Categories
Editorial

When Autumn Leaves Start to Fall…

                     “Where are the songs of Spring? Ay, where are they?
                      Think not of them, thou hast thy music too…”

                                 — John Keats (1795-1851), To Autumn
Art by Sybil Pretious

For long writers have associated autumn with “mellow wistfulness”. That loss of spring, or loss of youth is not bleak or regretful has been captured not just by Keats but also been borne out by historical facts. Anthropocene existence only get better as the human race evolves … If we view our world as moving towards an autumn, we perhaps, as Keats suggests, need to find the new “music” for it. A music that is ripe and matures with the passage of time to the point that it moves more towards perfection. Though sometimes lives fade away after autumn gives way to winter as did those of  Queen Elizabeth II (April 21st 1926 – September 8th 2022) after a reign of seventy historic years and Mikhail Gorbachev (2nd March 1931 – 30thAugust 2022) with his admirable efforts to bridge divides. Both of them have left footprints that could be eternalised if voices echo in harmony. Thoughts which create bonds never die – they live on in your hearts and mine.

Imagine… ten thousand years ago, were we better off? Recorded history shows that the first war had already been fought 13,000 years ago. And they have continued to rage – but, at least, unlike the indomitable Gauls in Asterix[1] comics – not all jumped into the fray. They did during the last World Wars — which also led to attempts towards institutionalising humanitarian concerns and non-alignment. Yes, we have not had a perfect world as yet but as we age, the earth matures and we will, hopefully, move towards better times as we evolve. Climate change had happened earlier too. At a point, Sahara was green. Continental shifts split Pangaea  into seven continents – that was even earlier. That might have driven the dinosaurs to extinction. But I am sure mankind will find a way out of the terror of climate change and wars over a period of time, as long as we believe in deciphering the sounds of autumn as did Keats in his poem.

Tagore had also sung of the joys of autumn which happens to be a time for festivities. Professor Fakrul Alam has translated three such songs, reflecting the  joie de vivre of the season, The translation of a small poem, Eshecche Sarat[2], brings the beauty of the season in Bengal to the fore. We have a celebration of youth and romance in a Balochi folksong, an anti-thesis to autumn and aging, translated for us by Fazal Baloch and also, poetic prose in quest of God and justice by Haneef Sharif, translated from Balochi by Mashreen Hameed. Lost romance recapitulated makes interesting poetry is borne out by Ihlwha Choi’s translation of his own poem from Korean. But the topping in our translation section is a story called ‘Nagmati[3]’ by eminent Bengali writer, Prafulla Roy, translated by no less than a Sahitya Akademi winning translator – Aruna Chakravarti. This story illustrates how terrifying youthful follies can lead to the end of many young lives, a powerful narrative about the snake worshipping community of Bedeynis that highlights destruction due to youthful lusts and an inability to accept diverse cultures.  

When this cultural acceptance becomes a part of our being, it creates bonds which transcend manmade borders as did the films of Satyajit Ray. His mingling was so effective that his work made it to the zenith of an international cinematic scenario so much so that Audrey Hepburn, while receiving the Oscar on his behalf, said: “Dear Satyajit Ray. I am proud and privileged to have been allowed to represent our industry in paying tribute to you as an artist and as a man. For everything you represent I send you my gratitude and love.”

This and more has been revealed to us in a book, Satyajit Ray: The Man Who Knew Too Much, authored by a protagonist from Ray’s film, Barun Chanda. This book brought out by Om Books International reflects not just Ray as a person but also how he knitted the world together with his films and took the Indian film industry to an international level. Barun Chanda has been interviewed with a focus on Satyajit Ray. Keith Lyons has also interviewed a man who has defied all norms and, in the autumn of his life, continues his journey while weaving together cultures across, China, India and Thailand by his ethnographic studies on tribes, Jim Goodman. Goodman says he left America when speaking for a war-free world became a cause for censorship. This makes one wonder if war is a game played for supporting a small minority of people who rule the roost?  Or are these ramblings of a Coleridge writing ‘Kubla Khan’ under the influence of narcotics?

