Categories
Contents

Borderless February 2022

Winter in Africa. Painting by Sybil Pretious.

Editorial

What’s Love Got to Do with it’ … Click here to read.

Interviews

Sriniketan: Tagore’s “Life Work”: In Conversation with Professor Uma Das Gupta, Tagore scholar, author of A History of Sriniketan, where can be glimpsed what Tagore considered his ‘life’s work’ as an NGO smoothening divides between villagers and the educated. Click here to read.

Akbar: The Man who was King: In conversation with eminent journalist and author, Shazi Zaman, author of Akbar, A Novel of History. Click here to read.

Translations

One Day in the Fog, written by Jibananda Das and translated from Bengali by Professor Fakrul Alam. Click here to read.

Mahnu, a poem by Atta Shad, translated from Balochi by Fazal Baloch. Click here to read.

A Superpower in the Pandemic, written and translated from Korean by Ihlwha Choi. Click here to read.

Eyes of the Python, a short story by S.Ramakrishnan, translated from Tamil by Dr.B.Chandramouli. Click here to read.

Raatri Eshe Jethay Meshe by Tagore has been translated from Bengali as Where the Night comes to Mingle by Mitali Chakravarty. Click here to read.

Pandies’ Corner

These stories are written by youngsters from the Nithari village who transcended childhood trauma and deprivation. The column starts with a story, Stranger than Fiction from Sharad Kumar in Hindustani, translated to English by Grace M Sukanya. Click here to read.

Poetry

Click on the names to read

Rhys Hughes, A Jessie Michael, Jay Nicholls, Moonmoon Chowdhury, Mike Smith, David Francis, Ananya Sarkar, Matthew James Friday, Ashok Suri, John Grey, Saptarshi Bhattacharya, Candice Louisa Daquin, Emalisa Rose, Ryan Quinn Flanagan

Nature’s Musings

Penny Wilkes explores dewdrops and sunrise in A Dewdrop World. Click here to read.

Poets, Poetry & Rhys Hughes

Rhys Hughes explores the paranormal with his usual wit in Three Ghosts in a Boat. Promise not to laugh or smile as you shiver… Click here to read.

Musings/ Slices from Life

Requiem for the Melody Queen

Ratnottama Sengupta sings her own paean in which a chorus of voices across the world join her to pay a tribute to a legend called Lata Mangeshkar. Click here to read.

Forsaking Distant Hemispheres for the Immediate Locale

Meredith Stephens introduces us to the varied fauna found in South Australia with vivid photographs clicked by her. Click here to read.

Breaking the fast

P Ravi Shankar takes us through a breakfast feast around the world. Click here to read.

Musings of a Copywriter

In Life without a Pet, Devraj Singh Kalsi gives a humorous take on why he does not keep a pet. Click here to read.

Notes from Japan

In Bridging Cultures through Music, author Suzanne Kamata introduces us to Masaki Nakagawa, a YouTuber who loves Lativia and has made it big, playing for the President of Lativia at the Japanese coronation. Click here to read.

Essays

Farewell Keri Hulme

A tribute by Keith Lyons to the first New Zealand Booker Prize winner, Keri Hulme, recalling his non-literary encounters with the sequestered author. Click here to read.

Satyajit Ray’s Cinematic Universe: Can Isolation Lead to a New World?

Rebanta Gupta explores two films of Satyajit Ray, Kanchenjunga & Charulata to see what a sense of isolation can do for humans? Click here to read.

‘What remains is darkness and facing me – Banalata Sen!’

Rakibul Hasan Khan explores death and darkness in Fakrul Alam’s translation of Jibanananda Das’s poetry. Click here to read.

Dhaka Book Fair: A Mansion and a Movement

Ratnottama Sengupta writes of a time a palace called Bardhaman House became the centre of a unique tryst against cultural hegemony. The Language Movement of 1952 that started in Dhaka led to the birth of Bangladesh in 1971. In 1999, UNESCO recognised February 21 as the Mother Language Day. Click here to read.

The Observant Immigrant

 In To Be or Not to Be, Candice Louisa Daquin takes a close look at death and suicide. Click here to read.

Stories

Navigational Error

Luke P.G. Draper explores the impact of pollution with a short compelling narrative. Click here to read.

The Art of Sleeping

Atreyo Chowdhury spins an absurd tale or could it be true? Click here to read.

Dear Dr Chilli…

Maliha Iqbal writes of life as a young girl in a competitive world. Click here to read.

The Literary Fictionist

In MissingSunil Sharma gives us a long literary yarn. Click here to read.

Book Excerpts

Two Banalata Sen poems excerpted from Jibanananda Das: Selected Poems with an Introduction, Chronology and Glossary, translated from Bengali by Fakrul Alam. Click here to read.

An excerpt from Mahasweta Devi, Our Santiniketan. Translated from the Bengali by Radha Chakravarty. Click here to read.

Book Reviews

Indrashish Banerjee reviews The Best of Travel Writing of Dom Moraes: Under Something of a Cloud. Click here to read.

Gracy Samjetsabam reviews Masala and Murder by Patrick Lyons. Click here to read.

Rakhi Dalal reviews Kavery Nambisan’s A Luxury called Health. Click here to read.

Bhaskar Parichha reviews Growing up Jewish in India: Synagogues, Customs, and Communities from the Bene Israel to the Art of Siona Benjamin, edited by Ori Z. Soltes. Click here to read.

Special Issues

Cry, Our Beloved… Click here to read (For Peace)

Born to be Wild …Click here to read (World Wild Life Day)

Categories
Editorial

‘What’s Love Got to Do with It’

Art by Sohana Manzoor
‘Why does education in love not feature in today’s curriculum?’
— Mahasweta Devi, Our Santiniketan (Translated by Radha Chakravarty, 2022, Seagull Books)

As the world celebrates Valentine’s Day, one pauses to think how far commercialisation has seeped in over time that the very concept of a tender emotion was questioned by Tina Turner in a song called, “What’s love got to do with it” nearly four decades ago. 

This was written even before Mahasweta Devi (1926-2016) published a nostalgic memoir of 1930’s Santiniketan in Bengali in 2001. She raised her pen to ask the very pertinent question that is quoted above. Why is education in love not a part of our curriculum anymore? She was reminiscing about her days in Santiniketan where children were brought up with rigorous academics while discipline was coloured with love and affection. They nurtured a love for nature in students too. This has become a rarity for many and perhaps needs to be revived as the Earth struggles to continue habitable for humankind. In the process of educating students to love and give, Santiniketan threw up many greats like the writer herself. We are delighted to host an excerpt from the start of Our Santiniketan translated beautifully by Radha Chakravarty.

Santiniketan was only the very visible part of a huge project taken on by Tagore (1861-1941). The other part now united with Santiniketan under the banner of Visva Bharati University is Sriniketan, a group of villages where Tagore experimented with raising consciousness and standards of villagers to integrate them into a larger world. He brought in new techniques in agriculture and crafts into the villages under this programme involving many prominent scientists, artists and humanists. And the project has blossomed. Did you know Tagore thought of himself as an NGO and his ‘life work’ he felt was developing villages (Sriniketan) and educating young minds to build a world where borders of knowledge, poverty and ignorance could be smoothened?

He wrote: “I alone cannot take responsibility for the whole of India. But even if two or three villages can be freed from the shackles of helplessness and ignorance, an ideal for the whole of India would be established.

“Fulfill this ideal in a few villages only, and I will say that these few villages are my India. And only if that is done, will India be truly ours.”

All this can be found in a book called A History of Sriniketan (Niyogi Books), written by Uma Das Gupta, a major authority on Tagore who moved from Oxford to Santiniketan and made Tagore’s work in these two institutions her own life’s work. We have featured her and her book in our interview/review section.

Raised out of such ashes of poverty that Tagore sought to dispel, are youngsters from the village of Nithari, where ceaseless efforts by volunteers of organisations like Saksham and pandies’ has given a new lease for life to those who have been exposed to violations, violence, divides, poverty and deprivation. One of them, Sharad Kumar, now studying to be an engineer, kicks off our new section called Pandies’ Corner with his story in Hindustani translated by a volunteer, Grace M Sukanya. His story learns from history and shows rather than tells.

A similar approach to view the present through lenses focussed on the past at a much grander scale has been taken by Shazi Zaman, an author and journalist, who has stepped into the Anglophone world with the transcreation of his own novel from Hindi to English, Akbar, A Novel of History (Speaking Tiger Books). He has brought to the fore how in days when sectarian violence based on religions killed, Akbar (1542-1605) tried to create a new path that would lead to peace so that he could rule over an empire united by administration and not broken by contentious religious animosities which often led to wars. In his interview, he tells us of the relevance of the Great Mughal in a period of history that was torn by divides, divisions so deep that they continue to smoulder to this day and date. That history repeats itself is evident though our living standards seem to improve over time. Bhaskar Parichha’s review of Growing up Jewish in India: Synagogues, Customs, and Communities from the Bene Israel to the Art of Siona Benjamin, edited by Ori Z. Soltes, also reinforces these divides and amalgamations in the modern context. The other books that have been reviewed include The Best of Travel Writing of Dom Moraes: Under Something of a Cloud by Indrashish Banerjee, and Gracy Samjetsabam has introduced us to an intriguing murder mystery in Masala and Murder by Patrick Lyons.

Translations have thrown up interesting colours this time with a Tamil story by a Sahitya Akademi winning writer, S Ramakrishnan, translated on our pages by B Chandramouli, one from Korean by Ihlwha Choi and of course a transcreation of Tagore’s songs where he sings of the meeting of horizons. A beautiful poem by eminent Balochi poet Atta Shad (1939-1997) has been translated by Fazal Baloch. We are again privileged to host an original translation of Jibananda Das(1899-1954) by Professor Fakrul Alam. We also managed to get permission to share some of Professor Alam’s fabulous translations of Jibananada Das from UPL (United Press Limited) and are starting it out by excerpting two of his poems on Banalata Sen, which were till now restricted to readership who only had access to the hardcopy. Rakibul Hasan Khan has given us an essay on these translations. An interesting essay on Satyajit Ray (1921-1992) by Rebanata Gupta and personalised tribute to the first Booker Prize winner from New Zealand, Keri Hulme (1947-2021), by Keith Lyons, who had many non-literary encounters with the sequestered author, add to the richness of our oeuvre.

Ratnottama Sengupta has also paid a moving tribute to the music legend, Lata Mangeshkar, who died at the age of 92 on 6th February, 2022. The choral symphony of multiple voices that hums through the paean recreating the larger than life presence of Lata reinforces that her lilting voice will stay embedded in many hearts and lives forever. Her perfect honing of musical skills delivered with the right emotions make her an epitome of human excellence. She gave the best of herself to the world.

Brooding on death and suicide is Candice Louisa Daquin essay. This is a topic under discussion as Switzerland might start a resort for abetting suicides. It is rather frightening that while people value life and as technology and humans work in consonance to preserve it, the rich can think of squandering away this unique process that has till now not been replicated. The other strange long literary yarn that is dark in colours is woven by Sunil Sharma as he explores the futility and self-pity experienced by retirees in their existentialist quest to find a meaning to live. It has bits of poetry too. Penny Wilkes has also introduced verses into her photographic tour of dewdrops. Candice’s vibrant poetry this time has joined that of Ryan Quinn Flanagan, Mike Smith, A Jessie Michael, Ananya Sarkar, Jay Nicholls, Saptarshi Bhattacharya, Rhys Hughes and many more I leave you to unfold. Rhys Hughes has also given us a spooky piece which says ghosts might be genies — check it out. Do you agree or is he just being bizarre and funny?

Wrapped in more dry humour is Devraj Singh Kalsi narrative on why he does not want pets. Meredith Stephens, on the contrary loves pets and sails the seas of West Australia with her camera, words, seals and dolphins. Luke PG Draper also speaks for animals — for the intrusion of pollutants that harm creatures like whales in his short story. Hop all over the world with Ravi Shankar breaking nightly fasts with food from different cultures. More colour is brought in by Suzanne Kamata who starts a new column, Notes from Japan — introducing us to Japanese sensation, Masaki Nakagawa, who has sung his way to hearts with Lativian songs that he loves, so much so that he got to perform at the Japanese coronation and has pictures with the Latvian President.

The time has come to let you discover the mysterious pieces that have not been mentioned here in the February edition — and there are many.  

Before I wind up till the next month, I would like to thank our fabulous team who make this journal possible. Keith Lyons has now become part of that team and has graciously joined our editorial board. Sohana Manzoor and Sybil Pretious deserve a special kudos for their fabulous artwork. Our grateful, heartfelt thanks to all our wonderful contributors and readers who keep the journal alive.

Wish you all a lovely month.

Best wishes,

Mitali Chakravarty

Borderless Journal

Categories
Poetry

A Superpower in the Pandemic

Poem written in Korean and translated to English by Ihlwha Choi

A SUPERPOWER IN THE PANDEMIC

Looking at the colourful petals,
I walked along the road of sweet briers.

One man passing by on bike
stopped suddenly beside me and called my name.
Surprisingly, he was one of my friends from boyhood.

He  could recognise me 
despite my mask and cap!
He had an amazing ability of penetration.

I walked along the seaside near Sore fish market.
A few children were throwing cookies to seagulls.
There were full loads of fishing boats returning.

One young man passed by, came back to me
saying ,"Excuse me are you not a teacher?"
Removing masks, we confirmed each other.
He was one of my students from a decade ago.

Marvellous power of discernment!
In this severe pandemic era, people developed
Superpowers to use in real life.

Ihlwha Choi is a South Korean poet. He has published multiple poetry collections, such as Until the Time, When Our Love will Flourish, The Colour of Time, His Song and The Last Rehearsal.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Poetry

Sometimes, Losing is Winning

Written and translated from Korean by Ihlwha Choi

SOMETIMES, LOSING IS WINNING                              

All fights are not a war.
It's not necessary to win all battles.
In some, we do not win even if victorious.
I am willing to lose in that kind of fighting.
Although I lose in such a battle,
I will dance like broad leaved trees.

Losing can be a victory
in the fight which is not righteous.
But losing is not winning
if we must win inevitably.

My comrade has won.
He seemed to lose
but he won after all.

A fight is not the fighting itself
when victory is not won in the right way.
Though we do win doing our best,
now and then,
it's strictly not winning when we look back later.

Ihlwha Choi is a South Korean poet. He has published multiple poetry collections, such as Until the Time, When Our Love will Flourish, The Colour of Time, His Song and The Last Rehearsal.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Contents

Borderless December 2021

Editorial

Towards a Brave New World… Click here to read.

Interviews

In Bridge over Troubled Waters, academic Sanjay Kumar tells us about Pandies, an activist theatre group founded by him that educates, bridging gaps between the divides of University educated and the less fortunate who people slums or terror zones. Click here to read.

In Lessons Old and New from a Stray Japanese Cat, Keith Lyons talks with the author of The Cat with Three Passports, CJ Fentiman who likes the anonymity loaned by resettling in new places & enjoys creating a space for herself away from her birthplace. Click here to read.

Translations

Poetry by Jibananda

Translated from Bengali by Fakrul Alam, two poem by the late Jibananda Das. Click here to read.

Shorter Poems of Akbar Barakzai

Translated from Balochi by Fazal Baloch, five shorter poems by Akbar Barakzai. Click here to read.

Long Continuous Battle

Written and translated from Korean by Ihlwha Choi. Click here to read.

Colour the World

Rangiye Diye Jao, a song by Tagore, transcreated by Ratnottama Sengupta. Click here to read.

Rakhamaninov’s Sonata

A short story by Sherzod Artikov, translated from Uzbeki by Nigora Mukhammad. Click here to read.

Robert Burns & Tagore in Harmony

A transcreation of Tagore’s song, Purano Sei Diner Kotha, based on Robert Burn’s poem associated with new year’s revelries by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read

Michael R Burch, Dibyajyoti Sarma, Anasuya Bhar, Ryan Quinn Flanagan, Sambhu Nath Banerjee, Michael Brockley, Malachi Edwin Vethamani, George Freek, Mitra Samal, William Miller, Harsimran Kaur, Jay Nicholls, Sangeeta Sharma, Rhys Hughes

Nature’s Musings

In Lewie, the Leaf, Penny Wilkes explores the last vestiges of autumn with her camera and a touching story. Click here to read.

Poets, Poetry & Rhys Hughes

In Trouser Hermits, Rhys Hughes muses over men’s attire and the lack of them. Click here to read.

Musings/ Slices from Life

Kungfu Panda & Matrimony

Alpana gives a glimpse into her own marital experiences through the lockdown. Click here to read.

How I Transitioned from a Desk Worker to a Rugged Trail Hiker at Age Sixty

Meredith Stephens shares the impact of the pandemic on her life choices. Click here to read.

A Tale of Two Houses

P Ravi Shankar travels back to the Kerala of his childhood. Click here to read.

The Voice that Sings Hope through Suffering…

Rakibul Hasan Khan pays a tribute with a twist to a recently deceased Bangladeshi writer, Hasan Azizul Huq. Click here to read.

Canada: A Live Canvas

Sunil Sharma reflects on the colours of the fall in Canada. Click here to read.

To Infinity & Beyond!

Candice Louisa Daquin explores the magic of space travel. Click here to read.

Joy Bangla: Memories of 1971

Ratnottama Sengupta recaptures a time when as a teenager she witnessed a war that was fought to retain a language and culture. Click here to read.

Musings of a Copywriter

In Statue Without Stature, Devraj Singh Kalsi muses on erecting a bust with a dollop of humour. Click here to read.

Stories

Flash Fiction: In Search of a New Home

Marzia Rahman shares a short narrative about refugees. Click here to read.

Floating Free

Lakshmi Kannan travels with a humming bird to her past. Click here to read.

Driving with Murad

Sohana Manzoor unfolds her experiences while learning to drive with a dash of humour. Click here to read.

Dinner with Bo Stamford in Hong Kong

Steve Davidson has a ghostly encounter in Hong Kong. Click here to read.

The Literary Fictionist

In Walls, Sunil Sharma peers into fallacies and divides. Click here to read.

Essays

What’s Novel in a Genre?

Indrasish Banerjee explores why we need a genre in this novel-based essay. Click here to read.

Of Palaces and Restorations

Rupali Gupta Mukherjee visits a restored palace in the heartland of Bengal. Click here to read.

The Incongruity of “Perfect” Poems

Rakibul Hasan Khan discusses Bangladeshi poet Sofiul Azam’s poetry from a post colonial perspective. Click here to read.

The Birth of Bangladesh & the University of Dhaka

Professor Fakrul Alam takes us through the three Partitions of Bengal which ultimately led to the creation of Bangladesh, with focus on the role of Dhaka University. Click here to read.

The Observant Migrant

In When is a mental illness not a mental illness?, Candice Lousia Daquin provides us with a re-look into what is often judged as a psychiatric issue. Click here to read.

Book Excerpts

Somdatta Mandal’s translation of A Bengali Lady in England by Krishnabhabini Das (1885). Click here to read.

Suzanne Kamata’s The Baseball Widow. Click here to read.

Book Reviews

Aruna Chakravarti reviews Devika Khanna Narula’s Beyond the Veil. Click here to read.

Rakhi Dalal reviews Anirudh Kala’s Two and a Half Rivers. Click here to read.

Keith Lyons reviews CJ Fentiman’s The Cat with Three Passports: What a Japanese cat taught me about an old culture and new beginnings. Click here to read.

Bhaskar Parichha reviews BP Pande’s In the Service of Free India –Memoirs of a Civil Servant. Click here to read.

Categories
Editorial

Towards a Brave New World

Painting by Sohana Manzoor

With Christmas at our heels and the world waking up slowly from a pandemic that will hopefully become an endemic as the Omicron seems to fizzle towards a common cold, we look forward to a new year and a new world. Perhaps, our society will evolve to become one where differences are accepted as variety just as we are fine with the fact that December can be warm or cold depending on the geography of the place. People will be welcomed even if of different colours and creed. The commonality of belonging to the same species will override all other disparities…

While we have had exciting developments this year and civilians have moved beyond the Earth — we do have a piece on that by Candice Louisa Daquin — within the planet, we have become more aware of the inequalities that exist. We are aware of the politics that seems to surround even a simple thing like a vaccine for the pandemic. However, these two years dominated by the virus has shown us one thing — if we do not rise above petty greed and create a world where healthcare and basic needs are met for all, we will suffer. As my nearly eighty-year-old aunt confided, even if one person has Covid in a remote corner of the world, it will spread to all of us. The virus sees no boundaries. This pandemic was just a start. There might be more outbreaks like this in the future as the rapacious continue to exploit deeper into the wilderness to accommodate our growing greed, not need. With the onset of warmer climates — global warming and climate change are realities — what can we look forward to as our future?

Que sera sera — what will be, will be. Though a bit of that attitude is necessary, we have become more aware and connected. We can at least visualise changes towards a more egalitarian and just world, to prevent what happened in the past. It would be wonderful if we could act based on the truth learnt from history rather than to overlook or rewrite it from the perspective of the victor and use that experience to benefit our homes, planet and all living things, great and small.  In tune with our quest towards a better world, we have an interview with an academic, Sanjay Kumar, founder of a group called Pandies, who use theatre to connect the world of haves with have-nots. What impressed me most was that they have actually put refugees and migrant workers on stage with their stories. They even managed to land in Kashmir and work with children from war-torn zones. They have travelled and travelled into different dimensions in quest of a better world. Travelling is what our other interviewee did too — with a cat who holds three passports. CJ Fentiman, author of The Cat with Three Passports, has been interviewed by Keith Lyons, who has reviewed her book too.

This time we have the eminent Aruna Chakravarti review Devika Khanna Narula’s Beyond the Veils, a retelling of the author’s family history. Perhaps, history has been the common thread in our reviews this time. Rakhi Dalal has reviewed Anirudh Kala’s Two and a Half Rivers, a fiction that focusses on the Sikh issues in 1980s India from a Dalit perspective. It brought to my mind a family saga I had been recently re-reading, Alex Haley’s Roots, which showcased the whole American Revolution from the perspective of slaves brought over from Africa. Did the new laws change the fates of the slaves or Dalits? To an extent, it did but the rest as fact and fiction showcase were in the hands that belonged to the newly freed people. To enable people to step out of the cycle of poverty, the right attitudes towards growth and the ability to accept the subsequent changes is a felt need. That is perhaps where organisations like Pandies step in.  Another non-fiction which highlights history around the same period and place as Kala’s novel is BP Pande’s In the Service of Free India –Memoirs of a Civil Servant. Reviewed by Bhaskar Parichha, the book explores the darker nuances of human history filled with violence and intolerance.

