Categories
Slices from Life

Honeymoon Homecoming

By Meredith Stephens

“Please show me your international driver’s licence.”

“Certainly!”

Alex produced the licence.

“This is out of date! I’m sorry but we can’t hand over the car.”

“No! It’s current! It’s valid for five years.”

We scrutinized the licence. The start date was prominently displayed, but not the expiration date. As we squinted to decipher the fine print on page three, we discovered that it had expired three years ago. Alex had thought it would be valid for five years, but it was only valid for one. We attributed it to his light-heartedly referred to “OCD Deficit Disorder”. And that is how a one-week road trip suddenly became a public transport and taxi trip.

This was my first visit back to Japan after having left at the beginning of the pandemic. Alex and I had been deliberating where to spend our honeymoon, and we agreed that the island of Shikoku in western Japan where I had spent over twenty years would be our first choice.

Onigiri. Photo courtesy:
Mariko Hisamatsu

There were so many things to look forward to. The first thing I did, before even leaving Kansai Airport, was rush into the convenience store and buy an onigiri flavoured with an umeboshi pickled plum. An onigiri is a triangle of rice, with a choice of flavours in the centre such as fish, seaweed, or the aforementioned umeboshi. It is wrapped in a crisp sheet of seaweed. Before eating it you gently pull away a thin layer of wrapping which protects the outer seaweed from absorbing the moisture of the rice. As you bite into it you can enjoy the three distinct textures and flavours – the piquant centre, the contrasting bland rice, and the crisp outer layer of seaweed. Next, I purchased a mugwort daifuku. This is a Japanese sweet, consisting of a layer of pounded mugwort-flavoured rice around a centre of sweet azuki bean paste. All of this was washed down with a bottle of green tea.

From the above account, it might sound like I was returning to Japan to indulge in simple culinary delights from a convenience store, and maybe this is a possibility I am unwilling to admit to myself. Of course, the main purpose was to reconnect with old friends, the second to reconnect with old pleasures, such as the aforementioned onigiri and daifuku, and the third, to stay in a traditional Japanese house.

After having been refused permission to drive our hire car, we headed back towards the terminal and searched for the railway station. We caught trains out to the UNESCO heritage listed site of Koyasan to enjoy the autumn leaves, and then seven trains and two buses later, to Wakayama station. Finally, we caught a taxi to our accommodation, which turned out to be a house that was over two hundred years ago, dating from the end of the Edo Period.

The door slid open to reveal an earthen floor. We walked down the hall to the kitchen, left our shoes in the sunken area, and donned the provided slippers. The kitchen opened onto two traditional tatami rooms, with fusuma sliding cupboards, and latticed paper shoji screens leading onto the garden. Beyond the shoji was a narrow hall known as an engawa, with a small wooden table and chair where you could enjoy sipping a drink while looking out over the garden. This was the kind of room I had been longing for during my five years away from Japan.

But we hadn’t had dinner yet and I was longing to ride to a local supermarket to purchase a ready meal.

‘“Do you have any bicycles?” I asked the host.

“Certainly. We have mountain bikes too!”

“You don’t want to go cycling in the dark?” queried Alex. “Not after a long-distance flight, seven trains, two buses, and a taxi ride? Surely not!”

I insisted, and Alex gave up persuading me otherwise. Rather than a mountain bike I chose the mamachari, a vintage bike replete with a shopping basket attached to the front handlebars.

We cycled to the supermarket, as I had done almost daily during my twenty years of living in Shikoku. There we bought sushi and sashimi ready meals, and cycled home, scanning to avoid roadside ditches with sheer drops and no guard rails. Once safely home, we indulged in the much longed for sushi and sashimi, enjoyed the traditional deep Japanese bath, spread out the futons on the tatami, and luxuriated in a deep sleep.

The next morning, we woke to a gentle light streaming through the latticed paper shoji screens. We cycled to Wakayama castle, Alex on the mountain bike and me on the mamachari. We strolled around the traditional garden before entering the castle and then completed it with a visit to the adjacent tearoom, where we enjoyed green tea and a sweet bean paste confectionery.

The following day, we bid farewell to our Edo Period home, and our kind host drove us to the ferry terminal. As soon as I saw the sign in Japanese for Tokushima, I could feel the colour rising to my cheeks. This had been my home in Japan for fifteen of my twenty years in Shikoku, until the day I departed for a routine visit to Australia, just before the international borders were closed due to COVID. Little did I know that the pandemic would prevent me from returning to Japan. I boarded the ferry as I had so many other times after returning from various work trips, but this time I was visiting on my honeymoon. The two-hour crossing readied me for the arrival in my old stomping ground and was heralded by the sentimental music played to signal a homecoming. Alex and I exited the ferry to be met by my old friend and writing mentor, Suzanne. Overcome with emotion, I covered my face with my hands to spare her the sight of my crumpled features and then gave her a hug. Then I went back to covering my swollen eyes and gave her another hug.

Platter of Sushi at Sally’s home. Photo courtesy: Alan Noble

Suzanne drove us to the home of the son of another old friend, Sally, who had kindly offered us a couple of nights’ accommodation. That evening a subset of old friends dropped in to see us and eat sushi. I braced myself for the entry of each friend into the house, trying to compose my features, after an unanticipated five-year interval. My eyes, however, betrayed me. I caught the expressions of those who returned by gaze, and they could sense my relief and excitement of meeting them again. Over five years people’s appearances were a little different. Those who had long hair now wore it shorter. Those with shorter hair had grown it. Those who were curvaceous were now svelte, and those who were svelte were now curvaceous. A child had now become a lanky teenager. I’m sure I must have looked different to them too. What had not changed was people’s smiles, conversation and sense of humour. People who I would normally see a few times over a month were now all present in the same room in the space of a few hours.

A few days later, we took the bus across Shikoku to Matsuyama, where another happy reunion took place of eight friends from six different countries. I was freshly aware of the joys of the expat life, where you can make friends from a greater range of countries, and a greater range of ages, than you would at home.

Ranma Carvings in a traditional room. Photo Courtesy: Alan Noble

I had been craving another stay in a traditional house, and we savoured a room with ranma carvings suspended from the ceiling, letting in light and air flow from the adjacent room. We sat at the kotatsu low heated table on the tatami, and slept on futon, in a room featuring shoji paper screens facing outside and fusuma cupboards where futons were stored. Features which had once seemed so ordinary were now infused with nostalgia.

Family obligations called us back to Australia after only one week of our Japanese honeymoon. A taxi was followed by a bus which took us on the long trek back across Shikoku, driving through impossibly long tunnels, crossing elegant bridges, with views of the sea and mountains. Once we crossed the final bridge onto the largest main island of Honshu, the landscape was transformed into high rise apartments, and dense traffic. We alighted from the bus at Kobe’s Sannomiya Station.

There we asked directions to the airport limousine bus and made a final purchase of onigiri. My favourite umeboshi pickled plum one was not on sale, so I had to make do with a tuna mayonnaise one and a pickled seaweed one. We ran to the bus stop, purchased tickets, and skipped into the bus holding our luggage. There was no time to store the luggage in the hold. Once the bus pulled into the traffic, we knew we could relax after our long and complicated journey. I gently pulled away the wrapping separating the layers of the tuna mayonnaise onigiri and savoured the contrasting flavours and textures. Our fleeting trip to Japan was punctuated by savouring onigiri on both arrival and departure. We bade farewell to this land of delectable tastes, exquisite arts, historic houses, hair-raising bicycle rides, and precious friends.

