Categories
Contents

Borderless April, 2024

Art by Sohana Manzoor

Editorial

April Showers… Click here to read.

Translations

Baraf Pora (Snowfall) by Rabindranath Tagore, gives a glimpse of his first experience of snowfall in Brighton and published in the Tagore family journal, Balak (Children), has been translated from Bengali by Somdatta Mandal. Click here to read.

Himalaya Jatra ( A trip to Himalayas) by Tagore, has been translated from his Jibon Smriti (1911, Reminiscenses) by Somdatta Mandal from Bengali. Click here to read.

Bhumika (Introduction) by Tagore has been translated from Bengali by Ratnottama Sengupta. Click here to read.

The Fire-grinding Quern by Manzur Bismil has been translated from Balochi by Fazal Baloch. Click here to read.

The Tobacco Lover by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Pochishe Boisakh (25th of Baisakh) by Tagore(1922), has been translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies Corner

Songs of Freedom: Dear Me… is an autobiographical narrative by Ilma Khan, translated from Hindustani by Janees. These narrations highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and pandies’. Click here to read.

Poetry

Click on the names to read the poems

Michael Burch, Kirpal Singh, Scott Thomas Outlar, Nusrat Jahan Esa, George Freek, Snigdha Agrawal, Phil Wood, Pramod Rastogi, Stuart McFarlane, Ahmad Al-Khatat, Shamik Banerjee, Ryan Quinn Flanagan, Lisa Sultani, Jenny Middleton, Kumar Bhatt, Rhys Hughes

Poets, Poetry & Rhys Hughes

In The Desk, Rhys Hughes writes of his writerly needs with a speck of humour. Click here to read.

Musings/Slices from Life

Heatwave & Tagore

Ratnottama Sengupta relates songs of Tagore to the recent heatwave scorching Kolkata. Click here to read.

The Older I get, the More Youthful Feels Tagore

Asad Latif gives a paean in prose to the evergreen lyrics of Tagore. Click here to read.

No Film? No Problem

Ravi Shankar takes us through a journey of cameras and photography, starting with black and white films. Click here to read.

Musings of a Copywriter

In Witches and Crafts: A Spook’s Tale, Devraj Singh Kalsi finds a ghostly witch in his library. Click here to read.

Notes from Japan

In Of Peace and Cheese, Suzanne Kamata gives us a tongue in cheek glimpse of photo-modelling mores. Click here to read.

Essays

Discovering Rabindranath and My Own Self

Professor Fakrul Alam muses on the impact of Tagore in his life. Click here to read.

The Lyric Temper

Jared Carter explores the creative soul of poets through varied times and cultures. Click here to read.

Bengaliness and Recent Trends in Indian English Poetry: Some Random Thoughts

Somdatta Mandal browses over multiple Bengali poets who write in English. Click here to read.

Stories

Hope is the Waking Dream of a Man

Shevlin Sebastian gives a vignette of life of an artist in Mumbai. Click here to read.

Viceregal Lodge

Lakshmi Kannan explores patriarchal mindsets. Click here to read.

The Thirteen-Year Old Pyromaniac

Paul Mirabile gives a gripping tale about a young pyromaniac. Click here to read.

Conversation

Ratnottama Sengupta in conversation about Kitareba, a contemporary dance performance on immigrants, with Sudarshan Chakravorty, a choreographer, and founder of the Sapphire Dance Company. Click here to read.

Book Excerpts

An excerpt from Jessica Mudditt’s Once Around the Sun – From Cambodia to Tibet. Click here to read.

An excerpt from Bhaskar Parichha’s Biju Patnaik: The Rainmaker of Opposition Politics. Click here to read.

Book Reviews

Meenakshi Malhotra reviews Mahasweta Devi: Writer, Activist, Visionary, edited by Radha Chakravarty. Click here to read.

Basudhara Roy reviews Out of Sri Lanka: Tamil, Sinhala and English Poetry from Sri Lanka and its Diasporas, edited by Vidyan Ravinthiran, Seni Seneviratne, Shash Trevett. Click here to read.

Swagata Chatterjee reviews Sanjukta Dasgupta’s Ekalavya Speaks. Click here to read.

Bhaskar Parichha reviews Bhang Journeys: Stories, Histories, Trips and Travels by Akshaya Bahibala. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Tagore Translations

Pochishe Boisakh: Rabindranath Tagore’s Birthday Poem

Pochishe Boisakh[1] was written by Tagore on 8th May 1922, and published in a collection called, Purabi [name of a raga] by the poet himself under the aegis of Vishwa Bharati.

Night gives way to dawn.
I bring to you
By hand,
The full saga of
My birth written
By the rays of
The morning sun.

A blood smeared sun rises out of the horizon.
Faint shadows of the woods play lonely notes of the Bhairavi.
Saal, palm and sisir trees murmur to
Break the silence of the outskirts.
On the dry fields, a blood-red path resembles
The forehead of a sanyasi* smeared with holy paste.

This day returns every year
In different guises on this earth —
Sometimes, filled with copper-coloured mangoes,
Or rustling with young palms,
Or, crackling with dry leaves in the mid-day sun,
Sometimes rushing to free itself
Like the clouds of the
Unshackled kalbaisakhi*.
And it comes to me
When I am alone,
Drunk with the northern breeze,
Hands me a gift —
A plate made of the blue sky
And then a zephyr filled cup of nectar.

This day has dawned today.
My heart beats rapidly
As if someone is blowing a conch resonating
With the susurration of infinite oceans.
Birth and death like
The skyline meet in the circle of life.
Today they come together.
A white radiance seems
To overflow with music from
The flute of Time, filling the emptiness.
Endless music irradiates
My soul singing from within.

Morning descends with a
Calm smile and
Whispers into my ears:
“I have come anew amidst many.
One day, you arrived
In this universe
Redolent with the perfume of fresh mallika blooms,
Amidst the breezy caresses of the chattim tree,
In the heart of darkness,
Under a steadfast, azure gaze.
I kiss the forehead
Of the new you.
I have come to awaken you
On this exciting day.

“Oh, newly fledged,
Let’s revisit the start of your life.
Today your existence is overwhelmed
With transient dusty correspondence.
Remember, O youth,
Your first birthday…
Unblemished —
Pure, like the first moments of your life;
Like the waves of the ocean, revive
Every second of
Your first day.

“Oh, newly fledged,
Arise, illumined
Out of the ashes of past.
Anew,
May you shine out of the mists
like a rising sun.
Holding the vernal flag,
Fill youthful moments with lush foliage —
In this way, newly fledged,
Pierce the emptiness, reveal yourself.
Revel in the exuberance of life,
Reveal the eternal wonders of the universe within your being.
The horizon reverberates with notes from the auspicious conch.”

In my heart,
Eternal new notes peal
On pochishe boisakh!

*Sanyasi- mendicant
*Kalbaisakhi— nor’wester thunderstorms

In 1941, Tagore adapted the last part of the poem, changed a few words and made it into a song for his last birthday, acceding to the request of a birthday song to his family and friends. The song, ‘Hey Nutan[2], has been translated by Aruna Chakravarti in her historical novel, Daughters of Jorasanko, as the last birthday song by Tagore. You can access the translation of the song and his last birthday celebrations depicted by Aruna Chakravarti by clicking here.

[1] Pochishe Boisakh is the 25th of Boisakh. Boisakh is the first month of the Bengali calendar coinciding with mid-April to mid-May. Tagore was born on 25th Boisakh, which is a date that shuttles between 7th to 9th May every year on the Gregorian calendar.

[2] Aruna Chakravarti translates this as ‘Oh ever new’. In the poem, it has been translated as ‘Oh newly fledged’. It is from that point that Tagore made the changes and converted the poem into a song. He changed a few words, a few lines, giving it a new life as a song.  

(This poem has been translated by Mitali Chakravarty with editorial input by Sohana Manzoor)

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

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Categories
Contents

Borderless, March 2024

Art by Sohana Manzoor

Editorial

‘If Winter Comes, Can Spring be Far Behind…’ Click here to read.

Translations

Travels of Debendranath Tagore are narratives translated from Bengali by Somdatta Mandal. Click here to read.

The Yellow Flower, a narrative by Haneef Sharif, has been translated by Fazal Baloch from Balochi. Click here to read.

Ye Shao-weng’s poetry ( 1100-1150) has been translated from Mandarin by Rex Tan. Click here to read.

Nazrul’s Amamai Nahi Go Bhalobashleo (Even if you don’t love me) has been translated by Professor Fakrul Alam from Bengali. Click here to read.

Rough Stone by Ihlwha Choi has been translated from Korean to English by the poet himself. Click here to read.

Phalgun or Spring by Rabindranath Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Conversations

A discussion with Radha Chakravarty on her new book, Subliminal, and a brief review of the book. Click here to read.

Jagari Mukherjee interviews Rajorshi Patranabis, discussing his new book, Checklist Anomaly and Wiccan philosophy. Click here to read.

Poetry

Click on the names to read the poems

Rhys Hughes, Alpana, Ron Pickett, Shamik Banerjee, Stuart McFarlean, Baisali Chatterjee Dutt, John Grey, Shahalam Tariq, Jim Murdoch, Kumar Ghimire, Peter Magliocco, Saranyan BV, Rex Tan, Samina Tahreem, Luis Cuauhtémoc Berriozábal

Poets, Poetry & Rhys Hughes

In Lines for Loons, Loonies and Such-like, Rhys Hughes shares a rare treat. Click here to read.

Musings/Slices from Life

The Elusive Utopia?

Farouk Gulsara discusses the ideal of a perfect world. Click here to read.

Serenading Sri Lanka

Mohul Bhowmick backpacks in Sri Lanka with a camera. Click here to read.

Musings of a Copywriter

In A Conversation with God, Devraj Singh Kalsi has a bargaining chip. Click here to read.

