Categories
World Poetry Day

What is Home?

Celebrating poetry around the world, our focus this year is on refugees, immigrants or poetry by migrants… In a way, we are all migrants on this Earth and yet immigration for both climate and war has created dissatisfaction in the hearts of many. Can mankind unify under the single blue dome which covers all our home?


“The Journey” by Alwy Fadhel, an asylum seeker to Australia. The piece is included in the Exile collection of the Refugee Art Project. Art from Public Domain.

We start by welcoming migrants from Jupiter but how do we react to human migrants within Earth… ?

All the Way from Jupiter

By Rhys Hughes

All the way
from Jupiter came the refugees,
their heads
made of hydrogen,
and helium, their knees.
No one cried:
depravity!
for we were pleased
to help them
relocate to Earth: we offered
them homes
inside plastic domes
uncrowded but
full of swirling clouds
blown by the music of
fierce trombones
to mimic the crushing gravity.

All the way
from one of our homegrown
war zones
came refugees on their knees
and we said:
no, no, no, and no again!
Go back home right now,
be killed,
assaulted,
it’s all your own fault
for being born here on Earth.
The newcomers
from Jupiter are tubular
like cucumbers,
but men, women and children
like yourselves
aren’t welcome.

And what do refugees from war-torn zones on Earth have to add?These are poems by those who had to escape to safety or move homes for the sake of conflict.

I am Ukraine brought to us by Lesya Bakun, while she was on the run from her home to a place of refuge outside her homeland. Click here to read.

Immigrant’s dream brought to us by Ahmad Al-Khatat, who migrated from Iraq to the West to find sustenance. Click here to read.

In some cases, the wounds lingered and the progeny of those who escaped earlier conflicts give voice to past injuries as well as some immigrants who wandered to find a better life share their experiences.

In 1947, Masha Hassan writes of her grandmother’s plight during the Partition of the Indian Subcontinent. Click here to read.

Bringing along their homeland by Abdul Jamil Urfi talks of immigrants from Lahore in Delhi in the 1960s. Click here to read.

Stories Left Unspoken: Auschwitz & Partition Survivors by Cinna give us stories of people who moved for wars and politics. Click here to read.

A Hunger for Stories by Quazi Johirul Islam, translated from Bengali by Professor Fakrul Alam, gives a migrant’s saga. Click here to read.

Reminiscence by Mitra Samal reflects on an immigrant’s longing for her home. Click here to read.

Finding the Self in Rooted Routes by Isha Sharma explores at an individual level the impact of immigration. Click here to red.

Birth of an Ally reflects Tamoha Siddiqui’s wonder with new flavours she experiences away from her original homeland. Click here to read.

Two Languages by Luis Cuauhtémoc Berriozabal explores linguistic diversity in immigrants. Click here to read.

These could be listed as turns of history that made people relocate.

Red Shirt Hung from a Pine Tree by Ryan Quinn Flanagan takes two issues into account — violence against humanity and colonial displacement of indigenous people — is that migration? Click here to read.

Products of War by Mini Babu talks of the displacement of humanity for war. Click here to read.

This Island of Mine by Rhys Hughes reflects on climate disaster. Click here to read.

Some empathise with those who had to move and write of the trauma faced by refugees.

Migrant Poems by Malachi Edwin Vethamani reflect on migrants and how accepted they feel. Click here to read.

Birds in Flight by A Jessie Michael empathises with the plight of refugees. Click here to read.

The Ceramicist by Jee Leong Koh records the story of a migrant. Click here to read.

And some wonder about the spiritual quest for a homeland… Is it a universal need to be associated with a homeland or can we find a home anywhere on Earth? If we stretch the definition of homeland to all the planet, do we remain refugees or migrants?

Anywhere Particular by Wendy Jean MacLean reflects on the universality of homes — perhaps to an extent on nomadism. Click here to read.

Where is Home? by Shivani Shrivastav meditates on the concept of home. Click here to read.

Sparrows, a poem translated from Korean by the poet — Ihlwha Choi — questions the borders drawn by human laws. Click here to read.

 Journey of Hope  by Tagore has been translated from Bengali by Mitali Chakravarty. It explores the spiritual quest for a home. Click here to read the poem in English and listen to Tagore’s voice recite his poem in Bengali. 

Some look forward to a future — perhaps in another galaxy — post apocalypse.

In Another Galaxy by Masud Khan translated from Bengali by Fakrul Alam wonders at the future of mankind. Click here to read.

And yet others believe in the future of humankind.

We are all Human by Akabar Barakzai, translated from Balochi by Fazal Baloch, is a paean to humanity. Click here to read.

We are all Human 

By Akbar Barakzai...

Russia, China and India,
Arabs and the New World*,
Africa and Europe,
The land of the Baloch and Kurds --
Indeed, the whole world is ours.
We are all human.
We are all human...

Click here to read the full poem.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Narratives of Humankind

Looking for a Refuge

Art by Sohana Manzoor

Our population crossed the 8 billion mark in November, 2022. As we move towards trying to hunt for alternative domiciles for our ever-expanding population, even in outer space, we still have to take into account  the increased movement of people across the Earth in search of alternative homes driven by external circumstances or by personal needs.

Some have lost their homes and lands to war, some to climate emergencies and some moved out out of choice. Here we have collected narratives of past and present migrations, emphasising the fluidity of borders, despite the lines drawn artificially by manmade constructs. In an earlier interview, Anthony Sattin talks of nomadic migrations and the concept of asabiyya, or brotherhood, which tied humans to ideas and ideals instead of a piece of land mooted in Arabia by Ibn Khaldun in the fourteenth century. Has the time come to revive this concept with conflicts and the climate crises becoming real? As weapons, fire and water affect our habitats, one wonders if reverting to the concept of nomadic existence is not becoming a necessity… This small collection of writings will hopefully highlight the concerns.

Migrants

In Migrating to Myself from Kolkata to Singapore, Asad Latif explores selfhood in context of diverse geographies. Click here to read.

In How I Wound Up in Japan, Suzanne Kamata gives her story as an immigrant. Click here to read.

In Belacan, Farouk Gulsara shares a narrative based on the life of a migrant in 1950s Malaysia. Click here to read.

Ujjal Dosanjh, former Minister from Canada and former Premier of British Columbia, talks of his own journey and learning as he migrated out of India to Canada. Click here to read.

Migrant poems by Malachi Edwin Vethamani. Click here to read. 

Refugees

In Mister, They’re Coming Anyway Timothy Jay Smith writes on the refugee crisis in Lesbos Island, Greece, in 2016 with photographs by Michael Honegger. Click here to read.

In A Voice from Kharkiv: A Refugee in her Own Country, Lesya Bakun relates her journey out of Ukraine as a refugee and the need for the resistance in 2022. Click here to read.

An excerpt from Ramy Al-Asheq’s Ever Since I Did Not Die, translated from Arabic by Isis Nusair, edited by Levi Thompson. The author was born in a refugee camp. Click here to read.

Refugee in my Own Country/ I am Ukraine… Poetry by Lesya Bakun. Click here to read.

Bringing Along their Homeland, a poem by Abdul Jamil Urfi, for refugees from the India- Pakistan Partition. Click here to read. 

In 1947, a biographical poem by Masha Hassan, set during the India-Pakistan Partition. Click here to read. 

The Grave is Wide, poems on refugees by Michael R Burch. Click here to read. 

Art by Sohana Manzoor

We are very grateful to our contributors who shared these unique narratives with us.

Categories
Contents

Borderless July 2023

Painting by Sohana Manzoor

Editorial

As Imagination Bodies Forth Click here to read.

Translations

Bankim Chandra Chattopadhyay’s Bangalar Nobbyo Lekhokdiger Proti Nibedon (a request to new writers of Bengali), has been translated from Bengali and introduced by Abdullah-Al-Musayeb. Click here to read.

Poetry on Rain by Masud Khan has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Dancer by Bashir Baidar, has been translated from Balochi by Fazal Baloch. Click here to read.

Motherhood: A Tiny Life inside Me, a poem by Sangita Swechcha, has been translated from Nepali by Hem Bishwakarma. Click here to read.

The Wind and the Door, has been written and translated from Korean by Ihlwha Choi. Click here to read.

Megh or Cloud by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Conversation

In conversation with Afsar Mohammad, a poet, a Sufi and an academic teaching in University of Pennsylvania. Click here to read.

Poetry

Click on the names to read the poems

Afsar Mohammad, Rhys Hughes, Kirpal Singh, Don Webb, Masha Hassan, Vernon Daim, George Freek, Arya KS, Robert Nisbet, Dr Kanwalpreet, John Grey, Nivedita N, Samantha Underhill, Vikas Sehra, Ryan Quinn Falangan, Saranyan BV, Heath Brougher, Carol D’Souza, Michael Burch

Poets, Poetry & Rhys Hughes

In Productivity, Rhys Hughes muses tongue-in-cheek on laziness and its contribution in making a nation more productive. Click here to read.

Musings/ Slices from Life

Should I stay or should I go?

Keith Lyons muses on our attitude towards changes. Click here to read.

Bangal-Ghoti-Bati-Paati or What Anglophilia did to My Palate

Ramona Sen journeys in a lighter vein through her taste buds to uncover part of her identity. Click here to read.

Awesome Arches and Acrophobia

Meredith Stephens takes us for a fabulous treat of Sierra Nevada mountains with her camera and narrative. Click here to read.

Musings of a Copywriter

In The Lost Garden, Devraj Singh Kalsi writes of how his sense of wellbeing mingles with plants. Click here to read.

Notes from Japan

In Better Relations Through Weed-pulling, Suzanne Kamata introduces us to an annual custom in Japan. Click here to read.

Essays

The Story of a Land at War with Itself

Ratnottama Sengupta presents the first hand account of the war in Bosnia-Herzegovina (1992-1995) from a letter from her brother, who was posted there as part of the peace-keeping troops. Click here to read.

‘Wormholes to other Worlds’

Ravi Shankar explores museums in Kuala Lumpur. Click here to read.

Stories

A Troubled Soul

Mahim Hussain explores mental illness. Click here to read.

The Llama Story

Shourjo shares a short fun piece written from a llama’s perspective. Click here to read.

Mister Wilkens

Paul Mirabile gives a strange tale set in Europe of the 1970s. Click here to read.

Book Excerpts

An excerpt from Red Sky Over Kabul: A Memoir of a Father and Son in Afghanistan by Baryalai Popalzai and Kevin McLean. Click here to read.

An excerpt from The Blue Dragonfly – healing through poetry by Veronica Eley. Click here to read.

Book Reviews

Somdatta Mandal reviews The Past is Never Dead: A Novel by Ujjal Dosanjh. Click here to read.

KPP Nambiar reviews The Stolen Necklace: A Small Crime in a Small Town by Shevlin Sebastian and VK Thajudheen. Click here to read.

Rakhi Dalal reviews Drop of the Last Cloud by Sangeetha G. Click here to read.

Bhaskar Parichha reviews Burning Pyres, Mass Graves and A State That Failed Its People : India’s Covid Tragedy by Harsh Mander. Click here to read.

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Categories
Editorial

As Imagination Bodies Forth…

Painting by Sybil Pretious
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name

 A Midsummer Night's Dream (1595) by William Shakespeare

Famous lines by Shakespeare that reflect on one of the most unique qualities in not only poets — as he states — but also in all humans, imagination, which helps us create our own constructs, build walls, draw boundaries as well as create wonderful paintings, invent planes, fly to the moon and write beautiful poetry. I wonder if animals or plants have the same ability? Then, there are some who, react to the impact of imagined constructs that hurt humanity. They write fabulous poetry or lyrics protesting war as well as dream of a world without war. Could we in times such as these imagine a world at peace, and — even more unusually — filled with consideration, kindness, love and brotherhood as suggested by Lennon’s lyrics in ‘Imagine’ – “Imagine all the people/ Livin’ life in peace…”. These are ideas that have been wafting in the world since times immemorial. And yet, they seem to be drifting in a breeze that caresses but continues to elude our grasp.

Under such circumstances, what can be more alluring than reflective Sufi poetry by an empathetic soul. Featuring an interview and poetry by such a poet, Afsar Mohammad, we bring to you his journey from a “small rural setting” in Telangana to University of Pennsylvania, where he teaches South Asian Studies. He is bilingual and has brought out many books, including one with his translated poetry. Translations this time start with Bankim Chandra Chattopadhyay’s advice to new writers in Bengali, introduced and brought to us by Abdullah-Al-Musayeb. Tagore’s seasonal poem, ‘Megh or Cloud’, has been transcreated to harmonise with the onset of monsoons. However, this year with the El Nino and as the impact of climate change sets in, the monsoons have turned awry and are flooding the world. At a spiritual plane, the maestro’s lines in this poem do reflect on the transience of nature (and life). Professor Fakrul Alam’s translation of Masud Khan’s heartfelt poetry on rain brings to the fore the discontent of the age while conveying the migrant’s dilemma of being divided between two lands. Fazal Baloch has brought us a powerful Balochi poet from the 1960s in translation, Bashir Baidar. His poetry cries out with compassion yet overpowers with its brutality. Sangita Swechcha’s Nepali poem celebrating a girl child has been translated by Hem Bishwakarma while Ihlwha Choi has brought his own Korean poem to readers in English.

An imagined but divided world has been explored by Michael Burch with his powerful poetry. Heath Brougher has shared with us lines that discomfit, convey with vehemence and is deeply reflective of the world we live in. Masha Hassan is a voice that dwells on such an imagined divide that ripped many parts of the world — division that history dubs as the Partition. Don Webb upends Heraclitus’s wisdom: “War is the Father of All, / War is the King of All.” War, as we all know, is entirely a human-made construct and destroys humanity and one cannot but agree with Webb’s conclusion.  We have more from Kirpal Singh, Ryan Quinn Flanagan, Nivedita N, John Grey, Carol D’Souza, Vernon Daim, George Freek, Saranyan BV, Samantha Underhill and among the many others, of course Rhys Hughes, who has given us poetry with a unique alphabetical rhyme scheme invented by him and it’s funny too… much like his perceptions on ‘Productivity’, where laziness accounts for an increase in output!

Keith Lyons has mused on attitudes too, though with a more candid outlook as has Devraj Singh Kalsi with a touch of nostalgia. Ramona Sen has brought in humour to the non-fiction section with her tasteful palate. Meredith Stephens takes us on a picturesque adventure to Sierra Nevada Mountains with her camera and narrative while Ravi Shankar journeys through museums in Kuala Lumpur. We travel to Japan with Suzanne Kamata and, through fiction, to different parts of the Earth as the narratives hail from Bangladesh, France and Singapore.

Ratnottama Sengupta takes us back to how imagined differences can rip humanity by sharing a letter from her brother stationed in Bosnia during the war that broke Yugoslavia (1992-1995). He writes: “It is hard to be surrounded by so much tragedy and not be repulsed by war and the people who lead nations into them.” This tone flows into our book excerpts section with Red Sky Over Kabul: A Memoir of a Father and Son in Afghanistan by Baryalai Popalzai and Kevin McLean. Popalzai was affected by the Russian invasion of Afghanistan in 1980 and had to flee. A different kind of battle can be found in the other excerpt from The Blue Dragonfly – healing through poetry by Veronica Eley – a spiritual battle to heal from experiences that break.

In our reviews section, KPP Nambiar reviews The Stolen Necklace: A Small Crime in a Small Town by Shevlin Sebastian and VK Thajudheen, a book that retells a true story. Sangeetha G’s novel, Drop of the Last Cloud, we are told by Rakhi Dalal, explores the matrilineal heritage of Kerala, that changed to patriarchal over time. Bhaskar Parichha reviews Burning Pyres, Mass Graves and A State That Failed Its People: India’s Covid Tragedy by Harsh Mander. Parichha emphasises the need never to forget the past: “It is a powerful book and sometimes it is even shattering. The narrative is a live remembrance of a national tragedy that too many of us wish to forget when we should, instead, etch it in our minds so that we can prevent another national tragedy like this one from recurring in the future.”  While we need to learn from the past as Parichha suggests, Somdatta Mandal has given a review that makes us want to read Ujjal Dosanjh’s book, The Past is Never Dead: A Novel. She concludes that it “pays tribute to the courage and tenacity of the human spirit and its capacity for hope despite all odds.”

We have more content than mentioned here… all of it enhances the texture of our journal. Do pause by our July issue to savour all the writings. Huge thanks to all our contributors, artists, all our readers and our wonderful team. Without each one of you, this edition would not have been what it is.

Thank you all.

Have a wonderful month!

Mitali Chakravarty

borderlessjournal.com

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Visit the July edition’s content page by clicking here

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