.

Meredith Stephens is an applied linguist from South Australia. Her recent work has appeared in Syncopation Literary Journal, Continue the Voice, Micking Owl Roost blog, The Font – A Literary Journal for Language Teachers, and Mind, Brain & Education Think Tank. In 2024, her story Safari was chosen as the Editor’s Choice for the June edition of All Your Stories.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Slices from Life

The Final Voyage

Narrative by Meredith Stephens

I stretched the boat hook as far as I could towards the mooring buoy, but it slid beneath the bow.

“Go back!” I shouted to Alex back at the helm, but my voice was carried away in the wind.

I pointed at the buoy under the net, and Alex reversed. The waves were dancing in front of me and the buoy would not stay in place long enough for me to reach it. On the second attempt, I forced all of my attention on the rope attached to the buoy, and tried to pull it aboard. It was much too heavy so I screamed for Alex to come, and he raced from behind, pulled the buoy up and secured it to the bow.

How would I alight into the dinghy in these waves? Alex lowered it into the water and it lunged towards the stern and back in succession. I doubted I would be able to board in these conditions.

“How about if I move the dinghy to the side of the boat and you enter via a ladder?”

“Worth a try!” I answered.

Alex brought the dinghy to the side of the boat and slung a ladder made of strong fabric overboard. I gingerly stepped down but once I glanced at the water raging beneath me, I lost confidence and gave up.

“I think I had better hop in from the stern after all,” I told Alex.

He moved the dinghy back to the stern. As I walked towards it, I slipped and fell on my thigh. There was no time to feel sorry for myself, so I picked myself up and continued heading for the dinghy. It lunged back and forth in the waves.

“Now!” commanded Alex.

I placed one foot in the centre of the dinghy to centre myself and then sat down on the bench. As hard as it was for me it was not hard for Haru, my border collie. I called her in and tapped the dinghy behind me because I knew she was hard of hearing. She leapt behind me with alacrity. It was so much easier for her to board the dinghy, not least because of her four legs.

Alex was locking the door back on the boat. The dinghy kept lunging toward the stern, and I was scared of getting knocked off when it hit the stern. I screamed as hard as I could.

“Okay!” replied Alex and hopped in behind me. Then he turned on the engine and headed for the shore, except that the shore was unrecognisable. Instead of a sandy beach, there were rocks.

Alex headed for the most promising spot. “Hop out!” commanded Alex, and I disembarked one leg after the other and headed to climb over the rocks. As usual, Haru leapt out and ran ashore.

I thought I was clear of the rocks and the menacing water, when Alex called out to me.

“Take my backpack! The laptops are in here. They can’t get wet. I realised then that we should have put them into the dry bag.”

I walked over the slippery rocks and strained to grasp the shoulder straps of the backpack. Once they were in my hands I returned to shore over the rocks, ready for the trek up to the holiday house.

I was so longing for the warmth of the fireplace and the view of the setting sun over the bay. I walked effortlessly up the hill, with Haru trotting happily beside me. The shelter and glow of the house was just as I had imagined. It was worth the hardship of getting there.

That night the winds continued to build, but it was pleasurable to hear them passing over the house as we enjoyed the safety and warmth of being inside.

Around one in the morning, the whole house shuddered when hit by a particularly strong gust, which was violent enough to briefly wake Alex.

No sooner was it light that I heard Alex enter the room. He must have been out before the wee hours.

“The boat has drifted to shore. I had a bad feeling and got up early to check the position of the boat. From the cliffs I could see that the mast was too close to the shore. Then my fears were confirmed when I saw that it had been blown ashore.”

Dragged moorings. Photo Courtesy: Alan Noble

“Didn’t the mooring hold?” I asked.

“Evidently not. I’m going to check it out now. Want to come?”

I agreed, and we drove out to the cliff with Haru in the back seat. Once at the cliff, I remained in the car because I couldn’t face the gale-force winds that were now gusting to forty knots. Meanwhile, Alex, in his wetsuit, walked down the dirt road towards the beach, entered the water, and pulled himself aboard. I kept my eyes focused on him until I saw his figure exit the boat, swim ashore, and walk up the track back toward me.

“It’s finished. There’s nothing we can do, beyond salvage.”

Alex’s boat of sixteen years and our home away from home for the last five years was no more. In years past, we had circumnavigated Tasmania, sailed to New Caledonia and back, and across the Great Australian Bight to sail north on the Indian Ocean. Exiting a marina and heading towards the waves was a symbol of leaving our troubles behind and anticipation of adventure. I could no longer take this adventure for granted.

Alex reached out to Thompson’s Marine Salvage, and they arrived at the bay within two hours. The plan was to attach one end of a heavy rope to a tractor at the top of the cliff, and the other end to the boat, and drag it onto the sand to save it from smashing on the rocks.

Alex again donned his wetsuit, descended the cliffs, and swam to the boat. I sheltered from the wind in the car at the top of the cliffs with Haru. Then I thought that I should walk towards the boat in case there was anything I could do. Just as I reached the shore, a young man in a wetsuit approached me.

Haru observing from inside the car. Photo Courtesy: Meredith Stephens

“Watch out for the rope. We’re ready to begin!”

It was too late. The operation had started, and the rope was heading towards me, as the tractor started to try and haul the boat to the shore.

“Jump!” the young man urged.

I’m glad the young man thought this was a possibility, but I haven’t jumped for years. My days of jumping are decades behind me. Unable to jump, I met the full force of the rope and was knocked on my back. My head hit some rocks. I uttered an expletive “sh..!” which I reserve for extreme situations. I lay there for seconds before slowly getting back to my feet. My head was aching from the blow and my whole being was in shock. I gave up on rendering assistance and walked slowly back to the car. There I sheltered from the wind until Alex eventually returned to the boat.

“The operation has failed. The boat is still stuck on the rocks,” he explained.

Late in the day, a twenty-ton excavator arrived on the scene. I spent the day bent over holding a rubbish bag, picking up rubble from the boat. Haru trotted around me enjoying being freed from the confines of the house. The excavator approached the boat like a giant menacing dinosaur. I grabbed Haru by the collar and removed myself to a distant spot on the other side of the boat. I could not face another industrial accident. The hand of the excavator grappled the mast and moved it to a safe spot on the rocks. I watched the dinosaur make its retreat back to the road while I maintained a hold on Haru’s collar.

The following day a second twenty-ton excavator descended onto the beach. The first excavator lifted the stern while the second lifted the bow. Slowly, the airborne boat was moved off the rocks and onto land. I was invited to view it, but I couldn’t face seeing the destruction of our home. That evening, I ventured out to the paddock where the boat now rested high and dry, like a beached whale. Amongst the devastation, I retrieved the remains of my dressing gown, which had somehow become entangled in the bow.

Over the next few days, I continued to return to the beach to extract boat rubble from the shore and pull up items of clothing and bedding from the sand. Alex drove down to the beach in his off-road vehicle, and we loaded up the tray with bags of rubble. Different items washed ashore each day.