Notes from Japan

In Cherry Blossom Forecast, Suzanne Kamata brings the Japanese ritual of cherry blossom viewing to our pages with her camera and words. Click here to read.

Stories

Prison Break

C.J.Anderson-Wu gives a poignant flash fiction. Click here to read.

Terrace

Rakhi Pande relates a strange tale from Goa. Click here to read.

The Temple-going Snake

Devraj Singh Kalsi almost creates a fable but not quite. Click here to read.

Monsoon Arc

K.S. Subramaniam shows the human spirit pitched against the harshness of monsoon storms. Click here to read.

Felipe Jimenez’s Quest of the Unheard

Paul Mirabile travels to Spain of Goya’s times with an imaginary friend who takes after perhaps, Don Quixote? Click here to read.

Essays

Where the Rice is Blue and Dinosaurs Roar…

Ravi Shankar takes us on a tour of a Malaysian town. Click here to read.

Conquering Fears: Bowing to the Mountains 

Keith Lyons tells us of his challenging hike in New Zealand. Click here to read.

Book Excerpts

An excerpt from Out of Sri Lanka: Tamil, Sinhala and English Poetry from Sri Lanka and its Diasporas edited by Vidyan Ravinthiran, Seni Seneviratne and Shash Trevett. Click here to read.

An excerpt from Rajat Chaudhuri’s Spellcasters. Click here to read.

Book Reviews

Somdatta Mandal reviews Ilse Kohler-Rollefson’s Camel Karma: Twenty Years Among India’s Camel Nomads. Click here to read.

Rakhi Dalal reviews Anuradha Kumar’s The Kidnapping of Mark Twain: A Bombay Mystery. Click here to read.

Bhaskar Parichha reviews Mafia Raj: The Rule of Bosses in South Asia by Lucia Michelutti, Ashraf Hoque, Nicolas Martin, David Picherit, Paul Rollier, Clarinda Still. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

‘If Winter Comes, Can Spring be Far Behind…’

Where the mind is without fear

Where the world has not been broken up into fragments

Where the clear stream of reason has not lost its way

Where the mind is led forward by thee
Into ever-widening thought and action…

— ‘Where the Mind is without Fear’ (1910), by Rabindranath Tagore

As we complete the fourth year of our virtual existence in the clouds and across borders, the world has undergone many changes around us, and it’s not only climate change (which is a huge challenge) but much more. We started around the time of the pandemic — in March 2020 — as human interactions moved from face-to-face non-virtual interactions to virtual communication. When the pandemic ended, we had thought humanity would enter a new age where new etiquettes redefining our social norms would make human existence as pandemic proof as possible. But before we could define new norms in the global context, takeovers and conflicts seem to have reft countries, regions and communities apart. Perhaps, this is a time when Borderless Journal can give a voice to all those who want to continue living as part of a single species in this world — where we can rise above our differences to find commonalities that make us human and part of the larger stream of humanity, that has been visualised by visionaries like Tagore or John Lennon — widely different cultural milieus but looking for the same things — humankind living together in harmony and moving towards a world without violence, without hate, without rancour and steeped in goodwill and love.  

Talking of positive values does not make sense in a world that seems to be veering towards darkness… Many say that humankind is intrinsically given to feelings of anger, hate, division, lust, shame and violence. But then we are just as much inclined towards happiness, fun, love, being respectful and peaceful. Otherwise, would we be writing about these? These are inherited values that have also come down to us from our forefathers and some have been evolving towards embalming or healing with resilience, with kindness and with an open mind.  

If you wake up before sunrise, you will notice the sky is really an unredeemable dark. Then, it turns a soft grey till the vibrant colours of the sun paint the horizon and beyond, dousing with not just lively shades but also with a variety of sounds announcing the start of a new day. The darkest hours give way to light. Light is as much a truth as darkness. Both exist. They come in phases in the natural world, and we cannot choose but live with the choices that have been pre-made for us. But there are things we can choose — we can choose to love or hate. We can choose resilience or weakness. We can choose our friends. We can choose our thoughts, our ideas. In Borderless, we have a forum which invites you to choose to be part of a world that has the courage to dream, to imagine. We hope to ignite the torch to carry on this conversation which is probably as old as humanity. We look forward to finding new voices that are willing to move in quest of an impractical world, a utopia, a vision — from which perhaps will emerge systems that will give way to a better future for our progeny.

In the last four years, we are happy to say we have hosted writers from more than forty different nationalities and our readers stretch across almost the whole map of the world. We had our first anthology published less than one and a half years ago, focussing more on writing from established pens. Discussions are afoot to bring out more anthologies in hardcopy with more variety of writers.

In our fourth anniversary issue, we not only host translations by Professor Fakrul Alam of Nazrul, by Somdatta Mandal of Tagore’s father, Debendranath Tagore, but also our first Mandarin translation of a twelfth century Southern Song Dynasty poet, Ye Shao-weng, by Rex Tan, a journalist and writer from Malaysia. From other parts of Asia, Dr Haneef Sharif’s Balochi writing has been rendered into English by Fazal Baloch and Ihlwha Choi has transcreated his own poetry from Korean to English. Tagore’s Phalgun or Spring, describing the current season in Bengal, adds to the variety in our translated oeuvre.

