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Contents

Borderless, August 2026

Art by Sohana Manzoor

Editorial

Bells, Corners, Changes and Life… Click here to read.

Translations

Robihara 2 (Sunless 2) by Nazrul has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Chapter 1 of Isa Kamari’s novel, The Throne, has been translated by the author from Malay. We will be running the whole novel as serial through the year. Click here to read.

An excerpt from Aslam Dostains novel, Sótkál, has been translated from Balochi by Fazal Baloch. Click here to read.

A Sudden Shower has been written and translated from Korean by Ihlwha Choi. Click here to read.

Jhor or Storm, a poem by Tagore, has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Luis Cuauhtémoc Berriozábal, Akil Contractor, George Freek, Pramod Rastogi, Khayelihle Benghu, John Grey, Mary Tina Shamli Pillay, John Britten, Bharti Mehra, David Francis, Laila Brahmbhatt, Ryan Quinn Flanagan

Poets, Poetry & Rhys Hughes

In Bell Poems, Rhys Hughes shares a series of poems inspired by Edgar Allan Poe’s ‘The Bell’. Click here to read.

Musings/Slices from Life

The Elusive Horizontal Falls

Meredith Stephens writes about her sailing adventures in Australia as Alan Noble shares his photographs. Click here to read.

Reading, Writing, and the Long, Dark Tunnel of Despair

Jeena R. Papaadi explores her own literary journey. Click here to read.

Another Waterworld?

Jun A. Alindogan writes of typhoons that are on the rise in Philippines. Click here to read.

Notes from Japan

In The Zine Scene, Suzanne Kamata participates at ‘The Zine Festival’ in Kobe. Click here to read.

Musings of a Copywriter

In Riverside Reflections, Devraj Singh Kalsi gives a dark satire which almost reads like fiction. Click here to read.

Essays

When Life gives us Lemons, make Lemonade!

Farouk Gulsara looks at the impact of climate events and climate change. Click here to read.

On Both Sides of the Border: The Techno-Political Erasure of Bureaucracy, Memory, and Refugee Lives

Rengin Uçkan takes a look at the plight of refugees. Click here to read.

Neither Automaton nor Oracle: A Satirical Inquiry into Morality, Conditioning, Football, and the End of Human Civilisation

Ravi Varmman K Kanniappan muses on the modern civilisation and its outlooks. Click here to read.

Stories

Shadow Play

Yi-jung Chen shares a unique love story set in Taiwan. Click here to read.

Fairway

Brindley Hallam Dennis shares a short narrative about a dog. Click here to read.

The Space Between Notifications

Jay Samanta shares a modern day relationship. Click here to read.

My Brother’s Room

Devraj Singh Kalsi gives a story of two brothers. Click here to read.

A Walk Through Nature

Naramsetti Umamaheswararao shares a fable set in a village in Andhra Pradesh. Click here to read.

Interview

Keith Lyons interviews author, Jayanthi Sankar, who also shares an excerpt from one of her stories. Click here to read.

Book Excerpts

An excerpt from Rhys Hughes’ The Biscuit Thief. Click here to read.

An excerpt from Ramananda Bharati’s The Forest of Snow, translated from Bengali by Somdatta Mandal. Click here to read.

Book Reviews

Aruna Chakravarti has reviewed Ramananda Bharati’s The Forest of Snow, translated from Bengali by Somdatta Mandal. Click here to read.

Somdatta Mandal has reviewed Arupa Patangia Kalit’s The Moonlight Saga, translated from Assamese by Ranjita Biswas. Click here to read.

Bhaskar Parichha has reviewed Rabindranath Tagore: The Myriad-Minded Man, co-authored by Krishna Dutta and Andrew Robinson. Click here to read.

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Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Editorial

Bells, Corners, Changes and Life

Rain, Steam, and Speed – The Great Western Railway, 1844, Painting by Joseph Mallord William Turner

Perhaps, the only constant that makes a difference in this ever-transforming world is how we react to changes around us. How do we interact with not just humans but our whole planet with its climate, contours, its plethora of flora and fauna?  Will that impact our survival in the long run? And yet with our focus on legacies, traditions, beliefs, we tend to ignore the call to adapt to the new that might help us move towards an unpredictable future. We forget perhaps that these systems had all been made by our ancestors to ensure survival. Somewhere along the way, these have become like fences caging us into small subsets. The strange thing is we continue to allow that to happen and create enclosures which we fight to maintain. The future that we face now seems even more tumultuous with climate change, rising sea levels and global warming taking a front seat while influx of refugees from war and natural disasters have already started making themselves felt. Add to that the shortages of resources that we have taken for granted for centuries. How would we survive these?

Is it by redefining the constructs we have created or just meeting in corners and finding commonalities as suggested by Ryan Quinn Flanagan in his poem ‘Corners’?

Corners are a meeting place, 
they hold a room together

Our poetry section often reflects what we experience, feel or see around us. We have poems on how nature overrides human constructs by Khayelihle Benghu. In ‘Passport for the Rain‘, she writes:

If rain possessed a passport, it would read:
Citizen of every place that drinks.

We have variety from around the world with poems from Luis Cuauhtémoc Berriozábal, Akil Contractor, George Freek, Pramod Rastogi, John Grey, Mary Tina Shamli Pillay, John Britten, Bharti Mehra, David Francis and Laila Brahmbhatt. Rhys Hughes has given us poetry inspired by Edgar Allan Poe’s poem, The Bell. While Poe wrote one poem in 1848 ( published posthumously in 1849), Hughes has written nine sprinkled with his brand of humour, including on cowbells and bell peppers!

We also have poetry in our translations with Ihlwha Choi giving us a glimpse of Korean life. Professor Fakrul Alam has brought to us in English a Bengali poem by Nazrul written on the death of Tagore, a poem that was read out in Calcutta radio by the poet himself in 1941. Tagore’s poem, Storm, has been translated in keeping with the heavy downpours in Asia this season. Fazal Baloch has shared an excerpt in English, which reads like a short story, from Aslam Dostain’s Balochi novel, Sótkál, giving us a flavour of the hard life in their region, where self-reliance is a felt need for survival. We have mental heath issues woven into this section with Isa Kamari’s translation of his own Malay novel into English, The Throne. We will be running a chapter every month from this novel.

Book excerpts also has a translation this time with Ramananda Bharati’s Bengali travelogue, The Forest of Snow, brought to us in English by Somdatta Mandal. Aruna Chakravarti has reviewed this non-fiction for us. The other excerpt is from Hughes’ The Biscuit Thief, a book that reflects his distinct brand of absurd humour. Keith Lyons’ interview this time features an excerpt from interviewee Jayanthi Sankar’s short story set in Singapore. Mandal has written on yet another translation from Assamese by Ranjita Biswas of Arupa Patangia Kalita’s The Moonlight Saga. Bhaskar Parichha has discussed Rabindranath Tagore: The Myriad-Minded Man, co-authored by Krishna Dutta and Andrew Robinson. He claims that this book is “is indispensable reading for anyone interested in literature, intellectual history, cultural modernity, or the life of a man whose vision of humanity continues to speak powerfully to an increasingly interconnected world.”

This month’s non-fiction section has trotted around the globe. We have Ravi Varmman K Kanniappan’s essay discussing how to redefine norms. His take is a bit different from Flanagan’s. He tells us, using Huck Finn, Terminator and Sangam Literature, people need to ask not, “What is right?” but “How did I come to believe this is right?” Rengin Uçkan’s writes on the need for framing rules that are compassionate for refugees. And Farouk Gulsara with his inevitable gruff humour talks of climate change while stating things as it is: “Climate change not only shrinks our summer beachwear but also makes outdoor living impossible. Additionally, it’s proving to be more expensive to consume anything…”  Jun A. Alindogan narrates how typhoons have increased in number in Philippines and how it affects them while Jeena R. Papaadi reflects on her literary journey. Meredith Stephens shares her sailing adventures in Australia with stunning photographs by Alan Noble. And Suzanne Kamata has brought us a flavour of the unique Zine Fest in Kobe, where both groceries and books find a place!

Devraj Singh Kalsi hovers between fact and fiction. He has a musing which seems like a hash of dark fiction but based on his experiences. He has also shared a story that is purely fictional. Yi-jung Chen brings to us a quirky love story set in Taiwan across time and space while Brindley Hallam Dennis tells a tale about a dog who sits at a table and sips drinks with a straw! Jay Samanta gives a narrative about a modern relationship based on social media output. Naramsetti Umamaheswararao has shared a fable that talks of freeing nature. The issue is, can we really?

In Borderless Journal, we hope to create a space which will help reflect not just the times but also look forward to ideas that can move us towards surviving in a happier world, built on the basis of accepting differences, filled with love, kindness and compassion. While this may sound clichéd and repetitive, given the current climes, these values cannot be emphasised often enough and perhaps our content to an extent does reflect that, sometimes with a soupçon of humour. Do pause by our contents page for this August and tell us what you think.  

Winding up this issue, we would like to thank our all contributors for their wonderful writings and photographs. Huge thanks to the Borderless team without who this issue would not have been as vibrant. Special thanks to Sohana Manzoor for her fabulous artwork. Thank you all. All of you together make this journal come alive.

Enjoy the reads!

Cheers,

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE AUGUST 2026 ISSUE

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Categories
Stories

The Space Between Notifications

By Jay Samanta

Meher read Dhruv’s silences the way other people read weather apps — obsessively — always half-an-hour too late.

They met on a Wednesday that felt like every other Wednesday — rooftop café in Bandra, fairy lights up for no festival in particular, a mutual friend’s birthday, that humidity that makes everyone’s laugh sound more generous than it is. He was scrolling his phone when she sat down next to him.

“Sorry,” he said, not looking up. “Fighting with my therapist. Over text. Which is, I realise, already the whole problem.”

She laughed before she could stop herself. “You fight with your therapist?”

“I lose. But I make him work for it.”

That was Dhruv. He announced his fractures like other people announced achievements. And Meher — twenty-eight years of being told she was too much, too intense, too quick to say I love you — found something restful in a man who wore the damage on the outside. Less digging required, she thought.

She was wrong about that.

*

Four months. It looked good from the outside, and honestly, it was good, some of it. He carried her slippers across sand too hot to walk on, then got sunburned so badly he couldn’t lie on his back for two days, and complained about it the whole time, dramatically, until she was laughing again. Voice notes ran eleven minutes long on that. A toothbrush at her flat, then a charger, then a hoodie she wore so often it just… stopped being his.

He wasn’t a villain in a costume. He forgot her cousins’ wedding dates. Twice. He was mortified both times — I’m an idiot, tell me the date again, I’ll set four alarms. Once, drunk on his best friend’s terrace, he told her his father left when he was nine, and cried the way men cry who haven’t done it in front of anyone in a long time. Then, after, he said: “Don’t bring this up when we fight. I’ll deny it happened.”

But under the pattern, there was another pattern. He’d vanish — not physically, just into some weather inside him she couldn’t track — two days of nothing. Then: sorry, was in my head. She stopped asking what that meant.

Until she didn’t.

“This is starting to feel like a pattern,” she typed. “It’s making me anxious.”

He called within a minute. New flatness in his voice — rehearsed, almost. “I can’t be responsible for regulating your nervous system, Meher. That’s not fair to either of us.”

“I didn’t ask you to regulate it. I asked you to text back.”

“You’re catastrophising.”

She wanted, badly, to believe him. That was the part she never told anyone. Not the manipulation — her own hunger to be wrong.

*

She started a note on her phone — nothing dramatic, she told herself, just dates.

Nov 14 — silent 30 hrs, called it “protecting his peace.”

Nov 21 — called me clingy for asking if we were exclusive. Apologised. Didn’t apologise for the rest of it.

She never meant to build a case. She just wanted to see the shape of something that kept dissolving the second she looked straight at it.

The train home from his flat in Andheri turned into its own ritual. She’d stand by the open door, Mumbai blurring past — clotheslines, construction lights, a city that never quite finishes itself — and rehearse conversations she never had. She still checked the sky out of habit. Same habit as checking his last-seen.

*

The night it ended, they were on his terrace. She said it without deciding to say it. “I don’t think I feel safe with you. I think I feel managed.

He didn’t get angry. He went still. The way he did right before a vanishing. “That’s a lot of projection for a Tuesday,” he said.

She looked at him a long moment. “You always do that. Turn my sentence into my diagnosis.”

He opened his mouth. And for once — nothing polished came out. Just, “I don’t— I don’t know what to say to that that isn’t also a deflection. So I’m going to say nothing. And I know how that’s going to look.”

It was the most honest thing he’d said in four months. It changed nothing.

She took an auto home. The city blurred gold through the plastic flap. Lay on her bed, fully dressed, feeling something that wasn’t quite heartbreak — closer to vertigo. The specific dizziness of loving someone who’d taught you to doubt your own eyes – gently, using words that sounded like care.

She didn’t message him, not that night, not the next.

*

Three weeks later. She was at her desk, half-writing a client email, when her phone lights up.

I went back and reread our messages from October. All of them, not just the ones I remembered. You were right about the pattern — I used therapy words to end conversations. Not writing this to be forgiven, or to get anything. I just didn’t want the last thing you knew of me to be a lie I told myself. I hope it was not just a symptom for you.

 — Dhruv

She reads it twice, a third time. She hunted for the second meaning under the first one. It was an old habit — half faith, half muscle memory.

Outside, the evening traffic on Linking Road starts its long, indifferent roar. A city that never quite finishes itself, never pauses for anyone’s reckoning. She thinks about the note still sitting on her phone, its small dated cruelties, thinks about how good it felt, at the start, to be with someone so fluent in his own wounds — and how she never once asked why that fluency had never, before tonight, been used to actually change.

The message looks different from the others, she thinks.

That doesn’t mean it is, she thinks.

Her thumb hovers over the keyboard. It was the first time in three weeks that she wasn’t sure which fear was louder — being wrong about him again, or being wrong about herself for wanting to find out.

She started to type.

 Jay Samanta is an undergraduate student of English at Panskura Banamali College, West Bengal, India. He enjoys writing contemporary literary fiction.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles