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Borderless, November 2026

Art by Sohana Manzoor

Editorial

What & Where is Home?……Click here to read

Translations

Manush (Human), a poem by Masud Khan has been translated from Bengali by Professor Fakrul Alam. Click here to read.

A dozen Deehis, a form of Balochi folk poetry, have been translated and introduced by Fazal Baloch. Click here to read.

Chapter 4 of Isa Kamari’s novel, The Throne, has been translated by the author from Malay. We will be running the whole novel as serial through the year. Click here to read.

Ostrich, a story by Kizzy Tahnin, has been translated from Bengali by Rajib Mahmud. Click here to read.

Indifference, a poignant Korean poem has been written and translated by Ihlwha Choi. Click here to read.

Cholonto Kolikata (Calcutta on the Move), a poem by Tagore, has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Ryan Quinn Flanagan, John Swain, Shamim Akhtar, Jim Murdoch, Prithvijeet Sinha, Ian Fitzgerald, Md Mujib Ullah, Jim Bellamy, Jeena R Papaadi, Ron Pickett, Pramod Rastogi, William Miller, Saranyan BV, Luis Cuauhtémoc Berriozábal

Poets, Poetry & Rhys Hughes

In The Geography Journal & Socks for Bigfoot, Rhys Hughes shares two satires in poetry. Click here to read.

Musings/Slices from Life

Making Home

Keith Lyons muses on what makes a home. Click here to read.

Sepia-toned Memories

Farouk Guslara indulges in nostalgia with old black and white prints. Click here to read.

Secrets in Stone

Meredith Stephens writes of her exploration in Enderby Island with photographs by Alan Noble. Click here to read.

Vignettes of an Immigrant

Ian C Smith recalls his move from England to Australia. Click here to read.

Earth, Wind, and Fire

Jun A. Alindogan writes of calamities and resilience in Phillipines. Click here to read.

A Story of Roots, Hard Work and Dreams

Snigdha Agrawal shares an immigrant’s story. Click here to read.

Musings of a Copywriter

In Linguistic Acrobatics & Orangutans, explores the human passion for big words. Click here to read.

Essays

Naruto, My Home

Odbayar Dorj writes opts to redefine the idea of a home. Click here to read.

Walking on the Razor’s Edge

Quazi Johirul Islam discusses prosody. Click here to read.

Nana Patekar: The Presence That Stays

Charudutta Panigrahi shares a tribute to the actor. Click here to read.

Stories

Loneliness

Umair Khan shares a story set in Karachi. Click here to read.

The Lit Window

Jay Samanta explores nightmares and loneliness. Click here to read.

Zara

Gowher Bhat narrates a sensitive story about a woman regaining her self worth. Click here to read.

A Change of Heart

Naramsetti Umamaheswararao shares a story set in a school. Click here to read.

Feature

An interview with Suzanne Kamata about her life and her recent book, Owls in Ginza and other Stories from Life in Japan, which has been introduced and reviewed briefly. Click here to read.

Book Excerpts

Excerpt from Shibram Chakraborty’s Those Boyhood Years, translated from Bengali by Niladri R. Chatterjee. Click here to read.

Excerpt from Ruslan Mavliashev’s The Political Unmanifest: Or How to Break Out of the Vicious Circle. Click here to read.

Book Reviews

Meenakshi Malhotra reviews Nayantara Roy’s novel, The Magnificent Ruins. Click here to read.

Bhaskar Parichha reviews Meena Arora Nayak’s The Blue Lotus: Myths and Folk Tales of India. Click here to read.

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Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Editorial

What & Where is Home?

“…home is a name, a word, it is a strong one; stronger than magician ever spoke, or spirit answered to, in strongest conjuration…” – Charles Dickens, Martin Chuzzlewit (1843-44)

Art by Sohana Manzoor

In Nomads: The Wanderers Who Shaped our World, the author, Anthony Sattin, professed that his narrative “traces the shifting relationships between people who move and those who were settled”. He showed how the ‘nomads’ — perhaps people we could now see as migrants or immigrants — shaped world history. With the advent of climate change, more frequent natural disasters and displacement due to political interference, other interventions and war, people have willingly moved or, at times, been forced to find new homes, even change countries. Have these seekers of refuge been accepted fully as part of the new community they called home? Often, when they are left without the option of returning to their birth land, they are referred to as refugees. Will such people ever find a home? Or even those who moved willingly? Our November issue has several narratives on migrants and exploring the idea of a home.

