Categories
Contents

Borderless, October 2025

Painting by Sohana Manzoor

Editorial

Imagine… All the People… Click here to read

Translations

Jani Jani Priyo, Ea Jebone  (I know my dear one, in this life) by Nazrul has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Four of his own poems in Malay have been translated by Isa Kamari. Click here to read.

Five poems by Hrushikesh Mallick have been translated from Odia by Snehprava Das. Click here to read.

The Headstone, a poignant story by Sharaf Shad has been translated by Fazal Baloch. Click here to read.

Shukh (Happiness) by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

John Valentine, Saranyan BV, John Swain, Ahmad Al-Khatat, Stephen Druce, Jyotish Chalil Gopinath, Jenny Middleton, Maria Alam, Ron Pickett, Tanjila Ontu, Jim Bellamy, Pramod Rastogi, John Grey, Laila Brahmbhatt, John Zedolik, Snehaprava Das, Joseph K.Wells, Rhys Hughes

Poets, Poetry & Rhys Hughes

Rhys Hughes shares his play, Night in Karnataka. Click here to read.

Musings/ Slices from Life

Just Passing Through

Farouk Gulsara muses on humans and their best friends. Click here to read.

Feeding Carrots to Gentle Herbivores

Meredith Stephens looks back to her past adventures with horses and present ones with giraffes. Click here to read.

Linen at Midnight

Pijus Ash relates a real-life spooky encounter in Holland. Click here to read.

Two Lives – A Writer and A Businessman

Chetan Datta Poduri explores two lives from the past and what remains of their heritage. Click here to read.

My Forest or Your City Park?

G Venkatesh muses on the tug of war between sustainabilty, ecology and economies. Click here to read.

Musings of a Copywriter

In Karmic Backlog, Devraj Singh Kalsi explores reincarnations with a twinge of humour. Click here to read.

Notes from Japan

In DIY Dining in Japan, Suzanne Kamata in a light note talks about restaurants with robots. Click here to read.

Essays

Peddling Progress?

Jun A. Alindogan writes about what is perceived as progress from Philippines. Click here to read.

From Madagascar to Japan: An Adventure or a Dream…

Randriamamonjisoa Sylvie Valencia writes of her journey from Africa to Japan with a personal touch. Click here to read.

From Bombay to Kolkata — the Dhaaks of Durga 

Ratnottama Sengupta explores a UNESCO Intangible Cultural Heritage Festival. Click here to read.

Stories

Sleeper on the Bench

Paul Mirabile sets his strange story in London. Click here to read.

Sandy Cannot Write

Devraj Singh Kalsi takes us into the world of adverstising and glamour. Click here to read.

The Wise Words of the Sun

Naramsetti Umamaheswararao relates a fable involving elements of nature. Click here to read.

Discussions

A conversation with Swati Pal, academic and poet, on healing through writing and bereavement. Click here to read.

A conversation with five translators — Aruna Chakravarti, Radha Chakravarty, Somdatta Mandal, Fakrul Alam and Fazal Baloch from across South Asia. Click here to read.

Book Excerpts

An excerpt from That’s A Fire Ant Right There! Tales from Kavali by Mohammed Khadeer Babu, translated from Telugu by D.V. Subhashri. Click here to read.

An excerpt from Swati Pal’s poetry collection, Forever Yours. Click here to read.

Book Reviews

Somdatta Mandal reviews Banu Mushtaq’s Heart Lamp: Selected Stories, translated from Kannada by Deepa Bhasthi. Click here to read.

Meenakshi Malhotra has reviewed Malachi Edwin Vethamani’s anthology, Contours of Him: Poems. Click here to read.

Rupak Shreshta reviews Sangita Swechcha’s Rose’s Odyssey: Tales of Love and Loss, translated from Nepali by Jayant Sharma. Click here to read.

Bhaskar Parichha has reviewed Kalpana Karunakaran’s A Woman of No Consequence: Memory, Letters and Resistance in Madras. Click here to read.

.