Salvaged shoes. Photo Courtesy: Alan Nobel

The bump on my head continued to heal, only feeling pain when touched. The bruises on my legs changed colour as they too healed. And eventually the bay would heal too. We continued daily beach clean-ups. Seven odd shoes were salvaged, an odd snorkel fin, and odd gloves. Two months later the other fin washed up, but none of the missing shoes ever made an appearance. We continued to fill our off-road vehicle, and rubbish bags, with debris. Our beloved nautical home sat out of place in a paddock awaiting salvage. We came away with a renewed appreciation and respect for the destructive power of the ever-changing sea, but it would take more than a broken boat to diminish our desire to sail again. For now, our sailing adventures were on hold, but once we had the opportunity, we would again return to the sea. This would not be our final voyage.

.

Meredith Stephens is an applied linguist from South Australia. Her recent work has appeared in Syncopation Literary Journal, Continue the Voice, Micking Owl Roost blog, The Font – A Literary Journal for Language Teachers, and Mind, Brain & Education Think Tank. In 2024, her story Safari was chosen as the Editor’s Choice for the June edition of All Your Stories.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Slices from Life

Feeding Carrots to Gentle Herbivores

Narrative by Meredith Stephens


Sisters and friends and the author with horses, Whisky and Macka, outside Grandma’s house, in 1972. Photo Courtesy: Judith Stephens.

December 1972, Adelaide

I opened the fridge, pulled out some carrots and put them into the back pocket of my jeans. Then I headed into the backyard shed to retrieve my saddle and bridle. I slung the saddle over the handlebars of my bicycle and placed the bridle in the basket. Then I cycled to the first gateway to the riverbank. I left the bicycle by the fence and walked up the riverbank to find my bay steed, Macka. I couldn’t see him. Then I returned to my bike and cycled to the next entrance to the riverbank and looked for him. Still no Macka. When I entered the third entrance, I spotted him grazing by the river. I pulled out a carrot from my back pocket and held it out to him on my flattened palm. He pricked his ears, looked at me and headed towards me. He picked the carrot up with his soft lips and started crunching it. I slung the reins over his head, placed the bit in his mouth, and bridled him. Then I led him to a spot by the river where I could take advantage of the slope to stand higher than him and jumped on his back. I could never fatten him up, and his backbone pressed into my rear as I sat on him slightly askew. I regularly fed him chaff, and he grazed all day, but like some people, he remained forever thin. I rode him back to where the bicycle was, saddled him up, and trotted and cantered along the riverbank towards the sea.

This was my daily routine after school. Homework was rarely set, so I hardly ever studied in the evenings. Why would you study when you had already been at school all day? Sometimes my black labrador Jason accompanied me. In those days there were no rules about keeping your dog on a leash, so Jason would follow me, even if this meant swimming behind Macka and me to cross the river.

January 1973, Adelaide

“Meredith!” came the voice from my window at 5 am. It was my best friend, Debbie. Debbie owned a 16-hand piebald heavy horse, taller than her, called Whisky. Debbie knew that without pressure from her I would not rise this early. On this occasion, rather than being on the riverbank, Macka was stationed in the corral that Mum and Dad had built in the backyard.

I rose, dressed, and made my way to the corral to bridle Macka. Then I led him to the front yard where Debbie was waiting for me on Whisky. Today we were riding bareback, because our destination was the beach, and we were going to sit astride our horses as they swam. We headed to the riverbank and rode a kilometre to the mouth of the river. Then we rode across the sand and entered the water. When the horses started swimming, we started floating above them, my legs rising above Macka’s sides. I grabbed his mane so as not to part company with him. Then we turned the horses back towards shallow water. Once Whisky had found his feet, Debbie turned around and stood on his rump. From there she dived into the sea, quickly swam back and mounted him again. I wasn’t confident enough to attempt the same feat on Macka. Next, we headed back to shore and dismounted. We lifted the reins over the horses’ heads and held them while they rolled in the sand, thrashing their legs in the air. Then we jumped back on them, and galloped along the sand, before retracing our steps upriver.

August 2025, Monarto, South Australia

We were visiting the largest open-range safari park outside of Africa, Monarto Safari Park, an hour’s drive from Adelaide. Of all the African animals, I was most looking forward to seeing the giraffes and was excited to find myself a place on the giraffe tour. I took a seat on the bus and listened to the guide’s spiel as we made our way to the giraffe feeding station. The guide provided a bucket of carrot sticks for the tourists to feed to the giraffes.

I dipped my hand into the bucket, retrieved a carrot stick and offered it to the giraffe. He inclined his neck towards me, extended his enormous blue tongue to the carrot, gently took it between his lips, and started crunching it. I stood back in order to give the other tourists a chance to do the same, and a few came forward. In the next interval, I retrieved another carrot stick and offered it to the first giraffe. I stood back again for the other tourists, but few were interested. I ended up giving most of the carrot sticks to the giraffes because no-one else seemed to be as engrossed with this as I was. As soon as the bucket was empty the giraffes lost interest and gently loped away. I realised that the reason I was enjoying this so much was that I was reliving the experience of over fifty years earlier of feeding carrots to Macka.

In the years since the 1970s, although I never lost my love of horses, motherhood and working overseas took precedence over riding. My early years of daily caring for Macka felt like a distant dream. And yet in a distant time and space, I sometimes yearned for a simple life where I could care for large herbivores. I cannot return to 1973, and am unlikely to own a horse again, but at least I could re-experience the thrill of feeding carrots to gentle giant herbivores at Monarto Safari Park.


Feeding giraffes at Monarto Safari Park in 2025. Photo Courtesy: Cathie Noble.

Meredith Stephens is an applied linguist from South Australia. Her recent work has appeared in Syncopation Literary Journal, Continue the Voice, Micking Owl Roost blog, The Font – A Literary Journal for Language Teachers, and Mind, Brain & Education Think Tank. In 2024, her story Safari was chosen as the Editor’s Choice for the June edition of All Your Stories.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Slices from Life

Instrumental in Solving the Crime

By Meredith Stephens

“This is just like Midsomer Murders without the murders!” I quipped to Alex.

Midsomer Murders was one of my favourite British crime shows. In particular, I loved the depiction of English village life, where villagers gossiped on the village green. The only problem was when the happy village life was interrupted by a gruesome and unexpected murder. Then I had to place my hands before my eyes to block out the scene of the murder in case the camera lingered there too long.

Alex, Verity and I were visiting the Mypunga Markets in the South Australian countryside. The first vendor was selling a wide selection of eye-wateringly delectable Greek cakes. To our right was an Italian wine-grower selling his wines, such as Pinot Grigio, from a nearby vineyard. A Korean stall holder was selling kimchi[1]. Perhaps the offerings were a tad more multicultural that those depicted on the village green in Midsomer Murders. Farmers sold organic vegetables and local dairies sold cheeses. We stopped to soak in the sounds of a group of elderly ukulele players. Shoppers were wearing home-spun hand-knitted jumpers, scarves and beanies, carrying shopping bags made of cheesecloth. I revelled at being on the set of the South Australian equivalent of the village green in Midsomer.

Our purpose for driving into the countryside was twofold. After the market, we went to the shed at Alex’s hobby farm to collect some firewood. Alex unlocked the gates at the roadside entrance, and we drove through the spotted eucalypts, wound up and down the hill through the gorge to eventually arrive at the shed. The roller door was wide open. This was the first time we had been greeted by an open roller door. We parked and peeked inside.