That violence is intricately linked to power politics has been showcased often. But, what would be really amazing to see would be how we could get out of the cycle as a society. With gun violence being an accepted norm in one of the largest democracies of the world, perhaps we need to listen to the voice of wisdom found in the fiction by Steve Davidson who meets perhaps a ghost in Hong Kong. Musing over the ghost’s words, the past catches up in Sunil Sharma’s story, ‘Walls’. Sharma has also given us a slice from his life in Canada with its colours, vibrancy and photographs of the fall. As he emigrated to Canada, we read of immigrants in Marzia Rahman’s touching narrative. She has opted to go with the less privileged just as Lakshmi Kannan has opted to go with the privileged in her story.

Sharma observes, while we find the opulence of nature thrive in places people inhabit in  Canada, it is not so in Asia. I wonder why? Why are Asian cities crowded and polluted? There was a time when Los Angeles and London suffered smogs. Has that shifted now as factories relocated to Asia, generating wealth in currency but taking away from nature’s opulence of fresh, clean air as more flock into crowded cities looking for sustenance?

Humour is introduced into the short story section with Sohana Manzoor’s hilarious rendering of her driving lessons in America, lessons given to foreigners by migrants. Rhys Hughes makes for  more humour with a really hilarious rendition of men in tea cosies missing their…I  think ‘Trouser Hermit’ will tell you the rest. He has perhaps more sober poetry which though imaginative does not make you laugh as much as his prose. Michael Burch has shared some beautiful poetry perpetuating the calmer nuances of a deeply felt love and affection. George Freek, Anasuya Bhar, Ryan Quinn Flanagan, Dibyajyoti Sarma have all given us wonderful poetry along with many others. One could write an essay on each poem – but as we are short shrift for time, we move on to travel sagas from hiking in Australia and hobnobbing with kangaroos to renovated palaces in Bengal.

We have also travelled with our book excerpts this time. Suzanne Kamata’s The Baseball Widow shuttles between US and Japan and Somdatta Mandal’s translation of  A Bengali lady in England by Krishnabhabi Das, actually has the lady relocate to nineteenth century England and assume the dress and mannerisms of the West to write an eye-opener for her compatriots about the customs of the colonials in their own country.

While mostly we hear of sad stories related to marriages, we have a sunny one in which Alpana finds much in a marriage that runs well with wisdom learnt from Kung Fu Panda.  Devraj Singh Kalsi has given us a philosophical piece with his characteristic touch of irony laced with humour on statues. If you are wondering what he could have to say, have a read.

In Nature’s Musings, Penny Wilkes has offered us prose and wonderful photographs of the last vestiges of autumn. As the season hovers between summer and winter, geographical boundaries too can get blurred at times. A nostalgic recap given by Ratnottama Sengupta along the borders of Bengal, which though still crossed by elephants freely in jungles (wild elephants do not need visas, I guess), gained an independence from the harshness of cultural hegemony on December 16th, 1971. Candice Louisa Daquin has also looked at grey zones that lie between sanity and insanity in her column. An essay which links East and West has been given to us by Rakibul Hasan about a poet who mingles the two in his poetry. A Bengali song by Tagore, Purano shei diner kotha,  that is almost a perfect trans creation of Robert Burn’s Scottish Auld Lang Syne in the spirit of welcoming the New Year, has been transcreated to English. The similarity in the content of the two greats’ lyrics showcase the commonalities of love, friendship and warmth that unite all cultures into one humanity.

Our first translation from Uzbekistan – a story by Sherzod Artikov, translated from Uzbeki by Nigora Mukhammad — gives a glimpse of a culture that might be new to many of us. Akbar Barakzai’s shorter poems, translated by Fazal Baloch from Balochi and Ratnottama Sengupta’s transcreation of a Tagore song, Rangiye Die Jao, have added richness to our oeuvre along with  one from Korean by Ihlwha Choi. Professor Fakrul Alam, who is well-known for his translation of poetry by Jibonanda Das, has started sharing his work on the Bengali poet with us. Pause by and take a look.

There is much more than what I can put down here as we have a bumper end of the year issue this December. There is a bit of something for all times, tastes and seasons.

I would like to thank my wonderful team for helping put together this issue. Sohana Manzoor and Sybil Pretious need double thanks for their lovely artwork that is showcased in our magazine. We are privileged to have committed readers, some of who have started contributing to our content too. A huge thanks to all our contributors and readers for being with us through our journey.

I wish you a very Merry Christmas and a wonderful transition into the New Year! May we open up to a fantastic brave, new world!

Mitali Chakravarty

Borderless Journal

Categories
Poetry

The Leopard & the Skylark

Written in Korean & translated to English by Ilwha Choi

Long Continuous Battle 
 
I have been battling for a long time.
There live two wild animals in my mind.
One skylark flying high with blue wings,
The other black leopard roaring with sharp teeth.
 