Poetry also brings the season into our pages with an autumnal interpretation of life from Michael Burch. More poetry from Sunil Sharma, Ryan Quinn Flanagan, Gayatri Majumdar, George Freek, Ron Pickett, Sutputra Radheye, Marianne Tefft brings a wide range of concerns to our pages – from climate to the vagaries of human nature. Poetry by an Albanian writer, Irma Kurti, and photographs by her Italian spouse, Biagio Fortini, blend together the colours of humanity. Rhys Hughes as usual, makes it to the realm of absurd – perhaps voicing much in his poetry, especially about the environment and human nature, though he talks of woodpeckers on Noah’s ark (were there any?) and of cows, yetis, monkeys and cakes… He has also given us a hilarious cat narrative for his column. Can that be called magic realism too? Or are the edges too abstract?

A book excerpt from Hughes’ Comfy Rascals Short Fiction and a review of it by Rakhi Dalal makes us wonder with the reviewer if he is a fan of Kafka or Baudelaire and is his creation a tongue-in-cheek comment on conventions? A book review by Hema Ravi of Mrutyunjay Sarangi’s A Train to Kolkata and Other Stories and another by Bhaskar Parichha of Netaji Subhash Chandra Bose’s Life, Struggle and Politics, authored by Netaji’s nephew’s wife, Krishna Bose, translated and edited by her son, Sumantra Bose, unveils the narratives around his life and death.

A leader who quested for freedom and roamed the world after being passed over by the Congress in favour of Nehru, Netaji raised an army of women who were trained in Singapore – not a small feat in the first half of the twentieth century anywhere in the world. His death in an air crash remained an unsolved mystery — another one of those controversies which raged through the century like the Bhawal case. In his review, Parichha spells out: “Aiming to bring an end to the controversies and conspiracy theories surrounding the freedom fighter, the over 300-page book gives a detailed and evidence-based account of his death in one of its chapters.”

Our book excerpts in this edition both feature writers of humour with the other being the inimitable Ruskin Bond. We have an excerpt of Bond’s nostalgia from Between Heaven and Earth: Writings on the Indian Hillsedited by Ruskin Bond and Bulbul Sharma.

Our non-fiction also hosts humour from Devraj Singh Kalsi about his interactions with birds and, on the other hand, a very poignant poetic-prose by Mike Smith reflecting on the vagaries of autumn. From Japan, Suzanne Kamata takes us to the Rabbit Island – and murmurings of war and weapons. We have the strangest story about a set of people who are happy to be ruled by foreign settlers – we would term them colonials – from Meredith Stephens. G Venkatesh delights with a story of love and discovery in Korea, where he had gone in pre-pandemic times. Paul Mirabile travels to Turkey to rediscover a writer, Sait Faik Abasiyanik (1906-1954). And Ravi Shankar gives us an emotional story about his trek in the Himalayas in Nepal with a friend who has passed on. Candice Louisa Daquin has written of the possibilities towards integrating those who are seen as minorities and marginalised into the mainstream.

The edition this time is like Autumn – multi-coloured. Though I am not able to do justice to all our contributors by mentioning them here, my heartfelt thanks to each as every piece only enriches our journal. I urge you to take a look at the September edition.

I would like to give huge thanks to our readers and our team too, especially Sohana Manzoor and Sybil Pretious for their artwork. We could not have come this far without support from all of you.

Thank you.

Happy Reading!

Mitali Chakravarty

borderlessjournal.com


[1] The men in the indomitable Gaulish village (which the Romans failed to conquer) in times of Julius Caesar loved to jump into a fight for no reason…Asterix was the protagonist of the comics along with his fat friend Obelix

[2] Arrival of Autumn

[3] Snake Maiden

Categories
Review

Why They Killed Gandhi

Book review by Bhaskar Parichha

Title: Why They Killed Gandhi; Unmasking the Ideology and the Conspiracy

Author: Ashok Kumar Pandey

Publisher: Speaking Tiger Books

One of the most controversial political assassinations in contemporary Indian history is that of Mahatma Gandhi. Several books have been written on this earth-shattering killing with varied interpretations, and every so often with overt ideological moorings.

Why They Killed Gandhi; Unmasking the Ideology and the Conspiracy by Ashok Kumar Pandey is a fresh and bold account of the assassination of the ‘Father of the Nation’. Translated from the original Hindi version of the book by the same author, the narrative lays bare the facts of the murder, and offers a zealous defence of the Mahatma and his politics. It delivers a trenchant polemic against the ideology of intolerance and perpetual ferocity that killed Gandhi. Delhi-based Pandey is an author and historian whose work focuses primarily on modern India. To that extent, this book has a different explanation.

Reads the blurb: “Three bullets were shot into the chest of Mahatma Gandhi by a certain Nathuram Godse on the evening of 30 January 1948. His true motivations, however, are today actively obscured, and his admirers sit in the Indian parliament as members of the ruling establishment.”

Writes Pandey in the Preface: “Gandhi’s life has never been a mystery. He bared open every aspect of his life, as seen in the ninety-two volumes of the collected works of Mahatma Gandhi and various other books/booklets written by him or people like Mahadev Desai and Pyarelal, who accompanied him as friends and personal assistants, and kept track of every activity of his.

“The details of his death, however, are for most people somewhat obscure. We do, of course, know that a certain Nathuram Godse fired three shots to take his life, but the conspiracy behind it largely remains hidden from greater public scrutiny.”

Divided into three sections and comprehensible chapters on the whole sequence of events leading to Gandhi’s death, Pandey has taken the help of court documents, the Kapur Commission Report, and other relevant papers to substantiate his thesis. He has also tried to show the ideological conflict between the various political forces during India’s struggle for freedom.

Argues the book: “The men who stood trial for the murder of Gandhi claimed that they were acting for a stronger, more united, India. Their 78-year-old peace-loving target, they felt, was the single biggest impediment to achieving that goal. They accused him of dishonesty and treachery; he was blamed for the Partition of India, for appeasing’ Muslims; and condemned for ‘fail[ing] in his duty’ to the people of this nation. To them, Gandhi had to die because ‘there was no legal machinery by which such an offender could be brought to book. Do any of the accusations have any claim to truth whatsoever? If not, what, then, was the actual intention that these arguments made by Godse were attempting to hide?” It further questions: “Was V.D. Savarkar, among others, involved in the conspiracy?

“The last days of Gandhi were ones of disquietude and loneliness. He repeatedly tried to lead an apolitical life. Attempting to provide equal facilities to the poor at a naturopathy center in Poona, or migrating to an unknown village, he was constantly trying to adopt social work as an alternative to politics. He resigned from the primary membership of the Congress in 1934, but after being in politics all his life, politics was not ready to leave him in this period of turmoil.”

In an attempt towards addressing the deficiency of knowledge on the subject, Pandey painstakingly puts the facts in the correct perspective. According to him, “since the conspiracy was not merely a criminal one but had an ideological dimension as well-something that portends greater danger in the long run-the events need to be understood.”

What this 250-page book attempts is to remind us that Gandhi’s killing was “not a random act of a mindless killer”. It was the culmination of a cold-blooded conspiracy. Pandey in this book has tried to dissect the ideology of religious extremism. What Pandey does in this book essentially is to present a narrative based on historical facts and research in ‘the so-called post-truth age’. He intends to rip to shreds the abhorrence emitted against the likes of Gandhi, Nehru and other makers of modern India.

The finest point about this book is its storytelling. The facts, incidents, and references have been woven in such a way that it doesn’t appear as a mere chatterbox. Neither is it loaded with only factoids. Other than mere facts and references, the book also throws light on the paradigm and tries to uncover the bluff which has been existing on the assassination of Gandhi.

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Bhaskar Parichha is a journalist and author of UnbiasedNo Strings Attached: Writings on Odisha and Biju Patnaik – A Political Biography. He lives in Bhubaneswar and writes bilingually. Besides writing for newspapers, he also reviews books on various media platforms.

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