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Contents

Borderless, January 2026

Art by Sohana Manzoor

Editorial

Sense and Nonsense: Atonal, Imperfect, Incomplete… Click here to read.

Translations

Akashe Aaj Choriye Delam Priyo(I sprinkle in the sky) by Nazrul has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Four of his own Malay poems have been translated by Isa Kamari. Click here to read.

Six Fragments by Sayad Hashumi have been translated from Balochi by Fazal Baloch. Click here to read.

Five poems by Pravasini Mahakuda have been translated to English from Odia by Snehaprava Das. Click here to read.

A Poet in Exile by Dmitry Blizniuk has been translated from Ukranian by Sergey Gerasimov. Click here to read.

Kalponik or Imagined by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies Corner

Songs of Freedom: The Seven Mysteries of Sumona’s Life is an autobiographical narrative by Sumona (pseudonym), translated from Hindustani by Grace M Sukanya. These stories highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and Pandies. Click here to read.

Poetry

Click on the names to read the poems

Ryan Quinn Flanagan, Ron Pickett, Snehaprava Das, Stephen Druce, Phil Wood, Akintoye Akinsola, Michael Lauchlan, Pritika Rao, SR Inciardi, Rich Murphy, Jim Murdoch, Pramod Rastogi, Joy Anne O’Donnell, Andrew Leggett, Ananya Sarkar, Annette Gagliardi, Rhys Hughes

Poets, Poetry & Rhys Hughes

In What is a Prose Poem?, Rhys Hughes tells us what he understands about the genre and shares four of his. Click here to read.

Musings/Slices from Life

Duties For Those Left Behind

Keith Lyons muses on a missing friend in Bali. Click here to read.

That Time of Year

Rick Bailey muses about the passage of years. Click here to read.

All So Messi!

Farouk Gulsara takes a look at events in India and Malaysia and muses. Click here to read.

How Twins Revive Spiritual Heritage Throbbing Syncretism

Prithvijeet Sinha takes us to the Lucknow of 1800s. Click here to read.

Recycling New Jersey

Karen Beatty gives a glimpse of her life. Click here to read.

Musings of a Copywriter

In ‘All Creatures Great and Small’, Devraj Singh Kalsi writes of animal interactions. Click here to read.

Notes from Japan

In The Cat Stationmaster of Kishi, Suzanne Kamata visits a small town where cats are cherished. Click here to read.

Essays

The Untold Stories of a Wooden Suitcase

Larry S. Su recounts his past in China and weaves a narrative of resilience. Click here to read.

A Place to Remember

Randriamamonjisoa Sylvie Valencia dwells on her favourite haunt. Click here to read.

Christmas that Almost Disappeared

Farouk Gulsara writes of Charles Dickens’ hand in reviving the Christmas spirit. Click here to read.

The Last of the Barbers: How the Saloon Became the Salon (and Where the Gossip Went)

Charudutta Panigrahi writes an essay steeped in nostalgia and yet weaving in the present. Click here to read.

Aeons of Art

In Art is Alive, Ratnottama Sengupta introduces the antiquity of Indian art. Click here to read.

Stories

Old Harry’s Game

Ross Salvage tells a poignant story about friendship with an old tramp. Click here to read.

Mrs. Thompson’s Package

Mary Ellen Campagna explores the macabre in a short fiction. Click here to read.

Hold on to What You Let Go

Rajendra Kumar Roul relates a story of compassion and expectations. Click here to read.

Used Steinways

Jonathan B. Ferrini shares a story about pianos and people set in Los Angeles. Click here to read.

The Rose’s Wish

Naramsetti Umamaheswararao relates a fable involving flowers and bees. Click here to read.

Discussion

A brief discusion of Whereabouts of the Anonymous: Exploration of the Invisible by Rajorshi Patranabis with an exclusive interview with the author on his supernatural leanings. Click here to read.

Book Excerpts

An excerpt from Showkat Ali’s The Struggle: A Novel, translated from Bengali by V. Ramaswamy and Mohiuddin Jahangir. Click here to read.

An excerpt from Anuradha Marwah’s The Higher Education of Geetika Mehendiratta. Click here to read.

Book Reviews

Somdatta Mandal reviews Showkat Ali’s The Struggle: A Novel, translated from Bengali by V. Ramaswamy and Mohiuddin Jahangir. Click here to read.

Meenakshi Malhotra reviews Anuradha Marwah’s The Higher Education of Geetika Mehendiratta. Click here to read.

Udita Banerjee reviews The Lost Pendant, translated (from Bengali) Partition poetry edited by Angshuman Kar. Click here to read.

Bhaskar Parichha reviews Rakesh Dwivedi’s Colonization Crusade and Freedom of India: A Saga of Monstrous British Barbarianism around the Globe. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Editorial

Sense and Nonsense: Atonal, Imperfect, Incomplete

In the Accademia Gallery, Florence, are housed incomplete statues by Michelangelo that were supposed to accompany his sculpture of Moses on the grand tomb of Pope Julius II. The sculptures despite being unfinished, incomplete and therefore imperfect, evoke a sense of power. They seem to be wresting forcefully with the uncarved marble to free their own forms — much like humanity struggling to lead their own lives. Life now is comparable to atonal notes of modern compositions that refuse to fall in line with more formal, conventional melodies. The new year continues with residues of unending wars, violence, hate and chaos. Yet amidst all this darkness, we still live, laugh and enjoy small successes. The smaller things in our imperfect existence bring us hope, the necessary ingredient that helps us survive under all circumstances.

Imperfections, like Michelangelo’s Non-finito statues in Florence, or modern atonal notes, go on to create vibrant, relatable art. There is also a belief that when suffering is greatest, arts flourish. Beauty and hope are born of pain. Will great art or literature rise out of the chaos we are living in now?  One wonders if ancient art too was born of humanity’s struggle to survive in a comparatively younger world where they did not understand natural forces and whose history we try to piece together with objects from posterity. Starting on a journey of bringing ancient art from her part of the world, Ratnottama Sengupta shares a new column with us from this January.