When the skylark finishes its song, the black leopard begins to roar.
When the leopard finishes its roaring, the skylark sings merrily in the sky.

I love the skylark, also I believe in the black leopard.
The world does not change though the bird sings merry songs
and the wild beast roars for a long time.

There is no other way but to love in order to forgive forever.
Departing forever is another way to love.

The black leopard on the Earth and the lark in the sky,
I am choked by their faithfulness.
There live two faithful animals in my inner world.

Ihlwha Choi is a South Korean poet. He has published multiple poetry collections, such as Until the Time, When Our Love will Flourish, The Colour of Time, His Song and The Last Rehearsal.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Poetry

Sorrows Left Alone

Written in Korean & translated by Ihlwha Choi

Sorrows Left Alone

When we apologise even to the flower,
the wind is sweet and the sunshine bright.
When we settle their misunderstandings,
a mound is tranquil and the birds' songs are friendly.

If birds stop singing and flowers fall blankly,
time will rattle like a wagon rolling over gravel.

We must not trust commonplace sorrow
only to heavens.

If humans do not come forward,
the world will be overthrown by the sea of tears
as only sorrows will retain their hold.

Ihlwha Choi is a South Korean poet. He has published multiple poetry collections, such as Until the Time, When Our Love will Flourish, The Color of Time, His Song and The Last Rehearsal.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Editorial

The Caged Birds Sing

...Don't you know
They're talkin''bout a revolution
It sounds like a whisper...
-- Tracy Chapman,'Talkin 'Bout a Revolution
Thou shalt love thy neighbour as thyself. 
— Bible 

We are living in strange times that seem to be filled with events to challenge the innovativeness of man. As if the pandemic were not enough, concepts that had come out of the best in our civilisation to unite mankind have been convoluted by a minority to manipulate and hurt the majority into submission. Life is not about surviving with faint-hearted compliance but about having the courage to live it as you want, facing it full up front, to voice out in unison against injustices, wrongs, and most of all to loan strength to help and care for each other. Often to understand this, we need to hinge on to our past, to learn from our heritage. But do we do that? In the hectic drive to be successful, we tend to ignore important lessons that could have been imbibed from the past. Like, did you know that the tribes in the Andaman can save themselves from a tsunami?

Padma Shri Anvita Abbi tells us all about the Andamanese and her attempts to revive their moribund language in her interview and book, Voices from the Lost Horizon, reviewed by Rakhi Dalal. While the review focusses on the uniqueness of Abbi’s work and the publication with its embedded recordings of the tribe fast dissolving into the morass of mainstream civilisation, her interview highlights the need to revive their lores that evolved out of a 70,000-year-old culture. On the other hand, Jessica Mudditt, interviewed by Keith Lyons, dwells on the ongoing crisis in Myanmar, which has been clearly the focus of her book, Our Home in Yangon. This interview focusses on the here and now of the crisis. But most crises have their roots deep and perhaps an exploration of these could help. There are 135 ethnicities in Myanmar but how many are actually integrated into the mainstream? Are they in the process of getting ‘lost’ like the voices of the speakers of Greater Andamanese?

That is why we tried to showcase a few such strains that are going unheard in the loudness of the ‘civilised’ mainstream. We have translations in poetry from Santhali and Adivasi, touching on the concerns of those who are often considered underdeveloped. And, perhaps, as Abbi said in her interview about the Andamanese, we can say much the same for these tribes too.

“These tribes are neither poor, nor uneducated (their knowledge of environment comprising birds, fishes, medicinal plants and their … weather predictions, and the Earth they walk on is amazing) …”

Distinctions have been created by a ‘civilisation’ entrenched in mono-cognitive enforcements leading to the loss of trust, confidence, languages, cultures and valuable knowledge about basic survival. Perhaps we can attempt to heal such wounds by imbibing the openness, love, devotion and compassion shown by the Buddhist monk, Upagupta (who is still revered in Myanmar as Shin Upagutta), in the translation of Tagore’s story poem, ‘Abhisar’ or ‘The Tryst’.  Somdatta Mandal’s translation of Tagore’s letters introduce similar humanitarian concerns when the maestro mentions a German anthropologist and his wife who for the betterment of mankind were journeying to study tribals in India. Tagore remarks, “The people for whom they are willingly prepared to undergo hardship and to overlook all sorts of danger are not their relatives, nor are they civilised.” And yet even a century ago to fathom more about mankind, attempts were being made to integrate with our ancient lore. The concept of being ‘civilised’ is of course now much under the microscope. What is being ‘civilised’?

 Is it about having power? We have Akbar Barakzai’s poem translated by Fazal Baloch on creation looking at the divide between a ‘civilised’ God and man. The theme stresses the two sides of the divide. More translations from Odiya, Dutch and Korean further mingle different flavours of the world into our journal — each questioning the accepted norm in different ways.