An eminent translator who has brought out her debut poetry book, Radha Chakravarty, has conversed about her poetry and told us among other things, how translating to English varies from writing for oneself. A brief overview of her book, Subliminal, has been provided. Our other interviewee, Rajorshi Patranabis — interviewed by Jagari Mukherjee — has written poetry from a Wiccan perspective — poetry on love — for he is a Wiccan. We have poetry by Luis Cuauhtémoc Berriozábal, Jim Murdoch, Alpana, Baisali Chatterjee Dutt, John Grey, Shahalam Tariq, Saranyan BV, Rex Tan, Ron Pickett with poetry on the season and many more. Humour is brought into poetry with verses woven around a funny sign by Rhys Hughes . His column this month hosts a series of shorter poems — typically in Hughes’ own unique style.

Devraj Singh Kalsi has explored darker shades of humour in his conversation with God while Suzanne Kamata has ushered in the Japanese spring ritual of gazing at cherry blossoms in her column with photographs and narrative. Keith Lyons takes us to the beautiful Fiordlands of New Zealand, Ravi Shankar to Malaysia and Mohul Bhowmick trapezes from place to place in Sri Lanka. Farouk Gulsara has discussed the elusiveness of utopia — an interesting perspective given that we look upto ideals like these in Borderless. I would urge more of you to join this conversation and tell us what you think. We did have Wendy Jones Nakashini start a discussion along these lines in an earlier issue.

We have stories from around the world: C.J.Anderson-Wu from Taiwan, Paul Mirabile from France, Rakhi Pande, Kalsi and K.S. Subramaniam from India. Our book excerpts are from Out of Sri Lanka: Tamil, Sinhala and English Poetry from Sri Lanka and its Diasporas edited by Vidyan Ravinthiran, Seni Seneviratne and Shash Trevett and a Cli-fi book that is making waves, Rajat Chaudhauri’s Spellcasters. Mandal has also reviewed for us Ilse Kohler-Rollefson’s Camel Karma: Twenty Years Among India’s Camel Nomads. Bhaskar Parichha has discussed Mafia Raj: The Rule of Bosses in South Asia by Lucia Michelutti, Ashraf Hoque, Nicolas Martin, David Picherit, Paul Rollier, Clarinda Still — a book written jointly by multiple academics. Rakhi Dalal in her review of Anuradha Kumar’s The Kidnapping of Mark Twain: A Bombay Mystery has compared the novel to an Agatha Christie mystery!

I would want to thank our dedicated team from the bottom of my heart. Without them, we could not have brought out two issues within three weeks for we were late with our February issue. A huge thanks to them for their writing and to Sohana Manzoor for her art too. Thanks to our wonderful reviewers who have been with us for a number of years, to all our mentors and contributors without who this journal could not exist. Huge thanks to all our fabulous loyal readers. Devoid of their patronage these words would dangle meaninglessly and unread. Thank you all.

Wish you a wonderful spring as Borderless Journal starts out on the fifth year of its virtual existence! We hope you will be part of our journey throughout…

Enjoy the reads in this special anniversary issue with more content than highlighted here, and each piece is a wonderful addition to our oeuvre!

Mitali Chakravarty

borderlessjournal.com

Click here to access the content page for the March 2024 Issue.

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Tagore Translations

Phalgun or Spring by Rabindranath Tagore

Phalgun or Spring was published posthumously by Visva Bharati, in a collection of published and unpublished poems by Tagore called Chitra Bichitra (Picturesque Potpouri) in 1954.

Art by Sohana Manzoor
Phalgun* unfolds
Bright blooms,
Branches laden with
mango plumules.
Restless bees
Hum a melody,
Bamboo woods murmur
In harmony.

The vibrant river-water
Glitters and glimmers
In the moon light
As the sandbank shimmers.
The boat is tied to the shore.
The boatman is enticed
By the headiness
Of the full moon night.

From the shores, a song
soars soulfully.
A traveller plays the
Flute spontaneously.
The melody races
To distant fringes,
Crossing lonely
Trails and ridges.

In a distant bed
A dreamy-eyed boy, all alone,
listens to the melody and
Imagines on his own…
Late at night,
He is sailing avast,
Crossing the moonlit seas,
With the moon for a raft.

He travels all night,
On the moon-craft,
The boat touches the
Clouds that waft.
As night passes into dawn,
Birds chirp in the woods,
The moon-craft descends
Into the earth’s nook.

*Month in the Bengali Calendar
(normally from mid-February to mid-March)

This poem has been translated by Mitali Chakravarty with editorial input by Sohana Manzoor 

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Contents

Borderless, February 2024

Art by Sohana Manzoor

Editorial

Finding Godot?… Click here to read.

Conversations

Ratnottama Sengupta talks to Ruchira Gupta, activist for global fight against human trafficking, about her work and introduces her novel, I Kick and I Fly. Click here to read.

A conversation with Ratna Magotra, a doctor who took cardiac care to the underprivileged and an introduction to her autobiography, Whispers of the Heart: Not Just a Surgeon. Click here to read.

Translations

Two poems by Nazrul have been translated from Bengali by Niaz Zaman. Click here to read.

Masud Khan’s poetry has been translated by Fakrul Alam. Click here to read.

The White Lady by Atta Shad has been translated from Balochi by Fazal Baloch. Click here to read.

Sparrows by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Tagore’s Dhoola Mandir or Temple of Dust has been translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies Corner

Songs of Freedom: What are the Options? is an autobiographical narrative by Jyoti Kaur, translated from Hindustani by Lourdes M Supriya. These narrations highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and pandies’. Click here to read.

Poetry

Click on the names to read the poems

Rhys Hughes, Maithreyi Karnoor, Luis Cuauhtémoc Berriozábal, Sivakami Velliangiri, Wendy Jean MacLean, Pramod Rastogi, Stuart McFarlean, Afrida Lubaba Khan, George Freek, Saranyan BV, Ryan Quinn Flanagan, Sanjay C Kuttan, Peter Magliocco, Sushant Thapa, Michael R Burch

Poets, Poetry & Rhys Hughes

In City Life: Samples, Rhys Hughes takes on the voice of cities. Click here to read.

Musings/Slices from Life

Ratnottama Sengupta Reminisces on Filmmaker Mrinal Sen

Ratnottama Sengupta travels back to her childhood wonderland where she witnessed what we regard as Indian film history being created. Click here to read.

Suga Didi

Snigdha Agrawal gives us a slice of nostalgia. Click here to read.

Healing Intellectual Disabilities

Meenakshi Pawha browses on a book that deals with lived experiences of dealing with intellectual disabilities. Click here to read.

Musings of a Copywriter

In Hobbies of Choice, Devraj Singh Kalsi explores a variety of extra curriculums. Click here to read.

Notes from Japan

In Becoming a Swiftie in my Fifties, Suzanne Kamata takes us to a Taylor Swift concert in Tokyo. Click here to read.

Essays

Walking about London Town

Sohana Manzoor takes us around the historic town. Click here to read.

How Do You Live?

Aditi Yadav explores the universal appeal of the translation of a 1937 Japanese novel that recently came to limelight as it’s rendition on the screen won the Golden Globe Best Animated Feature Film award (2024). Click here to read.

The Magic Dragon: Cycling for Peace

Keith Lyons writes of a man who cycled for peace in a conflict ridden world. Click here to read.

Stories

A Night at the Circus

Paul Mirabile tells a strange tale set in Montana. Click here to read.

Echoes in the Digital Expanse

Apurba Biswas explores a futuristic scenario. Click here to read.

Two Countries

Ravi Shankar gives a story about immigrants. Click here to read.

Chadar

Ravi Prakash writes about life in an Indo-Nepal border village. Click here to read.

Just Another Day

Neeman Sobhan gives a story exploring the impact of the politics of national language on common people. Click here to read.

Book Excerpts

An excerpt from Nabendu Ghosh’s Journey of a Lonesome Boat( Eka Naukar Jatri), translated from Bengali by Ratnottama Sengupta. Click here to read.

An excerpt from Upamanyu Chatterjee’s Lorenzo Searches for the Meaning of Life. Click here to read.

Book Reviews

Somdatta Mandal reviews The History Teacher of Lahore: A Novel by Tahira Naqvi. Click here to review.

Basudhara Roy reviews Srijato’s A House of Rain and Snow, translated from Bengali by Maharghya Chakraborty. Click here to read.

Bhaskar Parichha reviews Toby Walsh’s Faking It : Artificial Intelligence In a Human World. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Finding Godot?

Discard all prayers,
Meditation, hymns and rituals.
Why do you hide behind
Closed doors of temples?
....
There is no God in this house.

He has gone to visit the
Farmers who plough the hard ground,
The workers who break rocks ...


— Tagore, Dhoola Mandir or Temple of Dust (1910)

Love is a many splendoured thing and takes many forms — that stretches beyond bodily chemistry to a need to love all humankind. There is the love for one’s parents, family, practices one believes in and most of all nurtured among those who write, a love for words. For some, like Tagore, words became akin to breathing. He wrote from a young age. Eventually, an urge to bridge social gaps led him to write poetry that bleeds from the heart for the wellbeing of all humanity.  Tagore told a group of writers, musicians, and artists, who were visiting Sriniketan in 1936: “The picture of the helpless village which I saw each day as I sailed past on the river has remained with me and so I have come to make the great initiation here. It is not the work for one, it must involve all. I have invited you today not to discuss my literature nor listen to my poetry. I want you to see for yourself where our society’s real work lies. That is the reason why I am pointing to it over and over again. My reward will be if you can feel for yourself the value of this work.”

And it was perhaps to express this great love of humanity that he had written earlier in his life a poem called Dhoola Mandir that urges us to rise beyond our differences of faith and find love in serving humankind. In this month, which celebrates love with Valentine’s Day, we have a translation of this poem that is born of his love for all people, Dhoola Mandir.  Another poet who writes of his love for humanity and questions religion is Nazrul, two of whose poems have been translated by Niaz Zaman. Exploring love between a parent and children is poetry by Masood Khan translated from Bengali by Fakrul Alam. From the distant frontiers of Balochistan, we have a poem by Atta Shad, translated from Balochi by Fazal Baloch, for a fair lady — this time it is admiration. Ihlwha Choi translates poetry from Korean to express his love for a borderless world through the flight of sparrows.

Love has been taken up in poetry by Michael Burch. Borne of love is a concern for the world around us. We have powerful poetry by Maithreyi Karnoor that expresses her concern for humanity with a dash of irony or is it sarcasm? Luis Cuauhtémoc Berriozábal expresses his admiration for the poetry of Italian Poet Antonia Pozzi (1912-1938) in poetry. We have poems by Stuart McFarlane, Pramod Rastogi, Afrida Lubaba Khan, George Freek, Saranyan BV, Ryan Quinn Flanagan and many more. Rhys Hughes brings humour into poetry and voices out in his column taking on the persona of two cities he had lived in recently. There is truth and poignancy in the voices of the cities.

Suzanne Kamata writes a light-hearted yet meaningful column on the recent Taylor Swift concert in Tokyo.  Aditi Yadav takes up the Japanese book on which was based a movie that won the 2024 Golden Globe Best Animated Feature Film Award. Sohana Manzoor journeys to London as Devraj Singh Kalsi with tongue in cheek humour comments on extracurriculars that have so become a necessity for youngsters to get to the right schools. Snigdha Agrawal gives us a slice of nostalgia while recounting the story of a Santhali lady and Keith Lyons expresses his love for peace as he writes in memory of a man who cycled for peace.

Ratnottama Sengupta also travels down the memory lane to recall her encounters with film maker Mrinal Sen as he interacted with her father, Nabendu Ghosh. She has translated an excerpt from his autobiography to highlight his interactions with Ghosh. The other excerpt is from Upamanyu Chatterjee’s latest novel, Lorenzo Searches for the Meaning of Life.

In reviews, Somdatta Mandal has explored Tahira Naqvi’s The History Teacher of Lahore: A Novel. Srijato’s A House of Rain and Snow, translated from Bengali by Maharghya Chakraborty, has been discussed by Basudhara Roy and Bhaskar Parichha has reviewed Toby Walsh’s Faking It: Artificial Intelligence in a Human World. News and Documentary Emmy Award winner (1996) Ruchira Gupta’s daring novel born of her work among human traffickers, I Kick and I Fly, has been brought to our notice by Sengupta and she converses about the book and beyond with this socially conscious activist, filmmaker and writer. Another humanist, a doctor who served by bridging gaps between patients from underprivileged backgrounds, Dr Ratna Magotra, also conversed about her autobiography, Whispers of the HeartNot Just a Surgeon: An Autobiography , where she charts her journey which led her to find solutions to take cardiac care to those who did not have the money to afford it,

We have fiction this time from Neeman Sobhan reflecting on how far people will go for the love of their mother tongue to highlight the movement that started on 21st February in 1952 and created Bangladesh in 1971. Our stories are from around the world — Paul Mirabile from France, Ravi Shankar from Malaysia, Sobhan from Bangladesh and Ravi Prakash and Apurba Biswas from India — weaving local flavours and immigrant narratives. Most poignant of all the stories is a real-life narrative under the ‘Songs of Freedom’ series by a young girl, Jyoti Kaur, translated from Hindustani by Lourdes M Supriya. These stories are brought to us in coordination with pandies’ and Shaktishalini, a women’s organisation to enable the abused. Sanjay Kumar, the founder of pandies’ and the author of a most poignant book about healing suffering of children through theatre, Performing, Teaching and Writing Theatre: Exploring Play, writes, “‘Songs of Freedom’ bring stories from women — certainly not victims, not even survivors but fighters against the patriarchal status quo with support from the organisation Shaktishalini.”

While looking forward in hope of finding a world coloured with love and kindness under the blue dome, I would like to thank our fabulous team who always support Borderless Journal with their wonderful work. A huge thanks to all of you from the bottom of my heart. I thank all the writers who make our issues come alive with their creations and readers who savour it to make it worth our while to bring out more issues. I would urge our readers to visit our contents’ page as we have more than mentioned here.

Enjoy our February fare.

Mitali Chakravarty

borderlessjournal.com

Click here to access the content’s page for the February 2024 Issue.

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Categories
Tagore Translations

Temple of Dust by Rabindranath Tagore

Dhoola Mandir (The Temple of Dust) was written by Tagore in 1910 and can be found in his collection, Sanchayita1. It is a poem that seeks to bridge social gaps.

Peasant Couple (1950), painting by MF Husain (1915-2011)
Discard all prayers,
Meditation, hymns and rituals.
Why do you hide behind
Closed doors of temples?
In the darkness of the sanctum,
Who do you worship in secrecy?
Open your eyes and look,
There is no God in this house.