We have featured Suzanne Kamata, a modern-day migrant who shuttles between two very different cultures and her memoir, Owls in Ginza and other Stories from Life in Japan. Perhaps, she can be called a global nomad. Though in the interview, she professes she wants to split her time in equal portions between her birth land and adopted country, she starts her book with an incident in her home in Japan (where she has lived for the last thirty seven years) that highlights a dilemma that is not unheard of among migrants:

“The other day, a door-to-door salesman rang my bell. When I opened the door, he peered around me and said, ‘Isn’t there anyone at home?’ As if I were invisible, or temporary. As if I didn’t belong.

“‘I’m here,’ I said. I might have added, ‘I am one of you, and I’m not going anywhere.’”

In our non-fiction section, we have Ian Smith recounting his family’s move from England to Australia post the Second World War. Snigdha Agrawal writes of a second-generation Polish immigrant who has opted to live in Canada. The question such moves throw up — is do they have a home in the country they adopt, especially the pioneering generation that initiates the move? Farouk Gulsara nostalgically glances at the home he left behind, though he just moved cities within Malaysia. Keith Lyons returned home after scouring some of the world and yet, he muses on the idea of a home, quoting Charles Dickens, that “home is a name, a word … stronger than magician ever spoke, or spirit answered to, in strongest conjuration.”

Odbayar Dorj on the other hand opts to redefine the idea of a home, talking of her own spiritual oneness with her chosen city. We have also more to offer in non-fiction — travels in Australia from Meredith Stephens with photographs by Alan Noble. Jun A. Alindogan writes of calamities and resilience in Philippines.

Devraj Singh Kalsi takes us on a spin about words and their usages in a humorous vein while Quazi Johirul Islam discusses words, imagination, ornamentation and emotions performing a balancing act in prosody. Charudutta Panigrahi pays a tribute to a man who was known mainly as an actor, Nana Patekar, but he tells us when he met the famed artiste, “He [Patekar] spoke of programmes and people, of what works in a village and what only works on paper, of the farmer and the land. He spoke of ‘his work’ in agriculture, and there was not a grain of boast in the phrase.” So, here was a man who saw himself as of the farming community and the money from his awards often went to fund farming projects.

Patekar’s stance is reminiscent of Tagore’s own stance towards developmental work, as showcased by Uma Das Gupta in A History of Sriniketan: Rabindranath Tagore’s Pioneering work in Rural Reconstruction. He used his Nobel Prize money to fund Sriniketan, his rural reconstruction project. Tagore wrote in a letter sent to Elmhirst (who helped him set up Sriniketan) in 1939: “My path, as you know, lies in the domain of quiet integral action and thought, my units must be few and small, and I can but face human problems in relation to some basic village or cultural area. So, in the midst of worldwide anguish, and with the problems of over three hundred millions staring us in the face, I stick to my work in Santiniketan and Sriniketan hoping that my efforts will touch the heart of our village neighbours and help them in reasserting themselves in a new social order. If we can give a start to a few villages, they would perhaps be an inspiration to some others—and my life work will have been done.”

Our book excerpts host Ruslan Mavliashev’s The Political Unmanifest: Or How to Break Out of the Vicious Circle in which he looks for a change in our current polities. He tells us, “This is not a manifesto for the left or the right. It is an attempt to look beneath both—and ask what kind of human and institutional architecture a more mature politics would require.” The other is an extract from the late well-known Bengali humourist Shibram Chakraborty’s Those Boyhood Years, translated from Bengali by Niladri R. Chatterjee. Reading the translation, one realises how much a translator’s interpretation can impact the narrative. We have a review from Meenakshi Malhotra of Nayantara Roy’s debut novel, The Magnificent Ruins. And Bhaskar Parichha discusses Meena Arora Nayak’s The Blue Lotus: Myths and Folk Tales of India, dwelling on the commonality that exists despite the differences among the varied cultures of India. He writes: “There is something timeless about myths and folk tales. They survive generations, cross geographical boundaries and transcend religious affiliations, carrying within them the collective memory, imagination and wisdom of communities.”

And perhaps, the fables by Naramsetti Umamaheswararao do exactly that — rely on the wisdom of communities to highlight the resilience of humanity in a world of doddering values. In fiction, we have such a story based in Southern India by Umamaheswararao and a narrative set in Kashmir by Gowher Bhatt showcasing a woman who finds resilience. Jay Samanta plays with migration, home and resilience as he dwells on a nightmare while Umair Khan writes a poignant tale about an old rickshaw driver in Karachi, highlighting the need for compassion.

Highlighting the need for compassion is a Bengali poem by Masud Khan that has been translated by Professor Fakrul Alam. The same need for kindness and consideration has been echoed by Ihlwha Choi in his self-translated Korean poem on a beggar child. Isa Kamari’s narrative from Malay this time highlights the end result of a highly mechanised society where drugs can break families. In contrast to the bleakness portrayed in the aforesaid pieces, we have a translation of Tagore’s fun poem on a mobile Calcutta. More humour has been translated from Bangla by Rajib Mahmud with Kizzy Tahnin’s narrative about an ostrich and an old lady! A form of Balochi folk poetry, rendered often by women, has been translated and introduced by Fazal Baloch.

Our poetry section homes variety as usual with poems from Luis Cuauhtémoc Berriozábal, John Swain, Prithvijeet Sinha, Ian Fitzgerald, Md Mujib Ullah, Jim Bellamy, Jeena R Papaadi, Ron Pickett, Pramod Rastogi, William Miller and Saranyan BV. Ryan Quinn Flangan’s poem highlights Pablo Neruda’s attempt to help Spanish refugees in 1939 while Shamim Akhtar imagines the start of time or is it the universe… Jim Murdoch sprinkles wry humour into his lines while Rhys Hughes has managed to make us laugh in his poems on a future post global ice melts (and more) in a style that only poetry can muster… and perhaps, Hughes himself.

Do pause by our contents page to savour the whole issue.

Huge thanks to all our fabulous contributors and our readers. That the journal would not exist except for the love shown by all of you is a reality which we truly appreciate. Huge thanks to our wonderful team for their input.

Enjoy the reads and hope you look forward to our early bird edition this December.

Cheers,

Mitali Chakravarty

borderlessjournal.com

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Excerpt

Those Boyhood Years by Shibram Chakraborty

Title: Those Boyhood Years

Author: Shibram Chakraborty

Translated from Bengali by Niladri R. Chatterjee

Publisher: Speaking Tiger Books

For a little while Deben stood watching the commotion of the passengers, the snatch-and-grab of the servitors, the officiousness of the railway staff. Noticing someone in the distance he made an unusual gesture with his hand and drawn by that signal, a man approached him.

‘Sudhir, why so late?’

‘I was looking for you in the crowd. Who knew that you are standing here?’

‘What to do? I am without a ticket. If I go out the main exit, do you think those barbarians would let me go?’

‘No, I wouldn’t think so. Then come, let’s go this way, in the darkness, by stepping over the tracks.’

After crossing a few tracks, when they stopped for a moment, an empty engine, like a python with its eyes blazing in the dark, sped past them, almost grazing their ears.

‘Sudhir, I have been sprinkled with warm water.’

‘You have been saved by a whisker! Thank the Almighty!’

‘For sure, but do we believe in God?’

By then they had reached a barbed wire fence which they jumped high to cross. Sudhir’s clothes suffered a tear, caught in the fence.

‘See, Sudhir? It isn’t just me. Everyone loves you. Even this useless barbed wire fence wants to hold you.’

‘Quite right, Deben. Love is an unnecessary obstacle in our path.’

Deben suppressed a sigh and continued walking with him, in silence.

They stopped by some wild growth. A driverless vehicle awaited them. When Sudhir pulled at the gear stick a few times, the car started to loudly protest, breaking the silence of early dawn. Seating Deben beside him, Sudhir started the vehicle.

The car was moving. Both the men were quiet. It was getting light outside, revealing the peaks, high and low, of distant hills, as the journey to Madhupur continued by a secret route.

Deben broke the silence with, ‘See, Sudhir, how beautiful is the sight of those hills against the sky!’

Not responding to the remark, Sudhir clutched at the steering wheel and expressed a mild concern to himself, ‘I hope there’s enough petrol.’

‘Do you now live in Madhupur? Don’t you ever go to Vaidyanath?’

Turning off the headlight, Sudhir said, ‘Sometimes.’

‘I quite like Vaidyanath. I remember when I was a child, finding the Lion’s Gate of the temple was a really difficult task.’

Turning the car left, Sudhir responded, ‘Hmmm.’

‘Why aren’t you saying anything? What’s eating you?’

‘Where? Nothing. Oh yes, how many did you “convert” to our cause this time?’

‘Not many. About twenty-two or -three. But I have chosen boys who have pulling power. They have recruited some more. I will send you the list of names.’

‘Don’t post it. Send in by hand, coded. Understood?’

‘Sure.’

‘I will take you to a place in the evening. Know where? To our secret hideout. There you will be initiated in the presence of our leaders. And you will be made a special member.’

‘The leaders? Will I have the good fortune of meeting them?’

‘Somewhat, yes. You may be entrusted with jobs of responsibility. But before that, they test you accordingly.’

‘I have already said I am not going to bump people off. I am weak there. Haven’t you told them that?’

‘I have, which is why I hope they will give you recruiting jobs. I know you can chat up boys easily. And amassing boys is what we need to do most now—money and men.’

‘Why? Do you suppose something big is about to start?’

‘That would be my guess. Just as birdwatchers have spread all across the country, one cannot trust even near ones, similarly, in schools and colleges in cities and villages, we are recruiting. We are recruiting four times the number they are interning, although most  of them are too green and will probably not survive the first step.’

Sudhir turned the car right.

‘Truly, the work seems to be very widely spread this time. Whenever I try to “convert” any boy from the city or the village, he appears to have been “converted” already. This has happened quite a few times. Everyone is getting a sense that something’s going on.’

‘Secrecy has a mysterious attraction, the power of which isn’t negligible. Which is why hordes of boys are leaning this way.’

Just then, a punctured front tyre brought the car to a stop. ‘Now what calamity is this!’ Sudhir got down and set about replacing the flat tyre with a good one, and within ten minutes the vehicle was on the road again.

The tops of the hills were glittering in the early morning sun. When Sudhir slowed the car down, Deben asked, ‘What now? Out of fuel?’

Pressing down on the foot brake, Sudhir stopped the car and said, ‘Not exactly. Just that I have a cuppa in the morning and I benevolently offer one to my companion too. I will arrange for that now.’

Out of one corner of the car emerged a stove, a kettle, a cup, a tin of Lipton, and imported condensed milk, and soon enough tea, of a colour of the distant hills, was ready—satisfaction in liquor, flavour, aroma, and sharing!

Sipping the tea, Sudhir said, ‘The date has been set for the start, on the same day, of a massive revolution across northern India. The date for the announcement has been fixed too. All this is preparation for that.’

Deben jumped up enthusiastically. ‘You know, you really know?’

‘I also know that the bloodied wheels of revolution will crush us first, running over our breasts. Be ready for that.’

(Excerpted from Those Boyhood Years by Shibram Chakraborty, translated by Niladri R. Chatterjee. Published by Speaking Tiger Books, 2026)

ABOUT THE BOOK

Shibram Chakraborty was one of Bengal’s most prolific and beloved humourists and novelists. However, his debut novel, Chhele Boyoshe, a tender exploration of love between two boys, has been almost forgotten. Now, it appears for the first time in English.

Ashanto and Mohun, two teenaged boys, meet in Kolkata and are immediately attracted to one another. Circumstances bring them to the same hostel in the town of Malda, where they grow even closer. Their young love, untainted by the gaze of adults, finally puts them at risk, and soon they need to learn to protect it. Alongside, there is the story of Deben and Sudhir, older, and, deeply embroiled in the underground armed resistance against the British. Yet even in this world of intrigue and danger, they too continue to love each other. Sometimes diverging, and at times intertwining, the threads take the reader into the world of boys’ hostels, the nationalist movement, peasant resistance, often combining love stories with the thrill of chases and shadowy conspiracies.

Chakraborty writes with astonishing openness of the hugs, caresses and kisses shared by the boys, and their bold proclamations of love, even as he reflects on the horrors of rape and violence. What emerges is a story that is unusual in its frank and sweet depiction of same-sex love, while attempting to also bow to the prevailing sensibilities of the times.

For its rare portrayal of gay romance and the milieu of pre-Independence Bengal, and for the manner in which it combines sensitive storytelling with philosophical reflection, Those Boyhood Years is a pioneering work of modern Indian literature.

ABOUT THE AUTHOR

Shibram Chakraborty was a writer, poet and humourist who authored more than 150 books in his sixty-year career. The creator of the iconic duo Harshabardhan and Gobardhan, he initially wrote for magazines and newspapers before moving onto stories and novels, where his humorous voice earned him the moniker ‘King of Laughter’.

ABOUT THE TRANSLATOR

Niladri R. Chatterjee is Professor, Dept. of English, University of Kalyani. He has co-edited The Muffled Heart: Stories of the Disempowered Male, and Naribhav: Androgyny and Female Impersonation in India. He has authored a novel, The Scholar, and his book of translation, Entering the Maze: Queer Fiction of Krishnagopal Mallick, was shortlisted at the Kalinga Literature Festival awards, and won the Rainbow Lit Fest Award for Fiction in 2023.

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