ’s life and message. Speaking on 25 December 1910, he said:
“The Christians call Jesus Man of Sorrow, for he has taken great suffering on himself. And by this he has made human beings great, has shown that the human beings stand above suffering.”
India celebrates Christmas with its own regional flair, its own flavour. Some elements are the same almost everywhere; others differ widely. What binds them together is that they are all, in their way, a celebration of the most exuberant festival in the Christian calendar.
Apart from the solemnity of the Church services, there is a lot of merrymaking that includes the food and drink, the song and dance. The songs often span everything from the stirring ‘Hallulujah Chorus’ to vibrant paeans sung in every language from Punjabi to Tamil, Hindi to Munda, Khariya and Mizo tawng.
Among the more secular aspects of Christmas celebrations are the decorations, and this is where things get even more eclectic. Whereas cities and towns abound in a good deal of mass decorating, with streets and public places being prettied up weeks in advance, rural India has its own norms, its own traditions. Wreaths and decorated conifers are unknown, for instance, in the villages of the Chhota Nagpur region; instead, mango leaves, marigolds and paper streamers may be used, and the tree to be decorated may well be a sal or a mango tree. Nirupama Dutt tells us how since her city had no firs and pines, she got her brother’s colleague to fetch a small kikar tree as kikars grew aplenty in the wild empty plots all over Chandigarh. In many entries we read about how Christmas decorations were rarely purchased but were cleverly constructed at home.
A very integral part of the Christmas celebrations of course is music. In many Goan Catholic neighbourhoods, Jim Reeves continued to haunt the listeners in his smooth baritone: “I’ll have a blue Christmas without you/ I’ll be so blue thinking about you/ Decorations of red on a green Christmas tree/ Won’t mean a thing, dear, if you’re not here with me.” Simultaneously, the words and music of “A Christmas Prayer” by Alfred J D’Souza are as follows: “Play on your flute/ Bhaiyya, Bhaiyya/ Jesus the saviour has come./ Put on your ghungroos/ Sister, Sister/ Dance to the beat of the drums!/ Light up a deepam in your window/ Doorstep, don with rangoli/ Strings of jasmine, scent your household/ Burn the sandalwood and ghee,/ Call your neighbour in, smear vermillion/ Write on his forehead to show/ A sign that we are one/ Through God’s eternal Son/ In friendship and in love ever more!/ Ah! Ah!” But the most popular Christmas song was of course “Jingle bells, jingle bells, jingle all the way….”
In “Christmas Boots and Carols in Shillong”, Patricia Mukhim tells us how the word ‘Christmas’ triggers a whole host of activities in Meghalaya and other Northeastern states that have a predominantly Christian population. Apart from cleaning and painting the houses, everything looks like fairyland during Christmas, a day for which they have been waiting for an entire year. She particularly mentions the camaraderie that prevails during this time:
“Christmas is a time when invitations are not needed. Friends can land up at each others’ homes any time on Christmas Eve to celebrate. Most friends drop by with a bottle of wine and others pool in the snacks and the party continues until the wee hours of morning. It’s one day in the year when the state laws that noise should end at 10 p.m. is violated with gay abandon. …Shillong [is] a very special place on Planet Earth. Everyone from the chief minister down can strum the guitar and has a voice that could put lesser mortals to shame. And Christmas is also a day when all VIPism and formalities are set aside. You can land up at anyone’s home and be welcomed in. It does not matter whether someone is the chief minister, a top cop, or the terrifying headmistress of your school.”
One very significant common theme in all the multifarious entries is the detail descriptions provided on food, especially the makeshift way Christmas cakes are baked in every home and the Indian way meat and other specialties are being prepared on the special day. There are several entries that give us details about the particular food that was prepared and consumed at the time along with actual recipes about baking cakes. “Christmas Pakwan[1]” by Jaya Bhattcharji Rose, “The Spirit of Christmas Cake” by Priti David, and “Armenian Christmas Food in Calcutta” by Mohona Kanjilal need special mention in this context. Liddle in her introduction wrote:
“Our Christmas cakes are a reflection of how India celebrates Christmas: with its own religious flair, its own flavour. Some elements are the same almost everywhere; others differ widely. What binds them together is that they are all, in their way, a celebration of the most exuberant festival in the Christian calendar.”
Later in her article “Cake Ki Roti at Dua ka Ghar[2],” the house where they lived in Saharanpur, Uttar Pradesh, she wrote how her parents told her that ‘bajre ki tikiyas’, thin patties made of pearl millet flour sweetened with jaggery, used to be a staple at Christmas teatime at Dua ka Ghar[3], though she has no recollection of those. She of course vividly recalls the ‘cake ki roti’. This indigenisation of Christmas is something that’s most vividly seen in the feasting that accompanies Christmas celebrations across the country. While hotels and restaurants in big cities lay out spreads of roast turkey (or chicken, more often), roast potatoes and Christmas puddings, the average Indian Christian household may have a Christmas feast that comprises largely of markedly regional dishes.
In Kerala, for instance, duck curry with appams is likely to be the piece de resistance. In Nagaland, pork curries rich in chillies and bamboo shoots are popular, and a whole roast suckling pig (with spicy chutneys to accompany it) may hold centre stage. A sausage pulao, sorpotel and xacuti would be part of the spread in Goa, and all across a wide swathe of north India, biriyanis, curries, and shami kababs are de rigueur at Christmas.
This beautifully done book, along with several coloured pictures, endorses the idea of religious syncretism that prevails in India. As a coiner of words, Nilima Das came up with the idea that ‘Christianism’ in our churches is after all, a kind of ‘Hinduanity’ (“Made in India and All of That”). This reviewer feels guilty of not being able to mention each of the unique entries separately that this anthology contains, so it is suggested that this is a unique book to enjoy reading, to possess, as well as to gift anyone during the ensuing Christmas season.
Groundhog. Groundhog Day is celebrated on February 2nd. If the groundhogs leave the den where they hibernated, the weather is supposed to move towards spring. This observance has its roots in ancient Celtic culture.
GROUNDHOG DAY
It’s Groundhog Day.
The groundhog is somewhere
burrowed deep in the ground.
Either the groundhog
doesn’t know what day it is
or he doesn’t care.
But, then again,
Christ doesn’t show up
on Christmas either.
Just your father
and his new wife
with some toys.
It’s the one time of the year,
you see his shadow.
TWILIGHT
day flies off
like cardinals
and gold-finches
night
settles
on the branches
like crows
mice
scamper nervously
across the forest floor
all the birds
are owls
WORKING MY WAY THROUGH THE DICTIONARY,
I AM NOW AT Q
Some words
have tens,
if not hundreds,
of synonyms.
Others,
hardly any at all.
That is why I’ve never
written a poem about a quark.
That word,
for want of an alternative,
would appear on every second line.
Even this poem
has to repeat the word quark
just to get its point across.
So let this be my quark poem
and leave it at that.
John Grey is an Australian poet, US resident, recently published in New World Writing, Santa Fe Literary Review, and Lost Pilots. His latest books, Between Two Fires, Covert and Memory Outside The Head are available through Amazon. He has upcoming poetry in the Seventh Quarry, La Presa and CaliforniaQuarterly.
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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL
Durga Puja, a community- based festival. Courtesy: Creative Commons
Long ago as children, we looked forward to the autumnal festival of Durga Puja. For those who lived outside Bengal, there was no holiday but it was still a break, a season filled with joie de vivre, when family and friends would gather to celebrate the community-based festival, Durga Puja. Parallelly, many from diverse Indian cultures celebrated Navratri — also to do with Durga. On the last day of the Durga Puja, when the Goddess is said to head home, North Indians and Nepalese and some in Myanmar celebrate Dusshera or Dashain, marking the victory of Rama over Ravana, a victory he achieved by praying to the same Goddess. Perhaps, myriads of festivals bloom in this season as grains would have been harvested and people would have had the leisure to celebrate.
Over time, Durga Puja continues as important as Christmas for Bengalis worldwide, though it evolved only a few centuries ago. For the diaspora, this festival, declared “Intangible Cultural Heritage of Humanity” by UNESCO, is a source of joy. While devotees welcome the Goddess Durga and her children home, sons and daughters living away would use this event as a reason to visit their parents. Often, special journals featuring writings of greats, like Satyajit Ray, Tagore, Syed Mujtaba Ali, Nazrul would be circulated in the spirit of the festival.
The story around the festival gives out that like an immigrant, the married Goddess who lived with her husband, Shiva, would visit her parent’s home for five days. Her advent was called Agomoni. Aruna Chakravarti contends in her essay, Durga’s Agomoni “is an expression, pure and simple, of the everyday life of women in a rural community –their joys and sorrows; hopes and fears”. While some war and kill in the name of religion, as in the recent Middle Eastern conflict, Chakravarti, has given us an essay which shows how folk festivities in Bengal revelled in syncretism. Their origins were more primal than defined by the tenets of organised religion. And people celebrated the occasion together despite differences in beliefs, enjoying — sometimes even traveling. In that spirit, Somdatta Mandal has brought us travel writings by Tagore laced with humour. The spirit continues to be rekindled by writings of Tagore’s student, Syed Mujtaba Ali, and an interview with his translator, Nazes Afroz.
We start this special edition with translations of two writers who continue to be part of the syncretic celebrations beyond their lives, Tagore and Nazrul. Professor Fakrul Alam brings to us the theme of homecoming explored by Nazrul and Tagore describes the spirit that colours this mellow season of Autumn
Poetry
Nazrul’s Kon KuleAaj Bhirlo Tori ( On which shore has my boat moored today?), translated from Bengali by ProfessorFakrul Alam, explores the theme of spiritual homecoming . Click here to read.
Tagore’sAmra Bedhechhi Kasher Guchho (We have Tied Bunches of Kash), translated from Bengali by Mitali Chakravarty, is a hymn to the spirit of autumn which heralds the festival of Durga Puja. Click here to read.
Somdatta Mandal translates from Bengali Travels & Holidays: Humour from Rabindranath. Both the essay and letters are around travel, a favourite past time among Bengalis, especially during this festival. Click here to read.
Title: South to South: Writing South Asia in the American South
Editor: Khem K. Aryal
Publisher: Texas Review Press
Taken together, the stories and essays in the new anthology edited by Khem K. Aryal South to South, Writing South Asia in the American South, offer an intimate, richly articulated expression of what it means to live in the American South as a South Asian immigrant. Several stories construct the enduring feeling of loss, both for new immigrants and old. Sixteen authors have been featured. Some have dealt with the issue through fiction and some, through non-fiction.
In “The Immigrant”, a short story by Chaitali Sen, a young immigrant man Dhruv tries to compose a letter to his parents describing his new life in America but fails to find the language. While dining next to the hotel where he is staying during a work trip, Dhruv is upset by the disappearance of a small boy and the fruitless search of the distraught parents, which reminds him of his own state in America, where he seems to have lost his way. In “Pine” by Hasantika Sirisena, a young Sri Lankan mother of two small children tries to hold on to her customs from home. Her husband walks out on her in a bid to make a new, successful life in America, unburdened by the trappings of culture and religion. She seems in danger of losing her two children also, who are more interested in Christmas trees than the rituals she wants to share with them. In a startling turn of events, she comes to terms with her own uprooting with touching courage.
Several stories remind us of the remarkable flexibility of South Asian immigrants, who transform themselves and become new people after putting down roots in a new place. One such story is Aruni Kashyap’s “Nafisa Ali’s Life, Love, and Friendships Before and After the Travel Ban”, about a young married woman from the war-torn region of Assam, whose mother and husband in India constantly worry about her safety. Nafisa lives next door to a couple as different from her as possible; they do not work, they drink and they have public sex – yet, Nafisa feels drawn to them as she embraces her new relationships and identity in America to escape her traumatic past. In “Nature Exchange”, Sindhya Bhanoo tells the story of a South Asian woman married to a white man whose relationship with her husband comes to an end when their son dies in an all too typical American phenomenon, a school shooting.
Repeatedly, we see immigrant women in a state of extreme desolation and isolation, left to their own devices to find meaning afresh in a foreign land. Whether they feel their children moving away from them or they literally lose a child, children seem to act as an anchor for the immigrant mother, but in each story, this most intimate of relationships only proves transitory. There are also contradictions. Whereas Sirisena’s story shows a man more willing to assimilate and adapt to America, in Kashyap’s story, the husband, sitting in India, draws easy conclusions about America (denouncing drinking, dancing, and their anti-immigration status), whereas the wife in America, tired of the stresses of living in a war-torn country, finds respite from her homeland’s history of trauma by partying with her office mates and Southern neighbors.
Parallel themes run through the entries. Both stories and essays articulate the craving for tea, one aspect of their identity that South Asians have carried overseas. Also poignant are tales of the early days of migration and the transformation people undergo over the years. Jaya Wagle writes of having an arranged marriage and making the long journey by plane with the man she marries to another country. The whole experience of her new marriage seems as unknown, fragmented, and mysterious as the new country to which they have come. The essay is poignant for the specificity of haunting details, and the transformation of an immigrant evident over the years.
But what makes these South Asian immigrant experiences uniquely southern? One pattern apparent through all the stories is the lack of public transport and public space. The new immigrants in these essays and stories are in cars and Ubers, tucked away in suburban houses or secluded apartments in small towns, the lack of public community accentuating their isolation. Added to this physical landscape is the South Asian immigrant’s alienation from the politics of the region.
The essays, compared to the stories, seem more concerned about identity and more strident about equating immigrant identity with patriotism and allegiance to the Democratic Party. In “Gettysburg”, Kirtan Nautiyal writes about playing the game Sid Meier’s Gettysburg based on the battle of Gettysburg, admiring Union army heroes, imbibing American history in school, and watching the film Gettysburg, wanting to prove himself an American. Throughout the essay, he seems to correlate being an immigrant with proving one’s patriotism towards his adopted country. He stretches it to a point where he would be willing die in a battle – a price, it seems, immigrants must be willing to pay to show their love for America. The essay, predictably, ends with the story of Captain Humayun Khan, who was killed in the Iraq war, told at the 2016 Democratic Convention. Anjali Erenjati writes about taking a fun car trip with her new immigrant friends who do not share her trauma of growing up in the deep South, where she faced a racist incident as a young teenager.
Essays, also, seem more directly to address the question of identity, specifically, being questioned about one’s identity. In Tarfia Faizullah’s humorous essay “Necessary Failure”, she is asked repeatedly where she is from, as her answer, “I grew up in Midland, Texas,” fails to satisfy her co-worker in a theater festival box office in Alabama. On Jaya Wagle’s first night in America, two policemen accost her husband in Texan English when she mistakenly calls 911. Later, the old women she meets at her library writing workshop ask her how long it took her to learn English, a language she has spoken all her life.
The editor Khem K. Aryal is an associate professor of English at Arkansas State University. He is a writer, editor, and translator from Nepal. His short-story collection, The In-Betweeners, is forthcoming from Braddock Avenue Books.
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Gemini Wahhaj is the author of the forthcoming novel The Children of This Madness (7.13 Books, December 2023) and the forthcoming short-story collection Katy Family (Jackleg Press, Spring 2025). Her fiction is in or forthcoming in Granta, Third Coast, Chicago Quarterly Review, and other magazines.
PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL
If he had stayed in his first job as a bank clerk, perhaps Tomaž Serafi would never have discovered new worlds beyond the borders of the small central European country he grew up in. But he ventured out to find both ancient wisdom and inner truths. He talks to an old friend Keith Lyons.
In Mahayana Buddhism, there is a term ‘Bodhisattva’ for those who reach the threshold of enlightenment, but choose instead to remain behind delaying personal liberation, to dedicate themselves to the benefit of others. To me, Tomaž Serafi is like a compassionate Bodhisattva, gently opening doors for others, and encouraging them to go through.
But then, what do I know? I first met Tomaž more than 20 years ago, connected by a woman we loved. But when I recently scanned a map of Europe, one of the first things that came to mind was that in a modest apartment overlooking the Ljubljanica River near the heart of Slovenia’s capital, Tomaž was doing his thing, living his life to the fullest, letting his light shine.
He doesn’t just feature in my own personal geography or spiritual map of the world. Over the last two decades when travelling in Asia or Australasia I’ve come across people from Ljubljana, and on too many occasions, it turns out they also know Tomaž.
What can you tell us about where you live, in Ljubljana?
Ljubljana is located in the heart of Europe, nestled between Italy, Austria, Hungary, Croatia, and the Adriatic Sea. Slovenia’s capital city is neither large nor small, with a population of 300,000. It’s a delightful place to reside, featuring a vibrant community of young people, and hosting numerous cultural events.
I live in the city centre, right alongside the picturesque green river known as the Ljubljanica. From my window, I enjoy a spectacular view of Ljubljana’s castle perched atop a hill and the flowing river. If I wish to take a stroll in nature, there’s a forest just a 3-minute walk from my house in one direction and 15 minutes in the other. Even in the city centre, there are plenty of trees and green spaces.
Ljubljana is a hidden gem in Europe, and not many people know about its story. What can you say about the country and its people?
When I was born in 1962 Slovenia was a part of Yugoslavia, which was a non-aligned country, not affiliated with either the capitalist Western bloc or the communist Eastern bloc. Yugoslavia was a socialist country, somewhere between communism and capitalism. It was wealthier than communist countries but not as affluent as capitalist ones. Back then, we didn’t have much, but there were no truly impoverished people. Nobody was starving, and nobody was wealthy.
Today, we have a significant number of very wealthy individuals alongside many who are extremely poor, struggling with hunger and homelessness. Presently, life in Slovenia is not significantly different from that in other European countries.
What was it like for you growing up in the 1960s and 1970s in Slovenia?
Back then, we didn’t have cell phones and computers, so we spent most of our time outdoors playing with friends. We played games like hide and seek and competed to see who could run the fastest, jump the highest, climb the highest tree, and so on. When I was a child, I either played outside with friends or read books.
Where did reading books take you?
Books became my passion from the moment I learned how to read. Through books, I learned about other places on Earth and different cultures. I especially adored books about Native Americans. I read all of Karl May’s books [1]– Apache chief Winnetou was my number one hero.
So your interest in the whole wide world came from books?
Yes, my love of books furthered my fascination with other cultures. I’ve always been an avid reader. When I recognised that our own culture was not faring well, that it was troubled and leading us toward a precipice, I became curious about other cultures, especially indigenous ones. I began to delve into literature about Native American, Aboriginal, Celtic, and other cultures, exploring their spirituality and beliefs.
What put you on a path of exploring spirituality?
When I was 15, I fell off a rock wall in a canyon while I was climbing, plummeting 15 meters to the ground. I lay there, unable to move, and had to be rescued and taken to the hospital. Fortunately, it turned out that nothing was broken, but that incident profoundly changed my life. I began to contemplate the concepts of life and death. Death came close, examined me, and decided to spare me for a while longer.
Since that moment, I haven’t been afraid of death anymore. I also started pondering the meaning of life, which became the most significant question for me: What is the meaning of life? That question guided me towards spirituality and spiritual growth. Ever since, spirituality has been the most vital aspect of my life, (alongside, of course, the elements of sex, drugs, and rock and roll).
How were your first experiences venturing overseas?
My first journey took place when I was 15 years old, and I hitchhiked through Europe. I passed through Italy, and in Genoa, I attempted to buy marijuana. I gave money to a guy who entered a house but never returned. It was only then that I realised he had exited through another entrance at the back of the house.
Later in the Côte d’Azur, I purchased LSD, only to discover that I had received plain candy instead. In Nice, I was robbed by a group of 14-year-old Algerians. While hitchhiking on the highway outside of Paris, a large truck deliberately ran over my backpack, scattering all my belongings on the road. Moments later, the police arrived and informed me that hitchhiking on the highway was prohibited. When I showed them what had happened to my backpack, they simply shrugged and drove away.
In Brittany, a kind couple invited me to sleep in their house because it was raining, and I had intended to sleep outside in my sleeping bag. In Paris, a young man around 20-years-old invited me to stay in his apartment, but as we shared the same bed, he tried to put his hand into my underwear.
From these experiences, I learned that I couldn’t trust everyone and that I needed to be cautious. I also discovered that some people are incredibly generous and trustworthy. Most importantly, I learned that I am the master of my life, and it’s best to rely on myself. I also realized that the world is vast, and not every place is the same as my small Slovenia. I encountered people of various nationalities and skin colours, broadening my horizons. I understood that a person’s nationality doesn’t matter; fundamentally, we are all the same. In every country, there are both good and not-so-nice people. But regardless of where they are, everyone shares the same desire: to find happiness.
Has your style of travel changed over time from those first adventures in Europe?
When I was younger, I was restless and eager to explore as many places as possible, often staying in one place for no more than a day or two. However, as time went on, I came to realise that the longer I remain in one location, the more fulfilling it becomes. I grow more peaceful and content, and it’s only then that I can truly savour and fully immerse myself in the experiences.
I also came to understand that the slower I travel, the more profoundly I connect with the landscapes I traverse. When I travel by car, it feels like I’m merely watching the scenery on a television screen. Travelling by bicycle is a much richer experience. Walking on foot is even better, as I absorb every step of the journey. Travelling by public transport has its own appeal. On a bus, I can keenly observe the locals, their personalities, and their customs, which offers a splendid perspective on the places I visit.
What has been a really memorable travel experience for you?
One of the most memorable places that I visited in Ghana was a village called Sonyon. I was travelling by bicycle, and wherever I went, I would tell the people that I wasn’t a tourist but a pilgrim who had come to bestow blessings upon them. You can only reach this village on foot or by bicycle. Later, I learned that it’s a spiritual village where people from all over come to heal or achieve specific goals. They perform offerings, and then conduct certain ceremonies, and they say it has a powerful effect.
The houses in this village are single-story, made of mud, and have flat roofs. They are built close together, so in the evening, the villagers go up to the roofs, where it’s cooler due to a gentle breeze, and they walk around the village from house to house, like on a promenade. They even sleep there sometimes. I lay on the roof, and children came up and started touching me because they were curious about my white skin. I lay on my stomach, patted my back, and said, “You can touch me here,” and they began to stroke and massage me. It was a fantastic feeling, like being caressed and massaged by five or six children!
And how about when travelling in my home country, New Zealand?
One of the most memorable experiences during my first trip to New Zealand’s North Island was while stopping for a short break near a magnificent coastline while hitchhiking. I wanted to stay there for a while. So, I headed towards the coast, found a suitable spot, and set up camp. I spent quite a few days there. I was truly enjoying myself. I remained naked throughout the experience, frequently leaping into the water, singing loudly, dancing, and engaging in meditation, among other activities.
Then I was walking for a long time and eventually, I ran out of water and food. With my last bit of strength, I managed to reach the top of a hill. According to the information in my book, I should have soon come across the first settlement along the way. However, the path had disappeared. Tall grass had grown all around me. I climbed onto a rock and saw a belt of forest nearby, with a path beyond it. I headed towards the forest. Wild boars ran past me. The forest was so overgrown that it took me an hour to reach a path about a hundred meters away. I was dirty and scratched, my clothes were torn, and I was hungry and thirsty. It was Christmas Eve.
Soon, I heard human voices and saw a holiday trailer. People were having a picnic. I asked them if I was heading in the right direction towards the main road. They confirmed it and said, “Wait a minute. Are you thirsty, or hungry? Have a beer. It’s Christmas Eve.” I stayed with them. Soon, Māori friends joined them. We sat around the fire, ate and drank, talked, an elderly Māori woman shared stories of their spirituality and sang their songs, and I sang some of ours. I couldn’t have asked for a better Christmas gift.
Let’s go back to your earlier existence. What happened for you to give up a career working in a bank?
It all began with Illusions (1989) by Richard Bach. I was still employed at a bank when I came across this book – and it had a profound impact on me. It meant so much to me that I made a personal commitment to translate it, despite having no prior experience in translation. And so, I translated it. Subsequently, I submitted my translation to all the publishers in Slovenia, but unfortunately, none of them were interested (back then, the book didn’t align with the socialist Yugoslavia prevailing system). Undeterred, I took matters into my own hands. I photocopied 200 copies of my translation and sold them independently. With the proceeds from those sales, I was able to print an additional 500 copies. To my surprise, I found that I was earning more from these efforts than I would have if a publishing house had purchased my translation.
This realization led me to make a life-altering decision—I left my job at the bank and embarked on a journey of translating and publishing other books that I believed had the power to touch people’s hearts and were of great importance. Authors such as Kahlil Gibran, J.R.R. Tolkien, the Dalai Lama, Louise Hay, William Bloom, Paul Solomon, Dan Millman, and Lobsang Rampa were just a few of the writers whose works I translated and shared with the Slovenian audience.
What do you think is the purpose of your life?
When I was going through a very difficult period in my life and couldn’t sleep one night, I went to the balcony and suddenly heard a voice loudly asking me, “Tomaž, why are you here, why did you come to this world?” Suddenly, it dawned on me, and I replied, “I came here to be happy!” The voice replied, “That’s right, Tomaž. Now, take a look at yourself. Are you happy?”
That’s when I decided to be happy. Once I made that decision, I stuck to it, and I truly was happy.
Later, many years later, I realised that I didn’t just come to be happy. I discovered that I’m even happier and more fulfilled when I make someone else happy. Gradually, I realised that my mission is to help others. I help them in various ways. At one point, I helped by translating and publishing books that benefited them. Later, I assisted them with counselling at the New Age Information Centre, which I founded. Now, I help them with therapeutic massages, with conscious and loving touch.
So what’s your superpower?
My superpower is undoubtedly my touch. However, this transforms into true power only when I am fully aware of it and fill it with love. In fact, my superpower is the awareness that everything is one, that all that exists, the entire universe, and all the things and beings that fill it, both material and immaterial, are actually one vast super being or God.
What things do you do most days to keep you balanced?
For a long time now, I’ve had a morning routine that fulfils me and makes mornings the most beautiful part of my day. When I wake up, I first express gratitude for the night and greet the new day that lies ahead, even before I open my eyes. Then I engage in exercise. I limber up all my joints, perform tantric exercises, breathing exercises, practice yoga, tai chi, and chi gong.
Afterwards, I sit down to meditate and spend some time in silence. Only then am I prepared for the day’s responsibilities. Similarly, in the evening, when I close my eyes, I give thanks for the day I’ve lived and bid goodnight to the night that approaches.
How do you think you’ve made an impact on the lives of others?
When I was publishing books, I received a lot of feedback from my customers which made my heart sing. Some were praising my translations, and some were thankful that I decided to publish such beautiful and meaningful books.
I receive even more grateful feedback from the people I massage. One client commented “I was led to the place where everything just is and exists.” And, Frida, gave me this wonderful endorsement, “For a moment you caught me in timelessness that lasted and lasted. My body was dancing under your loving hands and melted with your grace. Thank you for this magical experience. Your love for the work you are doing and for the people can be felt and it is healing.”
Recently I received this feedback, with the person saying “This was not an ordinary massage. Tomaž’s gentle presence made me feel safe, so I entrusted him with my process.” Another wrote “Tomaž, your creation is truly something special. You’ve given the world a wonderful gift, and I thank you for it.” I’m grateful to people like Medeja who thank me by saying “As if a flock of angels, completely devoted and determined angels, guided me through all possible processes — fears, pains, freedom, love, and beauty — and brought me to their home, where it is so beautiful and pleasant that there are no words to replace this feeling.”
What are the most important things you’ve learned?
I’ve learned that the most important thing for me is to live my soul.
I’ve also learned that no one is more important than another, that there is no good or bad, and that life isnot serious; rather, everything is like dust in the wind of the Universe, or as I like to say, “chickenshit.”
The most fulfilling action one can take is to help others because it brings genuine joy. As socialbeings, our connections with others are the most crucial aspects of life, far surpassing thesignificance of material possessions.
If you have a message or advice for others, what would it be?
Don’t worry; life is not so serious. Follow your heart and live your soul. Be yourself; you don’t have to be somebody else, you don’t have to pretend to be somebody else. Everything is changing; nothing is permanent; everything will end or transform. Live fully, live, and be aware of every moment of your life. That’s why we are here: to live our life fully, to experience everything from joy to sadness, from anger to love, from despair to fulfilment. And to be aware of all of this.
[1] Karl May( 1842-1912) German author. Winnetou was a novel by him.
Keith Lyons (keithlyons.net) is an award-winning writer and creative writing mentor originally from New Zealand who has spent a quarter of his existence living and working in Asia including southwest China, Myanmar and Bali. His Venn diagram of happiness features the aroma of freshly-roasted coffee, the negative ions of the natural world including moving water, and connecting with others in meaningful ways. A Contributing Editor on Borderless journal’s Editorial Board, his work has appeared in Borderless since its early days, and his writing featured in the anthology Monalisa No Longer Smiles.
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