He has gone to visit the
Farmers who plough the hard ground,
The workers who break rocks for paths,
People who slog round the year.
He is there with them under the hot sun,
With dust-smeared hands;
Take off your garb of purity,
Join him in his dusty domain.

Nirvana? Oh! Where will you get it,
Where can you find freedom?
After Creation, our God,
Found himself bound to all of us.
Discard meditation, relinquish floral offerings.
Let your garments tear, your hands get dusty,
Join Him in His endeavours --
Free yourself of the rituals of religions.
  1. Sanchayita (literal meaning: collection) was published by Visva Bharati in 1931 to commemorate Tagore’s seventieth birthday. ↩︎

This poem has been translated by Mitali Chakravarty with editorial input by Sohana Manzoor 

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Categories
Essay

Walking about London Town

By Sohana Manzoor

The first thing I realised while walking around London is that not a single one of all the people I had known who had been to England, told me how charming the city is. The buses with open tops, the red telephone booths, Big Ben, the London Bridge and all those pretty buildings simply fascinated us. So, before heading out for Haworth, we walked around in London and took Duck’s tour and saw some really enchanting stuff.

Sohana at the Tower of London

We spent a large part of a day at the famed Tower of London, which is literally a thousand years old, first built by William the Conqueror in the 11th century. Our visit began with a tour by a Beefeater (also known as a Yeoman Warder), who gave us a general overview of the Tower’s history. He had a wicked sense of humor and kept making puns like “Let’s be heading this way.” We saw Tower Hill, the site of public executions on the scaffold, and also Tower Green, where Anne Boleyn and Lady Jane Grey were executed – the spot is now commemorated by a glass sculpture with a pillow on top. The tour ended at the Chapel Royal of St Peter ad Vincula where those executed on Tower Green (including Boleyn and Jane Grey) are buried. Afterwards, we took a picture with the Beefeater outside the chapel.

Next, we went to the building that houses the Crown Jewels. Our eyes were dazzled by the rich display of crowns, scepters, and orbs bejeweled with diamonds, rubies, sapphires, and every kind of precious stone possible in the vault. We also saw the famed Kohinoor diamond, set in the Queen Mother’s crown, as well as the crown worn by the late Queen Elizabeth II. After the crown jewels, there was also a section of gold plates, serving dishes, goblets, wine jugs, etc. that were used for ceremonial occasions by various monarchs. We will probably never again see such a display of wealth, and perhaps there is no other place with so much wealth on display in one place. However, all the gold and perhaps some of the obnoxious histories attached with the splendour on display started to make me feel nauseous, so I was glad to get out into the open air.

We looked around in the White Tower, which stands in the center with a display of military equipment and history. Then we went to the Beauchamp Tower, which is known for the graffiti on the walls left by various prisoners, including some very high-profile ones. At one point, when I saw the graffiti attributed to Robert Dudley, Earl of Leicester, I stood rooted to the spot. It was incredible to think we were standing in the same room where such illustrious prisoners once lived, carving their convictions into the walls.

We walked around the grounds, taking pictures, and then came across some costumed characters, including James Scott, Duke of Monmouth, who posed with me graciously for a picture. The costumed characters put on a dramatic reenactment of James trying to claim the throne. James Scott is the fellow who required several blows of the axe, followed by a butcher knife, during his beheading on Tower Hill by the half-drunk Jack Ketch. The Beefeater told us the story in all its gory detail, though the reenactment, thankfully, included the trial but not the execution.

We took pictures, including one of Nausheen posing with a raven. These birdsare kept and bred on the grounds of the Tower. Apparently, they have kept at least half a dozen ravens since the time of Charles II, who thought the Tower would fall and the empire disintegrate if he did not always keep ravens there. There is even one beefeater whose job it is to feed and take care of the ravens! Finally, we also saw the room where Sir Walter Raleigh was imprisoned for many years, and the place where he used to walk back and forth (now called Raleigh’s Walk), and I got goose bumps.

Our day ended with a brief stop at Tate Modern, which is just across the river from the Tower. I’m not really into modern art, and as I paused in front of a famous painting by Picasso, I had to admit that I understood nothing about its greatness. To me it looked like a misshapen human figure lying on its side. Nausheen kept on dancing around the pieces and went on explaining what she had learnt in conjunction with modern poetry.

The Parliament & Big Ben

Next morning, we passed Big Ben and the Houses of Parliament on our way to Westminster Abbey where kings and queens are still coronated, and where many notable historical, political, and literary figures are buried. It was very crowded, but also a very solemn kind of place – kind of dark and gloomy, with tombs and effigies all around, and Latin epitaphs everywhere. Many of England’s kings and queens are buried here, and we saw the tombs of Henry VII, Elizabeth I, Bloody Mary, and Mary Queen of Scots. The tomb of Queen Elizabeth felt unreal – almost as if it was part of a dream I had nurtured for long.

Eventually, we made our way to the Poets’ Corner, which Nausheen was especially eager to see. She got excited seeing the tomb of Chaucer, who was the first to be buried in the Poets’ Corner. We both patted the tomb in homage to the great man. We also saw tombs of various other poets and writers, such as Austen and Dickens, and memorials to writers who are buried elsewhere, but commemorated here nonetheless, such as Shakespeare and the Brontës. Finally, we stopped at the museum shop to buy some souvenirs.

The afternoon saw us at the Tate Britain. We took a tour with one of the museum guides, who took us through the Turner wing. It was really great that they have an entire wing devoted to Turner, since his work is familiar to me from my dissertation supervisor, Dr. Collins’s course. There were also paintings by Constable and Gainsborough, but of course, Turner’s are the most dramatic and majestic. There was also a smaller wing dedicated to Blake’s prints, paintings, and engravings. However, the ones that are most familiar to us, from Songs of Innocence and Experience, are mostly elsewhere, such as in the British Museum, so there were only a handful of those.

The next day was cold and gloomy and we decided to stay in. We made plans of visiting Hampstead, the home of the young Romantic poet John Keats the day after. I knew days would be bad as I was developing a fever. But I could surely rest for one day.

Sohana Manzoor is an Associate Professor at the Department of English and Humanities at ULAB, a short story writer, a translator, an essayist and an artist. This essay was previously published in The Daily Star in January 2019.

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Categories
Contents

Borderless, January 2024

Art by Sohana Manzoor

Editorial

Imagine all the People, Sharing All the World’Click here to read

Conversations

Interviewing Bulbul: Remembering Mrinal SenRatnottama Sengupta introduces Bulbul Sharma to converse with her on Mrinal Sen, the legendary filmmaker, reflecting on Bulbul Sharma’s experience as an actress in his film, Interview. Click here to read.

In conversation with Gajra Kottary, eminent screenplay writer, and a brief introduction to her recent book of short stories, Autumn Blossoms. Click here to read.

Translations

Nazrul’s poem, Samya or Equality, has been translated from Bengali by Niaz Zaman. Click here to read.

Masud Khan’s Fire Engine has been translated from Bengali by Fakrul Alam. Click here to read.

Short Poems by Mulla Fazul have been translated from Balochi by Fazal Baloch. Click here to read.

Disaster Alert by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Prarthona or Prayer by Rabindranath Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Radha Chakravarty, David Skelly Langen, Urmi Chakravorty, Avantika Vijay Singh, JM Huck, Isha Sharma, Stuart McFarlane, Saranyan BV, Ron Pickett, Mereena Eappen, Ahmad Al-Khatat, Ganesh Puthur, George Freek, Rhys Hughes

Poets, Poetry & Rhys Hughes

In Some Differences Between India and Sri Lanka, Rhys Hughes relates his perceptions of the two countries with a pinch of humour. Click here to read.

Musings/Slices from Life

When the Cobra Came Home

Antara Mukherjee nostalgically recalls her past and weaves it into the present. Click here to read.

The Old Man

Munaj Gul Muhammad describes his encounter with an old Balochi man. Click here to read.

Corner

Anita Sudhakaran muses on the need for a quiet corner. Click here to read.

Musings of a Copywriter

In Taking Stock…Finally, Devraj Singh Kalsi writes of stocks that defy the laws of gravity. Click here to read.

Notes from Japan

In A Sombre Start, Suzanne Kamata talks of the twin disasters in Japan. Click here to read.

Essays

Abol Tabol: No Nonsense Verses of Sukumar Ray

Ratnottama Sengupta relives the fascination of Sukumar Ray’s Abol Tabol, which has  just completed its centenary. Click here to read.

Peeking at Beijing: Fringe-dwellers and Getting Centred

Keith Lyons shares the concluding episode of his trip to Beijing. Click here to read.

Stories

The Gift

Rebecca Klassen shares a sensitive story about a child and an oak tree. Click here to read.

Healing in the Land of the Free

Ravi Shankar gives the story of a Nepali migrant. Click here to read.

Pigeons & People

Srinivasan R explores human nature. Click here to read.

Phôs and Ombra

Paul Mirabile weaves a dark tale about two people lost in a void. Click here to read.

Book Excerpts

An excerpt from Srijato’s A House of Rain and Snow, translated from Bengali by Maharghya Chakraborty. Click here to read.

An excerpt from The Kidnapping of Mark Twain: A Bombay Mystery by Anuradha Kumar. Click here to read.

Book Reviews

Somdatta Mandal reviews Sudha Murty’s Common Yet Uncommon: 14 Memorable Stories from Daily Life. Click here to read.

Meenakshi Malhotra reviews Rhys Hughes’ The Coffee Rubaiyat. Click here to read.

Rakhi Dalal reviews Ajit Cour’s Life Was Here Somewhere, translated by Ajeet Cour and Minoo Minocha. Click here to read.

Bhaskar Parichha reviews Scott Ezell’s Journey to the End of the Empire: In China Along the Edge of Tibet. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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