“Don’t go in, Dad!” screamed Verity.

Plastic tubs had their lids off. Children’s toys were scattered. Furniture was tipped over. The new off-grid battery modules, in the process of being installed, had been ripped out and strewn on the floor. We could not turn on the lights because they were powered by the batteries.

We carefully continued our entry into the huge dark shed lest we surprise the burglars and become a victim ourselves. No-one was there. I looked in the ancient sideboard I had inherited from my grandmother and opened the top drawers. My forty-year-old flutes were missing. Were the burglars flautists?

We righted the upturned furniture, returned the toys to the plastic tubs, affixed the lids and stacked them neatly. Then Alex got on the phone to his young employee, Troy.

“Would you mind getting hold of a battery-powered camera and placing it up high in the gum tree facing the shed door?” he asked. “We need surveillance.”

It was Saturday and Troy’s day off, but he was willing to assist Alex, and by 9 pm that evening he had purchased a camera and placed it where requested. He used the drop-down menu to ensure that notifications of camera images would come to his phone.

We returned home with the firewood. At least the burglars hadn’t stolen that. We lit a fire in the fireplace and luxuriated in front of it, savouring the delights we had purchased at the Mypunga markets. Now we had a camera installed, surely, we would be safe.

At 5 am the next morning the telephone rang. It was Troy. Alex’ phone had been on bedtime mode, and he could not have received calls any earlier.

“They’ve broken in again,” said Troy. “At 2.38 am. This time with a car. The footage came to my phone.”

“Are you there now?” asked Alex.

“Yes. I came straight here when I got the notification.”

“OK. We’ll head over there this morning. Have you called the police?”

“Yes. They’re coming shortly.”

Usually, I savour sleeping in on the weekend, or in fact on any day, but suddenly I had no desire to continue nestling between the brushed cotton sheets. I had been jolted awake.

“Are we going now?” I asked Alex.

“Soon. I have to wait for the hardware store to open. I want to buy some metal reinforcements to secure the shed door. Because we have no power, I’ll have to buy an inverter to power my tools.”

We drove towards Mypunga, first stopping at the hardware store en route to buy the bolts and then at an electronic’s store to buy the inverter. When we arrived at the farm we stopped at the gates to check the locks. The chain had been cut with bolt cutters. Then came a phone call from Troy.

“Are the police here?” asked Alex.

“Yes. They have collected fingerprints and DNA samples. They are coming out now to talk to you.”

Soon we were joined at the gates by four detectives and Troy. It was 11 am. Troy had been on the site for at least six hours, not to mention having been there at 9 pm the night before to install the cameras. He excused himself and the detectives explained to Alex the evidence they had found. The visit from the previous day had been a stake-out on foot. Once they had discovered the batteries, they had resolved to return with a car. The batteries were too heavy to have been carried out on foot. But not the flutes. They were much lighter than the batteries.

The police promised to examine the footage carefully. It captured the arrival of the car, and three men with torches circling the shed. One of the men had spied the camera, seized it, and thrown it down the hill. After that the images from the camera were of the surrounding grass. The detectives left and Alex and I drove up and down the winding track to the shed. The roller door was wide open. We entered, and the carefully stacked boxes again were opened and the lids strewn around the shed. Toys and hats were scattered. The drawer from which my flutes had been removed was now firmly wedged against the sideboard. They had clearly opened and shut it again, even after having removed the flutes the day before.

Unlike in Midsomer, no-one had been murdered, but there was a strong sense of violation. Burglars had staked out Alex’s shed, upturned the contents, and left with the roller door still open. Returning the very next day after having staked out the property was brazen. There was a dark underside in this countryside location despite the peaceful scene we had observed the previous day in Mypunga, with shoppers in their home-spun hand-knitted jumpers carrying their organic produce in cheesecloth bags. Most likely the thieves were from elsewhere and had followed the battery installer’s vehicle emblazoned “Remote Power Australia”.

A few days later Alex received a call from the detectives requesting a DNA sample, in order to rule him out. Some tools in the shed had been used to remove the batteries, and they had produced a DNA sample from these. Alex agreed, and a constable arrived at the house the next day to take a swab.

“Have you made any progress on the case?” asked Alex.

“We’ve identified the car the burglars used from the footage. It’s a Ford Maverick. That narrows it down quite a bit.”

Meanwhile Alex and Troy restored the camera to the eucalyptus tree, and bought another one which they affixed it to another tree one hundred and fifty feet away. At the detective’s suggestion, the second camera was aimed at the first one. If a burglar took down the first camera they would be filmed by the second camera. Since the batteries had been stolen and there was no power in the shed, the cameras were operated by solar panels. Alex could regularly check for notifications on his phone.

Two months later Alex received a phone call from a constable with a strong northern English accent that transported you to a distant time and place. It was the kind of English you would hear on a British detective show, although not the southeastern English accent of the fictional Midsomer.

“This is Senior Constable Jane Michaels. We have found two flutes. They may be yours. Can you identify them from the photo? I took it with my bodycam.”

Alex showed me his phone. I couldn’t identify them from the photo. However, they had to be mine. Flute theft must be a much rarer crime than battery theft. More people are in need of batteries than a flute.

“If you prefer to identify them in person, I can make myself available next week,” explained the Senior Constable. “The burglars were not what you would call a musical family,” she quipped.

“I’ll give you my partner’s number so that you can contact her directly,” offered Alex.

The next Wednesday a call came from an unknown number. I let it ring out because I never answer unless I know who is calling. Then I listened to the recorded message the caller had left behind.

“It’s Senior Constable Jane Michaels from the Camden Police Station. I’m hoping you can identify those flutes. Please call me back.”

Hearing this English accent made me feel like I was on the set of Midsomer Murders. A frisson of excitement tingled up my spine. It was a warm, old-world and unpretentious accent that I associated with the north of England. (When you hear an English accent by a worker in South Australia, you may feel like you are on the set of a detective show like me, or you may assume they are in the health or policing professions because of the recruitment drives in Britain in these professions.)

“Can you come to Camden Station to identify them? We’ll be there in half an hour.”

I drove to the address she provided, entered through the imposing gates, and parked outside a giant warehouse. I entered the building and pressed a button marked ‘Property recovery’. A constable greeted me from behind a glass partition.

“What have you come to collect?” he asked.

“Two flutes.”

He looked at me quizzically. Flute theft is probably an uncommon crime.

“What?” he asked again.

“Flutes,” I repeated.

He disappeared to the room behind, and Senior Constable Jane Michaels appeared bearing the flutes in their cases. Despite her old-world accent on the phone, she was surprisingly young.

“Are these in fact yours?”

I looked at the cover of the box for the brand, and sure enough, ‘Armstrong’ was written in faded silver letters. This was the flute I had owned since my teenage years.

“How about the batteries? Are you likely to find them?” I asked hopefully.

“We didn’t find them at the property, but it’s an ongoing investigation,” she explained. I could tell from her apologetic tone that she thought we would be unlikely to retrieve them.

I thanked her and left. I returned to my car, the sole one in the enormous car park. As I drove off two constables headed to close the enormous gates behind me, smiling and waving, happy that I had been reunited with my stolen flutes.

I have to hope for Alex’ sake that the batteries will be found. Meanwhile, I haven’t played my Armstrong flute in over forty years, but now that it has been stolen and recovered in a raid, I feel compelled to take it up again. What’s more, who knows whether the recovered flutes will be instrumental in solving the crime of the stolen batteries?

[1] A spicy Korean salad

Meredith Stephens is an applied linguist from South Australia. Her recent work has appeared in Syncopation Literary Journal, Continue the Voice, Micking Owl Roost blog, The Font – A Literary Journal for Language Teachers, and Mind, Brain & Education Think Tank. In 2024, her story Safari was chosen as the Editor’s Choice for the June edition of All Your Stories.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Contents

Borderless, August 2025

Art by Sohana Manzoor

Editorial

Storms that Rage… Click here to read.

Translations

Nazrul’s Jonomo, Jonomo Gelo (Generations passed) has been translated from Bengali by Professor Fakrul Alam. Click here to read and listen to a rendition by the famed Feroza Begum.

Ajit Cour‘s short story, Nandu, has been translated from Punjabi by C Christine Fair. Click here to read.

The Scarecrow by Anwar Sahib Khan has been translated from Balochi by Fazal Baloch. Click here to read.

Five poems by Aparna Mohanty have been translated from Odia by Snehprava Das. Click here to read.

Angshuman Kar has translated some of his own Bengali poems to English. Click here to read.

Sunflower, a poem by Ihlwha Choi,  has been translated from Korean by the poet himself. Click here to read.

Tagore’s Shaishabshanda (Childhood’s Dusk) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Ron Pickett, Fakrul Alam, William Miller, Meetu Mishra, Heath Brougher, Laila Brahmbhatt, Luis Cuauhtémoc Berriozábal, Snigdha Agrawal, George Freek, Ashok Suri, Scott Thomas Outlar, Dustin P Brown, Rajorshi Patranabis, Ryan Quinn Flanagan

Poets, Poetry & Rhys Hughes

From the Vale of Glamorgan are two poems on the place where Rhys Hughes grew up. Click here to read.

Musings/Slices from Life

Menaced by a Marine Heatwave

Meredith Stephens writes of how global warming is impacting marine life in South Australia. Click here to read.

The Man from Pulwama

Gowher Bhat introduces us to a common man who is just kind. Click here to read.

More than Words

Jun A. Alindogan writes on his penchant for hardcopy mail. Click here to read.

To Bid or Not to Bid… the Final Goodbye?

Ratnottama Sengupta ponders on Assisted Dying. Click here to read.

Musings of a Copywriter

In Syrupy Woes, Devraj Singh Kalsi looks at syrupy health antidotes with a pinch of humour. Click here to read.

Essays

‘Verify You Are Human’

Farouk Gulsara ponders over the ‘intelligence’ of AI and humans. Click here to read.

Does the First Woman-authored Novel in Bengali Seek Reforms?

Meenakshi Malhotra explores Somdatta Mandal’s translation of Manottama, the first woman-authored Bengali novel published in 1868. Click here to read.

Bhaskar’s Corner

In Bidyut Prabha Devi – The First Feminist Odia Poet, Bhaskar Parichha pays a tribute to the poet. Click here to read.

Stories

The Sixth Man

C. J. Anderson-Wu tells a story around disappearances during Taiwan’s White terror. Click here to read.

I Am Not My Mother

Gigi Baldovino Gosnell gives a story of child abuse set in Philippines where the victim towers with resilience. Click here to read.

The Archiver of Shadows

Hema R explores shadows in her story set in Chennai. Click here to read.

Ali the Dervish

Paul Mirabile weaves the strange adventures of a man who called himself Ali. Click here to read.

The Gift

Naramsetti Umamaheswararao moulds children’s perspectives. Click here to read.

Notes from Japan

In American Wife, Suzanne Kamata gives a short story set set in the Obon festival in Japan. Click here to read.

Conversation

Neeman Sobhan, author of Abiding City: Ruminations from Rome, discusses shuttling between multiple cultures and finding her identity in words. Click here to road.

Book Excerpts

An excerpt from M.A.Aldrich’s From Rasa to Lhasa: The Sacred Center of the Mandala. Click here to read.

An excerpt from Neeman Sobhan’s An Abiding City: Ruminations from Rome. Click here to read.

Book Reviews

Somdatta Mandal reviews Chhimi Tenduf-La’s A Hiding to Nothing. Click here to read it.

Madhuri Kankipati reviews O Jungio’s The Kite of Farewells: Stories from Nagaland. Click here to read.

Bhaskar Parichha reviews Snehaprava Das’s Keep it Secret: Stories. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Editorial

Storms that Rage

Storm in purple by Arina Tcherem. From Public Domain

If we take a look at our civilisation, there are multiple kinds of storms that threaten to annihilate our way of life and our own existence as we know it. The Earth and the human world face twin threats presented by climate change and wars. While on screen, we watch Gaza and Ukraine being sharded out of life by human-made conflicts over constructs made by our own ‘civilisations’, we also see many of the cities and humankind ravaged by floods, fires, rising sea levels and global warming. Along with that come divides created by economics and technology. Many of these themes reverberate in this month’s issue.

From South Australia, Meredith Stephens writes of marine life dying due to algal growth caused by rising water temperatures in the oceans — impact of global warming. She has even seen a dead dolphin and a variety of fishes swept up on the beach, victims of the toxins that make the ocean unfriendly for current marine life. One wonders how much we will be impacted by such changes! And then there is technology and the chatbot taking over normal human interactions as described by Farouk Gulsara. Is that good for us? If we perhaps stop letting technology take over lives as Gulsara and Jun A. Alindogan have contended, it might help us interact to find indigenous solutions, which could impact the larger framework of our planet. Alindogan has also pointed out the technological divide in Philippines, where some areas get intermittent or no electricity. And that is a truth worldwide — lack of basic resources and this technological divide.

On the affluent side of such divides are moving to a new planet, discussions on immortality — Amortals[1] by Harari’s definition, life and death by euthanasia. Ratnottama Sengupta brings to us a discussion on death by choice — a privilege of the wealthy who pay to die painlessly. The discussion on whether people can afford to live or die by choice lies on the side of the divide where basic needs are not an issue, where homes have not been destroyed by bombs and where starvation is a myth, where climate change is not wrecking villages with cloudbursts.  In Kashmir, we can find a world where many issues exist and violences are a way of life. In the midst of such darkness, a bit of kindness and more human interactions as described by Gower Bhat in ‘The Man from Pulwama’ goes some way in alleviating suffering. Perhaps, we can take a page of the life of such a man. In the middle of all the raging storms, Devraj Singh Kalsi brings in a bit of humour or rather irony with his strange piece on his penchant for syrups, a little island removed from conflicts which seem to rage through this edition though it does raise concerns that affect our well-being.

The focus of our essays pause on women writers too. Meenakshi Malhotra ponders on Manottama (1868), the first woman-authored novel in Bengali translated by Somdatta Mandal whereas Bhaskar Parichha writes on the first feminist Odia poet, Bidyut Prabha Devi.

Parichha has also reviewed a book by another contemporary Odia woman author, Snehaprava Das. The collection of short stories is called Keep it Secret. Madhuri Kankipati has discussed O Jungio’s The Kite of Farewells: Stories from Nagaland and Somdatta Mandal has written about Chhimi Tenduf-La’s A Hiding to Nothing, a novel by a global Tibetan living in Sri Lanka with the narrative between various countries. We have an interview with a global nomad too, Neeman Sobhan, who finds words help her override borders. In her musing on Ostia Antica, a historic seaside outside Rome, Sobhan mentions how the town was abandoned because of the onset of anopheles mosquitos. Will our cities also get impacted in similar ways because of the onset of global ravages induced by climate change? This musing can be found as a book excerpt from Abiding City: Ruminations from Rome, her book on her life as a global nomad. The other book excerpt is by a well-known writer who has also lived far from where he was born, MA Aldrich. His book, From Rasa to Lhasa: The Sacred Center of the Mandala is said to be “A sweeping, magnificent biography—which combines historical research, travel-writing and discussion of religion and everyday culture—Old Lhasa is the most comprehensive account of the fabled city ever written in English.”

With that, we come to our fiction section. This time we truly have stories from around the globe with Suzanne Kamata sending a story set in the Bon festival that’s being celebrated in Japan this week for her column. From there, we move to Taiwan with C. J. Anderson-Wu’s narrative reflecting disappearances during the White Terror (1947-1987), a frightening period for people stretched across almost four decades.  Gigi Gosnell writes of the horrific abuse faced by a young Filipino girl as the mother works as a domestic helper in Dubai. Paul Mirabile gives us a cross-cultural narrative about a British who opts to become a dervish. While Hema R touches on women’s issues from within India, Sahitya Akademi Award Winner, Naramsetti Umamaheshwararao, writes a story about children.

We have a powerful Punjabi story by Ajit Cour translated by C.Christine Fair. Our translations host two contemporary poets who have rendered their own poems to English: Angshuman Kar, from Bengali and Ihlwha Choi, from Korean. Snehaprava Das has brought to us poetry from Odia by Aparna Mohanty. Fazal Baloch has translated ‘The Scarecrow’, a powerful Balochi poem by Anwar Sahib Khan. While Tagore’s Shaishabshandha (Childhood’s Dusk) has been rendered to English, Nazrul’s song questing for hope across ages has been brought to us by Professor Fakrul Alam.

Professor Alam has surprised us with his own poem too this time. In August’s poetry selection, Ron Pickett again addresses issues around climate change as does Meetu Mishra about rising temperatures. We have variety and colour brought in by George Freek, Heath Brougher, Laila Brahmbhatt, Luis Cuauhtémoc Berriozábal, Snigdha Agrawal, William Miller, Ashok Suri, Scott Thomas Outlar, Dustin P Brown, and Ryan Quinn Flanagan. Rajorshi Patranabis weaves Wiccan lore of light and dark, death and life into his delicately poised poetry. Rhys Hughes has also dwelt on life and death in this issue. He has shared poems on Wales, where he grew up— beautiful gentle lines.

 In spring warm rain will crack
the seeds of life: tangled
roots will grow free again.

('Tinkinswood Burial Chamber' by Rhys Hughes)

With such hope growing out of a neolithic burial chamber, maybe there is hope for life to survive despite all the bleakness we see around us. Maybe, with a touch of magic and a sprinkle of realism – our sense of hope, faith and our ability to adapt to changes, we will survive for yet another millennia.

We wind up our content for the August issue with the eternal bait for our species — hope. Huge thanks to the fantastic team at Borderless and to all our wonderful writers. Truly grateful to Sohana Manzoor for her artwork and many thanks to all our wonderful readers for their time…

We wish you all a wonderful reading experience!

Gratefully,

Mitali Chakravarty.

borderlessjournal.com

[1] Homo Deus: A Brief History of Tomorrow (2015) by Yuval Noah Harari

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Click  here to access the contents for the August 2025 Issue

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Slices from Life

Menaced by a Marine Heatwave

By Meredith Stephens

In an ideal world I would sleep in every morning and enjoy a leisurely breakfast, but I can indulge in no such luxury because I have a border collie. Her name is Haru. She has an elongated body, a pointy white snout scattered with black dots, one black ear and one black and white spotted ear, all-knowing brown eyes, feathered forelegs, and a bushy tail with a white tip. She looks more like a cross between a fox and a border collie than a pure border collie. As soon as she hears my voice when I wake up, she starts whining from the courtyard below, nagging me to take her for a walk. I much more looking forward to my breakfast than the walk, but Haru is the opposite.

Haru. Photograph by Meredith Stephens

One Tuesday, as usual, I affixed her leash and walked her towards the esplanade. Haru has memorised the route. She strained in front of me to the point where we crossed the road and then continued to drag me towards the pedestrian crossing. Then she made a beeline for the stairs leading down to the beach. I released the leash and threw the ball down to the sand. She raced down the stairway ahead of me and ran to catch the ball. In the winter months along this coastline, dogs are allowed to run off the leash as long as they are under the owner’s control. I was joined by a throng of other dog lovers and their canines, running to catch balls. Haru is interested neither in other dogs nor other people. All she cares about is the ball. Other dogs approached her and chased her, but she’s indifferent, solely focused on the ball in my hand.

This is good for me because I get exercise when I otherwise would not, and experience vicarious pleasure in her excitement at retrieving the ball. Maybe this is more fun than breakfast after all. However, my walk last Tuesday was unlike those of previous weeks. I spotted an entire fish washed up on the shore amongst the seaweed. I had never seen this before on my daily beach walks over the last five years. Then I looked up and saw a rounded shape of a mammal a few hundred metres in the distance. I walked towards it, and once up close I realised that it was the head of a dolphin. “Sorry,” I said, feeling complicit in the damage wreaked by climate change. Haru was normally quick to sniff out a carcass and chew it, but she showed no interest.

The next day I chatted to a neighbour who told me that on her beach walk she had seen a range of species washed up on the beach that she didn’t know existed. We were witnessing the aftermath of an algae bloom, known as Karenia Mikomotoi, from September 2024. This had arisen in response to a rise in the sea surface temperatures of 2.5 degrees. The recent storms in June 2025 had washed the bodies of these sea creatures ashore. On my next beach walk I came across a small stingray, completely intact, directly in my path. I had seen stingrays before swimming in the shallows but never washed up on the beach. It was so beautifully formed that I could tell it had met an untimely death. Something untoward and unusual had happened. Again, Haru showed no interest in the stingray, despite usually being interested in decaying fish or animals.

Weeks later I continued to spot fish washed up on the shore that I have never seen before. I came across much smaller fish a couple of centimetres long, some slightly larger fish, and another small stingray. These were the kind of colourful fish that I would see when snorkelling in pristine waters, not washed up on a suburban beach. Haru continued to ignore these dead creatures and skipped along the beach anticipating my ball-throwing. Or perhaps she somehow sensed they contained toxins. At least she was unlikely to be poisoned by eating them.

She delights in catching not only one ball that I throw her, but sometimes two. She doesn’t like to relinquish a ball, so I have another one on hand to throw her so that she can chase all the while holding the first one in her mouth. After chewing the ball down to a smaller size and squashing it, she can sometimes fit two into her mouth. Once she has managed this, she runs away from me into the wintry waters, oblivious to the cold, triumphant that she has two balls and trying to get as far away from me as she can in case, I try to take one away from her. Sometimes she skips through patches of the dirty foam left by the algal bloom.

I wish I could provide a happy ending to this story, but the algal bloom is not predicted to end soon, so my idyllic morning and evening beach walks with the oblivious Haru are likely to be punctuated with sightings of innocent marine creatures being washed ashore, victims of climate change and warming temperatures.

One consolation occurred the day my fiancé, Alex, and I left the mainland to sail across Investigator Strait to Kangaroo Island. Over the years there has never been a crossing during which we have not seen dolphins. In the back of my mind, I feared that this would be the first time. An hour into our crossing, Alex heard the familiar splash of breaking water and sighted a pod of dolphins. Not only that, once in the bay at Kangaroo Island, we spotted a sea lion. Thankfully, the marine life that can escape the algae is still undisturbed. I hope the scientists will find a way to address the marine heatwave so that life in our oceans can again thrive, and beachgoers can be spared the sight of these innocent creatures being washed up on local beaches. We can’t simply delegate to the scientists, though. Witnessing this marine carnage is a strong impetus for ordinary citizens to live more sustainably.

Meredith Stephens is an applied linguist from South Australia. Her recent work has appeared in Syncopation Literary Journal, Continue the Voice, Micking Owl Roost blog, The Font – A Literary Journal for Language Teachers, and Mind, Brain & Education Think Tank. In 2024, her story Safari was chosen as the Editor’s Choice for the June edition of All Your Stories.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Slices from Life

From Cape Canaveral to Carnarvon

Narrative by Meredith Stephens & photographs by Alan Noble

The Prime Meridian Line.

Whenever we visit another city, Alex and I always head straight for a science or maritime museum. When we spent a day in London several years ago, Alex insisted that we visit the National Maritime Museum in Greenwich, and then the Royal Observatory. The highlight of the latter was John Harrison’s marine timekeepers, which made the calculation of longitude at sea possible, therefore making navigation safer. A fun part of visiting the Observatory was standing on either side of the Prime Meridian Line, which defines zero longitude and divides the eastern and western hemispheres of the earth. If you are facing north, the person on the left is in the western hemisphere, and the person to the right is in the eastern hemisphere. We had to queue behind other couples to stand either side of the line. The couple in front of us were taking an inordinate amount of time to have their photo taken here, from which global time is calculated.

“Time’s up!” quipped someone behind us.

“What’s time?” came a philosophical comment from someone else.

The quick banter between strangers is one of the many reasons why I love visiting London.

During our short stay we devoted hardly any time to visiting any other tourist sites. The changing of the guard at Buckingham Palace held little allure. After visiting the Royal Observatory, we strolled past the historic British clipper ship “Cutty Sark” and then caught a ferry back from Greenwich to Central London. We briefly hopped off to see the Houses of Parliament, but after having visited the Royal Observatory Alex’s curiosity was sated.

Fast forward to March 2025 and we found ourselves in a remote town in Western Australia called Carnarvon. The first attraction Alex wanted to visit was the Carnarvon Space and Technology Museum. Carnarvon has a little-known relationship to Cape Canaveral in Florida. Many people have heard of Cape Canaveral and its rocket launching site, but who has heard of the not dissimilar-sounding town of Carnarvon?

Unlike the grand public museums in Western Australia, this one is self-funded and run by volunteers. NASA established a tracking station at Carnarvon in 1964, which played a critical role for both the Gemini and Apollo programs. Carnarvon was strategically located as the most distantly located site on the earth diametrically opposite from Cape Canaveral, providing the ability to track spacecraft over the Indian Ocean that were out of range from Cape Canaveral. The most famous launch was Apollo 11 in July 1969, which achieved humanity’s dream of landing humans on the Moon and safely returning them to Earth.

This museum was different from public museums in that when we visited it was managed by a grey nomad couple from the east coast. (“grey nomad” is an Aussie term for retirees who embark on an extended period of travel around the country, usually in a caravan.) A resident cat curled himself into a ball proudly on the reception desk. It was the only museum we visited in Western Australia that required a fee to enter. The first experience we sought was to hop in the replica of the Apollo capsule to get a feel for the astronauts during the July 1969 launch. I was worried about a panic attack coming on in a confined space but the manager assured me that he would open the door to let me out at any time if I felt uncomfortable. We lay down with the lower half of our bodies propped up on a platform in what we hoped was an astronaut launching posture, while footage from the 1969 launch played out on the screen in front of us. Countdown on the screen was followed by lift-off. Not only did I not have a panic attack, it felt exhilarating to be transported to Cape Canaveral in 1969. Having watched this on black and white television when we were in primary school, it was all the more meaningful to watch it as adults. After touring the rest of the museum, we returned to the Apollo capsule to experience it a second time, like the space nerds we were.

We braced ourselves to face the oppressive heat as we headed outside to view the original satellite dish. Rather than languishing as ancient technology the dish has been leased to an overseas company who were upgrading it to track satellites orbiting Earth.

After viewing numerous 1960s space memorabilia, such as a replica of a Gemini capsule, which had preceded the Apollo series of capsules, and a life-sized replica of the lunar lander module, we bought some tourist T-shirts, chatted with the manager couple, and bade farewell to the resident cat. This was the most thrilling of the magnificent museums we visited in Western Australia. Thanks to Alex, we had a bias to visit maritime museums, including The WA Maritime Museum in Fremantle, The Museum of Geraldton, and The WA Shipwrecks Museum. They provided rich accounts of the many arrivals from distant lands to the west Australian shores since Dutchman Dirk Hartog’s nearby landing at Shark Bay in 1616. All visits were immensely educational and informative, but somehow the less glamorous Carnarvon Space and Technology Museum stood out. Unlike the public museums, it was somewhat ramshackle, but this was more than made up for in terms of authenticity and charm. Who would have thought that this outpost in regional Western Australia that even many Australians have not heard of, could have played such a pivotal role in the tracking of Apollo 11? This museum enjoys none of the fame of the Royal Observatory in Greenwich, but the role it played in history is just as moving.

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Meredith Stephens is an applied linguist from South Australia. Her recent work has appeared in Syncopation Literary Journal, Continue the Voice, Micking Owl Roost blog, The Font – A Literary Journal for Language Teachers, and Mind, Brain & Education Think Tank. In 2024, her story Safari was chosen as the Editor’s Choice for the June edition of All Your Stories.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Slices from Life

Undertourism in the Outback

Narrative by Meredith Stephens & Photographs by Alan Noble

I have read about overtourism in Spain and Greece. Locals have been overwhelmed with the visitors, and some even displayed signs for tourists to go home. According to Fortune magazine (17 July 2024), some locals in Barcelona turned on tourists with water pistols, and others in the Canary Islands embarked on a hunger strike in response to the numbers of tourists. Images of overtourism in Santorini, Greece prompted me to search for an unpopulated area, and I didn’t have to look much further than our own state of South Australia. We hoped to visit deserted towns, dotted with ruins, where there are more sheep than people.

Alex, Verity and I headed out of Adelaide on a bleak wintery day, caravan in tow, to the outback. First stop was Burra, a former mining town where copper was mined from 1845 until 1877. Copper brought prosperity to the state of South Australia saving it from bankruptcy. The small town centre featured a proudly-standing rotunda. Businesses were open, and there were grand buildings and churches which overwhelmed this small town, standing testament to a thriving past.

The caravan was too big for a parking spot, so we parked it parallel to the kerb straddling several spots. We entered the tourist bureau, and as there was no-one in line, headed straight to the desk. We were greeted warmly by the assistant, who handed us a map and explained the various places where we could stay overnight in a caravan. There were free sites, a caravan park, and if you bought a meal at the pub you could camp in their grounds.

Then she pointed out the many historic sites on the map, fixing her eyes on me with a wide smile. I could sense Alex pulling away ever so slightly, as he was anxious to secure a caravan site and do some sightseeing before nightfall, but I was captivated by the enthusiasm of the guide and tried to remember as much as I could of what she was telling us. We headed to one of the recommended sites for the night and investigated the former mining sites with original equipment that had been shipped out from Cornwall, England, in the1800s. We were the only tourists at the site.

The next day we drove through Peterborough and Orroroo. We entered the cafe in Orroroo for lunch and asked the assistant what there was to see there. She gave us a map and explained that we absolutely had to see a spectacularly large 500-year-old tree on the outskirts of town.

Tree outside Orroroo

Next, we headed to the very small town of Hallet. There at the general store we asked for a key which would open the door to the now deserted birthplace of the polar explorer and aviator, Sir Hubert Wilkins. It was the first time we had been given a key to let ourselves into a tourist attraction, and we felt very privileged. We drove twenty kilometres to the home along dirt roads. Again, we were the only visitors. We made our way to the front door and unlocked it. This home, formerly rubble, had been lovingly restored by the Australian Geographic Society as a tribute to the explorer.

We continued to the Parachilna Gorge in the Flinders Ranges where we spent the night. Alex made a campfire, and we dined outside. Again, we were surrounded by ancient trees with generous girths in a dry riverbed. In the morning Alex woke to spot families of emus passing by, camouflaged by the foliage.

Emu family in Parchina Gorge

We continued onto the deserted nineteenth-century town of Farina that day. People started to abandon the town in the late 1800s, and the last of the inhabitants had left by the 1960s. Fortunately volunteers are keen to preserve the history and the ruins and manage the town during the school holidays. We were given a hearty welcome by a volunteer at the entrance to the bakery and received a map of the town.

Finally, on the 700kilometre drive back to Adelaide, we were low on diesel and made a brief detour to a small town off the highway. After putting the diesel in the car, I went inside to pay.

“Thanks, darling!” the cashier gushed.

“I like your dog! Is he a kelpie?” I asked.

Then I was given an enthusiastic account of how the kelpie had been rescued from a shelter. I think the owners may have been deprived of human company and were glad to see a new face. Alex came in because he was wondering what had become of me, engrossed in conversation. We had the impression that we were their only clients for the day. Eventually, I managed to extricate myself.

On this trip we had no experience of overtourism. Rather we visited sites where few tourists could be seen. Guides were so enthusiastic that they fawned over us. One reason that there were so few tourists is that it was the middle of winter and there was intermittent rain. Another was the geographical isolation of the outback. Australia is distant from countries with large populations. South Australia is distant from the large Australian cities on the east and west coasts and the outback further still—although closer to Adelaide than any other Australian capital city.

The landscape of the outback feels as different as another country. Our city, Adelaide, has a multitude of houses and new freeways, but the outback has few houses and many ruins. These ruins attest to a time of optimism when settlers believed the rains would be consistent. We enjoy hitching up the caravan and driving to the outback, where there are so few tourists that the sight of another human being results in an effusive welcome.

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Meredith Stephens is an applied linguist from South Australia. Her recent work has appeared in Syncopation Literary Journal, Continue the Voice, Micking Owl Roost blog, The Font – A Literary Journal for Language Teachers, and Mind, Brain & Education Think Tank. In 2024, her story Safari was chosen as the Editor’s Choice for the June edition of All Your Stories.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

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Slices from Life

The Boy at the Albany Bus Stop

By Meredith Stephens

Ruby Seadragon, Albany Silo Art by Yok & Sheryo. Photo Courtesy: Alan Noble

“Will the passenger who borrowed my mobile phone please return it?” came the announcement in an American accent from the bus driver. I had never heard a bus driver with an American accent before, which was all the more surprising on a bus in regional Western Australia. The woman next to me rose from her seat and walked up the aisle to the driver to return his phone.

I was catching the bus from Albany to Perth at the conclusion of my Indian Ocean sailing adventure with Alex. I had enjoyed sailing in the Indian Ocean despite the sensation of being inside a washing machine on the odd occasion. However, I couldn’t face a succession of nights at sea on the next leg in the lonely and capricious Southern Ocean. Nor did I have the confidence to perform adequately as crew if I had to rescue a man overboard. Instead, Alex enlisted a qualified sailor to join him for the eastward crossing of the Great Australian Bight, and I decided to return to South Australia by bus and plane. 

The woman passenger turned to me.

“I had to leave my twelve-year-old son alone at the bus stop,” she  explained. “His father had not yet arrived to pick him up and I had to catch this bus. It only runs once a day so I couldn’t wait. I tried to call my son to see if his Dad had arrived, but his battery had run out. I couldn’t call his father either because he has blocked me. That’s why I borrowed the phone from the driver. When I reached my ex on the bus driver’s phone, he reassured me that he had picked up our son.”

I could sense she felt embarrassed at being called up to return the phone to the bus driver. I also sensed that she needed to share her anguish with someone, and that person happened to be me because I was sitting next to her.

“I understand the feeling of feeling worried about your children,” I confided in her. “My children have grown up now, but I still worry about them every day.”

It was true. Sailing for months along the coast of Western Australia, exploring uninhabited islands, and heading ashore on the paddleboard to visit coastal towns had been an unparalleled adventure, but this didn’t stop me from worrying about my daughters back in Adelaide. I would ring them daily from the boat. If they were busy, I would tell them that I just needed to hear their voice and then I would let them go. I could understand this mother’s anguish at having left her young son at the bus stop not knowing when his father would arrive to pick him up.

“Worrying about your children is lifelong,” I continued. “But if we don’t worry about them no-one else will as much as we do. There’s a reason for it.”

She murmured agreement.

I stared ahead of me rather than returning to my book, not knowing whether she wanted to continue with the conversation. It felt rude to turn away from her in her distress, nor did I want to distract her with details of my own life story. I glanced outside and the sun pierced into my eyes. After a period of companionable silence, I returned to my book.

Several hours later we arrived at the town of Popanyinning. She rose from her seat and turned to fix her eyes on me.

“Have a wonderful Easter! All the best to you!”

I had forgotten Easter was coming up but knew that her farewell had nothing to do with Easter. It was an appreciation for our conversation in her moments of distress.

“Take care. I hope it all works out,” was all I could manage in the short time we had as she moved up the aisle of the bus. Our paths will never cross again, but her story lingers in my mind.

Meredith Stephens is an applied linguist from South Australia. Her recent work has appeared in Syncopation Literary Journal, Continue the Voice, Micking Owl Roost blog, The Font – A Literary Journal for Language Teachers, and Mind, Brain & Education Think Tank. In 2024, her story Safari was chosen as the Editor’s Choice for the June edition of All Your Stories.

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