Drenched in struggles of the past is also Showkat Ali’s The Struggle: A Novel, translated from Bengali by V. Ramaswamy and Mohiuddin Jahangir. It has been reviewed by Somdatta Mandal who sees it a socio-economic presentation of the times. We also carry an excerpt from the book as we do for Anuradha Marwah’s The Higher Education of Geetika Mehendiratta. Marwha’s novel has been reviewed by Meenakshi Malhotra who sees it as a bildungsroman and a daring book. Bhaskar Parichha has brought to us a discussion on colonial history about Rakesh Dwivedi’s Colonization Crusade and Freedom of India: A Saga of Monstrous British Barbarianism around the Globe. Udita Banerjee has also delved into history with her exploration of Angshuman Kar’s The Lost Pendant, a collection of poems written by poets who lived through the horrors of Partition and translated from Bengali by multiple poets. One of the translators, Rajorshi Patranabis, has also discussed his own book of supernatural encounters, Whereabouts of the Anonymous: Exploration of the Invisible. A Wiccan by choice, Patranbis claims to have met with residual energies or what we in common parlance call ghosts and spoken to many of them. He not only clicked these ethereal beings — and has kindly shared his photos in this feature — but also has written a whole book about his encounters, including with the malevolent spirits of India’s most haunted monument, the Bhangarh Fort.

Bringing us an essay on a book that had spooky encounters is Farouk Gulsara, showing how Dickens’ A Christmas Carol revived a festival that might have got written off. We have a narrative revoking the past from Larry Su, who writes of his childhood in the China of the 1970s and beyond. He dwells on resilience — one of the themes we love in Borderless Journal. Karen Beatty also invokes ghosts from her past while sharing her memoir. Rick Bailey brings in a feeling of mortality in his musing while Keith Lyons, writes in quest of his friend who mysteriously went missing in Bali. Let’s hope he finds out more about him.

Charudutta Panigrahi writes a lighthearted piece on barbers of yore, some of whom can still be found plying their trade under trees in India. Randriamamonjisoa Sylvie Valencia dwells on her favourite place which continues to rejuvenate and excite while Prithvijeet Sinha writes about haunts he is passionate about, the ancient monuments of Lucknow. Gulsara has woven contemporary lores into his satirical piece, involving Messi, the footballer. Bringing compassionate humour with his animal interactions is Devraj Singh Kalsi, who is visited daily by not just a bovine visitor, but cats, monkeys, birds and more — and he feeds them all. Suzanne Kamata takes us to Kishi, brought to us by both her narrative and pictures, including one of a feline stationmaster!

Rhys Hughes has discussed prose poems and shared a few of his own along with three separate tongue-in-cheek verses on meteorological romances. In poetry, we have a vibrant selection from across the globe with poems by Ryan Quinn Flanagan, Ron Pickett, Snehaprava Das, Stephen Druce, Phil Wood, Akintoye Akinsola, Michael Lauchlan, Pritika Rao, SR Inciardi, Jim Murdoch, Pramod Rastogi, Joy Anne O’Donnell, Andrew Leggett, Ananya Sarkar and Annette Gagliardi. Rich Murphy has poignant poems about refugees while Dmitry Bliznik of Ukraine, has written a first-hand account of how he fared in his war-torn world in his poignant poem, ‘A Poet in Exile’, translated from Ukranian by Sergey Gerasimov —

We've run away from the simmering house
like milk that is boiling over. Now I'm single again.
The sun hangs behind a ruffled up shed,
like a bloody yolk on a cold frying pan
until the nightfall dumps it in the garbage…

('A Poet in Exile', by Dmitry Blizniuk, translated from Ukranian by Sergey Gerasimov)

In translations, we have Professor Fakrul Alam’s rendition of Nazrul’s mellifluous lyrics from Bengali. Isa Kamari has shared four more of his Malay poems in English bringing us flavours of his culture. Snehaparava Das has similarly given us flavours of Odisha with her translation of Pravasini Mahakuda’s Odia poetry. A taste of Balochistan comes to us from Fazal Baloch’s rendition of Sayad Hashumi’s Balochi quatrains in English. Tagore’s poem ‘Kalponik’ (Imagined) has been rendered in English. This was a poem that was set to music by his niece, Sarala Devi.

After a long hiatus, we are delighted to finally revive Pandies Corner with a story by Sumona translated from Hindustani by Grace M Sukanya. Her story highlights the ongoing struggle against debilitating rigid boundaries drawn by societal norms. Sumana has assumed a pen name as her story is true and could be a security risk for her. She is eager to narrate her story — do pause by and take a look.

In fiction, we have a poignant narrative about befriending a tramp by Ross Salvage, and macabre and dark one by Mary Ellen Campagna, written with a light touch. It almost makes one think of Eugene Ionesco. Jonathan B. Ferrini shares a heartfelt story about used Steinway pianos and growing up in Latino Los Angeles. Rajendra Kumar Roul weaves a narrative around compassion and expectations. Naramsetti Umamaheswararao gives a beautiful fable around roses and bees.

With that, we come to the end of a bumper issue with more than fifty peices. Huge thanks to all our fabulous contributors, some of whom have not just written but shared photographs to illustrate the content. Do pause by our contents page and take a look. My heartfelt thanks to our fabulous team for their output and support, especially Sohana Manzoor who does our cover art. And most of all huge thanks to readers whose numbers keep growing, making it worth our while to offer our fare. Thank you all.

Here’s wishing all of you better prospects for the newborn year and may we move towards peace and sanity in a world that seems to have gone amuck!

Happy Reading!

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE JANUARY 2026 ISSUE.

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Essay

A Place to Remember

By Randriamamonjisoa Sylvie Valencia

Odaiba Beach. From Public Domain

It all began in the cold, uncertain days of early January 2025. I was in Tokyo, at Odaiba Beach with one of my closest friends, the icy water soaking our feet. It was bitterly cold, the wind merciless, but our love for the ocean pulled us in. We agreed to dip our feet into the sea, just for a few fleeting seconds. The water stung like needles, yet nothing stopped us from laughing, from enjoying the moment, from playing in the waves like children.

New Year had passed only a few days earlier. We were exhausted from celebrations, worn down by sleepless nights, just as we had been throughout last December. Still, that day felt different. It was the first time my best friend and I had reunited together in the Land of the Rising Sun. Back in Madagascar ten years earlier, we used to dream endlessly about Japan, whispering plans and wishes into the air as if they might someday carry us across the sea. And now here we were together in the country we once imagined only from afar.

I call her ‘Tsu Nami’, not her real name but the one she chose for herself. Her true name means waves in English, yet everyone calls her by her alias. We had known each other for years, but I never asked why she chose that name. Sometimes she said it held both serenity and ruin, as if calm and chaos lived inside her simultaneously. I never truly understood it then.

We spoke for hours that day, about life in Japan, the challenges, the bright moments, the ups and downs of living far from home. We were alike in many ways: two souls far from family and homeland yet living in a country we dearly loved. Life alone in a foreign place is thrilling, but also painfully heavy. She confessed the struggles that had pulled her toward depression, and I encouraged her as much as I could, reminding her of her strength, telling her that not everything deserved her energy.

We filmed silly videos, screamed with laughter, and let the waves numb our feet. Deep in the heart of winter, frozen to the bone, she suddenly asked if I knew how to swim. I said maybe, maybe yes, maybe no. I used to swim as a child, but I no longer knew if I still could. I told her I dreamed of surfing someday. She smiled and said it would be incredible if we could surf together in summer. We come from a warm island paradise where surfing is possible, yet neither of us had ever tried it.

Time slipped through my fingers like sand, and I only realised when spring whispered its gentle arrival. Somewhere along the way, I crossed paths with someone extraordinary, a girl from India, whom I will call A. We would see each other occasionally around the campus, studying in the same university, though in different fields. We first met in the early autumn, when the air was neither hot nor cold during a cultural exchange event.

A. seemed cold and distant; when I politely asked for her SNS contact, she answered in a sharp tone. By nature, I am sociable yet quietly reserved, someone who loves meeting new people and treasures cultural exchange, but my introverted side pulls me back, holding me at a distance like an invisible thread. However, A. is the opposite of me. She is entirely extroverted. And yet, something about her fascinated me, an aura of maturity, strength, reliability. Slowly our conversations grew, and the more time I spent with her, the more I cherished her presence. I never would have imagined she would become one of my dearest friends.

A. was warm, kind, and endlessly sociable, the type of person who knows almost everyone in the neighborhood. She understood my introversion, but she never stopped inviting me into her world. She took me along to events, introduced me to people, pushed me gently outside my comfort zone. She wanted me to live, not merely breathe.

Soon winter was coming to an end, and our friends organised a farewell party for A, who had completed her studies and was returning to India. The atmosphere was warm and lively, with music, laughter, and bittersweet goodbyes. It was there that I met J, a friendly and curious soul from Sri Lanka. He became the first person who ever asked so many thoughtful questions about my country, so many that sometimes I did not know how to answer. As we talked, I learned he loved water sports, especially surfing. And when he whispered the word surf, something inside me ignited. I felt the warmth of summer already, I imagined myself riding waves for the first time.

That day, I told Tsu Nami to visit me during summer break, that I had found someone who could teach us how to surf. She was thrilled. Together, we counted the days impatiently. And then July arrived, our university classes ended, and at last we were free. We went to the beach with J.

J. had lived in Japan for years and knew every hidden corner of our prefecture from quiet paths to secret places untouched by crowds. We asked him where the most beautiful beach was. He laughed and said there was not a perfect one here, not the kind you see in postcards, but there were places where the waves were strong and alive, perfect for learning to surf. So, we followed him, nervous and excited, ready to feel the ocean breathe through us.

It was our first surfing lesson, both for me and for Tsu Nami. The evening sun melted the sky into gold, the air warm but soft. Because of a physical issue, I could not surf that day, so Tsu Nami began first. She could not even swim, yet she stepped forward with fearless determination. J. taught her patiently, movement by movement. And in a surprisingly short time, she stood on the board, shaky, unsteady, but still, standing. Minutes later, she balanced perfectly, rising like a wave itself. I recorded it all, my heart glowing with pride. Even though I could not surf that day, I found joy at the shoreline, soaking my feet, screaming with laughter, recording moments I wanted to keep forever.

A few weeks later, I returned with J, but this time without Tsu Nami. She had returned to Madagascar, and her absence echoed through the sound of the waves. I missed her deeply. Yet something inside me trembled with excitement, my turn had finally come.

J. guided me gently, step by step. After a few minutes, I managed to stand on the board, unstable, but still balancing. I fell countless times, swallowed by the waves, but each fall made me rise stronger. The ocean roared like encouragement, whispering: ‘Again. Don’t stop’. I felt alive, truly alive.

A few days later, we went back to the beach again. The sky stretched above us, and the sea sparkled under the sun. Sometimes the waves were too calm to surf, so we simply floated on our boards, talking and laughing.

J. reminded me of a kind uncle, joyful, supportive, and gentle. He told stories about his country that made me laugh until my stomach hurt. J even told me, laughing, that some Japanese people go surfing eveninwinter, when the water is freezing and the wind feels like knives. I stared at him in disbelief, wondering how anyone could survive that kind of cold. He just smiled and said, ‘That’s the real surfing spirit!’ I could not help but burst into laughter, imagining myself turning into an ice statue somewhere in the middle of the ocean.

The ocean has long felt like the place where I truly belong. Every vacation in my homeland, I choose destinations where the beach is close enough to hear the waves. The sea clears my head, softens the storms inside me, and gently repairs the pieces of my heart. Standing at the shoreline, I can breathe again. It is more than just water and waves; it is where I find restoration.

Whenever I walk along the coast or step onto a surfboard, something inside me wakes up, the weight in my chest lifts, and my thoughts begin to move freely. Ideas return, like the tide rolling in, and I remember why I want to write, create, and keep moving forward. There were days when depression felt like weather that would never clear, but the sea gave me solace. It held me together when I thought I was coming apart. Its steady murmur softened the noise in my head, and each wave seemed to lift a little of the heaviness I could not carry by myself.

I cherished every moment of that summer, every surfing lesson, every fall, every laugh. That summer became another precious memory in the Land of the Rising Sun. The beach gave me peace, and a place where my soul felt at home. Now December is here, winter tightens its grip, and the warmth of that summer feels like a distant echo. But the ocean remains, waiting. The beach will always be a place to remember.

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Randriamamonjisoa Sylvie Valencia is from Madagascar and is currently studying in Japan as a trainee student. She enjoys reading, writing, listening to music, and traveling to explore new cultures.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Celebrating Humanity

Can Old Acquaintances be Forgot…

Our January 2025 Cover: Art by Sohana Manzoor

It has been a strange year for all of us. Amidst the chaos, bloodshed and climate disasters, Borderless Journal seems to be finding a footing in an orphaned world, connecting with writers who transcend borders and readers who delight in a universe knit with the variety and vibrancy of humanity. Like colours of a rainbow, the differences harmonise into an aubade, dawning a world with the most endearing of human traits, hope.

A short round up of this year starts with another new area of focus — a section with writings on environment and climate. Also, we are delighted to add we now host writers from more than forty countries. In October, we were surprised to see Borderless Journal listed on Duotrope and we have had a number of republications with acknowledgement — the last request was signed off this week for a republication of Ihlwha Choi’s poem in an anthology by Hatchette US. We have had many republications with due acknowledgment in India, Bangladesh, Pakistan and UK too among other places. Our team has been active too not just with words and art but also with more publications from Borderless. Rhys Hughes, who had a play performed to a full house in Wales recently, brought out a whole book of his photo-poems from Borderless. Bhaskar Parichha has started an initiative towards another new anthology from our content — Odia poets translated by Snehaprava Das. We are privileged to have all of you — contributors and readers — on board. And now, we invite you to savour some of our fare published in Borderless from January 2025 to December 2025. These are pieces that embody the spirit of a world beyond borders… 

Poetry

Click on the names to read the poems

Arshi, Luis Cuauhtémoc Berriozábal, Snehaprava Das, Ron Pickett, Nziku Ann, Onkar Sharma, Harry Ricketts, Ashok Suri, Heath Brougher, Momina Raza, George Freek, Snigdha Agrawal, Stuart Macfarlane, Gazala Khan , Lizzie Packer, Rakhi Dalal, Jenny Middleton, Afsar Mohammad, Ryan Quinn Flanagan, Rhys Hughes

Translated Poetry

The Lost Mantras, Malay poems written and translated by Isa Kamari

The Dragonfly, a Korean poem written and translated by Ihlwha Choi

Ramakanta Rath’s Sri Radha, translated from Odiya by the late poet himself.

Identity by Munir Momin, translated from Balochi by Fazal Baloch

Found in Translation: Bipin Nayak’s Poetry, translated from Odiya by Snehaprava Das.

For Sanjay Kumar: To Sir — with Love by Tanvir , written for the late founder of pandies’ theatre, and translated from Hindustani by Lourdes M Surpiya.

Therefore: A Poem by Sukanta Bhattacharya, translated from Bengali by Kiriti Sengupta.

Poetry of Jibanananda Das, translated from Bengali by Fakrul Alam.

Tagore’s Pochishe Boisakh Cholechhe (The twenty fifth of Boisakh draws close…) translated from Bengali by Mitali Chakravarty. 

Fiction

An excerpt from Tagore’s long play, Roktokorobi or Red Oleanders, has been translated by Professor Fakrul Alam. Click here to read.

Ajit Cour’s short story, Nandu, has been translated from Punjabi by C Christine Fair. Click here to read.

A Lump Stuck in the Throat, a short story by Nasir Rahim Sohrabi translated from Balochi by Fazal Baloch. Click here to read.

Night in Karnataka: Rhys Hughes shares his play. Click here to read.

The Wise Words of the Sun: Naramsetti Umamaheswararao relates a fable involving elements of nature. Click here to read.

Looking for Evans: Rashida Murphy writes a light-hearted story about a faux pas. Click here to read.

Exorcising Mother: Fiona Sinclair narrates a story bordering on spooky. Click here to read.

The Fog of Forgotten Gardens: Erin Jamieson writes from a caregivers perspective. Click here to read.

Jai Ho Chai: Snigdha Agrawal narrates a funny narrative about sadhus and AI. Click here to read.

The Sixth Man: C. J. Anderson-Wu tells a story around disappearances during Taiwan’s White Terror. Click here to read.

Sleeper on the Bench: Paul Mirabile sets his strange story in London. Click here to read.

I Am Not My Mother: Gigi Baldovino Gosnell gives a story of child abuse set in Philippines where the victim towers with resilience. Click here to read.

Persona: Sohana Manzoor wanders into a glamorous world of expats. Click here to read.

In American Wife, Suzanne Kamata gives a short story set set in the Obon festival in Japan. Click here to read.

Sandy Cannot Write: Devraj Singh Kalsi takes us into the world of advertising and glamour. Click here to read.

Non Fiction

Classifications in Society by Tagore has been translated from Bengali by Somdatta Mandal. Click here to read.

The Day of Annihilation, an essay on climate change by Kazi Nazrul Islam, translated from Bengali by Radha Chakravarty. Click here to read.

The Bauls of Bengal: Aruna Chakravarti writes of wandering minstrels called bauls and the impact they had on Tagore. Click here to read.

The Literary Club of 18th Century London: Professor Fakrul Alam writes on literary club traditions of Dhaka, Kolkata and an old one from London. Click here to read.

Roquiah Sakhawat Hossein: How Significant Is She Today?: Niaz Zaman reflects on the relevance of one of the earliest feminists in Bengal. Click here to read.

Anadi: A Continuum in Art: Ratnottama Sengupta writes of an exhibition curated by her. Click here to read.

Reminiscences from a Gallery: The Other Ray: Dolly Narang muses on Satyajit Ray’s world beyond films and shares a note by the maestro and an essay on his art by the eminent artist, Paritosh Sen. Click here to read.

250 Years of Jane Austen: A Tribute: Meenakshi Malhotra pays a tribute to the writer. Click here to read.

Menaced by a Marine Heatwave: Meredith Stephens writes of how global warming is impacting marine life in South Australia. Click here to read.

Linen at Midnight: Pijus Ash relates a real-life spooky encounter in Holland. Click here to read.

Two Lives – A Writer and A Businessman: Chetan Datta Poduri explores two lives from the past and what remains of their heritage. Click here to read

‘Verify You Are Human’: Farouk Gulsara ponders over the ‘intelligence’ of AI and humans. Click here to read.

Where Should We Go After the Last Frontiers?: Ahamad Rayees writes from a village in Kashmir which homed refugees and still faced bombing. Click here to read.

The Jetty Chihuahuas: Vela Noble takes us for a stroll to the seaside at Adelaide. Click here to read.

The Word I Could Never Say: Odbayar Dorj muses on her own life in Mongolia and Japan. Click here to read.

On Safari in South Africa by Suzanne Kamata takes us to a photographic and narrative treat of the Kruger National Park. Click here to read.

The Day the Earth Quaked: Amy Sawitta Lefevre gives an eyewitness account of the March 28th earthquake from Bangkok. Clickhere to read.

From Madagascar to Japan: An Adventure or a Dream: Randriamamonjisoa Sylvie Valencia writes of her journey from Africa to Japan with a personal touch. Clickhere to read.

How Two Worlds Intersect: Mohul Bhowmick muses on the diversity and syncretism in Bombay or Mumbai. Click here to read.

Can Odia Literature Connect Traditional Narratives with Contemporary Ones: Bhaskar Parichha discusses the said issue. Click here to read.

A discussion on managing cyclones, managing the aftermath and resilience with Bhaksar Parichha, author of Cyclones in Odisha: Landfall, Wreckage, and Resilience. Click here to read.

A discussion of Jaladhar Sen’s The Travels of a Sadhu in the Himalayas, translated from Bengali by Somdatta Mandal, with an online interview with the translator. Click here to read.

A conversation with the author in Anuradha Kumar’s Wanderers, Adventurers, Missionaries: Early Americans in India . Click here to read.

Keith Lyons in conversation with Harry Ricketts, mentor, poet, essayist and more. Click here to read.

Categories
Contents

Borderless, October 2025

Painting by Sohana Manzoor

Editorial

Imagine… All the People… Click here to read

Translations

Jani Jani Priyo, Ea Jebone  (I know my dear one, in this life) by Nazrul has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Four of his own poems in Malay have been translated by Isa Kamari. Click here to read.

Five poems by Hrushikesh Mallick have been translated from Odia by Snehprava Das. Click here to read.

The Headstone, a poignant story by Sharaf Shad has been translated by Fazal Baloch. Click here to read.

Shukh (Happiness) by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

John Valentine, Saranyan BV, John Swain, Ahmad Al-Khatat, Stephen Druce, Jyotish Chalil Gopinath, Jenny Middleton, Maria Alam, Ron Pickett, Tanjila Ontu, Jim Bellamy, Pramod Rastogi, John Grey, Laila Brahmbhatt, John Zedolik, Snehaprava Das, Joseph K.Wells, Rhys Hughes

Poets, Poetry & Rhys Hughes

Rhys Hughes shares his play, Night in Karnataka. Click here to read.

Musings/ Slices from Life

Just Passing Through

Farouk Gulsara muses on humans and their best friends. Click here to read.

Feeding Carrots to Gentle Herbivores

Meredith Stephens looks back to her past adventures with horses and present ones with giraffes. Click here to read.

Linen at Midnight

Pijus Ash relates a real-life spooky encounter in Holland. Click here to read.

Two Lives – A Writer and A Businessman

Chetan Datta Poduri explores two lives from the past and what remains of their heritage. Click here to read.

My Forest or Your City Park?

G Venkatesh muses on the tug of war between sustainabilty, ecology and economies. Click here to read.

Musings of a Copywriter

In Karmic Backlog, Devraj Singh Kalsi explores reincarnations with a twinge of humour. Click here to read.

Notes from Japan

In DIY Dining in Japan, Suzanne Kamata in a light note talks about restaurants with robots. Click here to read.

Essays

Peddling Progress?

Jun A. Alindogan writes about what is perceived as progress from Philippines. Click here to read.

From Madagascar to Japan: An Adventure or a Dream…

Randriamamonjisoa Sylvie Valencia writes of her journey from Africa to Japan with a personal touch. Click here to read.

From Bombay to Kolkata — the Dhaaks of Durga 

Ratnottama Sengupta explores a UNESCO Intangible Cultural Heritage Festival. Click here to read.

Stories

Sleeper on the Bench

Paul Mirabile sets his strange story in London. Click here to read.

Sandy Cannot Write

Devraj Singh Kalsi takes us into the world of adverstising and glamour. Click here to read.

The Wise Words of the Sun

Naramsetti Umamaheswararao relates a fable involving elements of nature. Click here to read.

Discussions

A conversation with Swati Pal, academic and poet, on healing through writing and bereavement. Click here to read.

A conversation with five translators — Aruna Chakravarti, Radha Chakravarty, Somdatta Mandal, Fakrul Alam and Fazal Baloch from across South Asia. Click here to read.

Book Excerpts

An excerpt from That’s A Fire Ant Right There! Tales from Kavali by Mohammed Khadeer Babu, translated from Telugu by D.V. Subhashri. Click here to read.

An excerpt from Swati Pal’s poetry collection, Forever Yours. Click here to read.

Book Reviews

Somdatta Mandal reviews Banu Mushtaq’s Heart Lamp: Selected Stories, translated from Kannada by Deepa Bhasthi. Click here to read.

Meenakshi Malhotra has reviewed Malachi Edwin Vethamani’s anthology, Contours of Him: Poems. Click here to read.

Rupak Shreshta reviews Sangita Swechcha’s Rose’s Odyssey: Tales of Love and Loss, translated from Nepali by Jayant Sharma. Click here to read.

Bhaskar Parichha has reviewed Kalpana Karunakaran’s A Woman of No Consequence: Memory, Letters and Resistance in Madras. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Imagine… All the People…

Art by Henry Tayali(1943-1987). From Public Domain

Let us imagine a world where wars have been outlawed and there is only peace. Is that even possible outside of John Lennon’s song? While John Gray, a modern-day thinker, propounds human nature cannot change despite technological advancements, one has to only imagine how a cave dweller would have told his family flying to the moon was an impossibility. And yet, it has been proven a reality and now, we are thinking living in outer space, though currently it is only the forte of a few elitists and astronomers. Maybe, it will become an accessible reality as shown in books by Isaac Asimov, Arthur C Clarke or shows like Star Trek and Star Wars. Perhaps, it’s only dreamers or ideators pursuing unreal hopes and urges who often become the change makers, the people that make humanity move forward. In Borderless, we merely gather your dreams and present them to the world. That is why we love to celebrate writers from across all languages and cultures with translations and writings that turn current norms topsy turvy. We feature a number of such ideators in this issue.

Nazrul in his times, would have been one such ideator, which is why we carry a song by him translated by Professor Fakrul Alam. And yet before him was Tagore — this time we carry a translation of an unusual poem about happiness. From current times, we present to you a poet — perhaps the greatest Malay writer in Singapore — Isa Kamari. He has translated his longing for changes into his poems. His novels and stories express the same longing as he shares in The Lost Mantras, his self-translated poems that explore adapting old to new. We will be bringing these out over a period of time. We also have poems by Hrushikesh Mallick translated from Odia by Snehprava Das and a poignant story by Sharaf Shad translated from Balochi by Fazal Baloch.

We have an evocative short play by Rhys Hughes, where gender roles are inverted in a most humorous way. It almost brings to mind Begum Rokeya’s Sultana’s Dream. Tongue-in-cheek humour in non-fiction is brought in by Devraj Singh Kalsi and Chetan Dutta Poduri. Farouk Gulsara and Meredith Stephens write in a light-hearted vein about their interactions with animal friends. G. Venkatesh brings in serious strains with his musings on sustainability. Jun A. Alindogan slips into profundities while talking of “progress” in Philippines. Young Randriamamonjisoa Sylvie Valencia gives a heartfelt account of her journey from Madagascar to Japan. Ratnottama Sengupta travels across space and time to recount her experiences in a festival recognised by UNESCO as an Intangible Cultural Heritage of Humanity. Suzanne Kamata brings a light touch again when she writes about robots serving in restaurants in Japan, a change that would be only fiction even in Asimov’s times, less than a hundred years ago!

Pijus Ash — are we to believe or not believe his strange, spooky encounter in Holland? And we definitely don’t have to believe what skeletons do in Hughes’ limericks, even if their antics make us laugh! Poetry brings on more spooks from Saranyan BV and frightening environmental focus on the aftermath of flooding by Snehaprava Das. We have colours of poetry from all over the world with John Valentine, John Swain, Ahmad Al-Khatat, Stephen Druce, Jyotish Chalil Gopinath, Jenny Middleton, Maria Alam, Ron Pickett, Tanjila Ontu, Jim Bellamy, Pramod Rastogi, John Grey, Laila Brahmbhatt, John Zedolik and Joseph K.Wells.

Fiction yields a fable from Naramsetti Umamaheswararao. Devraj Singh Kalsi takes us into the world of advertising and glamour and Paul Mirabile writes of a sleeper who likes to sleep on benches in parks out of choice! We also have an excerpt from Mohammed Khadeer Babu’s stories, That’s A Fire Ant Right There! Tales from Kavali , translated from Telugu by D.V. Subhashri. The other excerpt is from Swati Pal’s poetry collection, Forever Yours. Pal has in an online interview discussed bereavement and healing through poetry for her stunning poems pretty much do that.

Book reviews homes an indepth introduction by Somdatta Mandal to Banu Mushtaq’s Heart Lamp: Selected Stories, translated from Kannada by Deepa Bhasthi. We have a discussion by Meenakshi Malhotra on Contours of Him: Poems, edited and introduced by Malaysian academic, Malachi Edwin Vethamani, in which she concludes, “that if femininity is a construct, so is masculinity.” Overriding human constructs are journeys made by migrants. Rupak Shreshta has introduced us to immigrant Sangita Swechcha’s Rose’s Odyssey: Tales of Love and Loss, translated from Nepali by Jayant Sharma. Bhaskar Parichha winds up this section with his exploration of Kalpana Karunakaran’s A Woman of No Consequence: Memory, Letters and Resistance in Madras. He tells us: “A Woman of No Consequence restores dignity to what is often dismissed as ordinary. It chronicles the spiritual and intellectual evolution of a woman who sought transcendence within the rhythms of domestic life, turning the everyday into a site of resistance and renewal.” Again, by the sound of it a book that redefines the idea that housework is mundane and gives dignity to women and the task at hand.

We wind up the October issue hoping for changes that will lead to a happier existence, helping us all connect with the commonality of emotions, overriding borders that hurt humanity, other species and the Earth.

Huge thanks to our fabulous team, especially Sohana Manzoor for her inimitable artwork. We would all love to congratulate Hughes for his plays that ran houseful in Swansea. And heartfelt thanks to all our wonderful contributors, without who this issue would not have been possible, and to our readers, who make it worth our while, to write and publish.

Have a wonderful month!

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE OCTOBER 2025 ISSUE

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Essay

From Madagascar to Japan: An Adventure or a Dream?

By Randriamamonjisoa Sylvie Valencia

For as long as I can remember, I have been an introvert — this is who I am and will always be. Yet, few believe it. I come from Madagascar, a distant island where the people are called the Malagasy — a community bound by culture, tradition, and a shared sense of identity. Malagasy people are known for their warmth and generosity, often revealing a talkative side as they delight in conversation, and playful exchanges.  In contrast, I am reserved — a shy person who expresses myself freely only when comfortable and among those I trust.

As a child, I was the most talkative among my siblings, recounting every detail of my school day to my parents. I delighted in describing the funny expressions my primary school teacher made while explaining lessons, or the mischievous boys who always stuck their chewing gum on the pupils’ desks and all the tasks I had accomplished. I wanted my parents to know I was doing well, that the teacher praised me, and that I helped classmates who struggled.

Both my parents are very talkative, especially my father, from whom I inherited the gift of words. Speaking in front of my family comes naturally, yet in front of others, my words often falter — a fear that has always troubled me. I speak freely only with those I know well— my family and a few close friends.

Facing a large audience has always been daunting. My father encouraged me to confront this fear, to be confident, and to meet the audience’s gaze. I tried many times: presenting in group projects, speaking as a class representative, even addressing an audience at a classmate’s parent’s funeral.

As I grew older, my determination to overcome this fear grew. I devoured books and videos on public speaking, eager to communicate with confidence. My first real test came in 2018, when I delivered a speech in a Japanese language contest. I had loved Japanese language since childhood, captivated by its culture, and dreamed of becoming fluent. Entering the contest was a dream — an opportunity to speak publicly and a chance to win a trip to Japan.

I was guided by two close friends who practiced with me daily. They corrected my mistakes, offered feedback, and most importantly, encouraged me. Having known me for years, they understood how terrifying standing on stage could be, yet they supported me out of love, friendship, and belief in my potential.

During rehearsals, I gave my utmost effort, memorising the script when necessary. Still, doubts lingered about meeting expectations, conquering fears, and not disappointing those who believed in me. The days of practice passed quickly, and soon, the big day arrived. Nervous at first, I gradually became more at ease while speaking. I managed to control my anxiety but knew my performance was imperfect. I focused on each word, yet my mind occasionally went blank, struggling with the judges’ questions. Embarrassment washed over me; I feared I had let my friends and family down.

In the end, I did not win the first prize, but my closest friends congratulated me. They reminded me that the true milestone was stepping onto the stage, speaking in front of an audience, and maintaining composure. Their encouragement helped me realise that courage and effort mattered more than the outcome itself.

As an introvert, talking to strangers is challenging, let alone addressing a crowd. Hearing the words “public speaking” makes my stomach tighten, palms sweat, and heart race. Stage fright, fear of facing many people and sharing my thoughts has always been real. Each time my name is called, I shake, my mind blanks, heart pounds, mouth dries, and confidence seems to vanish before I start. Yet, I have never lost hope. Deep down, I knew a strength within me would help rise above fear and grow into a better version of myself.

One year later, I stood again in the same contest. This annual competition was a goal I refused to let go of. As before, my friends encouraged, pushed, and trained with me every day until the D-day. Their support gave me the strength to continue. I prepared even more fiercely — joining language clubs and volunteering in storytelling activities. But it was not easy. I never felt comfortable speaking or working with strangers. I was told teamwork required discussion, sharing, and collaboration — a nightmare for an introvert.

Solitude had been my ally, yet suddenly, I was surrounded by people of all ages and personalities. Cooperation was no longer optional. However, through this challenge, I discovered an important truth: whether introverted or extroverted, whether silent or talkative, we must learn to connect with others. Survival and growth depend on collaboration and support.

The big day of the speech contest arrived in May, a season of transition between summer and winter. I arrived at the hall just in time, accompanied by a close friend. A staff member guided me to my seat, only a few meters from the judges. I felt cheerful, and calm, even giving a fist bump to nearby contestants. For the first time, I felt truly ready to give a speech — optimistic, and at peace. Perhaps it was the preparation or my friends’ wholehearted support, or maybe I had begun to trust myself.

There were four contestants in the advanced level, and I was the last to speak. Each of us hoped to win the grand prize — a trip to Japan. I did not worry about the others. I believed in my success and was determined to win first place. Just days before, I even dreamed of visiting Japan, so nothing could stand in my way.

Finally, it was my turn. I adjusted the microphone, greeted in Japanese, and bowed to the judges and audience. I spoke for about five minutes on how Malagasy parents raise children. Three judges asked each two questions. Thanks to countless practice hours and mock questions and answers sessions with my best friends, I answered every tricky question. For the first time, right after my speech, I felt like a winner.

The event lasted about three hours, and the final verdict came. The Master of Ceremonies announced winners, starting with the beginner level, then the advanced. Among the four in my category, only two remained. The Master of Ceremonies paused dramatically before announcing the first-place winner… and pronounced my name. I whispered a silent thanks to God. This result — the goal I had worked so hard for — had become reality. The trip to Japan was the reward, and even more importantly, I had overcome stage fright. I spoke naturally and confidently in front of the audience — another milestone achieved.

Later that year, in 2019, I visited Japan for the first time. The experience was magical. I met wonderful people, explored my favorite country, and fulfilled a long-cherished dream.

Six years later, I returned to the Land of the Rising Sun—this time as an international student. I now live in Tokushima prefecture, which is in southeastern Japan, far from the bustling cities, in a quiet countryside where few tourists venture. Yet, the city and its neighbourhoods are simply wonderful. It is peaceful, surrounded by greenery, and while the locals may seem reserved, they are incredibly welcoming. Even with some grasp of the local language, adapting to a new country as a foreigner is challenging. Still, thanks to the support of my seniors and friends who have lived here for years, I managed to navigate my first six months successfully.

The city where I live hosts an annual Japanese speech contest open to foreigners who have been residing here for some time. I was encouraged to participate, partly because I could speak some Japanese, and partly because it was a great chance to gain experience. I thought, why not? After all, I gradually grew more comfortable speaking in front of others.

This time, participants could choose their own topics, though it was suggested to focus on their experience in Japan or explore cultural connections between their home country and Japan. I was eager to participate, but selecting a topic was harder than I expected. Inspiration felt scarce, and I had no clear direction. Still, I knew that finding my own perspective was key to making the speech meaningful.

Overwhelmed by my studies, I barely noticed the passage of time. Before I knew it, the deadline had arrived. I had not written a single word, though ideas swirled in my mind. I opened my laptop, took a deep breath, and began writing everything that came to my mind. Reflecting on my experiences in Japan, I realised that people often struggled to pronounce my name correctly. That inspired me to talk about the hidden culture behind Japanese and Malagasy names.

With my theme set, I focused on making my speech coherent and captivating. I tend to draw inspiration at the last minute. I wrote, rewrote, and proofread repeatedly, staying up all night without noticing morning approaching.

Finally, I finished my manuscript and emailed it to one of my Japanese teachers to check for grammatical errors. She responded immediately, and her quick proofreading allowed me to submit my speech on the deadline. I felt relieved, yet strangely nervous, a sensation I could not quite describe.

Six years have passed since I last spoke in front of an audience. Preparing another speech made me feel nostalgic, bringing back memories of long rehearsals, the advice of my best friends, and countless sleepless nights.

A month after submitting my manuscript, I received an email from the event organizer announcing my selection. I was among the fourteen candidates chosen to compete. I whispered a quiet “wow,” but doubts immediately surfaced. I had two months to prepare. To understand what awaited me, I watched recordings of previous competitions, while my seniors and Japanese teacher helped me refine my speech.

Four students were selected from my university. The other three were Asian students with extensive experience in Japanese language and culture. They read Kanji (Japanese characters)effortlessly and conversed naturally. And then, there was me. Though I had been exposed to Japanese language and culture since childhood, memorising every character reading and grasping dialects was never easy. Back in my country, despite growing interest in Japanese language and culture, opportunities to use it in daily life remain limited. Once again, I faced a new challenge—this time in the Land of the Rising Sun.

Time flew, and soon the two months of preparation had passed. Finally, the big day arrived. Early that morning, a kind university staff member greeted us with a bright smile. As I descended from my dormitory, I saw her waiting by her car near the main gate, bowing politely. Her excitement was palpable. Three of us rode in her car; she asked about our preparations and told jokes, perhaps to ease our nerves, which were all visible.

After twenty minutes, we arrived at a large building and walked up to the fifth floor through corridors decorated in traditional style. Japanese architecture and design have always fascinated me, and I was struck by their beauty once again. The event hall was medium-sized, with a small table at the entrance holding our name tags.

One by one, the other candidates arrived. We were then led to a smaller room for a preparatory meeting. While waiting, we chatted briefly to get to know one another. The competition began in the early afternoon. We were instructed to enter the hall one by one, greeted with warm applause. Observing the other candidates, I could tell they were ready. Fourteen contestants competed in total. Thirteen were Asians from countries including China, Vietnam, India, Indonesia, the Philippines, Taiwan, Sri Lanka, and Thailand. I was the only African, from a distant country few people knew. Before each speech, the Master of Ceremonies shared a brief anecdote about the candidate’s country, offering the audience a glimpse into its culture. Each contestant then delivered a five-minute speech.

There were two types of awards: the Golden Prize for first and second place, followed by four Silver Prizes. I had hoped to place among the top five while preparing my speech.

As I listened to the first three candidates, I was deeply impressed. Their speeches were powerful, emotional, and delivered with near-native fluency. I was surprised by how advanced and impressive their speaking skills were. I was the sixth speaker. Perhaps it had been so long since I last addressed an audience, or perhaps it was the absence of my closest friends but standing alone in a foreign country in front of strangers was overwhelming. My hands trembled. When my name was announced, I feared I might not endure those five minutes on stage.

Still, I stood before hundreds of people. I bowed, held the microphone firmly, and began. My heart raced and sweat ran down my face and back. Gradually, the pressure eased. When I shared the example of the longest name in the world—from my country, the audience reacted with surprise and amusement. I realised how attentive they were and regained inner calm. Although I forgot one line, I finished my speech smoothly and expressively.

The remaining eight candidates were equally impressive. Their eloquence was such that, with eyes closed, one might mistake them for native speakers. It was the highest-level contest I had ever participated in. Each theme and presentation were unique, and every contestant spoke with confidence. I doubted whether I would receive a prize, but reassured myself that even without one, the experience was worthwhile. Most participants had lived in Japan for over three years, and the Chinese and Taiwanese contestants were especially strong in oral expression. Yet, standing among such talented competitors was an honor.

After a break that was supposed to last twenty minutes but stretched to fifty, results were announced. They began with six Encouragement Prizes. I thought I might be among them, but my name was not called. Two more awards followed, still not mine. A friend nudged me, whispering, “Congratulations!” I replied, “Stop joking. Congratulations to you instead!”

Finally, the Silver Prizes were announced. They first called my country, then my name. The applause and cheers overwhelmed me, and tears welled in my eyes. I had not expected to win a Silver Prize, given the competition’s level. One friend from my university won the Golden Prize, and the second Golden Prize went to a Vietnamese contestant.

Participating in such a high-level competition was a tremendous challenge. Every step—from manuscript preparation to standing on stage—pushed me beyond my comfort zone. Yet, when it was over, I felt immense pride. I had once again delivered a speech before a large audience, this time in the country whose language I had cherished for years.

Though I had been nervous, the audience remained unaware. Their attentive expressions and warm applause carried me through. Afterwards, my Japanese teachers praised my performance, saying I had done exceptionally well. In that moment, I realised every hour of preparation, every doubt, and every fear had been worthwhile. I had faced a formidable challenge, stood my ground, and expressed myself fully, a reminder that courage, practice, and determination can transform daunting experiences into triumphs. It is a memory I will treasure forever.

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Randriamamonjisoa Sylvie Valencia is from Madagascar and is currently studying in Japan as a trainee student. She enjoys reading, writing, listening to music, and traveling to explore new cultures.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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