In an edition focussed on myths and stories from which we evolved, Rhys Hughes has created an unusual legend around elephants. His poetry also deals with animals — cats. One wonders if the T S Eliot’s famed ‘Macavity, the Mystery Cat’ could have to do something with his choices?  We were fortunate to have Arundhathi Subramaniam share her poetry on myths around Indian figures like Shakuntala and Avvaiyar and the titular poem from When God is a Traveller that won her the 2020 Sahitya Akademi Award. Michael R Burch continues on the theme dwelling on Circe, Mary Magdalene and Helen. Sekhar Banerjee has a more iconoclastic approach to myths in his poetry. Jared Carter talks of modern myths perpetuated through art and cultural studies as does Mike Smith in his musings with his glance back at the last century through a photograph.

We have poetry by a Filipino writer Gigi Baldovino Gosnell from South Africa, looking for a new world, a new legend, perhaps a world without borders. Tohm Bakelas has given us a few lines of powerful poetry. Could these poems be a reaction to world events? Smitha Vishwanath has responded to the situation in Afghanistan with a poem. In this edition, photographs and verses in Penny Wilkes’ ‘Nature’s Musings‘ draw from the universe. She writes, “The sun never asks for applause” — a powerful thought and perhaps one mankind can learn from.

Ghost stories by Niles Reddick and Sunil Sharma perpetuate the theme, especially the latter has a ghost that questions myths of ‘isms’ created in the modern-day world. We also have a writer from Malaysia, P Ravi Shankar, with a futuristic legend set in a far-off time where man has embraced the reality of climate change and artificial intelligence. An interesting and fun read as is Devraj Singh Kalsi’s professions about why he did not become a professor, Geetha Ravichandran’s light musing on word play and a young writer Saurabh Nagpal’s musing, ‘Leo Messi’s Magic Realism‘ — a footballer viewed from a literary perspective!

While our musings make us laugh, our essays this time take us around the world with the myth of happiness deconstructed by Candice Louisa Daquin, to Burma and deep into Kolkata’s iconic history of the detective department started in the nineteenth century. There is an essay by Bhaskar Parichha that explores politics and media and mentions ‘gatekeepers’ of the media who need to be responsible for influencing public opinion. Guess who would be the gatekeepers?

Bhaskar Parichha’s review of Wendy Donniger’s non-fiction exploring myths around horses, Winged Stallion and Wicked Mares, and Basudhara Roy’s review of Bina Sarkar Ellias’ Song of a Rebel and Other Selected Poems perpetuate the theme of the importance of the past on the one hand and question it on the other. But that is what Borderless is about — exploring the dialectics of opposing streams to re-invent myths towards a better future.

We have a bumper issue again this time with nearly fifty posts. I invite our wonderful readers on a magical journey to unfold the hidden, unmentioned gems scattered on the pages of the September Issue of Borderless. Thank you again to an outstanding team, all our global contributors who make every edition an adventure and a reality and our wonderful readers. Thank you all.

Have a beautiful month!

Mitali Chakravarty

Borderless Journal

Categories
Poetry

About Time

Poetry & Translation from Korean by Ihlwha Choi

Salvador Dalí, Metamorphosis of Narcissus, 1937. Courtesy: Creative Commons
About Time

The flowers bloom and wither only to make people cry.
Tadpoles grow up to be frogs. 
Just as robbers rob an old king's grave, a drunk catches frogs for a side dish.
Time does not take you like a river flowing with fallen petals,
but across the fixity of time,
seasons become spring, autumn and spring again.
The moving thing is not time but the sparrows, 
the morning glories and the crescent moon.
Time does not bring you to the tomb step by step,
but it stays still without any facial expression, 
while not only do the flowers bloom and the birds sing,
but also, you swim across the river of time towards a profound future.
You don't have to wait for the time when it takes you for a ride 
but you must swim like a webfoot or with a fin 
to build your own house on a housing lot of time like a silk carp, honeybee or kingfisher.
You must row on the milky way in the blue sky 
with your own hands and feet like a pole,
your heart and brain like a mast.
Like a planet swimming in the universe,
you must fly across time like a kestrel.
The cornelian cherry and golden bells started to burst from yesterday. 
Brilliant flowers bloom with their wings to build their own houses.
It is not that time brings you to the grand residence by taking you on the cloud train 
but you are to walk struttingly through time to be a flower or a butterfly.

Ihlwha Choi is a South Korean poet. He has published multiple poetry collections, such as Until the Time, When Our Love will Flourish, The Color of Time, His Song and The Last Rehearsal.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL