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Contents

Borderless, November 2026

Art by Sohana Manzoor

Editorial

What & Where is Home?……Click here to read

Translations

Manush (Human), a poem by Masud Khan has been translated from Bengali by Professor Fakrul Alam. Click here to read.

A dozen Deehis, a form of Balochi folk poetry, have been translated and introduced by Fazal Baloch. Click here to read.

Chapter 4 of Isa Kamari’s novel, The Throne, has been translated by the author from Malay. We will be running the whole novel as serial through the year. Click here to read.

Ostrich, a story by Kizzy Tahnin, has been translated from Bengali by Rajib Mahmud. Click here to read.

Indifference, a poignant Korean poem has been written and translated by Ihlwha Choi. Click here to read.

Cholonto Kolikata (Calcutta on the Move), a poem by Tagore, has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Ryan Quinn Flanagan, John Swain, Shamim Akhtar, Jim Murdoch, Prithvijeet Sinha, Ian Fitzgerald, Md Mujib Ullah, Jim Bellamy, Jeena R Papaadi, Ron Pickett, Pramod Rastogi, William Miller, Saranyan BV, Luis Cuauhtémoc Berriozábal

Poets, Poetry & Rhys Hughes

In The Geography Journal & Socks for Bigfoot, Rhys Hughes shares two satires in poetry. Click here to read.

Musings/Slices from Life

Making Home

Keith Lyons muses on what makes a home. Click here to read.

Sepia-toned Memories

Farouk Guslara indulges in nostalgia with old black and white prints. Click here to read.

Secrets in Stone

Meredith Stephens writes of her exploration in Enderby Island with photographs by Alan Noble. Click here to read.

Vignettes of an Immigrant

Ian C Smith recalls his move from England to Australia. Click here to read.

Earth, Wind, and Fire

Jun A. Alindogan writes of calamities and resilience in Phillipines. Click here to read.

A Story of Roots, Hard Work and Dreams

Snigdha Agrawal shares an immigrant’s story. Click here to read.

Musings of a Copywriter

In Linguistic Acrobatics & Orangutans, explores the human passion for big words. Click here to read.

Essays

Naruto, My Home

Odbayar Dorj writes opts to redefine the idea of a home. Click here to read.

Walking on the Razor’s Edge

Quazi Johirul Islam discusses prosody. Click here to read.

Nana Patekar: The Presence That Stays

Charudutta Panigrahi shares a tribute to the actor. Click here to read.

Stories

Loneliness

Umair Khan shares a story set in Karachi. Click here to read.

The Lit Window

Jay Samanta explores nightmares and loneliness. Click here to read.

Zara

Gowher Bhat narrates a sensitive story about a woman regaining her self worth. Click here to read.

A Change of Heart

Naramsetti Umamaheswararao shares a story set in a school. Click here to read.

Feature

An interview with Suzanne Kamata about her life and her recent book, Owls in Ginza and other Stories from Life in Japan, which has been introduced and reviewed briefly. Click here to read.

Book Excerpts

Excerpt from Shibram Chakraborty’s Those Boyhood Years, translated from Bengali by Niladri R. Chatterjee. Click here to read.

Excerpt from Ruslan Mavliashev’s The Political Unmanifest: Or How to Break Out of the Vicious Circle. Click here to read.

Book Reviews

Meenakshi Malhotra reviews Nayantara Roy’s novel, The Magnificent Ruins. Click here to read.

Bhaskar Parichha reviews Meena Arora Nayak’s The Blue Lotus: Myths and Folk Tales of India. Click here to read.

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Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Published from Singapore, ISSN: 2737-4688.

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Editorial

What & Where is Home?

“…home is a name, a word, it is a strong one; stronger than magician ever spoke, or spirit answered to, in strongest conjuration…” – Charles Dickens, Martin Chuzzlewit (1843-44)

Art by Sohana Manzoor

In Nomads: The Wanderers Who Shaped our World, the author, Anthony Sattin, professed that his narrative “traces the shifting relationships between people who move and those who were settled”. He showed how the ‘nomads’ — perhaps people we could now see as migrants or immigrants — shaped world history. With the advent of climate change, more frequent natural disasters and displacement due to political interference, other interventions and war, people have willingly moved or, at times, been forced to find new homes, even change countries. Have these seekers of refuge been accepted fully as part of the new community they called home? Often, when they are left without the option of returning to their birth land, they are referred to as refugees. Will such people ever find a home? Or even those who moved willingly? Our November issue has several narratives on migrants and exploring the idea of a home.

We have featured Suzanne Kamata, a modern-day migrant who shuttles between two very different cultures and her memoir, Owls in Ginza and other Stories from Life in Japan. Perhaps, she can be called a global nomad. Though in the interview, she professes she wants to split her time in equal portions between her birth land and adopted country, she starts her book with an incident in her home in Japan (where she has lived for the last thirty seven years) that highlights a dilemma that is not unheard of among migrants:

“The other day, a door-to-door salesman rang my bell. When I opened the door, he peered around me and said, ‘Isn’t there anyone at home?’ As if I were invisible, or temporary. As if I didn’t belong.

“‘I’m here,’ I said. I might have added, ‘I am one of you, and I’m not going anywhere.’”

In our non-fiction section, we have Ian Smith recounting his family’s move from England to Australia post the Second World War. Snigdha Agrawal writes of a second-generation Polish immigrant who has opted to live in Canada. The question such moves throw up — is do they have a home in the country they adopt, especially the pioneering generation that initiates the move? Farouk Gulsara nostalgically glances at the home he left behind, though he just moved cities within Malaysia. Keith Lyons returned home after scouring some of the world and yet, he muses on the idea of a home, quoting Charles Dickens, that “home is a name, a word … stronger than magician ever spoke, or spirit answered to, in strongest conjuration.”

Odbayar Dorj on the other hand opts to redefine the idea of a home, talking of her own spiritual oneness with her chosen city. We have also more to offer in non-fiction — travels in Australia from Meredith Stephens with photographs by Alan Noble. Jun A. Alindogan writes of calamities and resilience in Philippines.

Devraj Singh Kalsi takes us on a spin about words and their usages in a humorous vein while Quazi Johirul Islam discusses words, imagination, ornamentation and emotions performing a balancing act in prosody. Charudutta Panigrahi pays a tribute to a man who was known mainly as an actor, Nana Patekar, but he tells us when he met the famed artiste, “He [Patekar] spoke of programmes and people, of what works in a village and what only works on paper, of the farmer and the land. He spoke of ‘his work’ in agriculture, and there was not a grain of boast in the phrase.” So, here was a man who saw himself as of the farming community and the money from his awards often went to fund farming projects.

Patekar’s stance is reminiscent of Tagore’s own stance towards developmental work, as showcased by Uma Das Gupta in A History of Sriniketan: Rabindranath Tagore’s Pioneering work in Rural Reconstruction. He used his Nobel Prize money to fund Sriniketan, his rural reconstruction project. Tagore wrote in a letter sent to Elmhirst (who helped him set up Sriniketan) in 1939: “My path, as you know, lies in the domain of quiet integral action and thought, my units must be few and small, and I can but face human problems in relation to some basic village or cultural area. So, in the midst of worldwide anguish, and with the problems of over three hundred millions staring us in the face, I stick to my work in Santiniketan and Sriniketan hoping that my efforts will touch the heart of our village neighbours and help them in reasserting themselves in a new social order. If we can give a start to a few villages, they would perhaps be an inspiration to some others—and my life work will have been done.”

Our book excerpts host Ruslan Mavliashev’s The Political Unmanifest: Or How to Break Out of the Vicious Circle in which he looks for a change in our current polities. He tells us, “This is not a manifesto for the left or the right. It is an attempt to look beneath both—and ask what kind of human and institutional architecture a more mature politics would require.” The other is an extract from the late well-known Bengali humourist Shibram Chakraborty’s Those Boyhood Years, translated from Bengali by Niladri R. Chatterjee. Reading the translation, one realises how much a translator’s interpretation can impact the narrative. We have a review from Meenakshi Malhotra of Nayantara Roy’s debut novel, The Magnificent Ruins. And Bhaskar Parichha discusses Meena Arora Nayak’s The Blue Lotus: Myths and Folk Tales of India, dwelling on the commonality that exists despite the differences among the varied cultures of India. He writes: “There is something timeless about myths and folk tales. They survive generations, cross geographical boundaries and transcend religious affiliations, carrying within them the collective memory, imagination and wisdom of communities.”

And perhaps, the fables by Naramsetti Umamaheswararao do exactly that — rely on the wisdom of communities to highlight the resilience of humanity in a world of doddering values. In fiction, we have such a story based in Southern India by Umamaheswararao and a narrative set in Kashmir by Gowher Bhatt showcasing a woman who finds resilience. Jay Samanta plays with migration, home and resilience as he dwells on a nightmare while Umair Khan writes a poignant tale about an old rickshaw driver in Karachi, highlighting the need for compassion.

Highlighting the need for compassion is a Bengali poem by Masud Khan that has been translated by Professor Fakrul Alam. The same need for kindness and consideration has been echoed by Ihlwha Choi in his self-translated Korean poem on a beggar child. Isa Kamari’s narrative from Malay this time highlights the end result of a highly mechanised society where drugs can break families. In contrast to the bleakness portrayed in the aforesaid pieces, we have a translation of Tagore’s fun poem on a mobile Calcutta. More humour has been translated from Bangla by Rajib Mahmud with Kizzy Tahnin’s narrative about an ostrich and an old lady! A form of Balochi folk poetry, rendered often by women, has been translated and introduced by Fazal Baloch.

Our poetry section homes variety as usual with poems from Luis Cuauhtémoc Berriozábal, John Swain, Prithvijeet Sinha, Ian Fitzgerald, Md Mujib Ullah, Jim Bellamy, Jeena R Papaadi, Ron Pickett, Pramod Rastogi, William Miller and Saranyan BV. Ryan Quinn Flangan’s poem highlights Pablo Neruda’s attempt to help Spanish refugees in 1939 while Shamim Akhtar imagines the start of time or is it the universe… Jim Murdoch sprinkles wry humour into his lines while Rhys Hughes has managed to make us laugh in his poems on a future post global ice melts (and more) in a style that only poetry can muster… and perhaps, Hughes himself.

Do pause by our contents page to savour the whole issue.

Huge thanks to all our fabulous contributors and our readers. That the journal would not exist except for the love shown by all of you is a reality which we truly appreciate. Huge thanks to our wonderful team for their input.

Enjoy the reads and hope you look forward to our early bird edition this December.

Cheers,

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE NOVEMBER 2026 ISSUE

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Review

A Tapestry of Myths and Folk Traditions

Book Review by Bhaskar Parichha

Title: The Blue Lotus: Myths and Folk Tales of India

Author: Meena Arora Nayak

Publisher: Aleph Book Company

There is something timeless about myths and folk tales. They survive generations, cross geographical boundaries and transcend religious affiliations, carrying within them the collective memory, imagination and wisdom of communities. Long before the printed word became the principal vehicle of communication, stories were the means through which societies explained the mysteries of existence, preserved their traditions and passed on their understanding of human nature.

Meena Arora Nayak’s The Blue Lotus: Myths and Folk Tales of India celebrates this enduring tradition through an ambitious collection that brings together stories from across India’s diverse cultural and spiritual landscape.

Spread across 584 pages, the book is remarkable for both its range and its ambition. It goes beyond the familiar territory of Hindu mythology to explore the storytelling traditions of Buddhism, Jainism, Islam, Christianity and Sikhism, besides drawing upon the rich folklore of India’s tribal and regional communities. The result is an expansive narrative landscape in which gods, sages, demons, kings, queens, ordinary men and women, animals and supernatural beings coexist, often illuminating the complexities of human existence.

The familiar sources are well represented. The Vedas, Puranas, the Ramayana and the Mahabharata provide an inexhaustible reservoir of stories that have shaped the Indian imagination for centuries. The author also draws from the Kathasaritsagara, that magnificent ocean of ancient Indian storytelling, and the Panchatantra, whose animal fables have travelled far beyond the subcontinent. These narratives, despite their antiquity, retain an extraordinary capacity to engage contemporary readers. Their observations on ambition, jealousy, loyalty, deception, courage and wisdom remain remarkably relevant.

The Jataka Tales introduce Buddhist traditions of compassion, sacrifice and moral responsibility. Stories associated with the Quran and the Bible bring in other dimensions of faith and human experience, while the Sikh Janamsakhis[1] offer glimpses into the life and teachings of Guru Nanak. Jain narratives and tribal folklore further enrich this cultural mosaic. The inclusion of stories associated with Santhal, Khasi, Odia, Bengali and Punjabi traditions is especially welcome, as these often remain outside mainstream compilations of Indian mythology.

This diversity is not merely an exercise in representation. It underscores an important truth about India: its cultural identity has never been fashioned by a single tradition or religious narrative. Rather, it has evolved through centuries of interaction, exchange, adaptation and coexistence. Stories have travelled between communities, acquired new meanings and assumed different forms.

In this sense, The Blue Lotus becomes more than a collection of entertaining narratives. It is also an exploration of the plural foundations of Indian civilisation.

One important aspect of this compilation is its accessibility to readers across generations. For older readers, many of these stories evoke childhood memories and the oral traditions through which mythology first entered their lives. For younger readers, they offer an introduction to an imaginative universe that is increasingly distant from everyday experience. The retelling of familiar stories alongside lesser-known narratives also creates opportunities for rediscovery. What one assumes to be familiar may reveal an unexpected dimension when viewed from another cultural perspective.

The task of bringing together such a vast body of material is undoubtedly challenging. Every tradition has its own narrative conventions, philosophical assumptions and cultural context. A retelling must retain the spirit of the original while making it intelligible to a contemporary audience.

There is, of course, a distinction between compiling stories and interpreting the civilisational imagination behind them. A collection of this scale inevitably invites readers to look beyond individual narratives and examine the historical journeys of the stories themselves. How have they travelled? How have communities adapted them? What do their variations tell us about changing social values? These are questions that make the study of mythology an ever-evolving intellectual pursuit.

The title The Blue Lotus itself evokes an image of beauty, mystery and spiritual depth. The lotus, deeply embedded in India’s religious and artistic traditions, is also an appropriate metaphor for the country’s cultural experience: diverse roots, multiple expressions and a shared space of flowering.

When cultural identities are often discussed through narrow definitions, Nayak’s collection offers a welcome reminder of the breadth of India’s inheritance.

The Blue Lotus: Myths and Folk Tales of India is a valuable addition to the literature on India’s mythology and folklore. Its greatest achievement is the breadth of its vision—the recognition that India’s storytelling heritage is too vast, varied and interconnected to be confined to any single religious or cultural tradition.

For readers interested in mythology, folklore, literature and the making of India’s civilisational identity, this is a rewarding journey through an extraordinary world of stories.

[1] The Janamsakhis ( or birth stories) are traditional hagiographies that chronicle the life, travels and teachings of Guru Nanak.

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Bhaskar Parichha is a journalist and author of Cyclones in Odisha: Landfall, Wreckage and Resilience, Unbiased, No Strings Attached: Writings on Odisha and Biju Patnaik – A Political Biography. He lives in Bhubaneswar and writes bilingually. Besides writing for newspapers, he also reviews books on various media platforms.

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