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Imagine… All the People…

Art by Henry Tayali(1943-1987). From Public Domain

Let us imagine a world where wars have been outlawed and there is only peace. Is that even possible outside of John Lennon’s song? While John Gray, a modern-day thinker, propounds human nature cannot change despite technological advancements, one has to only imagine how a cave dweller would have told his family flying to the moon was an impossibility. And yet, it has been proven a reality and now, we are thinking living in outer space, though currently it is only the forte of a few elitists and astronomers. Maybe, it will become an accessible reality as shown in books by Isaac Asimov, Arthur C Clarke or shows like Star Trek and Star Wars. Perhaps, it’s only dreamers or ideators pursuing unreal hopes and urges who often become the change makers, the people that make humanity move forward. In Borderless, we merely gather your dreams and present them to the world. That is why we love to celebrate writers from across all languages and cultures with translations and writings that turn current norms topsy turvy. We feature a number of such ideators in this issue.

Nazrul in his times, would have been one such ideator, which is why we carry a song by him translated by Professor Fakrul Alam. And yet before him was Tagore — this time we carry a translation of an unusual poem about happiness. From current times, we present to you a poet — perhaps the greatest Malay writer in Singapore — Isa Kamari. He has translated his longing for changes into his poems. His novels and stories express the same longing as he shares in The Lost Mantras, his self-translated poems that explore adapting old to new. We will be bringing these out over a period of time. We also have poems by Hrushikesh Mallick translated from Odia by Snehprava Das and a poignant story by Sharaf Shad translated from Balochi by Fazal Baloch.

We have an evocative short play by Rhys Hughes, where gender roles are inverted in a most humorous way. It almost brings to mind Begum Rokeya’s Sultana’s Dream. Tongue-in-cheek humour in non-fiction is brought in by Devraj Singh Kalsi and Chetan Dutta Poduri. Farouk Gulsara and Meredith Stephens write in a light-hearted vein about their interactions with animal friends. G. Venkatesh brings in serious strains with his musings on sustainability. Jun A. Alindogan slips into profundities while talking of “progress” in Philippines. Young Randriamamonjisoa Sylvie Valencia gives a heartfelt account of her journey from Madagascar to Japan. Ratnottama Sengupta travels across space and time to recount her experiences in a festival recognised by UNESCO as an Intangible Cultural Heritage of Humanity. Suzanne Kamata brings a light touch again when she writes about robots serving in restaurants in Japan, a change that would be only fiction even in Asimov’s times, less than a hundred years ago!

Pijus Ash — are we to believe or not believe his strange, spooky encounter in Holland? And we definitely don’t have to believe what skeletons do in Hughes’ limericks, even if their antics make us laugh! Poetry brings on more spooks from Saranyan BV and frightening environmental focus on the aftermath of flooding by Snehaprava Das. We have colours of poetry from all over the world with John Valentine, John Swain, Ahmad Al-Khatat, Stephen Druce, Jyotish Chalil Gopinath, Jenny Middleton, Maria Alam, Ron Pickett, Tanjila Ontu, Jim Bellamy, Pramod Rastogi, John Grey, Laila Brahmbhatt, John Zedolik and Joseph K.Wells.

Fiction yields a fable from Naramsetti Umamaheswararao. Devraj Singh Kalsi takes us into the world of advertising and glamour and Paul Mirabile writes of a sleeper who likes to sleep on benches in parks out of choice! We also have an excerpt from Mohammed Khadeer Babu’s stories, That’s A Fire Ant Right There! Tales from Kavali , translated from Telugu by D.V. Subhashri. The other excerpt is from Swati Pal’s poetry collection, Forever Yours. Pal has in an online interview discussed bereavement and healing through poetry for her stunning poems pretty much do that.

Book reviews homes an indepth introduction by Somdatta Mandal to Banu Mushtaq’s Heart Lamp: Selected Stories, translated from Kannada by Deepa Bhasthi. We have a discussion by Meenakshi Malhotra on Contours of Him: Poems, edited and introduced by Malaysian academic, Malachi Edwin Vethamani, in which she concludes, “that if femininity is a construct, so is masculinity.” Overriding human constructs are journeys made by migrants. Rupak Shreshta has introduced us to immigrant Sangita Swechcha’s Rose’s Odyssey: Tales of Love and Loss, translated from Nepali by Jayant Sharma. Bhaskar Parichha winds up this section with his exploration of Kalpana Karunakaran’s A Woman of No Consequence: Memory, Letters and Resistance in Madras. He tells us: “A Woman of No Consequence restores dignity to what is often dismissed as ordinary. It chronicles the spiritual and intellectual evolution of a woman who sought transcendence within the rhythms of domestic life, turning the everyday into a site of resistance and renewal.” Again, by the sound of it a book that redefines the idea that housework is mundane and gives dignity to women and the task at hand.

We wind up the October issue hoping for changes that will lead to a happier existence, helping us all connect with the commonality of emotions, overriding borders that hurt humanity, other species and the Earth.

Huge thanks to our fabulous team, especially Sohana Manzoor for her inimitable artwork. We would all love to congratulate Hughes for his plays that ran houseful in Swansea. And heartfelt thanks to all our wonderful contributors, without who this issue would not have been possible, and to our readers, who make it worth our while, to write and publish.

Have a wonderful month!

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE OCTOBER 2025 ISSUE

.

READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Essay

From Madagascar to Japan: An Adventure or a Dream?

By Randriamamonjisoa Sylvie Valencia

For as long as I can remember, I have been an introvert — this is who I am and will always be. Yet, few believe it. I come from Madagascar, a distant island where the people are called the Malagasy — a community bound by culture, tradition, and a shared sense of identity. Malagasy people are known for their warmth and generosity, often revealing a talkative side as they delight in conversation, and playful exchanges.  In contrast, I am reserved — a shy person who expresses myself freely only when comfortable and among those I trust.

As a child, I was the most talkative among my siblings, recounting every detail of my school day to my parents. I delighted in describing the funny expressions my primary school teacher made while explaining lessons, or the mischievous boys who always stuck their chewing gum on the pupils’ desks and all the tasks I had accomplished. I wanted my parents to know I was doing well, that the teacher praised me, and that I helped classmates who struggled.

Both my parents are very talkative, especially my father, from whom I inherited the gift of words. Speaking in front of my family comes naturally, yet in front of others, my words often falter — a fear that has always troubled me. I speak freely only with those I know well— my family and a few close friends.

Facing a large audience has always been daunting. My father encouraged me to confront this fear, to be confident, and to meet the audience’s gaze. I tried many times: presenting in group projects, speaking as a class representative, even addressing an audience at a classmate’s parent’s funeral.

As I grew older, my determination to overcome this fear grew. I devoured books and videos on public speaking, eager to communicate with confidence. My first real test came in 2018, when I delivered a speech in a Japanese language contest. I had loved Japanese language since childhood, captivated by its culture, and dreamed of becoming fluent. Entering the contest was a dream — an opportunity to speak publicly and a chance to win a trip to Japan.

I was guided by two close friends who practiced with me daily. They corrected my mistakes, offered feedback, and most importantly, encouraged me. Having known me for years, they understood how terrifying standing on stage could be, yet they supported me out of love, friendship, and belief in my potential.

During rehearsals, I gave my utmost effort, memorising the script when necessary. Still, doubts lingered about meeting expectations, conquering fears, and not disappointing those who believed in me. The days of practice passed quickly, and soon, the big day arrived. Nervous at first, I gradually became more at ease while speaking. I managed to control my anxiety but knew my performance was imperfect. I focused on each word, yet my mind occasionally went blank, struggling with the judges’ questions. Embarrassment washed over me; I feared I had let my friends and family down.

In the end, I did not win the first prize, but my closest friends congratulated me. They reminded me that the true milestone was stepping onto the stage, speaking in front of an audience, and maintaining composure. Their encouragement helped me realise that courage and effort mattered more than the outcome itself.

As an introvert, talking to strangers is challenging, let alone addressing a crowd. Hearing the words “public speaking” makes my stomach tighten, palms sweat, and heart race. Stage fright, fear of facing many people and sharing my thoughts has always been real. Each time my name is called, I shake, my mind blanks, heart pounds, mouth dries, and confidence seems to vanish before I start. Yet, I have never lost hope. Deep down, I knew a strength within me would help rise above fear and grow into a better version of myself.

One year later, I stood again in the same contest. This annual competition was a goal I refused to let go of. As before, my friends encouraged, pushed, and trained with me every day until the D-day. Their support gave me the strength to continue. I prepared even more fiercely — joining language clubs and volunteering in storytelling activities. But it was not easy. I never felt comfortable speaking or working with strangers. I was told teamwork required discussion, sharing, and collaboration — a nightmare for an introvert.

Solitude had been my ally, yet suddenly, I was surrounded by people of all ages and personalities. Cooperation was no longer optional. However, through this challenge, I discovered an important truth: whether introverted or extroverted, whether silent or talkative, we must learn to connect with others. Survival and growth depend on collaboration and support.

The big day of the speech contest arrived in May, a season of transition between summer and winter. I arrived at the hall just in time, accompanied by a close friend. A staff member guided me to my seat, only a few meters from the judges. I felt cheerful, and calm, even giving a fist bump to nearby contestants. For the first time, I felt truly ready to give a speech — optimistic, and at peace. Perhaps it was the preparation or my friends’ wholehearted support, or maybe I had begun to trust myself.

There were four contestants in the advanced level, and I was the last to speak. Each of us hoped to win the grand prize — a trip to Japan. I did not worry about the others. I believed in my success and was determined to win first place. Just days before, I even dreamed of visiting Japan, so nothing could stand in my way.

Finally, it was my turn. I adjusted the microphone, greeted in Japanese, and bowed to the judges and audience. I spoke for about five minutes on how Malagasy parents raise children. Three judges asked each two questions. Thanks to countless practice hours and mock questions and answers sessions with my best friends, I answered every tricky question. For the first time, right after my speech, I felt like a winner.

The event lasted about three hours, and the final verdict came. The Master of Ceremonies announced winners, starting with the beginner level, then the advanced. Among the four in my category, only two remained. The Master of Ceremonies paused dramatically before announcing the first-place winner… and pronounced my name. I whispered a silent thanks to God. This result — the goal I had worked so hard for — had become reality. The trip to Japan was the reward, and even more importantly, I had overcome stage fright. I spoke naturally and confidently in front of the audience — another milestone achieved.

Later that year, in 2019, I visited Japan for the first time. The experience was magical. I met wonderful people, explored my favorite country, and fulfilled a long-cherished dream.

Six years later, I returned to the Land of the Rising Sun—this time as an international student. I now live in Tokushima prefecture, which is in southeastern Japan, far from the bustling cities, in a quiet countryside where few tourists venture. Yet, the city and its neighbourhoods are simply wonderful. It is peaceful, surrounded by greenery, and while the locals may seem reserved, they are incredibly welcoming. Even with some grasp of the local language, adapting to a new country as a foreigner is challenging. Still, thanks to the support of my seniors and friends who have lived here for years, I managed to navigate my first six months successfully.

The city where I live hosts an annual Japanese speech contest open to foreigners who have been residing here for some time. I was encouraged to participate, partly because I could speak some Japanese, and partly because it was a great chance to gain experience. I thought, why not? After all, I gradually grew more comfortable speaking in front of others.

This time, participants could choose their own topics, though it was suggested to focus on their experience in Japan or explore cultural connections between their home country and Japan. I was eager to participate, but selecting a topic was harder than I expected. Inspiration felt scarce, and I had no clear direction. Still, I knew that finding my own perspective was key to making the speech meaningful.

Overwhelmed by my studies, I barely noticed the passage of time. Before I knew it, the deadline had arrived. I had not written a single word, though ideas swirled in my mind. I opened my laptop, took a deep breath, and began writing everything that came to my mind. Reflecting on my experiences in Japan, I realised that people often struggled to pronounce my name correctly. That inspired me to talk about the hidden culture behind Japanese and Malagasy names.

With my theme set, I focused on making my speech coherent and captivating. I tend to draw inspiration at the last minute. I wrote, rewrote, and proofread repeatedly, staying up all night without noticing morning approaching.

Finally, I finished my manuscript and emailed it to one of my Japanese teachers to check for grammatical errors. She responded immediately, and her quick proofreading allowed me to submit my speech on the deadline. I felt relieved, yet strangely nervous, a sensation I could not quite describe.

Six years have passed since I last spoke in front of an audience. Preparing another speech made me feel nostalgic, bringing back memories of long rehearsals, the advice of my best friends, and countless sleepless nights.

A month after submitting my manuscript, I received an email from the event organizer announcing my selection. I was among the fourteen candidates chosen to compete. I whispered a quiet “wow,” but doubts immediately surfaced. I had two months to prepare. To understand what awaited me, I watched recordings of previous competitions, while my seniors and Japanese teacher helped me refine my speech.

Four students were selected from my university. The other three were Asian students with extensive experience in Japanese language and culture. They read Kanji (Japanese characters)effortlessly and conversed naturally. And then, there was me. Though I had been exposed to Japanese language and culture since childhood, memorising every character reading and grasping dialects was never easy. Back in my country, despite growing interest in Japanese language and culture, opportunities to use it in daily life remain limited. Once again, I faced a new challenge—this time in the Land of the Rising Sun.

Time flew, and soon the two months of preparation had passed. Finally, the big day arrived. Early that morning, a kind university staff member greeted us with a bright smile. As I descended from my dormitory, I saw her waiting by her car near the main gate, bowing politely. Her excitement was palpable. Three of us rode in her car; she asked about our preparations and told jokes, perhaps to ease our nerves, which were all visible.

After twenty minutes, we arrived at a large building and walked up to the fifth floor through corridors decorated in traditional style. Japanese architecture and design have always fascinated me, and I was struck by their beauty once again. The event hall was medium-sized, with a small table at the entrance holding our name tags.

One by one, the other candidates arrived. We were then led to a smaller room for a preparatory meeting. While waiting, we chatted briefly to get to know one another. The competition began in the early afternoon. We were instructed to enter the hall one by one, greeted with warm applause. Observing the other candidates, I could tell they were ready. Fourteen contestants competed in total. Thirteen were Asians from countries including China, Vietnam, India, Indonesia, the Philippines, Taiwan, Sri Lanka, and Thailand. I was the only African, from a distant country few people knew. Before each speech, the Master of Ceremonies shared a brief anecdote about the candidate’s country, offering the audience a glimpse into its culture. Each contestant then delivered a five-minute speech.

There were two types of awards: the Golden Prize for first and second place, followed by four Silver Prizes. I had hoped to place among the top five while preparing my speech.

As I listened to the first three candidates, I was deeply impressed. Their speeches were powerful, emotional, and delivered with near-native fluency. I was surprised by how advanced and impressive their speaking skills were. I was the sixth speaker. Perhaps it had been so long since I last addressed an audience, or perhaps it was the absence of my closest friends but standing alone in a foreign country in front of strangers was overwhelming. My hands trembled. When my name was announced, I feared I might not endure those five minutes on stage.

Still, I stood before hundreds of people. I bowed, held the microphone firmly, and began. My heart raced and sweat ran down my face and back. Gradually, the pressure eased. When I shared the example of the longest name in the world—from my country, the audience reacted with surprise and amusement. I realised how attentive they were and regained inner calm. Although I forgot one line, I finished my speech smoothly and expressively.

The remaining eight candidates were equally impressive. Their eloquence was such that, with eyes closed, one might mistake them for native speakers. It was the highest-level contest I had ever participated in. Each theme and presentation were unique, and every contestant spoke with confidence. I doubted whether I would receive a prize, but reassured myself that even without one, the experience was worthwhile. Most participants had lived in Japan for over three years, and the Chinese and Taiwanese contestants were especially strong in oral expression. Yet, standing among such talented competitors was an honor.

After a break that was supposed to last twenty minutes but stretched to fifty, results were announced. They began with six Encouragement Prizes. I thought I might be among them, but my name was not called. Two more awards followed, still not mine. A friend nudged me, whispering, “Congratulations!” I replied, “Stop joking. Congratulations to you instead!”

Finally, the Silver Prizes were announced. They first called my country, then my name. The applause and cheers overwhelmed me, and tears welled in my eyes. I had not expected to win a Silver Prize, given the competition’s level. One friend from my university won the Golden Prize, and the second Golden Prize went to a Vietnamese contestant.

Participating in such a high-level competition was a tremendous challenge. Every step—from manuscript preparation to standing on stage—pushed me beyond my comfort zone. Yet, when it was over, I felt immense pride. I had once again delivered a speech before a large audience, this time in the country whose language I had cherished for years.

Though I had been nervous, the audience remained unaware. Their attentive expressions and warm applause carried me through. Afterwards, my Japanese teachers praised my performance, saying I had done exceptionally well. In that moment, I realised every hour of preparation, every doubt, and every fear had been worthwhile. I had faced a formidable challenge, stood my ground, and expressed myself fully, a reminder that courage, practice, and determination can transform daunting experiences into triumphs. It is a memory I will treasure forever.

.

Randriamamonjisoa Sylvie Valencia is from Madagascar and is currently studying in Japan as a trainee student. She enjoys reading, writing, listening to music, and traveling to explore new cultures.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International